#this is my first year actually getting out a piece with all of them in it... please clap...

[cer-rata]

Cerata's 2024 End of Year Artist shoutouts! (part 1)

Okay so this year was the first time I'd really participated in fandom in over a decade, but I'm truly glad I did because I met a ton of great people, and even got to work on projects with some of them. So I wanted to put all of the cool visual art that I've received last year, whether it be art trade, commission, part of an event, or...fanart? Because that happened somehow?

Anyway, there are a number of other people that I worked with last year, but a bunch of that art started near the end of the year, and as such is not finished yet, hence why this post will be two parts, one now, and the second when everyone else finishes up.

No particular order, all of these artists are great, and lovely people, so do go check out the rest of their work and tell them how cool they are, yeah? Also, some are currently open for commissions, so keep an eye out for that.

(Also, this is my first time trying to do ID text, so bear with me if they're a little rough, despite being a writer, I hate words?)

So first we have @fiyaharts with a lovely illustration of a number of the my favorite Krypton and Krypton-adjacent children. Shadi is lovely to work with and fast to the point where it spooked me a little bit, go off girl.

Next we have two pieces from my favorite Evil Woman Apologist, @vivictory-draws, one of a divorced Barbara and Kara being totally normal about it, and the other of my child and blorbo that haunts my waking hours, Conrad. Love N to death, which is why I haunt her with threats of commissioning Joker/Desaad Yaoi.

...Maybe for the next list, who knows...

So next we have the art created for the last @womenincomicsminibang (which is going to be returning with a reverse bang in a few months, keep an eye out on that.)

The lovely and evocative cover was done by the talented @breakingthespacetimewall, and the scenes of Cassie trying and failing to get her life together were done by the wonderful @soop-jpg

Working with them was a pleasure and honor, and their dedication and kindness really helped me through finishing that fic, and I remain incredibly grateful for that.

The first person I worked with this last year, and the one who really helped solidify the core of a lot of my projects, @nicodrawings drew a glorious cover for my mania-induced first longfic, and also a character reference for the aformentioned disordered young man who haunts my waking hours. She's a professional through-and-through, with wonderful instincts and great communication. She's also working on a fan-comic project of her own that I think is wonderful and am excited to see continue.

I lucked out and was paired with the super chill, super talented @byeara on my first fan project ever, and they hooked me up with this super fun and detailed cover for the fic I wrote for that one kon-centric minibang. I loved working with them, and would love to do so again, logistics willing.

This jerk @vnekey made me cry by drawing really sweet, totally unexpected fanart for that mania-fic I wrote. I'm still a little speechless really, I'd never gotten fanart of any sort for any reason before, and to receive something so lovely as the first thing really touched me deeply, and honestly kept me writing through some rough patches.

...Fight me!

My first ever art trade! Kind of! @spider-jaysart is super sweet and supportive and made my...second biblically (is there a Source bible? Are there religious Coluans?) cursed son and his hapless, frankly narratively cursed best buddy look so precious that they ALSO made me cry, can we stop that actually--

Speaking of my cursed son and his narratively cursed Kryptonian, @spicy-apple-pie created this really pretty piece that's...a number of weird deep cuts smushed together into something really specific, but neat if you have the context, which nobody does :3

She was so wonderful and patient and I really enjoyed seeing her run with her inspiration, the Kryptonian mural is super neat and not something I would have ever come up with on my own.

@mediaraiz Is really stylistically flexible, and their "Blob" style really scratched that itch I had for something cute and playful, and they were so game in taking on a larger project, and then went above and beyond in making my lanterns looks truly special.

Finally (for now), @riverdeansart drew a sweet little scene of two horrifyingly stressed totally fine spacebros chilling and chatting about how everything is completely okay!

I was super vague about this one and Dean did a great job getting the vibes right anyway, and with haste.

...So yeah, that's if for now! I'll circle back in a bit when I'm forced to let more artists out of my basement everything else is done!

[nightside-of-siberia]

Okay, but:

Agatha and Billy getting so deeply attached to each other that everyone's a little bit convinced that she might some sort of weird aunt of his that no one (including his parents) knew he had until now.

Just imagine all the different things they could get up to together that no one ever bats an eyelid at anymore, 'cause that's just what they do/how they are together, and no, you can't separate them, sorry - they're a package deal: you want one, you have to take the other one as well. Also, please ignore the fighting - yes, we've tried to stop it, no, it didn't go well, no, we don't recommend trying again (for your sanity/wellbeing, not theirs), no, we don't offer returns or insurance, please close the door on your way out, thanks for visiting!

Bonus points:

Billy's parents let him get away with a lot of stuff if Agatha's involved - yeah, sure, she might be a bit more dangerous than they'd like her to bed, but she always brings him back in one piece, and he's never been too traumatised (at least, not in any sort of way that can't be fixed with a few more sessions with that therapist he's already seeing), and a good wash will get rid of pretty much all the rest, so what's the harm?! At least he's not doing drugs/crime/etc. like some of those other kids -

Extra bonus points:

Wanda returns, and everyone's immediately suspicious of her. She hates it, 'cause why is everyone looking at her funny when Agatha's right there?! why is she getting the third degree, and not Agatha?! you know, the one that is arguably even more dangerous than she is?!

(Wanda's as dumb as a brick wall, though, 'cause she doesn't get that everyone's eyeing her funny 'cause she quote literally rolled up out of nowhere and tried to kidnap a kid out from underneath his parents/family/friends/community with literally zero awareness whatsoever as to why that might be a problem - her logic is probably something along the line of, 'but he was my kid first??? why won't you give him back when you stole him from me???'; she'd probably also try to bring up the fact that, while the kid in front of them looks like William Kaplan, William actually died in the car crash and the individual now residing within his body is actually her son, Billy - this, of course, would not make things better as, while this would throw the Kaplans through a loop (especially re: how long Billy's known about this), they're not about to just give up the kid they've raised for the past few years to a complete nut job with a moral compass even more fucked up than the devil's)

. . . I don't remember where I was going with this. Oh, well 🤷‍♀️

[pistol-grippump]

->

People shit on Dylan and Eric's "cringe" journal entries a lot (so much that I see, at least.) and sure, you can find a way to understand simply why. Their wording, and especially some of the things they were writing about could be seen modernly as "cringe" but I feel like if some people took a second to understand what they meant on a slightly deeper level than people try to, it's really easy to look past the cringe and see their plain and utter disconnection.

I know I talk so much about feeling some sort of connection with Dylan especially and of course, that's because there's more to work with for him. (No surprise, it's easily acknowledged that Eric got swept over almost completely by the people it mattered to as the "bad guy", especially doesn't help that his parents didn't try to salvage anything left of him or his personality after the shooting to my knowledge.)

Something I find especially interesting is when Dylan refers to his "human form", which on the surface, sounds like a teenager being a teenager, but it's obvious (being followed by the multiple other disturbed things in his head and the shooting of course,) that it was more than him trying to be edgy. The way I see it, as said earlier, I see it as a disconnect from himself. Whether he truly believed the literal meaning of the things he said or whether they were just things thrown together the best he could, understanding just quite what he meant from all angles is important I think.

Interpretation in these situations are especially relevant under every circumstance, of course, it's not what they aim for when investigating these kinds of things (since factual information will always be more effective.) but now that the case is over two decades old, I'm not sure it matters anymore, so this is my interpretation:

I haven't read every piece of Dylan's journals that have been released due to not being able to find it (/found it once and never again) or easily forgetting what he was saying due to it being either irrelevant or completely forgettable. This is contrary to my last writing I think where I mentioned that both Eric and Dylan's diary entries are close to home for me to understand who they were "beyond being a profile of violence", but sometimes it feels like they were just saying a whole lot of nothing.

The first couple pages I found to read just expressed his continuous suicidal tendencies, talking about himself in third person, or simply just wanting someone to love and for her to love him back. I personally don't understand how someone can't feel a bit of empathy (giving you read them and don't skim over it.)

His talk about being born human while having "inability to BE human" is something I probably understood the most out of the first few submitted entries. Of course, this isn't a rant about how I think (my interpretation) he feels or me trying to be one of those retarded "headcanons" people, because it seems as if unlike a lot of people, I can't ignore the fact that they were existing people with lives and feelings they didn't know how to process (much like me and others.)

This is just me simply finding closure in some deadbeats journal from almost thirty years ago. This entire case is just insanely depressing I've noticed over my last couple years of overall research (since 2020 or 2021. Whenever SKYND came out with their columbine song. [Which was what got me into this in the first place.]) (Also, on the topic of this music video, I wrote in an entry before that they depicted Dylan doing something I described but I'd like to make an edit correction and say it was definitely Eric.) it's always been a heavy topic for obvious reasons, but deeper than the fact that it was the most notorious school shooting in America, the actual situation itself - apart from April 20th, is really heart heavy for a whole lot of reasons.

However, I feel like now I am saying a whole lot of nothing (stating the obvious.) so I'll get to what I sort of wrote this for.

The way Dylan writes his thoughts out sounds out of body. Not to diagnose anything or whatever but in my own experiences - that are very much similar to things he's written about feeling or thinking - I understand the weight of his feelings on a deeper level than most I think, which makes Dylan a sort of past embodiment, or so I kind of believe.

Even before looking into Columbine, I've always felt somewhat similar. Which is especially hard considering I was roughly at the ages of 8-12 when experiencing all these feelings on my own, even lesser advanced was still a lot to handle. The first time I felt truly suicidal, I was around eight, turning nine. I used to have this fantasy when I was Eleven that I would officially off myself on my thirteenth birthday, which was the age I was always excited to turn most. Obviously it didn't end up happening. I didn't have a plan other than the fact that I'd be dead; I didn't have a way to do so or have anything left behind in hopes of giving my family closure. I didn't want to write any notes because I just thought it would be a waste of my time and theirs to read - or to have lying around (if they kept them. Which would have been a 50/50 chance considering my family likes to run away from their problems and ignore it if they can. On the other end of the spectrum, they might have never shut up about it or let it go. I didn't want to give them something to do that with again.)

So, alas, I decided I would play it by ear until just recently where I decided that next January would be okay. I have plenty of time for prep and to possibly call it off (again.) in the rare and let's be real, almost non existent chance of "finding god" or plain just coming to my senses and realizing that its just me being a retarded teenager. Which I kind of hope it is, but then again, I haven't felt truly fulfilled or happy in almost ten years.

It feels more like survival than living, which is generic but true: I only eat enough to live, I try not to bother anyone unless I have to, I keep to myself in awful confidence that I'm able to deal with everything if I just wait it out or overly pay attention to it, and some other things that are different but will just sound like me repeating myself.

My daily routine just consists of Either staying up all night because I can't escape myself, or sleeping with no intention of getting any rest but instead just passing time. I go to school, do nearly the bare minimum enough to pass (or try.), come home, and spend all the time I can in my room. Which has become some sort of hell, might I add.

It's not even pleasant to be here anymore. It's not quiet to me anymore or any sort of safe place.

My room: the lobby of death.

That's how it feels, anyways. I know I'll die in here, and if it's not in here, it will be in an undisclosed location. (I don't want it to sound misleading, like I'm plotting some sort of revenge on anyone.)

I just want to get away from myself, I just want to finally die and get it over with - again. I feel like I'm already dead. I feel like this is how it'll be until I'm physically dead, which means it can't get any worse but it won't be better. It won't even get comfortable.

I don't even know what I'm saying. I feel like everything I say is just useless - like I'm taking up space for feeling the way I do, or I'm looking for attention. But I'm not, this is just my collection of thoughts and everything I couldn't say outloud or something.

"Human Form" is always a striking thing Dylan says because I understand so desperately what he's saying. Not that I dont think I'm a human or that I'm some extraterrestrial being (But it feels like that sometimes.) but it's just such an out of body way to explain yourself. It seems like he just doesn't want to acknowledge what he was - I wouldn't want to. If I could, I would blame it completely on what made me. But I know I can't, not when I'm actively feeding into it everyday.

Cutting this here because I know I'll just never shut up if I don't. I don't know.

[mykennaleigh1]

The fact that Neil Josten canonically knows at least six languages is actually insane so here's my thoughts on all of them :)

English- English was his first language he learned (obvi). He grew up in Baltimore (hey im from MD too!!) so he pronounces words a little funny, like water as wad-der, and so on. Mostly soft t's and r's. Sometimes, he has a hint of a British tilt to some of his words, just bc of his proximity to Mary.

Japanese- I like to think that he learned a bit of Japanese in his father's house. This is his second oldest language, but it's also his second-least proficient. He never really had a reason to use it unless he was insulting Riko or talking to Ichirou. I like to imagine that he wants to improve his skills now that he has the time, so he watches anime in the background while he studies.

German- He learned German on the run, as we all know. He and his mom spent the first few years in Europe while his dad was still actively looking for them, and they bounced around from country to country for a while. I think he considers this his "second" language just bc it's the one he spent the most time using and practicing.

French- I love that he's canonically bad at French accents. He most definitely picked up French while he was bouncing around Europe, but like Japanese, he's not great at it. He got beat by his mom a lot for messing up the accents, and he could never quite grasp them. I mean, he got better for the sake of his own survival, but now that Mary's gone he can chill out a bit on perfect pronunciation. He considers French to be his "third" language, even tho the accent sucks.

Spanish- He knows a bit of Spanish from his time circulating the southern US. This is definitely the language he knows the least of. He can hold a slow conversation, but when Nicky starts to get ramble-y during their practice sessions he has to call it quits before he gets frustrated. (he still practices on his own bc even tho he doesn't have to run anymore, he wants Nicky to have a piece of home)

Russian- This is the last language he ever tries to learn. Him and Andrew pick it up fast, but they do it in such an ass-backwards way that they sort of suck at it. They 1000% just sub in German words when they don't know it in Russian and their accents are all off bc they don't have anyone around them to base off of. They both have like "second year of high school foreign language" level of proficiency but they both think they are great at it. Neil considers it his "fourth" language, when in reality he sucks.

[thedeepmiracleperfection]

like others have said it's very comforting to me to know that this fandom is over 30 years old and that for about 27 of those years (I believe the show was first announced in 2017) it was what is called a "dormant fandom".

for most of the history of good omens, the book was the one and only piece of media we were ever going to get. yes the radio show was a thing, but it was fairly recent in GO's history. We take for granted how much the show has become the fandom, so much so that for many people the show IS the definitive "good omens". Just a few years ago there was no david tennant and michael sheen, there were no longing glances and micro expressions and soundtrack and francis mcdormand voice over and body swap and certainly the idea of a sequel was so far fetched it felt like a crack idea.

and yet, there was a fandom. it may not have been particularly large or especially active, especially as years went on, but it was dedicated and it was there. there were book-based fanfictions being written and posted online as early as the 90s (some of which I think you can still find because they have been retroactively posted on ffn and ao3) and up until 2019 when the show aired. it's actually super interesting to go back and look at old works for this fandom and see the difference in what the widely accepted headcanons were and what the general fanon designs for Crowley and Aziraphale were like.and how obvious the shift was after the show came out.

anyway the point is, if the fandom could survive decades on a novel and people's imaginations, it can certainly survive on two incredibly entertaining seasons and what is hopefully an acceptable final movie. the fandom may not always be as active as it is right now. I actually consider the fandom to be less active right now than it was when the show first came out. if anyone remembers what it was like in 2019 and early 2020, that first year of the show being out was crazy. it became tumblr's most tagged ship of 2019. thousands of fanfics were written and posted that year and i believe good omens has maintained at least the top 10 spot in the AO3 ship list every year since. at least it's usually very high placing. but even in just the almost 6 years that the show has been out, I have seen many creators and many fans come and go. there are some big names that have been staples and I've been in the fandom all the way through, and there have been some who were hot for a minute and then moved on to other things. it happens in every fandom. it's natural to wax and wane as time goes on.

my point is- mah point is dolphins- no my point is that this fandom will never die. We will always be here lurking in dark graveyards with hand baskets with antichrists in them. Good omens has completely and irrevocably changed my life, and no matter how engaged I am in the fandom in the years to come, it will always have a tender place in my heart and I will always come back to it. As long as nightingales sing and the Earth isn't blown up, so too will I be here. And I know there are many others who feel the same.

Will the Good Omens fandom remain active after season 3 comes out?

Honestly, this is the only detail that doesn't really make me want s3 to come out anytime soon.

I didn't have much experiences in big fandoms before so I don't know and im quite scared the love of the fandom will run out of steam one day or another after the end of the sho.w

[ghost-bxrd]

To fuel your JJK and Batfam crossovers, what if Jason became like what Rika is to Yuta to Dick and Bruce. They say Batman got more violent after Robin's death, and while it's true, Jason's the one who is actually almost killing them for trying to hurt Bruce in his eyes. Especially when Bane broke his back, Jason breaks every bone in Bane's body. Blockbuster bombs Dick's apartment, Jason bombs his everything, with a bomb like the one that killed him, and almost rips Catalina to pieces for what she tried to do. When Bruce steps into the JL base after Jason haunts him as a curse, Zatana and Constantine have the same reaction and fear as the second years when they saw Yuta, Raven when she sees Dick with curse!Jason. When Tim and other batfam members join the family, they also get Jason's "curse", with varying reactions. Bruce is horrified that his son would easily kill, but even worse cause it's for him, but can't bring himself to exorcise Jason. Dick as well, buts it's mixed with an awe of how deep Jason loves him. Tim is super happy with having someone who cares about him this much and will stay with him whenever he calls for it, even if the some of the love language is extreme violence towards enemies, and when Jason no diffs the LOA for Damian he feels like a king, gaining the best bodyguard that even Ra's can't harm. Bonus points if Jason appears in his human form to the Batfam unless he's angry, but others can't see him until he attacks so they're near death. And he is monstrousin this form, the same kid who cooks with Alfred in the morning can be a 10 foot tall beast when anyone threatens his family. His curse form looks like how he died, his injuries from the crowbar bleeding on display, but so much bigger with so many eyes and teeth and claws, an explosion happens every time his curse form appears. Anyway curse!Jason AU

I am on my KNEES for this idea holy shit!!!!

Anybody who’s been here long enough for eldritch!Jason and fae!Dick will know how much I love creatures with too many eyes and teeth 👁️

So let’s spin this further!!!! There’s been so many different theories of how Rika came to be and if love could truly be a catalyst for becoming a curse because humanity views love as something sacrosanct.

But the concept of “Love is the most twisted curse of all” is just— so wonderfully applicable for this scenario. Because we’ve got it confirmed time and time again that Jason is the most emotional out of the Bats. And love, in its many forms—a lot of them beautiful—also comes with the duality that can manifest as possessiveness, obsession, jealousy etc. Two sides of the same coin.

Soooooo, fast forward to Jason’s death and transformation into a cursed spirit— let’s have him come to terms with his new existence first. He’ll be scared, full of rage, full of why is this happening to me!?

And maybe for the first few weeks/months he’ll be alone, staying close to his family but trying to get a grip on how and when he appears. Figuring out his existence works, and why explosions seem to suddenly be hard wired into his very being even though, logically, he should be terrified of them.

And!!! The batfam!!!!! Jason’s watching from the sidelines of course, but Bruce operating in Gotham and Dick in Blüdhaven would usually mean that he can’t exist in two places at once. But now that he’s a curse, mere mention of his name is enough to draw Jason’s attention. One second he’ll be watching Bruce bring down a gang in the Bowery, the next he’s blowing Blockbuster and Catalina sky-high. He’s fine tuned into every single bat’s emotional state of being.

And calming him down again??? Hooooo, boy. When curse!Jason falls into a protective frenzy, it has the potential to become bad enough to wipe an entire city off the map, and only the Bats have any hope of calming him down. ((Let’s imagine a ten foot, burned monstrosity being cooed at and skillfully lulled away from the carnage by an exhausted Nightwing asking for cuddles))

(((The Justice League keep urging Bruce to do something about Jason, but all the protectiveness goes both ways: the batfam are NOT losing Jason again.)))

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[diezmil10000]

i don't feel like there's much to say about my art improvement this year. however, in 2023, i wrote a long retrospective about my art in which i mentioned my goals for 2024, so let's see if i achieved all of them ^w^

"so for 2024 i want to study some stuff i feel i'm still lacking in. i think i've always had a good eye for composition, but i've never actually pushed it in my finished illustrations - they depend a lot on the poses because i've always been prioritising drawing over everything else. that needs to change this year."

this was actually one of the first things i did in 2024. just around this time of last year, i was in the process of making 7 fullbody illustrations for class, depicting my ocs from a visual novel i still haven't finished. i never shared them outside of artfight (😂) because i get shy talking about my ocs in public, but they are still fire and almost no one reads these posts anyway so...

i had to use so many references for these pictures, from magazine covers to fashion to layout design. i think this was the first time i was actually putting into practise all the knowledge i had learned in my degree, as up to that point i was getting through it kinda passively.

overall, my 2024 was filled with great compositions. who could have known that paying attention to it would lead to better illustrations, right? here are some other highlights i'm still very proud of:

that leblise piece is probably my favorite piece of art i ever did period. so simple yet so delicious and full of symbolism. the aqours fanart is based on an S shape, from "sunshine", and i felt so smart for coming up with it even though it's really simple. and then there's kanadiamari as always - what i really like about that fanart is that i was able to put my design knowledge into good use again.

"i also want to get better at drawing characters from extreme angles. i've always felt like my poses are a bit flat and i think i can study photos taken with wide angle lenses to improve at that."

before we get into this let me remind everyone that i trace all the time. sometimes i wake up and forget how to draw, so i open an app called Magic Poser and play with the 3D dolls until i have a decent base for what i'm picturing in my mind. but it wasn't until last year that i started pushing the angles of those scenes so that i could get the best of them.

of course, you need to have good skills in order for your traced pieces not to look like shit. i can work with anime models with innacurate anatomy precisely because i already know where the muscles sit on the body. the suselle artwork is more referenced than traced, in the sense that i first sketched the pose, then re-created it in 3D, then traced it and then re-sketched it. the things i do for yuri orz.

"and of course i still want to draw faster, which is something i've always struggled with. […] i'm still too slow for the kind of artstyle i want to achieve, which includes having a looser lineart and less details in irrelevant areas of the drawings. i think that overdoing the lineart actually hurts my illustrations, because everything ends up pulling the viewer's attention with the same energy. i also think messy artstyles are neat."

this is a tricky subject. in my 2023 post i showed some examples of what i wanted to keep doing in terms of lineart, and while i certainly got better at not overdoing it, i'm still far from that goal. definitely something i need to keep an eye out for, as i really like it when i manage to get loose with my art.

not much to say here except that i'm sorry i never posted these farcille sketches. they are 12 in total and the rest of them are porn and i'm too shy to share them with the world. also those furry guys i draw a lot (twice) are me and my and my best friend's fursonas, in case anyone is curious.

"as for the stuff i like about my current artstyle, i definitely want to keep the way i color!! and by that i mean the method i have for applying filters that make my colors pop. i could maybe play more with textures too."

i actually think i went backwards here. what i do now is more visually coherent, but my 2024 doesn't shine for the way i use colors in comparison to the previous year. it probably happened because i got too comfortable with the way i post-process my illustrations nowadays, in contrast with how experimental i was when i started playing with filters. a shame, truly, but not a huge downgrade.

"i also like the way i depict intimacy, and people have praised it too. i don't think i'll ever change the content of my art, i eat breathe and speak in yuri. if anything, there are still some ways of conveying feelings that i haven't been able to draw because i lack the skill to do so, but i'll keep trying ;)"

not sure about this one either, but i know it's because i just didn't draw a lot in 2024. among finishing my degree and final thesis, organizing stuff for aqours when they came to spain and preparing for my current job, i didn't have much time for yuri brainrot. my best drawings were dunmeshi and lgts fanarts, and i'm glad i got into both of these pieces of media because they still warm my heart today :)

i'm very proud of all 3 of these artworks, especially the frebkuchen one, i cooked so much there. maybe this skill of mine (the ability to depict intimacy) is the one that's closest to mastery among the ones i have, and that's why i don't see much improvement.

overall, 2024 was a good year, but not my peak. i can't rate it just in terms of improvement, but i can't deny that i like my 2023 artworks more than my current ones either. i think i'm on the right path, and while i don't have any art resolutions for 2025 i hope i can bring better art to the world from now on.

thank you for reading until the end if you did, and i hope you have a nice year!! <3

2024 art summary!! lots of oc art this year :) i also started painting digitally and it's sooooo fun~~~

(template by PEPPERTODE on deviantart)

[silkquake]

Happy Odaiba Day!! Might work on this a little more at a later point but I wanted to get it out today.

[sundial-bee-scribbles]

i realized they had the same birthday (dec 21st) so i was like "yoooo i should draw them together"

silly bonus:

[dazais-guardian-angel]

Well, at least Fukuzawa got his wish granted, I guess.... he's finally inside Fukuchi <3

[frogshipping]

I'm gonna drop the lore on how my s/i gets with my main f/o other soon, but the writing's gotta cook first. Maybe it'll be ready in a few days.

[red-dyed-sarumane]

i draw to draw & not exactly for results. i mean sure i have an end goal in mind for things but its not really about that. so. i generally just assume people will see the art & look at it for all of 20 seconds maybe go 'neat' to themselves & maybe hit like & thats it. i dont expect it to particularly catch any interest that anyone would save it and especially not something anyone would come back to look at frequently. i dont even look at my own stuff much after its done (usually) how can i expect others to. its not even a sad thing for me i appreciate those 20 seconds of consideration & every like i get. to think it means more to people is always deeply surprising

[rearranging-deck-chairs]

rewatching 13s era for me is not so much diminishing returns as it is something opposite and eviler...............increasing losses? increasing losses

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)

[ruvviks]

having an idea for a game but it's miles above your skill level