#this is just like. from an art direction perspective im sure the gameplay will be pretty tight. thats what kept me
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every time i see something of the new hades game im just. well. 🤐
#i don't wanna be a hater of a game that is still in testing. but...#the character art ive seen. I Did Not Particularly Like. Okay.#one of the uh. skeleton guys. the training guy. his design i just thought was straight up really bad and not cohesive at all. blehh.#and wheeerrreee did the cool dramatic lighting goooo. the portraits look so flat#and how is aphrodite EVEN skinnier. and apollo looks so ashy.#the first game also kinda had a problem with making any dark skinned characters super ashy#im sure the game will be pretty fine probably. i just..dont really like a lot of what ive seen of it lol#.txt#i WILL say. i do like hephaestus. but im biased because ive always dug that guy#this is just like. from an art direction perspective im sure the gameplay will be pretty tight. thats what kept me#coming back to the first game despite the shortcomings i found in it. it felt soo good to play.
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I'm curious since you seem to understand the series very well, and especially with your takes on AA5/6, how do you think the mainline series will progress from here? I'm pretty convinced AA7 will eventually happen, but with them continuing to milk superficial nonsense out of their characters and not exploring their actual depth at all, as well as their addiction to raising the stakes to a ridiculous degree, it feels somewhat hopeless to expect a good and engaging game out of AA7. Like the DGS duology is amazing and I want it to give me hope, but then I look back at the main series and remember all the flaws it's been developing in the 3D era and I just feel rather sad.
i can not even BEGIN to guess where the series is going because the decisions that make sense from a narrative perspective, or that make sense from a fan perspective, are completely different than the ones that make sense from a corporate perspective, but the corporate perspective is the one that dictates the franchise at the end of the day
the release of the DGS duology in english, which many people never thought would happen, is i think a really good sign. capcom had a survey released after the localization which basically asked fans for input on the future of the dgs and greater ace attorney franchise which makes me hopeful that theyre going to use the DGS duology as a jumping off point conceptually for future games. but that's all speculation
i'm not sure how the reception was for DGS vs AA5 &6, but the games seem to be pretty well liked and popular in japan, based on the character popularity polls that released for the 20th anniversary. dgs characters scored very high
i dont actually know much about the technical aspects of the games like their respective critical reception or sales figures, but i think if you compare the DGS duology and the 3d mainline, whichever one sold better and was higher rated is probably the direction theyll take the series. after all, they want to make money.
grace rivalsforlife would maybe know more about this. it seems like the kind of thing she'd know. i'll have to ask her about it later.
what i HOPE happens is essentially a soft reboot of the mainline where aa7 (which according to leaks is supposedly happening... but im not sure i believe it yet) takes a page out of DGS's book in terms of art, gameplay, and narrative direction and sort of just adds a breath of fresh air to the incredibly stale shit theyve been churning out.
or honestly i wouldnt be opposed to more spinoff games like if they wanted to make dgs3 or a 3d investigations game or do something else entirely and never touch mainline again i dont think itd be a bad move. id play it.
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February 15th-February 21st, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from February 15th, 2020 to February 21st, 2020. The chat focused on the following question:
If a company wanted to publish your comic or adapt it for animation or games, how willing would you be to change the story if requested to do so?
FeatherNotes(Krispy)
That's such a tough question just because it's such a goal for so many creators, and yet a potential threat to their creativity in a sense. As always, it will depend on what exactly would be changed in order for such a project to be given approval. If it has to do with censoring LGBTQ+ content, changing race for 'marketability' purposes and the like, or erasing a specific topic integral to the plot with relation to politics- then it's a no go. There are plenty enough watered down media that doesn't stretch itself with diversity those companies can have and the subtext they pepper in to stay relevant, def something i find irksome with todays media (its 2020 guys !!) But if it's maybe cutting a chapter that acts like filler, or adding a character ( so long as it is plot relevant) i could take that into consideration! I actually take some time to imagine what Ghost Junk would be in a diff form of media and usually in those scenarios, things change to fit the way its being presented! A video game will differ more than an anime adaptation for sure, so long as the original intent and impact is kept, i would definitely consider some change!
LadyLazuli (Phantomarine)
If I ever had the opportunity to pass my work off to a whole other team for an adaptation, I think I would take great joy in leaving them completely to it - barring a few obvious issues like race changes, gender/sexuality changes, and... changing the entire story to the point where it's unrecognizable. I love seeing reinterpretations of my work, and I understand that every adaptation would need changes of some form. My words and art aren't gospel - I'm open to any change if it improves the whole product. Whatever it takes to translate the material in the best way, which keeps the original message intact, is all good by me.
Changes in the actual comic would be harder to make - and I'd be far less comfortable with them, to be honest - but I wouldn't fight them if they obviously made the story/characters stronger. I've already added in ideas and reorganized plot threads based on reader feedback - luckily the story still has some places where it can bend. So long as a publisher took my basic story seriously, and aimed to remold it rather than remake it - I'd be down for a discussion. Hopefully a reputable publisher would know how best to sell my work, and would aim to make it as good as possible while maintaining integrity - I would try to trust them
chalcara
Comic stays mine, won‘t be changed beyound perhaps some professional line edits and polish. There’s a reason I didn’t shop it around as a graphic novel. I’d actually like that eitherway, would love to get myself a professional editor when I have the money. Adaptions can go nuts, provided the main characters stay true to their comic versions and the woman-loves-woman storyline stays in.
Holmeaa - working on WAYFINDERS
For the story to be told in another medium I would be pretty game for it to change the story a bit. Already now we are changing the story from how we made as a campaign. Makeing it more streamlined and more precise. I wanted originally that our comic could be a TV show. I come from a background of a character animator so that would make sense for me. So seeing it animated would be awesome! There would be some designs that needed to change to fit animation better.
Like Andree has this texture in his skin that needed to go away. But seeing it animated would be awesooome
Deo101 [Millennium]
I think if my Characters stay in Character, then I'm fine with changing pretty much any of the plot or world things. But the Character dynamics and who they are as people is what matters most to me, and I'm not sure I would be willing to sacrifice that. With some of my stories I'd be willing to completely let go of the reins, and with others I definitely want a tighter grip, too.
sagaholmgaard
Agree with the thing about character dynamics. My stories always stem from the characters' relationships and how they evolve, so I'd like for the essence of that to stay. Otherwise I'm pretty loose about the plot itself. Because I have an education in game development, I would totally be down for my comic being adapted into a story driven game of some sort. I'd be okay with changing the story to favor the game mechanics, like putting certain magic abilities in the focus and turning certain scenes into gameplay (like when they're sneaking around or fighting). As long as my handful of core emotional moments come across, I'm pretty happy to change things.
Tuyetnhi
I agree with the character dynamics too. I don't feel comfortable if they change the character backgrounds along with it as well for er what Krispy said for "Markability". That stuff won't fly with me. Comic stuff stay the same but for adaptations, I want to make sure it has similar story beats even if there's a change on few details. Tbh I could totally see er....a visual novel game happening in my comic since that's what my original intention was going for. still at the end I really don't intend my comic to transend other mediums since i'm planning to self publish the story someday lol.
kayotics
I’d be pretty willing to change stuff, actually. I’d want to be pretty involved in whatever adaptation was being made in this hypothetical, but I know that more people can make for stronger work. On the other hand, too many cooks can make for some pretty watered down soup, which is why I’d want to have a large role in things so some of the core stuff doesn’t get changed. But as it is, I’m not married to any ideas that exist in my comic, and am pretty welcome to changes.
DanitheCarutor
If the changes were to benefit the story than I wouldn't mind, if they were going to change everything to make it appealing to the masses than no. Definitely not if they want to mess with the characters since how they are play a major role in the comic. I've got a really specific story I'm trying to tell, so I'm very stingy on changes. If anything I'd be more open to a company making a spin-off or something not totally related to the main story, as long as it's not a complete bastardization. Other than free advertising and the brand name, I don't really see how getting published would benefit me anyway? I'm already in the process of rescanning and re-editing the first four chapters of my comic for self-publishing, if I really wanted to adapt it into an animation I would just do it myself. Along with teaching myself whatever else I needed to get as little help as possible. Sure, I have no experience but it's not like I can't learn, there are classes and free tutorials all over the internet. I've always wanted to get into animating. I can't imagine my comic being adapted into game, what would it even be? An anti-dating sim? An interactive novel? An Apollo drinking simulator?
Capitania do Azar
I WANT A BEAT THEM UP JUST RUN IN ONE DIRECTION KICK EVERYONE
eli [a winged tale]
The dream is a studio ghibli adaption but that won’t be happening I would want to vet the studio/company proposing the adaption and ensure that we are a good fit. I echo what many of you have said about the integrity of the characters and heart of the story. There are a lot of secrets that will come to unravel as the comic progresses and I hope the publisher will be accepting of them. I will be happy to have a conversation on why these structural changes are there and why I think it’s important to allow them to reach a wider audience. That said, I am also eager to see how they would themselves interpret the story and I will give creative freedom to that. Again, it’s a dream and while I would love to direct my own film, I simply don’t have the resources to do it (at this time). https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ3MzIzMTM3NjY4MDA0?igshid=15bnlhamdu3tn&story_media_id=2149085305360952847
Capitania we should just have a super smash bros of all our comic characters
renieplayerone
I think like a lot of people here have already said, Im not changing anyones race, gender identity or sexuality. Otherwise? I'd be really curious what someone else's perspectives could bring to my work if it ever got adapted. I have ideas for comics that are written like they could be movies too, but idk. Its fun trying to write thinking of other mediums
mariah (rainy day dreams)
Im pretty much in the same camp of make changes as it makes sense, but stay true to the core. In the case of a live action thing being made of my story, I would actually be super ok with a POC actor filling the role of any of the white presenting characters. Or actors with different body shapes that what I'd originally draw. More diversity in film is always good
snuffysam (Super Galaxy Knights)
outside of censorship, I would be fine with most story changes? with that said, good luck lol. there are very few scenes I think can be cut out of the story without supremely messing up later scenes. every magic ability on-screen is important in some way, a bunch of random background characters end up coming back & getting way more focus later on, etc. add filler, sure, but there's really not much you can cut out without messing up the entire story down the line.
Cronaj (Whispers of the Past)
I'm pretty open to the idea of changing some details to fit a different medium better. The big thing that I wouldn't want changed in Whispers of the Past (https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366) is the characters' races. Since the story explores the idea of culture-shock and cultural identity, and the races/cultures are integral to world-building, it would be stupid the change the characters' appearances/races willy nilly. And besides, we don't want what happened to Eragon or Percy Jackson when they became movies. Congratulations on completely killing a franchise But yeah, as long as races and major plot details aren't changed too much, I'm really open to adjusting things. As an example, cutting out smexy times or making the language a bit friendlier to a wide audience, fine by me. But changing Kelan to a blacksmith instead of a farmer... Why???? I would need a good reason to do something like that. (I'M TALKING ABOUT YOU, ERAGON! WHY WAS RORAN JOINING THE ARMY RANDOMLY, INSTEAD OF BECOMING A MILLER? ISN'T THE ARMY WORKING FOR THE EVIL KING WHO TAXES THEM HEAVILY? EXPLAIN THIS TO ME.) I'm actually pretty scared about the whole race thing. I mean, Hollywood also ruined The ]
if the adaptation is Bad I can always just, like, disown it lmao
Deo101 [Millennium]
clearly im the one with the ideas here B) soo
LMAO yea
Cap’n Lee (Flowerlark Studios)
If it was being published as a comic, I don’t think I’d be willing to change too much- though that would depend a great deal in what kind of change. Cleaning up some wonky dialogue? That would probably be fine. Censorship? Absolutely not. Changing my LGBTQ+ characters’ gender / orientation to appeal to the mainstream? Really absolutely not. If being adapted to a different medium, I’d be much more willing to change things around, but would still insist my minority characters not change their identities. But I understand that as far as plot goes, different mediums call for different approaches. I’m planning on writing my comics as novels someday, and will be taking a much different approach to them. The plots will definitely be altered a great deal to better fit being written in prose.(edited)
AntiBunny
It honestly depends on what the changes were. There's a fair amount I'd change myself. A few core things I'd certainly not change though.
In AntiBunny http://AntiBunny.net/ for instance I could see some people missing the point of Penelope's character being a pacifist and wanting to make her some kind of badass, as if the only kind of strength there is comes from violence. I wouldn't remove the question of Pooky's gender, as in order to ask the question of "what is identity" I stripped Pooky of everything including even a mental construct of gender.
Some things I would change though. Likely I would cut the first two chapters and start at the 3rd when the plot actually gets moving. So demands for a faster flowing plot I could certainly meet. I'd probably cut few extra characters from the cast to streamline things a bit.
So yes for the purposes of streamlining things I'd make changes. I wouldn't make changes that would go against the entire point of the cahracters though.
snuffysam (Super Galaxy Knights)
Oh, a conversation in #general reminded me of something else regarding adapting Super Galaxy Knights Deluxe R - If the comic is to be adapted with no changes at all, it'd be a legal nightmare. Off the top of my head, these are properties that have been directly stated in dialogue - - Yahtzee - Risk - Mario Kart - Settlers of Catan - Pokemon - Disney's Frozen I don't think you could technically get in trouble for any of those? It's not like anything copyrighted was shown on screen, it's just characters talking about things they've seen before. But a publisher would probably want to play it safe and avoid that. Also... the NFL might get mad at the publisher if the gang names in Cunoze City aren't changed? Like I don't ever say the team location, so technically full team names are never used... but again, it's probably best to play it safe.
Desnik
I'd be pretty flexible with changes, but if I have to take out demons to appeal to the Evangelical Christian states of America then obvs that's not going to work out
(And you wouldn't think that'd be a Thing to this day, but apparently it's been sort of this unspoken rule in book publishing since the Satanic Panic of the 80's in the US)
Some changes I'd be okay with: Adjusting ages of characters to appeal to target demographics, removing scenes that are difficult to draw, tweaking characters to be either more or less horrible depending on their role in the story
FeatheryJustice
I will be flexible to a point and the limit of this point is pretty align to my morals. If the editor tells me to include some weird things like "You must have a scene where this guy licks the curtains" I would also be like "What is the point of this scene."(edited)
LadyLazuli (Phantomarine)
“Your protagonist must fight a giant spider in the third act.”
Deo101 [Millennium]
I mean, if you bring up giant spiders in the first act... well...
Q (Wayfinders: Off Course)
Turn it around: if your protag must fight spiders in the third act, well, time to bring in the spiders in the first..?
AntiBunny
The more I think of it, the more I realize that the most likely thing I'd be asked to change in AntiBunny is to either tone down the violence and grimdark for kids, or make it even raunchier to appeal to the "mature" (not mature at all) animation market (Seth McFarlane's audience).
My own comic keeps it rather PG-13, but there's not much market for animation in that field, at least in America. Seems like it's all either kid friendly stories where no one dies or if they do it's off screen (people get shot and stabbed in my comic) or there's the opposite with dropping F bombs every other line and filling it with sex jokes.
snuffysam (Super Galaxy Knights)
Hey, I mean, never say never. Off the top of my head, Futurama and the Samurai Jack revival were both western cartoons that I'd put solidly in PG-13 territory. Both shows were able to go adult when they needed to be, but they didn't take that as a blank check to go into "rated R" territory for the shock of it.
#ctparchive#comic#webcomics#indie comics#comic chat#comic discussion#creator babble#creator interview#comic creator interview#comic tea party#ctp
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