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#this isn't the whole ep
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Canon Aces 250/?: Maël Le Gall (Miguel Vander Linden) Skam France 12x1 The First Time (2023)
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meliorn · 1 year
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Oh yes, it's working.
Good Omens | S02E03
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vagueconfusion · 25 days
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I've been having this thought about Alkaline and the process of alkaline hydrolysis/aquamation (aquamation -> cremation -> funeral pyre?? (all the burial/earth imagery in the eps*) brain please I'm busy) and had the thought in the shower of wondering what the pH of the human body is and now it's taking over my brain and I can't tell if this is too far of a reach because I'm on the verge of doing a whole write up about this topic too.
(Summary: Alkaline possibly referring/being a metaphor for/about about a process called alkaline hydrolysis, which is used as an alternative to cremation and uses water and a strong alkaline solution (lye) to rapidly decompose a body in a matter of hours. The human body's pH is around 7, which is also the track number of the song Alkaline, and also the line "neither acid nor alkaline" would put the subject of the song at pH 7 as well. Which would make The POV Vessel sings from the lye solution)
Also This:
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aarafox · 4 months
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I've been playing the last 5 min of the ep on loop for more than an hour and holy shit. I have so much to talk about.
At first Blitz’s attitude towards Stolas reclaiming the book is understandable, from a business POV: he needs the book to perform his job! It makes sense he gets a little desperate, tries to keep up the bargain, begs for Stolas to rethink.
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But then. Then Stolas gives him the crystal, in one of the sweetest ways possible.
Like a marriage proposal.
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The crystal is supposed to be everything Blitz wants, because, supposedly, fucking Stolas is just part of the deal… in any other situation, with any other person, he would’ve been like sure! Cool, thanks :)
But not for a single second he looks happy with this. We all know it’s because deep down he feels the same way… But he gets upset, worried, afraid. From the get-go.
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And Stolas is telling him the loveliest things. He’s pouring his absolute heart out. I don’t think I expected him to tell Blitz exactly how he feels but he does. Just like in his texts, he’s completely honest with him:
“Blitz, I’m giving you this because… I care... VERY deeply for you. And I have for some time.”
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How he places the crystal on his wrist like a ring on a fiancée’s finger. This is Stolas’ absolute biggest gesture of love. He’s setting Blitz free! From this transactional thing… That’s what Blitz wants… right?
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“I want you to continue to… be who you are. Your business!” This was such a kind thing to say. In his eyes, Blitz is perfect as he is and I wonder how often - perhaps if ever - Blitz has heard something like this. The music reflects Stolas’ honesty and affection, the soft and beautiful melody that we know so well… This is Stolas’ big moment, his declaration of love.
“You don’t have to stay here with me... But... I want you to. I want you to stay here with me. Because you want to. Only if you want to.”
And honestly… the shock on Blitz’ face when Stolas says that first line (the "you don't have to stay" one):
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Like seriously?? Biggest shock so far? Blitz doesn’t want to separate from Stolas! He wants to stay with him! But when Stolas reveals his truth… that he wants Blitz to stay because Blitz himself wants to and not for any deal or arrangement…
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And Blitz, who still can’t believe someone could genuinely love him, responds in the only way he thinks he should: in their “business language”, the language of sex. Because he cannot let the truth sink into his heart.
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Of course this hurts Stolas, for whom this reaction is only proof that his feelings are unrequited. If Blitz can’t respond to him in any other way than this, there’s little chance he feels the same…
And still, he is so so kind:
“Thank you Blitz. For… awakening me. For making me… so happy… if only for a little while.”
He was trapped in an unhappy, abusive marriage for so long and Blitz saved him from that. Thanks to Blitz, Stolas had a chance to find out who he was, change his life for the better, and experience true happiness. But if Blitz can’t give Stolas what he needs emotionally, then this is where it has to end.
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And Blitz retaliates in the only way he knows how: self-protection. He doesn’t want this to end, but he also never expected Stolas to feel genuine love for him. He HAS no time to think about this, in his eyes Stolas is ending this on his own terms. But he doesn’t have the full words; he hasn’t faced his own feelings and, if he can’t even be genuine with himself, how can he be genuine with Stolas?
But his words, that he’s saying partly because he truly believes them but likely also because he wants to protect himself from the pain, cut Stolas like knives. Stolas flinches when Blitz calls him "asshole" and "bitch":
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Blitz's words... shatter his heart.
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Stolas has been on the receiving end of hate for a long time. But to hear this from the one he loves so much... It's simply too much to handle. So he sends Blitz away.
As Blitz’s apology still echoes through the air.
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clowndensation · 5 months
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it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.
and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.
and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"
and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.
it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.
#genuinely THE juiciest way to tell this story#like it's SO good#there's this coy little humor behind the ep#where louis and armand are very much like 'haha okay daniel you've caught us out. you've seen behind the curtain. this is the whole truth'#meanwhile daniel's getting '8 hours on how to avoid the sun and torpedoes'#like it's a faux revelation that completely backtracks all of the progress made at the end of season 1#and even louis's (very touching) moment this episode where he tells daniel the truth#is a very digestible and ultimately non-harmful dive into his past#armand doesn't like it because it's part of a slippery slope of remembrance#but he doesn't actively get in the way of it being told because it's a revealed memory that doesn't ULTIMATELY mean that much#like i'm assuming we're all on deck as far as believing louis doesn't remember the full extent of claudia's death atm.#i could be wrong about that. but like. it is kind of the elephant in the room at the moment#so it's very much a case of armand getting to couch his own fears and attachment in 'doing the greater good for louis'#ultimately who does it serve if louis remembers everything and realizes armand's more negative role in his life?#all that will do is make him miserable. deprive him of the one person in his life who cares for him#better to have a palatable lie than a truth that could leave louis a danger to himself#('as long as you walk this earth i won't taste the fire' <- but she doesn't walk this earth and the reason why is sitting by his side)#isn't it the kinder and better thing to manufacture a world where louis can live with himself?#anyways. teehee. i missed this show so much. <3#iwtv
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zhouxiangs · 5 months
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OK BUT YOUR TAGS WERE ALL SO CORRECT AND I WAS THINKING THAT TOO
someone in my gc mentioned that joe just rolls with the whole waking up in someone's body so easily and i thought about it and realized well yeah, his old life wasn't really much. he wasn't living, he was existing.
UGH I JUST. I CAN'T WAIT FOR MORE AND I NEED THIS SHOW TO STICK THE LANDING, PLEASE I'VE BEEN SO WOUNDED
EXACTLY!!! he's not living, he's just alive.
we can assume he has a stable life since he has a job he likes and he's good at, a nice house, and a car. he has friends and people he cares about and he seems happy with them, but still he's so... sad and lonely? and it's not only because poom's eyes are like that, the man is ACTING
the way he latches onto ming so fast too... yes he has a pretty face and joe wants to fuck him at first sight, and he tells him to stay and cooks for him because he is nice, but i wonder if they aren't kind of attracted to each other's loneliness in a way. the ramen scene makes me insane because of how easily and quickly they fall into something like domesticity with joe taking care of ming as if he's been doing that forever and both of them being so relaxed and joe doesn't even know ming's name yet
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nikosdaydreams · 3 months
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i dreamt that episode 4 of season 2 of house of the dragon came out and here's what happened
- when aegon and aemond came to face rhaenys at rooks rest that audio from hamilton started playing that goes "mr vice president, mr madison, senator burr, what is this"
- they were legitimately standing there in the building facing her like picture this:
rhaenys sees aegon: mr vice president
rhaenys turns to see aemond: mr madison
rhaenys turns to see vhagar: senator burr
rhaenys: what is this
- don't even ask me how vhagar managed to fit inside
- rhaenys started freaking out and trying to get meleys to breathe fire on them but meleys was like dude wtf
- aegon doesn't get burned
- rhaenys falls into a lake and dies idk
- the end bit (cliffhanger) is when aemond is flying over the lake and his blond hair (wig) falls off into the water, revealing dark brown hair because he's secretly a strong!!!
legitimately so shitty i got scared and woke up 😭😭
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not to be like this but all of the posts (and there are many across multiple platforms) right now going "I mean obviously I'm not mad or whining or anything but it sucks that there's all these three week breaks, how am I going to survive, this is awful, I cannot believe this is happening to me" like, it does in fact come off as entitled no matter how many qualifiers are put onto it
and the a smaller subset of THAT going "CLEARLY C3 isn't a priority for the studio" or "they're obviously trying to kill C3" or even posting stuff that comes off as "um, don't they know that if they keep doing this I won't shop here watch anymore", like, come on
as a tangent, genuinely, I feel like a lot of people have trouble admitting that they don't actually like C3 so they get existentially worried about them losing interest over a slightly longer break because it'll force them to acknowledge that they aren't actually interested, but it's fine not to be interested!
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lazy-toad · 4 months
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Top 5 fiction podcast moments
OH THIS IS CRUEL THERE IS TOO MANY /silly
These are in no particular order because I genuinely don't think I could order these
1. Mustardseed reveal and Micheal's conversation with him - WOE.BEGONE episode 84
2. Arthur's breakdown after killing Uncle - Malevolent episode 26
3. "You just said it." - Welcome to Night Vale, honestly I do not know which episode it is off the top of my head but y'all know what part I'm talking about
4. Arthur's nightmare/hallucination sequence - Malevolent episode 18
5. Troy's FLINCH monologue - WOE.BEGONE episode 156
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badnewswhatsleft · 4 months
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daryl hall and patrick cover of what becomes of the broken hearted will save me
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whydoyouaskmethis · 25 days
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Regarding my old post here, so there was actually someone who said something to Ye Dingzhi before he offed himself?
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Lone Sword is Luo Qingyang, so the woman who came with him was no one other than...
Yi Wenjun??
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They were alone for some time. Wenjun indeed had the chance to whisper something to him.
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But what if the truth was she just told him to stop all of his doing?
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Ji Ruofeng here had a good point. In the end, Ye Dingzhi killed himself out of his own guilt, not because someone coerced him to do it.
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i know this is really revealing my brainrot, since it’s .0000005 of a second of screentime, but i love the look(s) on gerri’s face when she looks at roman through the glass in 4.10. there’s just something really open about her expression, where you can tell she’s not trying to avoid him. which i think is in part what makes roman freak out in a way he probably wouldn’t have if she had just ignored him. feeeeeeeeeelingssssssssssss!
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lilcathsmith · 3 months
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Greg in every episode of CSI (87/328) • Down The Drain •
#csi#greg sanders#nick stokes#sara sidle#warrick brown#gil grissom#catherine willows#csi s5#csi 5x02#there he is! my favourite white boy!#own post#mine: every episode#ok time to talk about Greg and Sara#i love them. not only are they my favourite duo in the whole show I have to argue that s5 is one of their best seasons for their friendship#Greg's crush on Sara is out of the way which leaves so much space for their platonic relationship to grow. their flirting/teasing is#so playful and completely lowstakes. Greg isn't trying to win over Sara anymore they're just having a good time and banter-ing#in episode 14 (i think?) after Sara gets suspended and Greg asks what happened she says she doesnt want to talk about it#and greg says hes a good listener Sara explains (briefly) and then they just move on is so wholesome its such an under-rated moment for the#and when he's like “Sara's been suspended? we have to help” is just so ultimate ride or die bestie#but what I think it most important is that whilst Grissom/Cath teach Greg how to actually BE a CSI and how to do the job Sara teaches him#how to DEAL with the job. like in this ep with Gregs first autopsy Sara asks how he found it and you just know that if Greg was more freake#by it she would allow him to say that without just being like “thats the job get on with it” which maybe some of the others would? and that#why I think Greg still has such a heart to the job. flash forward to s15 when the girl attacks Greg because shes been drugged and he gets S#SAD because he felt bad about not being able to help and calm her down I feel like thats bc of Sara :“)#anyway long stort short Greg and Sara are the best platonic pairing in CSI and i love them
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something about lis2 shots with Daniel at the blatant center of focus for the cast always makes the little buzzy wires in my head light up and explode.
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capybaraonabicycle · 8 months
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You know something I am really sad about is how the TARDIS interior changed for tenteen. It would have been a whole different story if the clothes had been normal but like this? Everthing the Doctor was just vanished and got replaced. The screwdriver coming out of nothing? The outfit? A new fancy TARDIS?
10 kept the TARDIS from 9 and 12 from 11. 13 had to fight to get her TARDIS back and built herself a new screwdriver in the meantime. 11 had to let her recalibrate until she was usable again and gave him a new screwdriver (? I think ? Don't quite remember where he got the sonic) All of them CHOSE their new outfit and had a whole thing where they searched for it.
And tenteen just gets all those things like this, appearing in his lap. Which is convenient, sure, but I feel like he really lost the identification process on the way. Maybe not as important for him as he knows the body and mind and companion already (in theory) but like, I am not surprised he is going through it like this. He just wanted to hang on to Yaz, wasn't allowed that, lost her, decided she was gonna be excited for change, didn't really get change either and then everything they could hold onto as part of their last identity, everything that was theirs to let go off, just got ripped out of his hands replaced with a weird mixture of 'look how new and nice and shiny' and 'isn't that lovely reminiscent of 4 bodies ago'. No wonder they are running on their gingiva*, I would be so lost and disoriented in his place.
And then obviously from a meta pov I dislike that 15 is apparently copying tenteen's TARDIS now. We got a scene of tenteen exploring the new TARDIS and being excited but for 15 he has already had 1.5 adventures with her. And while we couldn't put tenteen into the old clothes it was okay to put 15 in underwear? Wouldn't it have made much more sense to have the weird clothes' thing happen with the mitosis regeneration? (like, I wouldn't have liked that either but it is a little weird how tenteen got a full suit and 15 got the bare minimum)
And I hate how it feels like every part that made the Doctor 13 got erased as quickly as possible. Luckily, there were a few references at least - if no one got me I know the psychic paper got me <3 - and I GET why the fam didn't show up in the puppet show but like, couldn't you have left tenteen the TARDIS interior at least? I am sure Donna would have liked the crystal columns <3
It feels very rtd to have tenteen showered with gifts he can't even want and that are way too much while others are erased or overshadowed by him and get the leftovers.
On a similar note, I was also direly missing post-regeneration haze for both of them. Who knows (well people who have watched the Christmas special, I guess), maybe that's yet to come for 15? But like how are they supposed to function without running about without a clue and passing out every 5s for a day or two?
*German expression, means to be on one's last legs
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