#this is incredibly frustrating

[nondescriptrogue]

@staff @humans please please please PLEASE stop with the auto playing Temu ad. Oh my god. Not sure who thought having an ad autoplay full volume was a good idea, but please... I don't care if I see ads in general, it's whatever, you need money, I get it. But the loud autoplay of a company that's scammy at best and predatory at worst is not a good look. And it's absolutely terrifying at 1 am when you can't sleep and forgot to mute your phone. I'm at my wits end. I've been reporting them as broken, but that seems to only make them show up more. If it keeps going, this might actually get me to log off of Tumblr mobile.

[rottenlittlefink]

What do u do when u feel like you’ve hit an invisible wall in your recovery? What do I do when meditation and affirmations feel pointless? How do I keep assuming when it’s hard to stay positive?

[peaches-and-honey-and-the-moon]

Nobody told me that the deletion of my job would immediately start. I come in and I'm not even needed. There's no point to me being here. I'm kinda upset about this

[doomedclockworkdotmp3]

just a normal guy surrounded by residents with evil in their hearts

[memendoemori]

If I paid $6,000 human dollars to stay in a Star Wars themed hotel with no windows and you stuck my ass behind a pole I wouldn't stop at a four hour takedown of your hotel. I'd start biting hands

[andromeda-raine-gvf]

Dude my block list is 10 miles long from all these damn bots! I get like 2 a day!

[sun-3-160]

my health insurance is so hard to navigate i can look for a procedure and a provider and have no idea what qualifications have to be met in order to actually get the procedure

[talulagrimm]

I find it so frustrating when people say that a fault of miraculous is that the characters don’t have more outfits. (A writing/design fault) like that’s not a completely normal thing for cartoons.

Giving a character multiple outfits isn’t as easy as just giving it to them. It needs to go through a character designer, a turn around, then modelling, then texturing, (in miraculous’ case) all of which costs money. It doesn’t make sense in most cases for shows to devote that level investment just to give a character more variety when let’s be real, it’s not necessary. That’s why in 2D productions characters can often get multiple outfits because it is slightly less costly (you really only need to come up with the design and make a turn around).

Why do you think the show only gives the character a new outfit when it’s relevant to the plot? Or when it would be weird not to? It’s not that it would be hard to do. It’s not that they don’t want too, it’s that it would cost more money to. Money executives aren’t willing to give.

[fleursdesmorts]

every year people get angry when ao3 requests donations but honestly in a world where almost all spaces online are slowly being eaten by corporations which censor the content on those sites, having a fan-run fan-sponsored place where people can create gay art without fear is great

[nibbelraz]

Yay!!! WE DID IT!!!

[heritageposts]

[keepthedelta]

i doubt this will ever reach the person it's intended for but i do want to point out that lewis very much lost the psychological battle to jenson button. and he did so because jenson was nice. that tall british rodent man (affectionate) showed up at mclaren and was kind and polite to his engineers and mechanics and lewis lost his fucking mind. tweeted out his telemetry. had a full twitter can't believe he unfollowed me i thought we were friends but i guess not meltdown only to realise that jenson never followed him in the first place. got so upset by the team having the audacity to like jenson that he spent an entire year driving into felipe massa. i don't think that would ever happen now, even when he lost to george he didn't give a fuck. but it is important to me that people know lewis has absolutely lost psychological battles before in situations when it was in no way personal. him losing the fight with nico was not just because they'd known each other since they were 12, it was also because lewis is paranoid as fuck and has a history of taking things incredibly personally

[localguy2]

I hate that this is genuinely something I'm writing rn, but nothing has more RATTLED my faith in the writing team's ability to write a Zane story then him calliNG ARIN CRINGE-

[artbyblastweave]

I'm aware that this is largely just a direct result of adapting similar story arcs from the comics, but one of the biggest strengths of EMH is the sheer number of antagonist groups working at active cross-purposes; the show is heavily invested in depicting an ebb-and-flow super-villainous ecoysystem in a way that the MCU still can't hold a candle to after 15-plus years. Supervillain-backed coups in Wakanda to enable resource extraction, Rival terror groups duking it out in the streets. Grim Reaper bending the knee off-screen to an unseen-but-alluded-to Kingpin in order allow Hydra to operate in New York without opening another front in their war. Kang invading from the future to head off the burgeoning Kree-Skrull War, while the Skrulls run circles around everybody. A gang of supervillains take over and fortify their former prison and nearly get to the finish line on their own world-domination scheme without ever learning or caring whose larger scheme their mass breakout was acting as a distraction for. Radioactive Man is there, eating all the radiation

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[leonardcohenofficial]

alongside my existing goals i think that an additional artistic goal of mine is to teach and stage work that is often time deemed “unstagable”—works with impossible stage directions, plays with ghosts, works so textually dense they require hundreds of hours of parsing, work that is violent and uncomfortable and confrontational, works that leave marks on their audience (psychic or otherwise) and i think all of that is still compatible with an artistic and pedagogical approach that centers safety and growth of all involved—i am drawn to these works that make me uncomfortable because they make me think deeply and critically and i think the notion that some of these works are “unstable” inherently makes them worthy of an attempt