#this is mostly old art b/c I don’t have the energy to draw right now

[paper-possum-party-pal]

Sketches of all the bbieal characters

More sketches of Baldi w/ some unrelated oc’s and KinitoPet

[haifengg]

Pairing: NanamixGN!Reader

Note: I think I got this ask quite a while ago but due to my hiatus it got postponed a million times. Now that I am slowly coming back and am publishing the bits and pieces I wrote during being away this A-Z is finally leaving my drafts as well.

A = Affection (How affectionate are they? How do they show affection?) Given his S/O is a sorcerer as well I think he would limit PDA at work to a minimum. Even if they are officially together or even married. He just likes to separate work and home. Tho it doesn’t mean that he is not making small intimate gestures at work like randomly dropping in with coffee or - when they are on a mission - sending a text asking how they are doing.

At home he is pretty affectionate. Randomly pulling them in for a hug, giving small back rubs when they are doing the dishes after he cooked. This kind of thing.

B = Before (What were they like when they had a crush?) Distant. Nanami would probably be a person who maybe actually mistakes the feeling for some other emotion at first. Leaving him confused about why he thinks about them so much. The poor man would likely be irritated every time they are nice to him. Why the heck doesn’t his heart stop pounding? And why is he suddenly excited to go to work? Disappointed when he is not assigned the same mission as them? Or - if they aren’t a sorcerer - sad when a mission takes him away from wherever he met them for too long?

C = Confession (What was their confession like?) Well-planned and straight forward. Nanami was already observing them for a while before making a move. Although he doesn’t actually confess it is pretty obvious when he likes someone because it happens so rarely. Just imagine him asking someone out for dinner. That gives away so much - don’t you agree?

D = Date (What was the first official date they went on?) If we don’t count the dinner mentioned above … I guess it would be something like a gallery. Nanami would definitely want to test his s/o’s taste in art because it tells a lot about a person’s character. What kind of art they prefer (paintings, photography, sculptures, … ) and how they look at it as well.

E = Ending (If they had to break up with their partner, how would they do it?) Professionally. He would state the fact on why they aren’t compatible anymore and what made him draw this conclusion. I don’t think either one of them would cheat on the other mainly because Nanami wouldn’t get into a relationship with someone capable of doing that in the first place (I hope). He would sit down with his (not) s/o and talk it through. There might be tears on the other side but not on his. He thought about it a lot and made peace with his feelings before starting this conversation.

F = Fights (What would fights look like? What are things that upset them?) Kento barely looses his temper. And if he does I wouldn’t say that it is necessarily a bad thing. Getting him so worked up about something does only mean he cares. Fights would mostly be on the calmer/diplomatic side. He might be upset about something but there is no need for him to yell or anything. If the problem can be resolved just by talking about it - great! Why waste his precious energy on negative things, when he can use them elsewhere?

G = Gentle (How gentle are they, both physically and emotionally?) We all know - and all those rough sm*t fan fictions can’t proof me wrong - that he probably is the most gentle character in entire JJK. He despises the violence of his job therefore he doesn’t want to inflict pain or anything on anyone on his good side. Especially his S/O. Nanami has the most gentle touch, fleeing kisses, he will hold them tight but never smother them.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?) As mentioned above: Tight and secure. Or soft. His S/O almost automatically buries their face in the crook of his neck because - who wouldn’t. Is there anything else I have to say about hugs by Nanami Kento? Yes. Am I able to put it into words? No. It’s just a very overwhelming feeling - that’s all.

I = Intimacy (What is their favorite form of intimacy? Do they have problems with it?) For him I think it would be things where they take care of him. While he shows his love through cooking and providing (which he takes a lot of pride from), he loves being taken care of as well. Maybe in departments he doesn’t know so much about. Like skincare. If his S/O teases him about his wrinkles and stern look he would gladly accept any advice in skincare from them, let them do their magic with face massages and serums. He doesn’t even care if it has any effect on his skin - he just loves the attention he gets and thrives on the feeling how much his S/O cares about him (and his skin apparently).

J = Jealousy (How jealous do they get? What do they do when they’re jealous?) This one I am really indecisive about. I can see him get more jealous that we would expect him too - which would be a nice surprise tbh. But also not jealous at all because he is confident. Kento knows what his S/O likes about him and he also knows what separates him from other men. What makes him special. I think the times he gets jealous are the days he doesn’t get to spent with his S/O because of work or a mission. Which rather results in being mad at Jujutsu Tech than jealous of someone else.

K = Kisses (Are they a good kisser? Where do they like to kiss you? Where do they like to be kissed?) Forehead. Kisses. It doesn’t matter what height there S/O is. It is one of the most protective gestures and he enjoys giving those as much as his S/O enjoys receiving them.

The back of the hand cheesy kisses. Because they are his everything, he wants to treat them like it. Nanami knows it’s cheesy but neither one of them thinks too much about it. When they sit across the table, fingers sloppily interlocked on the table top, he occasionally picks up their hand and places a soft kiss on the back of it. Almost absent-minded.

L = Little ones (How are they around children?) He is not very fond of them. Not saying that he won’t love and do everything for his own kids but other people’s kids are usually a nuisance for him. If they are loud or misbehaving he is really not having it. Though he would never lash out or raise his voice against them/their parents. ‘Children’ as in ‘his students’ … he always makes sure to treat them as children in a way he wants them safe/won’t put them in unnecessary danger.

M = Messages (How often do they text his S/O?) Kento strikes me as a kind of guy who doesn’t text often. Mostly because in his line of work sharing attention could easily be his downfall or worse. He will let his s/o know if he’s running late or occasionally ask if there is anything they need from the store or things like that but aside from practical messages he doesn’t text much.

Though if he is on a long mission and away from his s/o for quite a time span he usually rather calls them than text.

N = Night (How are nights spent with them?) Nights as in ‘Nights Out’? Date nights? Well, he is a foodie so dinner is always a popular option. He takes the time to carefully research about the restaurant and the menu. If the rotate dishes, he will make sure they’re going at the exactly right season to get the best culinary experience possible.

Nanami is old fashioned. So he will hold the door for them, pull back the chair … helps them into their coat.

He also likes going to the movies. The intimacy of the dark theatre gives him the confidence to reach out for their hand or have his arm around their shoulder. Since he usually limits PDA in public this is exciting for him.

O = Opinion (Would they ask for their S/O’s opinion a lot? How important is it in terms of decisions?) Probably more than I would expect him too. Maybe not about the smaller things but decisions that involve the both of them he would definitely ask.

P = Patience (How easily angered are they?) Due to the time he spends exposed to Gojo this man has the patience of a saint. Literally. He rarely snaps at his S/O.

Q = Quizzes (How does a bar trivia night teamed up with them look like?) Stressed. Yes, this man in very educated and cultured but imagine him sitting in a loud-ass bar, having to answer questions about the transformers or Megan Thee Stallion. Absolutely absurd. How old he must feel …

R = Remember (How much do they remember about their S/O or their relationship in general?) Not everything but a lot. He will remember little things they mentioned early on in the relationship and bring it up again later. He also uses this ability for presents and such. As well as in fights. If they think they can outtalk him with something you accusedly said or didn’t say some time ago - I suggest they surrender, because he will remember much better.

S = Security (How protective are they? How would they protect you? How would they like to be protected?) Very Protective. I mean yes, he knows that they can stand up for themselves but why should they have to do that if he is around? One of the big perks dating him is that he is who he is and that his presence confuses most people. So he might as well use it. Not so much in a physical way but rather in addressing the people bothering his S/O directly in the typical manner of his.

I think his understanding of being protected equals being taken care of which plays into the skincare thing I mentioned earlier. It is not so much physical procreation from danger but preserving a future together where one cares about the other deeply and only wants their best.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?) Medium effort. He prepares and researches but he rarely comes up with a new idea. He knows what he likes and his S/O probably does too. His work is so stressful and has close to no repetition so that he enjoys doing the same things on dates over and over. That does not mean it will get boring. Because Nanami sometimes thrives on going the extra mile. There is a restaurant across the country that he really wants to dine at? Buckle up - he is going on a vacation. Short trips or spa weekends are also things he appreciates.

Since he remembers dates and anniversaries well he is usually well prepared for those occasions. He puts a lot of thought into presents and barely ever gifts useless things. He does not like to have a lot of stuff laying around so what he gives to people usually serves a purpose.

U = Unique (What makes them unique as a S/O?) Literally everything I mentioned above. Namai Kento is a unique mix of all his traits. A very balanced person.

V = Vanity (How concerned are they with their looks?) Well … he wears the same freaking suit everyday so … but yes I think cares about his looks and hygiene in general. As far as clothing goes he probably has one brand he is loyal too, which automatically sets his fashion style in stone as well. He has the same haircut for quite a while and sees no point in changing it.

Overall just the classic hetero dude who ones figured out what works for him and stuck with it. lol.

W = Whole (Would they feel incomplete without their S/O? Yes. His S/O is the other side of him. Is what balances his inner peace. Without them he worries too much, stresses too much. He needs them to tell him it’s going to be okay.

X = X-Ray (How transparent are they?) Nanami doesn’t actually tells them everything but will disclose if they ask. He just doesn’t think they are interested in small details about him.

Y = Yuck (Everyone has flaws. What is theirs?) He. Doesn’t. Do. The. Dishes.

Z = Zzz (What is a sleep habits of theirs?) Kento never lets go of his S/O. Which can be annoying. And suffocating. Especially in summer. He is not clingy and they don’t fall asleep like this but in the morning he always spoons them or weirdly holds their hand. Sometimes toes interlocked lmao. Which makes them even more lonely when they are apart, because they got used to it way too quickly.

@kpopsnowball @soleilsuhh @jeonghanmoon @himitsu-luna

@sagedevans @shampoocifer @your-consulting-fangirl @gwynsapphire​

MASTERLIST

[rebelsofshield]

Panels Far, Far Away: A Week in Star Wars Comics 11/13-11/27/19

It’s certainly unfair for Lucasfilm to pick my first semester of grad school to start supplying us with more Star Wars content than at any other point in recorded history. Jerk move on their part. Anyways, as a result, here are three (!) weeks worth of Star Wars comics review in which: Marvel’s ongoing ends its seventy five issue run, Doctor Aphra gets her groove back, and Chewbacca knocks some heads. Hopefully I can be quicker about this in the future!

11/13/19

Star Wars #74 written by Greg Pak and art by Phil Noto

In its seventh chapter, “Rebels and Rogues” hurtles towards conclusion. The result may just be the strongest installment of an arc that has been chockfull of great ideas, but often struggled on just how to tell its sometimes overly scattered story. With the different teams now in open communication with one another and each fighting for their lives in desperate situations, writer Greg Pak’s take on the galaxy far, far away has never felt more a live and energetic.

We hop between narratives with surprising ease and elegance and the flow of the story is easy to follow, high energy, and positively fun. Han, Leia, and Dar Champion are flying for their lives in a defenseless ship against an Imperial star destroyer, Luke and Warba are in route to the planet’s rebels but with an Imperial patrol of Stormtroopers riding velociraptors right on their tale, and Threepio and Chewbacca are right in the center of a growing conflict between the rock people of K43 and Darth Vader himself.

Threepio’s arc here still remains the most fascinating stuff in “Rebels and Rogues.” For the first time in a long time, old goldenrod feels like he has an emotional story all his own and it culminates in a moment of self-sacrifice that capitalizes off all the themes of sentience and personhood that this surprisingly delightful subplot has been playing with since day one.

The promised Chewbacca/Darth Vader showdown on the cover doesn’t occur until the comics final pages but it sets up what should be a killer finale. Noto draws a suitably visceral encounter and no other panel in this creative team’s legacy will likely spark as much joy as Chewie spiking a boulder off of the Sith Lord’s ebony helmet.

Score: A-

Star Wars Jedi: Fallen Order: Dark Temple #4 written by Matthew Rosenberg and art by Paolo Villanelli

At the time of this writing, I’ve actually finished playing Star Wars Jedi: Fallen Order. The first single player Star Wars game in over a decade provides a very fun and rewarding experience that is populated with some truly outstanding characters. The game also shows that its tie-in comic, Dark Temple is surprisingly more consequential than one might have originally thought. Sure, Cere and Eno Cordova were known characters in the game from the start, but Dark Temple sees the two encountering numerous elements from Fallen Order for the first time.

Even outside the comic’s surprising consequence to the game it draws from, Dark Temple continues to be a very entertaining prequel era narrative. Even four issues in, writer Matthew Rosenberg is still providing us with new information and twists that upend our understanding of what exactly is going on. Cere and Cordova may have gotten involved in something bigger than they originally anticipated and there is more on the line than freedom for Fylar. Rosenberg has weaved a complex web and just what exactly lies within the titular temple is just as much a mystery now as when it started.

It also helps that this comic is arguably the best looking Star Wars comic on the stands now. Paolo Villanelli has always excelled at drawing dynamic and well choreographed action sequences and he truly shines here as the violent conflict between Flyar and the DAA corporation explodes into full blown war. Villanelli is great at creating a sense of motion and scale and these moments of larger conflict are filled to the brim with well designed characters and explosive energy. Colorist Arif Prianto makes the comic feel like it comes ablaze too with multicolored embers peppering each panel.

Between the surprisingly complex story and the killer art, Dark Temple has quickly evolved into one of the stronger tie-in comics that Star Wars has released in recent memory and a significant improvement on both creator’s previous works in the franchise. Its final issue may not stick the landing, but this is a comic that is well worth considering picking up.

Score: B+

Star Wars Target Vader #5 written by Robbie Thompson and art by Cris Bolson, Robert Di Salvo, and Marco Failla

So turns out the Hidden Hand isn’t the rebellion? I’m very lost at this point. The mysterious crime organization that has been at the center of Target Vader from its start has always been its biggest head scratcher. A last panel reveal at the end of the comic’s first issue heavily hinted that the Hidden Hand was actually just an organization used by the Alliance to work in the criminal underworld. Over the past few issues, we have been given to doubt this reading, until now, where this theory is thrown out the door. Turns out the Hidden Hand may have older and more mysterious origins, but now we are just as lost as ever.

It speaks to the overall aimlessness of Target Vader. Despite the violent thrills of last issue, this miniseries has still been a mostly confused and overly long affair. Beilert Valance is still a mostly dull protagonist and his quest to neutralize Vader feels even more muddled than ever before. Writer Robbie Thompson does some work to try to remedy this situation by giving us an issue that is split between retelling Valance’s past and maiming by the Imperial military and the present where he is now caught between the grip of the Empire and the Rebel Alliance. It creates an interesting scenario for our central anti-hero, but ultimately fails to reveal much enlightening about Valance as a person. We may know why he is a grumpy, angry loaner by this point, but it doesn’t make his relatively one-note behavior any more interesting.

It also doesn’t really help that we have three guest artists on board instead of Stefano Landini. Marco Failla’s pencils may do a good enough job of approximating Landini’s style, but as a whole the result is a bit jarring as the comic never establishes a clear visual consistency. Combined with the fact that we already lost Marc Laming after issue one, this just adds to the weirdly confused reading experience that Target Vader has maintained to this point.

We have seen this comic work. Last issue’s installment was a brutally realized explosion of violent chaos, but we only have one issue now to really bring it all together, and I’m worried that Target Vader may not be up to the task of making this long, strange voyage worth it.

Score: C+

 11/20/19

Star Wars #75 written by Greg Pak and art by Phil Noto

All roads lead to K43. In its eighth and final chapter, “Rebels and Rogues” sees all our team members converge on the rocky moon for one climactic stand against Darth Vader and the Empire. In this extra sized finale, Greg Pak and Phil Noto try their best to pull the disparate threads of this arc together while also delivering a satisfying finale. The result proves fun, very strange, and ultimately forgettable. It ends with a summation of this run as a whole: filled with smart art and ideas, but lacking in standout storytelling beats to leave a lasting impression.

Some of the disappointment comes from the fact that much of this issue comes down to our various cast members beating up on Darth Vader. We open with the final blows of Chewbacca and Vader’s brawl which Noto clearly enjoyed bringing to life, but much of the rest of the issue resorts to the extended ensemble blasting away at him in various set pieces. It plays out like a miniature version of 2016’s Vader Down, but lacking in the edge and thrills of that original crossover.

There’s also some strange choices made with the rock people of K43 that don’t entirely gel with what came before. Part of what made these characters so refreshing throughout this story arc has been how Pak used their existence to challenge our characters’ concepts of sentience and to allow C-3PO to bond with another group of non organic life that is similarly overlooked. This fun play continues, but the conflict of it all is handwaved away in a manner that feels unusually flippant. Given the amount of effort put into finding a way around murdering this race, Pak introduces a last minute plot detail that makes it all feel unnecessary and that’s before the giant planet sized stone giant appears.

Yes, this comic gets very weird and it’s certainly fun, but it feels more than a little scattered and chaotic in a comic that already feels all over the place.

With that, we bid goodbye to this short but enjoyable era of Marvel’s Star Wars ongoing. While Empire Ascendant will presumably be the final issue of the main series, with it being rebooted for a new post Empire Strikes Back ongoing headed by Charles Soule and Jesus Saiz sometime in January, there is a sense of finality to this creative team’s last chapter aboard. Pak and Noto prove a fun bunch and had a great sense of playfulness and scope to this ongoing during its final days even if the execution wasn’t always immaculate. I’m glad to hear that Pak will be staying around to write the next volume of Darth Vader. He has some big shoes to fill, but if the heights of this comic are any indication, he is capable of the same spectacle and intrigue as past creators.

Score: B

11/27/19

Star Wars Adventures #28 written by John Barber and Michael Moreci and art by Derek Charm and Tony Fleecs

Chewbacca’s adventures with his porg sidekick, Terbus, are pretty much perfect fodder for an all-ages Star Wars comic. Given how strong Adventures’ visual storytelling has been since day one, having two protagonists who speak through grunts, squawks, and body language is right up this teams’ alley. Yes, it’s cutesy and yes it is a bit simple, but there is undeniable charm in the way Derek Charm draws us through the liberation of Kashyyyk. It may not be as visually inventive as last issue, but the way that Chewbacca hops through the forest and takes on First Order baddies is still illustrated with the same energy and personality.

There is a bit of tonal whiplash here though. While it’s hard not to be won over by Porg salutes and Wookiees knocking heads, there are moments where the enslavement of the Wookiee population is presented as an all too real possibility. The lighter, more playful execution of this issue may do a lot to make this subject matter more palatable for younger readers, but one wonders if this should have been the direction that the story went with at all.

Michael Moreci’s droid adventure is more tonally cohesive and certainly also a fun time, but it lacks the standout visuals and heart of the Chewbacca section. Last issue succeeded by pairing the under appreciated droids with another outcast that also was invisible to the First Order, but the events here are less concerned with character and theme and more so with the fun action of their plan. All the same, it’s still a decent read and sure to delight younger readers.

Score: B

 Star Wars Doctor Aphra #39 written by Simon Spurrier and art by Caspar Wijngaard

With just one issue left before the end of their tenure, Simon Spurrier and Caspar Wijngaard are pulling out all the stops for the end of Doctor Aphra. After the misstep that was “Unspeakable Rebel Superweapon,” it has been nice to see Spurrier get back in the swing of things with “A Rogue’s End” as each issue improves upon the last. Wijngaard and colorist Lee Loughridge feel more in sync here than ever before and Spurrier twists the knife as Aphra digs herself further and further into a disaster of her own making.

While she was first introduced in Kieron Gillen’s run on the title, Magna Tolvan and her relationship with Aphra have been staples of Spurrier’s run since he first stepped into the title. Here as we hurtle towards the big finish, it seems only fitting that the tortured and complex romance between these two very different souls take center stage. “A Rogue’s End” isn’t afraid to really dig into what it is about these two broken and confused women that drives their attraction to one another and just how deadly and ill advised their love, if it can be called that, is. It’s antagonistic, violent, but ultimately brimming with the sort of affection and tension that makes a good Star Wars romance sing. There is one image in particular here that is beautifully realized by Wijngaard and Loughridge and may rival the two’s first kiss for the iconography of this pairing.

It’s not all two woman coming to terms with one another under extreme circumstances, Aphra is still full speed ahead on her own mission survival. We hurtle towards a series of decisions at the issue’s end that may just cross the line into Aphra’s biggest moral slippage to date. Spurrier seems poised to deliver final judgement on what kind of person our dear rogue archaeologist may be, but knowing her and this series, the final thematic resting point is anyone’s guess. It’s a good thing that Spurrier makes the whole thing so damn fun to read and Wijngaard creates such beautiful imagery.

Score: A-

[ask-shakespearehigh]

Q&A post with the Mods!!!!

This is going to be a long one oh boy

How strict is the delineation of creative control vis-a-vis characters/plays between the mods? (@pedanticlecturer)

We generally have the plays split up along lines of “what we know”— we have a list at the very beginning of the blog. Sometimes we’ll draw the others’ characters (mostly me drawing some of Star’s…) but even then the final say on characterization is up to the “main” mod for that play — mod aster

what aster said -- mod star

What is your favorite play? What is your favorite character in terms of how they were written in the source material? (@pedanticlecturer)

I think my favorite play overall is Macbeth, just because I like the vibes (and the fact that I too could kill Macbeth), the fact that you don’t say it’s name in theatres, and the fact that it’s a play I did a full read through and analysis of in class. Favorite character? Puck from Midsummer. — mod aster

uhhhh,, hmm. ive always had a soft spot for midsummer since i saw it with aster esp bc of how fun the costumes were. of the comedies it has the largest potential to be the most visually pleasing bc of the concept of fairies,,,and im gay and dramatic so i love that. id die if i got to costume design for midsummer,,,or be in it,,,yeah. fav character. hmm. probably mercutio?? i recently saw a version of romeo and juliet where mercutio was played by a woman and oh my god it was amazing!!! not to mention mercutio’s portrayal in baz luhrmann's INCREDIBLE version of r n j!!! (I based my mercutio design on him) he just spends the entire time making dick jokes. love that. -- mod star

How do you answer asks so fast? I mean it's great but I'm impressed 😂 (Anon)

Personally, it’s a mix of: notifications on, quick drawing speed, and using the blog to avoid my class work — mod aster

aster is fast and (as you can see from all of my answers) im lazey -- mod star

Are there any elements/characters of the plays you're covering that you would have liked to work into this blog's plot, but couldn't due to the constraints of the setting or the synthetic nature of the blog? (@pedanticlecturer)

I wanted to make everyone gay but unfortunately due to plot constraints we have to have some hets but that wont stop me from making it lgbt as possible. -- mod star

I did want to make The Tempest more of a central play, but it just didn’t translate well. Similarly, other supernatural elements like the witches in Macbeth. This isn’t so much a constraint mentioned, but my own time/energy means that I want to show the Macbeth backstory, in a specific format, but I can’t right now— mod aster

Is there a hierarchy of import when it comes to each play's individualized impact on shakespeare high's general arc? If so, what plays are crucial to the foundation of the story? Which ones did you do mostly for shits and giggles? (@pedanticlecturer)

This is phrased like an ACT question and i might not answer it right so sorry in advance but: mod aster and i only selected a few plays for each of us to do given we dont know all of shakespeare’s works, but we tend to put more emphasis on the the more well known. But it also comes down to 1. How much we have plotted out for each play and 2. What the followers ask about most. Our two most popular are hamlet and macbeth bc people are familiar w those but around march caesar always becomes relevant again. I didnt even have designs for some of the characters until someone asked about them. -- mod star

I would say the same as star— it generally comes down to what people ask about. I will say that the overall plot is sort of separated into “has happened” and “is happening”. Like, the human potion of Midsummer, Julius Caesar, and Macbeth are all in the “aftermath” portion, while Twelfth Night, Hamlet, and Romeo and Juliet, among others, are happening. We’re trying to incorporate as much as we can, and I don’t think any of them were really put in without some thought.— mod aster

What personal significance does shakespeare hold in ur guys' lives? (@pedanticlecturer)

I go to a theater school rn and so ive dealt w shakespeare (although not all of them) it also helps that i was in loves labours lost last year as moth and that i read hamlet and r n j. Theres also a theater in my state that always does One Big Shakespeare per season and they always do them super well!!! My love for shakespeare probably started w seeing midsummer at that theater w mod aster!!! So. Theater kid rights!! -- mod star

To be honest, I got back into Shakespeare Because of the blog. I’ve been friends with some people that got really Pretentious about Shakespeare, and it kinda put me off of it. I did have a book of abridged plays (the plays’ plots written out in prose, basically) that I read as a kid, which is what got me into not only the plots of a lot of the plays, but also the idea of having them illustrated. And, same as star, the theater in state does the One Big Shakespeare— and they tend to do some really cool things with the costumes, setting them in diff time periods. I haven’t been able to see any lately since I’ve moved, but they still slap. — mod aster

🥰😘💙🥰🥰💜💟🥰I 😍💗💚😍😍LOVE🖤🖤 YALL ♥️♥️🧡💛💚💝❣️💕💘💖💗💓💞💝❤️💛💜 okay now i have a question i swear— how long have the two of you been doing art??? and what were your first shakespeare plays??? (@hellaghosts)

Uhh i started drawing when i was like idk 12 and i have the giant boxes of sketchbooks to prove it!!! I moved to digital art at abt 14-15 but mostly stayed traditional until this yr when i got a Neat New Tablet so some of my sketchbooks are sitting abandoned rip. My first shakespeare was either romeo and juliet or midsummer nights dream and i love both of them v much!!! I have a very old piece of art that i did for r n j for my freshman class assignment on it and it hasnt aged well alsdjfjafd circa 2016 i think??? -- mod star

Oh man. I started drawing when I was about 10, but it was Bad. I don’t think I got much into drawing again until I was about 14? Sometime around the end of middle school/beginning of high school. I would say I started getting into drawing as more than doodling/coloring edits sometime around 2015-16? I would draw on my iPad with my finger, then I got a tablet for my computer, and now I pretty much stick to my iPad with an Apple Pencil. My first Shakespeare play was….. uh…… probably Midsummer???? I have No idea. We would go to plays when I was little, so I honestly don’t remember if I saw others before. It may have been Romeo and Juliet— I had that book where it was the original and the “modernized” with the little dog that explained things— which, if you know it makes sense, but if you don’t is probably a bonkers answer. — mod aster

Do you think this blog has like? An overarching thesis (be it b/c intentionally or simply b/c ur own take on the world has bled thru to the point where u believe it’s central to the piece at this point)? (@pedanticlecturer)

Not gonna lie, I had to read that like three times AND dm you to figure out what you were asking from us and all I have is “be gay, respect women, write your own happy endings”. — mod aster

This blog started with an ides of march shitpost and you think we have enough brain energy to write a whole thesis? I projected feelings of found family onto my half of the blog but idk if that counts. Be gay do crime 420 69 -- mod star

What’s the nature/rough dynamic of ur relationship? How do y’all know each other? (@pedanticlecturer)

Met mod aster when i was like 4 and even tho we didnt live close we became like, best friends although the Best part didnt start until we were like 13-ish and eventually we talked like non stop (about anime and homestuck. Yknow. 13 year old kid things) and we didnt see each other a lot bc of Distance and now its even worse bc aster is in colleg.,e but we consider each other siblings regardless of family bc we’re adopted into our own respective families so that bled over into our friendship and it would feel weird calling him anything other than my brother now. We’ve seen each other at our best and worst and if you really want a good insight on what we’re like as siblings watch griffin and justin mcelroy’s overview video of catlateral damage wherein i am griffin and he is the long suffering justin. -- mod star

Star is basically my long distance sibling and functionally the only cousin I recognize bc like their parents are basically an aunt and uncle and like our dads look enough alike that we’ve both accidentally gotten the wrong dad for a hug or similar so like. Anyways yeah Star is the Griffin to my Justin, complete with our absent middle brother who we love dearly— mod aster

Dubiously relevant q but what kind of music do y’all listen to when u do art (if that is indeed a habit either of u partake in) (@pedanticlecturer)

It can depend on the piece? I was working on some (unrelated) oc prints that were song-focused, and for those I just listened to said song on loop. Sometimes I have playlists. Sometimes I’ll just be in a Mood and throw a song on loop. But a lot of time for the blog, I’ll listen to The Adventure Zone for the billionth time, because I have Too Much Attention. I’ve also, on request from Star, linked the most recent “loop song”.— mod aster

I tend to obsess over the same like 3 songs every few weeks so those get listened to on repeat but it also depends on the tone of what im drawing or who im drawing i might genre switch bc of that. If im drawing ophelia i stick to lana del rey and if im drawing hamlet its the neighborhood, horatio is sufjan stevens etc. i have categorized,. Most of the characters i draw into different songs/genres/energies of music but not like i ever follow that. Sometimes i just pull up a really long nonsense video and forget to draw. Essentially: ¯\_(ツ)_/¯ -- mod star

How’d y’all come up with ur pseudonyms? (@pedanticlecturer)

I love space so much and my main blog is starryeydsailor space gay rights!! Im also tiny and full of energy and bright so basically i;m star -- mod star

Uhhhh i was like “hey i want to do uhhhhhh flower?” And then I google searched flower names until I found one I liked —- mod aster

How did you end up deciding the rough timeline of events in canon? (@pedanticlecturer)

It’s mostly determined by like. How we choose per story? If that makes sense. Like, we just take story by story, and decide “is it happening, has it happened, and when?” And then we fit them together in relation to each other just by dint of. All existing at once. Like, I knew I wanted Macbeth to be in aftermath, because like, even though there’s no murder, the way I’ve translated it to the AU is still kinda heavy, and it’s something that I don’t know that I could do properly if it were happening right now. Also, it’s more interesting IMO to have them at different times. Tl;dr we wing it per story and slot them together— mod aster (mod star agrees I just can word better, in theory)

If you could tell the story of shakespeare high in a different format than an ask blog, would you? Obviously y'all are making very good use of the format, but would you want to write this as a animated series or like? a comic book? or is the form inseparable from the story? (@pedanticlecturer)

I kinda wanted to do a webcomic or maybe to plot develop through like, animatics but the element of surprise comes from the asks we get and really makes us think so the blog is a good start. We didnt think we’d get this far -- mod star

Pretty much what Star said— there are certain elements where it’d be neat to do as a comic or as an animatic. Like, the fantasy dream is like, an anthology webcomic of each story, where you can like, see other characters in the background and stuff. But to be honest, we develop a lot by what we’re asked— there was a post about developing worldbuilding by being asked questions and then pretending you’ve thought about the answer, and it’s not far off. Personally, it’s hard to just lay out a story, because I have a whole WORLD and what’s relevant? What are people interested in? It’s by getting questions that I can then focus in on an area to develop. And yeah, we Super didn’t think we’d get this far lmao — mod aster

Any headcanons about your characters that you don't think will ever come up on the blog through asks or plot posts? (@pedanticlecturer)

I could make a whole separate post for this!!!!! Mostly its voice headcanons (and by mostly i mean like 1 or 2) or relationship hcs!!!! -- mod star

Honestly same. I don’t think I have voice headcanons for mine, though I bet I could find some. I’ve got a bunch of miscellaneous headcanons that just kinda float around, but like they’re scattered, too numerous for this post, and also not always things I’m sure are canon yet.— mod aster