#this is the thing i was liveblogging the process if btw

[loopscereal]

happy new year!

black lines ver ↑ sketches ↓

be nice to me or ill cry

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[kerubimcrepin]

LIVEBLOG: Wakfu Season 4, Episode 8 [PART 2]

Our guy is finally starting to understand how bad things are. <3

I think what he hates the most (after teleporting one singular time) is how this makes him lose his face. The #1 thing Joris hates the most, always, and forever, is appearing weak or unprofessional.

Yeaa lmao, everyone except for him has immediately oriented themselves in the portal, while he's struggling with the process and the landing...

Joris is way too confused to even begin being mad at this shit. Like ok. This is happening now.

I think the reason he isn't mad at this later is that it's a logical decision to [grumble, grumble] support a member of their party who was [deep sigh] struggling with teleportation for their common good as a team. Even if it was him.

The voices in my head compel me to screenshot him more.

I think Joris said this because he heard Yugo wonder if it's a trap and Yugo's opinions are very important to him <3 He's just like "man Yugo was right. 😑 as he tends to be when he's not being blinded by emotions. [is himself blinded by emotions as he is saying this]"

Joris is probably starting to get mad at Ad by now, but once again, "ughh I guess carrying the guy with the teleportation sickness, while we are all being chased by an eldritch horror, is logical... fuck's sake..."

I could write a novel about how good Toross is at randomly guessing Joris's insecurities and hitting them like every button on the keyboard.

He literally put the meaning of "You're 3ft tall, and I don't really take you seriously, and also the juxtaposition of all these three words diminishes your serious air of adulthood. You look a bit pathetic and boring, btw, despite all the expensive clothes and earnest airs. You're compensating very hard for something you don't have, and I can see that. :)" into two lines of dialogue.

And then he also uses the scare tactic of "btw I can see your Wakfu. And you are very good prey. Because you're a prey animal here. Did I mention I was going to eat you." (and also, unknowingly, this is striking at Joris insecurity #2: people learning information about him and, god forbid, perceiving him.)

AND the finisher is "however you're not good enough to be the main dish and I don't give a shit about you."

Loving Joris's little pout here. A very cute and balanced reaction to psychological warfare. Despite Toross hitting multiple good attack points, he only shows a little bit of seething on his face (but probably enough for Toross to know this got him a reaction. <3)

OF COURSE the guy whose feelings were insulted the most goes immediately after Adamai. He's so transparent about being mad, it's so funny...

When given swords, he literally fights like Atcham. [starts throwing up blood everywhere] Yeah no, no, I'm fine. Ignore me.

Of course you'd be good at dodging magical projectiles, and using your front paws to help you with jumping and standing while keeping your spine low to the ground (to avoid hits and get ready to jump/run once again). Where did you get these moves from? Your uncle? 🤣

He's so maddd.

Yeah he is mad, but also he is his usual calculating self: trying to get close to him to find any possible weakness, while trying not to show that it is, in fact, what he is trying to do. He is locked in.

Cat behaviour once again. Looking like a wild animal is a normal thing for him to do.

You see: for Joris, this is revenge for all the shit this guy said — and also a way to prove his worth as a human being, despite the fact that all those things Toross said are true. If he acts like he is cold and calculating and useful, nobody will know that it actually bothered him. His status as someone thick-skinned and heroic will be proven.

(He learned the "circle them to try and get closer while they're busy shooting you, and then attack them from the back" method from Atcham too, btw.)

[inevitably-ineffable-husbands]

Hey Steph,

Ive been thinking about this and I need your opinion. (Reaaally enjoyed the liveblog btw <3) I was thinking what to tell Aziraphale at the end why he shouldn't go to heaven and basically: a) as the main Archangel, he'd totally put himself in harms way (they don't have a great track record of dealing with them...). If a second runaway is seen as an institutional failure, what would they do to avoid a third? Totally erase his existence out of the book of life if he effs up, right? To cover their tracks. And he's right there, surrounded by them. b) It's not like he has any real power. See Gabriel; the minute he vetoed deatroying earth, they wanted to demote him and erase his memory. Without hesitation. So he's just a puppet king, so to say. And c) I don't /trust/ Metatron. Are you really trying to tell me they just randomly decided they like Aziraphale? After the way they talked to him in s1? I don't think so. I think Metatron's just trying to split them up, because together they actually hqve a chance if stopping the 2nd coming. So now they're separated, there's an emotional wedge between them and Aziraphale is right under their thumb. In short, and I'm gonna quote what I said when I watched it, "Nooooo! Aziraphale, nononononono. nonono.... no.."

(Also I feel do bad for Crowley. It looks like he's gonna have to save him again and their relationship already seems kind of emotionally one-sided? Like, Crowley listens to him, supports his passions. But their both trash communicators, I guess. Even when they talk, they don't talk...)

Hey Nonny!!

AHHH I'm so happy you enjoyed my liveblogging!! I hope I wasn't TOO annoying, but I had no livestream to scream at about it so my blog it was, LOL.

OOOF okay I'm kind of still trying to process the end myself, and as someone who REALLY sees herself in Aziraphale, I can totally understand why he did what he did. I was going to expand upon it more in the "season meta" I'm currently writing, but answering this question will also cover a large section I'm writing about the ending, so I'll just answer your questions here and link back to this post, hahaha.

Let's touch upon each of your points, and then I'll give you my general all-around thoughts:

A. I was thinking what to tell Aziraphale at the end why he shouldn't go to heaven and basically: a) as the main Archangel, he'd totally put himself in harm's way (they don't have a great track record of dealing with them...). If a second runaway is seen as an institutional failure, what would they do to avoid a third? Totally erase his existence out of the book of life if he effs up, right? To cover their tracks. And he's right there, surrounded by them.

I had this thought too, Nonny, and that's why I think Azzie is being REALLY naïve in this scene, but ultimately... I think it's all about saving Crowley. I will go more into this in my meta, but the gist of my suspicions hangs on that I believe Aziraphale feels he's responsible for Crowley's Fall, and Aziraphale thinks that if HE'S the one in Gabriel's position, he has the power to do whatever's necessary to bring that joy back to Crowley's life.

We have to remember: Aziraphale DOESN'T KNOW what Crowley knows, but we as an audience do, and because we DO know, it's that choice that makes us scream at the TV in frustration because good-hearted Aziraphale, who wants only what is best for his crush best friend, DOESN'T KNOW that this system is why Gabriel got ousted. Azzie doesn't KNOW about Armageddon 2.0. WE know because Crowley knows, and Crowley never got the chance to tell him (and judging by the dialogue in S2, Azzie ALSO doesn't know about the cruelty that was displayed in their exterminations in S1E6). He doesn't KNOW that Heaven despises him as opposed to "puts up with him". Aziraphale IS a good person and he genuinely believes that him being in charge WILL change things. He doesn't know.

HE DOESN'T KNOW.

I REALLY have a sneaking suspicion that Crowley will actually be the bargaining chip for Heaven to persuade Aziraphale to go along with whatever they want, once Aziraphale realizes he has no power. He showed his hand to the Metatron and the other Angels when he perked up about Crowley coming with him. Crowley might be outwardly and publicly protective of Azzie, but Azzie is INWARDLY and privately protective of Crowley, and tends to try to fix a situation on his own which usually goes pear-shaped for him in the end. So, I don't think it will be Aziraphale removed from the Book of Life to get what they want... It will be the threat of Crowley being exterminated for good.

So yeah, we as an audience know that Aziraphale's walking right into a death slash no-win trap, and despite what happened in E6, I think in S3, we will see Crowley come to rescue him. Big Chekov's gun moment when Aziraphale said in this SAME episode "He does so love coming to rescue me". We're going to get rewarded for a lot of Chekov's guns that are in play this season, methinks.

b) It's not like he has any real power. See Gabriel; the minute he vetoed destroying earth, they wanted to demote him and erase his memory. Without hesitation. So he's just a puppet king, so to say.

Exactly, Nonny. As I mentioned, Aziraphale showed his hand to the Metatron. They WILL use Crowley as leverage, and I think Aziraphale will FINALLY see Heaven for what it truly is: just another side of the same coin that Hell is on. Aziraphale is NOT a stupid person, he just truly does see the good in people (Crowley himself said he's too pure-hearted) but unfortunately that good heart tends to get Azzie into heaps of trouble. Like I said above, Azzie doesn't KNOW what Heaven is capable of, truly, because he hasn't seen it. I think once he sees it, and has his whole view about it shattered, when he realizes that, actually, he CAN'T do whatever he wants to make things better, he will be swayed, finally, to go back to Crowley and tell Heaven to fuck off... and only then will he realize he can't leave because of the stranglehold and leverage Heaven will have on him. The other angels weren't candidates in Metatron's eyes because they can't be manipulated. Azzie CAN because he has something more valuable to him than himself: Crowley's wellbeing. And I think it's here where we will get our trope of Azzie thinking "well, I fucked it up with Us, he's not going to come and save me this time".

BUT HAHAHAH Nope, Crowley will hear about this and come in like the vengeful angel he is. Because let's be real, I think even though he's had his heart shattered, he will always go back to Aziraphale to save him; Aziraphale has pretty much become Crowley's life's purpose.

This, then, actually plays into my theory that Crowley IS a very powerful fallen Angel. Archangels actually rank pretty low on the hierarchy (they're actually BELOW Aziraphale's Principality status, so that's an interesting little detail to file away for later). Since this season was primarily from Azzie's POV, I think next season will be Crowley's, and we'll finally get the answer as to who he really is and why he Fell. Because of his former ranking, I think he will be the catalyst that gets Aziraphale OUT of the situation he's going to be in. I really REALLY am confident that the nuggets of clues they're putting into the show about Crowley's true self will pay off in a big way.

And c) I don't /trust/ Metatron. Are you really trying to tell me they just randomly decided they like Aziraphale? After the way they talked to him in s1? I don't think so. I think Metatron's just trying to split them up, because together they actually have a chance if stopping the 2nd coming. So now they're separated, there's an emotional wedge between them and Aziraphale is right under their thumb.

ABSOLUTELY I don't trust the Metatron either, and as I said above, he is manipulating Aziraphale. He knew 100% Crowley would not join Aziraphale in Heaven. He KNOWS that Aziraphale feels lost being "retired" from Heaven, feels like he's not able to do the Good that he wants to do. Metatron's using Aziraphale's desire to Do Good and Make Things Better for Everyone against him, and it's so deliciously cruel and I can't wait for the payoff.

AND. Okay, a VERY PROMINENT PLOT POINT in the season was just how powerful a TINY, SMALL miracle performed by them BOTH COMBINING THEIR POWER is. It SET OFF ALARMS IN HEAVEN, it was so powerful. Crowley unfortunately, in a "blink and you miss it" line, let it be known nonchalantly that they just were able to hide Gabriel so easily from everyone. Heaven now knows that the two of them together would thwart Armageddon 2.0 if they got involved (which they would to protect Humanity). Now, they know to split them up and puppet "the soft one", the one who they still have a grip on, and they have a better chance of initiating their plan with, as I said, the leverage they have against him.

Because imagine what Crowley and Aziraphale could do together if they let their FULL powers combine. Heaven suspects, and they can't let that happen. I think we will get a payoff to THAT Chekov's gun as well. Or, I hope so anyway. I feel it will be a climax plot point and will possibly also be used to shield themselves from Heaven and Hell for good.

(Also I feel do bad for Crowley. It looks like he's gonna have to save him again and their relationship already seems kind of emotionally one-sided? Like, Crowley listens to him, supports his passions. But their both trash communicators, I guess. Even when they talk, they don't talk...)

For SURE Nonny, and that's the point Nina and Maggie were trying to make to Crowley. They have been at a standstill since Armageddon in their relationship, and it's because both are terrible at ACTUAL COMMUNICATION with each other. We SEE how much they care about each other. The foundations are there. Both are in a sort of limbo because they really don't know "what's next". Remember: Crowley slept through about half of the 4 years (from the Lockdown minisode) so really they've not seen much of each other since Armageddon.

That said, I think their relationship only seems emotionally one-sided, because Crowley is REALLY BAD at hiding his REALLY BIG FEELINGS™ to the point that it's noticeable to LITERALLY everyone else EXCEPT the one person that matters. I think I saw a post describe it best: Aziraphale fell FIRST, but Crowley fell HARDER, which is so true. This doesn't mean that Aziraphale loves Crowley less, it's just that Aziraphale has a lot of trauma and hangups that he won't be able to get over until he's finally free of Heaven's claws; he needs to get over the hump that has him believing that he is undeserving of Crowley's affections because they are angel-and-demon. Crowley, on the other hand, has Big Feelings that evolved into endless surface-level pining.

Crowley's love language is acts of service, so it's WAY more prominent in the series and easier to spot. I think Aziraphale's love language is quality time, but in S2 we see it develop more into physical touch as well, which must be driving Crowley INSANE with lust for him. Seriously, on rewatch, I could NOT get over HOW MUCH Azzie actually touches or reaches for Crowley. Even during the Kiss, he can't help but rub his hands along Crowley's shoulders and back. Aziraphale, unfortunately, is one of those people (like me *cough*) that tend to realize Big Things™ Too Late™, and then think it's now Fucked Up Forever, so back into the bottle those Big Feelings™ go. I GENUINELY believe that Aziraphale didn't realize Crowley loved him until That Moment™, that everything Crowley did was because of a crush, not because they were best friends who would die for each other. Trust me, it's REALLY confusing for people like Aziraphale to process a mutual love, to the point that it's scary and better off bottled up for fear of losing that person.

The time wasn't right For Them at that moment. Not enough was said and both have been stuck in a limbo since Armageddon. Both have some character building to do. And when A Moment happens again (and I believe in my heart that it will), it WILL be the right time, because they've finally found each other and are both on the same page.

-----------

In conclusion, I feel S3 will be about Them Saving Each Other from Themselves. It will be about them finally talking TO each other. It will be about the big emotional payoff for all the angst we went through in Season 2. It will be big and emotional and I am ALL here for it.

Aziraphale and Crowley will get their happily ever after. But we HAD to have THIS angst and setback for it to work.

Thank you so much for this ask!! It's really helped me gather my thoughts about sections of S2 :) I have a LOT to say and this is just a small snippet of it! <3

[atamascolily]

Lily liveblogs: Thunderbolt Fantasy 4x07

Well, that escalated quickly.

Chao Feng and her party get their asses kicked by some ordinary demon goons... only for the camera to pivot to them standing around looking confused as Lin Xue Ya appears. Another victory for the Enigmatic Gale, everyone!

Lin recognizes Chao Feng and decides to keep her around as a potentially useful pawn--everyone else can come, too, I guess. Meanwhile, Chao Feng demands that he kowtow to her, but once Lin reveals he's seen Lang recently, she'd follow him anywhere.

meanwhile, Azi is lounging around at home on his Brooding Couch (where did he get the furniture, Lang and Spider trashed everything) drinking wine and video chatting with Xing Hai

Xing Hai wants to know what's going to happen in the future given all of the scheming, and Azi's like, "hahaha, no, can't be bothered"

also it turns out that something weird happened to Azi as a result of meddling with space-time and he lost all his memories up to a certain point (~200 years ago) and has no idea how he got here and no desire to do anything, so he advises Xing Hai to tone it down with the drugs demonic magic, lololol.

the only thing that makes Azi happy anymore is drinking tormenting Lang, lolsob

this supports my theory that Azi doesn't care if Lang kills him as long as he fucks shit up in the process/breaks everything

all this is to say: the Madoka Magica vibes intensify

elsewhere in the Demon Realm, Covid Safety Protocols and Megamind are having a nice banquet together.... and unlike Ansarto's banquet, the food actually looks pretty good?

how does Covid Safety Protocols even drink with her mask on is one of this show's greatest mysteries

but it doesn't matter because they're both abruptly murdered from behind!

Cut to Spider and Wasp yelling at each other for "accidentally" killing their allies, lololol

they take the seals, but THEN Xing Hai shows up with a steel chair a scrying mirror and banishes them to the Shadow Realm because it's one thing if Lang kills a noble (he's a demon and her boss says it's okay) but she can't allow ordinary humans to get Ideas.

all of this happens in like three minutes, btw, and it's a lot.

wish we'd gotten a full season 5 and an extra episode in S4 so this could be less rushed, sob.

meanwhile, Lang drinks the Dubious-Looking Potion that Ansarto gives him over Ling Ya's sensible objections, which is supposed to transform him from caterpillar to butterfly. I thought this was a metaphor, but then after he coughs up the requisite blood, Lang gets rolled up in a silk cocoon, so actually that was entirely literal.

is he gonna wake up with insect legs now

... anyway, Lang has to confront his Inner Demons, which turn out to be important people from his past like Shang and Tian Ming telling him he sucks.

weirdly, no sign of his mom, though - bet they're saving that for the next episode

also that final shot where he passes out on top of his own reflection... poetic cinema

In the Wasteland of Spirits, Shang Bu Huan whips out the broken magic sword that You Qing used to fight Lou Zhen Jie back in s2 (making this the most unexpected callback/cameo EVER) and takes advantage of its innate attraction to demonic energy to hover in mid-air and yeet himself into the abyss leading to the demon realm

Shang Bu Huan: "I'm Mary Poppins, y'all!"

also that little somersault he does... this show is delightfully Extra

Dan Fei and Juan Can Yun are just gonna wait there for him to come back, I guess?

anyway, the preview for the next episode shows Shang reuniting with Tian Ming and Chao Feng going into a glowing green square portal, which makes me think that Lin is going to find out her dad's true identity this way, hahahaha.

[the-acid-pear]

I'm still so angry about Pearl btw. It's unreal. I haven't been so angry about a movie since I watched MEN. And I'm only mad about Pearl because X isn't even a movie that's just like eating plastic food I said it in my liveblog and I stand by it. But pearl could've been great. She'd have been Patrick Batewoman. She had everything to be like him. That archetype. That breed. If the framing of the movie was only better. If they bothered at all to make her a fun or enjoyable or likeable character. If we were going w her. Like Patrick is not a fucking hateable weirdo but instead such a charismatic protagonist and villain bc we're seeing his mindset we're going with him and listening to his whole.thought process. Pearl is a complete stranger to us until the very end where she has that awful info dump. And I still believe her mother would've been a better protagonist bc she was more sympathetic. Imagine if she killed her daughter and then got rid of her husband and tried to follow her dreams only for it all to come crashing down and her to realize she got rid of the only thing she'd ever achieved in her selfish journey to reclaim what she failed to have before. Mia call me dumb that stupid bearded man you and I Mia we'd make something amaizing.

[astranauticus]

ok one last post about the Project to truly exorcise it from my brain. just some process/design thoughts (also now that it's done if you want to read my liveblogged whinging for whatever reason here it is)

first off some stats because i kept stats like the nerd that i am:

time wise making this animatic took about 93.5 hours give or take (thanks procreate process replay) spread across exactly 2 months

anyway when i said i finished this project mostly through stubbornness and sunk cost fallacy this is what i meant lol like a lot of my thought process through this was just 'no way in hell am i letting some of these drawings disappear into my drafts forever'

on average each frame took about 2 hours 45 minutes but thats a bit of an overestimate since i forgot to count some of the animated bits from the first two lines (so id guess the actual number is more like.. 2 hours 20 minutes?)

btw that line with the starry apparition fading away? 12 hours total

the single longest and most painful frame to draw was the one of the crew walking through tu'narath (5 hours 30 minutes) because a. perspective b. architecture design c. for some reason i put a lot of detail into rendering the armour on all the githyanki i drew why on earth did i do that

(its especially painful bc that frame was one of the ones that didnt... feel like an important enough moment in the actual story of the show to be worth capturing the way the wish or even like, endellion is, i just needed to put that there for the storytelling flow or whatever of the animatic itself and it bothered me so much)

one other interesting little mishap was that i did all of these on canvas size 1080x720px (so that's why the youtube resolution isnt particularly high lmao) which is why procreate let me put an absolutely absurd amount of layers in one canvas (all 8 frames of with memories projected on the astral sea were done on one canvas. 159 layers) because the layer limit for that canvas size is 400 BUT. i accidentally started the starry apparition fade on an A4 canvas (my default canvas size for like all my normal fanart) and i only realised after finishing all the lineart and starting on colouring because i hit layer limit so i had to resize the canvas which did... interesting?? things to the lineart resolution

also if youre wondering how i drew K-LB that many times in something resembling timely fashion the answer is i sacrificed some... amount of sleep to 3d model and rig him in blender which. honestly? i consider it a roaring success

splitting the frames by bar was a Choice and certainly a choice ive.. had doubtsTM about but thats the kind of thing you cant really change without bringing the whole project crashing down so if the frames seem to move a bit too fast im so sorry there was really not much i could do there

idk if people actually noticed the very very tiny drawings of the crew moving around on the ship in the 4th line especially since they sometimes get obscured by the subtitles but the REASON for that is in my original drawings the subtitles went in the top left corner but they kept conflicting with other stuff so i just gave up and threw them to the bottom (also i originally included the chinese lyrics but then i got lazy lmao)

anyway that little detail like VR-LA angstily looking at the sea reminiscing about the JourneyTM and the crew sort of appearing along with the memories of their adventures together was one of those things that seemed SO COOL in my head but once i actually execute it its like. hmmmm not sure if that worked out the way you thought it would buddy. also the tiny crew was EXTREMELY hard to draw so put that down as another point in 'me subjecting myself to deeply painful and out there compositions for no good reason'

anyway i called this my magnum opus but i do actually have some thoughts about another one (a companion piece, if you will) for another song by the same band because now that i know what capcut can do im.. really itching to try something a little different because this like powerpoint presentation style? fully a product of me using iMovie as my only available video editing software for the past like 7 years of my life

[shipaholic]

Episode 4: “The Hitchhiker” / “Nazi Zombie Flesheaters”

Good Omens S2 Episode 4 liveblog. Like many, I am especially excited for this one. Let us begin!

(Spoilers, because it’s a liveblog.)

- Oh. That is some weather. Amazing how just reversing some footage of fog rolling in can look spooky as hell.

- I love Aziraphale puttering along in the Bentley with those fucking bullet decals prominently displayed on the window.

- I know this music! It’s Marge Simpson’s mum’s favourite song!

- GAH the hitchhiker fucking jump scared me.

- This whole sequence is pure Welcome To Night Vale vibes for me. Ghost Stories, specifically.

- I have read spoilery speculation that the hitchhiker is God in disguise. That’s a cool idea! I can’t wait to see if it’s r   FUCKING SHAX NOOOOOO

- Did she just call the Bentley a heap of junk?? I’m not even outraged, this is just fascinating given how behind the times Hell appears to be. I thought Crowley’s whole thing was that he was unique among demons for being a flash bastard with all the latest tech. Hastur and Ligur would have barely understood what a car was. I think Shax might be a... Millennial (a demon who’s only been torturing humans for about a millennium) (TM The Good Place).

- You can cut the tension with a knife, but Aziraphale’s knowing little look to himself when Shax says he doesn’t seem Crowley’s type... ha. He knows he is.

- An Item !!!

- Oh NO “You didn���t. You have now”

---

- Yes... YES... we got a replay of Aziraphale dumbstruck by love after Crowley saved his books. And the music changed a little! It’s still beautiful, it just resolves on a different chord.

---

- “Oh no, it’s perfect! I just spent all morning processing fifty-two men called Otto.” lmao

- Shax’s whole deal really is being as helpful as possible to her colleagues. Huh. I hope she gets exemplary performance reviews. Also her hair is cute.

- You know what? Her teeth are cute too.

- (Is she a termite demon?)

---

- Aziraphale. This is the most smitten anyone has ever looked. Oh my god.

- “There must be something” *bats eyes* “I can do for you in return” angel is thiRSTY

- I haven’t forgotten about Crowley vanishing into the earth at the end of The Resurrectionists last episode btw, still waiting to learn what happened to him down there.

---

- OK, we’ve hit the point in the book show where Aziraphale gets homophobic slurs lobbed at him. This is obviously to get the metaphor across, since A/C are about to be dobbed in for fraternising.

---

- An Official Miracle Blocker -? OK I’m laughing, that is such a macguffin that obviously can only exist for this one adventure and then never be mentioned again. If Hell or Heaven could block miracles any time they wanted they’d be doing it constantly. I accept the zombies, but not this!!

- It is genuinely, gleefully ludicrous that zombies are now a canonical part of the Good Omens universe.

- Oh, and these zombies are also incidentally Nazis. Clearly Furfur has never heard the term ‘hat on a hat’.

---

- This series has truly been a boon to the David Tennant Does Various Accents fanbase.

- I have a confession to make. I find the sequences where Aziraphale does magic really hard to watch. Like Crowley, I am cringing in contact embarrassment, but willing to see it through out of deep and abiding love. But also, I wish this part was shorter.

- The swelling strings of romance while Crowley encourages him are pretty dope tho <3

---

- Crowley cracking up at the snakes in a tin can trick... his sense of humour is so Dennis the Menace sometimes

- ...THE ANGEL HAS A GUN. I REPEAT, THE ANGEL HAS A GUN

- Aziraphale can shoot and Crowley can’t, this is amazing. He keeps a Derringer in a hollowed out book -!!

---

- Oh my god poor poor poor Crowley, he looks like he’s having to shoot Ol’ Yeller

---

- I’m looking out for random signs of demons being vampires now. Furfur only came into the dressing room when invited, just saying

- “We did loads together! You said jump on my back like the monkey in the waistcoat!” lmao glad Crowley was still Crowley as far back as the war in Heaven

- I see yoooou with your little sleight of hand Aziraphale <3

- ...UM??? So the Nazi zombies are just allowed to leave? Are they still out there?? Are they lying in bits on a staircase somewhere like the ending of Death Becomes Her? (they still probably got a better deal than the eternal spider faecal matter thing, tbh) Are... are Aziraphale and Crowley going to check up on them? .....Are we never going to be rid of the funny zombie Nazis. Are they going to star in Good Omens Christmas specials, years after S3 gets released. Neil. Neil I just want to talk.

---

- ......................oh, Dagon looks cute

- Shax’s little face at Furfur was not all that unsympathetic, which makes sense since she didn’t screw up his mission and now she’s lost leverage to ask him for a favour later. She’s still a good co-worker!

---

- I love that Aziraphale got to save the day with real (fake) magic, and Crowley got to tell him how impressed he was, while also delivering the sadly needed honest feedback that he sucks at magic and should quit forever.

- After all that, there was no Tragic Rift of 1941 to explain the “you go too fast for me, Crowley” of 1967. Shame, that was a solid bit of spec.

- I’m pretty sure the shot from the trailer of Aziraphale shyly sipping his wine got cut from this scene in the end. Glad it got some use elsewhere.

- Ultimately, this was a fun shippy little minisode, but I still prefer the Job one. I’ve mostly preferred the main plotline of S2 to the minisodes, which is a shame, because they’re a fun idea. They’re basically the GOmens version of Doctor Who episodes that are just the Doctor dicking around in history, which I know are considered thee classic format, but ehhhhh... personally those eps are never my favourites.

---

- HMMMMMMMM Beelzebub what are you up to. I do not trust anything about this scene. Shax has apparently used her own initiative to discover where Gabriel is and come up with a plan to capture him, and I don’t think Beez is happy about it. I think they are using Shax as a cover here. I suspect Shax is being set up to fail. If I’m right about the bookshop flies, then Beelzebub knows about the miracle Aziraphale and Crowley performed on Gabriel, and that miracle ensures Shax cannot find Gabriel even if she were to walk right up to him. Shax might well destroy the bookshop or Aziraphale or Crowley (all outcomes Beelzebub would probably be fine with) without touching Gabriel at all.

---

- LINDSAY HARDCORE SUCKS OMG

---

- Crowley is shoving plants back into Aziraphale’s face. You know what, I only just realised they have never had a single conversation onscreen about Crowley living in his car. Clearly it’s not a point of contention between them, from either side. Which is weird AF, but whatever works for these crazy kids I guess!

---

Ahh WW2 jazz band theme song! I can’t pick a favourite arrangement so far, they’re all so good.

[salty-dracon]

More Process of Elimination. I almost don't want to liveblog it, since the narrative goes by so quick. (That's a good thing. If I talk about unrelated things while liveblogging a video game, I'm not invested.)

Untagged spoilers for the entire Danganronpa series and maybe YTTD in here.

This ended up being a liveblog of the full game, oops... Anyway, spoilers for the entire game

Hidden cameras literally will not stop shit.

DOLEFUL?! HOLY SHIT I DIDN'T WANT YOU TO DIE

OH GOOD IT WAS JUST A MONADO VISION

MORE SPIKES?!

Just get on the table. If the spikes could destroy the table you'd find marks under it, or it would be destroyed.

Called it!

Based on the logo of the Quartering Duke, I wonder if there are actually four members posing as one person. It's like the Yatagarasu from AAI, basically- three people represented by a three toed raven.

I like the cast a lot. My dislike for Downtown wore off quickly, and now, unlike Danganronpa, there's no character I absolutely despise. (Eden's Garden's cast is the same btw- go check it out!)

Okay, Workaholic or Renegade is dying next or is the murderer. That's too much character development for both of them.

Actually Mystic is dying next. This is way way way too much character development for him. We just learned that he's a gamer. A gamer!

This game's tonal shifts are a bit jarring. First there's a horrible description of Doleful dying, then we're running around with a Dark Souls character trying to figure out who ate our food.

Camera time.

Mystic isn't coming to greet us! That's death flags.

Oh. He fainted. That's death flags.

THE DOOR THAT, WHEN CLOSED, TRIGGERS THE SPIKE TRAP, JUST CLOSED. OH NO

And our two resident tough guys took three blows to open the door.

... Rip our second guy.

Calling it right now, Downtown is the killer. The whole "running to the bathroom" thing and then appearing later makes me suspicious of her.

Poison in the bathroom! I knew it!

So you could easily modify the doorstop, and there's ice missing from the freezer. Did the culprit do that thing where cold air and warm air make wind?

And of course the killer is the one who suggested they put in a doorstop to begin with instead of retying up the rope...

... That was succinct. But what I'm more interested in is why Downtown decided to kill Mystic.

Can confirm that having a shitty best friend sucks. But being happy when they die? Oof, most people just want them to be better. But uhhhhhh get sucked in by a cult? Also believable but fuck you.

So that does all but confirm that every murder was indoctrinated and is acting of their own accord.

And that's how they're going to pull a Danganronpa. Every killer will kill themselves. That's awful.

Okay, so the hidden passage that Mystic discovered leads to a cell bloc. Suspiciously it's likely where Wato and Saika were trapped as a child by that religious group.

workaholic is dying next isn't he. he mentioned having a daughter. that's so death flags

Okay I don't like how they're waffling between the characterization of Downtown while all of this is going on. Like, I get why Wato likes her, but even in Danganronpa the characters didn't spend that much time lingering on the personality of the murderer.

HUG BOOKWORM. BABY. EAT ALL THE BRITISH SAMMICHES YOU WANT

*states at big blank wall* right there is the exit

Oh god not one of these cylindrical fuckers again

The fact that Renegade and Workaholic are on weird terms with each other and are talking about bringing two others to their side gives me more ammo for my theory that there are four arms of the Quartering Duke. That included with the fact that Downtown clearly ran some of the shows herself makes me think there's more than one Duke. But what's this about a collar? Is it a nod to death games involving exploding collars, or is there one?

Someone is absolutely getting murdered with that SPX robot. I have no idea who, how, or why, but if the kids are safe from violence (they weren't in YTTD) then there's only a few possible deaths here.

The constant use of the phrase "among us" is driving me nuts.

I understand like 2% of Japanese so I can tell that a) heavy localization, which NISA is known for, and b) Rowdy calls Incompetent her big brother.

I do sort of dislike how everything ties back to the characters being detectives. It's like BNHA'S hero obsession. They're people too. They had families. I want to learn more.

If Rowdy dies I will cry. She's so sweet.

Valorant 🤝 Process of Elimination

Oh Shit, Where's The Spike?!

Now what possible explanation could they give us for trapping us in the sewer maze from literally every video game?

I need to stop predicting these deaths. I was right- Rowdy is dead now. And it's a really bad locked room mystery.

Hmm. I wonder if Workaholic is the killer. He may have aimed to kill Renegade and didn't know he swapped rooms. It would also explain why Renegade chose Doleful specifically- Doleful may get into lots of scrapes, but he survives all of them as part of his trope, meaning he'd survive any murder attempt. So if all went to plan, no one would have died.

I have no idea how any of this ties together. But my guess is, they jammed the spike into the upper bedframe, then using the wire on the chain, pulled the bed up while Rowdy was sleeping, stabbing her in the chest. Uhhhh that's hard to explain. Basically it's not a Danganronpa 2 Case 5 situation, they brought her to the spear.

... Rail track homocide.

Oh I was actually half right about the way the murder was carried out. They did tug the chain with the wire to pull the bed up to dig the spike in.

I'm too fucking smart for this game. That's two killers I've guessed accurately.

And I was right about the motive.

Me: Awwww I was really hoping Workaholic was the mastermind. It would fulfill the Crack Prediction Rule.

Renegade: He has another identity and under it he's been kidnapping children lmao. Including you, actually.

Me: *checks off two more boxes in the Crack Prediction Rule checklist with a scowl*

Er, Invincible? That's scary.

The fact that all of them are named like the fucking Care Bears is killing me. "He says he's Share Bear, but he's actually Grumpy Bear!" "I'm going to kill you, Sunny Bear! Because you're actually Happy Bear, the most powerful Bear in existence!"

I honestly thought Workaholic was going to off himself, but he went "bye bitches" and ran away instead... which is another checkmark on the Crack Prediction Rule list...

old man booking it

I wonder if Vidocq is the mastermind. It would be predictable but he has to be involved somehow.

Ruins? This place just gets weirder and weirder.

It's wild that all of the characters are tied to or draw inspiration from different detective stories across the world.

Just count the number of lines. Or it's a top half bottom half match like dominoes.

Okay we have black SPX, white SPX, red SPX, and invisible SPX... are there any more SPXs I should know about?!

Gourmet is dying next.

That's an interesting battle method.

Nope. Renegade is dying next.

I wonder if it's possible that Wato exchanged places with someone, or is in disguise. The Saika he's talking about is himself, and Holmes was the only one to escape.

Workaholic Jumpscare and ooooooooooo his eyes are red. And all he wants is this one specific person dead. That's another checkmark on the Crack Prediction Rule list!

Ounnnngh it drives me CRAZY when a character's eyes glow in the dark to show they're evil, just barely luminescent enough to make you think it was always there and you didn't see it because it was in the light. There are a couple of good examples of this in anime I like.

Presidential Alert The Girls Are Fightinggggg

Okay so he's ex-Secret Police. They're responsible for the kidnappings 10 years prior.

Workaholic: Here's my number. You want the bitch dead? Call me.

Renegade: Well, that was crazy. Anyway you're totally helping me kill him later yeah?

Wato: My brain is on fire

Holmes: LOL mine too

Dude I know I didn't let 29 Year Old Grandpa kill you but don't you dare make me start regretting it now

I actually do like serial killer characters who proclaim to see life as precious. It's hypocritical but it's cool to see their philosophies. Like Pyke from Ruined King.

TAILS IF YOU DIE DUE TO A SPENT WHEELCHAIR BATTERY

A friend costs an arm and a Fullmetal Dropkick. Er, an arm costs a leg and a suit of armor?

Oh so our little Togami/Nagito/Kokichi is going to just. Have a severed arm for the rest of the story.

Shove the red bot in the hole. It'll stay dead.

The speed at which Armor is willing to sacrifice himself makes me suspicious that he is involved in the mastermind's plot. I really dislike characters whose only trait is defending others anyway.

Just hoping the others get across.

EIGHT FOOT VERTICAL LEAP

Wow we're really putting Techie through a depression arc eh

Oh finally please tell me the bitch is dead. If it's like the [major spoilers, but it involves falling into darkness] in Outer Wilds Echoes of the Eye I will be mad.

If they track you differently, I think the red one uses body heat or its target is one specific person.

Wait, it was using a different method? And there's an investigation segment for THAT?! I guess Armor did just die.

Okay, my guess is that the culprit (possibly Renegade) wanted Techie to die, so he performed some trick that would result in Techie's death. I have no idea.

Wait. There's no way TECHIE deliberately tried to kill someone, is there?

Okay. I think someone tied Renegade's severed arm to Techie's wheelchair. Then the red SPX followed the blood trail all the way there. It could be anyone, but if a bloody razor wire is involved, it could be Workaholic.

I was right about the culprit, but how the hell are you going to be right about the motive with this asshole in particular?

Oh so it's just because you hate Techie. Fuck you.

Okay so the Quartering Duke is an entire organization called the Dayless Night, not just four guys. The Detective Alliance is trying to stop them. Renegade is part of Dayless Night.

Why would just some random dude have the authority to kill

Yeah let's just avoid the two guys having a Hellsing standoff in the dark right now. That would probably result in numerous deaths.

Techie. Techie don't be putting up death flags. Don't pull a Ryoma.

New area!... it's a fully furnished underground hospital! I find it hilarious when the areas in a video game steadily get older and older and then suddenly there's one that's got futuristic technology.

Game: Gourmet started by sniffing the keyboard...

Me: Yay for super olfactory senses!

Game: And then licking each of the keys.

Me: Gross!!!

Okay all this AC/distribution board lore is making me think that someone is going to die here. Who and why, I suspect Gourmet but I'm not sure why yet.

Obligatory fanservice scene! And Ideal being a lesbian.

Cheering on my new daughter as she speed reads an entire room full of documents before Overworked Murder Grandpa and Other Murder Guy With Issues can speed read them

*narrows eyes* what are you doing here

I'm not evil, Workaholic says, holding Wato's new daughter's unconscious body in his arm, with his little razor wire in his hand, asking Wato for his help to kill his mortal enemy, threatening to kill her if Wato doesn't cooperate

I love how Workaholic is the character who can canonically jumpscare you but Renegade is even more of a jumpscare because he's completely unpredictable so at this point you're just way more scared when he shows up

So yeah, I think Wato and Saika switched places. I think Wato is actually Saika and Saika is actually Wato.

Okay. Posh is dying next.

Renegade: I've come to make an announcement, Incompetent Detective's a bitch-ass motherfucker. He pissed on my fucking fun. He took his wimpy, logical little empathy out and he pissed on my fucking fun. And he said I was "wrong for doing this" and I said "lmao" so I'm making a callout post on my Twitter dot intercom-

(nothing says a PJ livetweet like "twitter dot intercom")

Time to watch these two duke it out using handcuff jujutsu and KNIFE.

Was really hoping this scene would have a battle segment.

So his objective was to figure out what Ideal's special ability was, I guess. So only just now has he figured out that Ideal's ability is to see the future. Of course, Wato had that ability before Ideal taught him how to use it- it's the result of the experiments.

And of course the way to counteract the ability to dodge lethal attacks is to attack nonlethally. A lot. Until they can't dodge you anymore.

And that's the reason he had a memory of Saika dying. It's because he retained the memory of a future vision that never happened. He managed to stop Saika dying, and she took his place as the Ideal Detective.

The CGs are maddeningly good.

Okay cool cool cool you were a victim and you just wanted to draw out my hidden potential so why the FUCK did you spend DAYS antagonizing the entire team.

Oh. Power went out. That's not good.

Oh. Renegade is missing. That's not good.

Oh. Lights are back on. That's, uh.

Oh. Workaholic is dead. Oh. That's, uh... wow. Didn't predict that.

Holy shit dude you got fucked up. Anyway, I think the murderer is Posh. We didn't hear from her during the whole fight scene and she was cuffed to the pipe. Else, it's Gourmet or Renegade. They're the only adults left in the main group and the only ones who could restrain an adult man into handcuffs.

OH SHIT, TWO DEATHS?!

Holy shit Renegade got his head cut off like that one guy in Night at the Museum.

Okay. Murderer is definitely Techie then. Because both of the "you have to commit murder!" adults convinced him to commit murder. And neither expected that he'd murder THEM. Frankly I think they both deserved it.

"I never thought someone would murder ME!" sobs man who encouraged his colleagues to murder

Oh, they're pulling the AC trick from DR2.

I was like "why the hell would Workaholic be found drenched in water there's no water on this floor" yes there is, you just didn't care to see a fanservice scene.

I still think Techie is the killer, but now I also think it's possible that Renegade and Workaholic killed each other. Workaholic stumbled off to the bathroom to clean the blood off after being attacked by Renegade, but he didn't clean off the water for some reason. He was handcuffed by him, but figured he could wear a pair of rubber bracelets in the case he was electrocuted to death. Meanwhile, Workaholic was finding three dPads needed to murder Renegade with the exploding collar. While Workaholic was chained to the pipe, the lights went out, causing the handcuffs to slip, and electrocuting him when they came back on. Someone did that by turning the AC on to overload the breaker like in DR2.

I was totally off the mark with almost all of this lmao. But I was right that they ended up killing each other.

Uhhhhhh okay I'm 90% sure Workaholic is STAYING dead so im just gonna write this one off as "met like 3/4 of the crack prediction rule markers and wasn't the mastermind" unless the 10% chance that he survived electrocution by crazy ass is, in fact, the actual scenario here.

So that means out of the six or so that remain, one of them is the mastermind behind the Quartering Duke. I'm not so sure that it's four people anymore. Though I have no idea who it could be. I still think Vidocq has a relation to this case, but the characters who are yet alive are Techie, Bookworm, Doleful, Gourmet, Posh, and Wato himself. Out of the group, I'm honestly not sure who to suspect. Techie feels like he's in the middle of his arc, plus Renegade was targeting him by saying he doesn't value human life the same way the Quartering Duke doesn't, so maybe he's the mastermind? That would suck though... The others besides Gourmet have all had full arcs. So Gourmet could also be the mastermind, but somehow I doubt it. Probably because it wouldn't fix any loose plot threads.

Maybe have someone taste test the soup first before you- oh. okay.

She... made a move right away. Okay. That's bad. That's terrible. I thought you were nice. I mean, I suspected you since you had no character arc. But what the hell.

Oh, so she's a "good guy", an administrator. She knows the Duke is one of us, but has no idea who. Probably why she's setting us all up to die.

Heheh. Heh. Don't like that sprite sis

She also had a hand in murdering both of the guys who died in the last chapter. Yikes.

God, at this point, this whole group is sus for different reasons. Doleful is a sweetheart but he hasn't had any character development in a while, Techie has lots of ways to manipulate the technology in the rooms we go to, Bookworm's speech patterns are contrived by her, but there's no reason they can't be broken, Gourmet is, well, collaring us, and Posh is the most outspoken one of the group which would totally dumb down her suspicion.

Vitamin D stands for Vitamin Dopamine

Holmes' body is gone? That's weird. I mean, it's possible that our Holmes was a spatial projection like in World's End Club. Maybe the "Saika" we knew was just taking the form of Ideal like Sissel in Ghost Trick?

Oh right, Armor. I said that there was a chance that someone was wearing Armor's costume at one point. Since we never actually saw Armor's death, or held his cold body, I wonder if someone wore Armor's disguise and then dropped into the hole to escape.

Oh. Armor survived, then came up to the surface and moved her body. Instead of checking on her, he moved it... why?

Next, he followed an arrow after hitting a hot spring? What's going on?

They theorize that Armor may have been one of the other victims of the Secret Police. I think that might be the case, actually. Renegade mentioned there were two other people besides himself he thought were kept down there- Wato was one, but we don't know who the other is yet. Before he died, Armor said that ten years prior, he failed to protect someone dear to him. The research kidnappings were 10 years prior.

Armor managed to get back to the Underground Research Facility. What was he going towards? And now we're examining the crime scene where the Super Murder Bros were killed.

Okay here's the thing. Faking your own death is a big part of the Crack Prediction Rule. A lot of major Crack Prediction Rule characters have either had a death fakeout or disguised themselves as someone else for a time. So if Workaholic did survive the electrocution somehow, it wouldn't surprise me. I thought we saw that earlier when he skedaddled after he murdered Rowdy, but... it doesn't fit perfectly. So if he's alive, and the mastermind... it's true again.

Errrrr. Okay. So they're both still dead, it's just that his death was likely a suicide. He was willing to go that far. Crazy ass.

Armor's okay! He got crushed under the chandelier trap, but he's okay!

Interesting. Wato arrived at the manor early in the first case. We knew that. The Duke's victims come in pairs- we know one was supposed to be crushed by the chandelier (Wato, but he survived) and one was sliced to bits by the razor wire trap (Senior). Therefore, the second person to come in- Downtown- was the intended first target, not Wato.

... and we all know that the Duke only kills people in pairs...

... and we all know that Workaholic loves his razor wire....

Okay stop the fakeouts mate. I know you're crazy but are you CRAZY crazy

Yeah that's what I thought. The black one tracks scents, but just one person's. Doleful was the only one who was bleeding. Therefore, the black SPX was likely pursuing him. But why? Is it possible that the Black SPX was set to hunt down the Duke by the only old member of the Secret Police? Which would make the Duke...

Wait, what? Is the truth that Senior's death was a suicide? And the true culprit was him, taking out his protégé Downtown in one fell swoop with him?

My brain is on fire right now, actually. I don't know who to suspect. Clues are pointing every which way.

Okay. So it was a double murder suicide... bleh. My brain is mush right now.

Wait, are we saying that the true identity of the Quartering Duke is... someone piloting the black SPX? It would explain the first brutal killing we see, and the voice distortion effect being the same one DA members can use. It would also explain the Duke's words to his viewers- his relationships to his victims. It would also explain why it was undefeatable- it was a robot, but was piloted by a human- OH FUCK IT I'M LETTING THIS PLAY OUT. NO MORE CRAZY THEORIES.

It's Doleful, right? He gets cut and bleeds a lot. Therefore, the blood used to control the black SPX is his own that he keeps spilling everywhere. Everyone accepted that was just an instinctive ability- it's not. To some extent, he does deliberately know when danger will strike because he's the one who knows where the SPXs are roaming.

That's a cool deduction. Renegade escaped the Secret Police's experiments alongside a bunch of children, one of which was Saika, and one of which was definitely the Quartering Duke. That child was labeled the "Invincible Detective". You can't change your DNA, therefore that is the only part that is guaranteed to remain the same even as you grow up and get plastic surgery or something. Therefore, they knew the DNA sequence of that specific child, and built a robot to track only that sequence because they thought he might come back for revenge. So the Black SPX doesn't track just any blood, it tracks, very specifically, the blood of the true Quartering Duke.

And of course, it's the one guy who spent the entire first segment bleeding literally everywhere to protect us.

Doleful: Noooooo! I'm baby! I'm just baby!!!!!

Wato: We're both baby!!!!

Oh. He's not baby.

Holy shit. I think this is the first murder mystery game which actually pulled this twist that I've been wanting to see for a long time. The "serial killings" are just numerous autonomous murders inspired by one person, who legally cannot be held liable because they have nothing to do with it. The major twist here being that they're double murders- each of the victims is in fact a killer too. Therefore, revealing the truth of the murders would basically be admitting all the dead people are murderers. And that would be messed up.

"I can't be killed. God won't let me die."

His entire argument is that there's no one who can care for him without dying. Well, I know a guy who, against his will, is able to detect every single time he's about to die.

This entire sequence is so good. As someone who's been writing a couple of them for original stories, I love it when masterminds don't hang people, they just provide them the rope. The problem then becomes how to defeat them psychologically.

How the hell did this game write a better, more compelling culprit than the mastermind behind any of the three Danganronpa games? With a better conclusion sequence?

Awwwwwww. Everyone's dying memories ;-;

Awwwww ;-;

This past thirty minutes has been two teenagers yelling at each other about the ethics of suicide and it's the greatest thing I've ever seen

Man. Where was this entire game when I was 14 and suicidal. ... To be fair, introducing this game to be at 14 would have been a terrible idea for completely different reasons. But still.

"Fuck it, we're stopping you, because you're not saving anyone." is an utterly fantastic ending.

HAHAHAHA. THATS WHAT THAT BUTTON DID. OH MY GOD THIS MAN IS FUCKING INSANE LMAO

No more self care. It's time for others harm.

And the true final boss is... bureaucracy.

Holy shit. This game fucked so hard. I was losing steam by the middle there, but the ending more than made up for it. It's so different from Danganronpa, to the point where I'm loath to compare them, but its basis is just so much better.

------

Final thoughts:

This game is great for people who want to scratch the Danganronpa itch, moreso with regards to deduction based on strange circumstances and not death games themselves. I have no idea if another upcoming murder mystery game featuring a cast of detectives, Master Detective Archives: Rain Code, will do it any better.

I personally wasn't a big fan of the translation. It felt like it was written for a dub which never happened. Unfortunately my pattern recognition brain often goes "that is not what they said" with no context as for what they probably did say.

I liked the characters a whole lot, and I think the whole cast is incredible. Though they bantered a little too frequently for my liking, the fact that they could have fun and talk frankly with each other is a sign that this cast was designed to do so in the first place, making them feel more like a family a time went on. Of course, I could say the same about Danganronpa V3's cast.

Wato was himself an okay protagonist. I was unsure about him at first because Ideal was doing most of the heavy lifting, especially after she died, but as time went on and she started to show up less often, Wato really came into his own as a detective. I got chills at the final deduction, where Wato puts together numerous facts they'd learned throughout their journey to deduce a way to uncover the Quartering Duke's true identity. That moment pretty much cemented that Wato was as great of a detective as any of the other characters.

The mastermind's motives, were, dare I say, better than the mastermind's motives in Danganronpa 1 and 2. (3rd was better in the context of the story.) It felt better to see a mastermind banking on nihilism and real-world anxieties instead of a vague idea of making everyone feel despair. And it was also cathartic to see that the character who you thought was a complete hypocrite was, in fact, right about the mastermind- while Renegade accused many undeserving characters of having no respect for the lives of others (Techie is in a WHEELCHAIR you asshole), he was actually correct that the mastermind didn't respect the lives of others either. Plus, I preferred the twist that the mastermind/traitor was actually working right next to us the whole time, and the player had no reason to suspect them.

The gameplay was sooooo underutilized. It's not even bad, it's fun and requires thinking, it's just underutilized. The game was just a visual novel with random gameplay. IMO the jumping over a hole scene should have been an investigation segment. Involving the little pawns. Somehow. Although I admit that a lot of the investigations could be cheesed by just doing a solo long move and then all the requisite moves in the next turn.

I thought the twists throughout the story were very, very clever. I'm looking forward to going through this game again. Since you spend much of the game operating on some incorrect assumptions (namely that the Invincible Detective is Renegade), I'm curious to see how you'll feel when you go through it again with the correct ones. The plot tied up nicely too- every loose thread was finally tied up in that final scene, where everything was laid out.

------

Comments from other places where I talked about the experience of playing Process of Elimination:

The worst feeling is starting a new piece of media, staring at one of the characters, and going "I know for a FACT that I would have had a mad crush on you at the tender age of 16".

This tweet was about Workaholic specifically. You know that post that puts "that's me" "god i wish that were me" "god i wish someone like that would fucking rail me" and says all OCs fall on that spectrum? "God I wish someone like that would fucking rail me" was basically how I designed male OCs when I was a teenager. I've had an OC (his villain name is Dark Angel, his real name is Oliver Perch) since I was about 15 who is also a tall, overworked 29 (he was originally 18) year old man with brown hair and bags under his eyes who kidnapped a lot of children and is haunted by the dying screams of the children he couldn't save, and later tried to live a normal life. Oh, and he also keeps trying to get a teenager to murder. And spends the entire story in the midst of a big revenge battle with another teenager. And loves his kids. And also has red as his thematic color. And wears the same type of clothes. And his eyes are red in certain scenes. Like you need to understand I made this tweet when I started the demo and it only got truer as time went on.

Basically, it's like they put one of my most beloved OCs in a video game.

This is the only recent art I have of him lol

FALSE HES HERE TOO (his natural eye color is blue)

and here's the most recent one i could find. okay just imagine this drawing but with the colors of the first one, and you have a vague idea of what he actually looks like, now do you get it?

in a bizarre twist of fate, the byakuya/nagito/kokichi of this game is straight up the culprit and we're some cases away from the end of the game. and he just hates the kid in the wheelchair for no reason. what the hell is happening

I probably wrote this at the end of case 4.

Process of Elimination 🤝 YTTD We solved a computer password by finding the keys with human residue on them

This one hit me way later than it should have. LOL

I'm just looking at those death CGs and reminded of the time i was friends with a girl who set a screenshot of nagito and later rantaro's death scenes as her wallpaper for like 3 months and would have no question done the same for renegade.

danganronpa teens are a different breed

Yes, I did actually know a girl who proudly showed me the lockscreen for her touchscreen LG phone and it was Komaeda Death CG. And she did the same thing with Rantaro's death CG in drv3 later. And she had the brightness set so low that I thought they were the same person. She neither confirmed nor denied but asked me to play the games. And that's how I got into Danganronpa.

Anyway she loved the trickster allies in Danganronpa 2 and v3 (Komaeda and Ouma), she cosplayed as Ouma before v3 even came out in the west, and she was obsessed with him for a while. So I have no doubt she would have set Renegade's beheaded body as her phone wallpaper without any additional context.

Wonder how she's doing...

the black spx deduction was so good. it was so clever and a true culmination of everything we had learned throughout the story as well as wato's potential. it all makes sense when you consider everything you've you learned, and it feels cathartic to prove the culprit's identity after hours of hard work. all the same, I FEEL SO FUCKING BETRAYED. I COMPLETELY TRUSTED THEM AND HOLY SHIT.

i was like "please be innocent please be entirely unaware of your guilt please be somehow wrong please let my original theory be right please throw me for another loop" and then that cg appeared.

Yeah so guess what just happened. The moment I saw that CG I just wrote this up and sent it to a Discord server I'm in.

My original theory, of course, being that Workaholic was the mastermind and somehow managed to stop his heart without dying.

Apparently I learned from chat that there's some additional content in NG+. I'm definitely curious about it- it sounds like it'll be stuff that would have been a total spoiler in your first playthrough.

Process of Elimination, continuing past the demo!

Current theories:

Workaholic is the mastermind, based on a variation of the Sosuke Aizen Crack Prediction Rule.

Downtown could also be the Quartering Duke, but that's just based off the Duke's language patterns.

Wato has some significance to the Quartering Duke.

There are two Watos, and one is offscreen the whole time.

Armor will die, and someone will use his armor later on or disguise himself as Armor as a plot point.

Doleful will not be a murder victim. (It would be shocking, but it would leave players bitter. He's just too baby for that, and has a great personality to back up his inferiority complex.)

[ambassadorquark]

ultimate henry hogfish emotions song... it also happens to be from one of my favorite albums ever... 🥺

[coolgirl]

Some of you really just have a huge superiority complex. You will make post after post mocking (and I mean MOCKING like calling them names and being like points and laugh you're so dumb) stances and then read a post that explains the stance and be like oh wait you're right my bad 😳 as if you didn't just make posts clowning the fuck out of them, and why? To show your brain is huge and you're better than them? For clicks?

[wasflypaw]

c!Dream was a normal amount of chaotic at the beginning, on par with just about everyone else on the server, and then gradually became worse and worse as the plot progressed and he took more extreme actions to further his goals. I don't think it's that far-fetched to describe that as a downward spiral and fall from grace, especially when we have similar narratives front and center with c!Wilbur and c!Quackity--the only difference is we have their POVs and more of their "happy" moments to compare

He didnt really "gradually become worse" though he was the same amount of chaotic before OG L'Manberg, during OG L'Manberg, after OG L'Manberg, then he betrayed Pogtopia, and then he decided "I Am Going To Abuse A Child Without Remorse"

There was no gradual downfall shown in the story. Literally my first reaction to the whole exile thing was "Typical Dream :/" when it was first happening, and then mild surprise when it got worse. And it wasnt surprise that it was Dream doing it, it was surprise that they decided to depict that at all. I can go back and see my old posts and I literally called c!Dream the worst villain in the story........ During the Pre-Exile arc. He hadnt even abused c!Tommy yet

I can go back and see my liveblogs (not on this site) from early season 1 where I call him out for whatever chaotic thing he started for to reason and that was when I was actually quite biased towards Dream (Genuinely. Back then I referred to myself as a,,,, a Dream simp) Genuinely I used to be really really excited whenever a VOD had Dream in it (I was new to his content and I really really loved him) and my thought process always was "I cant Wait to see what Dream fucks up today" as I'd watch him repeatedly destroy Tommy's house for no reason (again. Pre-L'Manberg)

We explicitly see c!Wilbur and c!Quackity and c!Sam's spiralling and downfall, we see how they used to be, we see their change in behaviour and like ..... in my near year of watching the Dream SMP I cannot remember ever seeing c!Dream not act like a bastard. He has Always responded to conflict by destroying stuff and acting like he's in the right

Because I'm feeling nostalgic have some really old (PRE EXILE) liveblogs. The pre-Exile part is important. The Facebook ones are from August btw (dw FB was my old safe space where i just had friends and other artists added lol)

[cadaceus]

C2E141

One last time, y’all. This campaign and these characters have meant so much to me, and this seven hour finale was definitely an emotional rollercoaster. (Yes, I shed actual tears at one point, which rarely happens to me with media. But this is a special occasion.) These liveblogs are nearly as long as the episode itself, so grab a snack! With that being said, here are my very last liveblogs for Campaign 2 of Critical Role. As always, major spoilers below, so beware. 

- Veth taking a level in Wizard, god I am really gonna cry ten minutes into this thing...  😭

- We got our first “stay with us” to Essek, I am emo...

- I was fully not expecting to say goodbye to Frumpkin, but now I’m on the verge of tears... farewell dear fey friend (Marisha saying “that wasn’t supposed to be what broke me” me too me too)

- “You’re a good person.” “I could be.” “You are.”

- “I think you’re a good person” I never thought that I’d hear Beau say that about Essek and this genuinely might be what breaks me... she thinks he’s a good person.... redemption is possible.... maybe love is real....

- If I end up crying over wizards, look away

- Jester lifting up Fjord’s arm to snuggle beneath it made me say “awww” out loud  🥺

- VETH GOING FOR A DIP IN THE POND, I AM GENUINELY SO PROUD OF HER

- “Aahhh!! It’s me! Your wife!” I am going to miss Jester’s sending so much

- Okay that accent bit was so funny, I am going to miss all of them so much

- REAL MOLLY IS BACK REAL MOLLY IS BACK REAL MOLLY IS BACK

- Oh but he doesn’t remember them... and Yasha is trying so hard to help him remember, it’s so so sweet 

- Something about the way he said “Tealeaf’s nice” made me tear up... I was neutral on Mollymauk early campaign because I went into things knowing that he passed away, but this whole conversation with the Mighty Nein is So Much. Also “Kingsley Tealeaf” 

- “Everyone should have a brother” as someone with three of them, I vouch for this  🥺

- a) I love Marion Lavorre (and Jester ofc!) so very much and b) I can’t believe that Jester’s parent trap actually worked??

- “I do not think Exandria is ready for how you’re going to change it” got to me... and it’s also so true. jester has already changed the world just by being kind.

- Good bye Marion... I love and will miss you so much! (And many thanks to Laura and Matt for creating an agoraphic single mother who raised a wonderful child <3)

- Beau and Jester teasing Marion for having a complicated relationship with Babenon reminds me of Caleb saying he has a complicated relationship with Essek...

- LEAVE CALEB ALON E FUOIKJLKGKNL 

- THIS IS ....... SO MUCH WORSE THAN I THOUGHT IT WOULD BE.

- Caleb’s biggest trauma(s) coming back to haunt him, I am genuinely going to cry I’m not ready for this I’m not okay

- Beau saying to Jester “Thanks, cutie” I love themmmmm

- INITIATIVE AAGJASKHDKJ AAAAAHHHH

- Essek’s Gravity Sinkhole did nothing? uhhhhh Mr Stark...

- EADWULF???? HELLO?????

- Essek using his entire turn to save Caleb last battle 🤝 Caleb using his entire turn to save Essek this battle

- ASTRID???? I TRUSTED YOU??? WE ALL TRUSTED YOU????

- Another Counterspell chain sdfdghjkdl wizards !!!

- “It’s just business” is literally the Neutral Evil line, it always gives me chills when any character says it

- This hurts more after Liam confirming on Twitter that Astrid/Caleb/Eadwulf were all three a romantic item... please stop hurting Caleb, you loved him  😭

- THE FJORD VS EADWULF SWORD FIGHT IS SO CINEMATIC I LOVE IT HERE ACTUALLY

- Essek taking every opportunity to pull Caleb to safety makes me so emotional...  😭

- “You’re not the first student I’ve had to put down” I am burning with my anger for you, old man 

- THE DISPEL WORKED LET’S GO CALEB.....

- Remember when Matt said that Essek doesn’t openly show concern/emotion? And now he’s saying “I’m scared” in front of his closest friends and his worst enemies.... growth my love.....

- BEAU AND VETH LETS GO CHAOS CREW LETS MF GO BABEYYYY!!!

- FJORD COUNTERSPELLING THE DIMENSION DOOR..... and Matt having him describe it.... is this taking the place of a “HDYWTDT” *eyes emoji*

- CALEB GOING DOWN NO, THANK GOD FOR THAT DEATH WARD

- Veth’s illusion of Caleb’s parents flanking Caleb in the flames.... that got me too, Liam

- “Stay down.” yeah, okay, that was sexy

- ASTRID BEING THE ONE TO ACTIVATE THE COLLAR IS LITERALLY POETIC JUSTICE... Trent being beaten by the student who stuck with him longest I love this so much, she deserved that moment honestly

- Break Time, AKA Emma Makes Her Weekly Mug Brownie Interlude

- Sometimes I feel like “death is too good for you” is a copout, but in this case it fits so well, I want this mf’s reputation destroyed and the entire operation exposed and overthrown let’s goooo

- “I loved you both so much”.... Astrid and Eadwulf walking away.... oh, Blumendrei... I know this is not the end of your story. What’s past is prologue, loves

- The Empire Siblings are gonna burn down the whole system because it’s the system that enables individual corruption... I am so fulfilled by this, god i love them

- “I love you too” OH MY GOD I LOVE THEM SO MUCH, FJORESTER ARE THE CUTEST FOR REAL

- Jester and Essek’s friendship still means so much to me btw just in case anyone wanted a check-in

- Veth giving the flask to Kingsley!! Good for her, good for her!

- OH Blumenduo are back already! I truly thought that was going to be their last appearance of the Campaign, why is this taking me more by surprise than Trent’s appearance

- “[Caleb] notes how similar Eadwulf and Fjord are” this is Widofjord adjacent... this episode we have gotten Widomauk-adjacent, Widojest-adjacent, and Widofjord-adjacent (and Blumentrio ofc), now come through Shadowgast and we can get a full Bingo on the “Bisexual Maelstrom” card

- Speaking of relationships, I am lowkey into the Fjord/Jester/Kingsley dynamic LOL no one look at me I’m in hiding

- I’M NOT READY TO SAY GOODBYE TO VETH AND CAD 😭 It makes sense and the fact that they have their families back is beautiful but also consider this: I’m sad and I will miss them 

- The goodbyes to Caduceus..... I am going to cry aren’t I?

- “If he’s anything like his mom, you won’t see him until it’s too late” Okay that made me giggle, I love Veth and I love Luc and I love their little family

- IS ESSEK LEAVING TOO? THAT’S GONNA BE WHAT BREAKS ME ISN’T IT

- If Essek leaves and we never see him again, getting a triple whammy of goodbyes I will be so incredibly sad, I cannot do this  😭

- If anyone is interested, no I am not doing well

- I was lowkey ready to get an Essek’s feelings for Caleb confirmation tonight, I guess it makes sense that we didn’t but I hope that this is not the last time we see Essek... I want to write another emo post about him and about how much he means to me but I will refrain

- CALEB BEING A TEACHER IS THE ENDGAME I WANT FOR HIM PLEASE PLEASE PLEASE

- Wow, I really was not ready to see Caduceus and Essek go for some reason... I really wanted this Campaign to end on the image of the Mighty Nein together as all nine of them... I’m feeling so numb right now having to say goodbye  😭

- Oh, we’re in the epilogue now!

- When Fjord said “[the sea] is my favorite place to be” I genuinely felt that on a spiritual level... the ocean is home, it truly is and always will be for me as well

- “I CAST MODIFY MEMORY” FJORD LMAOOOOOOO

- Okay, that Widobrave ending is what made me shed tears for the first time this episode... not to be Personal but my biological brother graduates High School tomorrow, and for some reason this conversation just reminded me so much of me and him and now I’m emotional

- NOT THE SYPHILIS BANDITS DSYUHDFJKLSFJ;DS OKAY I NEEDED THAT LAUGH

- “I’d like to hear about your friend” Kingsley aww

- Beau giving Kingsley her first diary to help him realize who they all are is actually so perfectly fitting, I love that!

- “The other eight and I, yes” Caleb counting all nine of them again  😭

- CALEB BEING OFFERED AN ASSEMBLY SEAT WTF AAAHHH

- Oh shit, Astrid took the Assembly seat... I’m not sure how I feel about this, I feel so bad for her for having to stay in the system that abused her for so long and I would have loved to see her burn the whole thing down, but I hope that she at least has a sense of contentment with this title

- “I go where you go, baby” Beauyasha.... my darling loves....

- Beau’s dad??? But also Beau being the one with power over her father is so Good, I’m glad that she got justice on that front as well!

- This talk with Artagan... “I didn’t want you to be a god. I wanted you to be my friend.” and in the process my love you created divinity... maybe divinity is the friends we made along the way

- OH SHIT WE ARE GETTING ALL THE VANDRAN LORE TONIGHT I’M READY LET’S GO LET’S GO

- VANDRAN AND AVANTIKA WERE AN ITEM???

- Wait crack theory: Sabian was a half elf right? Could he be the son of Vandren and Avantika? Or is that too much of a stretch? 

- Vandran going with them!!! Also I feel like that moment between Fjord and Vandran was lowkey a tease to a post-campain Uk’otoa one shot and I am ready for it already 

- THIS BEAUYASHA MOMENT... “i’ve never known anyone as deeply as i know you” & “explore every bit of you in multiple ways ;)” & “your past doesn’t scare me, it only makes you beautiful” .... this is so much they are so much i love them so much

- “I will have you and then some” Beauyasha   😭

- I’m torn between “oh my god there’s still half an hour left?” and “how is there only half an hour left??”

- “You will let this Skyspear live at least?” oh my god so Yasha killed the last Skyspear then? Oof...

- YASHA GIVING ZUALA(’S GRAVE) THE BOOK OF FLOWERS, OH DEAR HEART

- And Beau’s talk to Zuala about being the luckiest woman alive and sacrifice.... 😭  

- PLANTING FLOWERS AT ZUALA’S GRAVE... “NO BETTER GRAVE MARKER” THIS IS MAKING ME SO EMOTIONAL, I KNOW I’VE SAID THIS A LOT THIS EPISODE BUT THIS TRULY IS SO BEAUTIFUL

- So... I may or may not be crying again

- Shadowgast with a steel chair??

- Caleb’s plan for saving his parents... it’s clear he has thought of this so much, oh my darling love  😭

- Caleb burning down his chance to change his past is so symbolic and something he really needed to do, it does make me emotional though

- The other book was him writing to his parents?? Oh bby boy  😭  

- While I would have loved for Caleb to open his own magic school (especially with Essek, or the Mighty Nein, or someone else as well), I am so pleased that he stays with Veth and that their friendship continues for the rest of their life because again: they mean so so much to me, and in a way they remind me of me and my biological brother (which I never realized before this episode) and yeah. They just make me Emo

- Also. Caleb being a professor was my Number One Endgame Hope for him and the fact that it came true is just so surreal in the best way possible. I’m so used to being robbed of happy endings. The fact that the Mighty Nein all got theirs makes me incredibly happy. A story does not have to be sad to be impactful. Happy stories and happy endings, especially during a time period of tumultuous real life circumstances, have just as much value and meaning and they always will. Caleb is teaching the next generation magic, and he is teaching them to be Good, and he is nurturing them, and that just means so much

- MATT CRYING IS GONNA GET TO ME

- “Let’s do it again” Please, let’s.

- Okay, everyone. I made it all seven hours in one piece with surprisingly minimal tears (though who knows, this might all sink in tomorrow.) I already wrote my thoughts earlier today about how much the Mighty Nein mean to me and how much this show and these characters have kept me holding on during quarantine and today... I’m still not ready to let them go, but I know that I can always revisit to say hello and to say thank you for changing me. Until then though... I love you all more than you could ever know. And for the last time of Campaign 2... is it Thursday yet?

Good night 💗

[muffinrecord]

I reaaaally want to watch Mem Flower via liveblog so I can experience it with you guys all at the same time, so I won’t be watching this one.

I think I’ll try to work on the last couple of Tart Memoria I’m still missing, and then uhhh, other things while I basically babysit my computer

sorry I am talking a lot today/tonight. 

OH ALSO

I COMPLETELY FORGOT

I’ve decided to be the test subject, and have currently submitted a dispute with youtube on... an actual story. So not a quote recording (those seem to get through fine) and not actual gameplay (absolutely fine, you just have dispute all of them first).

So far, from what I can discern from the quote videos, Sony isn’t actually checking these disputes and are just submitting them by bot process (and then letting disputes go undisputed), so I want to see if that’s the same for the Stories. 

If it is then... well we’ve wasted a lot of time, but it’ll be good to know for the future.

BTW, the reason we’ve all been a bit shy on disputing actual stories (as opposed to gameplay videos) is because you can get a copyright strike if you’re wrong. If you don’t dispute you’re fine, no strikes-- just a blocked ideo. But if you do and you’re incorrect, strike. And you only need three to get your whole channel deleted.

So yeah. Let’s see how this goes. It might take 30 days, but for now, I’m not going to be uploading any music-less videos to youtube, because god if it turns out all of this could have been avoided then I don’t want to spend anymore time on it, you know? But if I get a strike, I’ll go back to releasing music-less ones.

Wish me luck!

[neuxue]

Don't force yourself if you're burned out / busy, quality over quantity! (Your liveblogs are the best quality ones that I've ever read, btw.) I trust that you enjoy both the Untamed and WOT enough that you'll not drop them without warning, so I'm never worried if you take your time. That being said, there's a ton of my favourite scenes in the next arc of Untamed, so I'm looking forward to seeing what you make of them!

alskjerl sometimes some of you just send me. the nicest messages. and then I sit on them for weeks. while I try to process praise. 

Anyway, thank you, and I’m so glad you’re enjoying the liveblog(s?!), and you are 100% correct that I am enjoying both WOT and CQL enough to finish them (even when it seems like it’s taking forever), and even if I weren’t, I am not immune to the sunk-cost fallacy and I’ve come too far to quit now. 

It’s largely because I’m enjoying them that I feel a quality-over-quantity (though lord knows I go overboard on quantity as well, if we’re talking wordcount) sense of ‘I want to liveblog when I feel like I can actually string words together’. 

Which, lately, has been.... lacking. And that’s not even to do with liveblogging! Which is probably the most frustrating thing — I want to be liveblogging, but I’m just maybe a little more burnt out from work lately than I’d like to admit, and apparently that’s eating into my reading/writing/making content brainspace. Which is, quite frankly, rude and inconsiderate and I’d like to lodge a complaint. 

But I am very excited to see what’s next in The Untamed and Wheel of Time! And, as is often the case during these mini-hiatuses, I’m impatient to get back to them, so hopefully that’ll be soon!

[immortalled]

I’m probably going to have to re-watch the first episode to properly collect my thoughts, but a few things off the top of my head about S3E1 (and btw my tag for this will be #spark watches misfits [liveblogging]; for anyone who wants to blacklist it):

- I like that we have a clear antagonist. I sort of hate it was the blonde one (IDR her name oops) because I thought she was cute, but oh well. 

- I don’t mind Rudy so far? He’s a bit gross but really no grosser than Nathan imo and I’m actually kind of interested in picking apart his “splits” for the lack of a better term. I think it’s interesting to see his confident side and his insecure side, and how they argue, and it’ll be fun going forward thinking about what that says about his personality as a whole. For now, though, I’m neutral. 

- It does feel quite a bit obvious that they’re trying to fill a Nathan-shaped hole. I’m not saying they’re the same (Nathan and Rudy feel like completely different characters to me) but when the similarities come out, I feel like they come out in a way that feels less like “this is Rudy” and more “this is a line of dialogue we’ve thrown in because we know Nathan was one of the most popular on our show and we want to please those fans”...? If that makes sense? It’s not a bad thing, necessarily, it just feels... IDK. Glaring. But I may have to restate once I re-watch this episode with a clearer head and a more critical eye.

- Simon’s glow up is nice. I like that his butterfly collection is now in his flat. I also really appreciate how he tried to make Alisha feel better. It was nice, too, to see that he’s still a little bit awkward.

- 10000% think Simon stole the “Pussy Meister” story from Nathan.

- I like that they used Nathan’s wheelchair idea again to sneak out the bodies. Hurt my heart a little, I miss him, but that was a nice touch that made me laugh.

- I’m still not crazy about them all selling and getting new powers. Simon’s foresight (???) is cool, though. Him using it to figure out if he could make a jump while training gave me Detroit: Become Human vibes haha

Overall, that was a lot to process in one episode. I’ll rewatch and maybe write a better review tomorrow. I miss Nathan, but I’m excited to see how the rest of the show plays out!