#this is where my life lead to?

[qcomicsy]

Explain which fucked up character is more of a twink; Jason or Bruce. Elaborate on why you think this. (12 marks)

Alright So,

Jason is a hunk

He's not a twink, I believe if anyone ever called him a twink he would be so shocked he would forget how to punch them. He's a hunk. A twunk even. He's built, strong looks as big as a fucking closet.

I mean look at this mf

Now his father???

This is what twink death looks like:

And for the definition.

You know those gradients people do with actors and other celebrities when they go from Twink to Daddy? As much as Bruce Wayne isn't my cup of tea.

This is him.

Like– It's literally him

He's the Twink -> Daddy Gotham edition.

And before someone comes in here and says " Oh He's still a twink–" Do not lie to yourself, he can be whatever you want him to be in your heart, but that man is huge, he's a CLOSET. His son is 6,0 and he managed to be BROADER. He's humongous. He can carry bane on his fucking back that's not a twink deed that's a brawny motherfucker he could break our arms like a twig.

I, in fact. I could argue that Bruce Wayne could actually be a bear depending on the artist that draw him (which also makes debatable the argument that Bruce Wayne in fact shaves his chest and I would say that's probably with laser because no razor makes a man chest and abs that smooth.) but I don't think the fandom is ready for that.

On an unrelated note, Jason Todd from Wayne Family adventures is a twink and I will fight people on that–

So in conclusion,

Jason Todd, is a twunk he was never a twink in his life. His father on the other hand was a Twink that evolved to a Daddy, which leads us to the end of my dissertation where measuring which fucked up character is more of a Twink... Bruce Wayne wins the crown, congrats Bruce Wayne you will always be famous.

Thanks for coming to my Ted talk where I say things with enough confidence that makes it seem like I am right. Because I am.

[catcomixzstudios]

I can barely begin to express how much the course of my life has been altered because of a 40 minute highlight video done by @jelloapocalypse and friends riffing over a 20 year old sky pirate game.

I made an off-handed comment after watching it together with two of my longtime friends, about how much I wish I had what Vyrsa had, and one of those friends STRAIGHT-UP TELLS ME that her and her wife have been crushing on me for a while.

The feeling was mutual, though I'd been of course hesitant to even hint at it.

Anyway now a few months later, we're a thruple, and we decided to honor the genesis of our relationship by cosplaying as the trio that made it a reality for my 30th birthday!

PinkCatNinja, me (CatComixzStudios), and ArtieStokes as Aika, Vyce Vyrsa, and Fina respectively, from SKIES OF ARCADIA!

And as a bonus, a comment I left on the video before my egg would crack completely (was still IDing as genderfluid at the time)

[redeliminator]

i believe that to some extent Andre knows he's fucked up and this headcanon is one of the hills I will die on in the farewell tape, Cal says that “you can’t cure somebody who has nothing wrong with them.” 

Andre, on the other hand, admits they might be seen as hypocrites. he's not gonna back out, he still thinks it's the right thing for him to do, but he seems to acknowledge that people will not perceive it the same way. he tries to explain that no matter what it’ll look like, it’s not murder for the sake of murder - not in his eyes at least. there's a (sick and twisted) lesson hidden in this tragedy.

to some extent, Andre is aware of what’s going on with him, what exactly shaped him into who he is now. he sees the cause and effect of being bullied, of feeling rejected and alienated, and not being able to do anything about it because that's just who he is. he can kick and scream and shout but he will never change who he is at his core and this realization is crushing for a 17/18-year-old. this and all the implications of a missing sense of belonging.

he knows he’s messed up. he knows what would fix him and he’s convinced it’s out of his reach. he looks at other students and he thinks: it’ll never be me. and he's angry that they have something he will never have.

his awareness doesn't help though. if anything, it fuels his frustration. what adults know to be a temporary problem (high school) seemed like an insurmountable obstacle, the end of everything.

[spaceistheplaceart]

me and a friend were having a great time with this NPC, but looking back on the clips it doesnt make sense why we were laughing so hard- so i did a little editing :)

NOBODY gonna find this as funny as we did but I think Gordon's a little Weird but nobody can say shit about it because he's the "Savior of Humanity" and you can't badmouth a guy like that!!! so they just awkwardly let him do whatever lmao

[victimized-martyr]

Sorry I never gave a proper update on tumblr——

here’s some brainstorming doodles from Keo and me on the white board and some examples Keo made in my notebook. I won’t forget it, one of my harshest note was “NEVER draw Kenny in 3/4!! Trey hates that!” 🤣 The story leads stressed that Trey is very particular with acting decisions and poses, most of which don’t translate into the animation. It’s for him at the editing stage, to “make his voice sing”. Getting into Trey’s head, funnily enough, requires FEELING. Feeling what he’s going for in terms of delivery, to learn what not to take literally in his script (when trey says “kathleen kennedy is like terminator” it’s not what you initially think it means), what emotion or gesture to put in to elevate a joke, to get the message through. It’s so fascinating!

In short, I didn’t make the cut. I was “too fresh”, and needed more experience with the technical aspect of storyboarding…. but I was complimented by Keo for my intuition, something that can’t be taught. I was over the moon when I was told I got the style of the show, whereas other trainees with 10+ experience couldn’t. Some of them tested but don’t even watch the show!! That’s crazy, but I guess that’s to be expected. My knowledge of the show and deep love for the characters got me this far, but I need to work on my actual story boarding skills (keo said my struggles are in composition and scaling) to stay!! 💪🏼 I’m taking this… as a not yet, not a no. I’m already on their radar, in their database, I’m incredibly lucky I got to make my THIRD connection in the studio, I just need to work on myself until I can arrive. I’m so grateful for all the support from friends family and industry moots to get me this far, it’s only the beginning of the year but I don’t think anything could top what happened to me this March!!!!!

[epiphainie]

this is one of those fic ideas i wanted to write for every ship i've ever been into so it will probably never happen but i'd like to have a silly story with 40 yo, single, lonely tommy kinard who's been down on his luck all his life - like i'm talking ridiculous levels of mom dying at childbirth, dad being terrible, horrifically unfortunate experience of the military, a series of failed jobs, a series of failed relationships, friendships never sticking for long, risks he takes always going south, somehow getting paper cuts through chainmail gloves, missing the bus while trying to avoid his daily encounter with the neighbor's dog etc. - one day opening the door of his downtrodden studio apartment to this beautiful man who stands there like a fucking angel. who looks at tommy with big apologetic eyes, red cheeks of shame, and twiddling thumbs of guilt and stutters, "so, uhm, i wish you didn't have to learn it this way but hi, i'm the guardian angel who, as it turns out, misplaced your files about four decades ago, and so uhm it just resurfaced, haha, and like yeah, i've been banished here for penance. i'll take the couch, it's fine."

[vaguelyaperson]

as much as i understand shigaraki's death, narratively speaking, i'm also so goddamn tired of society needing martyrs.

what made me fall in love with shigaraki is that he's an excellent villain. all his character development built towards him becoming a more competent, driven, effective villain. he became an incredible symbol of fear just as deku became an incredible symbol of peace. this is who he was, in entirety. there is nothing else shigaraki could be.

when shigaraki told izuku, in his final moments, to pass on the message to spinner that "shigaraki fought to destroy until the very end," it really emphasized how it would have dishonored him to be vegeta'd, as it were.

shigaraki made it his mission to tear down hero society. this was his noble mission. this is what made him a hero to the league of villains. because he saw the systemic evils, he saw the evils that hurt his friends, and sought to destroy it all.

there's something to be said about trying to change someone who doesn't want to change, but for shigaraki, it was more than just trying to rehabilitate him from mass murdering. because to him, and the league of villains, what he was doing WAS the right thing. to tell shigaraki not to destroy would be akin to telling deku not to save. "you may not understand, but that's what makes me the villain."

there was a binary choice here: either he'd be left free to complete his mission and destroy everything, or he'd be stopped, permanently.

Izuku, by reaching tenko's heart, but ultimately stopping shigaraki, was choosing the only third option he had: declaring that he would not let all of society be destroyed, but not without promising that he'd do everything he can to reform it here on out.

shigaraki destroys. deku saves.

that's it. that's the bnha narrative in its most basic foundation. horikoshi did not fail to tell that story.

I think what ultimately fucking sucks about this ending is that it's too realistic. society often DOES need a martyr - or often martyrs - to realize that they fucked up, that they let an evil persist too long. they need a shocking enough tragedy to point to and swear they'll never let it happen again. society needs to be rocked to its very core before people can be motivated to get their heads out of their asses and work together towards reforms.

and that in itself is an evil, that people can't see how much harm they're causing or condoning without some horrific tragedy.

i think we're all mad at horikoshi for failing to follow through on the story because we didn't WANT the realistic ending. we wanted the hopeful one. the against all odds one. we didn't want another story about society using the image of martyrs to get its shit together. because we already know that story. and we're so so so tired of it.

especially when we know it only leads to a temporary peace.

because people forget. they put in enough reforms to feel good, and then get comfortable and ignorant again. when does that cycle end? when can we finally notice the evil in time to PREVENT it? so that everyone, 'heroes and villains,' get a happy ending?

I think our anger with the bnha ending is good. we want different - not just in fiction, but in real life. we're willing to hope for different. we should hold onto hope and fight for different.

[petulant-plants]

I feel like a see a lot of speculation about ‘the Sun King and The Lady are the real bad guys of the story’ and ‘maybe Sarcean wasn’t so bad after all’ kind of stuff…

And I think there is definitely more going on between them that makes the story less light vs dark, black vs white. But I also think that the overall story kind of plays with nature vs. nurture (or circumstance) and that in one context someone can do “evil” and in another do “good”. I don’t think it’s bad thing if Sarcean was a bad guy who did bad things, like making and using the collar, like killing all those people. Of course I believe it’s more nuanced than a black and white, light and dark, good and bad. But just because there’s nuance doesn’t mean the rolls flip and that secretly the whole time the light were the real bad guys and the dark was fighting the good fight.

I feel like if that is the case then it might neglect all the inner turmoil the characters have had to go through to try and understand their rolls in this new old world. If Sarcean maybe actually had a point and was doing the right thing, then Will’s battle with himself and his desires doesn’t mean as much because he’s not actually fighting any dark impulses

[rookflower]

thinking about the character again (cinderpelt) and it's likely unintentional and a result of either her shifting narrative role from young go getter to wise mentor or a shift in how the books display their own politics but i find something really tragic in-universe in how she develops from a character who will actively and willingly break the warrior code when it conflicts with her own morals (immediately lying to cover for graystripe and silverstream, acting in direct defiance of her leadership to nurse littlecloud and whitethroat back to health) but overtime through her role she gradually grows more god-fearing and pious and embodies somewhat of a "starclan is always right, even when they are cruel, and we need to accept that" position

[anxiously-sidequesting]

how about you shut the fuck up Mr. Irresponsible

[lost-technology]

SEEDS Security Codes and Why They Matter

So, I've been thinking about one of the details in Trigun: Stampede that was not present in either '98 or the manga. In '98, Knives just hacking into the SEEDS codes was left as-is. He walked up to Captain Joey and shot him and apparently took his pilot's seat. Did the Captain have the navigation open at the time? Was it closed and Knives had to do some hacking? Anyway, there, he did it on his own. Now, in Trigun Maximum, which treats Vash and Knives' childhood differently (just Rem there raising them), there is a foreshadowing of what is to come. In Volume 6, Rem is depicted waking up to an emergency signal in the middle of her sleeping-hours. (Aw, she sleeps in her regular clothes, mom-jeans and all...). Panicked, she yells at Knives for him and Vash to lock themselves in their rooms and not to come out or speak up for ANY reason, even if they hear voices outside. She tries to handle the situation, but it goes from bad to worse and the automatic crew-wakening protocol goes into effect, which she is very concerned about (for reasons that we who have read the manga know about)!

In the beginning of Volume 7 the crew wakes up, there's a situation-update. The ships are going off-course and will collide if things are not corrected. They're working through the issues and suddenly, there's an unknown factor that kicks in to correct the course. Rem then gets the crew all settled back in again for nappy-time... And proceeds immediately to Vash and Knives, where she scolds Knives with (Rem's angry mom-face, my beloved)! Knives was playing around with the ship codes and systems. He'd apparently hacked his way into the system and was curious about SEEDS' functions. (One would assume that Rem changed some of the codes after this, but I bet they were in some kind of hacking-war, with her trying to stay one step above curious Plant-twins). Knives did not mean to nearly cause a catastrophe, but this shows that he can and is a foreshadowing to when he DOES mean to cause one later. Now, in Trigun Stampede, it is stated by Nai / Knives that Vash gave him the ship-codes, also that he spent a lot of time and trouble changing the codes for every human ship. (The manga lists the ship they are born on as the Mothership, presumably guiding the entire fleet, in Stampede, it is just Ship 5, which implies multiple guides with multiple navigators). I am wondering where Studio Orange is going with this. Will it be a situation like the manga where the kids are just playing around? Little prank-war with Rem? Maybe Vash is sharing a ship code innocently, as part of their games? Or is it going to be darker, more sinister? I wonder if Vash was originally of the thought of "maybe we need to crash the ships and kill all humans (except Rem) because they're scary and dangerous because of what happened to Tesla" and then had a change of heart and backed out of it? - I can see that happening... him having his cathartic alone-time with Rem as in the manga and then talking things out with Nai and thinking that they weren't going to go through with it. And then Nai betrays him. I've been wondering about the guilt Vash carries over the Big Fall in Stampede. Is it an unnecessary, undue guilt like he seems to have about a lot of things? Or is there a guilt born from "I had originally planned disaster / we had originally planned disaster" and it came true even after he'd backed out? It's just that... in both '98 and Maximum, he does carry his cross (that is not Wolfwood's), but he seems to feel less specifically guilty over this (the Big Fall). He's really more like "Knives, how could you do this to everyone / Rem?!" He just seems more guilt-ridden in Stampede than in the other media and I am wondering if there is a dark secret behind it. I can see it going either way.

[lunamothghost]

look at all those chickens

[griem]

ijbol idk man releasing screenshots of very polarizing things said in a private discord server between friends in a public "callout" post is #the most #tumblrific thing ive ever seen LOL.

#opinion 😱 in tags

[poorly-drawn-mdzs]

A lasting impression

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[akindplace]

sometimes you just gotta think the universe is chaotic and you can’t make sense of it, but you can’t waste all your energy trying to understand things no one else does. most people are figuring life out as they go, so there is no shame in trying your best while still being a little lost and confused by the way things seem to happen for no good reason