#this is the perfect black jack adaptation

[xbuster]

[s1mpl3sp0ng3]

i was really excited for the minecraft movie for the first five seconds of the trailer with those gorgeous sweeping landscape shots

and. then the badly greenscreened humans showed up

[lornacrane]

honestly of all the days to be exhausted and having a disability flareup today is a good day for it bc we saw Cuckoo last night and we’re seeing Borderlands tomorrow

[darkestwings-hellishsoul]

Has Hollywood learned nothing from the "bullying the studio into fixing Sonic" incident

the minecraft movie is live action

[alluraaaa]

lance being a jack of all trades had such good potential. a guy who’s decently good at everything but not amazing at anything who only sees the lack of perfection. he’s always someone’s second choice because there’s always someone better, and he acts out and builds a persona of false bravado to cope with that. that’s why he’s so proud of being the “cool ninja sharpshooter,” because it’s the first thing he’s been the best at that’s useful in a war

there could have been an amazing character arc about how being good at things or being the best at something isn’t indicative of someone’s worth. the team doesn’t love him because he’s a great shot and a good paladin. they love him because he’s lance

and idk if i’m swinging at a hornet’s nest here (defo would’ve been in 2017) but that’s why i don’t like black paladin lance lmao. lance isn’t the best choice for black paladin, and that’s okay. leading and strategizing are things he’s good at, like so many others, but it isn’t his forte. with his wide skillset and smooth adaptability, he’s the perfect fit for the role of support as the guardian of water. water is liquid! it fills in the gaps!! while everyone else has a dedicated Thing, he picks up the slack to make the team stronger!!!!!

and if we’re looking at this through a klance lens, there’s a lot to say about lance’s fabricated rivalry. keith was (at least in lance’s eyes) absolutely perfect. a perfect student, a perfect pilot, able to effortlessly do things that it took endless practice for lance to get decent at. of course lance starts to hate him, who wouldn’t in that position. not to mention the months spent being constantly compared to keith. to have keith— that keith— fall in love with lance would be so narratively delicious. to have someone so seemingly perfect look up to you? to have someone so seemingly perfect show he isn’t by being vulnerable and open and trusting you to not to be cruel? chefs kiss MUAH

ummm tldr blue paladin lance forever and ever and also the full quote is “a jack of all trades is a master of none, but oftentimes better than a master of one.”

[digital-chess]

Okay then... Queenie! How do you feel about the humans in the game? We already got your Hubby's opinions, so it's only fair we get yours too!

Queenie: Ah. my "Favorites"? They all have their charms and... flaws, but let me be more precise:

-----------------------------------------------

My dear little rabbit, Jax...? A sweet and gentle boy. So insecure and defensive. A perfect Rook. So desperate for attention, hungry to be loved and noticed... I adore it when he smiles for me.

Caine... Caine, Caine, Caine. Such a troublemaker. I remember when he first started playing against my husband. Such life and passion. Such a vigor to him. He had a light in his eyes fitting of a Bishop. He was an incredible, and ruthless leader. It's a shame he softened after that dreary ragdoll and clown arrived.

Kaufmo. A foolish optimist who ruined the fierce rivalry between my husband and Caine. He got into the Bishops head and started spouting ideas of kindness and mercy... Caine has always been selfish. I don't know what that little clown saw in him. ...But I'll admit, it was admirable.

Zooble? Attitude and attitude and oh, more attitude. That misshapen amalgamation of toys and scraps is irresponsible and unaffected by my warnings. They test my patience beyond what I would personally tolerate. ...But my husband reminds me to curve my temper with this one. He seems somewhat adamant its not intentional on the humans part. I think they do it intentionally to annoy me.

Gangle... I did not want her on White Team. The fact she has my husband bend the rules for her, knowing if she cries and quivers around him, he will come to her aid- she knows what she is doing. She is a manipulative human undeserving of my husbands mercy. At least my dear little rabbit puts her in her place often.

Pomni, my knight. She will serve her purpose in bringing a flare back to the game where Caine failed to. She is smart and adaptive. I see her being a... "jack of all trades". Where the other white team members embody and master something well, she will embody them all. ...and if she doesn't? I am more than happy to find a replacement.

And Ragatha... ... She knows far too much for my comfort. I truly despise her.

... And Black Team...? Hm. There's nothing to say about Black Team. They mean nothing to me.

[soob1nn]

MY FILMS - ADULT FAME DR

REMINDER! I haven’t shifted yet, so all these is just my imagination 🤍

masterlist - main masterlist

Films are a powerful medium of storytelling and artistic expression. Combining visual, auditory, and narrative elements, films captivate audiences, transporting them to diverse worlds, evoking emotions, and sparking thought. From silent classics to cutting-edge blockbusters, the world of cinema has evolved, reflecting societal changes and pushing creative boundaries. Whether it's the magic of a well-crafted screenplay, the mesmerizing performances of actors, or the technical brilliance behind the scenes, films continue to be a dynamic and influential form of entertainment and cultural expression.

PIRATES OF THE CARIBBEAN

The "Pirates of the Caribbean" saga is a cinematic adventure like no other, immersing audiences in a world of high-seas exploits, swashbuckling action, and supernatural wonders. This beloved franchise, brought to life by the charismatic Captain Jack Sparrow, has left an indelible mark on the world of cinema.

What sets the "Pirates of the Caribbean" saga apart is its perfect fusion of thrilling action and cleverly woven mythology. From the very first installment, "The Curse of the Black Pearl," to subsequent sequels, the films have taken viewers on a journey filled with cursed treasures, mythical creatures, and, of course, eccentric pirates.

At the heart of the saga is the enigmatic Captain Jack Sparrow, portrayed brilliantly by Johnny Depp. Jack's witty charm, unpredictable antics, and ever-present quest for rum have made him an iconic character in cinematic history.

The franchise's success also lies in its ability to seamlessly blend history and fantasy. The Caribbean settings, the pirate code, and the age of exploration provide a historically rich backdrop for the fantastical elements like cursed Aztec gold, undead sailors, and mermaids.

Each film in the series has introduced new characters and expanded upon the lore, creating a vast and interconnected narrative that keeps fans eagerly awaiting the next installment.

With unforgettable moments, memorable quotes, and a score that resonates long after the credits roll, the "Pirates of the Caribbean" saga has carved its place as a beloved classic. It's a thrilling voyage into the world of pirates, where legends, curses, and epic battles reign, making it a timeless adventure that continues to captivate audiences of all ages.

BEAUTY OF THE BEAST

"Beauty and the Beast," in its live-action adaptation, breathes new life into a timeless tale that has enchanted generations. This magical film takes the beloved animated classic and transforms it into a visually stunning and emotionally captivating experience.

Set in a picturesque French village, the story follows the intelligent and kind-hearted Belle, brilliantly portrayed by Emma Watson, who longs for more than the provincial life she leads. When her father becomes a prisoner in the enchanted castle of the Beast, played by Dan Stevens, Belle courageously takes his place, embarking on a journey of discovery, love, and the power of inner beauty.

With its stunning visual effects, lavish costumes, and memorable musical score, the live-action "Beauty and the Beast" faithfully pays homage to the original while adding depth to its characters and narrative. The film not only celebrates the power of love but also explores themes of tolerance, acceptance, and the beauty that lies within.

This enchanting adaptation is a cinematic masterpiece that captures the hearts of both long-time fans and new audiences, reaffirming the enduring power of this classic tale as old as time. "Beauty and the Beast" in its live-action form invites us to be their guest in a world where magic and love flourish, reminding us that beauty truly comes from within.

LITTLE WOMEN

"Little Women" stands as a cinematic jewel, capturing the timeless essence of Louisa May Alcott's literary masterpiece. This film adaptation, directed by Greta Gerwig, breathes new life into the beloved narrative of the March sisters, presenting a fresh and poignant take on sisterhood, ambition, and the pursuit of one's dreams.

Set against the backdrop of the American Civil War, "Little Women" unfolds the lives of the four March sisters—Jo, Meg, Beth, and Amy—each with distinctive personalities and aspirations. The film gracefully weaves between the past and present, allowing audiences to witness the joys and challenges of the sisters as they navigate the trials of womanhood, love, and societal expectations.

With an all-star cast featuring Winter Reed Jackman, Emma Watson, Florence Pugh, and Eliza Scanlen as the March sisters, and an exceptional performance by Timothée Chalamet as Laurie, the film brings these iconic characters to life with depth and authenticity.

Greta Gerwig's directorial prowess shines through as she infuses "Little Women" with a contemporary spirit, resonating with modern audiences while maintaining the timeless charm of the original story. The film is a celebration of the strength, resilience, and individuality of women, urging viewers to embrace their ambitions and forge their paths.

"Little Women" is a poignant and visually captivating cinematic journey that captures the spirit of sisterhood and the pursuit of one's aspirations. It invites audiences to revisit the cherished tale with fresh eyes, offering a profound and emotionally resonant experience for both new and devoted fans of this literary classic.

KNIVES OUT

"Knives Out" is a modern masterpiece in the realm of whodunits, a brilliantly crafted film that masterfully blends mystery, humor, and a star-studded ensemble cast. Directed by Rian Johnson, this murder-mystery film takes audiences on a rollercoaster ride of suspense, twists, and dark humor.

The story centers around the death of wealthy crime novelist Harlan Thrombey, portrayed by Christopher Plummer. When renowned detective Benoit Blanc, played by Daniel Craig, is enlisted to investigate, the Thrombey family becomes the focal point of scrutiny. With each member harboring secrets and motives, the plot thickens, and the suspense escalates.

"Knives Out" boasts a stellar cast including Daniel Craig, Winter Reed Jackman, Chris Evans, Jamie Lee Curtis, and more, each delivering standout performances that contribute to the film's gripping atmosphere. The narrative is cleverly layered, keeping viewers on the edge of their seats as they attempt to unravel the intricate web of deception and motive.

Beyond its gripping storyline, "Knives Out" is a sharp and satirical take on family dynamics, privilege, and the consequences of wealth. Rian Johnson's expert direction and sharp dialogue elevate the film, making it a delightful homage to classic whodunits while infusing it with a contemporary edge.

This cinematic gem not only keeps the audience guessing until the very end but also provides a fresh and entertaining perspective on the murder mystery genre. "Knives Out" is a clever and stylish film that engages the mind, tickles the funny bone, and ultimately leaves a lasting impression, establishing itself as a standout in the pantheon of modern cinema.

TOP GUN: MAVERICK

"Top Gun: Maverick" is a highly anticipated sequel that soars into the iconic world of fighter jets and high-stakes aerial combat. Directed by Joseph Kosinski and starring Tom Cruise reprising his role as Pete "Maverick" Mitchell, this film is a thrilling continuation of the 1986 classic, "Top Gun."

Set decades after the events of the original film, Captain Maverick finds himself adapting to a new era of aerial warfare dominated by drone technology. As he mentors a new generation of Top Gun graduates, the film promises heart-pounding dogfights, cutting-edge aviation sequences, and a nostalgic nod to the beloved elements that made the first film an enduring favorite.

"Top Gun: Maverick" not only reintroduces fans to the adrenaline-fueled world of fighter pilots but also introduces fresh faces played by actors like Miles Teller and Winter Reed Jackman. With its combination of high-octane action and character-driven storytelling, the film aims to capture the spirit of the original while propelling the narrative into uncharted skies.

As Maverick confronts his past and embraces the challenges of the future, the film offers a blend of nostalgia and innovation, promising an exhilarating cinematic experience for both longtime fans and a new generation of moviegoers. "Top Gun: Maverick" is poised to be a blockbuster that reignites the Maverick legend while delivering a visual spectacle that takes the iconic franchise to new heights.

THE SEVEN HUSBANDS OF EVELYN HUGO

"The Seven Husbands of Evelyn Hugo" unfolds on the silver screen as a spellbinding cinematic journey through the glitz and glamour of Hollywood's Golden Age. Adapted from Taylor Jenkins Reid's compelling novel, this film invites audiences into the captivating life story of Evelyn Hugo, a legendary film actress portrayed with brilliance and nuance.

In the film, we follow Evelyn's journey through the decades, beautifully capturing the essence of old Hollywood. The glamorous sets, meticulously crafted costumes, and evocative cinematography transport viewers to a bygone era where stars shone brightly on and off the screen.

As the narrative unfolds, the complexities of Evelyn’s seven marriages come to life, each husband portrayed by a stellar cast that adds depth to the character-driven drama. The film navigates the twists and turns of Evelyn’s life, revealing secrets, scandals, and the sacrifices made in the pursuit of fame and love.

The storytelling prowess of Taylor Jenkins Reid is masterfully translated to the screen, with Evelyn's compelling voice narrating her journey. The film seamlessly weaves together themes of identity, love, and the price of success, creating an emotional tapestry that resonates with audiences.

While exploring the intricacies of Evelyn's life, the film introduces Monique Grant, the journalist chosen by Evelyn to tell her story. Monique's personal journey becomes an integral part of the cinematic narrative, adding layers of depth and connection to the overarching tale.

"The Seven Husbands of Evelyn Hugo" on the big screen is more than a glamorous expose of Hollywood excess; it's a poignant exploration of the human experience. The film's rich storytelling, combined with outstanding performances and lush visuals, elevates it beyond a mere adaptation, making it a cinematic triumph that lingers in the hearts of viewers long after the final credits roll.

[physalian]

On Writing Theme (Or, Make it a Question)

An element of story so superficially understood and yet is the backbone of what your work is trying to say. Theme is my favorite element to design and implement and the easiest way to do that? Make it a question.

A solid theme takes an okay action movie and propels it into blockbuster infamy, like Curse of the Black Pearl. It turns yet another Batman adaptation into an endlessly rewatchable masterpiece, seeing the same characters reinvented yet again and still seeing something new, in The Dark Knight. It’s the spiraling drain at the bottom of classic tragedies, pulling its characters inevitably down to their dooms, like in The Great Gatsby.

Theme is more than just “dark and light” or “good and evil”. Those are elements that your story explores, but your theme is what your story *says* with those elements. 

For example: Star Wars takes “dark vs light” incredibly literally (ignoring the Sequels). Dark vs Light is what the movies pit against each other. How the selfish, corrupted, short-sighted nature of the Dark Side inevitably leads to a self-fulfilling prophecy of doom—that’s what the story is about.

A story can have more than one theme, more than one statement it wants to make and more than one question to answer. Star Wars is also about the inevitable triumph of unity and ‘goodness’ over division and ‘evil’.

Part of why I love fantasy is how allegorical it can be. Yes I’m writing a story with vampires, but my questions to my characters are, “What makes a monster? Why is it a monster?” My characters’ arcs are the answer to my theme question.

Black Pearl is a movie that dabbles in the dichotomy between law-abiding soldiers and citizens, and the lawless pirates who elude them. Black Pearl’s theme is that one can be a pirate and also a good man, and that neither side is perfect or mutually exclusive, and that strictly adhering to either extreme will lead you to tragedy.

Implementing your theme means, in my opinion, staging your theme like a question and answering it with as many characters and plot beats as possible. In practice?

Q: Can a pirate be a good man? A: Jack is. Will is. Elizabeth is. Barbossa is selfish and short-sighted, and he loses. Norrington is too focused on propriety and selfless duty, and he loses.

Or, in Gatsby.

Q: Is life fulfilled by living in the past? A: Mr. Buchanan clings to his old-money ways and is a sour lout with no respect for anyone or himself. Daisy clings to a marriage that failed long ago, to retain an image and security she thinks she needs. Myrtle chases a man she can’t ever have. Her husband lusts after a wife who’s no longer his. Gatsby… well we all know what happens to him.

The more characters and plot beats you have to answer your theme’s question, the more cohesive a message you’ll send. It can be a statment the story backs up as well, as seen below, questions just naturally invite answers.

—

Do you need a theme?

Not technically, no. Plenty of stories get by on their other solid elements and leave the audience to draw their own conclusions and take their own meaning and messages. Your average romance novel probably isn’t written with a moral. Neither are your 80s/90s action thrillers. Neither are many horror movies. Theme is usually reserved for dramas, and usually in dramatic fantasy and sci-fi, where the setting tends to be an allegory for whatever message the author is trying to send. That, and kids movies.

Sometimes you just want to tell a funny story and you don’t set out with any goals of espousing morals and lessons you want your readers to learn and that is perfectly okay. I still think saying *something* will make the funny funnier or the drama more dramatic or the romance more romantic, but that’s just me and what I like to read.

When it is there, it’s right in front of your face way more often than you might think. Here’s some direct quotes succinctly capturing the main theses of a couple famous works:

“He’s a good man.” / “No, he’s a pirate.” - Curse of the Black Pearl

“What are we holding onto, Sam?” / “That there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” - LotR, Two Towers

“Even the smallest person can change the course of the future.” - LotR, Fellowship of the Ring

“A person’s a person, no matter how small.” - Horton Hears a Who

“You either die a hero, or you live long enough to see yourself become the villain.” - The Dark Knight

“Can’t repeat the past? Why of course you can!” - The Great Gatsby

“Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.” & “Life finds a way.” - Jurassic Park

"Ohana means family. Family means nobody gets left behind." - Lilo & Stitch

“But… I’m supposed to be beautiful.” / “You are beautiful.” - Shrek

“I didn’t kill him because he looked as scared as I was. I looked at him, and I saw myself.” - How to Train Your Dragon

“There are no accidents.” & “There is no secret ingredient.” & “You might wish for an apple or an orange, but you will get a peach.” - Kung Fu Panda

*If any of those are wrong, I did them entirely from memory, sue me.

Some of the best scenes in these stories are where the theme synthesizes in direct dialogue. There’s this moment of catharsis where you, the audience, knew what the story has been saying, but now you get to hear it put into words.

Or, these are the lines that stick in your head as you watch the tragedy unfold around the characters and all they didn’t learn when they had the chance.

When it comes to stories that have a very strong moral and never feel like they’re preaching to you, look no further than classic Pixar movies.

“Not everyone can become a great artist, but a great artist can come from anywhere.” - Ratatouille

“I’m not strong enough.” / “If we work together, you don’t have to be.” - The Incredibles

“Just keep swimming!” - Finding Nemo

Ellie’s adventure book, to live your own adventure, even if it’s not the one you thought it would be - Up

The Wheel Well montage, to slow down every once in a while, because in a flash, it’ll be gone - Cars

The entire first dialogue-less section of Wall-E, to stop our endless consumption or else

The real monsters are corporate consumption - Monsters Inc

One cannot fully appreciate happiness without a little sadness - Inside Out

With enough loud voices, the common man can overthrow The Man - A Bug’s Life

A person’s worth is not determined by their value to other people - Toy Story

These are the themes that I, personally, took from these movies as a kid and later in life. If I remembered the scripts any better I could probably pull some direct dialogue to support them, but, sadly, I do not have the entire Pixar catalog memorized.

—

After you’ve suffered through rigorous literary analysis classes for years on end, the “lit analyst” hat kind of never comes off. Sometimes you try to find a theme where none exists, coming up with your own. Sometimes you can very easily see the skeleton attempt at having a theme and a message that came out half-baked, and all the missed opportunities to polish it.

Whatever the case, while theme isn’t *necessary*, having that through line, an axis around which your entire story revolves, can be a fantastic way to examine which elements of your WIP aren’t meshing with the rest, why a character is or isn’t clicking, how you want to end it, or, even, how you want to approach a sequel.

Unfortunately, very, very often, a movie, book, or season of TV has a fantastic execution of a theme in its first run, and the ensuing sequels forget all about it.

No one here is going to defend Michael Bay’s Transformers movies as cinematic masterpieces, however, the first movie did actually have a thematic through line: “No sacrifice, no victory.” They didn’t stick the landing but, you know, the attempt was made. Where is that theme at all in the sequels? Nonexistent. They could have even explored a different theme and they abandoned it altogether.

Black Pearl’s thematic efforts fell away to lore and worldbuilding in its two sequels. Not that they’re bad! I love Dead Man’s Chest, but to those who don’t like the sequels, that missing element may be part of why.

Shrek and Shrek 2 both centered on their theme of beauty being how you define it and no one else. Fiona finds true love in her “true” form, then strengthens that message in the sequel when she has the chance to be “normal” and conventionally attractive, and still chooses to be an ogre, to be with Shrek. Shrek 3’s theme is…? 

When it was never there, that theme is missing isn’t so obvious. When it used to be there and got left behind, it leaves a crater in its wake everyone notices, even if they can’t pinpoint why.

—

TLDR: Theme is more than just vague nouns and dichotomies. Good, evil, dark, light, selfishness, altruism, beauty, ugliness, riches, poverty, etc are what your story uses. Your theme is what your story has to say with those elements, using as many characters and plot points as possible to reinforce its message. Is it necessary? No. Is it helpful and does it lead to a richer experience? Yes.

[velvetpaku]

Watching Black Jack (1993) for the first time and utterly astounded at how fully realized BJ's character is in the show

Tezuka talked abt how at the start he had NOTHING figured out as far as BJ's characterization goes and the shuffled order of stories that prop up tiny inconsistencies that make BJ seem like *kind of a big ol meanie* when hes so nice in others is a bit jarring when ur binging the entire series story to story back to back

but it is understandable from the pov of "Tezuka had to keep making stories weekly for years you cant expect perfect consistency with all the stories" AND THATS WHERE THE OVA SERIES' PERFECTION COMES FROM!!!!

it has the power of hindsight and by taking all these 200+ stories and only slightly adapting them whilst mostly doing its own thing we get quite possibly Dr. Black Jack in his purest most realized form ever nd just. ITS EXISTENCE. ITS EXISTENCE MAKES ME SO FREAKING HAPPY ITS SO AMAZING HOW MUCH IT IMPROVES/IS IMPROVING ON SMTH I ALREADY ADORE BY WASHING OUT ALL MY ISSUES WITH IT!!! I LOVE IT SM!!!

[oletus-writer]

Hey, could I please request a Fan Wujiu nsfw alphabet?? I'm rlly sorry if you don't write for him!!

Ah, that’s no problem! It’s actually perfect that you requested him - I was doing an alphabet for Bi’an.

Fan Wujiu NSFW Alphabet

Warnings: nsfw, poly wu chang

A = Aftercare (what they're like after sex)

He’s a thundered, but pretty good at aftercare. He’ll toss you a towel, and then run a bath for you, saying how you don’t do that badly, and will even carry you if you’re too sore to walk. While Bi’an is too exhausted, Wujiu pulls his weight.

B = Body part (their favourite body part of theirs and also their partner's)

He likes his neck - how pale and unmarked it is before having sex, and how covered in hickeys and bruises it is after. He wears those with pride. His favourite part of you is your tongue: how it pleasures his holes, flicks his nipples, tells him how good of a slut he is…

C = Cum (anything to do with cum, basically)

His cum is thin and ropey, and it comes out in spurts. He loves to see it splattered over you, while you lick it off seductively.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He’s a ticklish man, and sometimes has fantasies you running your fingers along his balls, scraping your nails along the shaft of his penis, and tickling him to his orgasm with a feather.

E = Experience (how experienced are they? do they know what they're doing?)

He, like Bi’an, has experience with men, not women. However, he has had intercourse with a few women, unlike his lover, and has a vague idea of what he’s doing. If you’re a lady, he’s going to tell his partner where the clitoris is, and is openly experimental when it comes to his sexuality.

F = Favourite position (this goes without saying)

His favourite position is to be underneath the two of you, while one teases his cock and the other kisses him, rubbing his nipples and pinching bruises into his skin. Suppose there is a name for it.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He’s too incoherent to be cracking jokes, whether he wants to or not. He’ll crack a smile if you do, but won’t make any himself.

H = Hair (how well groomed are they? does the carpet match the drapes?)

His hair is naturally black, so if his skin has black hair; then yes, the carpet matches the drapes. He’s not one to dye his pubes, nor groom too pedantically. He’ll trim his hair once in a while, before letting it grow out again. Naturally, as he is not a hypocrite, he’ll accept long pubic hair in his partners.

I = Intimacy (how are they during the moment? are they romantic?)

Who has time for romance when they’re getting pounded by their lovers? All Wujiu can think of are the two of you, and besides, he’s too embarrassed to express his feelings properly.

J = Jack off (masturbation headcannon)

He usually masturbates when neither or you are willing to indulge him, and he’ll be trying to imitate sex with the two of you - hard, fast, and ruthless. He’ll be thinking of the two of you at the same time, getting your names mixed up as he climaxes. Naturally, it won’t resemble the real deal, but he’s got to try.

K = Kink (one or more of their kinks)

He likes overstimulation and edging, as well as bondage, orgasm denial, spanking, and all around manhandling. Humiliate him, tell him how much of a cockwhore he is while Bi’an fucks his brains out, and he’s sure to cum.

L = Location (favourite places to have sex)

Oh, it doesn’t matter to him, but his default place is the bedroom, as it has all the toys he would need. However, he is an adaptable man, and will use Bi’an’s tie as handcuffs if the three of you decide to fuck in the basement - he doesn’t mind. In fact, the possibility of someone walking in excites Wujiu, although he would never admit it.

M = Motivation (what turns them on?)

Run a hand along his thigh, whisper something in his ear (seductive or not), the works. Sometimes, even seeing you in a nice outfit may get him going, although he tries to suppress it sometimes. Degrade him in public, and it’ll awaken something in him he never knew was there.

N = No (what turns them off?)

Don’t strangle him, permanently scar him, use him as a human toilet, and all that general disgusting stuff. If you want to try something new, you’ve got to discus it with Wujiu and Bi’an.

O = Oral (do they prefer giving or receiving? how skilled are they?)

If you have make genitalia, he knows exactly the sensitive spots and how to suck you off, but if you have a clitoris, he would need some guidance, perhaps even doing research beforehand to not make a fool out of himself. He prefers receiving oral.

P = Pace (are they fast and rough? slow and sensual?)

He wants you to go fast and rough as possible, slowing down sometimes, and making sex unpredictable and exiting. If he’s taking the reigns, he doesn’t have the patience to go slow, and make sure you won’t be walking for a while.

Q = Quickie (their opinions on quickies)

Go ahead, but expect he’ll demand to have proper sex when you are able to, as it leaves him wanting more. You can’t just tease him and expect him to be fine with it.

R = Risk (are they experimental? do they take risks?)

He’s willing to take risk if it gives him pleasure - they’ll figure out the consequences later - and frequently experiments. Hopefully, you are able to keep up with him, but if not, Bi’an is more than happy to.

S = Stamina (how long do they last?)

While his stamina is not fantastic, is you edge him and tease him enough, he’ll be able to last a while. He doesn’t mind if you continue to overstimulate him after he’s spent, but he’s prepared to use the safe word if you overstep.

T = Toys (do they own toys? do they use them?)

Ropes, cockrings, handcuffs, gags, he has all the bondage stuff one could dream of. While he doesn’t often use all of them, they do all have their time in the spotlight.

U = Unfair (how much do they like to tease?)

He isn’t often taking the reins, but he’s able to tease you a while, but then his patience runs thin, he’ll pound you like dough.

V = Volume (how loud are they?)

He’s loud. When you get past his tough pride, he’ll let everyone know what you’re doing to him - it contrasts nicely with Bi’an’s breathy silence.

W = Wild card (a random headcannon for the character)

Sometimes, he has fantasises of you cucking him. No I will not elaborate.

X = X-ray (let's see what's going on under those clothes)

6.5 inches (16.5 cm), with a sight curve at the end. He’s got quite a bit of foreskin, and, as he is dead, it flushes darkly when erected.

Y = Yearning (how high is their sex drive?)

His sex drive is pretty high - while some people have to masturbate every week, he does it every few days, and is near insatiable when it comes to sex. Good thing he’s got two people to pleasure him now.

Z = Zzz (how quickly they fall asleep afterwards)

Like Bi’an, he’s spent after all that sex, so as soon as his head hits the pillow, he’s out like a light. Good luck getting him to clean himself up afterwards, and good luck getting aftercare.

[scotianostra]

Happy Birthday Scottish actor Ewen Bremner, born January 23rd 1972 in Edinburgh.

Bremner has worked with many of the most respected directors in world cinema, including Danny Boyle, Mike Leigh, Ridley Scott, Joon-Ho Bong, Werner Herzog and Woody Allen. Hen has established himself by creating unique characters in critically acclaimed films, as well as going toe to toe with many of Hollywood's biggest stars.

Ewen had worked widely in theatre, television, and film for years before being cast in his breakout role in Trainspotting, by Oscar-winning director Danny Boyle. He was the first to be cast in the role of Mark Renton in Edinburgh's Traverse Theatre production but lost out to Ewan McGregor in the film version, instead he was handed the role of Spud Murphy and earned screen immortality with his character's infamous "speed fuelled" job interview scene.

Prior to Trainspotting, Bremner gave a striking performance in Mike Leigh's Naked, fellow Scot Susan Vidler played his girlfriend Maggie in this excellent film.

In 1999, Bremner received critical acclaim for his portrayal of a schizophrenic man living with his dysfunctional family in Harmony Korine's Julien, Donkey-Boy. Filmed strictly in accordance with the ultra-realist tenants of Lars Von Trier's Dogma 95 movement and starring opposite Werner Herzog, Bremner played Julien its eponymous hero, requiring him to assume an American accent. He then worked with director Michael Bay in his high-profile 2001 war film Pearl Harbor, proving his versatility once again by portraying the role of a wholeheartedly patriotic American soldier fighting in WWII. The following year, he stepped back into fatigues for a supporting role in Ridley Scott's Black Hawk Down, while rounding out the next several years with roles in high-profile Hollywood releases such as The Rundown, Disney's Around the World in 80 Days), AVP: Alien vs. Predator, Woody Allen's Match Point, the comedy Death at a Funeral directed by Frank Oz, and Fool's Gold starring Matthew McConaughey and Kate Hudson.

This past few of years proved to be a busy when Bremner was invited to join the DC Universe in the Zack Snyder-produced feature Wonder Woman, directed by Patty Jenkins, co-starring Gal Gadot and Chris Pine. Ewen also reprised his unforgettable role as Spud in the highly-anticipated sequel to Danny Boyle's cult classic, T2: Trainspotting

Bremner appeared in the TNT Drama Series Will with Shekhar Kapur. The series told the story of the lost years of young William Shakespeare after his arrival to London in 1589 but only lasted one season. Other notable film credits include Woody Allen's You Will Meet a Tall Dark Stranger, Perfect Sense starring again alongside Ewan McGregor, Great Expectations, Jack the Giant Slayer, and Snowpiercer starring alongside Chris Evans and Tilda Swinton. Further credits include Exodus: Gods and Kings, Wide Open Spaces, Mojo, Mediator, Faintheart, Hallam Foe, Sixteen Years of Alcohol, and Snatch.

In television, Ewen has worked on many acclaimed productions including David Hare's Worriker trilogy starring Bill Nighy for BBC, Jimmy McGovern's Moving On and also his Australian mini-series Banished, Strike Back for Sky TV, Dominic Savage's Dive, the Dylan Thomas biopic, A Poet In New York and the adaptation of Day of the Triffids for the BBC. Other noteworthy series appearances include portraying legendary surrealist Salvador Dali in the U.K. television drama Surrealissimo: The Trial of Salvador Dali, and a guest spot on the successful NBC series, My Name is Earl, not to forget an early appearance in Taggart way back in 1990.

Latley Ewen has been one of a number of Scottish actors who are backing a campaign to reopen the Film House cinema in Edinburgh, he has a couple of projects on the go just now, Bluefish, which takes us around the globe to tell stories of people trying to break out of their bubbles of isolation, which I take to mean the Covid pandemic, he also has a film on the go called Roo, but there is nothing to report on that just now.

[sansmeanswithout]

okay I watched the Minecraft movie teaser and these are my thoughts as a fan of the game, and the official Minecraft books (both guides and novels)

I think the appearance is pretty good though it could use a bit of tweaking. Maybe a little bit less detail on the fur and other textures as right now it really looks like those Minecraft rtx memes.

I do like the vibe its giving of though. Feels like it's a weird terrifying Isekai world and if the sales of the official Minecraft novels (my reading of those novels are heavily clouded by nostalgia so I'm basing this on the sales) are anything to go off of Isekai is the perfect genre for Minecraft. It is very clear that they aren't adapting those novels though.

Also looks like they took inspiration from those realistic Minecraft mobs drawings and stuff specifically the art that keeps the blocky appearance which honestly is really good because that art has been an entire section of the Minecraft fandom for a while (same is true for the terraria fandom)

My biggest worry is story. Western written Isekais aren't very common so I'm not entirely sure that. I do however think that if there's a poor story that the movie will be fairly enjoyable because of the actors (especially Jack Black and Jason Momoa though that's because they're the only actors in this that i follow the work of)

Unfortunately doesn't look there's a truck-chan appearance

[consanguinitatum]

For One Night Only: David at the RSC Fringe Festival (oh, and one other thing he probably didn't do...)

For today's post in "obscure things David Tennant did way back when," we'll need to travel back in time to the late 1990s. It was a busy time for David. By May 1997, he'd just wrapped up his first Royal Shakespeare Company repertory season (in which he simultaneously played Touchstone in As You Like It, Jack Lane in The Herbal Bed, and Alexander Hamilton in The General From America). This set of three plays had begun their runs in Stratford in early- to mid 1996; they then transferred over to London's Barbican Theatre, where they had ended their runs by mid-1997.

Programmes for The Herbal Bed, As You Like It, and The General From America

Next on David's theatre agenda was the role of Mickey in Hurlyburly (a play I've talked about before) which ran at the Queen's Theatre in London from August to November 1997. He then performed a one-off staged reading of Derek Jarman's Blue at the Chelsea Arts Theare on 16 November 1997 (which, by the way, is another little-known DT performance I want to explore!)

That was it for 1997, theatre-wise.

Then, beginning in March of 1998 - as I've explored previously - he began his run as Moon and Brindsley Miller in The Real Inspector Hound/Black Comedy. This double bill ran first at the Yvonne Arnaud Theatre in Surrey and then in London, first at the Richmond Theatre and then at the Comedy Theatre. That play finally wrapped in August 1998.

But a month before wrapping The Real Inspector Hound/Black Comedy, David had popped over to Stratford to do something interesting, something that's the focus of this thread. It was called For One Night Only, and - as it says on the tin - it was, indeed, for one night only!

First, though? A little history!

Around 1990, the RSC began to hold an annual summer festival called the Royal Shakespeare Company Fringe Festival. Intended as a showcase for RSC talent, it included a mix of events: short plays, devised pieces, stand-up comedy, concerts, etc., as well as new works making their Stratford debut. The festival lasted two weeks and saw actors, directors, stage managers, musicians and staff all taking part in more than 25 events. All the events were either on Sundays, or timed around RSC productions, so audiences could go see fringe shows after seeing the actors perform in their usual RSC roles.

Most of the events for 1998's festival took place in a specially adapted 100-seat rehearsal room at the RSC's 'alternative' theatre, The Other Place. But not all of them. Their opening night event - on Sunday, 19 July - was to take place at the Swan Theatre.

That opening night event? For One Night Only!

Starring Desmond Barrit, Emma Handy, and Amanda Harris as well as David, the launch event cost £4-£12 and began at 7:30 pm. It was called a "curtain raiser" as well as "aptly-named."

And just what was it about? Well, um....I know it was organized and compiled by its star, Desmond Barrit...and that it was supposed to take its audience on a journey through the theatre. These articles say so.

But that's about all I know. I wish I had more details.

I am, however, supremely lucky to own a piece of ephemera about this one night only event.

Here's the front and back of my For One Night Only flyer, and as I'm sure you'll notice, it promises "an evening of theatrical prose and poetry...and a little gossip!"

Great. Could you tell us a bit more, thanks?

While researching For One Night Only, I came across something else of interest, which I thought for a moment David might have been involved in - an event staged nine days before For One Night Only. But after researching this event in more detail, I don't think he was involved, after all. Such a shame, really. He would've been perfect!

On Friday, 10 July 1998, at 1 pm in the afternoon, some Royal Shakespeare Company members got together to do a fund raiser and preview of the upcoming Fringe in the forecourt of the Other Place. Called a Sonnetathon, this three-hour event featured various RSC members reading all 154 of Shakespeare's sonnets!

Now a Sonnetathon would've been right up David's alley, am I right? He'd have loved it! But I'm about 99% certain he wasn't there - and here's why. That Friday night at 7:30 pm, David was onstage in The Real Inspector Hound/Black Comedy at the Comedy Theatre in London, that's why!

But here's why I say 99%. It's not impossible to imagine he got up early that Friday (after doing a show the night before) and took the train in to Stratford to do the Sonnetathon - wrapped it up by 4pm, then hopped on another train back to London in time to make the 7:30 curtain up for The Real Inspector Hound/Black Comedy.

But you have to admit, it seems unlikely.

But The Real Inspector Hound/Black Comedy wasn't showing on Sunday, 19 July 1998, so David was able to get to Stratford and go onstage as part of 'For One Night Only' to open the Fringe...and then get back to London in time to go onstage once more the following night.

So now you know what I know about For One Night Only.

Of course I'll keep looking for more!

[enddaysengine]

Chronicles of Darkness Index

Last update: Dec 11, 2022

Adaptations

Ghastly (Ghost)

Articles

Lancea et Sanctum and Theology

Let’s Read Parasite Rex - Introduction

Let’s Read Parasite Rex - Chapter 1

The Shadow and the Gauntlet (Cosmology)

The Wolf and the Raven (Dark Era)

Items

The Perfect Dress (Memento)

Night Horrors

Black Cat (GM Angel Familiar)

Burning Spiders (Spirit)

Claimed Echo

Damned Jack (Supernal)

Galvanism Cult

Ghost Bats (Animal Ghoul)

Grandfather Moros (Chthonian)

King of Silver (Spirit)

Lionel Hawk & Associates (Conspiracy)

The Master’s Hound (Animal Ghoul)

Melione (Chthonian)

The Monk in the Cathedral (Temple Guardian)

Old Man Mackenzie (Fey-Touched Hunter)

The Phantom (Temple Guardian)

Watchful Elves (Angel)

Winter Murder Floofs (Spirits and Claimed)

Yule Devil (Werewolf)

Zipperhead, Claimed (Claimed Vampire)

Plothooks

Beasts

Changelings

Ghouls (and apparently I talked about them twice, so here’s post #2)

Horrors

Hunters

Mages

Mummies

Prometheans

Shaunkhsen

Sin-Eaters

Spirits

Unchained Demons

Urged 

Vampires

Werewolves

[thealmightyemprex]

Universal Monster watch through thoughts part 1

So I have a 30 film set of Universal Classic Monster movies.What I am gonna do is every five films is share my thoughts,not really reviews but just thoughts

1.Dracula 1931

The first black and white film I saw as a kid .Its a capital C Classic for sure....But its never been my favorite,and there are many other Dracula adaptations I prefer .I think my big issues are Johnathan and Mina here are just so boring,while some of the silence is eerie I find most of it awkward and the ending just suuuuuuucks,we dont even get to see Dracula's death .That said four things make this film worth while ,one is the gothic vibe is peak here ,then you have Dwight Frye who is a scene stealer as the deranged Renfield,Edward Van Sloan who is a perfect heroic foil to the titular character as Van Helsing and of course Bela Lugosi as one of the most iconic villains ever,mesmerizing ,suave,seductive and yet still eerie .Its got flaws but Its good parts are so good,mainly those three performances

2.Frankenstein 1931

The movie I say is responsible for me being a horror fan and truly my favorite horror movie .Lets get this out of the way,Boris Karloff delivers one of the greatest performances of the genre ,cause he isnt a big scary monster,hes a lost child in world that fears and hates him .I actually feel this is a good film to show kids,as kids really connect to the plight of the Monster .Karloff is not the only highlight,James Whales direction is superb ,the moments of silence are actually eerie,the film looks gorgeous ,gotta praise JAck Pierces extraordinary makeup and Colin Clive gives a phenominal performance as the obsessed creator .Only thing I am not fond of is the tacked on ending .The opening however is brillaint with Edward Van Sloan warning how scary the film is and his ominous "We warned you "

3.The Mummy (1932 )

Man I wish I liked this film more then I do.Like its not bad but not a favorite .Theres a lot of good in this movie,cast is good ,Zita Johan is a good leading lady,Edward Van Sloan is always a plus ,and Boris Karloff gives a nice undestated performance as our villain Imhotep ,with some legit frightening shots of his hypnotic glare .Jack Pierces makeup is extraordniary ,the production design is good ,there is some legit shocking pre code stuff like a bunch of guys getting impaled .I also like the angle of it being a dark love story with Imhotep just trying to resurrect his lost love .Also has the scariest scene in a Universal Monster movie so far ,when Imhotep awakens and scares a guy into madness .Unfortunately its slow pace ,David Manners as the Boring Pretty Boy protagonist ,the weak love story between Manners and Zohan ,and the fact that plot wise it is WAY to similar to Dracula hold me back from fully loving it.ITs still good ,I just dont love it

4.The Invisible Man (1933)

James Whale hits it out of the park again with another great film .Claude Rains gives a powerhouse performance ,which is really impressive cause you dont see him for most of the movie ,hes either just a voice or bandaged up yet he carries the whole film as one of the best villains in all of cinema .The effects for being 91 years old look pretty damn good ,the film has an amazing supportinjg cast including Gloria Stuart ,Henry Travers and ESPECIALLY Una O Connor and to top it all off,the film is HILARIOUS.I mean it folks this film has an amazing sense of humor,from being very witty,eccentric character to examining the absurdity of the premise .One of my favorites

5.The Bride of Frankenstein (1935)

While Frankenstein is MY personal favorite,I TOTALLY get when people say this is the BEST of the Universal Monster movies ,as this is a masterpiece .Also DEFINATELY a queer classic(Happy Pride ) .The performances are great with the stand out being Ernest Thesingers wonderfully comic and camp villain Pretorious (So far my favorite non monster character in these films ) and of course Karloff at his best giving an utterly heartbreaking performance as the monster ,his scenes with the blind man bring a tear to my eye .Thats really the word to describe the film,heartbreaking ,the filmmixes tragedy,horror and humor so experetly .Also Elsa Lanchesters role as the Bride is so brief but is rightfully iconic and the ending is utterly magnificent

Ranking so far

5.Mummy

4.Dracula

3.Invisble Man

2.Frankenstein

1.Bride of Frankenstein

To be continued

@ariel-seagull-wings @the-blue-fairie @themousefromfantasyland @theancientvaleofsoulmaking @piterelizabethdevries @countesspetofi @princesssarisa @barbossas-wench @amalthea9

[tenebrius-excellium]

Hi, who would you fancast as Gen, Irene, Sophos and Helen? Also, what would you do if ROTT ever gets a movie adaptation, one depicting the war with the Mede anyway? 🙈 🥺👉👈

Hii!!!! Oh my gosh fancasting Tqt is NOT easy...

...especially since a couple fancasts have already been made that I am SO down to agree with. I hope you'll forgive me if I partly choose people that have already been named within the fandom before...?

[Insert: ARE YOU KIDDING ME YOU MADE ME CREATE WHOLE POWERPOINT PRESENTATIONS FOR THEM I SPENT THE ENTIRE AFTERNOON ON THIS AND I DO NOT REGRET IT]

Eugenides: Luke Pasqualino

Who else. He could pull off Young Gen, King Gen, and God Gen. I love his chill mannerisms and his cheekiness. But whoever has watched BBC's "The Musketeers" knows he can portray a dark, rash and dangerous side as well. The actor has Italian roots btw.

Irene Attolia: Irene Papas

Sadly, this awesome actress died in 2022. She was Greek and played in "The Trojan Women" as well as "Iphigenia" - so, you know, she has the ideal Greek Aristocratic face. Isn't she the perfect Attolia?

Sophos - Christian Martyn

How I found this actor, I don't know. I am not familiar with him, though he played Gilbert Blythe in "Anne with an E". Look. LOOK. Bear with me. He seems innocent, is the definition of too Nice™ and has this precious aura of childlike chaos about him. But he is also able to glow up into a warrior when necessary O_O

Helen Eddis: Nathalie Emmanuel

Okay, look. While I'm personally highly satisfied with the above casts, I know full and well that this one isn't perfect. First of all, Emmanuel is far too thin and pretty to be Eddis. They'd have to change her nose at least, if not give her a rounder body type. But she is dark-skinned, her hair is short, her smile is fun and captivating, and I think this does reflect who Eddis is to some degree. I'm sorry I didn't find anything more accurate.

To comfort you, here are some more random character casts that I found/came up with while working on the others:

King of Sounis - Jack Black

Nahuseresh - Dev Patel. Imagine the reddish beard oh my gosh

Kamet - Riz Ahmed (that one was the author's choice, I believe)

Ambiades - Austin North. Like, come on. He's gotta be the evil version of Sophos and he would be perfect.

Costis - he's honestly just that one real life Kristoff edit from Frozen. No, he's really Channing Tatum in "The Eagle". Look him up.

As for what would happen if The Queen's Thief Series got turned into a movie, I would SCREAM YELL CRY HAPPY TEARS.

They could turn the 6 books into 3 movies, I believe.

The Thief & The Queen of Attolia (the story would have to be slightly changed, e.g. older Gen and different politics, but they can really pull together the whole 125 pages of travelling to the temple into a 5min montage)

The King of Attolia & A Conspiracy of Kings (how Costis became King isn't as important, but it could serve as a sideplot/what Gen is actually contributing politically behind the facade)

Thick as Thieves and Return of the Thief (again, how Kamet came to Attolia isn't as important as the message he brought.)

The Queen's Thief reminds me much of Narnia (the world, the values, the fashion, the colors), Percy Jackson (adventure Greek setting), and Sinbad (adventure + navigating the Gods). If they ever turned that into a movie, I'D WATCH THE HECK OUT OF IT.

Thank you very much for asking!!!