#this is like the only scene of this anime i know | Explore Tumblr posts and blogs

notlongtolove · 1 day ago

Text

time present and time past

spencer tried to explain einstein’s theory of relativity once. and now, with spencer beside you in bed, you think you finally understand what he was on about. because time is relative. and if he doesn’t wake up, this moment will never end, and maybe you can slow down time itself.

pairing: spencer reid x fem!reader (second person, no y/n)

genre: angst

content: situationship core. they argue. avoidant!-ish.

word count: 3.4k

note: i have a final in 3 days and thought now would be the perfect time to write and post my first fic. yay! anyways this is inspired by an old literature text i studied, einstein's theory of relativity and what not. a line: I’ll come to you before you call—Just to prove that I don’t come to you every time you call.

time present and time past are both perhaps present in time future, and time future contained in time past. if all time is eternally present all time is unredeemable. - t.s. eliot

You've never been one for physics, the numbers, the theories, the science of it all. But that’s never stopped Spencer from launching into explanations like a rocket whenever the chance presents itself. You would nod along, a smile on your face though whatever he's saying might as well be in a foreign language.

He tried to explain Einstein’s theory of relativity once. Something about clocks, something about a kind of gravitational field.

"Think of it like I’m on the jet," he started, and if you try hard enough you can imagine him on the other end of the line gesturing with his hands in that animated way of his. "Now imagine if I run down the aisle—”

“Hotch would kill you,” you interrupted, biting back a grin as you tried to picture the sight.

“Just imagine it,” Spencer laughed.

“Okay, okay.”

“So, if you time me and I make it down the aisle in five seconds—”

“Highly unlikely, but sure.”

“Angel,” he warned, but there was no real bite in it. He waited for your giggles to subside before pressing on, “It takes me five seconds to get from one end of the plane to the other. Right?”

“If you say so...”

Spencer sighed, but soldiered on. “But for you, timing me, you’d also have to factor in the distance the jet travelled in those five seconds.”

“Ah.”

“You don’t get it.”

“No, I do. I do.”

“Okay, so explain it.”

You paused, your lips twitching with suppressed laughter. “Uh… You can run faster than a jet?”

Spencer groaned, but he was laughing too. “Time moves slower for those in the jet!” he said profoundly as though he was the one who had discovered the theory of relativity itself. “It’s fascinating really.”

“Ohhh” you sound, trying your best to feign understanding.

“You know what,” he said between laughs, “I’ll explain it when I’m back, I know you’re a visual learner.”

But he never did. And so you never understood it, not really. At least, you thought you didn’t—until now.

Not until he’s lying in your bed again, your sheets tangled around him like they’ve claimed him as their own.

Einstein says that time is relative. He says that the rate at which time passes depends on an observer's frame of reference.

The observer in this case—You.

And if one observer moves at the speed of light, time will slow down for them.

Spencer’s asleep beside you. His face is soft in the flickers of streetlight creeping through the blinds. They give you just enough visibility to watch the rise and fall of his chest and you wonder if he's dreaming. The sound of his breathing, steady, is the only thing keeping you tethered.

If you squint hard enough, there’s almost something domestic about the scene. You ignore the fact that this is the nth time you’ve done this because ignoring is easier. It’s easier to think about how he smells like his shampoo, and how his shirt is thrown haphazardly over your nightstand. A sight you missed more than you would admit. You think about reaching for it, but your hand stays where it is. You stay where you are—just watching, observing. Because Einstein said the rate at which time passes depends on the observer’s frame of reference. And if you stay still enough, maybe you can slow down time itself.

You like moments like these. The simplicity of it. You tell your friends the same thing when they ask, their voices thick with judgment, their eyes too knowing. “We don’t do anything” you insist to the room of raised eyebrows. “We’re just hanging out, you know, as friends” you say, as if saying it enough times will make it true.

“Just hanging out?” “Yup.”

“As friends?” “Yup.”

You know you’ve hit a new low when you have to pull the ‘hanging out’ card, but you take a sort of comfort in that fact. Because at least he’s not like those other guys, right? That’s your silver lining. That it’s not like that. He’s not like that. But in the quiet after, when his breathing is the only sound and you feel walls closing in you, you can't help but wonder which is worse: the thing that he is, or the thing you’re letting yourself become.

You reached out first this time. A small victory in the game you’ve been playing against yourself. There’s some semblance of control in it, you rationalize. If you’re bound to fall, tethered to this fate of always crawling back, at least let it be on your terms.

I’ll come to you before you call—Just to prove that I don’t come to you every time you call.

Come over. Made too much pasta. You texted. It’s an olive branch, a peace offering after a fight that had left you both frayed at the edges. A throw of the same old ball back to his side of the court where the game has dragged on far too long. Proof to him that you didn’t mean what you’d said, that you’re not done yet. That you’re still okay with this.

You can take it.

The fight had been about work—or at least, that’s how it started. He’d mentioned a new trainee in passing, his voice light, almost too casual, as he spooned rice out of the takeout box. “She’s new,” he said, with a shrug. “Eager, maybe too eager. Emily says she’s a bit of a people pleaser.”

She. You watched him carefully, trying to read between the lines.

“Oh?” you replied, keeping your voice as even as you could manage. Muscle memory. You’ve been here before. Just because Spencer wasn't one of those guys didn't mean you haven't had your fair share of them.

You smile as you meet his eyes asking all the right questions. Where’s she from? How’s she doing?

He glanced up at you, surprised by your interest. Light work you thought. “Somewhere out West, I think. She’s doing fine��rookie mistakes, you know. She had a bad day last week, though. Got rattled on a case. Garcia said Hotch was too hard on her.”

“Poor thing,” you murmured, “Hope she’s feeling better.”

“Garcia thought I… thought she was pretty,” he added laughing, the words tumbling out like an afterthought. Like the words don’t hold the weight that he knows it does.

Ah. There it is.

“Well, did you?” you asked, trying to keep your voice steady, casual.

“She’s… alright,” he said, his tone too high, too quick. You didn’t miss the way he swallowed hard afterward.

“You’re avoiding the question,” you teased lightly, smiling even though your stomach was beginning to twist itself into knots.

“I’m not,” he countered, shoving another bite of food into his mouth. “You asked if she’s pretty, and I said she’s alright.”

“You’re totally avoiding it,” you said, laughing to keep the air light even as the knot pulled tighter. “Spence, you can just say it.”

“Say what?” he asked, eyes darting up to meet yours, then back to his plate.

“Just say it.”

“I don’t know what you want from me.”

“Admit that she’s pretty.”

“Okay.” He exhaled sharply, like the word had been dragged out of him. “I think she’s pretty.”

Oh.

There was something in the way he said that made your chest constrict.

I think she’s pretty.

He thinks she’s pretty. Not like it was some objective fact, not something calculated or reasoned. Not that she was statistically pretty, backed up by some symmetry or math behind it. He just… thought so—No, he thinks so. Thinks. Present tense. Meaning as he’s sitting here, across from you, eating the takeout you suspected he’d purposefully ordered too much of, he thinks she’s pretty.

You stared down at your plate, your appetite long gone. The silence stretched between you, heavy and uncomfortable. You could hear the faint hum of the refrigerator, the distant murmur of voices from the apartment next door.

“You’re quiet,” he said finally, his voice softer now, hesitant.

“I’m fine,” you replied too quickly, a smile pasted on your face as you looked up. “Just thinking.”

“About?”

You shook your head, forcing a smile. “Nothing. Pass the soy sauce?” He passed it without another word, but you could feel his eyes lingering on you.

“Why are you looking at me like that?” you finally said, your voice sharper than you intended.

“I’m not,” Spencer replied, his tone defensive, though his eyes stayed trained on you. “You’re just… quiet. It’s not like you.”

You laughed, a hollow sound. “Yeah, well, maybe I’ve run out of things to say.”

“Is this because I said she’s pretty?” he asked after a beat, his voice cautious, careful. “Because I didn’t want—”

“Spencer stop,” you interrupted, setting your fork down with a deliberate clink against your plate.

“I wasn’t going to say it. You asked me to say it.” he countered. “And the term pretty is subjective anyway, I think you’re pretty too.” You stayed silent, not meeting his eyes. “Don’t be like that. You know I care about you.”

“It sure doesn’t feel like it,” you shot back, your voice trembling despite your best efforts to steady it. You knew you were being petty. Acting like a child who didn’t get their way, grasping at anything to make the hurt feel justified. But you couldn’t help it.

“You just—you talk about work, about—god, about pretty girls and I—”, You stopped, swallowing hard, trying to tamp down the words you weren’t ready to say. “I feel like I’m just… here. Someone you call when you’re bored or when you’ve ordered too much food or when—”

“That’s not true,” he argued, his tone sharp now, defensive. “You’re twisting it—”

“Am I?” you snapped, your eyes finally meeting his. They were wide, startled, but it didn’t stop you. “Because I’m starting to think this is exactly what it is.”

“Well, what do you think this is?” he asked, his jaw tightening as his hands gripped the edge of the table.

“I don’t know,” you said bitterly. “Why don’t you tell me?”

“We’ve talked about this,” Spencer said, his voice low and deliberate, each word cutting deeper than the last. “You said you wanted to be friends. Friends do this. Friends have dinner. Friends don’t force someone to admit someone else is pretty and then make it all—I don't know, all weird after.”

You winced, his phrasing like a mirror reflecting every misstep, every conversation where you’d backed yourself into this corner. He’s not wrong—you had said you wanted to be friends. But he didn’t know the weight behind that concession.

You’d thought back to those late-night conversations. The ones where he’d laid out his reasons like a clinical diagnosis: I don’t have the time. It wouldn’t be fair to you. I’m not ready. So, you’d waited, convincing yourself that 'not now' meant 'not yet'. But eventually, you’d called it yourself, told him you should just be friends. A sad attempt at controlling a situation you were only ever destined to be hurt by. Because your own destruction should only ever be yours to wield—and you have to claim it before it can claim you.

He’d agreed it was better this way and you’d nodded along. Not because you believed it, but because it was a way to keep him in your life. A lifeline you clung to no matter how much it cut into your hands. But labels don’t erase what’s already happened. They don’t undo the stolen glances, the kisses in the quiet moments, the nights where you felt like the only two people in the world. They just build a fragile scaffold over it all, a flimsy way of holding up what’s already crumbling. Dating. On a break. Dating again. Friends. They pile on top of one another like a pathetic plaster over the hurt of what you wished things could be.

“Right,” you said finally, the word brittle and sharp as it escapes your lips. Your voice was hollow as your eyes met his, daring him to flinch. “So I guess that means I can’t expect anything from you, right? No decency, no consideration, no… nothing. Because we’re not in a relationship. We’ve never been in a relationship. Right?”

“Don’t,” Spencer said quietly, almost pleading now. “That’s not fair. Don’t turn this into something it’s not.”

“You’ve made it perfectly clear what this is,” you said, standing from the table, your hands trembling as you gathered your things.

“Wait,” he said, standing too, “You don’t have to—”

“And by the way, Spence,” you cut him off, reaching into your bag and slamming the extra key he’d given you months ago onto the table. It clattered louder than you expected, echoing in the tense silence between you. “You can have this back. Because last I checked, friends don’t have keys to each other’s apartments.” You were acutely aware of the venom dripping in your voice but you pressed on, the words spilling out before you could stop them. “And thanks for the flowers, but I don’t think friends go out of their way to buy a bouquet to make up for every friendly dinner they miss.” You didn’t wait for a response. You didn’t look at his face, didn’t want to see whatever expression he was wearing.

But the satisfaction of that slam felt distant now. You think back fondly of the girl who had made her point so clear, so definitive. A line drawn in the sand. But winds blow and sand moves. That girl seems like a lifetime away from the girl you are now—the one lying here, beside him, again.

Spencer stirs beside you, a quiet sigh escaping his lips, and your breath hitches. You don’t want him to wake up. Because if—when he does, you know he’ll leave. But until then, in this moment of temporary serenity, you can pretend it doesn’t matter. You can pretend it’s okay. You can pretend you’re okay.

After all, Einstein said that time is relative. If he doesn’t wake up, the moment will never end, and maybe—just maybe—you can slow down time itself. You stare at the ceiling, letting the minutes tick past, each one stretching longer than the last.

Your thoughts drift back to what Spencer had said. Time moves slower for those in the jet.

Well, if your apartment is the sky, then this bed is the jet. In the quiet of this moment, his warmth beside you, the faint smell of him lingering on the pillow—this is where time bends. The rate at which time passes depends on the observer’s frame of reference. Maybe you can trick the universe, make these seconds stretch into hours. Maybe, if you stay still enough, think hard enough, the world outside won’t come knocking. You can freeze this bubble of peace.

But the illusion is tenuous, and reality looms like turbulence on the horizon. Time doesn’t truly stop, you know that, we’re all forced to move on along with it. They say time waits for no man—least of all a broken-hearted girl. The clock keeps ticking, indifferent to your longing. Sooner or later, he’ll wake, and the bubble will burst.

You wonder how long you can keep this up. You’d just been talking earlier tonight, telling each other what had happened in the days you hadn’t spoken since the argument. The words had come easier than you expected, though none of them seemed to solve anything. Spencer had fallen asleep mid-sentence, right as you were recounting something trivial about your day. His exhaustion was written all over his face—the heavy pull of his eyelids, the way his head tilted slightly toward you before finally giving in. You’d paused, watching him, and the words you were about to say dissolved into silence. You hadn’t wanted to wake him.

The old you would’ve been angry, the frustration bubbling up into sharp words and accusations. The fight was always the same, well-rehearsed and raw: You always do this. I’m sorry. When are you not? I missed you. Then why won’t you stay? You know I can’t. You can. I can’t. It was less of a conversation and more of a script. It had long since stopped being about what either of you said; it was about how you said it and where it always led. It would’ve ended in a fight, Spencer’s guilt countered by your hurt, spiralling into a familiar standoff with no real resolution.

But that was the old you. She’d had more fight in her, more fire to demand the things she felt she deserved. That fire has dimmed now, not extinguished, but banked low and steady, like you’ve learned to ration it. It’s not that the frustration has disappeared—it lingers, an ache beneath the surface—but you’ve stopped letting it boil over. Deep down, you know the real reason you didn’t start a fight tonight. It’s not just that you’re tired of fighting, though you are. It’s that you don’t know how much fight he still has in him. You don’t know if one more argument, one more crack in this fragile thing between you, will be the thing that makes him walk away for good.

And you’re not ready to find out.

So you let it slide. Not because you want to, but because you can. You’ve told yourself you’re strong enough to carry it—to make up the weight of his distance, his exhaustion, his inability to give you what you need. You let him sleep, listening to the steady rhythm of his breathing, and you tell yourself it’s enough.

But Spencer shifts again, and this time his eyes flutter open. You freeze, your body tense, as if staying perfectly still might undo his wakefulness.

“Hey,” he murmurs groggily, his voice thick with sleep. His arm snakes over your waist, pulling you closer. For a brief, fleeting second, you allow yourself to relish the warmth of his touch, the illusion of intimacy.

Then his hand moves. He’s reaching—not for you, but for his watch on the bedside table.

He checks the time, squinting in the dim light filtering through the blinds. And you know. You know what’s coming next.

“I should go.” he says softly, his arm already retreating from where it had rested over your waist. He pushes himself up, running a hand through his sleep-mussed hair.

You sit up slightly, the sheets pooling around you, and force a small smile. “Okay” you murmur, the words feeling hollow even as they leave your lips.

Spencer’s already out of bed, reaching for his shirt and bag. The routine feels mechanical, practiced—a series of motions he’s repeated so many times it barely registers as something that could hurt you. He pulls the shirt over his head, adjusts the strap on his bag, and leans down to kiss your forehead. Friends, as if. You think.

It’s a fleeting gesture, a touch that’s supposed to mean something but feels more like a formality now. More perfunctory than tender.

“I’m sorry I fell asleep,” he says as he straightens, glancing at his watch like he’s late for something more important. “You should’ve woken me up.”

You shake your head silently, not trusting that your thoughts won’t betray you. Don’t wake up. Don’t leave me. Don’t go. Instead you settle for, “You were tired. You should get some rest.” The weight in your chest feels unbearable but you press your lips into a tight, strained smile anyways. A silent permission for him to leave.

He doesn’t hesitate.

“Drive safe,” you say quietly as you walk him to the door.

“I’ll text you?” he offers, already halfway out.

“Okay,” you reply, the word barely audible.

And then he’s gone.

The sound of the door clicking shut echoes in the quiet of your apartment, final and unrelenting. You stand there for a moment, staring at the door as if willing it to open again, as if hoping he might turn around and come back. You know he won’t.

You turn and lean against the wall, the cool surface grounding you, a poor substitute for the warmth that was just beside you. The apartment feels colder, emptier now, the silence deafening. The clock on the wall ticks forward, oblivious to your grief, dragging you further away from the moment he was just here. You feel stuck in place, a reluctant passenger watching the world rush forward while you’re left behind, stranded.

You think back to what Einstein had said and you think he’s got it all wrong. How if one observer moves at the speed of light, time will slow down for them. Because no matter how tightly you try to hold on, the jet doesn’t slow down. It won’t wait for you. The jet will keep moving forward, unrelenting, and him along with it. With or without you.

And as you stand alone in the stillness he’s left behind, you realize it’s always been without you.

⋆✴︎˚｡⋆ hi if you're here! thank you for reading! feel free to like or reblog or comment or reply!

#spencer reid #spencer reid fanfic #spencer reid fic #spencer reid imagine #spencer x reader #spencer x self insert #spencer reid x reader #criminal minds #criminal minds fic #criminal minds x reader #criminal minds imagine #spencer reid fanfiction #spencer reid angst #spencer reid x you #spencer reid x reader angst

51 notes · View notes

1ceb3rg · 1 day ago

Text

Titan shifters appearances in AOT is a reflection of who they are.

I feel like a common misconception about the titan forms of titan shifters in aot is just that its them but.. titan. I also see a lot of theories on the appearances of the shifters titans and a lot of curiosity. SO I AM HEREE TO GIVE MY PERSONAL OPINION !!! I personally view the shifters appearances as a reflection of not just their humanly appearances but also who they truly are deep down.

I feel the most often misconception i see is about Armin’s colossal titan. Its due to the fact that there is a LOT of questions on why his titan lacks ears, compared to the other 8 shifters titans. The MOST common response i hear to this question is “Armin’s colossal lacks ears due to him not wanting to hear the screams of his many victims!”. I absolutely hate this idea not because its sorta silly but i think it undermines his character. If you pay close attention, you’ll realize that Armin’s titan form bears a huge resemblance to a skeleton, unlike Bertholdt’s colossal titan. The human skeletal structure does NOT have ears. My take is because Armin’s whole relationship with his titan is very much related to the whole concept of death. The whole reason why Armin even inherited the colossal titan in the first place was VERY MUCH related to the decision between either saving him or Erwin from death, as well as Armin bearing the guilt of taking Bertholdt’s life. We all know that the responsibility of bearing the colossal titan always haunted over Armin for both of the dooms of Erwin and Bertholdt. I think this truly shows that Armin surely had a difficult relationship with his titan.

Another proof of this idea is the Beast titan. Its a well known fact that the beast titan takes after the form of whatever animal the current shifter of it has a special bond to. For Zeke, it was a monkey. This is because in a scene in the anime, he is seen playing and attached to a monkey doll during his tumultuous childhood, indicating that the monkey doll was a huge.. maybe even ONLY comfort that young Zeke had growing up under the pressure of Grisha and Dina. As for Mr Xavier, the guy who guided Zeke, we are told that he faked his marleyan identity and when found out by his marleyan wife, she took their son and committed suicide together in their house. In the scene where it shows the two lifeless, a sheep doll can be seen in the back of presumably the son’s nursery. And we all come to know.. that Xavier’s beast titan form was a sheep before he was eaten by Zeke. I think this shows that the deaths of Xavier’s wife and child took a huge toll on him even though he lied to both of them about who he was.

anywaysss that was just an idea i had pent up and sry for the yap but i hope smbdy else can share their opinions on this 😞

#aot #armin #attack on titan #snk #zeke jeager #armin arlert #shingeki no kyojin #zeke yeager

46 notes · View notes

kaoskuantico · 2 days ago

Text

I hate Act III, sorry. All the second season was too rushed and some characters that didn't deserve a happy ending got it, and those who have been suffering got the worst ending.

Acts I and II were good, but III is the worst.

I still think Arcane is one of the best shows we've gotten and will get for a long time, the art, animation, soundtrack, the characters...I love Arcane, that won't change. And that's exactly why I'm so critical with the second season, because I expected more and better, I know it could have been better. Maybe they only needed another season to not rush all the plot lines, or even discard some of them.

In case someone hasn't seen Act III yet, ARCANE ACT III SPOILERS

I made another post with the things I LIKED (click).

No one cares but here's a list of the things I hated:

Too rushed, I think we needed another season BEFORE this one

WTF Caitvi sex scene IN JINX'S CELL, RIGHT AFTER SHE LEFT. That's so disrespectful and stupid, Vi wasn't in the right state of mind, as much as I love Caitvi, putting that scene there was a mistake

I'm sorry but I also hate Timebomb (I'm a Lightcannon shipper, which is funny because Lux doesn't even show up in Arcane, but one can dream through fanarts)

Jinx surrendering (why we didn't even get a flashback scene?) and being imprisoned like a dog. Yet the enforcers were never punished

Vi not listening to Jinx telling her MULTIPLE TIMES to get out of there, and because of her, Jinx sacrifices herself (yes, I know she's most likely alive. But that brings my next point:)

Jinx not getting a happy ending at all. She lost everyone, right when she was about to get rehabilitated, Isha dies right in front of her. And we didn't get any Sevika dialogue with her, not even trying to save Jinx (Sevika surely didn't know, but at least a scene where she looks for Isha and Jinx???)

The final scene where Vi is only seen with Caitlyn. Yes, I knew they'd end up together and they deserve it, but what about everything that happened? Losing all her family? Learning to fight just to lose everything and everyone? Ekko not talking to Vi at all after the war? Vi not mourning Jinx?

Why make Jayce and Mel be together if they were going to forget about it and act like it didn't happen? (I prefer Jayvik, but that's another story)

Jinx saving Caitlyn, but apparently that didn't matter at all. Jinx killed her mother, yes. But enforcers killed countless of people, including Jinx and Vi's parents. Even if Jinx surrendered, why put her in that isolated jail? That was Caitlyn's grief acting

Honestly I don't know why Isha had to sacrifice herself, I feel it was too unnecessary, just to traumatize Jinx even more and kill Warwick again.

I wanted to see more of Vi, of her life in prison and before their parents died (besides Vander's memories). But they put too much focus on Caitlyn and the Caitvi. As if Vi's entire character is being Cait's girlfriend

Caitlyn (and every enforcer) didn't get punish at all for their crimes. Caitlyn became a dictator because Jinx killed her mother, but countless of children saw their own parents be murdered in front of them, and now they're the bad guys for attacking back? Mind you, at least Jinx aimed her weapon to the Council, the people who oppressed them. But Piltover kills civilians like nothing, putting CHILDREN in jail. At the end, they end up like the good guys, giving Zaun a seat in the Council. When they should have fought for it, making Piltover pay for everything they've done. Which brings my next two points:

Zaun is never set free, it's still part of Piltover

Following the previous point: Caitlyn becomes a dictator, Viktor a cult god who almost destroys the world. But Jinx is so unredeemable???

Vi accepting Cait immediately, as if act I didn't happen. I understand they wanted to make Caitvi canon, but it was too rushed.

The 'good timeline' being like that because Vi died???? WTF the enforcers wanted a name, ANYONE to put the blame on, so the Council could 'make an example'. And now suddenly everything is okay? The abuse from Piltover is gone? But even if that were true, it's sad it would take Vi's death so peace could exist

Cait put Jinx, a traumatized, suicidal and schizophrenic girl in an ISOLATED CELL.

In a more relaxed note, I hate the design of Powder in the other timeline. I have to admit I absolutely love Jinx's design, with her bang and long braids but damn I expected a Powder with a single braid and a better sense of fashion xd

I understand Ambessa was behind everything, she was using Caitlyn recent grief to manipulate her. But she never apologized, her actions can't be erased, she said it herself.

Jinx giving 'her blessing' to Vi to be with Cait. Jinx has been feeling replaced by Cait since season 1 and right when we thought they could resolve this (before Act III), they do this. If anything, they confirm Cait replaced Jinx and that Jinx had every reason to feel like that

Jinx sacrificing herself (yeah, we know she isn't truly dead, but I'm talking about the symbolism) WASN'T REDEMPTION. IT WAS SUICIDE, A TRAGEDY. Just a few hours ago Jinx tried to kill herself five times, she just saw an opportunity to do it again and not making Vi fight for her, because Jinx feels she doesn't deserve Vi. It wasn't heroic, it was a suicide

Singed getting his happy ending. HIM, OF ALL PEOPLE. He created the Shimmer, made it a drug and created addicts in Zaun just so he could keep experimenting. Dude, I get it, you want your daughter back, but at that point you should've just accepted she's gone. Vander is gone, Vi and Ekko are left alone (which brings my next point), Jinx killed herself, Jayce spent days, weeks or months alone in an apocalyptic world, Zaun is still under Piltover's power...And HE gets his happy ending? No consequences? No punishment for experimenting on dead bodies/potentially having killed them, for being in Ambessa's side????

Following point 7, why Vi is only seen with Cait at the end? Ekko is truly alone now, and Vi only has the enforcer who betrayed her and never apologized for her actions with her and Zaun. I get it, they wanted to please Caitvi's shippers, but shipping is not the only thing here (which why I hated Timebomb in the alternate timeline)

The whole Noxus thing. It took away the Piltover-Zaun conflict, and it felt too big to make it fit in the second season

I'll keep updating the list for a few days.

45 notes · View notes

venussaidso · 2 days ago

Text

Also, in It's Okay Not To Be Okay, Ko Moon young is played by a Magha Moon native, and though she is not a serial killer, she is still very dangerous and reckless.

Ko Moon Young is impulsive, arrogant, cruel and uncaring for others. She also has violent tendencies. Not saying Ketu women are all meant to be like this, but I've seen this personality archetype a lot with this planetary influence.

Her character is literally diagnosed as a sociopath. Usually Ketu women are antagonists when they portray this archetype, especially to Saturn women who are portrayed as the more purer relatable underdogs. In fact, in the drama, there is a Saturn woman exactly like this who finds herself competing with Ko Moon Young for the affection of the male lead.

Nam Joo Ri is played by a Pushya Sun native. She is a kind, typically pure, hard working nurse. Symbolizing the polarity of her and Ko Moon Young.

The male lead is played by a Shravana Moon native who is somehow the only one to stabilize Ko Moon Young.

Though the dynamic is toxic, I do find it interesting as Moon natives can be very tranquilizing and accepting of wilder people (Vampire Diaries stars a Shravana Moon character who is in a love triangle between vampires, same with Twilight's female lead who is a Hasta Moon and Rohini ASC). Similar to Ketuvians, in fact, they too tend to attract damaged and obsessive types to a degree. After It's Okay to Not Be Okay, another example of this dynamic is literally the adaption of Fifty Shades of Grey.

Anastasia Steele, played by a Hasta Sun native, attracts the troubled Christian what's his face. Christian so happens to be played by a Magha Moon native too – though the damaged person doesn't necessarily have to be nodal.

Also, the aesthetics of Ko Moon Young in It's Okay to Not Be Okay are so very clearly influenced by Magha Sun Tim Burton's works. A firm nod to how Magha-coded her character is.

Loved this animation scene. The Shravana boy falls in love with the Magha girl only to realize that she is a 'monster' when he sees her plucking the wings off a butterfly. And her constant isolation and dark exterior speaks more to her Ketu influence. I love this so much.

youtube

She might just be the most Magha character I know. She's conceptually the Korean adult version of Magha native Christina Ricci's Wednesday Addams who also has sociopathic tendencies.

Wednesday's boyfriend, this time though, is a lunar rashi; he is played by a Cancer Moon native.

The Japanese movie My Girlfriend Is A Serial Killer has another nodal pairing where one person doesn't know they're with the so-called wolf; this time the Rahu-Ketu dynamic being swapped. Usually, the Rahuvian is the wolf in disguise. But this time, it is the Ketuvian.

Magha Sun Haruka Fukuhara plays the serial killer who dates the main character portrayed by Ardra Moon Yosuke Sugino. Although, initially, he acts like a fucking creepy stalker because of his infatuation with her (how he finds out that she's a psychopathic killer; also, yet again another example of Magha natives attracting obsessive people).

Also, Claire Nakti made a serial killer analysis nakshatra video and Ashwini nakshatra was the highest of all nakshatras; and the nakshatra lord that was the highest altogether was Ketu, following Venus (fire signs are generally the most violent). So, it checks out that the girlfriend would be casted as a fire rashi native.

There's a scene in the movie where someone warns him that a wolf will always be a wolf (signifying her nature) and that a sheep is still a sheep. Even after finding out she's a murderer, he still loves her and doesn't want her to get caught.

But forgetting the true nature of their dynamic, as his guard remains down, she stabs him in the end. Even after all this time of keeping him alive, the wolf still can't help but bite the sheep.

fan edit link

Now, Magha Sun Haruka Fukuhara stars in the new Netflix series Invisible Us, where now she's linked to a serial killer.

Ketuvians' ability to solve mysteries, connect dots and see detailed patterns that others tend to overlook is honestly so typical at this point. I'd love a to make a rundown video of Ketu-ruled characters brainstorming, figuring things and people out on the spot! Ironically they have more of a keen eye than Rahuvians... which is not ironic anymore (like wtf am I saying lol) as Rahu tends to have excessive thoughts and anxiety which makes it hard to come to the truth or make clear decisions. While Ketu pierces through the truth with its speed and detachment. A clear, detached mind is associated with someone who has properly balanced their Ketu. While Rahuvians need to integrate a lot of meditative tools in their lifestyle.

#vedic astrology #astrology #sidereal astrology #magha #leo #shravana #capricorn #hasta #virgo #Youtube #rohini #taurus #ardra #gemini #moon #cancer

77 notes · View notes

fynnlink · 1 day ago

Text

Arcane doesn't need a THIRD season...

It needed THREE seasons

Arcane discussion / slight critique (obvi SPOILERS)

Alt title: "Arcane's character arcs: Tell not Show"

It's quite long.

I'II preface this by saying:

1) Arcane, especially from a creative standpoint, is a masterpiece and testament to what animation and showcraft can be/achieve. The three year hiatus was more than worth it. Hats off to everyone involved.

2) I thoroughly enjoyed the second season and the finale. It hit all the right emotions and I cried laughed and loved throughout my viewing(s).

But 3) Despite my enjoyment of the entire series, there are a few issues I had with Season 2 and the ending of the series.

Now to the title: In my opinion (and despite my wanting one) Arcane does not need another season after the finale and the story can instead be carried on better/just as well in subsequent spin-offs (like the likely Noxian one). Instead Arcane could've/would've benefited from a runtime of three seasons with the story of Season 2 being split up into two seperate seasons.

Without further ado

Arcane Season 2 started off great, from the season opening with the direct and immediate aftermath of Jinx's attack using Fishbones (the rocket launcher), Cassandra Kirammin's gorgeous HAND-DRAWN funeral, to all the emotional and high intensity scenes with the Zaunites from Silco's funeral and the Jinx-Sevika-Isha found family/team-up, all the way to the first act's incredible conclusion with the Temple of Janna Showdown and the Discovery of the Wild Rune below the Hexgate. It had and was everything I wanted and wno et of all the writing I wanted and more, the animation, the acting, the soundtrack and most of all the writing.

There were certain issues which I'll get to in a second but Season 2 Act 1 was mostly solid writing and followed through on Season 1's excellently written explorations of oppression, police brutality, ableism, class divides and classism, racism and prejudiced bigotry and many other complex and importand real themes/matters. After Act 1 followed Act 2 and my first big issue and the entire premise of this post: another (albeit much shorter compared to S1 A1 to S1 A2) timejump. While this usually doesn't necessarily pose an issue especially since Arcane has successfully handled timejumps/skips in the past without too much "Tell not Show" (an inverse of the "Show don't Tell" trope https://tvtropes.org/pmwiki/pmwiki.php/Main/ShowDontTell#:~:text=This%20is%20a%20writing%20or,book%20doing%20indisputably%20badass%20things.) which can lead to characters and storybeats feeling disconnected or the changes feeling jarring.

The multiple timejumps and montages rush a story that would've benefited from time and patience. I understand why these choices were made and the montages were creative and gorgeous, however there were too many in too few episodes.

The time between Act 1 and Act 2 of Season 2 should have been shown and not summarised into a montage.

Vi's arc and development into her in-game self (i.e an Enforcer) was incredibly rushed and underdeveloped ("Are we still Sisters?"-Jinx "Nothing is ever going to change that" S1 E9 | "My sister is gone. There's only Jinx now."-Vi S2 E3) and in many ways actually devolves/regresses upon her established character ("I grew up knowing I'm less than them. That my place is down there. I want Powder to have more than that and I'm willing to fight for it." S1 A1 "I'm the dirt under your fingernails, Cupcake." S2 E9) compared to season 1 Vi's character is or at least feels very reduced to simply one half of CaitVi, there's also no real follow through / no real consequences to Caitlyn's actions both as a Dictator General of Piltover and especially towards Vi. There was no actual apology from Cait (no, micro-expressions and withdrawing Jinx's guard does not make up for physical abuse) and the entire "Prison Cell - steamy edition" felt out of nowhere/weird (I'M NOT TALKING ABOUT CAITVI'S FEELINGS, THOSE WERE THERE AND ARE VALID AND DESERVE TO BE EXPLORED.) considering Vi and Jinx's interaction just before, Jinx's obvious suicidal ideation and Vi's unexplored trauma from her childhood spent in prison.

Same with Caitlyn being build up as a representation of someone who grew up privileged turning to generalised hatred and dehumanisation of others/"the other" when experiencing trauma (my phrasing is terrible but I'm referring to Caitlyn's turn towards oppression/fascism in response to her mother's death.) Caitlyn falls back into the exact same way of thinking that she denied/judged for example collectively referring to Zaunites as "Animals" despite rebutting these same words when Ekko said the people of Piltover look down upon those of Zaun, as well as Caitlyn calling Vi's blood dirty/tainted saying Vi has the "same blood in [her] veins" as Jinx after Vi stopped Caitlyn from endangering a Child's life as well as hitting Vi first with a stray bullet and then with the back of her rifle during an exclusively verbal argument. All before ascending to the position of General of Piltover during Martial Law and enacting collective punishment, restriction in movement and expression via military checkpoints and guard patrols, revoking Zaunites' right of assembly and peaceful protest and imprisoning most ("half") of Zaun in Stillwater without trial. Piltover even had to built a railcar system to keep up with prisoner transports to Stillwater opposed to S1's boats.

All this was built up only to have Caitlyn turn back after only one interaction with Vi. Supposedly Caitlyn had begun to doubt/regret the excessive and oppressive Noxian measures but apart from one scene of her disagreeing with Rictus' (Ambessa's second in command) "incitement of violence" at the checkpoint but still supported and expanded upon Stillwater (the exact prison Vi was kept in, even keeping the guard who all but confessed to regularly beating Vi during her seven year imprisonment, he even says he does it so often he "never thought to keep count") and even threatened to use cells and methods she knows and agrees are morally reprehensible.

Caitlyn's deeds as General should have been shown to the audience not just summarised into a short montage only to be glossed over. Instead of a complex and very difficult but incredibly necessary and in the end beneficial look inward for Caitlyn, Caitlyn's time and actions as a semi-dictator were glossed over because Ambessa was simplified into a pure warmonger going so far as to attack her own daughter and even Caitlyn cheating on Maddie with Vi in the cell is portrayed as less morally complex since Maddie completely betrays Caitlyn going so far as to try to shoot her to side with/support Ambessa's war (despite Maddie talking about reestablishing the Council in S2 E4).

If we had been given time with Caitlyn during her "#lowkey-Fascist-Era" especially if we had seen her temper cool and see her kinder side shine in more scenes in which she opposes Ambessa as opposed to one scene expressing disagreement with Rictus and later Caitlyn agreeing to Vi's comments regarding Caitlyn "sidling up with [Ambessa]", then this development and CaitVi becoming a couple again would have felt earned and well-written.

Instead of a comprehensive follow-up to Season 1's themes we got a "But TeAmWOrk GuYs!?" the Oppressed and Oppressors put aside their differences because of the greater / "real enemy all along"ᵀᴹ without Zaun seeing any reparations/improvements apart from one single seat at the same council that has oppressed them for decades/centuries. (Sidenote Sevika was immediately side-eyed and judged and can just get overruled by the remaining Council. États généraux, yes you get a vote but only one)

Yet we end the season with Caitlyn and Vi having sped past their issues and (Vi's) trauma to have a final scene in front of Caitlyn's fireplace with Ekko being shown to grieve Jinx more and Vi proclaim being the "Dirt" under Caitlyn's fingernails (they supposedly worked on that line for 27 hours).

Just to clarify I'm not saying Vi doesn't grieve but it's about what's shown and especially what is given time and here a CaitVi scene was more important than a scene dictated to Vi and Jinx's bond as sisters which was/should be the focus of the series. I'll probably make another post at some point about the Sister's bond taking a backseat compared to the relationships in Season 2.

In the end we were told more than shown why characters acted the way they did. With many interactions and moments of growth only implied.

Arcane would've benefitted from more time, maybe even a seperate Season, spent developing the characters to their final state and to give the series the time to deal with both it's arcane (*wink*) and human themes. And the ideal timeframe for this was in-between S2 A1 and S2 A2.

Many characters feels as if the audience had read the first and third book of a series without the in-between. And entire plot-lines and core themes were dropped/abandoned.

If you're still reading, thank you and sorry I went off on a ramble in the middle there. Again I'm not saying the season was bad and definitely not that you can't enjoy it (I liked it) just that it had a few missed opportunities.

#arcane #arcane spoilers #arcane discussion #arcane discourse #jinx #vi arcane #arcane vi #caitlyn kiramman #ekko arcane #arcane ekko

30 notes · View notes

annes-andromeda · 2 days ago

Text

Spoilers for S2 Act III of Arcane and S2 in general

That’s it?

We waited three years… for THAT?!

All that buildup in Season 1 regarding the war between Piltover/Topside and Zaun/The Undercity essentially meant jack cause apparently Noxus was the true enemy all along.

Heimerdinger? Dead.

Jayce? Dead (Allegedly)

Jinx? Dead (Also allegedly)

Viktor? Dead (again, allegedly)

Warwick? Dead (A L L E G E D L Y)

CaitVi got their sex scene but in the most inappropriate place possible. Did it have to be in the place where Vi was repeatedly abused and Jinx was thinking of offing herself??

MelJay… oh meljay my beloved you guys truly deserved better holy shit. All so that the focus could be more on JayVik. And i dont hate the ship, but it was clearly established that MelJay had a strong bond. And for them to end like that??? Really????

I don’t care that Mel didn’t end up pregnant, but her reunion with Jayce was so half-assed. Like, i get it, they’re both traumatized and have changed as people, but after all of their moments, after everything they’ve been through THATS IT?????

I know SkyVik isn’t canon but Sky deserved better wtf. Having her establish a relationship with Viktor just to be brushed off again???

TimeBomb isn’t technically canon but it is canon that Ekko had/has a crush on Jinx, and they weren’t totally fringed so that nice i guess. But it still would have been nice to see how Ekko convinced Jinx to team up with him instead of just cutting to the next scene.

Overall, this season wasn’t the worst I’ve seen, but the writing and pacing could have been soooo much better. If there was just one extra season and some tweaks in the writing then perhaps it could have been better.

Not only that, but I came in with the knowledge that the show was now canon, so i assumed we’d have the characters develop into their game personalities and then they just… didn’t.

We could have seen how Vi struggled with being an enforcer and eventually accept her new position as a way to help both Piltover and Zaun and make the enforcers better alongside Caitlyn.

We could have seen Jinx decide to live by her own rules and not be beholden to anyone’s expectations of her, to do as she pleases, and just go wild.

Where was Viktor actually becoming the actual Machine Herald with his mechanical parts? Where was Jayce becoming more like his game counterpart? Where was Warwick mutating into his final wolf form?

Everything just felt beyond rushed and hectic. I’m not saying I regret watching this show and i still very much love it, but i will always mourn what the finale could have been and cherish Season 1 for the masterpiece it was.

The animation, voice acting, and music was still fire obviously

#league of legends #arcane #arcane critical #im not mad but boy am i disappointed #for hours all ive been saying is THATS IT????#arcane spoilers

26 notes · View notes

distort1xn · 4 hours ago

Text

okay, so, i need to talk more about The CaitVi Scene in episode 8.

i’ve been rewatching it on loop. not because i’m weird about it, but because it’s animated. why is that important? because the animators had to make deliberate choices to draw each and every frame in that scene. none of it was by accident. there’s interesting little bits to see, like:

if you keep an eye on the kissing, you can see them using tongue.

cait is extremely gentle with vi, while vi is rough with cait (usually, everyone is rough with vi and gentle with cait – so, cait decides to show vi she doesn’t always have to expect punches, and vi shows cait she knows cait isn’t some breakable little porcelain doll).

when vi undoes the clasp on cait’s pants, you can see cait has a little mole on her tummy.

when they show vi’s back, you can see each and every muscle ripple beneath her tattoo.

even vi’s bare chest isn’t shown to be soft – she’s a woman precisely because she’s so deeply caring and loving, and she doesn’t need curves and softness to represent that.

caitlyn is every bit the ‘piltover princess’ everyone thinks she is, with perfect proportions and a stunning physique.

if you keep a good eye when vi is going down on cait, cait doesn’t wax her coochie bald. she clearly maintains it, but it’s not babygirl bald. she’s a woman, not a little girl that needs saving.

at the same time, vi maintains eye contact with caitlyn the entire time, like making sure caitlyn feels good is the only thing she cares about.

when cait pulls away to tell vi about her seeing someone else during their time apart, you can see vi breathless and dazed at the loss in the split second before the ‘camera’ pans to cait.

they both giggle when vi fights with cait’s pants’ clasp.

after cait tells vi about maddie and they kiss again, they ‘come up for air’ and smile at each other.

cait takes her shirt off first to indicate she’s not afraid or ashamed to be with vi and, by extension, a zaunite anymore. she also takes off vi’s vest as a first indication of how she plans to be gentle and caring with vi from then on.

vi can’t seem to get cait close enough to her, constantly tugging and pawing at her. this drives cait wild and she fights to keep up to show vi she wouldn’t want to be anywhere and with anyone else.

arcane best show ever, etc, and so forth.

[p.s. if anyone wants to add to this and/or discuss this more in the reblogs/comments/tags, please do. i’m so curious about everyone else’s interpretations!]

#arcane #caitvi #lesbians

46 notes · View notes

centrally-unplanned · 7 hours ago

Note

Do you know anything about Arthur C Clarke's reception in Japan and in Japanese pop culture? I just finished reading Childhood's End because I've seen it referenced in Xenogears, Gurren Lagann and Planet With, which isn't objectively a lot but more than the zero times I've seen it in American pop Scifi. Makes me curious how big he was over there.

Oh yeah, he was quite big in Japan! Essentially "all" the classic Sci Fi was, and Clarke was one of the biggest. Childhood's End specifically was one of Yukio Mishima's favourite books, for example. All of his works were pretty widely translated soon after release (Childhood's End was definitely available in Japan in the 1960's, that I know), and were very popular with both the SF crowd and the literary scene. In general, he was the right blend of "hard" sci fi with fantastical/spiritual elements that was very much in vogue at the time. And in the early history of Japan's animage community, those were all mushed together as one scene, only moving to more separate tracks in the 1980's. I remember in one of the essays I translated over the years, literary critic Nozomi Omori (in 1997) makes one of those "classic works like" comments and Clarke/Childhood's End is his go-to to illustrate the point. I think you can argue it is in the top 5 most famous works in this era.

A bunch of the specific references you are seeing are the unique lineage of some ~80's anime works like Space Runaway Ideon: Be Invoked. Yoshiyuki Tomino (gundam creator), who directed the film, was a big Clarke fan, 2001 most specifically I think, and the film has several direct nods to him. There are other works that draw from this well, Ideon is just the biggest, and the one that was the most direct inspiration for Evangelion as Anno was a big fan. From there you can see the references go out - Gurran Laagan is a Gainax work, Planet With's creator Satoshi Mizukami was a huge Gainax fan (particularly FLCL, shout out!), etc - as you get later the references become second-order like that, less people reading the classics but the ideas are in the water. Though I don't want to overstate that direct link - Xenogears lead creator Tetsuya Takahashi is just a direct fan of Clarke as well, and explicitly pulled from such works for the project (you can see a bunch in works by Square in the 90's)

Though a personal note, you will if you google around find people saying Evangelion was "referencing" Childhood's End with Instrumentality? Best I know that isn't true, instrumentality itself as a word is a nod to Instrumentality of Mankind by Cordwainer Smith, and Anno is on record saying it is a shallow reference, he just thought the word sounded cool. Anno was not a classic SF fan, he is one of those "second order" guys where he is picking up the stuff movies like Ideon are putting out, but isn't interested in their classic origins.

33 notes · View notes

sometipsygnostalgic · 1 day ago

Text

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

youtube

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

youtube

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

youtube

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

youtube

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

youtube

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

youtube

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

youtube

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

50 notes · View notes

adultemophase · 2 days ago

Text

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

#arcane #arcane season 2 #arcane spoilers #caitvi #caitlyn kiramman #vi arcane #arcane league of legends #jayce talis #viktor arcane #yell at me if you must #rambles #jinx #ekko #also this is probably a little messy because I was writing this as a whole

29 notes · View notes

gwenyundreiko · 7 hours ago

Text

I need to scream about Arcane S2 (spoilers for the whole season)

Alright, it's been 2 days since I've watched the end of Arcane, and I'm still in a bad mood over it, so I am going to scream into the void about it, and hopefully it will allow me to move on.

I do not like the second season of Arcane.

Season 1 ? Absolute banger, still love it. I love it even more after recently watching it a second time in preparation for season 2.

Season 2 though ? ... I will not go into the details (because I feel like I would need to rewatch it again to be more accurate, and I don't want to do that), so I am just going to write about how I feel about it now that it is over.

Season 2 has left me deeply unsatisfied, to say the least. I think this feeling comes from the fact that most characters' arcs look like they were either cut short, or didn't really go anywhere. This makes the entire story feel pointless; an undeniable marvel of aesthetics and animation put in service of nothing.

I could talk about a lot of the main cast, but I'll only talk about Vi, her relationship with Caitlyn, and the Zaun vs Pilltover theme.

First off : Vi, the character who fought tooth and nails for those she loved and always tried to do the right thing. Accepting responsibility for everyone who looked up to her... and got nothing for it in the end but pain. From the start of the serie, she is set up to be one of the protagonists, along with her sister and Caitlyn. Yet the story feels pervert in the way it insists to both :make Vi suffer without giving her any sort of confort or moment to express her feelings ; and make all of her actions be pointless.

In episode 8, when she says "I always make the wrong choice and lose everyone", we have to admit that from a narrative point of view, she is absolutely right. For the first time, Vi is self pitying. She's shown as vulnerable, doubtful, almost sounding like she's giving up by saying that all she ever does is useless or worse. This is incredibly out of character for her, and yet the story proves her right. Nothing she does matters in any meaningful way. She doesn't even contribute to the final battle : she gets stranded in the defence of the artillery tower (which turned out not to be a key asset in the battle), then go 1v2 Warwick with Jinx, and Jinx ends up sacrificing herself to kill it, but only AFTER the battle is over and all the narrative tension has calmed down. (Sidenote : yes yes I know it is hinted that Jinx is still alive, but still. Let's agree that it's in bad taste for a suicidal character's triumphant moment to be a reckless act of self sacrifice, independently of the outcome.)

Vi gets mistreated throughout the whole storry and gets nothing in the end despite her bravery and efforts. No matter how hard she fought, she still ends up separated from her sister and she still loses Vander. The only thing she gets in the end is a girlfriend with whom she basically had no tender moment since their breakup, making Vi feel like a rescue dog at Caitlyn's house, but let's talk about her relationship with Caitlyn in more depth.

I'll say this first : I love the sex scene. It's tender and passionate. It's a bit awkward, but in such a relatable way that it only makes the moment sweeter. It does an excellent job at showing us how the characters feel about each other. Taken on its own, it's perfect. Two people that love each other so much they just need to have each other right here, right now... I just wish their relationship around it was more fleshed out.

From what we get to see on screen, they get a really messy break up in episode 3, and then never interact again until crossing paths at the commune. In the meantime, Caitlyn has allied herself with Ambessa, declared martial law on Zaun and is oppressing it with the full extent of her legitimate violence... but upon seeing Vi again, she instantly switches side to go against Ambessa with a rushed plan.

We get absolutely no other insight into their emotions or thoughts at this moment. No scene to show that despite their conflicts and standing on opposite sides, there is still tenderness and affection between the two of them that could hint at them getting back together. Instead, Vi calls her a petname once, and it's done, no further convincing needed. (Sidenote again : this makes Caitlyn look impulsive and irrational, when everything that comes before shows us that she is smart, collected and patient. Here, she instantly abandons everything she was previously fighting for, even at the risk of putting her entire city in danger. This includes abandonning her vandetta against Jinx, which is the reason why they split up in the first place, but this isn't adressed between Vi and Cait ever again either.)

After that, Vi holds her accountable for her actions for the time of 1 dialogue.

Then they barely interact again until the jailcell scene. Hell, once the battle starts, I don't think the two of them interact AT ALL until the epilogue.

The lack of substance in the portrayal of their relationship makes this sweet and tender sex scene feel like a spur of the moment thing. An almost self-destructive action from Vi trying to scrape at any possible source of confort after being cut out by her sister. A good thing happening for the wrong reasons. (Mind you, a hate sex scene would have worked wonders in my opinion, but that's not what we got.)

So yeah, given all of that, I'm struggling to see how Vi ending up with Caitlyn is supposed to be a meaningful and happy resolution to her story, when this relationship is barely shown on screen during season 2.

Finally, let's talk about the Zaun vs Piltover situation : it goes nowhere.

An entire 5 acts showing us that Piltover treats Zaun like shit, turning it into a ghetto and leaving it to rot in its own misery . The promo campaign for season 2 teased us a revolution... and in the end, we barely see any change. The way the story resolves implies that now that Zaun and Pilltover have triumphed over a shared ennemy, they grieve together and make peace because they have learned that war comes at too high a cost, and Zaun gets to be represented by ONE councilor.

I'm sorry but either the show tried something and missed, or the show was just incredibly shallow from the beginning. This conflict was set up from the first second of the show by having the main characters be orphaned by cops in a popular uprising which only looks more and more justified as we learn more about Zaun. That is to say that Topside doesn't care about Zaunites. From what we can tell, Heimerdinger has been leading the city for 300 years, and he discovers just now that Zaun has problems ?? Piltover prides itself for being the city of progress and equality, while exploiting the misery of the people that are LITERRALY BENEATH THEM. It's the final shot of THE FIRST SCENE IN THE SHOW, the topside people are sitting ON TOP of Zaun, reaping the benefits while throwing their wastes at them.

I think there's no better illustration for how Piltover considers Zaun than the scene where Jayce announces to the Council that Silco has demanded independance. All the councilors lose their shit. They are OUTRAGED by the demand. Clearly, Piltover considers Zaun its property. People to exploit, whose need and misery they can ignore, and ultimately, a problem to be solved through the police by having them arrested/beaten up/killed.

So either the show was indeed trying to tell a story about class struggle and oppression, and failed to deliver a satisfying conclusion; or the show was only interested in the appearance and flavor of class struggle only as a vessel for the cliché of "the cycle of violence". Which hmm, yeah it's 2024. I don't think anyone needs me to write an entire section about the necessity of fighting for human rights and resisting oppression.

I could have talked about how pitfighter Vi was 60% of the promo for Season 2, and yet was done and gone in a minute, which was also what we got with the promo, or how a French animation studio decided to call an independant, pacifist and egalitarian community " The Commune" (if you know you know); I could have also talked about Jinx's character, and how the show portrays her self healing from her devouring guilt, but I'll stop rambling here. I hate that I have wrote this, because I don't want to spread negativity. I'd rather spend this kind of energy on things I love.

The thing is, I really really wish I enjoyed Arcane season 2, because season 1 means a lot to me. Vi's character awakened something in me. It is representation I never knew I needed and it changed me. I know this sounds silly. It's only a fictionnal story after all, but it helped me grow into a better and more hopeful person. In the end, I just feel like season 2 went too far too fast, and left me behind to try and pick up the pieces of my expectations. If you've made it this far, I sincerely thank you, and I hope you have a beautiful rest of the day.

#arcane #arcane season 2 #vi #vi arcane #caitvi #caitlyn arcane #jinx #jinx arcane

23 notes · View notes