#this is why this episode will play in loop

[november-rising]

Don’t you dare cut to Maddie and Buck cracking open wine, snacking on snacks while Buck tells her all about Eddie and Chris, his soon-to-be son!

Don’t you DARE have Buck worrying about funded support for Chris and Eddie!

DO NOT DARE have Buck smiling, talking about Eddie being a great dad while moving into the girlfriend owned living room.

“So does this boy crush on Eddie mean that you’re finally ready to move on from Abby?” Maddie always knew. Bi Buck or Buck’s attraction to Eddie - she always knew.

And Buck sorta knew his affection since he didn’t outright deny the crush.

[sagesolsticewrites]

Anthony Boyle in Episode 5 (“A Man of Destiny”) of Manhunt

[dawdlecentric]

As the world caves in

[scrumptiousstuffs]

“Catch me if you can” Ayan

The Eclipse Re-run, episode 1

20/06/2024

[longagoitwastuesday]

*reading a thesis about the evolution of the concept of infinity in China with a large amount of tabs open with diverse articles or word combinations to further look for information, all the while seething, blood boiling* I wish Satoru Gojo would fucking cease to exist

[all-seeing-ifer]

buffy the vampire slayer - i only have eyes for you, passion, innocence, becoming part ii / jacob geller - returnal is a hell of our own creation / wolf 359 - variations on a theme / Blue Öyster Cult - (don't fear) the reaper

[alltimefail]

Random thought that could could absolutely be nothing, an over-analyzation of sorts even, but I have always found it interesting that in the Devlin house episode Charles gets sucked into the loop starting from the point he snaps at Edwin about him "Not being the all-knowing expert on all things." It's especially interesting to me because after he does so, Edwin tells Charles that he's "...Not acting like himself at all."

In theory, Charles could have just reappeared when Mr. Devlin turns the corner or when he approaches Mr. Devlin here:

because if the point of repetition here is to show us that the abuse Charles suffered at the hands of his own father is what causes him to get trapped in the loop, either of those moments would have been sufficient in supporting that idea. The dialogue shared beforehand between him and Edwin has little to do with the point at hand...unless...

Charles feeling pain about his own father isn't the whole sum of why he gets trapped in the loop; his fear that he's just LIKE his father, that he's not a good person, that he's "Cruel for the shits," and capable of hurting the people he loves (and thus undeserving of their love) is also what traps him in the loop, and that's why his "loop" starts with him snapping at Edwin.

Even though we as viewers can empathize with and understand why Charles snaps at Edwin given the circumstances, it's very unlikely that Charles extends that same grace to himself. I would argue that we see the multi-faceted layers of his trauma explored in various ways from this moment on. Charles himself even later admits that all he feels is anger despite the fact that he wants to be "a good guy." Charles has yet to understand that it's possible to be good and feel anger, that anger in and of itself is not bad, and that feeling strong negative emotions like grief or anger does not make a person dangerous or abusive like his father was...nor does it guarantee that he would use his anger to harm others. So, with that in mind, of course Charles' loop would start with him lashing out at Edwin, as opposed to it just starting with him lashing out at Brandon Devlin; it's not just about feeling powerless to stop the abuse, it's about feeling like you play a role in it. It's about the deep-rooted fear that maybe you actually deserved the abuse you suffered because you are not good, and just by being related to an abuser you are damned to be just like them, or worse. Charles worries about who he truly is, deep down, and that maybe Edwin is wrong when he says that Charles isn't acting like himself: maybe the darkest parts that he works so hard to bury are actually who he truly is, and his ability to throw careless, harmful, biting words at someone he loves deeper than anyone else may be a reflection of this. After all, his father loved his mother, he loved Charles, and look what he did to them... how he hurt them beyond repair. What if he is the same?

OR: the trauma Charles deals with isn't only the violence his father enacted on him (shown through what Brandon Devlin does to his family), but it's also the violence he feels capable of enacting himself (shown through his ability to throw harsh words toward Edwin who Charles openly claims is the "most important person in the world" to him).

What furthered this idea even more for me (and added a bit of salt to the wound frankly) was Crystal and Edwin's reactions to Charles being pulled into the loop. Out of shock, confusion, and frustration Crystal immediately turns to Edwin for answers but for a moment he is just frantic and uncharacteristically frazzled, only able to say, "Charles was right, I don't know everything..." and OUCH, right? But it emphasizes that 1) what Charles said to Edwin was quite hurtful, 2) that it did have an (unintentional) impact on Edwin, and 3) that Charles himself very well might have realized it was hurtful as soon as it left his mouth thus, again, why it would make sense that his loop began there.

It takes a strong emotional reaction to be pulled into a loop; the possibly that this moment was written to work on two levels of Charles' inner turmoil is quite clever (and extremely heartbreaking).

Again, it could absolutely be nothing... but it's worth pondering!!

[tiredmamaissy]

Ralak te Sepawn ieyk’itan: Special Episode VI 

Labor of Love - Part II

Masterlist ; Rut/Heat/Knotting Info

🔞 minors, do not interact 🔞

Hyperlinks are attached to specific paragraphs that when clicked on will lead you to its illustration by Ralak's insanely talented creator @zestys-stuff. Thank you so much for allowing me to play around with your characters!

Characters: Metkayina!Ralak (25) x Sully!Omaticaya!Reader (20) featuring Metkayina!Zu’té (29)

Warnings: zero smut, angst angst angst, mention of past trauma, expletives, pregnancy, contractions, heavily described labour, blood, mild physical violence, reader is really going through it, ralak is too but he'll be alright i promise, brother!neteyam makes a star appearance, cute family fluff, let me know if i forgot anything

Word Count: 6.5k

Requested: Yes || No

Author’s Note: Hope you're enjoying your tour in angst town...we're almost finished. You could say we're nearing the final attraction, so continue to keep your seatbelts buckled. lol why am i like this? anyways... please don't hate me for this chapter, and i will try my best to get the next one out quicker so you guys can get some closure lool :)

Synopsis: You didn't plan for things to turn out this way. But no amount of denial can make reality go away...

<- Previous -> Next

And when Ralak sees it, he almost caves in on himself. His mask of indifference—of intimidation, cracks. Hell, it shatters. Into thousands of pieces, scattered at his feet. Tonowari’s previous right hand. The banished.  His karyu.

Time chips by at a torturous pace. You spend the first hour sitting on the beach, eating some fruit whilst watching what your brothers get up to. Neteyam, of course, is bearing most of the responsibility whilst Lo’ak and Tuk are taking a more easy approach to the day. Mom and dad made sure to leave them with a list of things to get done whilst they’re away—number one being to keep an eye on their sisters. 

Number one, check. 

All that floods your mind is your mate and if he’s okay. You try to process everything he’s said but it’s all too much to wrap your head around. All too new. Your brothers aren’t much help either, as they claim to be ‘out the loop’ as much as you are. You know it's bullshit, and probably just another thing that they’ve been ordered to keep from you so as not to ‘stress you out’. 

Regardless, it’s all you can think about. 

Until you feel your son do a flip in your womb, big enough to make you gasp. Your hands immediately fly to your belly, feeling around to gauge his position. A pressure begins to grow against your bladder. One so intense it presses into your tailbone too. The pads of your fingers sink into the skin, tapping around as you make out a leg, then a knee. A hand to the left. 

Is he…head down? You think to yourself. 

“Everything alright?” Neteyam asks, concern wrinkling his forehead.  

“Hm?” You look up, seeing the outline of his silhouette in front of the sun. 

“You okay? You’re…you look a little—”

“Oh, yeah. Everything’s fine. He’s moving a lot today.” You smile, catching Tuk excitedly running over in the corner of your eye. 

“Really? Can I feel? Please?” She squeals excitedly, falling to her knees in the sand next to you. 

“Of course, Tuk.” You smile, and place her hand on top of your stomach, right where his foot is. Only a few seconds pass by until your son gives Tuk a strong kick, making her mouth open with glee. 

“Wow! Tey, you gotta feel this!” Tuk exclaims, tugging your brother by the hand so he’s next to you too. Neteyam looks at you, unsure if you’re okay with it. You nod with a gentle smile, tugging his hand over to the other side of your stomach. His hand hovers as he hesitates for a moment, this is his first time feeling his nephew move. He gives you a final look, and gently rests his hand on your belly

A few moments pass and nothing. 

“Aww, he stopped moving.” Tuk sighs with a pout. 

“Patience, Tuk.” You whisper, feeling him kick on cue. Her face lights up with a beaming smile and Neteyam seems to be in awe with wide eyes and slightly parted lips. 

“Woah, y/n. Your tummy’s getting hard.” Tuk says innocently, looking at her brother to see if he feels it too. 

“Hm?” You hum, feeling a bit spaced out and achy.   

“It is.” Neteyam lets go and keeps his hands to himself, feeling like he’s invading your personal space. A heat floods your back, and you feel your thighs spasm. You begin to groan, holding your breath until the strange feeling subsides. “Hey. You okay?” 

You nod, finally release your breath, and hear Tuk’s excited voice. “It’s all soft now!” 

“All good.” You smile, but Neteyam doesn’t seem convinced at all. “Ronal says they are normal. They aren’t the real thing. Mom had them with Tuk, remember?” 

Neteyams' features soften as he nods, prying his little sister's hands off of you. “Ease up now, Tuk.” 

“Sorry, sis.” She says quietly, ears laying flat to her head. 

“Nothing to be sorry about.” You say as you roll to your side to get up, shamelessly using Neteyam to gain some momentum. “Think it’s time for me to take a walk, though.” 

“Yes, sure. Where are we going?” Neteyam asks, ready to accompany you anywhere.

“I’m going down to the rocks.” You emphasise on the first word, making it clear you need some alone time after being babysat all day. “I think Lo’ak needs some help with the net.”

Neteyam and Tuk look over to see their brother struggling with a tangled fishing net, and turn back to see that you’re already waddling down the beach. 

——

Suddenly, Ralak’s back inside of his family marui pod on his iknimaya night. Trapped. Small. Powerless. Cornered by a person he once looked up to. A person he trusted. Manipulated by her heat— her pheromones. A crime punishable by banishment. Forced to give, forced to receive. A betrayal he’ll never forget. A face he swore to himself that he would never see again. 

No wonder they ‘demanded’ his presence.

Tonowari and Ronal lose their colour when their eyes land on her. It’s been so many years. They quickly look over to Ralak, who is seemingly falling to pieces where he stands. The expression on his face is no short of pure shock and… terror. Truthfully, the last time they’d seen such an expression on his face was the deaths of his parents and spirit brother. Jake and Neytiri aren’t aware of what’s going on, but they know it must be serious for Ralak to be so…expressive. 

They can even see his shoulders heave from how hard he’s breathing, and how his face of terror quickly morphs into something of fury. Tonowari notices the way he tightens his grip on his weapon, and his eyes as they gloss over red with rage. It takes a lot to make this man blind with anger. Tonowari knows if he doesn't step in now that this could turn sour in the blink of an eye. 

——

Two.

Releasing a shaky exhale, you begin your walk back to your siblings. That was the second ‘practice’ contraction you’ve had since starting your walk, and your third since coming here with your brothers. Your waddle is becoming more sluggish with each step and the fire in your back is beginning to burn hotter rather than fade out. 

“Not now, little one.” You whisper as you caress your bump. “…please.” 

Weariness sets in as you make it halfway back, making you perch on your knees to take a break. The fire spreads from your back to your thighs, and up your stomach. You brace yourself for the tight feeling, holding your breath in the base of your chest. You grumble a little, swaying side to side until it passes, which thankfully doesn’t take more than a few seconds. 

Three.

Finally making it back to the beach, you see Neteyam and Lo’ak hauling a few sacks on their backs, with Tuk skipping behind them. You overhear Lo’ak trying to convince Neteyam to let him be with the other warriors, and Neteyam reminding him of your parents orders. They stop mid sentence when they hear your heavy, muffled footsteps, taking one look at you and knowing that something isn’t right. Lo’ak in particular, to your surprise. 

“Damn. You look exhausted.” Lo’ak says, earning a jab in the rib by Neteyams elbow. “What? She looks like she’s about to pass out.” 

“You can’t say that to a pregnant woman, skxawng [idiot].” Neteyam hisses.

“It’s fine. He’s not wrong.” You say, tail dragging low and heavy behind you. Ralak still clouds your mind, and you’re eager to know if he’s back yet. “I want to go home now. I really need to lie down.” 

Neteyam just nods, understanding that something deeper is going on. “I will take you.” 

“I got it, bro.” Lo’ak interjects, plunking the sack off his back and onto the ground.  

“Stay with Tuk.” Neteyam orders, clicking for his skimwing. 

“Why don’t you stay with Tuk?” Lo’ak snaps back. 

“Guys. Please?” You sigh, waddling towards the winged beast, throwing a leg over its tough back. “I’ll see you tomorrow. Come ‘teyam.” Neteyam smirks, making the bond with the beast and mounting it in one swift move. 

As you arrive at your marui, you see Zu’té at the outside fire pit, concentrating on not burning yet another type of meat-on-a-stick. Hearing your arrival, Zu’té turns and acknowledges your presence. He puts down the sizzling meat on a leaf, allowing the fire to continue to burn as he begins to make his way over to collect you. Neteyam and him exchange glances and silent greetings, and suddenly the air is thick. 

“Right…I’m going up. Thank you, tey. See you.” You say out of breath, giving him a quick hug.

“Let me—” Neteyam begins.

“No, I’m okay.” You cut off your brother, hualing yourself off the tsurak. 

“Right. Kìyevame [see you again soon]. If you need me, send your watchdog.” He speaks clearly, holding you by the wrist to steady you as you get off. 

“I will, tey.” You chuckle lightly and make your way to the marui. Neteyam waits patiently, making sure you get in safely. 

Zu’té is only half way there when you reach the bottom step, already offering his arm for the stairs. You sigh and shake your head, hurriedly climbing the stairs as fast as your swollen ankles will allow it. For some reason, his gesture really annoys you. Your mood is off and you feel queasy and achy—like your entire body is throbbing. 

All you want is for everyone around you to stop babying you, and let you be alone for the rest of the day. 

“I got it.” Your voice strains as you wobble ahead, leaving Zu’té and your brother behind. Neteyam remains silent for some time, locking eyes with Zu’té. 

‘Keep a close eye.’ Neteyam signs with disquiet wrinkling his forehead. Zu’té gives him a puzzled look at first, but slowly nods when he successfully deciphers the message. Neteyam nods as well and dives underwater. 

By the time Zu’té gets to the bottom step, you’re already at the top, clutching onto the railing as you lean forward in pain. You couldn’t even make it into the pod without another hitting you so soon. You take a few deep breaths rather than holding it in, waiting until the tight feeling subsides. 

Four.

Zu’té darts up the stairs to your side, offering a hand in support only to be swatted away. “What is it?”

“It is nothing.” You catch your breath and insist that it was nothing—because it was nothing, right?

His brows furrow in disbelief, a look of concern washing over his face. Zu’té allows his eyes to fall to your bulging, veiny belly for the first time, taking in the sight. “You were in pain.”

“I’m fine.” You’re short with him, stony eyes staring into his.

“Someone once told me no good comes from pretending that things don’t hurt.” 

“Well nothing’s happening until my husband is back. Okay?” You try to remain nonchalant, to believe your own words. 

He simply stares down at you for a bit, analysing your facial expression. Despite your stone cold facade, he can easily  see the fear etched into your features. Fear that this baby may come before Ralaks return and that if you allow yourself to accept reality, then it may really come true. He glances down at your hand still stuck to the side of your stomach and swallows, looking back up to you. 

“Understood.” 

“Right. Now...” You huff, contemplating if you should say what you want to say. You feel like telling him to back off—to give you some space. But he’s obviously just making sure you’re okay. “...I need to lie down. Just, keep an eye out for—” 

“My brother? Sure. Rest well.” 

——

“Ay’ana.” 

The Olo’eyktan lets out a lengthy growl, earning a look from the traitor herself. 

“Waari.” She sings with a grin, shifting her leer to his mate behind him. “Ronal.” Her eyes fall to her swollen belly, “You are expecting…again.” 

It wasn’t a, ‘congratulations’ either, no. But rather a ‘I see that you are the most vulnerable.’

Ronal scowls, hissing through her teeth. Tonowari steps in front of his mate, blocking her from Ay’ana’s view. 

It was one thing to commit kawngkem [a crime; evil deed] and be banished for it, but it’s another to seek uturu with the enemy. She is no longer considered to be among the ‘banished’, but is now the ‘enemy’. 

Ay’ana looks behind Tonowari, not at Ronal, but at the two deeper skinned, slender na’vis. She scoffs, the corner of her mouth pulling into an evil smirk, revealing her sharpened teeth. Tonowaris eyes widen when he sees that she’s completely adapted to this vile peoples’ ways by putting a file to her teeth. Her eyes flick past them to the last person, the most important. 

“Ralak.” She slowly moans his name as she peers up at him with sultry eyes, allowing her tongue to glaze over her canines. “Such a pleasure.” Ralak winces, chest heaving violently as it fills with repulsion and loathing. “Ah. I remember you being quiet, but not this quiet. Nothing to say to your karyu?”

——

A couple hours have passed and the pain is enough to disrupt your rest. The sunlight dulls with each passing minute, casting a familiar orange hue into the marui. It comes in waves, rippling through you like a bolt of lightning striking the tallest tree in the forest. Making it hard to tell yourself that things are okay—making it hard to keep things quiet. 

“Agh!” You groan suddenly, feeling another jolt of electricity shoot up your spine. It stops you in your tracks, the tracks you’ve been burning into the floor with your constant, nervous pacing. You quiet down into a whisper, “...please wait for your sempu [daddy], my child.” 

“You—uhm.” You hear Zu’té clear his throat at the door, projecting his voice so that you can hear him through the curtain, “You alright in there?”

“Mmn—yes! Fine.” You grate out, making your way back to the bed to lie down. Your feet are so sore.

“Hungry?” He asks, food in hand in the case you were. 

“‘m not.” You try to speak up, but you’re still in the height of the contraction. 

He grits his teeth, leaning into the frame of the marui door. “I didn’t burn it this time.” 

You wish you could laugh, but you can’t even muster up the strength to raise your voice.

Zu’té lingers at the door quietly, knowing plain as day that you weren’t okay. “...what about water?” 

“No...I’ve got.” You say at a normal volume, finally released from the constraints of your pain. 

You begin closing your eyes in hopes that sleep may find you, even if it's just for a few minutes. Zu’té remains at the door for a moment longer, feeling so helpless and useless. He sinks back to the floor, putting down the meat and picking up a new, special piece to weave. 

Weaving passed the time, distracting him from the tiny sounds that managed to escape your mouth. 

Until night fell, and those tiny sounds morphed into deep, lengthy groans and high pitched wails. 

——

“Let us begin.” Tonowari speaks over Ay’ana, averting all attention back to their leader, another female that goes by the name of ‘Varang’. 

She’s almost grey in colour, embellished with a red headpiece that resembles something of an ikrans wings. Her eyes narrow as she looks straight at Tonowari, standing close to his height. 

“Let us.” She hisses with a smile, leading Tonowari to a smaller, private room sectioned by a leather curtain. She motions to Ay’ana to accompany her, leaving the rest of her men to stay with the others. Tonowari lets out a soft grunt, and grits his teeth. He knows he must choose, but his mate is heavy with child and Jake has no interest in leaving his mate in such a place alone. Therefore, he must choose his right hand—Ralak. He motions with a quick tilt of his head, prompting Ralak to clutch his weapon close to his chest and follow closely behind. 

——

“Y/n.” Zu’té’s at the curtain again, half considering to pull it back and come in on his own terms. But he would never invade your privacy like that. And by the sounds of it, things are picking up. “Do you need the healer?”

“No!” You shout out of breath, wobbling to the door with a hand clutching your stomach. You lean all your weight against the wall, knowing he’s on the other side waiting. “No healer.” 

You’re drenched in sweat, sliding down the wall to sit on the floor. He hears your back slide against the surface, and he mirrors your movements, sitting on the floor too. Only a wall sits between your backs, separating you two. 

“You’re in labour.” Zu’té speaks, his poor attempt at urging you to face reality.

You know that. Of course you know that. But you don’t want it to be true—you didn’t expect it to happen this way—you didnt want it to happen this way. You take a few deep breaths, concentrating on breathing through the remainder of this horrible feeling. And when it’s finally over, you rest your head against the wall and close your eyes—leaving silence to fill the air. 

Where are you, Ralak? 

——

The room is much smaller than the one they were in, equipped with some sort of table or workbench with a few spears and bows mounted on the wall. Ralak stands quietly behind Tonowari, as does Ay’ana to Varang. 

As they negotiate the terms of the treaty, Ay’ana keeps her eyes locked onto Ralak with a smug look on her face. Her hungry eyes wander, shamelessly taking in every inch of the man before her, surprised by how much he has changed. He’s much bigger, more filled out in his warrior attire. His muscles—more defined, thicker. His skin—calloused and scarred. Inked, unlike before.

And as her eyes trail down the line between his abs they lay upon the six stripes that peak out over the band of his loincloth. Her eyes widen and glisten with greed before darting back up to his face, meeting his eyes that bore into her fearlessly. 

What’s worse is that she can see that his mind is elsewhere. 

That his mind runs on you. You’re all he’s been thinking about since he stepped off the reef. He feels deep in his heart that something isn’t right back home. That you need him. That perhaps, you’re calling for him right now, swollen and heavy with his child. 

And it bothers her. 

“It is decided, then.” Tonowari speaks in a confident tone.

“Yes, it is.” Varang’s smile is uncanny as she unsheaths a small, double edged knife from her hip. 

She grabs Tonowari by the hand, placing the blade in the middle of his palm, and closes his fingers around it. She rips it from his hand, drawing blood, and then hands Tonowari the knife and gives him her hand. He returns the unsettling act, slitting her palm. She keeps a smile on her face, locking hands with him until their blood combines and drips to their feet. 

Supposedly, it is a method of establishing some level of trust between the two. Where each has the ability to do much greater harm, but makes the deliberate choice not to. Then, when blood has been drawn, it is mixed by bringing the hands together, sealing the treaty. 

“Bound by blood.” Varang whispers, letting go of his hand to bring hers to her mouth for a taste. 

She sighs and smiles, popping a thumb in her mouth before gesturing to him that they leave. Tonowari fights the flinch on his face, disturbed by her behaviour. Ay’ana stays back, watching the two leaders exit the room. But as Ralak is about to leave behind Tonowari, Ay’ana calls for him. 

——

Another couple agonising hours pass, and you’re constantly changing positions in hopes of finding some relief. Desperation sets in, making you beg the great mother herself to guide you through this. To bring your mate back home. But there’s still no sign of his return. The night dew settles on all the surfaces around you. Pacing no longer helps, leaving you to take refuge in your bed, panting and shivering. 

No matter how much you twist and turn, your stomach only tightens more. Deep groans rip past your lips to cope with the feeling—the pain shooting through your core. Beads of sweat roll off your body at an alarming rate, soaking the sheets on your bed. You feel him move further down, his head now sitting plush in your pelvis, creating an immense pressure that’s almost unbearable. His feet press into your ribs, and with each strained breath you begin to yearn for your mate more and more. For his comforting touch. For the bond.  

“Ralak…” 

——

“Ralak.” She sings, making him stop dead in his tracks. “A word.” 

His ears tuck back and he looks at Tonowari, who gives him a begrudged nod. Ralak sighs and turns around, fixing his mask of indifference tightly to his face. He remains silent, his hand practically bonded to his spear. 

“Still tight lipped, hm? Come now, tak. That is no way to treat your karyu.” She speaks in a condescending tone, approaching him warily. 

Ralak nearly takes the bait, a heat growing in his chest so hot it makes his jaw tense. How dare she call herself that? To taint such a word? He swallows, taking a single, deep breath to recenter himself as he looks away from her. 

“I have to admit.” She steps towards him, the crown of her head meeting the bow of his shoulder. “You have grown into a fine man. You are taller than me now.”  

Ralak just looks down at her, still as stone, his mind consumed with the fact that he could be on his way home to you but this…vile creature is keeping him away. But he will do what he needs to keep you safe, even if it means to tolerate this for the time being. 

With no reaction, Ay’ana grows frustrated and begins circling him, a single finger tracing around his body. 

“You know…My body still yearns for you.” She speaks with a sultry voice, stopping at his side and bringing herself to the tips of her toes to whisper in his ear, “...especially when I’m in heat.”

For a second, Ralak succumbs to her tactics, the ones she used to use on him years ago. A memory, forcibly resurfaced, reminding him of the way she whispered in his ear on that night. It makes him feel so small. Impotent. But only for a second. Ralak recoils, stepping back to create distance between them. He towers over her, dwarfing this small, lanky woman, regaining his confidence and power. 

“Is that all?” He growls, looking her dead in the eye—facing his past with no fear. 

Facing the reason why he lived in a bottle before he met you. You. You. He can feel you. He can feel you yearn for him and he’s ready to come home to you. For this to be over. 

He’s too focused on you to even notice Ay’ana’s face of shock. Shock to know that she’s been releasing her pheromones this entire time and he’s been completely oblivious to them. Which only means one thing. 

“You’re mated.” She gasps. 

And he’s back. 

Staring at a mirror now that he is, too, in a state of shock. Ralak’s heart leaps out his chest, beating so hard that Ay’ana can hear it. How could she know that? He watches as a grin spreads across her face, ear to ear. She knows she’s got him now, despite the jealousy bubbling inside her. She could use this to her advantage—it didn’t matter to her that he’s called for, after all. 

“Using tsaheylu for such useless things.” She bellows a wicked laugh, which fades out when she sees an even more serious look on his face. A look that tells her he’s trying to mask something more, something deeper. “Oh? Is there more to it?” The twitch of his brows and quick flare to his nostrils reveals the truth. “I have to know. What is it, hm?” She nears him once more, two fingers walking up his chest. “Come now, you were never this hard to read.” 

Ralak remains silent, focusing on slowing his heart rate. 

“Is she ill?” She asks as she searches his eyes, fingers grazing across his quivering jawbone. “No, no. It’s not that.” She sighs, stepping closer and closer until his back hits the wall. He moves his head away from her touch, still looking her in the eye—refusing to be the first to break eye contact. Her eyes light up and her ears stand tall.

“She carries your child, doesn’t she?” Her eyes gloss over green with envy. “Pregnant.”

Ralak swallows his spit, the lump in the column of his throat quickly undulating. 

“There it is. I knew you would make strong babies.” Her hand slips down his chest, slithering over his abs and down to the twine of his loincloth, causing him to jolt. “Ralak.” She moans his name slowly, “Oh, Ralak. The last I see of you, you were barely covered in this vile ink with no one at your side…and now you are mated and a father to be.” Her fingers tickle the raised skin on his most intimate tattoo. “I have always longed to be bred by you.” Her fingers attempt to burrow themselves under the band of his loincloth.

“Enough.” He lets out a deep growl, shoving her away, dropping his weapon in doing so. She loses and quickly regains her balance in a few seconds, throwing herself on him. He grabs her by the wrists, restraining her with ease so that she can’t come any closer to him. 

“Perhaps we need to renegotiate the terms so that you are a part of them, yes?” Her voice is full of desperation, trembling as she strains against him. “How does that sound numeyu? You know we have a population problem, right? We could all use you.”

“I have no interest in being your stud.” Ralak spits, forcefully shoving her away, causing her to stumble back and for her head to hit the table. 

He moves quickly, picking up his spear off the ground and heading for the door. She lunges at him, dagger unsheathed from her hip and armed in her hand, whilst her other arm snakes around his throat to pull him onto the ground. 

During the struggle, Ralak drags her off his back, resulting in a nasty gash from his collarbone and down his shoulder blade. He hisses from the burn, instantly assuming an offensive stance to plunge his spear through. Ay’ana returns the hiss, crouching with her bloodied dagger ready to strike.  

“I will kill you.” Ralak threatens, nearing the pointed tip closer and closer to her chest. “And I will take great joy in doing so.”  

“Is that right?” Ay’ana hisses, tail wagging in excitement with unsettling smile spread across her face. She looks as if she’s toying with him. As if she’s playing a game and she’s winning. “Let me have a taste of you.” 

“Nìtam! [Enough!]” Tonowari roars as he yanks back the curtain, instantly averting Ay’ana’s attention to him. Perhaps it was her roots calling her to respond to her true leader. Varang appears beside him with a scowl stained on her face, displeased with her subordinate. One more move and the treaty would’ve already been broken. 

“Easy, Tak.” Tonowari murmurs, and Ralak relaxes into position next to him, blood trickling down his chest and back. 

“Come with me.” Varang snarls at Ay’ana, seizing her by the queue.

“Night has fallen. We will take our leave.” Tonowari speaks roughly, trying his hardest to contain his anger as he rests a careful hand resting on Ralak—leading him out the room.

“In another ten years, Olo’eyktan.”

Tonowari grunts as he and the rest push past the swarming ash people. As soon as they’re far enough, he stops Ralak and has Ronal safely look at his wound. It’s weeping and open, prone to a nasty infection if not dressed immediately. She unclasps her medicine pouch from her hip, and retrieves a small bottle of iridescent liquid, a viscous concoction of herbs, and a needle and thread.

“Come, son.” Tonowari speaks softly, ripping the cork from the small bottle with his back teeth and spitting it on the ground. “That vonvä’.”

Ralak sits on the nearest rock, elbows propped on his knees and head hung low to hide his face. Jake and Neytiri observe in silence, cringing as Tonowari douses the gash with the liquid as Ronal prepares the needle and thread. 

Ralak groans, biting down tooth on tooth. 

Tonowari leaves a little left in the bottle, offering it to Ralak who is visibly trying to keep it together. He plucks the bottle from Tonowari’s hand and knocks it back, puffing out a sigh. 

“Keep still.” Ronal orders, driving the wooden needle through his skin. 

Ralak grumbles, letting his head hang between his knees and his hair fall forward. At this point Neytiri looks away, but Jake can’t. His eyes are plastered to the scene unfolding before him as he recognizes his son-in-law’s strength and perseverance. 

“That should hold until we are back.” She declares, gathering her supplies and stuffing them back into her pouch. 

“Irayo [thank you], Ronal.”

“You’re strong, boy.” Jake mumbles, patting Ralaks back as he gets up. “Anyone care to explain what the hell happened back there?” 

Ralak just shakes his head, leaving Tonowari to speak for him. “I will explain on the way back. You all have someone waiting for you.”

Ralak’s ears spring up at the thought of you, giving him a burst of energy to spring to his feet, gather his gear and lead the trek himself. The women walk behind him, concerned about his wound. Tonowari and Jake are left at the back, sharing a look before they begin their journey. 

——

“Fuck. Fuck.” You pant, looking down at your trembling hands that sink into the bed through double vision. You sway from side to side, trying to take steady, deep breaths, but the pressure between your legs is starting to make you panic. The possibility that you may have to do this alone is quickly becoming a reality. 

Zu’té is the one doing the pacing now, unable to sit still in his spot for much longer. He has long abandoned his woven pieces, burning lines into the patio floor as he walks back and forth outside—conflicted on his next move. 

He doesn’t want to go against your wishes and call a healer without you requesting it. But he must keep his word to Ralak—to keep you safe—which means calling for a healer. He chews on the toughened skin on his thumb, listening to your continuous whimpers and whines. By the sounds of it, you’re in active labour now, ready to give birth at any moment. 

——

A few hours have passed since they started the trek back home. Everyone has fallen into new positions that work for them. Ralak, eager to be at his pregnant mate’s side, leads the pack, clearing the path for the others. Jake and Neytiri stay not too far behind him, keeping a vigilant eye on their surroundings. Tonowari and Ronal are far at the back, linked together as she trudges on despite her extreme weariness.

“Let us take another break.” Tonowari speaks quietly to his mate, hand on her stomach. They share a look, speaking to one another with their eyes. She doesn’t want to hold up the group much more than she already has. 

“No. We are almost there—ugh!” Ronal lets out a sudden groan, clutching her stomach as she doubles over. 

Everyone stops dead in their tracks, turning around with wide eyes. Tonowari supports her, and carefully walks her over to a nearby fallen log, lowering her down onto it. She takes a few deep breaths as Neytiri and Jake rush over to her. 

“Is it time?” Neytiri asks, crouching down next to her. Ronal nods once, completely in tune with her body and aware of exactly what’s happening.

Which is why she insisted they continue, or else she won’t make it back in time. Ralak watches at a distance, his face contorting with sheer worry. No, borderline distress. He looks almost mortified, but not for the reasons that one may think. They all know why, it's obvious. If Ronal is in labour,

…that means you probably are too.  

“Go ahead.” Ronal pants, beads beginning to form at her temple. 

But Ralak doesn’t move. He can’t move. He’s at conflict with himself. An internal battle of knowing that he should stay and help, even though he really wants to go—needs to go. 

“We got it, son. Go to her.” Jake huffs as he helps Tonowari lift Ronal to carry her. “Go on!” He shouts, prompting Ralak to look to his father figure for approval, to which he meets him with a quick nod before averting his attention back to his labouring mate. And with Neytiri’s soft smile of reassurance, Ralak takes a few steps back before turning his heel and booking it home. 

——

“Haah…holy fuck—holy fuck.” You moan, feeling another contraction start up and the pressure between your legs intensify. 

This one has you on your hands and knees, clutching the bed head so hard your nails dig into the wood. It’s undeniable now. This baby is coming whether you like it or not. And as the contraction reaches its peak, you scream. 

“Zu’té!” It pains you to cry out for his name and not your mates. Hearing your call—your permission to enter—he finally bursts through the door and rushes to your side. 

“I’m here, I’m here.” He’s out of breath and on edge.

“I think—oh god—I think the baby’s coming!” You cry out, swooping your hand between your legs to try and feel what’s happening. 

“Shit. Like now? Like right now?” Zu’té panics as he watches you, hands hovering around you, unsure of what to do. 

“I d-don’t know! I—I don’t—I want Ralak! Fuck, fuck. I want lak!” You cry out in sheer agony. “I want my mate. I-I need him!” 

“Y/n. Eywa.” Desperation is potent in his voice now. 

The fact that you’re calling out for his brother means the time has come and he feels like a fool to have let this get this far without stepping in. He swallows and takes a breath to calm down, just as your contraction ends and leaves you sobbing on your knees. 

“I’m getting the healer.” He says firmly, turning his heel to leave but you grab his wrist before he can walk away. 

“No! Don’t leave…Please don’t leave me alone.” You beg, fear glossing over your eyes until it spills onto your cheeks once more. He looks at you with furrowed brows, lamenting for you. Now he’s really conflicted, because this means…it’s him or no one. 

“Ah, shit. Shit. Uhm.” He rakes his fingers through his scalp, thinking about his next move. He’s seriously considering going regardless, able to see the situation for what it is.

“Please, Zu’té.” You plead weakly, slowly lowering yourself onto your behind and off your knees, leaning back into the bedhead. 

“Okay, okay.” He nods and you let go of his wrist, immediately using your hand to support your stomach. You let your eyes close, they’re swollen and heavy. “Uh–right, right.” 

For some reason he can’t stop repeating himself twice. Perhaps it’s his way of keeping grounded. He heads straight for the bucket of water and rag to bring it over to you. He dips the rag into the water, and wrings it out. You barely open your eyes at the sound of the bucket making contact with the floor, and see that he’s nearing you with a damp cloth and raised brows. He’s waiting for your go ahead. 

“Yes.” Your voice is hoarse and trembling. 

Zu’té begins to wipe away the sweat that’s dripping in your eyes, your forehead, neck and chest. Dipping the rag back into the water, he wrings it out once more and wipes down your shoulders and arms. You can’t help but sit there and close your eyes, allowing him to do it all, exhausted.

Feeling something press against your lips, you open your eyes in a daze. Zu’té holds a cup of water to your mouth, and you drink ardently, gasping for air and closing your eyes when it’s emptied. Sleep calls to you, taking you as you barely manage to mutter out a weak, “...thank you.” 

Zu’té calculates another five minutes before your next contraction, giving him enough time to fetch a fresh pail of water—something absolutely necessary for the birth. He leaves you sat up against the bedhead, rag on your forehead as you sleep. But not even three minutes go by before he hears your languid moan. 

Abandoning the bucket, he rushes back into the marui, finding you standing and holding onto the marui stilt with one hand as the other tugs at the strap of your top. Seeing you try to undress has him stopping in his tracks and turning his head to look away. 

“Y/n—”

“Ughhaa—” You grunt, untethering the knot of your top. Your body is trying to get comfortable for the birth of your son now, and these pieces of cloth feel suffocating. “Get out!”

With that, Zu’té turns and retreats back to the patio, hands on his head as he begins to make his plan. If he flew on his skimwing, he could make it to the village and back with a healer in about ten minutes. But would that be enough time? What if you didn’t have ten minutes? Your pained groan turns into a howl and it makes his ears twitch. 

By the sound of that, you might not even have five minutes. 

“Come on, baby brother. Don’t make me do this. Please. Don’t make me go back in there. Oh shit—I’m going to have to go back in there, aren’t I? Eywa. Eywa. Okay—It’s okay. I can do this. Childbirth. It’s just childbirth. Right? Right.” 

Zu’té tries to convince himself that he’s capable of this despite this not being what he signed up for. 

“Okay, Toto. Just do it. Go in there.” Zu’té sounds breathless as he speaks to himself, turning around to face the door. He hears your whimper and his jaw tightens. “Shit. Okay. Right.”

Just as he raises his hand to pull back the curtain, he hears a winded voice. 

“Brother.”

[uranometrias]

goodbye love, you flew right by , spencer reid

this was inspired by the season fourteen episode 'truth or dare'... it's my take on the jeid confession aftermath. listen to ceilings while you read, but don't think too deeply into it, because the story has a happy ending... this is only part 1 though, and it ends on a awkward/angsty note, so sorry. reader passes out from a head blow.

i wanted it to be short, but i have no self control.

you tried to keep your mind on your training, you didn't really have time to panic, you needed to stay calm. you focused all your energy on your breathing, willed your fear away with thoughts of better things. you didn't even want to focus on the fact that spencer was across from you, hands pinned behind his back as he stared up at the manic man that was currently holding you, your boyfriend, and your closest work friend hostage. you believed in your team, and what you were capable of, you knew without a doubt you'd make it out alive.

"casey..." spencer speaks, his voice has matured over the years, rightfully. he sounds so official, and you find yourself sitting a touch straighter at the sharpness behind his words. jj was standing up, eyes glued directly on your captor, her face was pinched up with the proof of her worry. she catches your eye, and looks forlorn, you only hope that she sees the resilience resting in your own eyes, as you try and offer a semblance of hope through your own gaze.

"shut up!" he shouts, and his gun is aimed at spencer. he spits the words out, quickly stomping towards jj as he forced her to the floor.

"okay, okay!" she exclaims, and it's clear that he's hurting her. his patience has run thin, and jj's plan of getting through to him by playing along with his sick 'truth or dare' game was proving to be all for not. your foot unconsciously begins to tap, likely a nervous habit that you have no time to unpack. you're still too busy trying to appear unbothered, it always seemed to tick the unsubs off when it seemed like their bravado meant nothing. that's what you needed. you couldn't afford to let him think that he scared you.

"last chance." and his gun's trained directly at jj's head. "something you'd never say aloud, not even to your friends here." and casey's whirling around to point the gun in your direction, you think it might have been a mistake for him to turn around. when he sees your foot tapping his face contorts, he's annoyed with you, angry with you. your arms are uncomfortable from the way they were taped together behind your back, and the foot tapping has become involuntary.

his reaction is almost instantaneous, and you think you understand why the team's always telling you not to get so lost in your own mind.

casey's grabbing you by your arm and it hurts, especially as his nails manage to pierce through the skin. he seems to be doing it on purpose, yanking you up to your feet as jj and spencer both surge into action. "wait, wait, please-" jj's leaning forward, eyes wide and full of fear for the first time since this whole ordeal began. spencer's scared too, but he hides it much better you think.

"please, don't hurt her." he begs, and you find it a bit annoying that he's brought them to the point of begging, of using manners to appeal to his ego. casey's eyes jump from spencer to jj, and then to you, and he's sneering. he whirls you around, arm looping around your neck as he presses the barrel of his gun directly to your temple. you sing along to your favorite song in your head, using it as a way to stay grounded, it likely made you look like a mad man.

you supposed that it was your superpower, your ability to look death in the eye, and not flinch. the team often mentioned they weren't sure if you or emily was more stone-faced in a crises situation. "oh, you don't want me to hurt her?" he mocks, and you don't look at spencer, no, you keep your eyes on jj, because she's the one that has to play the game. if you didn't know spencer so well, you never would have noticed the slight movement of his arms, he was up to something.

he was fine.

jj was the one in the hot seat, and she needed you to be calm. freaking out would only make her all the more anxious. so you offer her a stern look, a look that expressed that you all would be okay. she doesn't look convinced. "i want your deepest, darkest secret." he insturcts, "impress me, or i'll kill her." and he slams the gun deep into your temple, the action dizzying as you try and maintain your balance. you feel pain blooming behind your eyes. "and then i'll kill him." he nods his head towards spencer, and jj's on the verge of tears.

you have no choice but to watch her, he's given you a first-class seat to the action. jj's eyes don't land on you though, instead she's looking over to spencer. he looks back at her, face pensive, but otherwise calm. she shudders for just a moment, and it looks like she's trying to work up the courage. "come on!" casey suddenly screams directly in your ear, and you flinch violently. it garners both jj and spencer's attention. casey tightens his hold on you, gun at the ready. "do you think this is a joke? do you think i won't blow this bitch's brains out?"

you're not too fond of being called a bitch, and the drama of it all, takes you out of the moment a bit. why were all unsubs so cliche?

jj takes in another shuddered breath, this one bordering on a sob as she takes in a puff of air. it takes her a moment to get her bearings, but then she's looking at spencer again. she offers him a weak smile, and you get a tingle up your spine, it feels like a warning for disaster. "spence..." she says his name weakly, voice harsh as she croaks. he's looking away from you finally, meeting the gaze of his best friend. "uh..." she inhales sharply. "um..." she looks at you then, and you're eyes are wide, confusion swirling there and she's exhaling.

there's a heaviness, a guilt that stares back at you, and you find yourself scared for the first time, but not of casey. no, you're scared of your friend. "i'm sorry." she mouths to you, and you watch as she looks back at your boyfriend, the clear love of your life. you feel dread then, because you know jj, you know her too well, and you know what's coming. why else would she be so worried, why else would she be looking at you with so much shame in her eyes. "i've-" she stops.

spencer's none the wiser, he wouldn't get it until she said it in full. so while you spiraled into despair, he sat patiently, doe-eyes wide and full of whatever innocence he still had left. you wish you could go back to before, you wish you hadn't been assigned to go with jj and spencer, if you were with the team you'd be none the wiser. you wouldn't feel so heartbroken, displaced, uncertain. but you're here now, and all you have to do is wait for the other shoe to drop. jj inhales, and you wish she would get it out. "i've always loved you."

and there it is.

you'd come to recognize the signs and signals of tears, it always started with your eyes burning like you'd been sitting in smoke. your nose stings next, and you bare down harshly on your tongue to keep them from falling. "and i was just too scared to say it before." it's a gut-punch, it would have likely knocked you on your ass had casey not been forcing you to take it all in. "and now things are just really too complicated to say it now." and she's crying, and that's how you know that she means it. that only makes you feel much worse.

jj, for all intents and purposes was a great actress, she could make any story believable, but she'd never been a good 'fake crier'. she could hide every single one of her tells when she spoke, but emotions were harder to manage. you remembered how she'd told you that one day while the two of you were hanging out. you don't know what brought you there, but she'd made it clear, that tears for her were hard to fake. which left you with what? a best friend that was in love with your boyfriend?

"i'm sorry, but you should know." and you'd hoped she'd at least have the decency to look at you. she doesn't. instead, she's still looking at spencer, and you feel like you're intruding. more than that you feel so stupid. spencer's got this look on his face, this shock and awe and confusion that makes you want to vomit, it makes you want to throw yourself to the ground and throw a tantrum. you want to open your mouth and scream, remind them that 'hey, you're here too'... remind them that you were apart of this, that this was a very very bad thing.

hope was not the sort of look he should be wearing, it's not how he should be responding. you don't know what you'd expected, but certainly not for him to look so relieved, not while you were sitting right there in front of him with a gun to your head. he gives her a half smile though, and you crumble. casey's suddenly chuckling, shoulders rocking as they're pulled out of their little moment. "hot damn!" and he's releasing the gun from your temple, holding it like a little prop, as he forced you back to the ground.

you don't resist, your knees slamming into the floor as you conceal your wince, conceal everything.

"now that's what i'm talking about." casey mutters excitedly. "now those are some last words right there..." he nods his head. he then looms over her, gun pointed directly in her face. "but not good enough to save your life-" before he can hope to pull the trigger, spencer has shot him. the shot echoes all around you, but it doesn't seem to pull you from your muffled mind. casey falls to the floor, jj jumping as he lands down next to her. she shudders violently.

then she's looking back at him, at spence. your spence.

you don't like how it makes you feel, that they've conjured this small habit of getting lost in one another. you clear your throat, and they're finally, finally looking at you. jj looks mortified, but you can't read spencer at all. he doesn't look at jj again, doesn't say a word, instead he's looking at you. you should feel something other than rejection, but you don't. not even when his eyes seem to brim with all those feelings that you know he has for you, because now it feels fake.

he's quick in the way he rushes towards you, kneeling as he inspects you like porcelain. his dominant hand moves to gently brush over where you'd been hit with the gun. you don't want him to touch you though, so you pull back, it's more like a hard jerk, like you were frightened of his touch. you try to play it off, pretend it never happened, but you know that he knows. it felt like the beginning of the end, like the prerequisite to something god-awful.

he looks so upset, hurt by the action, but you think out of the two of you, you're the one who's really hurt. "can you just get me out of these, please?" you don't sound like yourself either, instead you sound hollow, like a grieving woman. you probably are, grieving that is. spencer gives you a worn down nod, but maneuvers until he's behind you. he gently tugs at the tape, but it still hurts as it strips at your skin. you bare your teeth, but don't say anything, head hanging low, until he was done. he offers you his hand, you ignore it.

"y/n." jj calls, and she sounds so distraught. you ignore her too, you don't know what other choices you have. the room's not big enough to hide in, so instead you find yourself rushing over to melissa. you think it's silly, to leave the two of them alone while so much hung in the air, but it was better that way. "melissa." you say her name quietly, kneeling in front of her, despite how shabby they felt. "i need you to hang on, okay?" you exhale shakily.

"help will be here before you know it." you promise, and you're pressing on her wound, blood smearing your hands and your fingertips as she winced painfully. you don't hear anything from jj and spencer, but it doesn't make it better. clearly a glance was all it took for the two of them now. you hate the way this has thrown you, you don't exactly know why you're so fearful. jj was married, she had two sons she adored, and a marriage she was happy in. so why did it feel like the confession was the start of something bad.

were you so insecure that you felt like you didn't stand a chance?

you don't want to think about that, it might actually be enough to make you upchuck. instead, your masochistic mind has you chancing a glance back to where it all went down. you see that spencer has taken the tape off her hands. she's looking up at him, and he's staring down at her. you think that you hate them then. the door bursts open a second later, and you're glad. soon enough a medic would come to see to the wounded, and you could get the hell out of dodge.

"we're going to need an EMT, we've got three down." you exclaim. the room immediately jumps into action. you hear the incessant thrum of conversation as everyone jumped into action, and you're more than grateful when you feel someone looming. your mistake was believing it would be a medic, your face falls flat when you're met with the sight of jj. she had always had a bad habit of trying to force the hard conversations. today though, you were determined to stand your petty ground. you avert your gaze, attention back on melissa.

"y/n, please don't do this." she says this quietly, and you hear the genuine anguish in her voice. it doesn't sway you, it can't possibly.

"it's already done." you quip, and you're grateful to have slowed the bleeding of melissa's wound, as a medic takes your place, finally. you stand to your feet, bloodstained hands itching to smear against your jeans, but you refrain. you ignore rossi and tara's questions, not really in the mood to answer different variations of the 'are you alright?' game. you needed air. silly you to think it'd be over just because you'd willed it to be. just as you're stepping outside, you feel a warm hand encompassing your wrist. you don't want to stop, but it's habitual.

"let me go, spencer." you try quietly. you don't want to be that girl, the one that lashes out, and causes a scene. diplomacy was the name of the game. your eyes are glued to the ground, you didn't want to picture him with that stupid hopeful look on his face anymore. you knew that night when you closed your eyes you'd see it over and over. it would taunt you, play on an endless loop while you tore yourself to shreds. what was it about her? why was this happening to you?

"i can't." he replies, and you wish he'd spoken to you earlier. you wish that he had communicated with his mouth, rather than with his eyes. maybe you wouldn't be so far gone. it didn't have to be a big deal, because at least you would have known that it didn't matter. that her confession hadn't changed anything, but he'd stayed silent, and he'd looked at her in a way he'd never looked at you before. you knew there was history, you'd heard whispers from derek and penelope about a football game from years and years ago.

you had never expected for it to matter now.

"you can, you're just choosing to hold me hostage." you mumble, and despite your anger, you can't lash out. you can't be irrational.

"i'm not going to let you leave angry with me." and you hate how he knows you so well. you think it's something you'll miss. "i want us to talk about it, i think that we need to." he says in that voice he often used when he was trying to gently guide you towards the right choice. you don't want to be policed or treated like you were the one that had messed things up. all he'd needed to do was shut it down, all you'd wanted him to do was not look so happy, like it was something he'd spent his entire life waiting for.

"what's there to talk about, spencer? it's happened, okay? let's just move on, before this turns into something it doesn't need to." you shoot back, and he's not convinced, nor is he willing to budge.

"you're treating me like some stranger, as if i don't know you well enough to see when you're lying to me." he's gaining that disappointed lilt to his voice, and you think long gone are all your chances of getting out of this place without it turning into a full blown soap opera meltdown. "we're not going to get anywhere if you can't be truthful with me." he adds, and you don't want a lecture, because you'd done nothing wrong. you were the one casey had held, you were the one that had a gun pressed to your temple.

you weren't the one that made the life changing confession.

"i'm asking you to drop this." you say sharply, and you're hoping to snatch your arm away from spencer. he doesn't let you, and on any other occasion you'd feel so protected, so wanted. now though, you feel claustrophobic, trapped, you didn't feel safe. "i understand that you're trying to preserve our relationship, and i wish i could tell you that this doesn't change anything..." his face morphs, eyes screaming at you not to proceed. "but i just need a second to wrap my head around all this, okay? can you give me that? space?"

to him space always felt like the beginning of the end. he thinks that's why he's determined not to let you go. "will you come back? if i let you go?" and he's already dropped you wrist, so you know that he's not really talking about right now. he sounds uncertain, scared, and it does remind you that there was love he felt towards you. the fear wraps around you, and you're not sure how it really makes you feel. you exhale shakily, and you don't want to give him the wrong answer.

"agent l/n." you're both being pulled back to reality, back to what was going on around you. you note the bleeding gash in his hand, likely from the shard he'd used to free himself from the tape and you sigh.

"i don't know, spence." and it's true. "i'm just a little bit confused right now." you admit. "and my feelings are hurt," you shake your head rapidly. spencer doesn't know how to express the way his mind is running. all he knew was that jj's confession would not be enough to make him want to throw away his time with you. he wanted you to know that you weren't a consolation prize, but he didn't know how to say it now without seeming ingenuine. he knew how it looked, he knew how he'd feel if he was in your shoes.

but, he wasn't in love with jj. he remembered a version of himself that tripped over himself at her gaze, the version that stayed up late at night replaying conversations in his head. a part of that guy would always exist, he couldn't lie and say it didn't. he loved her so wholeheartedly that sometimes it still managed to scare him, but she was an illusion, a fantasy. realistically he doubted they'd make sense in a romantic sort of sense, it was only something to think about... not something to uproot lives behind.

more than that though, he'd never felt for jj the way he felt for you. he remembered the first time you'd waltzed into the bullpen. you'd knocked him right on his ass, took every thought in his head, and made it your very own. you consumed his time, and he was willing to let you. he wanted you to be the only thing that could quiet his running mind, he wanted you to be the only person that could help him sleep. he didn't want to give this anymore attention than it needed, because he was set in his heart. it wasn't a question.

he didn't know why he couldn't just say that. why everything felt so lopsided and off focus now. his lips curve down into a deep pout.

"my head hurts." you mumble, your bottom lip trembling as spencer's frown deepens. he wants to hug you, but after your initial rejection he doesn't know if he can take another one. you feel a bit drowsy, likely a side-effect of the way casey had manhandled you.

"i know, you'll need to get checked out." he says quietly. "you might have a concussion, he really did a number on you." and despite his initial protests, and your earlier reaction, he's reaching for you again. you don't know if you're insecure, or if your profiling skills are allowing to see him for who he is, but the look in his eyes pushes you to relax. his fingers are gentle in the way they cradle your face, and instinctively you're leaning into his palm, cheek pressing against his hand. "i'm sorry." and you don't know which part he's apologizing for.

"can you come with me?" a quiet and still hopeful question. "we could sit together in the ambulance, pretend everything's alright just for a second?" you offer, and you think that's an answer to his question in itself. you didn't know how long it would take to get checked out, you didn't know how long it would take for them to bandage his hand and assess him for other scrapes and bruises, but you could take advantage of it, just the two of you. you could sit in silence, and dance around in that space between love and betrayal.

it was possible.

"y-yeah." he didn't stutter much anymore, so it stands out and makes you want to frown. "we can do that." his expression is torn, and you want to know what's on his mind, what he was thinking. you needed to know, you wanted some sort of sign, anything, that would show you he hadn't given up on you all because jj was in love with him. you hoped you weren't that disposable. "i want to." he adds, and he blinks harshly, almost like he's warding off tears, and it feels so awkward. the usual banter, the back and forth, the flirty remarks that always managed to leave you both shy were all gone.

in a matter of moments.

"good." and at the very least, he's here with you right now. "give me your hand." and you're careful not to grab the one he'd split with the glass, instead stepping around him to pull his clean palm into your slightly stained one. your fingers interlock, and it's a habit, a natural one at this point. "don't think too hard about it." you instruct, and he scoffs at you. he's upset, he's disappointed, hurting, angry, confused, you can see it. all his emotions seem to pile up on one another.

"how can i not?" he asks, and he sounds so tired. "it feels like you're seconds away from telling me that you're done with me." you're a not surprised at the pivot in his demeanor.

"isn't that what you want now?" you've started to walk, and spencer's letting you lead him, not quite ready to let your hand go once you reached the medic that was currently trying their hand at getting your attention. "i mean the girl you've always loved just put herself on a silver platter." you adds with a quiet sneer a second later. "what do you need me for?" you question, and he hates the feeling of his heart mimicking the sensation of pulling and squeezing. it hurts.

"y/n..." he tries, and you shake your head. "you have to know that nothing has changed." he promises, and you scoff. it stops you in your tracks.

"everything's changed!" you hiss. "she's in love with you. jj, our friend. she's been harboring feelings for you for years, but nothing's changed?" you huff, a tear seems to find joy in slipping from your eye in that moment. it's just one, but you know it's a opener to the main event. it's probably because despite everything, he makes you feel safest. part of that safety came an inability to shield your emotions and reactions from him. you'll have to try your darndest to do so now.

you don't really know if you can conceal them, but you don't want them to turn into full blown sobs. a few stray tears were easy to ignore, but the second it became a meltdown you knew you were finished. this wasn't your secret to share, and despite how angry you were with jj, you knew that it wasn't her fault. things were complicated, and you couldn't fully blame her for how she felt. you just wondered if she was biding her time, if she thought she was better suited for spencer than you. did she actually like you?

did she actually believe all that she'd told you regarding your relationship with spencer?

'i've never seen him smile so big' ... 'you guys are actually perfect for each other' ... 'tell us y/n, are you gonna be the one to give spence a few baby geniuses? the boys need some cousins'. your heart aches at the thought of it all being nothing but lip service. but you'd never expose her to the team, you'd never hurt will and the boys like that. which meant you'd have to shape up before the team was back.

"i mean for myself. nothing's changed for me and the way that i feel for you." he presses. "i wouldn't just toss our time together away like that." spencer looks stern as he scolds you. "was there a time that i thought about what it would be like? to be with jj... to-to have her love me back? yes... i won't lie about it." he says, and your face crumples up, and you want to run away. you don't know what he's getting at, but his words don't help as much as he might've hoped.

it causes you to yank your hand away, head shaking back and forth as you step back. "i said that i didn't want to talk about it." and you feel hypocritical because you'd thrown a few rocks to get you to this point in the conversation. "so stop it, okay? we're going to let it go, and we're going to talk about something else." you try your hand at deflecting. spencer's got an exceptional amount of patience, you see it wearing thin on his face, but you're not willing to budge.

"no, we need to talk about this." spencer argues. "i'm not going to pretend with you, and we've been together long enough for you to realize that you don't have to pretend with me, either." he adds. "if we don't now... i'm scared that we never will, and you're- you're angry with me, and i need you to tell me why." he pleads. "if we can't deal with things like this, we'll never make it past the hard stuff." he exhales, "i really want to make it past the hard stuff with you."

"i don't want to talk about it." you feel yourself getting a bit more irrational, angrier. your head feels like it's hurting even more, throbbing as it passed behind your eyes.

"why are you acting like this?" he's growing a bit frantic, he's got abandonment issues, and it feels like you might leave. he's lost a lot of people in his life, he's never been the best with change, he's never been the best with moving on, getting past the hard stuff. he doesn't want to push you too far, but he feels like he's got to hold on tight or risk losing you forever. "why can't you just tell me what you're thinking? if you're gonna vent, why not with me? let me help-"

"i don't want you to do anything for me!" you snap, and you're getting looks from the officers outside. you see rossi and his eyes are directly trained on the both of you. the rest of the team is scattered about, but much like rossi they're looking your way. it's officially become a scene. you run your hands across your face, dried blood caking over your skin, as you press your hands together, taking in a shaky breath. "i told you that i didn't want to talk about it." you remind him harshly.

"y/n-" you don't give him the chance to say much else, because you're immediately cutting him off.

"no!" you're ensuring your volume stays at appropriate levels, especially now that you seemed to have garnered a small audience. tara's still looking, and you know that every so often jj's taking it all in too. you at least owe it to the both of you to not go too far. "i want you to respect that maybe this isn't something you can fix with your extensive knowledge." you proceed. "you're smart as a whip, but boy do you still have a lot to learn about emotions." and you think you might have gone too far. you've definitely gone too far.

your head is really hurting though, and your vision's getting spotty. you don't have it in you to be politically correct, but you see the way his face morphs, how he looks so hurt. he towered over you, but he never looked more like a little boy than he did in that moment. "and my feelings... whatever they may be aren't just something that you can push out of me to make yourself feel better. this isn't just going to go away and be fixed by bed time, doctor reid."

he blinks.

"i wasn't-" he exhales, heartbeat wanting to rise in his chest. "that's not-" he's not prone to panic attacks, but he knew a lot about them. he knew how they could come out of no where, and be crippling. he was panicking, freaking out, mostly because he was being misunderstood. he never wanted you to misunderstand him, especially as it pertained to his intentions and his feelings towards you. "i wasn't trying to manage your feelings... i-" he's trying to breathe. "i just want us to be okay, i don't want to lose you."

you want to reply, really you do. you don't think you can though, because your brain feels like it's about to erupt. your knees lock, and you almost jerk. spencer's eyes widen and he's surging forward to catch you the second you start to fall. it brings him to his knees, split hand be damned. "y/n." and his suspicions about your concussion were confirmed, it makes guilt lash at him instantly. if he'd just bit his tongue, you wouldn't have passed out. he'd let you get too overwhelmed, you'd told him your head was bothering you.

he's so busy beating himself up, and trying to ensure that you were breathing, he doesn't even realize that matt's trying to garner his attention. "hey, what happened?" and he snaps out of it when tara's gently shoving at his arm. he feels like everything's going in slow motion now, he's just concerned about you. that's nothing new.

"i think she has a concussion..." he mutters. "casey-" he tightens his hold on you. "casey hit her in the head." he explains, and he wonders why he hadn't been more diligent earlier. the EMTs are joining next, and he should feel more relieved that you'll be getting the care you need. he knows most times unconsciousness wanes about fifteen minutes from the time that the victim passes out, but it doesn't calm him down. guilt was one hell of a problem.

"she's gonna be alright." tara is telling him, as they're rising to their feet, eyes following the stretcher you were laid out on. "she's a real fighter." and he already knows that, he thinks you're the strongest person in the world, but he should've never pushed you.

"spence!" jj's calling him, and she's approaching before he can reply. "what happened?" she sounds about as worried as he feels. guilt clearly was a dinner for two. "is she okay? w-what's wrong with y/n?" she fires off, and spencer thinks he should be the one talking to the EMTs and not tara and matt, but he can't seem to move. or respond, based on the way jj's face contorts. "spence!" she calls him again.

that snaps him out of his reverie.

"she's got a concussion, it's all my fault." he says what he's thinking. "i shouldn't have tried to force her to talk-" and he hates that right now is the moment he decides to word vomit. "i just-" he looks up at jj, who's got a mixture of emotions swirling in her eyes. "i should have let her go get checked out." he explains.

"this isn't your fault. spence, you're not the one that gave her a concussion. you're not the one that hurt her, casey was." she insists.

"casey's not the one that blew everything up." his retort is quick, and in hindsight, he doesn't blame jj for anything. he knows things are complicated, tricky, weird. but he doesn't want her to be the one to comfort him, and tell him everything was going to be fine. not right now.

"what? are you blaming me now?" jj asks, and she sounds heartbroken. spencer thinks he's getting used to the feeling of his foot being in his mouth. there's a moment of tense silence, a stare off that occurs where neither of them knows what to say. they don't know how to proceed, and he doesn't know why he keeps getting caught in this limbo of not knowing what to say. "i didn't mean to make things difficult." she finally says. "i never-"

they're pulled from this moment by tara. "spencer." and his head turns. "are you going to ride along to the hospital?" and it should've been the natural decision, except he's not feeling particularly ready. he takes a small step back, and it's one everyone seems to notice. the only people that were privy to what went down in that room were you, jj, and himself, and yet it felt like in that moment the entire team was given a front row seat to the obvious aftermath.

something had shifted, changed.

"y-" he shakes his head. "you go ahead." he offers, and tara's eyebrows raise. her shock makes him feel worse, but she doesn't question it. she climbs into the ambulance, and soon enough they're peeling out. his hand still hurts, the gash gnawing at him, but it's a welcomed pain. he'll have to bandage it soon though.

"spence." jj's wearing this look, a mixture of emotions he doesn't want to deal with. "it wasn't your fault." she insists. it doesn't make him feel any better, instead he's forced to come to terms with the decision he'd just made. you'd been taken to the hospital, and he'd stayed behind. he'd stayed behind and been reassured by jj.

you were never going to forgive him.

[voxisdaddy]

Collection of Pleasure

Hazbin Hotel NSFW Headcanons…

Fandom: Hazbin Hotel

Pairings: Alastor | Lucifer | Vox | Valentino | Velvette | Charlie | Vaggie | Cherri Bomb | Rosie | Carmilla | Adam | Lute | Emily | Saint Peter

C/TW: 18+, NSFW, MDNI, reader written as fem, cussing, various kinks, collection of a few subs x dom!reader, mainly the ladies are domming/topping lol, not proofread, some are bad im sorry, carmilla has two though bc its carmilla

In which in at least one NSFW headcanon for each character...

My personal NSFW headcanon for several Hazbin Hotel characters. This includes some of the main cast, the Vee’s, the angels, and some of the other characters ♥︎

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Alastor likes being the predator chasing his prey during his rut...

Sex with Alastor is pretty rare, happens occasionally but usually it's for special occasions like an anniversary. His ruts however? His favourite thing to do (aside from you) is have you run around the forest in his room while he hunts for you in his demon form. He can very easily catch you but he likes to let it play out before he pounces on you for like, two weeks. Goodluck lol

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Lucifer is an insatiable beast...

When he started crying and was quivering so bad one night, you thought that enough was enough and climbed off of him only for his hips to desperately follow you, thrusting into nothing. Despite his tears from the overstimulation you've given him for several rounds by then, he looked at you with teary eyes and begged you to not stop. A safe word was set in place because of that, so you made sure when to stop when he genuinely wanted you to stop. But despite how teary eyed he gets or how much he begs, he never uses it.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Vox likes to watch himself...

"Oh you mean like in front of a mirror?" NO. Well yes but actually he loves getting it on with you in his office because all his monitors will showcase how well you're either riding his dick or fucking his ass with a strap. A few monitors will display his weeping face though thanks to you. He thinks it's humiliating and will try and change them to literally anything else but he can't exactly focus on anything when he's so lost in pleasure. So his weeping face and him getting railed it is. It's like he's your own porn star. This porn star whimpers "mommy" too so have fun with that.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Valentino is capable of getting fucked dumb...

I know it might be hard to believe with him, but it is possible and it's why he's so obsessed with you. He's very experienced in sex, obviously; doming, subbing, top, bottom, doesn't matter. It's all good. The way you can somehow fuck him so good and bring him to so much overstimulation that all he can do babble incoherently? Mans is down bad for you and grows more romantically attached to you than he thinks. Often times the night after a particularly passionate and heated session, he heads to the studio with a slight limp in his step. The first time people saw him limping like that paired with his surprisingly decent mood that day, they knew; oh you're fucking good.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Velvette is a pillow princess...

I 100% see her as a dom, and she very well can dom, but she's selfish and wants all the pleasure with minimal work. With the way she acted, especially when it comes to teasing you, it really through you in a loop when you got to bed that evening. Okay so you're topping-no big deal. The real surprise was when you found out she didn't wanna do anything to help you get off. Oh well. Sitting on her face and using a vibrator against her clit is motivational enough for her to pleasure you too.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Charlie has a little bit of an exhibitionist kink...

a little bit. Kind of? Okay but you know the large window in her room we see her by in episode 1? Has rode your strap and/or fucked you with a strap right in front of that baby. Granted it's pretty high so not like anyone can easily look in anyways but it's still just not private enough that it does something to her. If she's ever potentially really ticked off sometimes she'll eat pussy aggressively while you're pressed, bare tits and all, against the glass.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Vaggie likes titi's...

Whether your big breasted or sporting itty bitties, her hands immediately go to fondle them during heated make out sessions. She's kinda shy in the bedroom so don't take her boldness to grope your chest as her being dominant-she just can't help herself from groping you. Sometimes after sex she'll kiss your chest. Depending on where she kisses and if she'd biting or not, it may lead to another round.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Cherri Bomb is the only person who can rival Lucifer over…

Eating pussy. Whether your sitting on her face or her head is buried between your plush thighs, my girl loves to eat. And she eats like her life depends on it. Even when you think she may need a breather and try to move she’s very quick in pulling you back and keeps you there firmly, often smirking when you’re overstimulated and squirming.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Rosie loves thighs...

Call her old fashioned (cuz she is) but seeing your exposed thighs just does something to her. I mean how scandalous! She spends a majority of her time in Cannibal Town which is trapped in the 1910's. Everyone is dressed in only the most stylish and modest clothing from that time period. So if you ever come strutting about, publicly or privately, in a little something that exposes more of your figure and especially your thighs, expect to have dozens of hickeys decorating your inner thighs by the next day.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Carmilla always says she has no favourite sex position but she does...

it's 69. She prefers to be at bottom since it makes it easier for her to finger you while simultaneously assaulting your clit with her tongue. And of course while you're down there she likes to keep you trapped with her thighs. Because i mean look at them thighs!!! MMHHMMM!!! I see her leaning more towards dom so like, if you're able to focus on eating her out without getting distracted as little as possible then she'll reward you good.

I have two for Carmilla that I desperately want to share so here's my second one; she loves having you keep her strap warm while she does paperwork. Just you sittin pretty on her big plastic dick, occasionally gripping your thigh when you squirm too much. Will play with your clit if you're being needy-try not to squirm too much though or else you ain't getting anything once she'd done her work for the day.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Adam secretly cherishes your more intimate sex...

As much as a dick (master) this guy is, he definitely has his vulnerable side. During some make up sex after an argument and temporary separation that could have very easily lead to your guys break up, he found himself unusually emotional as he was balls deep in ya. He didn't cry, as if he'd allow himself to do that especially at a time like sex, but he felt it. The pull at his heart strings, the relief that washed over him that you two were still together, the way your lips uttered his name like a prayer., It was a surprise to him and one he'll never forget.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Lute cums surprisingly fast via fingering...

You found this out when opting to use your fingers to do the job over the dildo, strap, and vibrator. She already knew she came fast via fingering but didn't want anyone to know that-she came almost embarrassingly fast and it sometimes felt like it wouldn't stop. This hit her ego a little bit considering that she's stubborn as all hell but she could barely defend herself when she kept cumming around your fingers. Safe to say you had quite a lot to lap up that night.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Emily gets wet easily...

is it really that surprising? You found this out when you were kissing at her neck and reached down to her uplifted dress and felt that slick wet feeling between her legs. She was very flustered and even more when you teased her for getting this wet over a few neck kisses-there was only one hickey (so far).

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Saint Peter has a thing for light bondage...

Nothing hard obviously but his wrists being bound together or to the bed via rope or handcuffs gets him going. It puts him in a position where he's completely at your mercy. Blindfolding him is on the table as well-his other senses are heightened as fuck making him react more enthusiastically to your touches and whispers. Even though he's into it it's also a double edges sword cuz this guy needs to touch you and not even being allowed to look at you either has him whining.

This has been in my drafts for weeks lol some of these aren't to my personal standards but I was really running out ideas that were both fitting to the character and weren't too basic/a repeat of another's. I didn't wanna exclude some people from my original roster so I toughed it out lol

sometimes my posts get shadowbanned for literally no reason and at random so it would mean the world if you reblogged this thank you <3 no pressure tho!

[thepixelelf]

warnings: coarse language. mingyu is jealous but doesn't know it. fake dating; roommates; childhood f2l. wc: 902

love triangle au requests

read part 1 first

[who's this guy who's everything I'm not? 2] There's a universe out there where Kim Mingyu is able to understand himself perfectly, knows exactly what he wants, and figures it all out right on time instead of when it's already too late.

But that universe isn't this one.

No, in this world, Mingyu blinks like an idiot when you go, "This is Jihoon. I've probably mentioned him before." He blinks and he straightens up and in his mind, he's kicking himself because of course he knows who this guy is.

He wishes he didn't, but yeah, he knows about your friend Jihoon.

Jihoon is the guy who wrote you a handmade valentine in eighth grade, well after most of the boys decided that kind of stuff was gross. (Although you're certain he has no idea you know it was him.) This, you told Mingyu with a smile on your face as you walked him out of his company's Valentine's Day Ritz. You recounted that sweet little childhood friendship story with your arm looped through Mingyu's while he smiled and nodded and chuckled, but mostly he kept glancing at the shiny rings on both of your fingers. They're simple bands, his a little more worn since he takes it to work every day, yours exactly the condition it was when he surprised you with it. "You're in too deep, Mingyu," you'd said through a hypnotic laugh when he went down on one knee in the kitchen you share -- before agreeing to go along with his ruse anyway.

Your ring stays pristine because when you're not playing his better half, it lives in this little ceramic dish in the cubbyhole near the front door. You love that little dish -- it stole your heart when you spotted it and its black cat pattern at the local art market you went to together. Mingyu might like it too, seeing how he smiles at it (or maybe the ring) every time he leaves or comes home.

Which could mean anything.

This guy in front of him bristled at Mingyu's proclamation of "husband," metaphorical hackles raised, like a... black cat.

Fuck.

"Haha, uhm, anyways..." Mingyu had put his hand out instinctively, but when the guy doesn't reciprocate, it's fine. He didn't want to shake your friend Jihoon's hand, really. "Did you want to come in?"

Your touch on Jihoon's arm becomes preemptively supportive, like the guy could keel over at any moment, and for unknown reasons, Mingyu wants to be the one who's gone pale. To be the one you're touching while your friend Jihoon watches on from the sidelines.

Which could mean anything.

Because your friend Jihoon is only the guy walking into his home -- your home, yours and Mingyu's home, the home where his and your wedding/non-wedding bands live in a cute little dish in the cubbyhole near the front door. He's only the guy who had a weird depressive/ghosting episode the last time you were in a completely fake relationship to save some guy's ass. You told Mingyu this with your brows furrowed and a cute, confused pout on your lips as you wondered why your old friend was acting that way back then, right after you agreed to come to Mingyu's high school reunion with that ring on your finger.

Of course, Mingyu would normally never ask you to join him for an event outside of his company -- and you actually only agreed to pop in for a few minutes -- but one of his coworkers happens to be in a relationship with someone from his graduating class, and word got around and...well. He just likes when you're with him.

Which could mean anything.

Internally, when you told that one story about "my friend Jihoon" (one of many, many anecdotes), Mingyu was sure he knew exactly why the guy went oddly quiet after you started "dating" someone he wasn't, but he didn't comment on it. Instead, he asked what food from the reunion you'd want him to save for you when you show up.

Now, Mingyu doesn't have the luxury of brushing off some friend from your past who may or may not have absolutely definitely no-doubt-about-it had a thing for you. He can't just blow past it because that childhood friend is standing in his kitchen, eyes locked with yours over the huge glass of water he's chugging because you asked him to.

And you're laughing, endeared and with a sparkle in your eyes that Mingyu isn't sure if he's ever seen before.

You pat your friend Jihoon's head. A silent, good job, which Mingyu can't help watching.

He thought that was his and your thing.

The habit must've come from when you were younger...

Mingyu stands there, off to the side and feeling out of place in his own home.

My old friend Jihoon hates this stuff, but I'm obsessed with it. Jihoon, my friend from my hometown, once said I made the best belgian waffles, so you can trust me with the iron, I swear. You don't drink? My friend Jihoon doesn't either -- but not because he's sober or anything -- he's just got a major sweet tooth.

Oh, this is Jihoon's favourite song.

You go to the fridge to find something for your friend to eat, and while your back is turned, Jihoon looks over at Mingyu.

It's like an x-ray. Somehow, Jihoon's eyes land on him, and he feels bared to the world.

Mingyu knows Jihoon is in love with you. Could tell as soon as he saw him.

But, he realizes as your friend furrows his brow and looks at him with thinly veiled jealousy...

...Jihoon knows Mingyu is in love with you, too.

[krakenartificer]

Who wants a really sad Leverage headcanon?

Was re-watching the Gimme a K Street Job -- Season 5 Episode 5 -- and a couple of things stood out to me.

1) Nate says "Let's go steal some congresspeople", and then sends everyone on the team (except Parker, who's being a cheer coach) out to con one of their targets. But it feels like there's a profound mismatch in who gets which mark.

For the "not like other girls" feminist congresswoman who's inclined to dismiss cheer as worthless and demeaning, you need Eliot to come in looking like a man who very much knows what does and does not count as a sport, and be his tiny angry respect-women-juice self about how regardless of what you think of their choice of clothing they are working as hard as any other athlete and they deserve safety as much as anyone else. But instead they sent Hardison.

For the "Yes I am very busy and important; admire me" chairman, you need Sophie, who is better than anyone else on the planet at making you feel admirable when you're doing what she wants, and scummy and low when you're not doing what she wants. But instead they sent Eliot.

For the "Look I am trying, but I need corn subsidies or I won't be able to do anything else" newbie congressman, Hardison could happily have gone on an infinitely recurring series of fetch quests until he sees the place where they loop around and bottom out and every problem solves every other problem. But instead they sent Sophie.

2) Eliot struggles the most, so Nate works with him the most, but he doesn't help him out hardly at all; he just keeps saying, "So what's your next play?" and then revealing that he's already anticipated Eliot's next play and has all the materials in place to enact it. And of course, they do eventually get the dude on board, and it all works out, but afterwards, Eliot tells Nate, "I trust that some time soon you'll tell me why you had me slogging through all that when you already knew how to hook him."

And of course, knowing what we now know about how season 5 ends, it makes sense that Nate is trying to train the OT3 to work without him, looking for his replacement.

Except.

If the plan is to fuck off into the sunset with Sophie, then why did he throw Sophie into this uncomfortable not-my-wheelhouse scenario?

No, Nate's preparing the entire team to carry on without him. He's forcing them to learn how to plan, learn different ways of approaching problems, to think about bigger pictures and approach them strategically.

...

I think Nate just got the first diagnosis of the disease that's finally going to kill him. And again, we -- the audience -- now know that he's going to live for many years after that initial diagnosis. But he doesn't know that, at this point. He knows he's tested positive, and he knows it's eventually going to kill him, and he has no idea how long he has.

And in some sense, it doesn't matter how long he has. Three months or thirty years, that kind of revelation makes it stunningly clear that taking care of the people you love means making sure that they can take care of themselves.

So that's what he does: he throws them into new, uncomfortable situations where they'll have to grow and support each other without him, so that no matter what happens, they'll be able to keep going. Because he's not a nice person, Jimmy Ford's son, but by God does he know the importance of protecting your family.

[himehomu]

One of my favorite madohomu scenes of all time takes place in the anime, episode 8 at the 17:50 mark to be exact. After Homura kills Kyubey before Madoka can make a contract with him, she approaches Madoka and asks why she's so self-sacrificial, tells her to stop demeaning herself by thinking so lowly of herself, begs her to think of the people who think the world of her, those who'd be mournful if, god forbid, anything were to happen to her, to please think of those trying to keep her safe. From Madoka's perspective, this is the first time the usually stoic, cold, and standoffish Homura is being vulnerable, open, and emotional. From Madoka's perspective, this is the first time she's seen someone so seemingly brave as Homura cry. The first time she's ever heard her voice above her usual calm and collected tone. This is the first time Madoka sees Homura so upset, so frustrated, so afraid.

Madoka, whom has never met this girl aside from seeing her in a strange dream, sees Homura fall to her knees and cry and, as if on instinct, Madoka stands up to comfort her.

And, in this moment, Madoka has some moment of clarity, recognition, familiarity. It goes by pretty fast, but if you capture this moment frame by frame, you can tell in the way her face changes and she stares at seemingly nothing. She goes from staring down at Homura worriedly to getting caught off guard by something. It kind of looks like she's looking at something off screen until a black void of static accompanied by a low buzzing plays for a brief second before Madoka, out of nowhere, asks "Have we met before?" Then you realize she was experiencing that feeling of familiarity from seeing Homura so upset. "Wait, have I done this before. Have I comforted this girl before? Have I seen her cry before?"

This scene is so powerful to me, because this Madoka doesn't know Homura. Or, at least, she shouldn't. Yet, when she sees this girl fall to her knees crying, when she sees this seemingly emotionless girl so broken and fragile, and more importantly as soon as Madoka stands to comfort her, she has this sense of "Have we met before? Have we done this before? Have I seen you like this before?"

Even in her "dream," she wanted to protect Homura, wanted to stop what was happening in front of her: Homura giving up her life to defeat Walpurgisnacht and failing. That's the reason why she agreed to become a Magical Girl in the "dream"; she wanted to change the outcome of Homura's fate. In the first timeline, she saved Homura from a Witch. Despite Homura wishing to be the one protecting Madoka, the moment Homura lets her brave facade down, shows vulnerability, is afraid and frustrated and upset, Madoka stands up to do what comes naturally to her: comforting and protecting Homura. And that's what sparks her recognition. She stands to comfort her because deep down she feels like she knows her from somewhere, that they've met somewhere, sometime before. Throughout the anime, when Sayaka and Mami were antagonistic towards Homura, Madoka kept saying "Is she really that bad?" and "I feel like we could all be friends" and "What if she's telling the truth?" Because she's known her throughout 100 time loops, she's protected her throughout 100 time loops, she's loved her throughout 100 time loops. This is kind of an underrated madohomu moment yet it's one of the most solidifying on Madoka's end.

[deadbeat-motel]

ᑕᕼEᖇᖇIᗷOᗰᗷ ᗩᑎᗪ ᔕIᖇᑭEᑎTIOᑌᔕ ᖇEᗪEᔕIGᑎ

The last two designs for the main cast. With these two done, I can finally work on miscellaneous characters that I've been eyeing the most.

Again, thoughts below the cut:

My issues with their Original designs:

Sir Pentious:

I thought I would only have one thing to say about him (the unnecessary eyes) since he was my favorite in the entire original cast but having taken a closer look at him for this, I saw a lot of things that bothers me.

Too many eyes. specifically the lower half of his body has too many eyes and it seems detrimental to him. It's kind of painful to think about it since I do not think we ever see those eyes close. Is he just slithering on the ground with those exposed eyes? That's got to be irritating at best and damaged at worst as he continuously slithers on them.

There are eyes on the bowtie and the hat? There are already 4 extra eyes on his hood, so why have even more? I get that the original Pentious design was basically a monsterous amalgamation of eyes but the eye thing could have been scrapped altogether.

While his palette was the least red out of the cast (More so composed of yellows), it still blends in with the rest of the reds.

The claws are an unnecessary repeating design trait (Alastor and Vox notably have them too). I don't think it would've been too big of a difference to just keep his fingers fully black.

The stripes on his suit are too thick. It's called pinstripes for a reason.

I don't like how the hat is shaped to fit the head, It's awkward.

not a point, but I just wanted to say how the blue color palette works really well with him in that last episode.

CherriBomb:

She's not that bad of a design (She's sort of bland in my opinion) but it's the little small details about her that makes her so simple and also so complicated at the same time. There are so many batches of freckles scattered everywhere, little explosion lines on her skirt as well as the X on her chest, the tattoos are a jamble of random loops and bombs, and her tattering doesn't have an easy shape to consistently draw.

The thought process for these two:

Mx. Pentious:

Pentious goes by both Sir/Miss/Mx. but uses she/they pronouns.

Minimized the actual amount of eyes on her, I kept it only to her actual eyes and those on her hood.

Gave her a butterfly-shaped hood. It's nothing deep since it stems from the fact the notches in Sir Pentious' hood almost looked like one to my bad eyesight. I decided to play more into that idea.

I read some posts where people talk about how Sir Pentious should have a snout and while I understand why and fully support people giving him one, I really didn't want to add the snout to this design. It drove me crazy since I'm not a big fan of it. I tried a compromise where her head was shaped more like Phineas.

Kept the tophat but removed its eye and mouth. If I remember correctly, Viv took that from one of her co-workers from the pilot. I decided to just have it as a regular tophat.

It doesn't have all the colors, but her design does have the Neptunic flag.

I'm not sure if this even is a real snake but I based Mx. Pentious' design on this:

CherriBomb:

Scraped most of her features in exchange for a sukeban theme. I personally have zero knowledge about the punk scene in Australia.

A majority of the suggestions I received for her rough draft had something to do with the skirt. I elongated it and gave it a slit in which the magenta from the inside is able to pop out.

Thought it would be a cute detail to have her hair explode if she's angry.

----

Apologies this took too long to be posted, Life got in the way as well as the fact I was feeling shitty about Pentious' first draft. Her skin was an awkward and ugly shade of green and seeing some posts critical of Pentious' design got me to think a little bit more about what direction I'd like to move her redesign.

You could see this in the earlier rough sketches but this was how Pentious' first redesign looked like

[murdrdocs]

age gap (r is 18+!); southern coded r; implied domestic violence; fingering MDNI 18+ w/ GARY JOHNSON

the scent of jealousy reeks back at the precinct and it’s fucking with gary’s mindset. he’s been off of his game lately, thrown for a loop since people have been questioning him. to put it short: he's getting sloppy.

he's staring at you more than he's listening to you. he's stuttering over his words, trying desperately to follow the script he's made up in his head.

"so ... uh." he clears his throat and adjusts his position. "how d'you want me to do it?"

how do you want him to do it? what kind of question is that?

he can feel claude and phil wincing in the van.

you don’t question it. you take a breath, and then you take a breather. gary—or grant, as you know him—watches your lips wrap around the straw in your sweet tea. his eyes dip for a second, settling on the red of your bra peeking out beneath your low cut white shirt.

he swallows as your lipstick leaves a mark behind on the paper straw and lifts his eyes just soon enough to meet your gaze.

“i…i think there should be a body. if it wouldn’t get you—us—into too much trouble. not havin’ a body just seems cruel. my momma deserves better. that’s why im doin’ this.”

you speak slowly, meticulously, as if you’re holding off tears. when you sniff, gary pulls a tissue from the dispenser to his left and hands it to you. you wipe under your eyes, uncaring of the mascara you leave smudged behind.

"okay. we're doing this for your momma, yeah?"

you nod, lips pulled into a thin smile. "yeah."

gary shouldn't do this. he's done it once, and the backlash he got was heavy. he shouldn't do it again.

but you're young. you care about your family. he sees the bruise along your wrist and he can only imagine the ones your mother has, likely more severe if he's following the picture you painted for him.

you've told him that you refuse to finish school when she's with him. you refuse to do anything other than work and go home. it's not a life you should be living.

you don't want your stepdad killed. you want your mother liberated. you want liberation.

it wouldn't be right for gary to let you incriminate yourself.

when you turn to the side and reach into your purse, gary stops you. he gives you the spiel, the spiel he shouldn't be giving, but he stops you while you're ahead.

"listen, let's stay here. you can finish your pie and your sweet tea. and then after this, you promise me you'll get someone involved—someone else involved—and you'll get you and your momma out of that house. alright?"

you nodded and gave gary your word.

he paid the tab and left the diner after you.

he got shit for his choice. he defended you as best as he could. he saved two lives that time and then he put it in the past. grant, a good southern boy who said ma'am as pure instinct, was shelved.

until gary got a phone call.

not too far past eight, the summer sun starting to make its descend past the horizon. the cats are fed, gary's fed, his second episode of jeopardy! of the night is playing in the back and then his work phone buzzes against the coffee table. he doesn't have your contact saved, there was no reason to, so he doesn't answer the first time. he didn't know it was you. but when you call again, and he picks up this time, he regrets hitting the red button the first time around.

because you're crying. sniffling and gulping down breaths of air. he can hardly understand what's wrong. he has to ask you to repeat your plea to be picked up at least three times, and even then he's apprehensive.

he's not grant right now. he's gary. sitting on the couch, covered in cat hair, wearing his blue light glasses as he partially reads on his kindle. but you sound so pathetic and gary wants to help you so he slips on a pair of sweatpants and an old college sweatshirt that he thrifted just for grant (UT Austin) and in half an hour he's pulling up outside of your trailer and watching you slip out of a window and run to his car.

he doesn't have anywhere to take you. he asks you if you want to go to a friends place, his fingers nervously tapping against his steering wheel.

you sniffle and gary's taken back to the first time he met you. then, he was wearing a wire. he was sitting in the vicinity of cameras and other people. many things keeping him on his best behavior.

but now he's alone, in his car, with you. a you who has a friends place to go to, but you don't wanna go there yet. a you who asks to grab food from somewhere, but when you get there you sit in the car, unmoving. a you who leans across the console and presses your lips to gary's.

he's not gary anymore. he's never been gary to you, always grant, but right now he's not gary to himself, either.

gary wouldn't kiss a vulnerable younger girl in his car. gary wouldn't entertain the way you slip your tongue into his mouth. gary would shut this down, drop you off, and go home where he would wallow in self pity and copious amounts of guilt.

but grant indulges.

grant slides his seat back and taps his thighs. grant rests his hands on your hips when you straddle him. grant slips your shirt over your head and his hand down your shorts. grant gets you off with his fingers, kissing you through it all, taking in the salty taste of your tears as you let out wanton gasps into his mouth.

and grant drives you to your friends house, kisses your forehead, and tells you to call him if you need anything.

(later in the night when he's laying in his bed, gary barely has any regrets about it all)

[therainscene]

Stranger Things 4 is themed around A Nightmare on Elm Street -- Vecna is a child-killer-turned-demon who murders teenagers from within their own minds; his heavily scarred skin and clawed hand resemble that of Freddy Krueger; and the actor who played Freddy himself plays his father.

I think Stranger Things 5 is gearing up to do something similar with The Terminator. Linda Hamilton (Sarah Connor) is the upcoming guest star this season; Vecna's exposed skull and vine-covered neck resembles the T-800--

--and Will's speech at the end of S4 bears striking similarities to Kyle Reece's famous "it can't be reasoned with" speech.

If Vecna is the T-800... then the Mind Flayer is the perfect candidate for Skynet.

[And Hawkins National Laboratory is Cyberdyne Systems -- a military-funded lab that meddled with phenomena beyond its ability to control and paved the way for a sinister hive mind to enter the world.]

I'm pretty sure that the Mind Flayer lies at the heart of whatever timey-wimey stuff is going on. It's suspiciously linked to timeline inconsistencies -- Will is already able to sense it in his neck before his possession in S2, and young Henry in TFS is haunted by the spider monster he wasn't supposed to create for another 20 years.

I've already written a theory on how a causal loop could tie Will and Henry to the Mind Flayer -- whatever's going on is probably more complicated than this, since my theory doesn't explain why the Upside Down is frozen -- but it's worth a read, I think, as it's the same type of time paradox as the one in Terminator and could easily be at the core of ST's time shenanigans.

Will is Kyle Reece or Sarah Connor -- so does that mean he's going to be a gun-toting badass?

No.

This scene is Will coming full circle from that moment in the shed at the start of S1: backed into a corner and forced to resort to violence because he sees no other way out. He doesn't want to kill the monster; he has to.

But the difference is that he's not cornered anymore.

This time around, Will knows his enemy, and he has supportive friends and family at his side. He's just so beaten down -- by Vecna, by Hawkins, by perceived rejections from Mike -- that he's lost all confidence in his ability to stand up for himself on his own terms.

I know it seems at first glance that Will advocates the use of violence in desperate times, but consider the context of the episode in which the above scene appears:

Joyce is reminiscing about her missing son while dealing with Lonnie telling her what to do and feel about it. Shortly after, she realizes how manipulative he's being and permanently kicks him out of her life (and the show lol) -- no violence necessary.

Will's advice hadn't been about the value of violence, but about the value of refusing to play by abusers' rules -- a key lesson in Stranger Things, as we've been watching El learn it the hard way over the course of four seasons.

Will cannot self-actualize by "finally" pulling the trigger on an approach that symbolizes his homophobic father's macho expectations. S5 is going to be about him regaining his self-confidence and allowing his authentic, gentle nature to guide him to the real solution.

So, to return to the "he's not gonna stop" speech: the theme at play here is inevitability, and it's one of the central themes of The Terminator -- not simply because the titular assassin is unstoppable, but because of the love story that drives the plot:

If Skynet hadn't sent the T-800 back in time to kill Sarah Connor before she could give birth to the leader of the human resistance, then Kyle would have had no reason to go back in time and end up unknowingly fathering John. No matter how hard Skynet tried to snuff John Connor out of existence, the rebellious love that created him was just as inevitable as the T-800.

This, I think, is the message at the heart of both Terminator and Stranger Things, and is the reason why The Terminator would be the perfect choice for S5's theme movie:

Sometimes the horrors wrought by humanity are inescapable...

...but so too is the hopeful human drive to love each other and overcome them.

Read Brenner's role in creating Vecna as a metaphor for homophobic Reagan-era fear-mongering and it all clicks into place, I think.