#this isnt everything i have to say but- i felt like it was most poignant to leave this post off here

[postmail]

im reading the hobbit right now, just finished chapter 8 in fact, and one thing i like is that while bilbo does use the ring in his trademarked “heroic and awesome bilbo moment in mirkwood”, it still feels like its mostly him thats doing all that wicked cool shit. the ring doesn’t feel like a crutch that he leans on and cant do anything without; it feels like a useful little tool that bilbo cleverly uses to his advantage.

the ring made him invisible, sure, and plenty of the stunts he pulls would be made all the harder, maybe impossible, without that boon. but the ring didnt make him able to scheme the dwarves out of the spiders’ hold, it didnt make him sing his little ‘attercop’ song, it didnt make him so good at throwing, and it didnt make him kill all those spiders. that was bilbo.

and even earlier in the chapter, in his little turning point after killing the first spider, the ring wasn’t even involved.

it was all bilbo. was he using the ring? yes, he was. would half of the stuff he does probably not work as well, if at all, if he didnt have the ring? oh, probably - maybe even certainly. but, then again, he wouldnt have been able to snipe those spiders if there were no stones, and he wouldnt have been able to stab and slash at them if he hadnt had sting.

the ring is a tool - and maybe this pure conjecture from a guy yet to finish either lotr or the hobbit, but i cant help but think that this very succinctly symbolizes the relationship bilbo has with the ring, at least during the hobbit. to him, its just a benign, very helpful little trinket thats done him a lot of good. he has no idea of the ring’s malevolence, no reason to look too closely at it, and so he only sees it as the tool that it is to him. a tool that he has a right to be so fond of and maybe a little possessive of... doesn’t he?

...i dunno man, i just really like these bagginses and their fucked up ring.

[faelapis]

so i watch wwdits. and i gotta say. that was the worst episode i've ever seen of not just this show, but maybe any show. ever. wow. i'm actually impressed with how bad it was.

i'm considering doing a more serious dissection of how Not to do a character arc or narrative framing. but for now, let me just share some general thoughts:

undoing guillermos vampirism totally shits on his character arc of standing up for himself and taking what he wants regardless of the morality of it. i hate it and it sucks.

also, the reasons make no sense. guillermo has had zero problem killing people until now. the roundabout way they try to explain it, like wow, he could smell someone's shampoo and imagined him picking it out and felt their mutual humanity... why would that not apply to any of the other people he's killed? he's even had somewhat of a relationship with some of them. yet all he's ever done when they die is give a distressed frown AT MOST.

guillermo is a killer and always has been. lately, he's even proud of it. that has, metaphorically, been part of him "embracing who he is."

but what bothered me even more was nandor. we all know this situation (guillermo being turned by someone else) is his fault for neglecting turning guillermo for 13 years... but instead, everything is framed as guillermos own fault for having someone else turn him. like - look at how mad you made nandor, guillermo. look what you've caused, guillermo. look what you made him do.

which, yikes. i feel like i dont need to say how bad that is.

even worse than nandors jealous rage.... i really hate the stupid condescending "forgiveness" afterwards. thats actually worse. like guillermo was right to be meek and apologetic for this, like it IS something he needs to be forgiven for. but its "okay" now because nandor "forgave" him. lets just move on. no need to interrogate nandors entitlement over guillermo.

you can argue theres the unstated idea that nandor is overreacting. sure. we, the audience, dont want guillermo to die, and thats part of the irreverent way the show treats death and killing.

but still, yknow?

i feel like i'm taking crazy pills, because the real question isnt whether nandor should "forgive" guillermo. in this context, guillermo has done nothing wrong. nandor totally reneged on their agreement as vampire-familiar. guillermo is supposed to serve nandor, and in return, nandor is supposed to turn guillermo. but he keeps not doing it, and in general being shitty towards guillermo. so guillermo takes matters into his own hands.

that COULD be a great character beat. it could confront nandor with his selfishness, and this uneven power relationship where he gets guillermo to stay by not fulfilling his promise.

but the question of whether guillermo should forgive nandor for not turning him, or for throwing a fit when someone else does? not even brought up. even though that really seems like the most pressing question. its crazy how subservient and apologetic guillermo suddenly is, like its S1 all over again. he does some token yelling at nandor, but his primary emotion is clearly guilt. its not enough to remotely change the shitty framing.

look. this show doesnt exactly have much "morality", and i dont want it to. i dont want any of these guys to become upstanding citizens. i like the irreverent tone and how theyre all killers.

but i do care about character arcs and agency.

guillermo has been treated like hes inferior the whole time hes been a familiar. and hes put up with it because he wanted to be a vampire. so by becoming a vampire, he forces the relationship to become equal. he also finally gets what he wants. which is ESPECIALLY poignant when it happens regardless of what nandor wants. it takes back his own agency over the situation, because nandor CAN'T hold it over his head anymore.

and then nandor doesnt like it. and goes into a murderous rage because of own entitlement at being the one to turn guillermo. thats fine as a starting point to a character arc, but guillermo doesn't even stand up for himself. he doesnt fight back as he should - or really, would, given how he's evolved to be more assertive. and then its reinforced by the stupid "forgiveness", like nandor has any right to forgive someone who did nothing wrong. it sets up this convenient scenario where nandor is not confronted for being a shitty master, but guillermo IS confronted for taking control of his own life.

and now, just as conveniently, guillermo just... doesnt like being a vampire, either. so nandor gets to further be a "good friend" making amends by helping "unturn" him. all framed like its about guillermo finding out what he "really" wants.

this is lame and it sucks. not only because guillermos reasons make no sense (again, he's been a killer this whole time? if anything, his arc is more accepting his own lack of morality), but because it resets the chessboard in a way where nandor doesnt have to learn anything.

nandor doesnt have to confront the sting of guillermo having agency to make this choice without him. he doesnt have to deal with the fact that it never got to be him who turns guillermo. he doesnt have to be forcibly confronted with the fact that he now has to treat guillermo as an equal, because guillermo now doesn't need anything from him.

and it sucks because all that could actually be a great jumping off point for them to, despite everything, start a real relationship. maybe even a romantic one. they could mutually realize they actually care about each other. regardless of this pact.

and you can say that by guillermo deciding to be human (as extremely lame and deeply uncool as that is), it also gives them this "equality." because he would stay with the vampires because he wants to, not because he needs something from nandor.

but you're missing the point - its NANDOR who needs to learn. its HE who needs to be confronted by guillermo making his own choices.

so guillermo just... conveniently changing his mind because he was a full vampire for one (1) fucking day and suddenly decided he's too good to kill people?

it robs nandor of that entire arc. and no, i'm not counting his stupid "forgiving" guillermo as learning to treat him like an equal. that would require a lot more introspection about his own entitlement. that would require him to actually say with his chest that guillermo had every right to make this choice, and its not on nandor to forgive him, its on guillermo whether he would forgive nandor.

that doesn't happen. what actually happens is nandor decides to show guillermo "mercy," which, again, firmly places the agency in nandor's hands. at no point does he have to be vulnerable and accept that guillermo might not want to be with him. at no point does he have to introspect about how he's treated him this whole time.

also. there is a long, proud line in patriarchal thinking of husbands "forgiving" their wives for perceived "disobedience," which only reinforces the husband as the head of the household and that said wives "should" have been more obedient. forgiveness is not always an act of kindness. sometimes it's very condescending. which it is here.

(same for the interpretation i've seen from some, that nandor "always knew" guillermo wasn't cut out to be a vampire. like that's why he didn't turn him. what a horrible, condescending idea. i don't know how you can look at nandor being like "i'm not going to give you what you want, because i know better than you" and not think it's shit.)

yes, i'm aware of the cheating metaphor. but its a bad metaphor. at least, not without acknowledging that its been an unequal relationship for 13 years where one partner has been neglecting the other constantly. at that point, the nuance should really come out and maybe the partner "cheating" isnt the worst here.

but that doesn't happen.

also... it's just a bad episode. like. in general. like the whole thing with the guide, where you think she actually gets to assert herself? sounds great. too bad its totally undone by gaslighting her into thinking they do like her and are nice to her. like the problem is they just didnt verbalize that "enough." thats yet another bullied or ignored character whose arc of standing up for themselves (even by immoral means, because its an immoral fantasy show) is undercut.

it sucks. guillermo sucks for losing his defiant streak (and metaphorical empowerment through vampirism), nandor sucks for being entitled. this whole show sucks. i suck for bothering to stick with it so long. i'm done. i'm out.

[the-gayest-tree-you-ever-did-see]

Have you seen the prequel movie? If yes🌹>>>

A. In your opinion, please rate TBOSAS movie with 1-10 scale.

(1 = I hate it, 10 = I love it.)

Things that you like :

Things that you don't like :

B. For people who also read the novel.

Your opinions about the difference between the book and the movie :

Thank you 🎼

@curiousnonny

<333333 yes yes yes 🌹🌹

A) hmm im gonna say 8? im not very good at number ratings. i had read the book already so i went in with the context of everything and coryo's internal monologue so i very much enjoyed it for the visuals and being able to see everything i read on screen + hearing the songs. biggest pride point is that ballad of lucy gray baird sounds exactly like i thought it would -- i have a recording of me singing how i thought it sounded and its nearly the same as in the movie so i was VERY haunted by that bc it felt like it was taken out of my mind. however, if i hadnt read the books, i dont think i wouldve enjoyed it as much bc it took away from a lot of the story to not know what snow was thinking -- it just didnt have the same impact

things i like: the dress was gorgeous and very realistic (and the touch of katniss and primrose designs on the bodice was chefs kiss), and the color symbolism was very fun to watch unfold, both with the obvious district blue/panem red as well as the colors of the roses and just the color imagery in general. i love rachel zegler and am very happy with her as lucy gray, but sejanus was perfect casting for me; he looked EXACTLY like i thought he would. also when i was reading the book, i knew what took place where and when that matched up with places in thg, but being able to see it was a whole other story.

things i dont like: um nothing much really for the movie on its own? like i have Opinions on the changes they made, but as it's own thing, i only wish we had more of coryo's internal thoughts -- and if not, a heavier emphasis on lucy gray. without either, it just felt like the dynamics fell a little flat, especially compared to the dynamics of the og movies.

B) OOOOOOOH okay so i was fine with most of the changes to the story for the movie -- theres only so much time and so many ways to show something and its a different medium, so i understand why things had to be different. BUT! i very much did not like two changes. one, that lucy gray wins the games by not being killed by the snakes. its a lovely scene and great to watch, but i feel like it almost takes power away from lucy gray. we, as the audience, know that it isnt her singing that keeps the snakes at bay, and so all it really shows us is how easy it is to make the capitol see district citizens as human like them, if only they get past their own blinders. and since she survives bc coryo gave his handkerchief with her scent to the snakes, it just makes it so he won the games, not lucy gray. the way it played out in the book mightve been less cinematic to watch, but it was much better in my opinion. like, the fact that lucy gray had to resort to using reaper's humanity against him in order to kill him, and that it was a suicide that led to her survival was very poignant and i feel like we missed out on that.

the other change i disliked was how we didnt see arachne's funeral and the spectacle it became. again, i know that with the movie's age rating, it might not have been entirely possible to show the parade of brandy's body but i very much wish we had to be forced to confront the dehumanization that was prevalent in the capitol -- i feel like we hear it a lot in the movie, but we dont ever really see it in a way that isnt excusable by the games. i also think it wouldve been a very intriguing parallel for coryo's to sing the anthem (also bc he sings it in the books twice i think, once in a group and once alone) and have his performance be a stark difference to how lucy gray and the covey perform. one thing the movie did well was letting the art stand for itself -- the music, sure, but also the designs of the clothes and the city, as well as the statue at the end. i think adding coryo's singing wouldve been awesome to see.

i also kind of wish we saw the plinths get close to coryo just bc it was so important to propel him into who he became, but i understand that there just wasnt enough time and space to show that. although, when they played the jabberjay recording at sejanus's execution? GAGGED. i nearly started screaming right there. that little sequence will haunt me forever.

i do wish ballad was split into two movies despite any backlash to give more time to tell this story -- the book itself is absolutely packed, so to make it one movie under three hours long almost feels like a disservice? but i honestly went in to put some visuals to the book and to watch the arc play out on a screen, and so im pretty happy with what i got! im definitely rewatching it when i rewatch the other movies and thats all i really need :]

thank YOU nonny<333 i'd love to hear your thoughts as well !!!!!! i dont have many people to talk to about ballad so its awesome to be asked these questions! love you<33

[twink-frank]

hi i’ve noticed the pencey prep gay conversation going on over on @awsugar and i have spent lots of time dissecting pencey prep lyrics and subjecting nathan @faggot-frank to my deranged ramblings so Here is my pencey prep super ultra mega gay lyrical analysis masterpost. it’s very long so its all under the cut but i will include a TL;DR for those who dont wanna read paragraphs of my deranged ramblings: Pencey prep uses lots of themes of: heartbreak, forbidden love, keeping love a secret, and toxic relationships. which none of that is gay on its own but combined with them almost never using gender indicators in their songs and the “nail in the coffin song” of 8th grade it ends up being a very Fruity Album.

I will be going through heart break in stereo in order and pointing out which lyrics and elements of certain songs jump out to me as Super Mega Gay and then summarizing my conclusions at the end <3

1 ) PS Don't Write

PS don't write is about leaving a toxic relationship, it has notes of moving on and leaving someone behind. "packed up all my shit / stole back all my tapes / left your spare key under the mat / this is not a joke / you'd better learn to take a hint / 'cause i'm not coming back / maybe you'll understand / when you're waking up alone / in a cold and empty bed." it has no gender indicators or pronouns which is the case in a lot of pencey prep songs, and something i'll bring up quite a bit. it also has general "coming of age" themes, something common in lots of pencey prep songs. which Yeah apply to straight people to but read in this context combined with future evidence can be pretty Fuckin Gay. "somewhere along the line / i found a hidden strength / i didn't know i had / standing on my own / cutting all the strings / that you used to control / surprise surprise / i am long gone / if you thought you could hold me down / by holding me up / you were wrong / you don't call the shots anymore." not to say only gay people can find inner strength and the room to love themselves but combined with other context it is a really poignant message about accepting yourself for who you are.

2) Yesterday

Yesterday is very repetitive and has a lot less to analyze, but the constant themes of wanting to "run away" strike me as very Fruity. once again, not saying gay people are the only people who can want to run away or escape from something But Combined With Other Context. and once again a song with no gender indicators, doesnt specify who the speaker is running away with or what they are running away from. just that they want to Leave. "i wanna run with you / i don't care what we do / gotta get out of this place / because it feels like yesterday." also saying "it feels like yesterday" could mean that the town feels backwards or old timey in its beliefs, implying homophobia. how the speaker wants to run away from an old fashioned town.

3) Don Quixote

i'm going to bring up the cultural significance of this title and literary reference first. Don Quixote is a classical novel by Cervantes which is about a crazy dude who thinks he's a knight, and goes on weird adventures with his best friend. It's typically used as a symbol of following your dreams and breaking free from what people expect of you. In the context of the song its used as a symbol of following your dreams with Someone. once again this someone is given no gender indicators. "you say it's not worth it / been burned too many times / if your spine's receding / you can borrow some of mine / don't go and quit right now / cause i'd follow you through hell." "you say so many things / and not a word of it was true / if you're still in that state of mind / i'd still vacation inside of you / cause i think you're worth every minute / and every dime that i spend / i'd spend all my time fighting dragons / just to keep you alive and talking." it's about wanting to spend time with someone, wanting to be with them no matter what. and its also about how this person feels unreachable, like being with them would be a fairytail but the speaker Still Reaches for it. "your imaginations running wild / round your deceptive heart / this is my crusade / and you're the unreachable star / but i'm reaching." talking about this person being unreachable and unattainble. which isnt gay By Itself  but again combined with the other context. FRUIT BEHAVIOR.

4) 10 Rings

another breakup song once again with no gender indicators, are you guys sensing a theme here? anyways this song is about someone cutting you off and then coming back suddenly wanting to talk again after breaking your heart. it has a sense of forbidden love, like this person Told the speaker they cant be together for Whatever Reason ;] and is now trying to come back and repair their mistake when the speaker is already hurt and reeling. "learn to live with decisions you make / i learned things from the break i can't forget / catch you doing drive-bys at 1 AM / it must kill you to know we can't be friends." "end of the summer you cut me off / i cut you out all the pictures i have." which this Isnt Gay By Itself. but bringing that phrase back with other context this is such a uniquely gay experience. being in love with someone and they cut you off Because theyre weirded out by that and then they try to come back, convince you it meant nothing.

5) The Secret Goldfish

my FAVORITE pencey song. this one has a lot. it's another breakup song about heartbreak and loss and im not even gonna dwell on the no gender indicators because yall see the theme now. it has themes of heartbreak and losing someone who is very close to you and having to let go of them and having to accept that this person cant be yours and you cant be with them. "land of the lost / i found myself in nothing / this time, promises broken find me / clutching to you for something / something that you're not / believing in what you say / it makes me lie awake at night / the truth, the truth is not what scares me / it's why you have to lie / all the time." here we see these themes of having to let someone go because they just Aren't The Same as you. "clutching to you for something / something that you're not." maybe like chasing after a straight boy and getting rejected? also the repetition of "heartbreak is forever" when you're young and gay losing that first person you felt some kind of love and attraction to can feel like the end of the world and can be a huge deal because of the lack of representation and guidance young gays get. and the themes of nothing lasting forever, the fact that gay people never get promised eternal love the same way straight people do.

6) 8th Grade

this song is the nail in penceys fucking coffin honestly. the rest of these songs have a lot of plausible deniability, just vague enough to maybe Not Be Gay. but framed in the context of 8th grade they all start to get a lil fruity. Im just gonna go through lyric by lyric for this one. "caught staring again / like a deer in the headlights / when you can't move fast enough / i take a hit for the team / pretty girl is blushing / i can't tell if she's disgusted / laughter starts to swell / someone gets the joke." this kid was staring at some cute boy ass and got caught and everyone is laughing at him for being gay. the "pretty girl" here is what most people think he's staring at but with the rest of the song it's obvious she's not the one he's looking at. "bells ring, i make my escape / helps a little, but doesn't save / beat downs a common thing / with us every day / maybe im just strange / cause i dont change schools / so maybe i like the abuse / or maybe i just like you." literally This is the nail in penceys fucking coffin. "maybe i like the abuse or maybe i just like you." this kid purposefully takes beatings from his bully who is Obviously male if you take into context the next verse. because he Likes Him. "maybe im just strange / cause i dont change schools" literally willingly taking beatings from his bully bc he has a crush. "another confrontation / you've got something to prove / your girl can't tell how tough you are / when you beat me up in the boys room." this just confirms that the subject of the song is a boy, and a tough macho boy with something to prove. maybe also hiding his own internalized homophobia through bullying? "well i made a big mistake / but i can't help who i like / this may not cost my life / but i am branded forever lame." LITERALLY ITS RIGHT IN YOUR FACE. "can't help who i like" "branded forever lame" do i even need to fucking explain this oh my god. he got outed as gay, he Can't Help Who He Likes and is now branded forever as "the gay kid." the rest of the song is general "im gonna get back at my bully" stuff but literally THIS. THIS is the song that brands all penceys other very vague songs as 100% verified super mega ultra gay.

7) 19

this song has a lot less, and is more about internal struggle than anything. but it is the only song with a "she" pronoun in it. but there is one thing i wanna mention. "I scream out loud / but no one hears a sound / i take my life with lack of sleep / i believe the things i feel / the things i see are fooling only me." this song is about not believing what the world shows you, believing what you think is true in your heart and what You feel. not what anyone else tells you. which is a gay experience. believing in yourself and your heart and your feelings, believing theyre right and theyre true and valid. Also this song has a significance in coming right after 8th grade on the album, going from being 13 to 19, from being unsure in your feelings and angry about the people who dont like you to lost and hopeless but somewhat grounded in yourself.

8) Trying To Escape The Inevitable

this song is about an abusive and toxic relationship, knowing you Need to escape it but being so infatuated with the person you literally cant. “i have this reoccurring dream / you make it hard for me to breathe / i gave you everything i could / i gave up everything i owned / and when you smile it’s not for me / you offer little sympathy / your grasp so far exceeds your reach / i wake up, this is not a dream.” “i have this reoccuring dream / where you admit that you’re not happy / i know that you will never leave / you’re here just to torment me.” which like again this isnt an exclusively gay experience but it is very interesting when framed that way. in that gay people are way more likely to throw themselves into abusive and toxic relationships because they dont feel like they can get anybody else. the repetition of “i know i should run” makes it seem like the speaker Knows he should get out but he just Cant because what if he never finds love again? and the little reprise in the middle “i have a new dream / and everything is perfect / the sky is pink, yellow, green, blue, and orange / and all the past has been forgotten / and we fell in love / and we fell in love / and we fell in love / and i fell into your trap.” implying that even if he escapes, even in his dreams he still falls for this person because he feels like he cant have anything else.

9) Lloyd Dobbler

another love song about wanting to have someone but not being able to because of Unspecified Forbidden Reasons. “why are you so far away / even when you’re standing next to me? / your eyes give you away / telling secrets your mouht don’t feel like talking.” falling in love with someone, maybe sensing that they like you too. that they Are Like You and that they have a Secret they dont want to vocalize. do i even need to explain it at this point? and in the chorus “That I’ll be your lloyd dobbler / with a boom box out in the street / and i’ll be there if you need someone / even if he isn’t me.” saying you’ll be there for someone even if that person isn’t you, also the use of Pronouns which is big for pencey prep. which yes the use of “even if he isnt me” could imply a straight girl ooorrr....Fruit Behavior. also this line “There’s a norman rockewll painting / of two kids sitting on a bench / it reminds me of all the stupid things / i’d like for us to share, but i dont care.” normal rockwell is a painter that paints traditionally “american” scenes. like the american ideal, that maybe he wants with this person. but he knows he cant have, but its stupid and domestic and he wants it but he Cant Have It because of FRUIT BEHAVIOR.

10) Florida Plates

another of my favorite pencey songs, and this one brings back those tragic “love but we cant have it” themes, except with a more somber tone. instead of being angry or resentful or spiteful in the face of adversity. its an Acceptance, of what they had and how good it was and how it just Cant Last. “kiss a mouth to open eyes / stall one last moment before goodbye / drive in different cars in different directions / never write all the letters full of good words, better intentions / it’s for the best although we don’t know it / paper words will cheapen the moments we shared / it’s better if i say nothing at all.” it’s about knowing you have to leave someone, even if having them in the moment is great they Can’t Stay and you can’t even talk or write about the moments you had. which do i even need to explain it at this point? forbidden love, not being able to have each other, not even being able to Talk about it. its a secret, and painful one but its beautiful while you have it. Conclusion alright!!! thank you so so much if you read all the way through that i Know it was long i Know it was a lot of repetition but i wanted to make my point. pencey prep has very big gay themes in their music. with forbidden love, letting go, heartbreak, keeping secrets, toxic realtionships. which none of it is gay on its own but in the context of: almost none of the songs having clear gender indicators and always speaking really vaguely about the subject and Eight Grade the “nail in the coffin song” you can see my point thank you and goodnight.

[calangkoh]

and im done. up next conqueror of shamballa!

okay honest opinions about this ending. i like that its imperfect. but i still wish it were happier. i get the feeling if they didnt have cos they would have ended this differently, because this ending seems to specifically set up the movie. but the movie is another work, even if its the real ending, and im here to talk about the series. so on its own, disregarding the movie, i think this ending is. ok. i dont think its BAD, but a deeply unsatisfying one that works for its themes and tone. its imperfect and bittersweet. i like that. id keep that. it implies theyll find a way back to each other one day, even if we have no idea how. but id still change it if i could because even if an unsatisfying ending is poetic (because Tragedies exist, where unhappy endings are poignant and meaningful) in relation to the series’ core themes, its still unsatisfying. the ending of cos is satisfying enough, because the brothers are together, but still rather sad.

but heres the thing. mangahood exists. metatextually, this ending is great (and that way i wouldnt say is a definitive way to judge a series, just a way to enhance what already exists within the worlds own universe). because theres a certain level of poetic justice and karma to have an AU that has a tragic ending with characters who suffered so much and didn’t get what they deserved in the end, and then the other work that was released after give you the same characters and give them everything the deserved. 

contrary to how much i try to judge the two series based on their own merits and not in comparison to one another, both fma 03 and fmab feel like two incomplete works that need each other to exist. an example i can think of to explain what i mean is how the two legend of zelda games, phantom hourglass and spirit tracks, are two similar games that seem to both be a half of a whole game, as youtuber King K describes. he says he cant judge them individually because it does them a disservice, as they both feel like incomplete works without the other. this applies even more appropriately to the fma series, because they are both adaptations of the same story and same world and characters. they both do something differently and they do that thing very well on their own. but to fully appreciate either, you need to watch both. because one will deliver something the other didnt. im sure there are people who will disagree with me, because a lot of people have said 03 isnt worth watching and fmab is definitive and all you need. i strongly disagree, of course. but my point is that the ending of 03 is infinitely better when you consider that the writers (which included arakawa’s own input) intended a totally different ending than the one arakawa had told them of in her manga, to specifically make their own story that felt different from fmab when they ultimately go on to make it. they did it on purpose with the manga and brotherhood’s ending in mind. so that people will be hungry for more and be satisfied and surprised by mangahood’s ending. so that brotherhood feels like a do over, a second life where everything works out better, where the universe is kinder and more ordered, for the characters we fell in love with in 03. 

anyway, the ending of 03 is not my ideal. but it works in its story, and i appreciate a special kind of beauty in it. and the ending of 03 could definitely be more structured. i wont deny the common criticisms that 03′s ending feels jumbled. even if it makes sense and has a powerful message after you take the time unjumbling it, it doesnt mean its not jumbled. and i really only feel its in the last couple episodes. i think everything the series set out to do was done great, and they just were so ambitious that the ending was TOO ambitious for them to tell cohesively. and thats okay, ultimately. the series is still good. its still amazing! if most people say “that series was so good, i just didnt like the ending (and likely prefer fmab as a result)” which from what ive seen and heard, is the most common opinion. and if the ending really is the only major complaint, i dont think that makes the whole work bad. tons of works have bad endings, and sometimes they break the series (like game of thrones, from what ive heard). but a “bad ending” doesnt define the whole series imo unless it truly retroactively destroys all it built up and stood for (like how i met your mother, in some sense to me). but 03 doest do that. its ending still adheres to its core themes and goals from the start. therefore, just because the ending isnt a crowd pleaser, even just because its a tad confusing, doesnt mean its bad.

that all being said. fma 03 is fantastic. i love this show. i think its one of the best and deserves to be praised as much as brotherhood. i give this show a 9.5/10 (-.5 points for the jumbled ending and some strange fillers cough episode 4 cough and other weird episodes) and my ratings dont really have any real rhyme or reason, so that doesnt REALLY mean anything other than “this show is good”

so yeah. this has been fun. thank you all who interacted with my liveblog! ill liveblog cos but idk if ill have a lot to say about it. and then ill liveblog brotherhood (in small doses, since i dont wanna take away from this being an 03 appreciation blog)!

[curlytemple]

niche interests list 

okay sure yes this is fun! i havent posted a thing like this in such a long time. thank you new gal pal @scottspack for tagging me! 

pigs????

alright first lets throw it back to preschool! my fav childhood toys were my baby doll (snookums) and a plush pig that my grandma got me that i just called ‘pig’ ...i watched the babe movies countless times, and piglet? that anxious little guy GETS ME bro. when my preschool did a nativity play and my class got to choose an animal to be in baby jesus’ manger, my mother recalls me saying that i would be a pig because jewish people (jesus christ) wouldnt eat me. she has no idea how or when i learned about kosher foods. ironically despite my namesake i was too afraid of the movie charlotte’s web to watch it more than once because the scary farmer tries to kill wilbur for being small and the pretty spider dies. 

sugar creek gang 

OKAY this is a book series from the 40s-70s about a group of christian little boys in indiana who went on adventures in the woods and helped people. my dad read a LOT of chapter books to me as bedtime stories when i was little (see also the mandie series, nancy drew and the hardy boys, little house on the prairie) but sugar creek gang is one that really hit. i read all 36 books with dad and at least once again on my own. there was a series of 4 or 5 movies in the early 2000s when i was the Perfect age to have a crush on most if not all of them. this might be too much detail but i have to tell you about these boys. we WILL not be revisiting the heavy religious themes. 

 the narrator is bill who is Good and Kind and wants to be a doctor when he grows up. his best friend is a chubby boy nicknamed poetry because he memorizes and quotes poems, he is the Detective of the group. BIG JIM is the leader of the group who is supposed to be like, 14, which was very cool and hot, to me. and yes there is a little jim, who is the baby of the group. then there is CIRCUS who is known for his climbing and acrobatics, and his FIVE SISTERS AND BEAUTIFUL SINGING VOICE. dreamboy. i’m almost done listing boys, i promise. a boy called dragonfly who is allergic to everything and hella superstitious. later in the series a new boy named tom moves to town and tom has an older brother bob who is NOT A CHRISTIAN (bully) 

tangentially, the buttercream gang, a movie from 1992 that was almost definitely made by some christians who grew up reading the sugar creek gang series which i’m guessing on vibes alone. will spare you Good Boy details but scott is in love with his best friend pete who moves to chicago and falls in with a bad crowd and scott just refuses to stop LOVING HIM. very gay christian film in retrospect. 

peter pan

so i know liking disney’s peter pan isnt niche, but it was the way i liked it. tinker bell stan from day one, i watched all of those disney fairies movies, even the ones that came out after i was definitely not intended audience. there was an online pixie hollow game where you could design your own fairies and play mini games where you gathered dew drops or something. had a HUGE CRUSH on jeremy sumpter in peter pan (2003) then i got really darkly obsessed with the idea of growing up when i was 12 or 13, and everything peter pan was deeply My Shit for my entire adolescence. i read the original book and every other twisted version of the story i could find and seriously freaked myself out about wasting my youth. 

shug

you’ve probably heard of jenny han now, or at least the netflix adaptations for to all the boys i’ve loved before and the sequel ps i still love you (always and forever, lara jean, coming soon?) but before she wrote THOSE, she wrote my first ever Favorite Book, about annemarie “shug” wilcox, a girl in the summer before starting middle school. it is SO engraved on my heart i cannot explain. i felt so incredibly understood and cant even tell you how many times i read it. thinking about all of the ways it made me feel SEEN is actually making me very tender so i’m gonna go on.  

the summer series

on the subject of jenny han, since she was now my Favorite author, when she came out with the summer i turned pretty in 2009, i was ALL IN. it’s not summer without you, and we’ll always have summer were published the next two years. a coming of age series about a girl isabel “belly” conklin who stays at her mother’s best friend's house at the beach in the summers. i really could talk about it forever yall. i actually dont know how to be succinct about it. i will try. her mom’s friend has TWO BOYS. one brother, jeremiah, is the golden boy and her best friend who is in love with her! the older one CONRAD is her childhood crush who's just sort of around while belly is firmly getting over her childish feelings and going out and experiencing teen beach life with jeremiah for the first time and figuring out who she is and wants to be! by the end of the summer he admits he feels differently about her (hence belly internalizing this as The Summer I Turned Pretty) and they get together. this is already too much so i will just say that the next two books deal with a PROFOUND LOSS and the selfishness of grief and the SELFLESSNESS OF CONRAD and i will absolutely lose my shit if netflix picks it up for a second jenny han series adaptation. 

pappyland

this was a kids show in the 90′s that features a character named Pappy Drew-It, an artist dressed like a 49er who lives in a magic cabin in pappyland. there’s tons of characters and music and life lessons but the meat of every episode is a detailed drawing how-to (pappy is actually a cartoonist, michael cariglio) and i have a hard back cover sketch book from my grandpa that i FILLED with drawings that pappy and DOODLEBUG taught me to do. there is a running gag that pappy always breaks his crayons.  

boy meets world

i KNOW this is beloved by many but i’m counting it because i’m simply too young to have such an obsession with it! the show ran from 1992-2000. i was born in 1996, but reruns on the disney channel and abc family cemented it as one of my favorite shows. cory and shawn, closer than brothers, shameless homoromantics, shawn is cory’s first wife!!!!! truly showed me what a best friend can and should be!!!!!! the great love of your life!!!!! TOPANGA, the og weird feminist girl who said stop shaving your legs and start speaking your mind, ladies! the characters are so richly developed that they are real people to my heart. YES every character on this show is in their late 30s-early 40s and YES i feel like we grew up together. in season one they’re in the 6th grade and we follow them all the way to COLLEGE. countless poignant life lessons, often literally dictated by the wise and hilarious MR. FEENY, cory’s next door neighbor and somehow one of his teachers for YEARS. my love was only solidified by the 2014 girl meets world reboot, centered on cory and topanga’s daughter and her best friend. (which was literally cancelled because disney didn’t want to transition from a kids show to a teen show, something essential to the original. also because that teen show would have had CANON LESBIANS. extremely shameful move in 2017!) boy meets world lives rent free in my heart and i will never evict it!!!!!!!

i consulted my mother when i got stumped for more and she reminded me that i had obsessions with the impressionist art period and babies and ANYTHING fairies or pixies, and i was way too young when my love of the canadian teen after school special degrassi began. she also said bob ross, which i was hesitant to include because he’s been super ~trendy in recent years, but to be fair (To Be Faaairrr) she’s right! i don’t think people really watched the joy of painting as much as i have throughout my life. best sick day show of all time.

lastly i could honestly list anna herself as a niche interest, my mom actually metioned that ive always hyperfixated on my girl friends (gay) but i’ll just note that YES friday night lights, YES barry lyga novels. love to share so many things with you, niche or not, they’re niche in Our Mind.

[seijch]

hi im about to spam u (so sorry) but ive been too scared to read doomsday until now and im so glad i finally did becasue dude. Dude. its so much. "It’s as the sky bleeds from orange to pale blue that it hits." i loveeee how you incorperated such small moments like the hot chocolate and the ily + i know... be even here just the thought of your Last Sunrise is heartbreaking, but to /realize/ your own end coming in that moment, especially watching the soft sunrise... oof.

HI!!! omg when you sent this i was like . abt to sleep but i read this before i did and went irl 🥺🥺 and then also passed out before i could formulate a response sjfksdfds

anyway!! my response to your asks (i hope i got them all but!!) will be under the cut bc i dont know how to shut up ❤

a lot of the way the interactions in doomsday unfold are honestly BECAUSE tsukki and the reader are (i mean first of all, theyre tsukki and the reader with all that comes with) fully aware that:

they have abt a full day of life left

theres nothing that can be done to elongate that time or avoid death altogether

its not like some young adult novel where a group of ragtag teenagers save the world; its the tale of two adults who have had time to come to terms with the fact that their lives and the lives of everyone they know will end soon (and once again everything that THAT comes with). its why i rlly enjoyed juxtaposing the nice weather w the crippling realization of their own mortality 🕺🏻🕺🏻🕺🏻

"you try to stress your words, make it absolutely clear that you’ve never meant anything like you mean this" this is HEARTBREAKING in a whole miryad of different ways - for a realtionship u establish as one with so many things unsaid but still understood, but here to have her say this so desperately?? like she feels this its too big to leave between the lines? it doesnt matter that he knows, she needs to say it and needs him to hear it UGH IM SAD AGAIN

IM SO GLAD YOU POINTED THIS ONE OUT!! this is EASILY one of my favorite parts of the whole fic mostly bc its something i go thru a lot? like im the definition of that tweet abt never making any damn sense but ESP when it comes to my i love yous or other serious things...i say it a lot and yes i mean it every time! but sometimes i MEAN it and i never quite know how to properly express that kinda thing. 

i think its especially big for the reader in the context of the world ending and in the context of their relationship with tsukishima to have that moment of transparency and complete sincerity for the EXACT reasons you described!!!

"It’s hollow; neither of you have been under the delusion that this was anything but." u said u werent sure about his characterisation but this screams tsukki to me. cuz hes blunt and i dont think he would lie to himself about something like this especially. and even when she tries just for a moment to pretend, he just shows her /no, its ok, this is the truth and we have to die with it/... nah it vibes dude. hes such a interesting character for this idea too? because hes not sappy or anything +

so his tears hurt so much more... oof. "This is my goodbye, he says with more than words." this just... i have so many feelings about this. cuz to me hes totally someone who shows affection through small actions when he cant find the words to match his emotions? so this is like a 4-book-saga laying out his emotions cuz he doesnt quite have the words to say it out loud and theyre out of time. its desperate, but not sad desperate? like its the end but its just him making sure shes knows everything 

ok first of all THANK YOU for saying that bc i wrote him being more vulnerable than i think we rlly see in any tsukki not like ... in junior high LMAO and immediately after i felt my characterization alarms ringing ... like yk those natural disaster alarms? thats the vibe...

but i had one of those Moments where i was no longer the one writing and it was the characters themselves just telling me what to say and how to say it nsfsfsd so im rlly glad it worked! and tbh when the concept first grabbed me by the collar i was juggling a few different characters around in my head but i think i made the right choice in the end. its like you said -- hes not a particularly sappy type and hes always been more grounded in reality imo than some of the other characters (another contender for this fic was akaashi but i realized i do NOT have any solid grasp of his character that isnt from fandom interpretation which is a double edged sword tbh)

and honetly i was ok until "If you’re going to take me out, do it in style, you’d said to him, once. So he does." and then i was all of a sudden crying. and the "stripped down to your bare selves" like theyre just being incinerated together and IM- NO WRODS JUST FEELINGS. i think the best thing about this is how unrushed it feels? and it hurts and its aching but they Know. +

and theyve come to some form of peace with it so when it does come, they can focus on eachother and not the end oh im gonna cry again. this was so gracefully put together, thank u for this. i might reread it and cry again, amazing work 😭💕

i didnt touch on it above bc i wanted to do it here but yes!!!! the absolute fucking DESPERATION felt by both parties in that last minute (which idk if you read my tags on the fic proper but 11:59 was originally one segment before i took those last couple paragraphs and made them the very last second ... i think i made the right choice? it rlly does scream FINAL to me) is SO poignant. all of the walls and hidden meanings fall away because in the end theyre all they have left, dying in each others arms at the very end of it all.

this full REVIEW honestly made me so happy to hear esp on a piece i wasnt quite sure how to feel about at first,, thank you 🤝🏻🤝🏻 i hope you have/had a wonderful day!!!!

OK EDIT BC I JUST SAW THIS COMIC SOMEONE MADE ON IG AND ITS NOT THE MOST RELEVANT BUT ANSWERING THIS PUT ME IN A TSUKISHIMA MOOD SO HERE

[daelightsaving]

The nuances of You are really really interesting. Season 2 plays a lot with the term sociopathy and how it relates to Joe. His lack of clarity with the term love and the ultimate justification it gives him to do the thing he does. More than that is the inflexible sense of control he needs to feel in every step of movement.

The thing about sociopaths (at least in my experience) is they are sort of these chameleons. They can and will spring the truth in whatever way allows them to outwardly present as normal and relatable. But because of their sense of control they feel they always have the be the Smartest one in the room and will insist they are. This was clear with Joe in season one but so so poignant at the start is season two.

The moment Candace stepped back into his life the proverbial dark horse Joe spiraled. His sense of control was demeaned so he tried to find it by insisting that he was not going down the same inevitable path. That path of course being that he has to have some sort of focus for his manipulation, which I will get into more later on. Of course by the end of episode one we see that this isnt the truth. He cant go against his base instinct so the moment he gets to LA everything is dictated by Love.

To Joe Love is his white horse. She represents to him the things that are good and whole. He loves Love because she is love to him. So he grasps at it. Every moment he justifies things for Love. His protection of Ellie he says is because Ellie needs to be protected but of course it becomes clear that Ellie is merely a justification to him that he is not evil. That despite his head count he deserves Love because hes capable of caring about Ellie or Delilah or Willm of letting them go. But everyone is just a pawn.

Through this season I struggled because sometime you felt in his justifications, especially in the face of Delilahs demise, that he actually may have been capable of guilt. Something sociopaths arent typically truly capable of. But the more I read between the lines the more clear it wasnt guilt but pride. Joe has to be in control. He has to be able to play his proverbial chessboard like an instrument. The pawns his strings and his focus, his love, like a strong queen is his violin. He knows them. He understands them. And thus he is in control.

The moment Love kills Candace and admits her part in Delilahs murder is the exact moment she no longer becomes his queen. To Love their shared crazy is a turn on. The clear sign that Joe is her soulmate, is her king. But to Joe. Love is an unknown entity. He cant control her because she isnt at all what he expected. The moment he tried to pay her his life hit a discordant note.

Joe can never truly be happy with Love and his final monologue makes that ever apparent. To him she is merely a means to an end, the key to a family. But ultimately she is his prison. Shes the one in control.

I'm eager to see how season three plays out. The people behind the show seem so clear and effervescent in their understanding of these characters and what parallels need to be made. I know they will continue to do this story justice.

But to everyone in the tags complaining about how it just isnt fair that Joe keeps winning I want you to know this.

In real life those people win. Sociopaths at the level and capabilities of Joe get away with things not because they arent sloppy. But because that's just the unfortunate circumstance of our society. Without solid proof into the way those sorts of people think our justice system rarely pinpoints things on them. The man who ruined my family. The man who played us like pawns and who hated me because the moment he walked through our door I saw his facade and tried to fight him every step of the way. He won. They had him pulled over two doors down from our house drunk as fuck and sending my brother death threats. And the most they could do? Was to get a restraining order. We are so lucky that he hasn't pushed us. We are so lucky that the moment he lost control of my mother he didnt spiral to the point of murder. But in cases like Joe some people arent as lucky.

I hope this show allows everyone to understand those situations when they are in front of them. Not only is it great in its nuances. It's great its ability to show these characters in a real way.