#this is legitimately Not Bad for the first time i've ever drawn them

[recurring-polynya]

How about a doodle of your favorite Dr Stone character or any character from the last new anime that you liked!

YOU MEAN MY CHILDREN TAIJU AND YUZURIHA?????

[roodles03]

Comfort and Venting

Surprise! I'm a filthy Dadrius enjoyer. If you've read my fics you've probably known this for a while, but since most people know me for my art I bet this is a bit of a shock haha.

I've liked Dadrius since ASIAS. My second TOH fic EVER was actually Dadrius. Dadrius is very common in my fics as well. Its the second most common relationship I've written, outside of, well, the obvious.

Darius is such an interesting and fun character to explore. He is ESPECIALLY fun to write, which is why I prefer to write him in fanfics rather than draw him. In fact, this is the first time I've ever drawn him legitimately.

I struggled A LOT with this drawing. In fact, initially, I gave up. But I ended up sharing a old WIP of this with the Dadrius server, and I want to thank them and especially @waywardsunlight in particular for helping me figure out how to save this drawing. This drawing wouldn't exist at all if it weren't for them.

Anyway, here I imagine Darius is comforting Hunter after he had a bad day at Hexside. If you had a keen eye you'd notice Hunter is in his Hexside uniform, and if you have an even more keen eye, you might've even noticed Hunter is not wearing his cowl. That was on purpose, as I imagined the moment he got home, he threw it off in frustration. I tried to draw the cowl on the floor but I couldn't get it to look right so I gave up. Decided to add Waffles in its place.

Why did I draw Darius in his old outfit? Because I wanted to.

Hopefully I'll make more Dadrius art in the future. If I don't, you can be sure to see it in my fics!

[unpopularly-opinionated]

So I finished watching WeCrashed today, which is the dramatized reenactment of the whole WeWork fiasco, and to get this out of the way early: It was a pretty good show. 9/10

I am biased because I love Anne Hathaway, I think she's wildly underrated by a lot of people. Jared Leto is an enigma of a human being. I am under the impression he is kind of a piece of shit IRL, and I don't entirely disagree. My one and only personal experience impression is the one time my parents took me to Vegas to go see a 30 Seconds to Mars concert, and I kid you not, but this mother fucker showed up sick and basically had the audience sing 90% of the maybe like 5-6 songs he actually performed. Would've ruined the night if it weren't for that also coincidentally being my first Panic! At The Disco concert who opened for him. Went there to see 30 Seconds to Mars, left seeing Panic! At The Disco and wasn't too disappointed, granted I was maybe 14-15 at the time I think, I don't know. Time is an illusion.

Anyways, despite all of that, I shit you not but I think this role was kind of made for him. I've heard Jared Leto has started an actual cult IRL, and from what the show told me about Adam Neumann, he's the type of guy who would probably create a cult himself. And to be honest, he kind of did if the show is to be believed. The entire time I'm watching the show, this man is spinning bullshit like it's golden thread and I kept waiting for the acknowledgement of that; I kept waiting for the behind closed doors scene where he tells his wife, Rebekah (Anne Hathaway), that he's fooled some more cash cows into giving him a shit ton of milk but it never happens and that's because I think this man legitimately believed in every fucking word he said.

The analogy they use in the show is that he's selling people unicorns when unicorns don't even exist, but this man legitimately believes unicorns fucking exist and he's going to make you believe it too. He's simultaneously full of shit, but not at the same time. It was so wild to watch because I just couldn't wrap my head around it. You hear about cult leaders, or shitty CEOs raking in billions of dollars, and you just keep waiting for the other shoe to drop; you keep waiting for the realization that he's actually just this huge piece of shit scamming people out of their money. But I don't know that I feel comfortable calling it a scam when he truly, honestly, and genuinely believes in the bullshit he is selling. It wasn't a bid for money, or power, or control. This man just bought into his own bullshit the same way he sold it to everyone else. He was a drug dealer who partook in his own supply.

The whole time I watched the show, I asked myself if the show was funded in any way by the Neumann's because of just how good it showed them to be. Yes, they were insane. Yes, they wound up financially ruining a lot of people. But at no point did I ever think that was genuinely intentional. If it wasn't obvious already, I went into this show with zero knowledge of WeWork. Literally none. I had only just heard of its existence recently, and I'm actually kind of dumbfounded that a scandal of this magnitude has somehow completely escaped my notice. It took me until I believe episode four before I even understood what it was WeWork even sold. To be honest with you, I'm still not even sure I'm sure what they sold. From my perspective, they sound like glorified landlords but for office jobs, mainly tech companies.

I pride myself on not being as influenced by individuals as others are. I don't do the whole "so-and-so is my hero" nonsense. But I have to admit that if I had met Adam Neumann in person, and he was even half as magnetic as he is portrayed in the show, I'm not entirely sure I wouldn't also be drawn to him. I don't know, man. It's to the point where at the end of the show, when he eventually steps down as CEO and the new CEO is giving his speech, I had this gut feeling of "the bad guys won in the end", even if the "bad guy" in this scenario was the completely rational business expert who actually wanted the company to make a profit. The show sold me the idea that the Neumann's, while fucking insane, were the good guys in this scenario. Which is why I can't help but wonder if this show was somehow funded by them.

Overall, the show was really good. I will say, there was this slight disconnect at the very end though. During the credits, they show a clip from an interview with the real Adam Neumann and Rebekah, and for the most part he seems like a totally normal dude. He's portrayed as kind of manic and psychotic during the show, so it was a major contrast to see him be kind of normal, albeit very passionate in the end.

If there's one type of media drama that I fucking love more, it's all this corporate drama nonsense. It's why Social Network is one of my favorite movies. I just love hearing about the behind the scenes drama of all of these big companies.

TL;DR: I felt so bad for Miguel, the true MVP of WeWork. Fuck me did that man need to grow a spine, but nevertheless I felt bad for him but respected his loyalty to the end all the same.

[theboogierat]

THE EXAGGERATED FIGHT STYLINGS OF THE GENETICALLY SUPERIOR MALE

DISCLAIMER! ALL art shown in this long ass post belongs to MAGNOZZART and his wonderful team! Go read 'The Tomato Can' on WEBTOON! Also there are huge, massive, TREMEMDOUS spoilers. Finish your reading first!

this post is a work of appriciation

Fun fact: this was supposed to have been posted on December 5th! Time flies, doesn't it? Ha ha...

...

Centered around 15 professional MMA fighters and several deadly men in the roster, the Tomato Can is jam-packed with action. As of the date of this post, readers have gone through six complete fights and are eagerly awaiting the seventh. (This original paragraph was written on December 5th, where we had just concluded Elijah vs Zach. Ever since then, there has been two more fights!)

Being the center point of the entire comic, the action sequences are well-drawn with interesting palette themes, aesthetics and especially presentation. The author and artists are able to create exciting yet grounded fights in the realistic setting The Tomato Can is set in by using artistic exaggerations, fun visuals and the thing I wish to fixate on today: setting an atmosphere.

See, the reason I made this glorified text post is to demonstrate how the author uses atmosphere to create tension and to orient the reader, as well as appriciaTE HOW BAT-SHIT THEY WENT FOR...

...Joe Rumsfield vs. Donovan Day, the fifth match in the series and the precursor fight to the main character, Elijah Zelenoff's, battle against his long-time enemy Zach Hartley.

It's vital mentioning this fact because it's the main match I want to compare with Rumsfield vs. Day. Zelenoff and Hartley is are an extremely-plot heavy pairing, what with Hartley and Zelenoff having fought six times in the past as well as being the first few introduced characters in the beginning. Not only plot, but there's a lot of emotion behind the match too: Hartley had recently incited a fight with Zelenoff by insulting his late father and missing mother, adding to the fuel of their already fuming hatred of eachother. Because of this, the audience is expecting THE most important fight by far in the series. And boy, does the art not disappoint.

You'll notice the gritty, muted tones and a lot of cool shades. You'll notice how desaturated all the characters look, especially if you compare them to previous episodes. For me, this really does set the tone the author's wishing for; this isn't some show for audiences, this isn't something they're doing as a job, this. is. WAR!

Reading forward, the stakes are high. You can see our main protagonist slipping clearly, you can see Hartley get the upper hand, and the framing only accentuates the emotion. With every connecting strike of Hartley's, the art is cold and unfeeling. It's all muted, almost as if the atmosphere has given up completely.

That is, until the first blood spills.

While I can go on about Zelenoff vs. Hartley, it's not his name on the title. It's Joe Rumsfield's, and by golly is it my god-given duty to praise just how much insanity this man packs into him.

Joe Rumsfield was the first character to be introduced once Elijah Zelenoff joined the show way back in the first three episodes, and immediately set the course of his character with:

He's Doctor Disrespect with the alpha male mentality and legitimately called himself the 'genetically superior male' as his official fight nickname. Keep in mind, these things are PERSONALIZED. So, you can expect this man has a thing for funny. Silly, even. Flamboyance.

And by god, is he flamboyant.

Let's open up episode 36, Rumsfield vs. Day. And it hurts my eyes.

Not because the art is bad! God no! It's because I've spent so much time with the nitty-gritty of Zelenoff vs. Hartley! The lights are currently on, and the characters shine in it. The saturation is up, and there's color all over. How pretty!

Rumsfield vs. Day doesn't have 'plot' behind it. It's not a high-stakes emotional journey between two men who loathe eachother, it's about Donovan Day and Joe Rumsfield. It's about the sheer amount of COMEDY Joe brings to the table, and how our old unlucky friend Donovan Day has to take the brunt of that COMEDY. Granted, there's some emotion on Joe's part, but unfortunately Joe has no time for sadness.

LOOK. AT. THIS.

A walkout is designed to 'introduce' yourself. The way you walk, the music you choose, the attire you were, it's a way of showcasing who you are before you duke it out in a cage.

Can you tell who's going to command this entire fight? Can you tell who's going to absolutely rock a man's shit for one round?

Compare the mentioned fights to each other, especially since they come back to back. The colors, the ambiance, the atmosphere, it's sheer contrast and it's pure awesome. The gritty tones compared to vibrant saturation. The total loss of hope compared to the fun painted on comic panels. It's great!

And that's kind of the point I want to make here; Joe DICTATES his entire fights, all the way down to the art. Look at these panels:

(panels)

It's comedic relief, but I like to take it as a sign. All of these panels SCREAM Rumsfield, and who he is as a person. This isn't Day vs Rumsfield, this is JOE'S fight, completely and utterly. This is essentially Joe's version of a warning: "Don't fuck with me."

For me, it was pretty important to have this dynamic. Zelenoff vs. Hartley's outcome would change the course of the webcomic completely with its high stakes. It was one of the biggest fights of the season, what with its tumultuous history and heavy revelations behind it.

I don't think this would have been communicated so well without Joe vs Donovan's existence. Or, well, Joe's fight.

It's the calm before the storm, essentially. Both fights communicate emotions without heavy dialogue with just their art alone, and it's a wonderful skill to have. These contrasts help each other. When we see the peppy, bright colors and humor of Joe vs. Donovan, it makes Zelenoff vs. Hartley's overall tone more jarring. It lets us feel with the story, which I feel like can be very difficult to communicate with comic books where the story has to be purely visually expressed. Both sides of the coin give off the correct visuals to tell a compelling story that sticks with the readers, which is really fun to read!

It's also great for character!

I mentioned being able to 'feel' with the story, and that's the main point I wanted to make. But, let's go off the deep end now. If you've stuck for this long, thank you! Anyway, the safety bar is lowering now. What? This wasn't in the pamphlet for the ride? You want to get off?

TOO BAD.

WELCOME TO THE SPLASH ZONE.

I mentioned earlier that I feel like the art shift really feels like Rumsfield as a character. Its his fight, and he's taken control of the narrative.

(he does have deadpool potential...)

Who else had these vibes?

to those who are just entering the scene of The Tomato Can, this guy will consume all media relating to it.

This is Kublai Khan. He's banned from Japan and a master of subtraction.

This may be a stretch (don't go), but upon rereading his fight, you can feel a sense of dread to him. It's said by Dejaun that the fight was him "trying to send a message", which sounds about right. The panels charged by Jason Hardwood, his opponent, are brash, loud, and self-righteous. But above them all, Kublai's overall vibe leaks through like a parasite, everywhere. Despite Kublai's undying respect for the man, from the looks of it Jason was just another step to his staircase of bodies. Once again, Kublai conducts the narrative of his fights, by pure skill and madness.

Doesn't that sound familiar?

Joe vs Kublai is going to be two forces of nature against each other. A very wise commentator once described the two as "two cartoon characters in a world of serious folks". It's going to SHAKE THE DAMN PLANET, and I. Am. WAITING!

I don't know how to end this. I've been working on this for an undescriable amount of time and several things have been happening on the backburner. The webcomic actually ENDED IT'S FIRST SEASON WHILE I WAS WRITING THIS .

So...read Tomato Can, and support artists. Yeah.

...if there are any factual errors I am tOO TIRED TO FIX ANY PLEASE I JUST GOT OFF A 3 HOUR FLIGHT AND I KNOW JAMIES VERSUS ELIJAH HAPPENED I ALREAYD HAD TO REWRITE THIS TO INCORPORATE IZOVS OSCAR JUST PLEAS ELET ME POST THIS-

*End post*

thanks for reading.

[captainkurosolaire]

~ Mass Update ~

Mainly going into future plans and intents alongside ideas below cut.

Ton's of things I've in store this will prove difficult to vent it all out. But here we go... First off rehashing and appropriately learning to tag and organize things better on my blog. Each category will have their own corresponding content, I seek to bring or share. [Tales of Goldbrand] -- I intend this to carry a Compendium of all my writes soon that'll have everything neatly in-order including a glossary, so it'll have highlights of stories that even matter or the best stuff. I've written here for a very, long time, there's been many shifts. I want to make it more accessible. While coloring what matters for people who want to learn Captain or his Crew with less chapters. While also giving choice to find it all easily. This is essentially a step-above master-lists. I'll be doing that after the Saga I have going on, right now is done. [Captain] -- Will provide you strictly with Captain screenshots, gifs, photo-sets. This is still his blog despite the Crew thing's will sort of make this a scuffed Multi-Muse blog. I've few more things to edit and tag fix to get all his stuff though. [The Wild Crew] -- Afterwards this story is done Immortal Age Saga, It's something that I mainly wrote as a passion project within three days to get my warm-up process fixed. It's to allow me to get a feel for all his Crewmates and casts, in combat, in-general, to feel their presences. While also giving a bit of their backstories. At any point, I can go back and polish or tweak things in. They're NPC's but... not entirely. All will have their own 'Dreams' and their own 'Disapproval's' they have their own missions even. These things will factor eventually, they might set seeds, to betray or disagree with something, but that's all angst and more stories to be created, but overall, they'll probably always be Crew, eventually. -- I plan on making character-profile sheets of them and putting them in this Tab, it'll have their screenshots, their likes/dislikes. Some RP partners or people can also be shipped with them, but they'll all be monogamous and originally start off probably Pan. This allows them to figure out what they like on their own stories. I've always been someone who likes organic-flow. Although this one story contain all 16 characters or more, the rest will probably be shortened to a Squad of 4 and dispersed when on adventuring missions. Until I do a War Arc, that's my main goal to build too. [Roster] -- Will contain this Crew in just screen-sets dedicated to them, I'll probably randomly produce those. I've PC players among this Crew too. I may not be done either adding more, but this Crew is mainly built around Quality. Most pirate crew's mainly, have hundreds, thousands. Even Fleets. This Crew has personalities, monsters, people who are living life's that exist with piracy. He's an particular leader that had PC players the same way, he's had split-personality serial killers aboard, tribal chieftains, succubus, all sorts of various people once on a Crew. It's often an outcast style, pirates default are chaotic in nature, so this really isn't any different, it's a Fantasy version of it. There's humanization characters aboard too though, so this cast is really decked, everything and person is vital, they matter because they remind or covet something that others can draw upon. If ever played (Three Houses or Mass Effect / Dragon Age Origins) A lot of things like that are relatable too this structure and format. Which, Is something I want to be able to give when RPing. I want a genuine feel of this new world someone else's muse will be the main-character too. Depending on what's interacting everything they'll be scale appropriately to follow the genre they're in and environment even. [Aesthetics] -- Already explainable what you'll find here. [Asks] -- Same thing. [Prompts] -- Trivial things I was tagged too, I plan on compiling later. [Writing] -- Another alternatively to randomly go-down and it works right now. [Logs] -- Will have more individualistic master-lists and posts there, my poems from Sheik Sphere the Bard, etc.

Things of that nature, I'll probably add still. It's where a lot of my creative writing is summed. [Gems of Hydaelyn] -- My main #tag for other characters and artists, creationist. Lot of amazing people easily to find their zones or follow them optionally if you like. Ton's I intend to support and bolster, be a lot less unspoken. I'm never the type who's been strictly inclusive. But I'll do that when I've time to even explore the dash, I'm always still planning ahead with things and projects. [CKS] My original character-sheet it's outdated on something's but not too terrible. I'll give him polishing someday, I swear? [21+F-List] -- Just purely degenerate stuff of Captain. I'm a pirate blog. I will represent that with openness and furthermore. I'm never projecting you some false-image. I started off a smut-writer by stripping that, I no-longer represent the same aura and identity. But those are strictly his stuff and kinks, I'm effective in executing them but they're not all relatable to me OOC. This blog will always be 18+ containing crude or dark material sometimes, romantic things, this Captain is blunt, will literally put his cock on the table in conversations. Swearing and being censored would be too uncommon and displace most of him, but there's more about him then all this. [Other] -- I pay homage to a lot of characters, I originally am a Concept Designer. Which mean's I make characters and ideas like my addiction. Bad characters / villains or other little things I like to share in designs, I'll put there. Some villains might get little photo-sets, even if they died. Just cause I like their design, or maybe I'll give them an AU, where they won. When I've wrapped up things. [Collabs + Ships] -- Is a new project idea. This isn't going to be something limited too romantic only ships. It'll contain, platonic, romantic, friendships, rivals, frenemies, family, PC Crew, all ships. I am desperately working on improving my gif, screenshot, posing game so I can supply 'Screen Stories' this is not only a way to RP that's accessible with even people who are upon time-crunches from work, It gives visual-representation. To impactful stories shared with others and establish bonds. That are all-valid and impactful matter. Lot of people take a lot of their characters attributes into them and are them dialed up, I work with that and bit more, differently. I'm disconnected from my characters and they'll get hurt and injured and killed by me, that's my duty as their Author to give them conflicts and struggles. I'm their major antagonist, but that doesn't mean at-all, it's always SET that way. The characters I like to make have their own life, they live in this setting and are abide by it, they're often nothing, nobodies, and by the interacting with others, they slowly gradually building, more... Through emotional impacts, they alter, these are REAL people by all their beliefs. Each person they come in-contact with are legitimate and treated like that too. They've always impacted or given them insights to grow, or represent more. Otherwise it'd be criminally disrespectful if I allowed any emotional I felt OOC be the grudge to something IC. Captain in-particular is set on defying me. I cannot have that. ...But I can't stop him. He's met and encountered so many people and lived so many scenarios based on the actions of others, he's giving a chance right now to actually do things a lot further than impossible. The more people he meets and encounters, experiences, the more I lose. These stories are emotionally interactive where everything is a factor and adds to the dice, where the other people are the one who get to roll the dice for him, not me. That's something I want to color in. People range in emotions, they have their down's, ups, their own wholesome-grounding people, spending time with your favorite people, there's nothing more cherishing than that, being in your own comfort-zone or 'safe-space' these are all treasures that we live under, today. Contrary if what people assume of me, I'm not another 'blogger' that's came

before, who's wanting to force a harem, then constantly is bewildered when that falls to pieces cause of selfishness or a lack of communication, or the skeletons they have in their closets and beliefs they hid behind and swindled fooled everyone. I'm not looking to be popular or anything really, I just create stories and want to share in those, and I want to also boost others included, upward with me, especially those who make me. There's no ego in anything I do, this is purely love. I've never cared about being replicated or duplicated, I've had stalkers, I've gone through more then anyone would imagine, I've been used OOC and abused, just for my writing and cold-harshly told, i'd never amount to anything other then that or vice-versa. --------------------------------------------------------------------- Passion. That's all I got and am anymore. --------------------------------------------------------------------- Passion is the hardest thing to keep. It's something that can be stolen, quite effortlessly. Few words of discouragement, a bad negative representation, a lack of confidence, or small amount of time, there's many thing's that can put that flame out. Once you lose it. The difficulty to reattain is hundred-times harder than climbing any mountain for real. I've watched the greatest creators crumble from under the pressure, from beaten down by others. I watched many of them do it to themselves because they put a grand vision of needing validation of another and once lost, felt uncompelling to press onward. But passion also can be given BACK and drawn. It can be shown and encourage others, with a soft-triggering, that pushes them. That motivates, that constantly sticks to it. There are many that fuel me. If I ever quit, I let them down, I spit in the faces of people who're better than me in every-way. Or people who've came and given me their precious Time. That have given their character's or dedication to the abundant stories and community-driven things I've done. There's ONLY things you can do, create, give and provide. It cannot ever come to life without YOU. This is a fact. ...I swear, If you let your creativity soar, you'll be amazed by the heights you get. Constantly polish and learn and hone the best you, challenge yourself day after painstaking day, to draw better improvement on something, no matter how trivial or unfamiliar you are. You'll find a confidence only you can give yourself. ---------------------------------------------------------------------- Future Plans --------------------------------------------------------------------- For me, I've got so much more stories to give and also explore, I might be taking up soon some other artists and more skilled people from community and hire them for some of my future writes, to up my game or cause something thing's can't be done in-game cause no background carries it. I also got a lot of-set up things and more angst stuff I want to practice, plus I'm adamantly on that grind to produce screen-sets with the intent's to some sort of improving daily. Additionally more people I'll be reaching out too soon for these collab's ideas and things. I look forward to shaking your hands, giving some hugs, show you my respect and admiration, then creating some enchanting stories and giving plots light. Feel free to reach out to me, I get scattered-brain but I'm working on getting better about it. Eventually will get to you though, my goals, if uninterested just say so when I poke, no bites, unless you kinky. Anyways, cheers hearties.

[ordinaryschmuck]

Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure

Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"

Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"

Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.

And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.

WHAT I LIKED

The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.

The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.

As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.

Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.

But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!

Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.

Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.

The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.

And that’s all I have for the likes...Oh boy. That’s not a good thing is it?

WHAT I DISLIKED

It Peaked at Season One: It did. It really did.

Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?

It Tries to be Epic: This might have been the worst decision the writers could have made.

Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.

Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.

And, I mean, c'mon. You're making Rapunzel an action hero?

Judy Hopps? Yes.

Moana? Maybe.

Raya? Most definitely.

But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.

If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.

Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.

The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.

The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.

Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.

However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.

Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!

First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.

Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.

But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"

I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!

If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.

>Sighs<...This series isn't good, is it?

IN CONCLUSION

I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.

[chuuyas--boo]

The "Judge" and The Sinner.

Tw: Violence, language, murder, Self harm

(Partially based off of 3 episodes of Angels of Death; Episode 4: A sinner has no right of choice, Episode 5; Don't let me kill you just yet, and Episode 6; Zack is the only one who can kill me. Some torture methods will be skipped over/changed slightly because most human beings can't endure all of the torture Zack and Rachel (Mostly Zack cause he's an idiot) went through without dying.)

The elevator doors opened and Riley slowly walked out onto B3, immediatley noticing the machine guns mounted on the walls, as if the last floor wasn't difficult enough; Running from the sweet but obsessive and insane ginger haired grave-keeper; Eddie.

A single bullet was fired from one of the guns, just barley missing Riley's arm causing her to stumble back, just as more bullets were fired rapidly, getting closer until they stopped, only inches away.

"Great...trying to fill me with bullet holes huh?"

"Hiii~! Terribly sorry I'm late! It took you so long to get here...I nearly dozed off! Still...I'm surprised you weren't killed just now! You sure have incredible intuition dear~"

"What..."

"Y'know something? I had a feeling you'd be a great sinner~! ...I must've needed some excitement cause that woke me right up!" "That's great and all miss...but I don't really care...Could you just let me through...?"

"I supposed I can do that~"

Bright lights shined on Riley and she narrowed her eyes so it wasn't so harsh.

The iron bar door slid open and Riley walked through, and walked down the hallway to a room with locked doors.

"You said you'd let me through..." her voice was calm yet slightly irritated.

"My~ You're so impatient! At least let me finish putting on my makeup!"

Riley let out a huff of annoyance.

"There's a certain procedure each criminal must go through before their punishment is assigned~ If I were you, I'd start getting ready now. In fact I'll even open up a room for you~"

One of the doors unlocked and Riley went in.

(ignore the fact Zack and Rachel are there, it's a room with the mugshot board(?), a camera, and a table with a bin with the name boards)

"Every legitimate criminal has a mugshot, right~? Take a pretty one for me! ...Oh and it's not a proper mugshot without your name board, of course~"

Riley walked over to the table, grabbed her name board out of the bin which said "Riley Morgan" on it, in letters that looked as if they were painted with blood...which wouldn't be surprising if it WAS blood.

"How am I supposed to do this by myself..."

Riley huffed, and moved the camera closer to the wall, hung the name board around her neck and quickly took a picture, narrowing her eyes slightly at the flash.

"There..."

Taking the name board off and tossing it to the side, Riley grabbed the photo and held it up towards the security camera, and the iron bars slid out of the way.

Walking out of the door; into another hallway, but this time with poorly drawn images of what seemed to be torture methods.

"They're illustrations of punishments I designed, for sinners just like you~! I'll give you a choice,...there's more than one way to punish a sinner you see~, So I've got a variety of painful options waiting for you! Of course...if you'd rather spend the rest of your life rotting in a cell...it's always on the table~!"

"What kind of pathetic person would decide to rot forever..."

"Oh~? Too bad...and here I was hoping I'd get to keep you forever! ahahah~!"

Silently Riley walked into one of the rooms, filled with dolls...life size wooden dolls in rows of chairs...with what looked to be an electric chair in the front. "She- She's really trying to fry me to death!"

But suddenly the iron bars slid open.

"Ahaha~! I know you wouldn't survive that kind of punishment! I'd like to see a little sinner like you suffer for longer~ So I ever so kindly let you through!"

Riley hesitated before walking out of that room, into another hallway, with a door that had a warning sign on it. "Doesn't seem like the best of ideas...but it's the only chance I've got"

Opening the door open, Riley imagined sitting in the electric chair and being shocked over and over until she eventually died and shuddered, once inside the door locked behind her. "Great..., as if it wasn't bad enough to be locked in here, it really stinks!" scrunching her nose at the smell, she noticed a corpse in the middle of the room.

Sighing, Riley walked over to one of the blood stained windows, pulled her knife out of her pocket and bashed the handle against the window as hard as possible, but nothing happened, not even the slightest crack.

The TV's in the room turned on, showing Cathy.

"Hiiii~! Did you miss me dear?"

"Like the plague." Riley said flatly.

"Let me give you an explanation of the room you're in right now! And you'd better listen closely if you want to live. I got a little carried away with the design~ It's completely sealed, making it impossible for air to get in or out! The window glass has been reinforced, so you won't be able to break it! And the best part...I'm about to fill it with something veryyy special! If you stay in there long enough, you'll be on your way to a nice, peaceful death. It's poison gas~! Obviously I wouldn't confine you to a place like that with no way out...in fact, here's a gift~ I've mercifully provided a gas mask! As long as you do your best, of the utmost faith you'll escape! Oh, and of course I think it'd be a bit boring if I let you sit in there forever, so I've added a time limit! I knowwww~ I'm sooo thorough! After your time runs out you'll be given another gift! A gas so potent the mask won't do any good against it! That's all for now, have yourself a good time in there, and try not to die, okay~?"

Sighing, Riley glanced at the gas mask in the middle of the floor as the poison gas began to flow into the room, noticing the cracks in the eye lenses "Yeah...that won't be all that helpful..." and then walked over to the corpse on the floor and crouched down.

"There's writing..."

Riley gently shoved the body out of the way and read it

"The one with the ugly foot, the foolish killer who stomped out life with the right foot..."

Pausing as the writing got more difficult to read Riley huffed and then continued.

"It says something like...if you feel guilty get rid of your right foot, if the crime and punishment are equivalent, light will shine in hell."

Riley hesitated before grabbing the right foot, and walked over to the scale and placed it on one side, then grabbed the bag that was placed on the table and set it on the other side of the scale and watched as it balanced out.

The gas started to get to her, and Riley started coughing as it got harder to breath, quickly running over to the gas mask and putting it on, despite the cracks in it, it'd be better than nothing. The gas mask helped a little, but made it harder to see.

"This is stupid! Why the hell bother providing something if it's only going to make it harder you sadistic bitch?!"

Letting out a sigh of frustration Riley looked around hoping something had happened, and noticed the safe in the corner of the room had opened slightly, inside was a wire and a key card. Grabbing both, Riley walked over to where the key card would be inserted and put it in.

The gas stopped slowly and Riley smiled to herself, glad she had figured it out.

"My, my~ What a smart sinner you are~!"

"You're the one that made me come in here in the first place..."

"And you're the sinner who got yourself into this place~! You coulddd chose to rot in a cell~ It's still an option on the table dear~"

"Like I'd decide to do that! I'd rather die immedatley."

"My, my~ someone's eager to be punished for her sins~!" "Not like I can leave this floor till I'm "punished" anyway..."

Cathy laughed as Riley walked out of the room, down a hallway very slowly, the gas still taking its toll. Eventually she sat down against a wall where the cameras wouldn't see her and fell asleep.

Waking up with a jolt, Riley shook her head trying to get rid of the thoughts from the nightmare. Getting up and slowly down the hall, into a room with a smashed doll house, half expecting to be required to do something, she sighed and glanced at the TV in the room.

"I'll let you pass through this one~ I didn't know enough about you to mentally torture you so you're lucky!"

"and you said I took a long time to get here, in that time you could've figured out more about me, but why would you want to? I'm just an ugly, pathetic, useless, boring bitch."

"Oh~? I don't think you're boring! You're actually quite an interesting sinner~ You're smart and I like that about you~ You remind me of that gorgeous sinner; Eddie~!" Not knowing if that was a good thing or not, Riley slowly walked down another hallway, separated in two by a wall in the center with barbed wire on the top, stopping at the table. The door up on the ledge opened and Cathy stepped out.

"How nice to finally meet you in person~!" Riley just gave her a cold glare "You gonna let me through or not?" "My! You shouldn't be so rude to a pretty lady like me~! In order to continue, you must inject yourself with those syringes, one contains vitamins and the other contains dangerous drugs!" "Which is which?" "AHAHAHAHA~!! It doesn't matter! I won't tell, besides I forgot~! Once you inject every last drop I'll gladly open up the door for you! You might wanna hurry though...or else someone you love will die~" and with that, Cathy went back the way she came.

"Great...this could kill me, I'll probably die anyway..."

Grabbing both syringes, Riley looked at them; one of them contained green liquid and the other was yellow, but the colors didn't give any hints as to which was the vitamins and which was the drugs, it wouldn't matter since she'd have to inject both. Quickly Riley injected both into her arm, tossed the empty syringes to the side and the door opened.

"Stupid bitch...my heads pounding..." Riley stopped in the dim hallway and leaned against the wall with her hands against her head.

The so called "dangerous drugs" just brought out the voices in her head, telling her to kill someone, or something and they only got more persistent by the second.

"SHUT UP! JUST SHUT THE FUCK UP!" Riley's voice had gone shrill, laced with insanity as it echoed through the dark empty hallway.

Continuing to walk down the hall as the voices got more and more persistent until she walked into a large room and the door slammed shut behind her, locking.

"Glad you could finally join your sister and I~! It took long enough..." There was a girl standing in the middle of the room with long dark brown hair and blueish green eyes.

"What does she have to do with this? I want nothing to do with her! She left me and Jack, and Jack died!!"

"Oh~, you don't want revenge~? All those voices in your head telling you to kill her but you just can't? Maybe you aren't as great of a sinner as I thought..." The brunette glanced at Riley "R-Riley don't...please..."

"Oh but why not!? Huh? WHY NOT LEXI!? Why shouldn't I? You left us alone, and Jack died. Why shouldn't I rip your throat out right here right fucking now?! So you can go be pathetic somewhere else? Nahhh~ I'll kill you myself, slowly and painfully and see how you like it!"

Fear shined in Lexi's eyes as Riley stepped closer

"Scared~? You should be!" Cathy laughed as she watched the two

"AHAHAH~!! I've provided you with a gun as well~ Kill her as you'd like!" Riley grabbed the gun and pointed it right at Lexi's head.

"You could've avoided this y'know? But you didn't...and now you'll pay for it!"

"RILEY PLEASE!" "You're gonna beg to live? Pathetic. If you're gonna beg, do it right, you don't look nearly as pathetic as he did." "W-wh-who d-did?" "You don't know? AHAH! Go on~ Tell her~!" Riley shot a cold glance at Cathy, enough to make her shut up, temporarily. "You're clueless...Jack? Yeahhh...I did it. I killed him." "YOU WHAT?"

Lexi attemped to grab the gun out of Riley's hand only to have it pressed to her chest.

"He begged me to, so I did." "You whore-" "Do you WANT me to pull this trigger? The trigger that'll end your pathetic existence?"

"Do as you please...it doesn't matter anymore..." Riley pulled the trigger but nothing happened.

Cathy giggled and then bursted out laughing.

Silently Riley pulled the knife out "You'll die one way or another~" and pointed it at Lexi's throat.

"Please...-"

Without saying anything, Riley took the knife and slid it across her arm, blood gushed down her arm but she seemed unbothered.

Silently Cathy got up, and walked down the stairs to where the siblings are "WHAT'S WRONG WITH YOU!? YOU'RE SUPPOSED TO BE KILLING HER!" "Did I say I wasn't going to..?" The drugs would've worn off at this point, but because Riley was younger and smaller they hadn't yet, without hesitating she flicked the knife back towards Lexi

"RILEY PLEASE! Can't you hold back?" "Hold back!? IF I COULD I WOULDN'T BE HERE!" "Sinners can't control their bloodlust~ Just accept it!" Lexi stepped back only to stumble and fall

"Get up. Now." Lexi didn't get up, so Riley grabbed her arm and jerked her up making her stand up and quickly plunged the knife into her stomach over and over, blood gushed out and covered the floor around them, Cathy laughed as Riley plunged the knife deeper every time until she stopped and Lexi's body fell to the floor, limp and dead.

"My, my~ You ARE a great sinner~ Now you'll get your punishment~!"

Riley just glared at Cathy silently, her eyes seeming cold and dead.

Without warning the 4 guns in the corners of the room began firing, not knowing what to do, Riley ducked hoping they'd stop before they got to her, unfortunately they didn't and one shot her in the leg.

"You'd look great filled with bullet holes~" Collapsing on her knees, Riley glared up at Cathy "So would you" and pointed the gun at her, forgetting nothing had happened when she pulled the trigger last time.

"Go on~ Shoot me~!" "Why are you so eager to be shot?"

"Just do it! Unless....you aren't as great of a sinner as I thought~" Riley pointed it at Cathy's head and pulled the trigger but nothing happened "AHAHAHA~!! Foolish of you to think I'd actually give you a loaded gun!"

Despite the blood gushing from the bullet wound, Riley shakily got up "So...are you gonna kill me or..." "No. A sinner like you is much too interesting to be killed~!"

Riley sat on the floor, watching blood pool around her, and her sisters dead body in silence.