#this is too long yet again

[herewegobebe]

The SHINee Clownery I Live For 🤡😂💞 | [Idol Human Theatre]

[kayomin]

me gustas ♡

[shevr]

workout mix

[desire-mona]

wanna know the rsl photo that haunts me most? yes you do its this one

why do u have a doohickey vest. put those toes away this is a conceal carry household. like this is unnecessary

[saetoshi]

itoshi sae can’t sleep well when you’re gone. he’s too used to the feeling of your warmth next to his on the bed.

he spends his nights lying awake, a frown on his face as he rolls around to your side of the bed. he gets a wink of sleep before his alarm goes off. his brows furrow as he contemplates throwing his phone against the wall. (he never does—he hates the thought of not seeing your face pop up on his lock screen more than going another day without sleep).

his phone buzzes in his hand, an incoherent grumble leaving his lips before he rolls out of bed. he glances at the screen, disappointment bubbling in his chest when he sees the text isn’t yours.

he goes through the motions when you’re gone—his eyes lingering a little too long on your bottle of soap on the shower’s shelves. his hand subconsciously reaches for your shampoo, his heart swelling when the fresh, fruity scent fills his senses. he doesn’t linger for too long when brushing his teeth, his eyes actively avoiding your missing toothbrush.

sae can’t stand going to practice when you’re away. somehow, he gets more irritable than usual. he gets pickier with the passes he gives—even pickier with the way his teammates receive the passes. it’s bad enough that his coach sends him home on days like these. (it’s even worse how his manager lectures him on the way home).

he expects emptiness when he opens the door to his apartment, a sour look on his face. he kicks the door closed, a loud slam echoing through the place, his eyes shut closed as he tries to calm down.

“what’d the door ever do to you?”

his eyes snap open, his head whipping to the side. his annoyance melts away almost immediately—the corners of his eyes softening the longer he looks at that grin on your lips.

“nothing,” he breathes out, kicking off his shoes in a hurry before closing the distance between the two of you.

a smile worms its way onto his lips when you stretch your arms out. he walks into your embrace, hugging you tight until you’re patting his back and telling him you can’t breathe.

he rests his chin on your shoulder, his eyes drifting to your suitcase next to the couch. “when did you get back?” he asks, his voice soft.

“not too long ago,” you reply, gently rubbing circles on his upper back. you chuckle when he pecks the crook of your neck, giving him a small squeeze. he huffs, his arms tightening around you before he kisses your clavicle.

“i missed you,” he whispers, the words muffled by the fabric of your shirt.

“i know,” you say, patting his back in a soothing manner, “i missed you too, sae.”

“don’t leave for long ever again,” he adds, pulling back just enough to look at you. he frowns when you laugh, bringing his hand up to flick your forehead.

“i was only gone for a week,” you grumble, rubbing the spot he flicked. your eyes scan his face, your brows furrowing slightly. “you’ve been gone for longer.”

“it’s different,” he murmurs, the tips of his ears flushing. “because we’re on different timezones.” (it makes ignoring the distance easier, he wants to add. but he won’t—not today, anyway).

you sigh, faintly shaking your head. he tsks, pouting as he rests his forehead against yours, “it’s not the same when we’re in the same time, but in different places.”

his hands gently pry yours from his back, the corners of his lips quirking up into the hint of a smile when he laces his fingers through yours. his eyes find yours, a soft hum leaving his lips. “don’t leave for too long ever again,” he repeats, his words hushed.

“it was just a week,” you murmur, your eyes softening in amusement.

“a week too long,” he quips, pressing a kiss to the tip of your nose. you open your mouth to reply before he cuts you off, “don’t ever leave for too long without me ever again.”

you puff your cheeks, softly sighing before you nod. “okay,” you say, shaking your head when he smiles. he can’t help the laugh that escapes his mouth when you call him a spoiled brat under your breath.

“good,” he says, giving you a quick peck.

“good,” you echo, leaning up to give him a peck in return.

a soft hum leaves your lips, your eyes warm as you gently tug him into the bedroom. (neither of you choose to say something about the way he grabs your suitcase as you drag him away).

he doesn’t complain when you shove him down on the bed, placing his head on your pillow before leaning down to kiss his forehead.

“i’m too old to be tucked into bed,” he says, his eyes following your movements as you pull up the comforter to his chin. (still, he can’t help the grin growing on his lips when you smack his knee).

“just go to sleep,” you say, hoisting your suitcase on his side of the bed to unpack. your eyes flicker to his, a teasing smile on your lips, “you look uglier with those bags under your eyes.”

“i hate you.”

“whatever you say,” you stick your tongue out at him.

“i missed you,” he yawns, his eyes struggling to stay open.

“i missed you too,” you reply, your voice full of affection when you glance at him.

“you better be here when i wake up,” he murmurs, yawning once more as his eyes close. there’s a smile on his lips as he drifts off to sleep, his heart lighter than it’s been for the week.

“i wouldn’t dream of being anywhere else.”

[str1wberry7thyme]

What is with Mumbo and Grian and the phrase “we can still be friends!” because every time they say it something absolutely tragic ends up happening to them later down the line, it has to be cursed

[courfee]

“Regulus would be proud of us,” James whispered quietly to no one in particular, still gripping onto the painting like a life raft. 

— Tender Curiosities, Baby!  @otrtbs

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[caramelldansenu]

[definitelynotshouting]

your half of the ransom

inspired by this post and scar's tweets about secret life :] i speedran this just in time for the first eps of the new season to drop!! as always likes and reblogs and especially comments in the tags are appreciated❤️ enjoy!!

Scar wakes to a field of sunflowers.

The sun itself is a swollen yolk bleeding gold at its edges when he blinks, cascading down from the horizon to melt over the earth with indiscriminate fervor. It dips the petals of each field-flower in honey, honing their silhouettes to supple knife-points— even the soil beneath him, packed firm from countless nights of sleep, has burnished to a fine, patinated bronze. In the amber of its rays stray pebbles transmute to pyrite, the subtle scrabble of roots to filigree, and caught in the open mouth of such gaudy resplendence, Scar digs an elbow into the dirt and hauls himself, reluctant, back to his own unsteady feet.

Even at full height the sunflowers still tower, blocking all signs of hearth and home. But the sun (popped, bleeding, all gored-out gold in the upturned belly of the sky) remains his guide— Scar picks his legs up in a faltering stumble to follow it before catching rough fingers against the stalk of a nearby sunflower. He flinches; this early, it's too easy to perceive each stalk as part of a swarm, a yellowed panoptic presence bearing down on the world-weary muscles of his shoulders.

Their seeds will need harvesting soon. Scar hums, a match-strike against unyielding silence, and casts his gaze back to the sun above to orient himself in the direction of his base.

Until they're ready, he has nowhere else to be.

Trader Scar's is too-empty for so comely a morning, a hollowed-out shell long rebuilt and bristling with more wares than he has those to sell them to. But it's a familiar charade— Scar slips into the back with a single sunflower clenched tight in his palm, bruising the petals and scratching against the insides of his fingers. He changes in rapid, efficient motions; last night's poncho is discarded over a nearby chest in exchange for a brighter one, yellow wool lovingly dyed; his hair is released from its tie, combed through, then braided again; the soft leather shoes he'd worn underneath the stars are left to clump by the doorway in favour of far-keener diamond. Worn in but undamaged, the crystal chimes without dents or scratches— there's nothing left to fight here, anymore.

When Scar steps back out to the front, a ghost is waiting patiently for him at the counter.

Or— the ghost of a ghost, if he's being generous. The outline of a shadow, the flicker of a distant mirage. "Oh," Scar says, and the word scrapes like rust from the well of his throat. He'd recognize those wings anywhere. "Well, hello there, Grian."

Grian's filmy outline says nothing. They never do, when the shades appear for a rare visit. The barrier between living and dead remains a clear divide, a gorge through which Scar cannot pass— all that's left between them now are the soft, faded echoes of what was, and what it could have been.

Still, in the year he's spent here, that's never deterred him from a potential sale. Scar props a hip up against the counter, eyeing the flickering shadow and mustering up his best imitation of an enthusiastic smile. "So what brings you out here to my neck of the woods? Looking for something to buy? Some fine goods to trade, perhaps? Man, I don't think I've seen you around in a dog's age. How about some catching up?"

The back of his neck prickles, electric; Grian's shade is a stygian blot in his vision, a fuzz of static that extends its presence from floor to ceiling. His ghost keeps his silence.

Scar tugs his smile wider, flashing two rows of bright, gleaming teeth in Grian's direction until the strain threatens to choke him. "No? Not even a little bone for ol' Scar? Well, tell you what, don't you go standing on su— se— oh, ceremony! Come in, come in! You make yourself at home, you know how I just love a visitor— how about I make us a drink to share and you tell me where in the world you've been, mister."

He doesn't bother waiting for a non-existent reply; instead, Scar swoops down to snag his fingers against the cupboard he'd installed within the counter months ago, fumbling with the latch before throwing its doors wide open with a gust of musty air. Inside, an eclectic mix of quite high-quality wares and some of Scar's own humble belongings tangle, speckled with cobwebs and the first faint stirrings of freshly disturbed dust.

Scar purses his lips, eyeing each item in turn. A nautilus shell here, a few scraps of wood there, some glass bottles, the handle of a ladle he'd cracked over six months back.... Squinting, he thrusts his hand deep into the mess, sweeping the items aside and shuffling new ones into view until— there!

Toward the back lies a dented iron kettle, brittle with disuse. Scar snaps forward, straining out his arm until the tips of two fingers meet the edge of its dusty wooden handle. With a grunt, he flicks it closer, wincing at the shrill scrape of iron on wood as it inches toward him.

SCAR.

It is not a voice. No mere voice can resonate a single word like that in his chest, trembling in his bones and drumming out from the chambers of his very heart. Like a ripple on the still surface of a lake, it rattles through him, scattering each thought to the far corners of his mind and stripping him raw, flaying open his ribs to splay beneath the scorching sun. The yelp that bubbles up to his lips flies past them unbidden, rocketing out with such force that he jolts, and rams his skull straight into the overhanging lip of the counter.

White-on-red sparks, a cherry-hot bolt of fire centered on his crown. "OW! Oh, oh my gosh, I-I— Grian?"

None of the shades haunting him and this server have spoken. They've never spoken. They've never— so why now, when he's made his peace with that—

Scar wets his lips, tongue dry as desert bone, and drags the kettle out of the cupboard with one quick yank. Clutching it to his chest, he rises back up on shaky feet, holding it up as if to ward off an incoming attack. Some shield; its hollow interior reverberates with a screech when he raps his knuckles against it. "Now— now hang on, mister, you can't just— you— oh my gosh, I-I think you just made my heart stop there for a second." A bracing breath. Two. "Y-You can't just shock a man in his own home like that! You...."

Scar trails off. The misty impression hovering on the other side of the counter remains impassive, impersonal— this is not the Grian he knows.

The Grian he knew.

Deep within the static writhe of his shade, the after-image burn of greyed-out eyes begin to squirm to the surface. Scar flicks his gaze back to the kettle with instinctive, long-honed deference, staring hard into the distorted lines of his own reflection.

YOU WON. Once again the words rip something vital in him, boil up through his veins to tear themselves, wet and coppery, on the limp meat of his tongue. Scar risks a peek up, lump hanging heavy in his throat; each syllable comes out as a squeak, threatening to crack the smooth silver of his voice.

"I— yep, I sure did! I sure did, and— thank you very much, for noticing! I, uh, I still don't know how I did that, what with— oh, you know how it is, with, with the, uh, the— friends situation, how that all panned out. Y'know, actually, I wonder if that's wh—"

The eyes blink at him, asynchronous and blank. Hollow. In the heartbeat it takes for them to train back on his own, a soul-wrenching wave of gooseflesh ripples up over Scar's arms.

He whirls himself away so fast his vision spins. "So, uh— tea! You like tea, right Grian?" Without ceremony Scar scrambles to the other side of the room, forcing the counter still between them, every nerve in his body winding tighter, tighter, kinetic energy in a bottle. "How about, um, a—" he rifles through a new cabinet, clumsy with frenzy— "oh, shoot, now where did I put that— I've got some, uh, some dandelion root! Hand roasted by yours truly, of course. Not that anyone else could do it now, but— oh, oh, and look at the lavender, now that's just delicious, you've gotta try it, G, I know you'll just absolutely love it."

Silence. Scar's hand pauses, braced tight on the handle of the cabinet.

"Grian," he says, slow, quiet. Lets the words drift up, shining soap bubbles, to pop against the ceiling. "Why— what are you doing here?"

To his credit, Grian is direct. IT'S TIME.

Without permission, Scar's fingers tighten around the handle of the cabinet. "It's— what? Wait, wait—" He blinks. Does not turn around. "Time for what?"

Silence.

Scar licks his lips, worrying at the split still stinging at the right hand corner. "Time for what, Grian?"

The distinct pall of burning ozone scalds through the air. Tentatively, Scar shoots a glance back down into the kettle, peering at the distinct smudge still smearing the wall behind him. No eyes in its reflection; some of the tension riding in his shoulders loosens, slackens his tendons and begins to uncurl his fingers from the cabinet knob.

Without warning, a wash of ice wisps forward to numb the small of his back. COME HOME, Grian says simply. The words echo in the gap beneath his sternum, drag themselves up each vertebrae in his spine, and Scar freezes stiff, solid.

"This is home," Scar says, blank.

NO.

Some hot ember, banked countless months ago, sparks back to life in the pit of his stomach. "It is," he says, more firmly this time. "It's— that's it. You said it yourself: I won. And I did it fair and square, I'll say. I followed every rule, every task to the— to the nth degree, and... and now I, um." He falters. Grits his teeth until the molars ache. "I get to live with it."

But a sudden chill that has nothing to do with the shade behind him abruptly slips beneath his skin. Hesitantly, still clutching the kettle in one hand like a lifeline, Scar says belatedly: "... Right?"

Despite the sun nearing midday, the temperature around him plummets. NOT ANYMORE.

"Oh," Scar says. The metal surface of the kettles creaks as his second hand joins the first, digging nails into rust and grime. "I— again?"

YES.

"... And what if I don't want to do it again."

He does not phrase it as a question. They both know his answer.

Scar sucks in a sharp shock of air anyway, rattling the kettle against his chest and daubing a blotch of dust over the soft wool of his poncho. "Is—" he bites his lip— "will everyone... be there?"

YES.

Ah. Scar's eyes slip shut of their own accord; behind them, dozens of veins brim over, webs of blood welling up and spilling to slake a thirst so abyssal it could drink and drink for years without satiation.

"... Will you be there?"

For one long, nightmare-eternity, Grian does not reply. Then, a knife between his ribs: YES.

With slow, halting steps, Scar turns. "Okay," he breathes, and drags a hand over his eyes to cloak them both in darkness, and sags back until his skull knocks against the cabinet door with a dull, tender thunk. Each exhale emerges as a series of shaky puffs, damming up his lungs and swallowing all the air in his esophagus. Scar shudders, scrapes his bitten-down nails against iron, and breathes with the roiling of his gut. "... Okay."

When he opens his eyes again, Grian's ghost has vanished.

The spot it occupied is still frigid when he waves a trembling hand through it; Scar inhales, exhales, inhales again. Rinse and repeat, the perfect cycle, the mantra against extraneous thought. Then, solemn and deliberate, he holds the kettle out in front of him, trailing one wandering finger over its dents and bruises, tracing the paths between the known and the new.

"Guess I'll see you there," he tells it, and lifts its grubby handle up in absent toast.

High above, the bleeding sun strikes noon at last. Scar does not harvest the sunflowers.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[herewegobebe]

MINHO 민호 '놓아줘 (Chase)' Performance Video

[scatterbrainedbot]

the trouble with being the one who survives is you must keep on doing it

inspired directly by @onionninjasstuff 's heart wrenching comic of Future Donnie's death (read it!!)

[vellichorsdesire]

do you ever just. cry about your f/o

[incarnadinedreams]

This isn't really new or anything but the more I reread random passages the more convinced I am that there's something very unique about the way Jiang Cheng reacts to Wen Ning and it's just so interesting!

I'm convinced it's more than just being angry. It's more than just hating him, or blaming him for Jin Zixuan's death or his sister's life. It's more than being a Wen, and it comes long before so many of those tragedies unfold anyway.

There's a sort of urgent, visceral reaction to Wen Ning's presence that just has this different feeling to it than how he reacts to any of the other characters. Even characters he has strong emotional responses to, it's never with the same panic or recklessness. It's not the same as the whole "vengeful wrath, fathomless hatred, or raving ecstasy" situation he's got going on with Wei Wuxian (sexy as that might be).

When it's Wei Wuxian, it's all "...well, well. So you're back?" and "Haven't you got anything to say to me?" Even when he's not being very nice, even when he's throwing teacups and furious at Wei Wuxian, there's still an edge of calmness in the way he lashes out. He's fucking mad but he's had more than a decade to think about this and he's got things to say and he's trying so hard to get a reaction from Wei Wuxian that he just won't give him.

But he can't tolerate having Wen Ning anywhere near him. Much of the time he instantly lashes out, physically, in ways to create space between them. He's mean to Wen Ning, but he doesn't really have much to say to him; he just wants to get away from him.

It really stuck out to me how instinctive and instantaneous and emotional that reaction is when I was reading this passage from chapter 81 (ExR translation since I've got it on hand in digital text form), when Jin Ling returns Zidian and rushes back into the fray during the Second Siege:

When Jiang Cheng was unaware, he stuffed Zidian's ring back into his hand and sprinted toward the crowd, all the way up to the most dangerous area before the mouth of the cave. Jiang Cheng was about to chase after him when he managed to slice a few corpses, staggering. He felt that Sandu was no lighter than hundreds of pounds. Two female corpses threw themselves at him from both directions.

Jiang Cheng cursed. As he lifted his sword again, another pair of hands tore the two corpses into pieces, "Sect Leader..."

Jiang Cheng lost his temper as soon as he heard the voice. He kicked Wen Ning away and cursed, "Get the fuck away from me!"

Obviously that is not very nice and poor Wen Ning didn't deserve a kick for being legitimately helpful there, but the point is that not only does he lash out - the reaction happens even when he's clearly got higher priorities going on in a chaotic situation. Throughout that entire event he reacts in a somewhat more even-keeled way to almost everything except Wen Ning being in his vicinity.

And it's not just after Wen Ning's death, not just after he became Wei Wuxian's greatest weapon, not just after he was forced to kill Jin Zixuan - it's specifically a pattern established from the moment he woke up in the Supervisory Office without a core:

Before he could say anything, those sun robes reflected against Jiang Cheng's eyes. His pupils suddenly shrunk.

Jiang Cheng kicked Wen Ning, toppling over the bowl of medicine. The black liquid all spilled onto Wen Ning. Wei WuXian wanted to take the bowl of medicine. He pulled up Wen Ning as well, who had been shocked speechless. Jiang Cheng roared at him, "What's wrong with you?!"

At this point he doesn't even know how he was rescued, since he was unconscious for all of that, and thinks they're in a Wen trap and likely going to die (or worse). But there's so many echoes of that interaction again, and again, and again between them.

And combined with Wen Ning's remarks during the scene just before this, where he tells Wei Wuxian about the discipline whip injuries and how Jiang Cheng 'should have other injuries as well', the way the narrative is so deliberately ambiguous on what exactly occurred, it all makes me want to crawl up the walls and gnaw on the light fixtures wailing WHAT DID YOU SEE, WEN NING?! WHAT DID YOU SEE?

At a minimum, Jiang Cheng knows that Wen Ning was there at Lotus Pier prior to his capture by the Wen guards, because they'd both seen Wen Ning examining Jiang corpses on the training field before they fled for Meishan.

But everything after that is only implication and subtext and suppositions and speculation, not directly stated in the text. But based on his reaction, you can pry my headcanon from my cold dead hands that that Wen Ning probably witnessed all or much of what happened to Jiang Cheng after he was captured, and Jiang Cheng knows it.

I've also posted before how I think there's an at least nonzero chance that Jiang Cheng was never directly told that Wen Ning wasn't actually there with Wen Chao when they saw him early on, but came later to try to help (because when Wen Ning gives Wei Wuxian that information Jiang Cheng isn't conscious, and nobody tells Jiang Cheng anything. I don't think that headcanon changes much either way, but there is a slight difference, at least emotionally, between 'I helped you while I was there to slaughter your clan and destroy your life' and 'I came when I heard my crazy cousin was slaughtering your clan and tried to help you' and I think it's a juicy thing to add to the pile of misunderstandings they each have of the other's motivations and actions).

Which, if I go with these two ideas together, really drives home what a bespoke and specific nightmare the way the Golden Core reveal played out - not only the substance of the reveal, but the fact it was Wen Ning who revealed it.

He was already furious that they were even there at Lotus Pier, particularly Wen Ning. But the way it all happens it feels like it's not just echoes of the amplified emotions of the confrontation with Lan Wangji & Wei Wuxian in the Ancestral Hall, it's not just Wen Ning being a Wen, or even Jin Zixuan's death, the way the narration calls out. It feels like there are deeper layers to it.

I also feel a bit stupid for not noticing before this probably extremely obvious to literally everyone else who isn't a dumbass like me parallel of Wen Ning getting a gruesome scorching whip mark across his chest at Lotus Pier in the course of saving Wei Wuxian (more or less, sort of - we know as readers Jiang Cheng was intentionally trying not to hurt them with Zidian, but I don't think Wen Ning knew that when he jumped in).

Jiang Cheng looked to find that the uninvited guest was Wen Ning. Immediately, he raged, "Who let you inside Lotus Pier?! How dare you!"

He could manage to tolerate others, but definitely not Wen Ning, the Wen-dog who put his hand through Jin ZiXuan's heart and ended both his sister's happiness and her life. Just a look, and he felt the urge to kill him right there. How dare he step foot on the earth of Lotus Pier—he really was looking for his death!

Because of the two lives and many other reasons, Wen Ning had always felt guilty, and so he'd always been somewhat scared of Jiang Cheng, consciously avoiding him all the time. Right now, however, he blocked Wei WuXian and Lan WangJi as he faced him, taking the hard lash. A gruesome scorch climbed across his chest, but still he didn't flinch.

I don't know that it actually means anything but it's making me FEEL THINGS incoherently at this specific moment, so. Also I find it legitimately sad that Wen Ning has to live with guilt over things that happened when he was controlled by someone else, though the scene before the Ancestral Hall when Jin Ling starts crying on the boat is probably a better example of that. Anyway.

It's just there's so, so many layers to how uniquely horrible it is for Jiang Cheng that he not only finds out about the Golden Core transfer this way, but also that Wen Ning, specifically, directly witnessed this life-shatteringly huge deception and sacrifice too - while Jiang Cheng was unconscious, no less.

And, well, we know how everything got capped off in that scene...

Obviously the shock of the information was going to get a huge reaction no matter what, no matter who or how he found out. Even without the Wen Ning element, it already hits every one of his deepest weaknesses and insecurities and fears.

But to come from the guy who'd witnessed his family being slaughtered, who'd witnessed who-knows-what humiliations heaped on him (who also happens to be the same fucking guy that Wei Wuxian thought it was worth leaving Yunmeng Jiang for, breaking his promise for...), the guy he blames for his sister's tragic fate (whether that blame is misplaced or not), the guy he exhibits a panic response towards even decades later, and goddamn.

There are just so many layers to this perfect little nightmare reveal on so many different levels aren't there?

There's just SO much meaty stuff for these two to dig into post-canon and all we get is an extra with a 'oh yeah sometimes Jiang Cheng yells on night hunts and Wen Ning is there' about it?!

I should probably just shut up and go read some Jiang Cheng and Wen Ning focused fics or something (whether romantic or platonic that's probably an area I really haven't explored enough vs. the amount of sheer interesting hints and material the novel gives to work with! If by some miracle anyone made it to the end of this beast feel free to drop any recs that explore them, especially that 'what did Wen Ning see?!' aspect of the whole situation because that is the current little brain worm haunting me right now).

[ganondoodle]

okay i typed this in a reply but i need to say this more detailed here too, the way totk dealt with horses (and stables) is bad and worse than botw imo (yes i can rant about that too, these weird choices are in every little spot in totk, its almost impressive)

in a game that lets you build cars and stupid flying maschines, towers that shoot you into the stratosphere AND teleporting points all over the place, the chance is already low that you use a horse- though i would be one of them bc i love horses and hate building and didnt find it fun at all-

(also i almost never used any parts i had with me bc you cant put them back and your dumb vehicles despawn as soon as you dont look at them- also a negative thing about that system that reinforces the feeling of actually using it being more punishing than rewarding with the added bonus of the good ol saving your health potions forever problem)

-and something i DID like was that you can have more horses and the ... one.. new color (the lil spots but only AFTER you do that one quest in the spy post)

the stable points seemed like a neat idea, but like so many things, are utterly cheatable, imo the system should have only given you a point when you visit a new stable, so you actually have to go around and visit them all

(also .. add new stables, like mini ones or sth that dont offer beds- you dont need that anyway- so you have more places in which you can get them ... why did they remove some of them anyway, shouldn there be MORE now that the land is supposedly healing/being repaired? especially the one next to the big canyon, its so empty there it would have the perfect place for sth like a new settlement or a big boss arena but no its more empty than it was before, why?? and then putting yet another repeating annoying quest there in that weirld empty place?? i just dont get it)

letting you farm points by sleeping at a stable or bringing in a horse gives you LESS incentive to actually go around the world bc you can just farm it there

(and if that was done so youd 'discover' the malanya talks to you in your sleep 'secret' ... that is literally told to you, and if its bc you dont want to force players to go around and find every stable to get all those rewards ... why do you have 140 or whatver caves then with the majority of them being the literal same thing over and over ... to make people actually use the sleeping thing there? .. why, who uses that anyway, and farming points by sleeping there .. what the hell does that add? AND THEN the stupid sleep over tickets, probably the most nothign reward ever, dont count?? i dont think i ever used one- it just all doesnt make any sense, everything plays against each other)

the upgrading system for your horse is .. once again, a neat idea horribly executed, you have to go find malanya to upgrade them, and similarly stupidly like the fairies, they only tell you what food you need for what upgrade when you are there .. or when you are sleeping in the special tm bed at a stable, randomly, one food, bc the quantity changes too

which is just so ??????????? let me go and do a quest that rewards you with a lil booklet in which you can look up what an upgrade costs, or let the stables have that, either as a list or in the menu when selecting a horse or something?? (also why the hell is malanya in a different spot anyway, like, it feels like a modder just plopped them over there, their og spot is just empty now - except for yet again a stupid filler quest for .. another big horse and a yaaaaaaaaays crystal shrine quest- ... the spot is even still called spring of the horse god .... its so stupid, just like the fairy shuffling around, like you really couldnt think of a better way to reuse that concept other than to ... move it to a different spot in the same map and map level???? and not change anything in their og spot except idk, put a hole in the map ... for one of them like .. its like they moved them around last minute just to have the semblance of things being 'changed' with no regard what makes a change actually feel like one and what just feels like, pick up thing, click on random spot on map, drop thing- its like that for the fairies and shrines too, its so dumb and .. feels disrepectful to botw and how much thought seemed to have went into these spots that were clearly built about those things)

and like it couldnt get WORSE, they cut off the paths that horses follow automatically with one of those miasma buttholes (sorry its just a hole cut into the map, it doesnt even look like miasma burst through, it just .. cut out) a monster camp (that RESPAWNS, i thought those camps you clear with a quest would stay clear, but that would make sense, so of course it respawns and you can do the frame rate killer quest over and over yippieee) or otherwise like, with a big rock or a broken bridge-

and there is NO WAY to create a new path or fix or move anything in a game ABOUT BUILDING supposedly, like you needed more reasons to never use a horse????? i liked jsut hopping on and letting them follow a path and chill looking at the landscape, you cant do this here, and you cant even excuse it with 'its bc of the theme' as in, stuff is destroyed bc calamity 1.5 or whatever bc nothing in the game makes it feel like theres anything actually at stake, but the real crime is to make it not be fixable. WHY??? link moves entire buildings with ease but cant move one freaking rock that fell into a river?????? you swing around logs like a club but cant fix a bridge so your horse can get over it??????????????????????????????