#this is literally the best way of looking at the situation

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[suzukiblu]

Day ten of “obligatory sugar baby Kon” behind the cut. tw: implications of past grooming/abuse and the inherent problems that causes for someone who was in that situation and hasn’t processed it trying to have a relationship with someone actually age-appropriate. prev: (( chrono || non-chrono ))

“I mean–it’s nice,” Kon says, smiling just as helplessly into his collar and keeping his eyes on the sidewalk as they walk. “Just, you know, it’s not the kinda stuff you usually get me. Like–it’s just, you know–pretty, or whatever. It’s not for anything. Like, I can’t wear it for you and it’s not, you know, food or a game or anything.” 

Tim did not actually realize that he hadn't bought Kon anything that didn't count as “useful” yet, though given the video games and candy and jewelry he's pretty sure they just have different definitions of what “useful” actually is. Also he needs to take a moment to not burn alive over Kon saying the phrase “wear it for you” again, which definitely takes the full moment, because Jesus Christ. 

That has not gotten any less affecting, yeah. 

“Oh, I guess,” he says in his best imitation of a normal person's normal voice. “I didn't really think about that. I just thought you might like it, so I got it for you.” 

Kon somehow finds a new shade of red to turn that honestly might actually be a Kryptonian-related one, considering the intensity of it. It is, unfortunately, cute as fuck. 

“I mean, I do like buying you clothes and stuff, obviously. You look really nice in that outfit, for one,” Tim says, and Kon glances away again, still smiling helplessly and still just as red-faced. He really does blush so easy. It’s weird, Tim thinks, given how much flirting he does. But maybe Kon’s just the “can dish it out but can’t take it” type, he guesses. 

Alternately, maybe people just aren’t complimenting him as often as he deserves and he's not used to hearing it. 

. . . Tim makes a mental note to pencil in some affirmations in Young Justice’s next training session and also to buy Kon even more flowers than he was already planning to. Flowers that come with little hand-written cards that say nice things about him, specifically. 

“You better think I look nice in it, pretty boy,” Kon says, biting his lip around another grin. “If I didn’t know better, I’d think you wanted me all fancied up.” 

“I mean, don’t get me wrong, I liked the crop top too,” Tim allows, and Kon bursts into laughter and then lets go of his jacket collar and just–beams at him, actually. Just–literally actually beams, brighter than anything in Gotham that doesn’t run on electricity. 

Tim manages not to step off the sidewalk into traffic by Robin-reflexes alone and literally nothing else. 

Jesus, that expression. 

“I like, uh–that,” Kon says, and then blushes a little darker again. “Um–I mean, I like that you, uh . . . like to get me stuff you think I look good in. Uh. I don’t know how to say this without it sounding weird, fuck, just–just I like it.” 

“Oh,” Tim says. The warehouse district in his brain is a lost cause; the fire has officially spread to the docks and across downtown. His mental Gotham is going the way of 1871 Chicago, he’s pretty sure. “Uh–um, good. I’m glad.” 

“It’s just, um–I dunno, it’s just nice to look nice for somebody,” Kon murmurs a little bit shyly, tugging his jacket collar up over his mouth again but still obviously smiling behind it. Tim isn’t sure if that’s a line of thought he should be concerned by after the kind of things Kon was saying earlier, if–“Instead of, you know. For everybody.” 

. . . Tim decides that actually, never mind the concern. Kon can look as good for him as he wants to, if what Kon’s used to is being stuck having to look good for some stupid ad campaign or magazine shoot or what the frick ever. And like–it’s not like he has a problem with Kon wanting to wear things he thinks he’ll like. That is pretty much the opposite of a problem for him, in fact. 

It probably explains the makeup, too. There were definitely not any ad campaigns with glitter eyeliner or nail polish involved. 

. . . not that Tim’s seen all the ad campaigns or anything, just–

Alright, fine, he’s seen all the ad campaigns. That’s just Bat SOP, alright? And definitely only Bat SOP.

[swugarbunnyy]

♡ My ultimate anti binge and getting through fasts advice. The order doesnt mean smth is more or less important. Mwah.

1) Water. Even if u hear this a lot, water is what u literally going to need for this. And im talking about actually getting ur water in, through out the day and not randomly remembering to drink it at 10pm. It doesnt have to be a torture, it shouldnt be! Get urself a cute water bottle, add some ice if u like and take small sips.

2) Sleep. And in the best way possible, i mean that u can use sleep literally as a distraction, to pass the time. Whenever u feel like those food thoughts are becoming too much, get under ur covers and sleep it off. Many times i did that and woke up, not feeling hungry anymore. And also, sleep itself does really help with weightloss, u will also feel less tired through out the day if u get nice sleep ໒꒰ྀིっ˕ -｡꒱ྀི১

3) Mints! Chewing zero sugar mint gum is a must. If that becomes too boring for u u can try the zero sugar flavored ones, my fav is raspberry or watermelon. U can also try to brush ur teeth whenever u feel like binging or eating when u shouldnt. Having that mint feeling in ur mouth often makes u want to not ruin it.

4) Distractions. Choose smth to distract urself, smth that actually takes a lot of time and doesnt make u think about food. Theres so many things u could do instead of being so bored u feel like u have to eat. Has to be smth u enjoy doing, for me its usually cleaning/organising, not only my room but around the house, watching movies and shows, saving pins on pinterest, organising my phone, making wishlists, playing games, and my fav one - talking to ppl on the phone or irl, so i dont want to interrupt it and i wouldnt want them to hear/see me eating.

5) Motivation. U wont do it if ur not motivated. Keep urself aware of how u look, try on clothes that u havr and see which ones are too small, and use this to motivate urself to fit in them. Think about how different everything could be for u in a couple of months if u stay strong now, and compare the situations if u fail. Write a list of things ur doing this for. I personally like to also have a hidden th3nsp folder, and i go back to look at the photos everytime i feel unmotivated and weak.

6) Dont jump into a fast too quickly. For example, if u ate a lot one day, and u decide to start a fast right away, it can make u fail pretty fast. Try to slowly make ur body more used to it, eat 100-200 cals less each day and THEN prepare to start a fast. So many times i made that mistake - started a fast out of nowhere, and my body was just too shocked, so i was way more hungry.

7) Wear a lip product. This might not be the most helpful one, but its just a small tip that works for me. Choose a lip product, bonus points if its scented or has a minty, cooling effect, and wear it. It makes me not want to ruin my lips and i usually choose not to eat when i have it on. Best combination is mint gum and this!

8) Zero drinks. We all know this, so i wont write too much, but zero drinks are usually my choice when i feel like i need smth with flavor, but i dont want any calories in. U have many to choose from.

9) Choose volume eating on the days u eat - instead of eating smth very small that has 300 cals, eat more but with less calories. This way u will feel better, and most likely wont eat even more. (Salads and fruits are heaven sent in that situation.) Always look for smth to switch to a less fat version, it isnt as hard as it seems.

10) Be patient. This is hard for me cuz im such an impatient person and if i could, i would want everything the same hour i start. But why did i make this point? Because if it feels pointless, like its not working, working to slow, just wait a month. U would be shocked how much u can change in just a month.

11) Doing lighter exercise while fasting. Ur already doing enough by fasting, so on those days dont torture urself with very long heavy exercise, even tho ik its tempting, i used to do it, but i would just end up feeling super shaky. U can workout more on the days ur restricting.

12) Parents that force dinners on u - I used to struggle a lot with that. Im older now, so no one can rlly tell me what to do. But i say, if ur parents make u sit down and eat dinner with them, try to make it ur omad. Nothing is really ,,ruined", if u dont think it is and dont start eating even more after, of course.

13) Rewards 🎀 Not food! But u can always set a bunch of goals and reward urself for them, it feels way nicer to do when u have to wait for smth and work for it. Choose a gift for urself and get it when u achieve a specific weight. U can have smaller ones for the small goals and choose smth bigger/more expensive when u hit a bigger goal.

14) Buying one piece of clothing thats too small for u. I had one, even a couple, and it was the greatest motivation ever. It was with my own money, and i felt so pathetic for thinking its too much work for me to just push myself and finally fit into that tiny top.

15) Keeping a journal. I usually do that in my phone notes and lock it. It helps u, u can always look back at it, learn from ur past mistakes and prevent urself from making them again. It can also motivate u! For example i wrote i was unhappy on my bday party cuz i felt too big. That motivated me to look way better on the next one, luckily a long time before the event.

16) Keep one thing in ur head, always - Food is not going to run away, it will be here. The cake ur mom bought, is not the last one u will ever see again, same with ur fav snacks someone brought home. The only thing running away from u is the years u spend unhappy, cause u keep giving in.

Good ♡ Luck !

[lucygxybaird]

billy x reader - time traveler billy

Everything happens so quickly that you don’t have time — at first — to realize how odd the situation is. The man’s clothes make him look like a refugee from a Western, and everything about him, from the curl of his hair to the way he stands marks him out as someone…different, somehow. Not to mention, of course, that he’s standing in the middle of the street, looking about as out of place and freaked out as a squirrel dropped into the middle of the ocean. 

But even if you could put your finger on it, you don’t have the time to consider what makes him so strange. 

First, you’ll have to get him out of the path of the oncoming car. 

You have, in point of fact, never actually tackled someone before, let alone someone who seems to be quite a bit taller than you and undoubtedly heavier. But you take your best shot, leaning in and diving at his waist, hoping to make him fold like a lawn chair. Maybe it’s just the shock, or maybe you actually find the right angle — you have no idea, but it doesn’t really matter. You manage to knock the guy sideways, both of you stumbling toward the safety of the sidewalk as the car screeches past, the driver laying on his horn. 

You watch as the guy flinches at the noise, actually clapping his hands over his ears as he squeezes his eyes shut, like he’s praying with all his might that the noise will just stop. Fortunately for him, the car turns the corner up ahead, and the sound of the horn fades as it goes. You watch it go, wondering absently how long Speed Racer is going to keep honking, and then you look back at the guy whose life you’ve saved.

“Are you okay?” It’s probably a stupid question, considering what little information you already have, but you don’t know what else to say. The guy lowers his hands and squints at you, staring as if you’re the one dressed like an extra from The Good, The Bad and The Ugly. “Hey — are you alright?”

He shakes his head, more like he’s trying to chase away a bothersome gnat than answering you. 

You’re starting to worry that he’s hit his head, although you can’t see a cut or a bruise on his temple. Now that you’re looking at him properly, it’s really rather difficult to keep from noticing how…well, how hot he is. It’s probably — definitely — inappropriate to even think about it, you’re well aware, considering he’s either injured, intoxicated in some way, or just going through it, but you can’t ignore the fact now that it’s quite literally staring you in the face. 

His eyes are large and blue, framed by thick, dark lashes as long as your pinky finger, set above a strong, straight nose that reminds you of a Greek statue, as perfectly sculpted as if it’s been made from marble. His lips are astonishingly full, his jawline and cheekbones each as defined as the dictionary, and you think there just might be the shadow of a dimple in his chin. And he’s tall, too, topping you by nearly a foot, his broad shoulders tapering to an angular waist. You realize, belatedly, that you’re staring, but then again, so is he.

“Are you okay?” you say again. “Is there something I can do for you? Someone I can call?”

He swallows, giving another shake of his head. “I don’t…I dunno where I am.” 

It’s the first time you’ve heard him speak, and his voice brings to mind sage brush and sunsets, the smoke that swirls over a campfire as it crackles with life, warm and husky, with a twang that makes you think of the bite of whiskey. 

“Okay,” you say, and without thinking about it, you take his hand. It feels natural, like trying to guide a lost child, or trying to make sure you don’t lose him in a crowd. As soon as his palm touches yours, you feel a shock race up your arm, and you have the strangest sensation of a door closing, separating one moment from the next as definitively as an axe splitting wood. 

His fingers curl around yours, his expression almost pleading. 

“Okay,” you repeat. “Okay. Just…come with me. I’ll help you.”

You can tell, if not just by the expression on his face — half-hopeful, half-bracing, as if he’s expecting a blow to fall any second — that he’s not used to asking for help, especially not from strangers. It makes your heart hurt just a little bit. You give his hand a gentle squeeze, and you’re softened — or maybe melted — by the way he smiles at you, shy but appearing more heartened than he did just a moment ago.

Then another car whizzes by, and he winces like someone has taken a shot at him. He ducks down, his eyes so wide that they look like a pair of full moons, their cornflower centers the only source of color in his face. “The hell is that?”

You stare at him. If he didn’t look so terrified, you’d think he was joking. But if he’s not joking, then he’s either on an incredible cocktail of drugs, or he’s from that weird isolated cult town in The Village. “It’s…it’s a car,” you say. 

“A car,” he repeats, as if you’ve just told him the secret to life in Mandarin. 

“Yeah,” you say. “You know…a horseless carriage.” 

For some reason, this seems to impart some understanding to him, but you can tell he’s still plenty freaked out. “Carriages don’t go that fuckin’ fast!”

You try very, very hard not to laugh, but god, it’s hard. You’re having to draw on nearly every ounce of compassion you have. It helps that, really, he’s not wrong. Not that you’ve ever ridden in a carriage, because you’re not Keira Knightley in a period film, but you don’t think they’re capable of speeds like that. 

“If it makes you feel any better,” you say, “you don’t have to worry about getting into a horseless carriage with me. I hate driving.” 

Now that it’s just the two of you standing on the sidewalk again, the road mercifully free of cars, he seems to relax a little, at least enough to consider your words. “Well,” he says. “That’s something.” 

Not entirely sure where to go, you decide the police station is as good a place as any. It might be a little Hallmark movie of the week, but maybe someone has already filed a missing persons report on him. With that thought, it occurs to you that you need some information first. 

“Do you remember your name?” you ask.

The look he gives you indicates he has never been quite so offended in his life. You can’t help but laugh this time. “Well, I don’t know!” you say. “You don’t know where you are, you’re walking around here looking like a puppy at the start of an ASPCA ad — maybe you’re suffering from some kind of amnesia.”

He doesn’t look any less nonplussed, but something about your laughter has loosened the muscles in his face. He smiles at you. You try to ignore the way your stomach flips to focus on his answer. “Billy,” he says. 

You fight the urge to repeat his name, rolling it around in your mouth like candy. “Come on,” you say, his hand still in yours. “We’re not gonna get anywhere just standing here. Do you trust me?”

He smiles again, though this time with a bit of a razor’s edge to it. “Not like I got much choice, honey,” he says, and then pauses, softens. “Yeah. You’ve been nicer to me than most people would’ve, findin’ a stranger in the middle of nowhere, actin’ like he’s been dropped on his head. I wouldn’t have blamed ya if you’d run the other direction.”

You have no idea why, but what springs from your mouth before you can help yourself is: “I couldn’t do that to you.”

He studies you for a minute. His gaze feels as physical as a caress, and just as intimate. If not more so. You both do and don’t want it to stop. 

“Come on,” you say again, at least in part to break the silence. “Follow me.”

The two of you start walking, following the weathered gray slabs of cracked, uneven concrete that your small town calls a sidewalk as it winds its way into town. 

After a few moments of quiet, he says, “You never told me your name.” 

When you introduce yourself, he smiles again. “That’s nice,” he says. “Pretty.”

Your stomach flips again, and you have to remind yourself that you don’t know anything about this guy, except — only just now — his name. The fact that he’s tall, gorgeous, and really does give off a hurt puppy sort of vibe doesn’t matter. And it definitely doesn’t matter that his smile spreads across his face like a sunrise coloring the sky with ribbons of pastels. He could be a serial killer, or if not that extreme, some kind of — 

The two of you are still, for reasons not entirely clear to you and probably not much clearer to him, holding hands, so you’re jerked out of your thoughts by the fact that he’s gone stock still. 

“You’re takin’ me to the sheriff?”

If the dread clinging to his voice like a weed choking out a weaker plant wasn’t bad enough, he’s frozen still on the sidewalk, looking at you as if you’ve…well, as if you’ve betrayed him somehow. The pit of your stomach turns to ice.

“The sheriff?” you repeat. You feel oddly, stupidly, disappointed. A guy with nothing to hide doesn’t act like this when someone brings him to the authorities. The disillusionment washing over you makes your tongue sharp. “Who the hell are you, Barney Fife?”

He frowns. “I told you my name.”

“Yeah, I — never mind.” You shake your head and let go of his hand. The bare skin of your palm feels oddly cold. “What’s the matter? I thought someone might be looking for you. Maybe someone filed a missing persons report.”

“I don’t think so, darlin’.” He glances at the police station again, his throat bobbing. A pause, and then, softly, like he’s making a confession: “Nobody left that cares about me that much. Unless they wanna cause me some hurt.”

You feel the strangest mixture of sympathetic and prickly, as if you’ve been caught doing something wrong by someone who has been directly and seriously hurt by your actions. “Well…” You clear your throat, trying to find the right words to defend yourself. “I mean, listen, what kind of hurt? Are you a criminal or something?”

One corner of his mouth tilts up in a bitter approximation of a grin. “Or somethin’, honey,” he says. “I got a reputation I never wanted and that I’m not proud of, an’ not one person reads about me in the paper or sees my name on a wanted poster—”

Wanted poster? But something about his fierce, stung expression keeps your mouth shut.

“ — ever gave a damn about the truth. About why I did all that stuff. I didn’t want to!” When his voice rises, equal parts angry and hurt, you can’t help yourself. You reach for his hand again. He takes a deep breath, his fingers grasping yours. “I didn’t want to do any of it. I just wanted…I wanted things to get better. Every time I thought they would, they just got worse.”

You know it would make sense to ask what he actually did, but somehow, you can’t bring yourself to put the words out there. He looks ashamed and angry, but defiant, too, as if daring you to do it. Or, worse, to pass judgement. But you just press your lips together. 

“I wanted to go straight,” he says. “I wanted a good job for a respectable boss, so I could keep a roof over my head and food in my belly. Damn it, I just wanted some peace—”

When his voice breaks, you feel it in your chest, as if a fissure has opened up in your collarbone. Your own eyes burn, a reaction as instantaneous and out of your control as a burning red welt raising up around a bee’s stinger. It hurts you, to see him hurt, and you can’t even begin to explain to yourself why that is. 

“Well, I…I…” You fumble your words, not even sure what you’re going to say. But you know you have to say something. “I…okay, so, we’ll…we’ll go somewhere else. We’ll figure it out.”

He looks about as shocked to hear you say that as he was by the car burning rubber on the road leading into town. “You mean it?”

You swallow down the stupid feeling that you’re going to cry, and you nod. “Yeah, come on,” you say, and you hold out your hand again. He takes it. “We’ll go back to my place.”

He offers you another crooked smile, but this one is more surprised, almost tender, like you’ve shown him something sweet and unexpected hidden in the palm of your hand. “You sure about that, sweetheart?” he says. “You don’t know me all that well. I’d understand if you didn’t want a strange man in your home.”

Forget not knowing him that well, you don’t really know him at all, but you just tell him, “I’m sure.”

Because you are. In what seems to be the theme of the day, you can’t explain why, but it just feels…safe. Despite the little Dateline-themed voice in your head telling you otherwise, you can’t ignore the certainty, heavy and inexplicable, that you’ve been here before. He’ll step into your apartment and feel at ease, because this isn’t the first time he’s been your home. It will fit like an old coat, comfortable and soft and easy. 

It’s insane, but you can’t turn your thoughts away from it. 

His fingers lace with yours, and he rubs his thumb over your knuckle. The way he’s looking at you, so intently, his gaze never wavering from yours, makes you feel as though you’re being turned inside out, exposed. The moment when he froze with fear as the two of you approached the police — sheriff — station seems distant in both time and space, like you’ve gone forward many miles and many years in time in the space of just a few minutes.

“No cars, right?” he says, his crooked smile widening. The word cars sits in his mouth like he isn’t quite used to the shape of it, but you’re so charmed by the fact that he’s trying to make a joke. That the two of you have a joke to share. 

“No cars,” you say.

You’re walking again. Now and again you pass other people, who look at Billy the way you must have looked at him when you first saw him — eyebrows furrowed, pushing down over their eyes, glance flicking over him as if a quick look will make any more sense than a lingering one. Billy doesn’t seem to notice, or if he does, he doesn’t seem to care. He’s too busy looking around at everything else; it all seems to shock him to varying degrees, whether it’s the buildings around you, the streetlights and the power lines silhouetted against the sky, the concrete beneath your feet and the asphalt of the road running beside you. 

As another car zooms by, Billy lets go of your hand, dosey-do’s behind you, and takes your other hand. Now he’s standing between you and the road. “I don’t like those things,” he mutters, more to himself than to you. “But I like you near ‘em even less.” 

Your apartment building is a brick rectangle studded with windows, a pair of double doors set in the middle at the top of a wide set of concrete steps. You lead Billy inside and he stops as you reach for the elevator button. 

“What the hell?” he says, again speaking under his breath.

You push the button, watching Billy’s face as the call button lights up. He flinches at the ding, looking around for the source of the noise; you squeeze his hand gently. You wonder again where the hell he came from, that every piece of modern technology seems to make as little sense to him as ancient Egyptian hieroglyphics. “It’s okay,” you say. “Just trust me.” 

Implicit in your voice is this: I won’t let anything happen to you.

He seems to hear your silent promise, or maybe the words you actually say are enough. Billy smiles thinly and nods.

When the doors slide open, though, he balks. “Are we supposed to go in there?”

“Yes. It’ll take us up to the floor my apartment is on, without us having to go up all those stairs.”

He swallows. “Okay.”

You step into the elevator and he trails after you with the air of a child who is expecting a switching out back. When the elevator starts to rise upward, Billy stares at you incredulously. “It’s okay,” you say again. “It won’t take long, I promise.”

He has a white-knuckle grip on your hand, and he jumps a little at the ding from somewhere above your heads as the elevator comes to a stop. When the doors slide open, he relaxes a little. “That’s all?”

“That’s all,” you confirm, and you lead him down the hallway. He waits while you fish your keys out and let yourselves inside your apartment.

As soon as the door closes behind you, Billy’s shoulders soften. You watch him as he looks around, feeling oddly nervous. As if it matters whether or not he likes your place.

Your building is old — you think from the 1920s or thereabouts, if you remember what your landlord said when she showed you the place five years ago — and it shows in the way it looks. Wooden parquet floors the color of honey are softened by rugs that you found at a flea market, a brown velvet couch slouching in front of a square, red-brick fireplace, framed by a mantle scattered with knickknacks. Billy smiles as he wanders over, picking up a little statuette shaped like a cat, wearing a collar of flat chips of glass.

“Cute,” he says, offering you another smile, and you feel inordinately pleased. 

His gaze roams around the living room. To his left, a doorway hung with a beaded curtain leads into the kitchen, and in front of him, a hallway runs to the back of the apartment, with your bedroom on one side and a bathroom on the other. His gaze turns back to the mantle, lifting to the wall above it, where a flatscreen TV is fixed.

“What is that?” he says, leaning forward to inspect this dim reflection in the screen. “A mirror?”

Despite yourself, a snort works its way out of your mouth, and he shoots you a wounded look. “Sorry,” you say, putting your hand over your mouth. “Sorry. No, it’s my TV.”

You have another, smaller one in your room, but you decide one television might be enough for him to deal with right now.

“A — a T…V?” he says, repeating the two letters distinctly, as if they have nothing to do with each other. “What’s that?”

Your lips part, and you stare at him for a second. “Billy,” you say. “Where are you from?”

His brow furrows, like he doesn’t quite understand what you’re asking. “Well,” he says slowly. “Most recently I’ve been livin’ in New Mexico. Why?”

New Mexico. That really doesn’t answer your question. “Where in New Mexico?”

His puzzled frown deepens, but he doesn’t ask why you’re pressing him. Maybe he figures you deserve to know, after saving his life and bringing him back to your apartment. “Lincoln, right now,” he says.

You don’t know much about Lincoln — or New Mexico, for that matter — but you don’t think it’s some reclusive community where they wouldn’t know about elevators or cars. 

The next question you have is crazy, totally insane, really — but you think you’ve seen doctors on TV ask concussion victims the same thing. And that’s definitely all it is. Because there’s no way this could actually be the problem. 

“Billy,” you say again. “What year is it?”

Now it’s his turn to huff out a laugh through his nose. “What year is it? It’s 1881.” 

You’re so floored by this statement that you blurt out, without much — or any — tact: “No, it’s not.”

He looks like he’s on the verge of arguing with you, but maybe everything hits him all at once. The cars, the technology he doesn’t understand, the very world around him that looks so different from what he’s used to. “What…what year is it, then?”

You blink. “2024,” you say. 

This time, when he laughs, there’s no humor in it, only a sharp incredulity. “You’re crazy,” he says, but without much heat. It’s almost like a plea, as though he’s offering you the opportunity to take it back. To say something that actually makes sense, because — and you have to give it to him, he’s not wrong — this doesn’t make sense at all.

And yet, unless he’s been severely brainwashes or he’s just putting you on, it’s also the only option.

“How did I get here?” he says, and he sounds — and looks — like he might cry again. “What do I do now?”

“I don’t know,” you say. Then you reach for him, and even before your hands find his face, he’s moving closer to you. He holds onto your waist, like you’re a lifeline. “I don’t know. I don’t know how you got here, or why, but you’re not alone, okay? You have me.”

It doesn’t even register with you at first that this is an incredibly strange, if not downright dangerous, thing to say to someone you met not even two hours ago. Especially considering you’re saying it to a man who is bigger and undoubtedly stronger than you. But you don’t feel like you’re putting yourself at risk. 

Billy, though, says what you’re thinking, except he says it with a sense of wonder. It almost sounds like a prayer. “I don’t even know you,” he murmurs.

Yes, you do.

The thought seems to come from outside of you, as if someone has turned to a fresh page in your mind and written it there in their own hand. 

Billy says your name, still in that awestruck voice. It feels as though there is a web spun between you, gossamer-fine but indissoluble. The fact that he could be an honest-to-god time traveler makes more sense to you than the idea that you only met him today. 

“1881,” you repeat, and he chuckles.

“2024,” he returns. 

“How old are you?” 

“Twenty-two.”

“Oh,” you say, relieved. Although technically if he’s twenty-two and from the year 1881, that means he’s around 165 years old, but who’s counting? “Me too.”

He smiles, an uptick of the corner of his mouth that nonetheless makes your heart skip in your chest. You decide that you want his hands on you, always, his gaze on you, always, but then you remember something else you have to show him. 

“Come here,” you say, taking his hand again. You lead him down the hallway to the bathroom, the sight of which earns you another look at his stunned, disbelieving face. “Okay. This is my bathroom.” You point. “That’s a toilet.” You try to remember when toilets were invented. “It’s like…an outhouse. But inside.” 

Billy snorts. “I know what a toilet is.”

You hum. There’s that, at least. “This is definitely new,” you say, and you point to the shower. He nods. You have one of those with a glass door, which you — a little embarrassingly, now — have declared with decals of cartoon sea creatures, including a whale, a puffer fish, and a little scuba diver.  “Right. This a shower.”

You push the door open, reaching inside and turning the knob so the water comes pouring out. Billy jumps at the sudden noise and stares as steam fill the room. “It’s hot?” he says uncertainly.

“It can be,” you say. “If you twist this knob here, it can get cooler, though. But it won’t hurt you.”

“What do you do?” he says, peering at the shower. “It’s for bathin’?”

You nod. “You just…” You blush and gesture vaguely at his clothes, before gesturing equally vaguely to the floor. “And step in. There’s soap and shampoo for your hair.”

He smiles crookedly. “Are you tryin’ to tell me I don’t smell like roses, honey?”

You laugh a little. “I mean, well…”

He grins again before looking resolutely at the shower. “Okay,” he says. “I’ll try.”

You give him privacy, shutting the door behind you, though you hover nervously in the hallway in case he needs you. You’re worried about him slipping and falling, so you have to resist the temptation to press your ear against the door. Finally, you hear the water shut off — you’re proud of him for figuring out how to do that, without dousing himself in ice water or boiling himself alive — and you realize, just then, that you have to get him fresh clothes.

“Hold on!” you call through the door.

You hurry into your room and find an old college t-shirt that you “borrowed” from your dad, along with a pair of pajama bottoms that are advertised as unisex but absolutely swim on you at the cuffs, so you hope they’re long enough for him. You knock on the bathroom door, and when it opens a crack, you hold out the clothes while carefully turning your head away. “Here,” you say. “These should fit.”

“Thank you,” he says, voice muffled by the door, and then he takes the clothes and the door shuts again. 

You perch on the couch in the living room, waiting for him. The bathroom door opens fully, releasing a cloud of fragrant steam, and you smile encouragingly as you see Billy standing in the doorway. The pants do indeed fit, although the t-shirt hangs on him a little. 

“What did you think?” you ask. “Of your first shower experience?”

Billy chuckles, coming to sit next to you on the couch. You’re so aware of his proximity that it makes the air between you sing. There’s something about the sight of him, freshly showered and smiling, seemingly more relaxed now, that makes you want to lean into him. 

“It was nice,” he says. “Warm.” 

You’ve lost count of how many times today that it’s happened, but once again, he takes your hand. 

“Thank you for takin’ care of me,” he says softly. “You’re a sweet girl. I’m glad I met you.”

Coming from anyone else, being called a sweet girl would make you feel like a toy poodle. But coming from Billy, in his warm, molasses-slow drawl, it just makes you feel warm, like you’re bathing in sunshine. 

“I’m glad, too,” you murmur.

It would be crazy to kiss him right now, right? You know the answer is yes. You know that. Still, ever since the moment his voice broke outside the police station, you’ve felt…protective over him. More than that, you’ve felt connected. It’s as if seeing him break down, even if it was only for a moment, in turn broke down something between the two of you. 

You remember that sensation when you first took his hand, as if a door had slammed solidly shut between this moment and the rest of your life, and you think maybe there wasn’t so much of a barrier up in the first place.

Billy touches your cheek with the very pads of his fingertips, as if he’s afraid that you’re a bubble that will burst from rough contact. “What the hell?” he says softly, and you laugh, because you know it’s not really a question you’re supposed to answer. “We just met today?”

You nod.

“And some way or another, I’ve traveled…” A pause while he does the math. “140-odd years in the future?”

You nod again. 

“Alright, then,” he says mildly, and he kisses you.

It feels like the world turns inside out from a point centered around the two of you, spiraling and twisting outward until it forms again, entirely new, bigger and grander, humming and buzzing like a live-wire. Your hands grasping his shoulders feel like the only reason you aren’t just floating away, and the way he grips your waist makes you think he feels the same. You press closer to him, his arms encircling you as he pulls you onto his lap.

A hoarse chuckle comes from somewhere around the fireplace. “You kids usually take longer than this.”

You jump out of your skin, and before you can blink, you find yourself sprawled on the couch cushions, Billy on his feet in front of you. One hand goes to his belt only to grasp at the air. He scowls and brandishes his fists instead, and then—

“Old Moss?”

You sit up. “You know this guy?”

An old man has his elbow propped on the mantelpiece, a tattered hat perched on his head. He’s shorter than Billy, stockier, but their clothes are much the same, along with the weathered tan on their faces. The old man, though, has a beard covering the lower half of his face, spilling over his chest like dirty cotton. 

“I…” Billy shakes his head, seemingly just as flummoxed — if not more — than he was before. “I knew him when I was a kid. He helped my family cross the country.”

The old man — Old Moss — chuckles. “I’m not Old Moss, son,” he says. “I took on this form to make you more comfortable. Otherwise you would have tried to wallop me, I bet, and that wouldn’t have been good for you.”

Billy stiffens, and he puts one arm behind him, to keep you behind him on the couch. “Who the hell are you, then?”

Old Moss (you don’t know what else to call him) shrugs. “A representative of the universe,” he says, waving his hand to underscore this grand sentiment. “My speciality is helpin’ lovers find each other in every lifetime.” 

A shiver dances down your spine. “Every lifetime?” you murmur.

“Oh, sure,” Old Moss says. “You two have found each other in every life since your souls first came into being.” He smiles crookedly. “Thanks to me. You’re welcome.”

Another grin creases his face. “This time, I thought I’d try things a little bit differently,” he says, shrugging. “I’ve never pulled one soul from a different point in time before. I wasn’t sure if it would work, to be honest with you.”

He grins again. “Judgin’ by the way you were treatin’ her face like an ice cream cone, though, I’m guessing it did.”

Despite yourself, you giggle. 

Out of the corner of his mouth, slanting a glance at you, Billy murmurs, “What’s a—?”

“I’ll get you one later. You’ll like it,” you assure him, and now you do stand next to him, patting him gently on the shoulder. “Don’t worry, though, you kiss better than that.”

Old Moss chuckles. “You guys got any questions before I go?”

You think for a second. “How many lives has it been?”

“Mmm…” The old man tugs on his beard thoughtfully. “I’d say this is your…I dunno, I lost track. Somewhere around 200, I think, maybe a little north of that.”

Your hand creeps into Billy’s, and he squeezes gently.

“And we loved each other in all of them?” you say.

Old Moss’s expression is almost unbearably kind. He nods. “All of them,” he says.

Billy’s shoulder presses against yours, and you feel the contact from the top of your head to the soles of your feet. Somehow, over 200 lifetimes of loving him doesn’t seem like a surprise. 

“An’ I…I get to stay here with her?” Billy says now. “I don’t gotta go back there?”

Buried in the snowy tangles of his beard, Old Moss’s mouth twitches. You can’t tell if it’s a smile, or if he’s trying to swallow tears. “Yeah, son,” he says. “You get to stay.”

Billy’s hand tightens around yours, as if he’s worried — despite Old Moss’s confirmation — that someone is going to take him away from you. You grip his hand tighter in turn. Like you’re going to let that happen.

You look over at Billy, and he turns his head to meet your gaze. You can see every one of those lifetimes in his eyes, caught in his gaze like snowflakes on his lashes, and you hope there’s going hundreds more, going on until the world itself ends. Nothing else will be enough. 

By the time you can turn your eyes away from him, Old Moss is gone. You look over at Billy again, and he grins at you. “I guess representatives of the universe favor Irish goodbyes.”

You grin back at him, winding your arms around his neck. “It seems like I’m stuck with you now,” you say, and he chuckles. 

“Seems so.”

He leans down to kiss you. The world turns inside out and spirals again — and again — and again — and…by the time it’s settled again, and Billy breaks the kiss, you think that you’d be happy if you spent this lifetime and each one to come just doing this.

“So…” Billy smiles crookedly. “About that ice cream cone?”

You laugh. There’s a thousand things to set him up with — how the hell does somebody get a Social Security number at twenty-something years old? — but you can figure that out later.

For now — 

“Let’s take you to get one,” you say. “And I’ll introduce you to the unbeatable combination of gummy bears and ice cream.”

“What are—?”

You laugh, taking his hand and rising onto your toes to peck his cheek. “Just trust me. You’ll love it.” 

[malereadermaniac]

Utter Devotion ~ Xiao x Male Reader drabble/imagine

Fluff and smut with Xiao :) Word count: 556 Nsfw / MDNI ~ amab m!reader / FDNI

The fact that Xiao makes sure you know that no matter when and where, if you call his name, he'll be there?? Like that's so fucking hot

Bro is devoted to you, that's for sure - the twink just loves his boyfriend, he'd quite literally die if anything happened to you

He's even teleported to you on accident before! He usually just hears the "Xia-" part and sets off - which is really silly of him, cause you're good friend with Xiangling....

Xiao was reluctant to even start dating you at first, worried that his karmic debt would affect you. But the adeptus couldn't fight off his growing feelings for you - For real, the man was absolutely lovestruck

He couldn't pass an hour without thinking about you, about your voice which he found cute or sexy depending on the situation (iykwim), about your eyes, about your body, about spending time with you

Xiao would catch himself blushing like an idiot around you so much that he himself thought it was too much - the Yaksha would even STUTTER when talking to you!

It took Xiao courting you subconsciously (giving you gifts, going out together, and spending almost everyday with you) for YOU to ask HIM out! And even then you had to CONVINCE HIM TO DATE YOU!!

Greatest decision you both ever made though - you two are like two peas in a pod now!

Dates with Xiao are incredible

This man will carry you down the Wangshu Inn and sit you down at a table filled with fresh, fancy food and act all nonchalant like it's nothing! As if it isn't the most romantic thing ever!

And the sex is crazy good too.

Xiao's a twink but he got that sleeper build for sure!

He looks like a twig but FUCK when he flexes them ARMS - it makes you crack within seconds

The man likes to pull that trick in bed a lot, fucking the shit out of you and then pushing you that extra mile by flexing an arm for you (his tattoos also look real good like that)

Oh and you bet he does that thing where he squishes your face between his bicep (Fucking hot)

And the way that his abs are toned, his 6-pack ever-so subtle - its just sooooooo good

Again, the adeptus is wholly devoted to you, so the only thing he thinks about during sex is how to make you feel the best he can - which usually means you cum before him

Xiao will suck you off and eat you out for agesss, his strong arms under your thighs as he goes crazy, leaving purple and green hickeys and red lovebites on the soft area

And though he likes to go wild and fast when drilling into you, Xiao will make sure that his angle and pace is perfect, he makes sure that your prostate is generously milked each time!

He's big too! You wouldn't expect it from such a thin and kinda short guy, but that dick is long and veiny - and it puts its work in damn!

He's perfect in every way, Xiao is just the man for you - and he knows for sure that your the one for him, for life

You just gotta love twinks n their horse CO-

[leavemurph]

sometimes i get so upset thinking what if hotch wants to come back cuz like jack’s in college and he’s home all the time, he’d need something to do?? and the fact that the writers still didn’t use this one excuse to bring him back to emily is just… ugh.

a few comments here and there about his life while he was gone, laughing with old friends who are still friends no matter what, teasing him cuz he tries to call his son and gets constantly ignored with the “dad, please, i’m busy”. then jj’s like, oh yeah, i get it, teenagers gonna be teenagers, and emily’s kinda feeling left out? but it’s cool. it’s just that time’s passing and she doesn’t have that for herself, which is strange, since she always thought she would. but then again, time sucks, this job takes so much, and yeah, maybe it’s too late.

no kids, nope, well, she’s busy. really busy. this thought keeps looping in her head, and a few situations end up making her rethink it, over and over—did i do this on purpose? did i avoid making any decisions that could’ve taken me down that path because, deep down, i felt like i didn’t deserve it?

hotch finds her in her office, asks if she’s okay because she seems so distracted all the time. of course, she doesn’t say anything, she’s not big on venting, but she does ask him if he ever thought about what it’d be like if they’d made it differently all those years ago.

he’s… confused at first, mostly because he’s not sure if this is her way of allowing them to talk about all the stuff they never said, couldn’t say, or were too scared to. so he asks, what do you mean? emily’s tired of dancing around it, they’re older now, more mature, there’s not much left to lose, so she just says, “you knew how i felt about you. that’s fine. i know how you felt about me.” hotch gives her a small smile, and she gets it. she really gets it. “i can’t believe i even considered going with you. like, a part of me really wanted to, so badly. i talked to you about work every day, told you things you didn’t even want to hear, didn’t care. and i kept hoping, hoping that one day you’d ask me to, or even just… i don’t know, say you missed me. my god, i would’ve dropped everything, run off into witness protection. with you. with jack.”

“emily.” hotch looks genuinely surprised, and maybe it’s because she’s holding back tears. “you had all these things here, things you built for yourself. look at you now.”

“right,” she mutters, waving it off with a comment about their previous case, because why get into that now? it’s a waste of time.

aaand…

they kiss for the first time on new year’s, in their natural habitat—at work, of course. everyone but emily is ready to party, but at midnight, hotch brings her a glass of champagne while she’s scribbling reports. she looks up and says, “are you guys going out? i’m gonna have to pass this time, i’m so busy,”

and he laughs because, “you sound like me ten years ago,” while gently coaxing her out of her chair. she tries not to freak out, laughing nervously, rolling her neck to release the tension from hours of sitting and staring at fine print. hotch brushes her hair back, studying her face, and she lets out a deep sigh, touching her tongue to the corner of her mouth. “a little nervous?” he asks, a smile tugging at his lips. “still the same tell, huh? some things never change.”

“i really can’t go with you guys,” she insists, eying his lips, almost on the edge of feeling butterflies for the first time in over a decade.

“heard you the first time. so i’ll be your first new year’s kiss, and then i’ll get out of your hair.” okay, butterflies all the way down to her toes. she barely nods, just a slight movement, before he leans in and kisses her. it’s the best kiss she’s ever had, hands down. my god, she can’t stop thinking about it.

he literally left her to do her job and went out partying with the others. he’s learned to live more than she has over these years, and honestly, it’s not bad. it’s not terrible. it’s nice.

their relationship grows through little moments scattered throughout the season—tender touches, good morning kisses, emily jumping out of bed late, the looks they share. they talk about the moments they’ve lived, the times they wanted to say something and didn’t, or do something and held back. “do you remember that time we…?”

the first time emily faces any life-threatening situation, hotch’s immediate reaction when he sees her getting her cheek stitched up is: “that was really brave of you to do.”

“hotch,” she winces, frowning through the pain as the stitch hurts. “really?”

“okay, what, are you out of your mind? didn’t you wait for backup?”

“that’s much better, thank you. and, no, it’d be too late.”

“almost died,” he crosses his arms, and emily is doing everything she can not to bite her nails. “i’m gonna need you to marry me. is that okay with you?”

and emily’s like, “what?”

“you heard me right. i want you, and i want to do this, all of it. you’ve always wanted kids, and you’ve been thinking about it, don’t lie to me, and it’s not too late. and we’re gonna do it, you and i. there’s surrogacy, adoption… we can—”

yeahh…. so.

gimme gimme.

bye.

[dyxtd21]

Starcream aesthetic moodboard!!

In my AU, "Transformers: The Sweet Surprise", Starcream would be just as ambitious, cunning, and backhanded as his original version, but his personality would take on a more decadent flair that perfectly matches his creamy exterior and over-the-top look. He’s dripping with sweetness—quite literally—coated in swirls of silky whipped cream, which he has to maintain constantly to keep his appearance flawless. The cherry on his head is his proudest feature, and he’s notorious for obsessively polishing it to make sure it glistens as the ultimate symbol of his superiority. His design leans into an extravagant, almost dessert display-like aesthetic, with frosting swirls and delicate sugar detailing that catch the light to add a shimmery, polished effect.

Personality-wise, Starcream is as melodramatic as ever. He believes he’s the crème de la crème of the candy world and that Megatwix, with his rugged chocolate-and-caramel look, can’t even begin to match his elegance and refinement. Despite his sugary appearance, Starcream is anything but sweet. He's constantly scheming, always on the lookout for ways to dethrone Megatwix and take his place as the most powerful of the sweet ‘Confectioners.’ He’s quick to criticize Megatwix’s “basic” caramel-layered style, mocking him as dull compared to his own sophisticated flair. In moments of confrontation, Starcream is known to throw in dramatic lines like, “You're all crunch, no class, Megatwix!” His insults are just as sugar-coated as his appearance, with a saccharine sarcasm that makes him both infuriating and slightly ridiculous.

Starcream’s relationship with Soundwafer is complex; he doesn’t fully trust Soundwafer since he’s so close to Megatwix, but he also respects the precision and discipline Soundwafer brings to their operations. While he’d never openly admit it, Starcream actually envies Soundwafer's composed demeanour and, ironically, his wafer-like simplicity. He sometimes tries to flatter Soundwafer with backhanded compliments, suggesting they’d make a “stunning duo of finesse and fortitude,” but Soundwafer usually ignores these empty gestures.

With Shockwerther, Starcream shares a more grudging respect. Shockwerther’s caramelized Werther’s Original motif—a smooth yet unyielding quality—makes him nearly impervious to Starcream’s sweet-talking. Shockwerther doesn’t fall for any of Starcream’s flattery or manipulations, which infuriates Starcream to no end. Still, he recognizes Shockwerther as a powerful ally, though he’s constantly whispering to others that Shockwerther lacks the vision that only Starcream can bring to the group.

Ultimately, Starcream is flamboyant and ambitious to a fault, driven by his obsession with being the “cherry on top” in every situation, but his plans often backfire spectacularly. His sugary exterior is ironically brittle, with his ego bruised whenever Megatwix asserts his dominance or when Soundwafer and Shockwerther remain indifferent to his constant posturing. Despite his best efforts, Starcream is usually left with nothing but melted cream and a still-polished cherry, determined to try again.

[lucilleandherrobots]

Hey when your outfit choice is literally just a coat of paint, you want to look your best. I don't blame him. The ref makes them seem like such a silly guy! It reminds me of this meme:

Oh, Deep Blue is very protective of their partner when they're around. Not many people would want to fight a robot version of the Wasteland's apex predator. Combined with human intelligence, that's just a recipe for instant death if you piss them off too much.

Even though Deep Blue has possibly killed some people, they're a deep (haha) thinker. Their first instinct is literally to analyze an optional strategy to combat a situation. It just turns out a lot of circumstances are solved by literally fighting your way out them in the apocalypse.

Clancy is a GREAT swimmer! They and Yren live in a big storm sewer storage area off to the side of the actual sewer proper. Yren built up a big wall with a door on the walk away that blocked up the rest of the water where he then set up a filtration system to clean it so Clancy doesn't get sick. It's they're front yard kind of for the little fishy baby!

Oooh! An Owl mutant! I'm imagining the Mothman but in scraped together armor and a pipe gun. Do they have a beak? Or is it just the feathers?

Also a Gatorclaw mutant sounds amazing! I'm assuming you mean something like gatorclaws... Is he part human or full on reptile? Would that be a Crococlaw since it would be different from a gatorclaw like how gators and crocodiles are different reptiles with similar body types?

I have a plain Gatorclaw OC that my sole hatched from an egg she found in Nuka World. Her name's Beatrice, and she has anger management issues that she treats by processing scrap for her human mom. She understands and speaks English. Turns out if you actually go through the trouble of raising Gatorclaws from eggs and properly socialize them instead of fast forwarding the process, they'll be well adjusted and learn things. Who knew? (I didn't like the way the scientist in Nuka World treated them. Can't you tell?)

Alphie is a former Forged- which means she knows all about smelting down metal and being demanding and loud. She got sick of their selfish ways and how they treat newcomers- that kid from that local farm being the last straw. She decided to move to Boston to start putting her blacksmithing skills to good use and earn an honest living. The Tower was the best spot since she could use the junk in it to make Damascus steel (a kind of mixed metal alloy) for a bit if she needed it. She also makes a point of honoring the dead in the meatbags by cremating them and using their ashes to make her molds and crucible. Their ashes are being used to create something that might protect others rather than their corpses rotting disgracefully in the air. She burned them right in front of the two supermutants, too- looking them dead in the eyes and declaring very loudly and defiantly that this way of life, eating people, was over. They seemed to understand that.

Nobody including me posts about their ocs enough so please please please reblog reply or whatever with some oc tidbits!

[dmitriyuriev]

*Implied noncon, small Miquella. Link leads to full image.

Miquella's charm compels love, not controls actions, so what were to happen if the one charmed has a twisted view of love? Only Mohg acts that possessive, so no, he did not beat the allegations, and I for one, am happy about that.

[ahalliance]

i think the qsmp is very impressive for speedrunning the same love-hate relationship i have with the dsmp in under a year as opposed to the three it took for the other one

[one-eternal-sigh]

yk what whenever I see a post about andy leaving it always gets me thinking about how much she truly gave up rejecting her family’s beliefs, and with how much she had to endure being sneered upon as a disgrace among purebloods but also how it probably made narcissa more bitter when she found it out and andy confessed/ was in a situation where she had to reveal her relationship because there was no way around it anymore. I think for cissa the fact that her sister had chosen ted over family, over her own sisters was probably the part which really stung.

I mean like I do feel like narcissa was extra dismissive of ted because she couldn’t comprehend the fact that andy chose some muggleborn over the assuredness of the life they already had with people who she believed would “truly” look out for her and protect her best interests. like, blood purity definitely was involved at some extent because they were literally raised in a family with strong ideals about it.

But also? I think at the core of it narcissa felt betrayed because of the gravity of Andy’s decision and the repercussions that came with it and how even despite that, andy had STILL gone through with the decision of throwing that part of her life away for another love (or in cissa’s eyes, over the love of her sisters the love that was supposed to be their one solace through the grim times of war) knowing full well what she was putting on the line.

and when faced with a choice she chose to leave that constant and doesn’t that just hurt much more?

Knowing she chose to leave. Knowing she chose something over them when they were each other’s safe space. Actively witnessing the war tearing them apart, the rifts in their previously unfaltering trust, when they were supposed to rely on each other to get through this. Witnessing what Bella was doing to herself in her thirst for power as a means to gain control, more autonomy, witnessing the cross fire between them and being trapped in this hateful middle place of still believing that they were the only ones who could look out for each other as purebloods but simultaneously just hating the extremes, still valuing the comfort that came with their bond

but then having that shattered with the knowledge that it wasn’t just bella’s tilting at extremes and inviting the worst parts of the darkness directly into their lives that was endangering their relationship but also that andy had lied and didn’t intend to choose them at all.

(continuing it into the tags because I need to yap 😭)

Family tree (intro) = Andromeda 

These crosses all over my body, remind me of who I used to be 

Andromeda always had scars, whether mental or physical, that she couldn’t heal. She didn’t know why, not even magic worked. Everyday when she looked in the mirror, she saw them, and in those scars she saw her family, and her old life. 

Jesus can always reject his father 

Andromeda escaped them, escaped their politics, their life, she had truly escaped them and rejected who she could’ve been. 

But he cannot escape his mothers blood 

Yet Andromeda couldn’t get their stain off of her, they were always going to be with her.  Toujours Pur. She would still never be pure. In her own standards, and in theirs. 

He’ll scream and try and wash it off of his fingers 

In the first of weeks when she had escaped she could feel them everywhere, hear them everywhere. She tried so hard to forget everything she had been taught, and it wasn’t supposed to be that hard. She was stained by them anyways, she couldn’t just leave without some bits of them clinging onto her. 

But he’ll never escape what he’s made up of 

Andromeda could hear their voices, yelling at her. It was even worse because Bellatrix and Narcissa tried so hard to go up to her during school. At some point they had given up, just shit-talking her to others. She couldn’t ever escape them it seemed. Even years and years after, the Family Name still got to her. They didn’t know her as Andromeda Tonks, they knew her as the blood-traitor, Andromeda Black. 

The Fates already fucked me sideways

She would never get a normal life because of them. Andromeda had escaped their house, but not them. It had seemed like Fate was always destined to hurt her. 

He’ll laugh and say ‘you know I raised you better than this’ 

She became the example of ‘not pure’, the example of a bad person in their eyes. Regulus and Sirius were taught not to be like her, and for Sirius she was the example to look up to. Draco never knew of her, until later, and still then Narcissa told him not to be like her. 

Than leave me hanging so they all can laugh at me

Andromeda became the laughing stock of the Sacred 28, the one who tried to escape. She became the laughing stock of the Black Family too, they all laughed at her attempts to leave them, knowing that she would never truly escape them. She became the laughing stock of the school, every pure blood made fun of her, luckily it was only her last year. She lost all her friends, everyone. All she had was Ted.  —-

I know this is a bit wordy but I tried lol 😭 I’ve had this in my head for sooo long and I finally wrote it down !!

[sethdomain]

Dawg i hate mouthwashinhg fandom so much now, the analysis now is just so reductive ☹️☹️☹️☹️

[kaidanalenkosprmanager]

THE BEST OF THE NORMANDY SUMMIT

Featuring: Cmdr. Sophie Shepard, Primarch Adrien Victus, Dalatrass Linron, and Urdnot Wrex With: Comm. Specialist Samantha Traynor Commander, you need to keep Cerberus at bay- I can't overstate what a victory a treaty between the Turians and the Krogan would be for the Alliance. We need all the help we can get... Mass Effect 3: Legendary Edition (2021)

[thedroloisms]

also i have to say there's smth consistently eye-rolly about the idea of going "oh you can't blame me for leaving her there !! i thought they were good people !! i didn't think they would do anything bad to her !!! that's why i left her there i thought she was safe !!!" as if "they" even broke that trust. according to literally all accounts the incident in question happened before you left and nothing progressed further after you were gone. accusing "them" of being horrible nasty people when again, the only wrongdoing alleged at all was on the part of one of them ???? like you can just say that while drunk you didn't make the right judgement call and once you woke up sober you checked in with your friend because thinking back you were worried abt her comfort levels without crying wolf about how you simultaneously "thought they were good safe people" and they took advantage of that after you left (by doing nothing after you left, because the whole incident being described here happened with you in the room) and also knew she was uncomfortable which is why you checked on her immediately (which is somehow being used to blame two people who had zero access to the texts asking her if she was comfortable at all and therefore made the assumptions that she was comfortable based on what they themselves saw)

[triglycercule]

another doodle :3 mtt clothing swap!

DUST STOP SERVING WITH HORROR AND TAKE YOUR DEAD ASS BROTHERS SCARF OFF KILLER HES ABOUT TO HAVE A MOVIE REALISTIC PANIC ATTACK

[queer-reader-07]

.