#this is one of the most unusual comic artbooks I own

[slightlybiased]

Audition - Kye Young Chon 2002 - Seoul Cultural Publishers - ISBN 895321906X

242 pages, printed on different alternating paper weights throughout, nonstandard large trim size. Cover is cut MDF boards, the white section is a label that wraps around the fore-edge to the back cover, and is perforated to tear open to browse the book.  Book contains series art in both color and black & white, character info, illustration references, and more, all in Korean.  Pages are laid out with many collaged and repeated elements and lots of negative space.

[ryuichirou]

“Please, ask me about my favorite manga...”

Okay, then. What’s your favorite manga, Ryu-san? 👀

+Anonymous said:

What’re some of your favourite manga? :)

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I love you guys… :”3 You always make my dreams come true haha. I hope I’m not forgetting anything, these are the ones that come to mind first:

Shingeki no Kyojin by Isayama Hajime – the most obvious thing in the world lol Of course, it’s a very dear manga to us, but even if we forget all the sentimental value it has, it’s still an amazing manga both story-wise and art-wise. For some reason Isayama is still considered a bad artist, which is a shame, because not only has he gotten much better with time, he also does the thing that I love very much: he draws whatever he wants even if he isn’t sure how to draw it. The very first chapters are so bold in that regard. And the way Isayama draws expressions is amazing: he draws faces that I’ve never seen in any other manga.

Do I even need to talk about story and characters after all the meta posts we’ve written over the past year… And the fact that we haven’t gotten tired of it despite the fact that we’ve reread it 1000 times already is very telling. There’s just so much stuff going on, so many details and elements that you can miss when you read it for the first time… rereadability is one of the greatest things about SnK.

Litchi Hikari Club (and Bokura no Hikari Club) by Furuya Usamaru  – another favourite of ours and an obsession of mine. I have volumes both in English and Russian, some Japanese magazines with chapters/mangaka’s art and artbooks… LHC is such a bleak story. It’s dark and messed-up just for the sake of being dark and messed-up, and I love it: it’s theatrical and morbid. It also manages to still be comedic and entertaining. Plus, the story behind the manga creation fascinates me (it was based on a stage play from an underground theatre ok I won’t go into details now lol), it’s like an entire phenomenon for me haha. I think this manga started my obsession with gakuran uniforms and student caps.

Uzumaki and Tomie by Ito Junji – I genuinely enjoy all of Junji Ito’s work whenever we reread them, but Uzumaki and Tomie are my faves. It’s very fun to watch how Ito-sensei takes one simple concept (spirals in “Uzumaki” and ehhh idk a beautiful but deadly girl in “Tomie”) and takes it further and further with every chapter, making it more and more creepy and grotesque. He’s extremely creative.

Berserk (Golden Age Arc) by Miura Kentarou – not to spit on everything that went before and after the Golden Age, but let’s be real: the Golden Age is special. The art of Berserk is absolutely stunning. It’s one of those mangas that belongs to museums honestly: every page is worth looking at for hours. The level of details and design of characters and the world… unreal.

The relationships between Guts and Griffith are also so beautifully written, we didn’t expect them to be this painful and deep. Talk about misunderstandings and breakups with consequences, geez. Griffith’s story build-up is just... amazing. The whole eclipse thing is wow, and the events that happen before it are as well. It’s like its own story within the whole story.

I also want to mention Maruo Suehiro, because he is another horror/guro author we like a lot, but I can’t pinpoint one manga of his that could count as a favourite just yet…

Hetalia by Himaruya Hidekaz – it’s stupid, it’s funny, it’s educational (in “it makes you interested in history and politics” way, not in the “it tells you what exactly happened” way). It doesn’t take itself seriously, it’s here to have fun and make its character as gay as possible, which I appreciate a lot. I feel like Hetalia influenced the way I draw comic strips and my humor in general. But maybe I’m just imagining it lol, it’s hard to tell at this point.

Gravitation by Murakami Maki – I’m forever obsessed with Gravi. Of course, a portion of it is just out of nostalgia, but we actually read the manga fully a couple of years ago, and god it was much better than we anticipated. It’s extremely stupid and fun (how many BL mangas have tom and jerry style slapstick comedy??), but at the same time sometimes the jokes are surprisingly clever. Nothing is too serious though, every character is a clown to some extent, and this is exactly why all of them are so fun to watch. The relationships are also… surprisingly well-written in my opinion.

It’s an old school BL, but I still think it’s a bit different from other BL mangas from 90s-early 00s… Also the fact that Murakami-sensei draws smutty doujins of her own manga under a different pseudonym is still the most awesome thing I’ve ever heard; I’ll forever respect her for that.

And ofc Yuki Eiri is a bottom for us, like... duh.

Otome no Teikoku by Kishi Torajirou – it just makes me a bit happier when I don’t want to think and just want to look at girls having crushes on each other. I usually hate yuri manga with school setting, but this one slaps me in the face with how good the cast is and how unusual some of the themes in it are for a yuri manga. I feel like the author actually wants his characters to be interesting and not just gushes over how pure and innocent they look when they hold hands, and it makes a huge difference.

[heidiblack]

Convention Review: Westwood Second Saturdays

Show: Westwood Art Show/Westwood Second Saturdays

Location: Cincinnati (Westwood), Ohio

Date: Aug 14, Sept 11

Table cost: $35 (August), $65 (September)

Booth Size: 10x10'

Table placement: southeast corner

Items for sale: 11x17" posters (fanart and original), tutorial artbook, coloring book, all-ages illustrated book, original comic (sons of fire), pins (original), resin coasters and jewelry, washi tape

New items/display: restock of Grass is Awful; left more convention/fandom specific items (zines) at home, focus on craft (resin) items

Mask policy: not required as we were outdoors, but I wore one anyway

Previously attended? No

Pros: Local, inexpensive, free admission as it is an outdoor festival

Cons: You have to bring your own EVERYTHING, including tables and tent, weather dependent, more of a craft show

Most popular item(s): Posters, books

Least popular item(s): washi tape

This was a change of pace for me, but as it was local (less than 10 minutes) from my house and very inexpensive, I figured I would give it a go. Unfortunately, the outdoor tent I had from a previous show many years ago had broken and I had to toss it after the August show, but thankfully a friend let me borrow hers for the September show rather than shelling out $60+ for a new one.

The entire show takes place over just a few hours on the court square (triangle) of Westwood, with local businesses nearby also involved (especially restaurants and breweries).

Most of the booths are more craft-oriented, such as soaps and bath bombs, jewelry, candles, etc. Having books and artwork made me unusual, though I'm unsure if this made me unexpected and therefore people didn't buy, or unique and therefore people did buy.

Both days were a pleasant temperature, but the September show did have a little bit of rain at the beginning, and the wind was an issue for both shows (especially the August show)

Gross sales: ~$200 (aug), ~$500 (sept)

Recommend/will attend again? No - while I should represent myself in my local community, this is a show that has been taken over by roving crafters and generally not well attended. Additionally, the high cost of having an outdoor setup including a table, tent, and chair(s) creates a large barrier to making any profit.

Other 2021 convention reviews

Anime Ohio Inconjunction Gem City AnimaticCon Westwood Art Show/second saturdays Cincinnati Comic Expo New York Comic Con Voltcon

Anime Weekend Atlanta Art on Vine Chicago Comic and Entertainment Expo (C2E2) Con+Alt+Delete Anime Zap (2022)

These reviews take a lot of time and effort, but I think they are something the artist alley community needs! If you would like to support me so I can keep doing these, please consider donating or buying from my shops! https://www.paypal.com/donate?hosted_button_id=JBTBC5WRMRTJ2 Storenvy Etsy

[recentanimenews]

Bookshelf Briefs 9/2/20

Yay! Sean’s back!

Barakamon, Vol. 18 + 1 | By Satsuki Yoshino | Yen Press – I had thought this was something like an epilogue to the series, but it ends up being more of a hodgepodge—there’s a number of 4-koma strips, there’s interviews and yes, there is a short “years later” mini-chapter that assiduously avoids showing us Naru looking older, though it teases it. Instead, the majority of the book is an artbook, showing off color illustrations. And that’s the reason to get it as well, as you’re reminded that the art was also a big strength with this series. The pieces are very character oriented, showing Handa and company in a variety of poses and places, and it adds to the overall peaceful feel that we got from this series. I’ll miss it. Also, show us teenage Naru, you cowards. – Sean Gaffney

Goodbye, My Rose Garden, Vol. 2 | By Dr. Pepperco | Seven Seas – I never actually reviewed the first volume of this series—it came out in the height of COVID isolation, and I was bogged down in other things. It’s quite good, though, being a fairly tortured yuri drama without quite tipping over the edge into melodrama, although the reason it reads so well is that it balances on that edge quite nicely. Here we learn the story of Alice and how she became everyone’s favorite suspicious person, as well as the tie that binds her past with Hanako’s. As for the two of them as a couple, we aren’t there yet, and may not ever get there—it’s unclear if there’s a happy ending coming here. Nevertheless, you hope for one—these two need some good things happening to them. – Sean Gaffney

Goodbye, My Rose Garden, Vol. 2 | By Dr. Pepperco | Seven Seas – I really wish I liked this more. I like the setting—England in 1900—and two heroines who love books (and talk about Oscar Wilde and Sherlock Holmes!) and want to thwart society’s expectations of women while still being constrained by them. But everything just moves so fast! I found myself wishing this was a romance novel instead so it could have a little time to just breathe. They love each other, they find out secrets, Alice’s mom and fiancé conspire to get Hanako sent away, Alice finds her, more secrets are revealed. Nothing really lands with any emotional impact because it’s cruising right along and, in fact, comes to an end in the next volume. I will probably see it through to its conclusion but am overall kinda disappointed. – Michelle Smith

Horimiya, Vol. 14 | By Hero and Daisuke Hagiwara | Yen Press – This is the manga that never ends. It goes on and on, my friends. Given that the writer and publisher seem dedicated to avoiding the original ending of the webcomic, there’s not really much that can be done here except ‘everyday high school life’ shenanigans,’ to the point where I was for once reasonably pleased when Hori’s sadist/masochist tendencies come to the fore again, as she spreads a childish nickname for Miyamura just so that he’ll get mad at her. That said, despite the two being a seemingly close couple, at the end of the day Hori is still a horribly flawed character who needs constant validation and can’t trust her own feelings. She’s the most annoying and most interesting part of this. – Sean Gaffney

I Don’t Know How to Give Birth! | By Ayami Kazama| Yen Press – This is an excellent combination of biography, information, and comedy, as the author and her husband take us through the steps they took in order for her to have a child—more steps than you’d expect, as they eventually need in-vitro fertilization—and how she felt as she went through the process, ranging from “why am I doing this? My husband is the one who really wanted kids” to “I am getting in touch with my inner animal!” Scattered throughout are facts about preparing for nursing your child, Japan apparently not teaching expectant mothers how to push, and the lack of meds in their non-Tokyo hospital. All this is done in a fun way, with the author’s self-portrait having an arrow in her head. – Sean Gaffney

An Incurable Case of Love, Vol. 4 | By Maki Enjoji | Viz Media – Should you sacrifice your dream for love? Well, not if you’re in a romance manga, but it’s a question that’s thought about long and hard in this volume, as Nanase discovers that Dr. Tendo is getting an offer to study abroad so he can research a condition that killed someone he knew in his past. He is seemingly fine with abandoning it and staying with Nanase, but another patient with the same condition shows that he’s not as cool and collected as you’d expect. As with previous volumes, this strikes a good equal balance between the medicine and the romance, and there is also some lightness of tone, such as Nanase mistaking her lovesickness for a heart condition after the two spend the night together. – Sean Gaffney

A Man and His Cat, Vol. 2 | By Umi Sakurai | Square Enix – The more we see of Kanda’s late wife, the more we see how much her death has devastated him, and we are grateful for Fukumaru for being there. That said, Fukumaru is a big, awkward, untrained cat, so this inevitably leads to events like the cat breaking precious pictures and the like. The cat is also somewhat jealous of anything that gets in between him and his master. So it’s a nice mix of cute ‘the cat is destroying the house and acting like a cat’ antics and ‘the cat is basically the one thing keeping his owner away from despair.’ Kanda’s utter adoration of Fukumaru’s cuteness (made funnier by the fact that, to most everyone else, Fukumaru’s pretty goofy-looking) may be the best part of this. – Sean Gaffney

My Dress-Up Darling, Vol. 1 | By Shinichi Fukuda | Square Enix – Wakana has an unusual hobby—he admires and creates traditional Japanese dolls. In part because of this, he’s become a loner, but that changes after his popular high school classmate Marin discovers his talent with a sewing machine and convinces him to help her make a (sexy) cosplay outfit. Marin is passionate but not a skilled seamstress, so she hopes Wakana’s experience making doll clothing will be of some use. My Dress-Up Darling is rated “mature.” The first volume does include some risqué images and topics of conversation; however, it’s not overly explicit. Later volumes might become more so, but right now the story itself is surprisingly wholesome and the characters endearing. I’m really looking forward to reading more of the series and seeing Wakana and Marin’s relationship develop. But perhaps even more, I’m hoping to see Wakana follow Marin’s example and become more confident in himself and his interests. – Ash Brown

My Hero Academia SMASH!!, Vol. 5 | By Hirofumi Neda| Viz Media – The last volume of this series really does not stray from its mandate of ‘gags.’ We see 1-A and 1-B team up for a rescue exercise, the highlight of which is seeing that even the SMASH!! author thinks that Itsuka is a better Momo than Momo is. There’s some of Deku being such a hero fanboy that it’s hilariously creepy, and everyone participating in comedy training. (I was not prepared for Uraraka’s fantastic Aizawa impression.) There’s tanabata festivals, held back by a personality change in Bakugou (this actually comes up TWICE). And we end with a “years in the future” that isn’t really, with only Deku left to be the straight man. I’m happy this is ending now, but it was also a good deal of fun while it lasted. – Sean Gaffney

Snow White with the Red Hair, Vol. 8 | By Sorata Akiduki | Viz Media – As expected, ‘making the relationship public’ gets put on the back burner, mostly as reality is far too complicated for things like that to go smoothly. Instead we spend much of this volume transitioning into a new arc, featuring Shirayuki and Ryu going up north to snow country to study as herbalists there… with the added addition of Izana, who is traveling there incognito to annoy his brother and to study Shirayuki further. In between these things we get a story looking deeper into Obi, who I sometimes get the feeling the author would be more happy making the lead character. It adds up to a good solid volume of the series, though I suspect the next volume will set a better pace. – Sean Gaffney

Teasing Master Takagi-san, Vol. 9 | By Soichiro Yamamoto | Yen Press – The rule of thumb in this series is that Takagi is more readily able to admit her own feelings to herself than Nishitaka is to himself. His embarrassment and wariness of any action that he’s goaded to by Takagi leading to a “ha ha, so you like me!” moment drives whatever he does, and the moment he gets over this the series ends. (Mostly—the unlicensed next-gen series shows he never quite gets over it.) Takagi CAN occasionally be embarrassed—my favorite chapter in this volume, where they’re sending texts to each other, ends with her blushing—but for the most part is content to tease him every day and patiently lead him to a point where they can be a couple. It’s not happening anytime soon. – Sean Gaffney

To Be Next to You, Vol. 8 | By Atsuko Namba | Kodansha Comics (digital only) – On paper, To Be Next to You looks like standard shoujo fare. Nina Uemura is in love with her next-door neighbor, Kyosuke Tachibana, and to try to forget him, she started going out with a classmate. But when Kyosuke collapses with a fever on Christmas Eve, she bails on her boyfriend (Miyake-kun) to take care of him. Miyake-kun realizes that whatever happiness they can achieve together will always be vulnerable to being swept aside in an instant, and breaks off their relationship. What I love is how skillfully Namba-sensei has shown Nina’s maturation process throughout this series—she’s definitely not the same oblivious girl we encountered in volume one—and that we get little moments like Miyake-kun telling his friends what happened and them crying on his behalf. Between this and That Blue Summer, I have become a true Namba fan. I hope we get more from her soon! – Michelle Smith

By: Ash Brown