#this is going to be my first completed comic/animatic

[fizzycarbon]

Not very proud of how Chiyo looks but it’s good enough for me because I’m very lazily doing this lol

Anyway. The first clip doesn’t follow any actual events. It’s just Chiyo talking to Souichi going along the lines of ‘help the occult club’ or smth because Souichi didn’t want to join it due to some things that actually happened in the fic, and Arisu wants to cleanse him and stuff-

PLUS he most definitely knows his stuff

Chiyo doesn’t like him at allllll. She finds him weird but she’s a girls-girl and will help out Arisu.

I didn’t plan for it to be an animatic- just how it ended up going 😓

Arisu is going to be difficult because I hate drawing human-facing-forward-pov

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[revretch]

Getting myself jazzed up to start on storyboards for episode ten by looking at storyboard animatics by other people, and it's amazing how much it can vary between studios.

Every time, I'm amazed by just how...barebones the storyboards for the ambitiously animated 80's-90's Disney films were. Not only in terms of how loosely the actions were telegraphed, but also in the stylization. Check out this side by side of "Under the Sea." That doesn't even look like Ariel! Not that this is a bad thing--you can tell this setup was in place to really let their famous animators get creative.

Compare that to these boards on My Neighbor Totoro. Miyazaki is also a manga artist, and it shows, here! Compare this to his manga, and there isn't much of a difference. Every panel is fantastically detailed, though not painstakingly so. This feels less like a storyboard, and more like a very thorough comic panel sequence.

Looking at a very different kind of animation, Spongebob is a board-first show. There is no script stage! Going board-first helps keep the pacing of the visual gags tight. Compared to Disney's wishy-washy board timing, the tempo set for the animation is very consistent and obvious.

...And then we have Don Bluth. Just. LOOK at the boards on this deleted sequence from The Land Before Time. The timing, and the level of artistic detail...it's beyond insane. It's interspersed with surviving screenshots, really showing off just how ridiculously detailed these boards were! Even the backgrounds are laid out, complete with grids, to give the animators and backgrounds an idea of the space they were working in! Absolutely incredible.

Each of these methods caters to the animators in a different way, and it's really interesting to think about how!

Next to them, my method is...uh...well.

In my defense, I'd previously been boarding only for myself, since I've been the only animator and using royalty-free music. Now that I've got a composer, and I'll be probably be getting some animation help on this episode, I need to work extra hard to keep things kiiind of clear. Oh boy. Wish me luck! I need to stop procrastinating....

[brucebocchi]

Ranking 2024 anime, Pt. 1: Movies, specials, and #43-41

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. thanks!

Hey, y'all. Starting a little later than usual this year but I've been busy this time of year, not the least of which with The People's The Game Awards, which will be streaming here on Dec. 31!

But now it's time to promote the output that's entirely mine. I watched even more anime in 2024 than the prior year, somehow, and it's time to rank it. Because I was reviewing these series at the end of their respective seasons, I won't be going quite as in depth on the shows I'd already covered from January through September. There will be full reviews for the stuff I just watched in the Fall season, as well as this first section here, as part of the rankings.

As always, this is entirely a labor of love, so subscriptions and donations would be hugely appreciated, and I could really use them right now.

So first, let's start with:

Movies and Specials

Look Back

There weren’t many things I was looking forward to this year quite as much as this movie’s western release. Based on one of a trio of one-shots Tatsuki Fujimoto published during Chainsaw Man’s hiatus, Look Back is a short but potent story about art and manga, the highs and lows of the creative process, and the connection between two young artists putting their heads and hearts together.

The story follows Ayumu Fujino (definitely not an author self-insert), a fourth-grader who draws short comics for her school’s newspaper. She’s mortified when she’s asked to make space for another strip by an absentee student who turns out to be a much better artist than herself (again, definitely not a self-insert for a mangaka who has publicly described his self-consciousness about his artistic talents), and even after years of further studying and practicing, Fujino feels so completely outpaced by the other, Kyomoto (also not a self-insert), that she quits. At the end of the school year, though, Fujino is talked into dropping something off at Kyomoto’s house, where she learns that the latter was a huge fan of her work and was disappointed to learn that she’d quit, and they decide to team up and make manga together. The successful one-shots they publish throughout middle and high school eventually prompt a Shueisha editor to approach them for serialization, but a rift starts to form.

Look Back and by extension plenty of Fujimoto’s works can be hard to talk about because they say so much for themselves with only so many words. The manga is a brief but potent masterpiece, and the film adaptation by Kiyotaka Oshiyama (director of Flip Flappers and key animator with credits in Devilman Crybaby, Mob Psycho 100, and recent Miyazaki films) is very much the same in its own right. This adaptation retains much of the feel of Fujimoto’s art and perfectly delivers the emotional beats of the story, while adding some flair of its own. The amateurish 4-koma that define our young artists’ early careers are given a low-fidelity animatic treatment to match, while the real-life action is animated fluidly and realistically. Haruka Nakamura’s gorgeous score punctuates and elevates Look Back’s emotional highs and lows with delicate piano and lush strings that only draw you deeper into this beautiful story. There are even references to the mangaka’s other works peppered throughout the film. 

The most distinctive trait of Tatsuki Fujimoto’s manga is his expressive and creative use of paneling, often used to wordlessly display changes in expression or the passage of time in the same way a storyboarder would. Conceptually, this would translate well to film, and although Look Back is a phenomenal film in its own right and captures much of the feel of its source material, it’s not exactly the same. And honestly, that’s a good thing. If it’s worth recommending both works in equal measure, then both were successful, and that’s the case here. 

In a featurette that was shown after theatrical screenings, Oshiyama was very outspoken about infusing realism into the production, despite the story’s climax veering into magical realism. What he wanted wasn’t a realistic look or feel to the film itself, but in the production thereof: The leads are voiced in Japanese by complete newcomers (who do an incredible job) and plenty of the film’s line art, especially in its tearjerking denouement, can look intentionally unrefined. Oshiyama has made it clear that he wanted Look Back to come across as much like a handmade product as possible, specifically because it released into an age where the existence of generative AI is posed to threaten the livelihoods of entire creative industries. 

Even if I hadn’t seen the film, I’d have known just from his comments that Oshiyama understood the assignment. Look Back is a story about creativity and creation, warts and all, and what is so innately human about it: The parts of ourselves we put on the page or screen, which of our shortcomings we can improve on our own and which ones we overcome with the contributions of others, and the connections we make throughout. Tatsuki Fujimoto is a master mangaka, and this film is a perfect companion piece to a true work of art.

Watch this movie.

Neon Genesis Evangelion: The End of Evangelion

I’m not usually the type who includes older media in “best of the year” discussions, and certainly not media that’s nearly 30 years old, but The End of Evangelion is one of my favorite movies ever. Full stop. Regardless of how many times I’ve watched and rewatched it in my adult life, I leapt instantly at the opportunity to see it in its first American theatrical run so many years after its release.

Decades’ worth of ink has been spilled over this film and its meaning, themes and intentions. It is a prism through which no two people may see the same thing: Many have interpreted The End of Evangelion as an angry, hateful work by a creator who wanted nothing more than to spite his fans, and others have venerated it as a message of hope, that a better world is possible as long as you put the work in. I have too many other things to write about to do a proper dive into what this movie means, or more specifically what it means to me. I’ve put it here because the experience of seeing it in a packed theater was immensely satisfying.

To be surrounded by so many people while taking in something so important to me was exhilarating. The increasing laughter as more and more production tags flew across the screen in the first minute and a half felt like a community being established. Fortunately, that was most of the noise I’d heard. Not that I was expecting a “Komm, süsser Tod” singalong or anything, but I’m thankful that the audience was mostly quiet otherwise, because the change of venue from my usual viewing environs of a desk or couch was transformative and I would not have been happy if anything had distracted from that. 

There are too many iconic moments in The End of Evangelion to name, several of which you’ve probably seen even if you don’t know Evangelion that well, and they looked absurdly good on the big screen. Asuka’s fight against the Eva series remains some of the best action animation I’ve ever seen in my life, and it held up. The inception of Third Impact and all of the iconic images that came from that sequence were visually arresting, and I don’t say so lightly: I legitimately felt overwhelmed at several of these moments. Someone a seat or two over from me was stifling tears towards the end, and I don’t blame them one bit, crybaby that I am. But by the final scene on the beach, a scene whose coda in 3.0+1.0 never failed to reduce me to a blubbering mess, I couldn’t even process emotion anymore. Seeing something this familiar, this meaningful to me, in such an all-encompassing environment, shorted my brain for a second. I was stunned, eyes bugged and mouth agape, like something had touched my soul directly. And just like my first viewing of this film, part of me was forever changed.

The first time I’d seen The End of Evangelion did not come at a great time in my life, and if I’m being honest, I wasn’t doing too hot when I saw it in the theater this year either. But, in ways I’m not sure I can elaborate, I think they came at times when I needed them. Evangelion remains a major marketing machine some three decades after its debut, but sometimes it’s still just something you need to take in when you’re going through it. I’m glad I did. If you have a favorite anime film that manages to make its way back into theaters, I cannot emphasize enough how wonderful it feels to actually go and see it. I wish I’d done the same with the Gurren Lagann films when they came back. 

I just wish Gkids hadn’t used the Netflix subtitles. The first scene just doesn’t hit the same without “I’m so fucked up.”

One Piece Fan Letter

For all of the anime I’m covering at year’s end, I think the most important thing about my 2024 in anime and manga, after hemming and hawing about it for so long, is that this is the year I finally got into One Piece (the manga, not the anime). And just as I’d expected, it required a massive investment of my time, but it paid dividends and continues to do so as the story creeps ever closer to its eventual conclusion. 

The manga is phenomenal, but the anime would’ve been a much larger time sink, so I haven’t really bothered (the live action series is great though). I’ve watched a small handful of episodes and clips of the more important moments, and took in a bit of the anime’s current arc before it went on hiatus. It’s come a long way from how it looked 25 years ago and I’m genuinely impressed that a weekly anime can exhibit such a high budget and wealth of animation talent, but I don’t really have it in me to trudge my way back to the start of the Wano arc and watch nearly 200 episodes of just that.

What I did have time for, and only 24 minutes of it at that, was One Piece Fan Letter, an episode-length special loosely based on the Straw Hat Stories novel. Fan Letter takes place around the end of the timeskip as the Straw Hat crew make their reunion in Sabaody, but it doesn’t focus on the crew themselves; we instead spend our time with a handful of regular people living their lives on the archipelago. In a way, they’re a lot like us: they’re all fans of the Straw Hats, and each one has a favorite. A Marine goes against code and secretly looks up to Luffy for giving him the courage to save his brother’s life. A shopkeeper bemoans missing Brook’s last show as Soul King. Some rowdy Marines have a drunken powerscaling argument not unlike one you’d see on Twitter any given day. 

Front and center, though, is a young girl who looks up to Nami. She dresses like East Blue-era Nami, avoids wearing glasses in order to look like her, and even has the red hair to match. She’s managed to decode Luffy’s reunion message (in a comically roundabout way) and sets out to hand-deliver her message to Nami before the Thousand Sunny sets sail again, but she finds herself hampered by several distractions and obstacles, largely thanks to the Straw Hats and those in their orbit.

Fan Letter is a short but sweet story that mirrors our own fandom of the series and its characters in the lives of everyday people along the Grand Line. A huge part of what makes One Piece work as an ongoing saga is seeing how Luffy and the Straw Hats’ escapades and freedom fights materially benefit the people of each island they visit and, if necessary, liberate. And not that the series isn’t long enough, but something we often miss is how the crew’s efforts affect the people they don’t interact with on some level (Usopp does briefly help direct our protagonist here, but she never finds out it’s him). Fan Letter focuses more on the emotional impact the Straw Hats’ heroism leaves on the regular folk and even the Marines that are meant to oppose them.

Though creator Eiichiro Oda had no hand in Fan Letter, I think it focuses on one of his major aims in writing One Piece: For all its silliness, spectacle, and hype, it’s ultimately a story of people helping and improving one another’s lives en route to attaining their dreams, and it’s meant to inspire us to want to do the same. Fan Letter puts these intentions in stark relief by showing us not only how the Straw Hats have inspired people on and around Sabaody, but also those same people trying to return the favor in whatever small way they can. Those in lesser positions might write a letter or turn out for their favorite artist, while those in positions of power can literally save lives. If someone has made your life better in any meaningful way, you are always in a position to thank them or pay it forward.

As with just about everything attached to One Piece nowadays, Fan Letter looks phenomenal. Everything has a loose, kinetic quality befitting Luffy’s rubbery nature, and the breakneck composition and sequencing of shots makes every second of the short runtime count. If you’ve been on the fence about One Piece, it’s at least a quick curiosity that might pique your interest. To longtime fans, though, Fan Letter is an essential piece of the puzzle.

Spy x Family Code: White

After a certain point, I’m having trouble writing about any new Spy x Family entries because, like, it’s more Spy x Family. If you’re already here, you know what you’re going to get. There’s gonna be silly misunderstandings, Anya’s gonna be cute, Yor’s gonna do some sick action moves, and you’re gonna have a great time. 

Code: White is a self-contained film with an original story by creator Tatsuya Endo, so continuity isn’t a factor here if you’re worried about canon. The Forgers take a vacation to the alps to help Anya with a school project, Yor misinterprets Loid’s secretive nature as a sign that he’s cheating on her, and Anya unknowingly eats a bonbon containing a microfilm that would help turn the cold war hot. We get our cozy moments, our silly moments, and our fun action setpieces towards the end. Again, it’s more Spy x Family and that’s what you’re here for.

I know this sounds dismissive, but you already know what you’re getting into here. And I want to be clear that it’s still really good! It’s cute, it’s funny, it’s exciting, and everything and everyone looks and sounds great. There’s a sequence where Anya has to poop so badly she starts hallucinating. It’s great stuff. Essential viewing if you’re a fan.

And now, let's get on with:

Ranking Every New Anime I Watched in 2024

43. The Unwanted Undead Adventurer

I didn’t want to talk about this show when I reluctantly finished it nine months ago and I don’t want to talk about it now. Maybe not the worst anime I watched this year but certainly the dullest. Ugly, slow, and boring is no way to entice me into watching a second season. Pass.

42. Tales of Wedding Rings

This somehow ended up being the only show that I picked back up this year, including the ones I initially liked. I was pretty blunt about what I didn’t like about Tales of Wedding Rings back in March, from its waifu-of-the-week format to its formulaic wheel-spinning on the main romantic pairing to its hideous aesthetic and poor animation. It had already been confirmed for a second season and I’d had no interest in finishing the first.

But against my better judgment, I decided to take some time reading the manga around the time it came to an end later on in the year and ended up liking it a decent amount. The manga looks way better, for one thing, and all of the more interesting plot elements manage to intensify and coalesce. Between the standard isekai slay-the-demon-king plot, the “will they/won’t they” tension between the romantic leads, and yes, the overt horniness of everything else, the first season really was just table setting for a story that does in fact get more interesting and worth spending time with. So, armed with knowledge of the next story beats and a more open mind, I went back and dusted off the three episodes I’d dropped back in March.

And I still can’t stand this show.

Tales of Wedding Rings is still one of the ugliest anime I’ve ever seen in my life. The color palette is weirdly muted and everything is overlit and gauzy. Line art looks brittle and cheap. You could try to make the excuse that a show with so much nudity wasn’t going to earn a high production value, but that excuse falls flat when you remember that it aired alongside well-produced (if maybe questionable) uncensored series like Chained Soldier and Gushing Over Magical Girls). Like I said earlier this year, if you present me with full-on elf tits and still can’t make me care, you’ve failed. I didn’t watch Plus-Sized Elf for the exact same reason. I learned my lesson.

I really try not to judge the entirety of a show by how it looks, but my eyes can only take so much. I can only hope the second season looks better, lest I have to Ludovico myself into continuing with the series.

41. The Witch and the Beast

I was really looking forward to this one. The quasi-gothic/steampunk aesthetic is absolutely not my shit on paper but it looked awesome in execution… at first. After just two episodes, though, The Witch and the Beast looked like too ambitious and detailed a project for its animators to handle and it started looking cheap in record time. Character models were inconsistent to the point of being unrecognizable, animation was often stilted, and lighting and color palettes were dull. Didn’t help that the action died down for a good chunk of the season as well, leaving us with a show that was both ugly AND boring.

Nine months later and there’s still no word on a second season, and I can’t say I’m surprised. It didn’t seem to accrue much popularity, and I struggle to think what would’ve helped aside from the issues I just bitched about. There was a tease of more to come at the end, right on the heels of a massive lore dump that seemed to open up the world to a much larger scale. That could be interesting, but I don’t think I’d want to watch any more of The Witch and the Beast. Maybe I’ll bite the bullet and finally read the manga.

[mira--image]

Here is my Future Donnie playlist, the third in the bad future series! I also have a Donnie extended playlist that's about double the length, expanding on the different plot points!

These playlists are stories meant to be listened to in order. For each, they start at the start of the apocalypse, and end when the character dies.

In his playlist, he starts off confident and capable, but slowly unravels after Raph's death. Just when we think he's found a solution and getting his second wind, tragedy strikes him too.

This is such a fun playlist that covers many genres. It's the first where I had to start incorporating fannon, because it's not shown in the movie how Donnie died. I especially like the fan theories that draw on little details from the movie or the concept art.

When I made this playlist, I had just finished reading @somerandomdudelmao 's Cass apocalyptic series, and their headcannons were my favorite at the time so I decided to go with theirs! So if you haven't read that comic yet I highly recommend it, and know that this playlist technically has spoilers for the Donnie plotline.

Anyways, song-to-song plot below!

Donnie takes the invasion in stride, and adapts easily to the violence.

Leo may lead the resistance, but Donnie built it. At first, he's more concerned about his bad-boy reputation and keeping potential enemies in line, but he's confident, capable, and invaluable. The praises of the rescued citizens definitely don't get to his head (he says confidently 👀💦).

Raph dies, and Donnie gradually comes down from his high. He tries to mourn him. And yes, including agnes and I bet my life is completely because of @tapakah0's cass animatics.

Mourning sucks. Raph is dead, but Donnie is totally fine guys!! He's just throwing himself into his work and not talking to anyone... only a little more than usual! When's the last time he didn't count coffee as a meal?

He's figured it out. Raph may be dead, but Donnie can bring him back.

Here's where the Cass apocalyptic series influence really kicks in. Donnie starts experiencing strange symptoms. Did he overwork himself too much?

By the time he realizes what's happening, it's too late. Slowly, Donnie comes to terms with and succumbs to his illness.

Enjoy!

[wily-art]

I haven't finished it yet, but I watched some of it, and skimmed through the rest (I will finish though at some point; when/if I have the time), and what I did see of it the "Undertale Insomnia: Something Isn't Right" Trailer looks amazing! Ur art and the looks of the characters and the Blasters is on point and great as always! And ur animation is looking awesome too! I think ur comic already had some cool gifs/small animations, but if not; it is cool to see animations from u now too!

The Paps's (both older and younger) and his Casters and/or the Blasters are looking great in the trailer u released!

And Asgore (I think) and the fallen human kid(s) look great in some of the animation WIPs and/or whatever too!

I hope someday to see some of the other Undertale cast in animation form, or at least some of the other Insomnia important and/or etc. cast members like Sans (could be both older or younger), Gaster - before or after getting goopifed, lol (though, I think he might be in this animation and/or at least the full? one), Frisk, Chara, more of Blasters and/or Casters, and/or Alphys (I have gained a soft spot for ur Alphys). Maybe Asriel and/or Flowey too?

Not mentioning Asgore or the kids here, because I think u might have some stuff/ideas/etc. with them already. And not mentioning Undyne either, even though it would be awesome to see her too, bc I don't think she has been in the comic too much yet?

Ofc, u don't have to do any of this. I know animations, and animatics even, can take a long time! Just seeing the Undertale Insomnia (one of my favorite UT, and maybe just in general, comics/series's!) cast brought to life even more through animation like this, has got me excited! ^^

Last of all; I just wanted to clarify, the animation release is just the trailer, and not full thing, or...?? I just wanted to confirm.

Heya! First off thanks! That little tidbit is just a teaser more than a full trailer. IT's definitely not the completed thing. I didn't want to give a solid release time due to genuinely not knowing how long this all would take (at this point a little over a year- Good god). But I wanted to share at least a little something since this whole project has been so all consuming- that from the outside world's perspective I've been more or less absent. It's kind of hard to be active with other things when a singular thing both eats a bunch of time but can't be shared since it's not done X'D. It's a lot of behind the scenes work and not much to show for it yet.

Other characters will definitely be getting way more time to shine in the comic moving forward since I finally hit a particular turning point. Also regarding animations I have a lot of ideas for the other characters and the fallen kids that all more or less tie into the same world in a "how did we arrive to this point" kind of scenario. But due to how long all of this takes and I can't promise how many of them I will get to. Or at least how quickly because right now I'm moving at a blistering speed of _not very fast_ ✨ That said this one with Papyrus is absolutely being released (hopefully later this year) because if I have only one of these in the system it's gonna be for this guy XD The other one that I absolutely want to do as another animated update for Insomnia involves Chara and Frisk to answer what exactly happened at the end of the last run before this one. I'm hoping that since I've learned a lot (this is my first animated project) that that one will go a lot smoother. An account of figuring out a lot of things I Was doing that made my life INFINITELY HARDER. Hope that answers things.

[stickynotelovers-art]

Good news! I have internet again and can hopefully get some art up! I have a few things that have been sitting in my WIP pile for a while that I hope to finally finish to some extent I'm happy with.

For that ask I'm working on; it's pretty slow going.

I'm making some progress, but I'm now having to figure out the dialog layout and I'm debating between 2 different ways I can go with part of it. Mikey is also being difficult as I try to remember how to draw his profile, lol. I'm going to work on this and (hopefully) an animatic that's been waiting to be completed for at least a year.

Old enough that it's back when I still was struggling drawing Donnie, lol!

This is a redraw I was possibly going to do, but I really like the angle for the original, so I'll probably just work with that one.

Also, have the first panel from a Disaster Twin comic I still want to finish! This is where me lining in red seems to have started. It's just such a good color to do the initial linework in and then adjust from there.

[tblsomedoodles]

I

C R A V E

more Donnie VS The World content. It makes me vibrate and scream and wiggle like I'm off my meds. I would love anything, even a solid block of text, but your doodles/full artworks/comics are my favorite.

Please? All I've found so far is what we see in the donnieverse comic and the MVA/AMV (music video animatic/animatic music video). So many questions, like - is Casey (Sr) involved in any way, whethercas a fellow captive or rescue mission teammate? Is this the True Apocalypse or Averted Apocalypse timeline? If the latter, where is Casey (Jr)? How is Splinter handling it? (Is he even still alive to be Having Emotions About It?)

(Please feed me.

B L E A S E)

(If you don't mind, could you show/tell how Donnie escapes, one of his first Big Leads that gives him so much hope he cries, and/or the Big Reunion? One would be nice, two would be great, and all three would be amazing. If they aren't planned/are too spoilery, that's okay. Anything you can/are willing to give would be lovely.)

Thank you!! I'm glad you like it : ) I don't think I've answered many asked about this particular au, so i'm more than willing to talk about it! : )

I don't really have much up for it, mostly b/c it deals with a lot of angsty material that i can be a little uneasy about posting. I have a bit of old concept art, and an unposted fic i'm editing/rewriting (b/c it's the first fic i wrote for Rise and i did not have those character voices down lol.) I can probably post the first bits of it later this week. I did say at one point that i would once 'proud family tradition' was over, and it now is.

but yeah, here's the concept art, i'll put the explanation under the break b/c i'm going to be rambling lol.

So Donnie vs. takes place after the thwarted apocalypse (not-apocalypse future). They get taken by Bishop a few months afterwards, and it isn't until about a year after that, that Donnie gets free.

He's the last one still with Bishop at that point, and had been told/convinced through various means that his brothers were dead.

Bishop did a lot of experiments on him, leaving a lot of scaring. One of which was injecting him with Krang DNA to see what would happen. (the eye and veins thing. I think he has some side effects from that but i'm not entirely certain what they are atm)

The fic itself starts after his rescue, b/c i'm focusing on Donnie's search for his brothers (and his own recovery) Rather than the traumatic event itself.

The rescue itself, was certainly a rescue. April, Casey, and CJ worked together to get him out of there as well as gain whatever information they could before they were found out. (Casey went undercover and was able to get some incomplete files and help get donnie out before she was discovered and had to leave.)

donnies in...pretty bad shape at that point, mentally and physically. Physically, he's malnurished, injured, scared, the works. Bishop did a number on him in the year he had him.

Mentally, he's pretty much shut down. He's completely non-verbal, unresponsive most of the time, when he does respond it's very slow and seemingly difficult for him to do so. He describes it that it feels like he's behind several plates of thick glass. He can see and hear what's happening, interacting (or even just feeling anything about it) is very hard to get past the glass.

How he goes from that state to hunting down his brothers is fairly simple. One of the broken, encripted files Casey acquired was Leo's file. None of the three could open it, but they managed to get Donnie to try to do so. He manages it, sees the file, and for the first time in about a year, has hope. He doesn't even wait to show the other three, he just takes off while no one was looking, with April's laptop and CJ's coat (he steals a backpack along the way.)

I don't really want to say much past that. A lot of the rescues/reunions are pretty spoiler heavy, and i don't want to ruin some of the mystery of what's going on in the fic. But know this, he does get all his brothers (and family in general) back. Also, splinter is alive and is part of this, but again, that's spoilers for some things i don't want to ruin.

Again, i'll probably start posting this sometime this week. It's an interesting fic that i've put quite a bit of time into at this point, so i'll be excited to see what is thought of it.

Thank you!

[eyesore-boi]

You think that you're alone but

We are waiting for you every night...

You're mine.

Close ups and other stuff below!

...so....10 years, huh?

I cannot understate how much FNaF means to me in my life, and yeah...know that sounds a b i t much considering it's the funny har har bear games, but lemme explain-

Truth is, i was actually terrified of FNaF when it first came out! I remember my first introduction to it was when i was having a sleepover at my friend's place and he was both playing and watching other people play the first game, and when i was watching it with him, i got scared and tried to avoid the game as much as i could, even claiming to hate the game despite just knowing the first game. I was young and was prone to sheltering myself from stuff i didn't understand, and that being the first scary game i've ever seen caused that reaction, but over time...that changed.

It happened when i was watching YT and clicked on a comic dub i never seen before, thinking it was an AU for a fandom i was in (probably Undertale i dunno), but lo and behold, it was actually a fandub/animatic for the missing kids incident, and that...peaked my interest. I got curious on how this scary game actually had an interesting story to it and not just some game that goes boo. So, soon after that, i decided to look up simply "FNaF Story", found the Game Theory videos, and...the rest is history.

I was amazed and hooked, got invested in how the games explained the story in ways i've never seen before, got excited when i saw everything click together in real time, and pair that with how i got into the series r i g h t when Sister Location came out, arguably when the lore really started to kick off, i knew there was no going back now. I stuck with the series since. I watched all the animatics and dubs, listened to all the songs, tried drawing the characters, made OC's, and even talked to other people about this franchise.

And now look- Not gonna pretened this whole time it's been sunshine and (Chica's) rainbows, especially in recent times. The drop off SB caused, the lore getting more and more complicated and convoluted, the divide between older and newer fans, being the founder of Mascot Horror (for every Poppy Playtime there i s a Garten of Ban Ban) and course the IRL drama, but in all seriousness...i still wouldn't trade it for anything.

FNaF, this series, is my very first experience connecting me with a community like this, both good and bad, helping me understand how to properly enjoy media and even learn/take things from it, and i think without it i wouldn't be in the fandoms i'd be in now. The scary, horror ones, the niche, hard to find ones, story driven, character rich, and of course...more importantly...getting me into Markiplier, which further influenced the "outside the box" kind of thinking cause my g o d for these two stories you need too-

And speaking of, because of those two stories, it lead to me branching out more creativily and even creating my own webcomic for an AU combining both of them, so regardless on how that'll go, i'm just glad this series has influenced me enough to create something for others to see, since that's all i ever want to give.

But really, this franchise will forever be with me, and though i don't always agree with all of it (i haven't read any of the books in y e a r s and i refuse to do so), it only makes some of the stuff it does do right completely worth it (like the movie, peak cinema), and for where ever this bear shaped train is going next, well, i'll be here for the ride for all of it. No matter how many burning buildings it goes through.

...oh and um- Right yeah. The actual art piece. Uh....it crashed multiple times when drawing it. It's even a miracle i was able to export it. I can't even open it up anymore. So even if i wanted to change anything about it, i c a n 't -

But still pretty happy with how it came together! Was run drawing these robos, some being kinda redraws from the past, while other's i've n e v e r drawn before, so that was interesting! But still, tried to draw the "main character" so to say from each of the main FNaF games, and just kinda be...walking along through the series, nothing too deep or complex, but still interesting enough! ....unlike the fnaf storyline cause g o d how many restaurants wERE THEIR S C O T T -

But for real this is going long enough, so ima head out and do my own FNaF related things thay you don't need to worry about shush *commits arson*

HAPPY 10TH FNAF BIRTHDAY EVERYBODY!! >:DD

[partyhorn]

Have u ever posted your comic or animation workflow anywhere? Im super curious on how you tackle the process, especially not using a drawing tablet. I know you have a very simple (and adorable) style so that probably helps in terms of workflow -- Im just curious about the steps you take.

Thank you! With both comics and animation my key thing is to not spend too much time on any particular thing, just draw loose and fast. Honestly the only downside to drawing with a mouse is that I can tell my arm has extremely specific muscle memory regarding it- if my mouse breaks and I get a new one I have to spend a good month or so just letting my hand get used to it again lol. Same with if my setup gets readjusted too much- right now my setup is my mouse on one of those padded mousepads, on top of 2 books, with my elbow resting on my 3DS case (I'll get an actual pillow or something for it eventually lol). But luckily thanks to this I suffer very minimal wrist pain 👍

(...Okay I started to go really in depth in my process here, so sorry if this is way more than what you were asking. Putting it under a readmore just to save space lol)

With MFM in particular, I start by writing out the entire script for the next story arc, which really is just all of the dialogue and vague notes about any important actions. Then I do the paneling with very loose stick-figure like sketches of where the characters are and what they're doing. I prefer having very little planning when it comes to character poses and panel shapes, coming up with those on the fly makes things much more exciting and faster to make. But it's the opposite with dialogue... it needs to be 100% FINAL before I draw a single line lol.

That's part of my script for my most recent chapter, as well as what my extremely loose goofy thumbnail sketching is like. I write the script as one big thing and don't separate it into pages until I actually start drawing- then I go and color change it just to keep track of what dialogue goes on each page

After that, I go back and do the ACTUAL sketch, as well as the lettering (I don't believe this is how it's done professionally. I used to do lettering as the very last step in the process... but then found it hard to cram speech bubbles in the right places lmao.) After that is lineart, coloring, background flat colors, then shading/rendering for all of it. I do each step in batches, as in I sketch out ALL pages of a chapter before moving to lineart, I line ALL pages before starting coloring, etc. I find it way easier to be productive when it's broken up like that, though when I first started the comic I used to draw each page to completion before starting the next (but also, the comic's style was DRASTICALLY simpler back then haha)

(Unfortunately I merged some of the shading to the background flat colors so it's not entirely accurate... oops) FireAlpaca has a sand texture feature that I only found out about last year- adding that to the backgrounds makes them look 10x better with WAY less effort.

With animation, it depends on the project. For simple 5-10 second animation I make for fun, there's very little planning lol. I skip some steps in the process- I'll sketch out the keyframes (and maybe any difficult inbetweens if necessary), line those, then go straight into making linework inbetweens. I'm not a cleanup artist and have no experience in that, so I always find trying to line my rough animation makes everything jittery and wobbly. If I do it with a clean line from the start then I can avoid that and save a lot of time 👍

For my bigger projects (such as the Parvey cartoon and the MFM Kickstarter trailer), I do the whole animatic with final audio first and foremost, with the animatic being almost like the keyframes. I split them up into individual shots, .mp4 files anywhere between 1-30 seconds usually, and animate those one at a time. I'm a huge fan of free to use programs and try to use them as much as I possibly can, here's a list of the ones I use:

FireAlpaca- for the actual drawing part itself (storyboarding/animating/etc). FireAlpaca has a feature that lets you export every frame as it's own drawing, as well as an onion skin mode

Windows Movie Maker- for compiling all of those frames into video format, creating individual shots. If you upload all of your frames and set them to around 0.08 seconds, it equals about 12fps (I usually animate at 0.10 seconds/10fps, its a bit slower but looks nice)

Onlinesequencer.net- for making music. It's the place I've made all of my songs on, like the timeloop song, hyperworkaholic, and the background music for the MFM Kickstarter trailer.

Audacity- for editing audio/music. Also great for recording things directly from your desktop

DaVinci Resolve- for editing and putting together all of the shots into one big video. Can get kind of intensive on the computer during rendering, so watch out.

YouCut (app)- also for editing and compiling shots, I used this one a lot a couple years back but I'm not sure how well it holds up. Doesn't need much phone storage to download but needs a lot to render videos.

MS Paint (yes really)- for typing up text. FireAlpaca has a text option but I don't like it as much as Paint's.

...The only thing I genuinely can't do alone is voice acting. Luckily there's a big voice acting community on Twitter and they're all amazing to work with!

This got... way more in depth than I planned for it to be, so sorry if this is way more than what you were asking lol. But that's my general process when it comes to my art 👍

[harmonytre]

What to Expect Coming Up

I am still sick, but thought it’d be fun to mention all the projects I have going on and my sort of process.

I’ve gotten into the flow of 3 art -> animate an hour -> 3 art -> reference sheet; and repeat! Now the “3 art” doesn’t include warm-ups, which I’ll discuss in a moment. This usually varies but does have a pattern of priority to it.

Commissions (none atm, but one has discussed interest) -> Deadline art (contest entries, featured character, birthday gifts) -> “Required” art (raffle prizes [2 remain], Benrey project, 11 Bulbasaur gifts, 42 late Artfight attacks) -> Other stuff

When it comes to warm-ups, I’ve gone 32 times in a row of purely HLVRAI. It’ll still be thrown in the mix, but I’d like to add Pokemon and OCs as a chance too! Warm-ups include any requests I get, and those increase in chance the longer they’re there. Meanwhile there’s still the chance my random wheel will choose something like “Sunkist” three days in a row lol.

Now to discuss all the projects! First off, my next three art will be: raffle prize, a small special RTVS animation, and a doodle of my next hyperfixation which I’ll then open up for requests as well!

HLVRAI

“Cabinet Man” Animatic: A more long-term project that’s fully storyboarded so far, but I plan on making rendered (or at least colored) illustrations for.

I have two parts in my Multi-Animator-Project! One part is Benrey and Gordon focused, while the other part is Tommy, Bubby, and Coomer focused, so I get to animate the whole Science Team and that excites me!! (One part still open by the way, hint hint.) The MAP itself is a third of the way complete let’s goooooo!

Other animation projects include: “Two Birds” Tommy and Benrey friendship animatic (fully written), “Eighth Wonder” Tommy animatic (just an idea, focusing on the others first), and occasional clips or mini animations.

Benrey Fanart (and then the other characters too!): I have 12 people left to reach out to, but I gotta do it slowly so my account doesn’t get shadowbanned again (that was scary ngl). But once I do, the sign-up post will be updated regularly as I work and I’ll DM everyone individually as I finish theirs!

@sweetvoicecafe ! I am very excited to get this up and running! I have 3 references remaining, and then I can work on the introductory comic. (I mayyyyyyyy call for voice actors.)

HLVRAI-based OCs: This is a more minor thing, but I want to finish 9 more designs before Artfight, as I’ve only finished Joshie.

Pokemon

It’ll be a while longer until it’s ready, but I’d like to restart my Shiny Living Dex Challenge. And it’ll no longer be discord only, I’ll extend it to tumblr as well! Especially since there’s art prizes involved.

I have 11 remaining Bulbasaur/Ivysaur/Venusaur gifts to finish!

The occasional warmup, request, doodle, etc.

“Close Up Meme” Phanthop AU Animatic that I would love to polish and color.

“Never Love an Anchor” Hop and Leon animatic that I have indeed started (just an animatic this time, not polished)

I’ve started releasing collab (with @mr-web ) Art Podcasts on my youtube channel hint hint ;)

Misc.

Streams: Over on my Twitch (same name): I stream weekly (maybe more, depending on my new work schedule, just finished moving after all). At the moment, I’m taking turns with Half Life (nearly done with game one) and Omori (collab with Doglord15). Soon it’ll (hopefully) include Pokemon, but I’d also like to try Undertale Yellow, Portal, Hollow Knight, and more! As well as a return to art streams, that’d be cool.

Artfight Prep: I am mostly done, but remaining I have: 3 SVC refs, 9 HLVRAI OC refs, and fully updating my spreadsheet, which will also be updated on tumblr! (I may do this today, as it’s something I can do while bed-ridden.) Plus the 42 leftover revenges.

Among Us “Bark Bark” Animatic: nearly 3 years in the works but it’s chugging . . . there were complications with the cameos involved that hurt my motivation and the progress, but it’s still in the works haha…

“Haunted House” Vent Animatic: This is 2/3s of the way complete! As it’s something personal, I worked on it quickly after a certain event, but I’d still like to finish it. <3

New Hyperfixation: Surprise reveal! It’s Wreck-It Ralph (and specifically Hero’s Cuties). It won’t be a huge thing, but I’d like to doodle here and there, open requests for it, and draw up three AU designs that have been in my mind for nearly 13 years.

@theairshipexperiment : Yes yes, I knowwwwwwwwwwwww y’all are mad at me. It’s been three years and I still get people upset that it hasn’t continued. It’s not completely canceled, just very very slowww. I’m nearly done writing chapter 3, but that means there’s 7 chapters to go. At least I’ve started giving myself completely random reminders for times to write haha. It’s my only writing project atm, but writing takes so much more effort from me than art, I’m sorry.

@absurdamongus : Very low on my list, but I still enjoy their designs and would one day like to continue finishing their refs and maybe reopen an ask blog. An animated series would still be cool, but it’d be a long way off if so.

So yeah, a lot of projects and a lot of excitement! I’m going at a fair pace (when I’m not sick) and art continues to be my passion! <3

[selkiemoonssss]

Too tired to be making art right now buuuttt i've beginning to work on some cool projects! Here are some: * Writing more fics (im going to be completely honest the one about the neutral ending is the first time i've tried writing a fic in YEARS) * I'm working on a long term deltarune comic with my close friend! We're currently working on the script, and designs! * Undertale askblog type of thing? something i'm working on with a group of people! Basically it's a rp/askblog type of thing featuring the ut gang after the surface..... and basically each person involved in the project acts as 1-3 characters of their choice, making a mini 'blog' as them! It's pretty cool but its a big wip rn! (If your interested in being involved in this project, DM me and I'll tell you about more of the nitty gritty details) Anyway, so i'm probably not going to be posting as much art for a bit so i don't burn myself out!, and the animatics i have planned will probably go on hold for a little. ALSO! I'll be redoing to add more important stuff!

[idontfeellikeit]

HI

I'm Ehtomloo or idontfeellikeit and I am OFFICIALLY taking art commissions for EXPOSURE

(request by DMing me, but first please finish reading)

and I know what your thinking "but your art is so cool and awsome and great you can't just give it way"

and I completely agree, my arts gonna be expensive when I get to it

but as of right now I litteraly have no way to get money from one place to my wallet so we're just gonna deal with that later

(this also means you shouldn't feel bad for not giving me money, I get it)

anyway onto MY SELLING POINTS

1 ● I'M GOOD AT IT

as you can see I know what a stylus is (I think??) also if you would like reference as to my animatic making you can go to my YouTube @Ehtomloo or ask (dm or make an ask)

2 ● I'LL DO JUST ABOUT ANY KIND OF DIGITAL ART

character art, character design, character sheets, scenes, comics, animations, THE LIST MAY OR MAY NOT GO ON.

I will say that my limit on that are going to be 3D modeling or any 3D related stuff.

I also wont be doing any animation over 3 minutes as well as comics over 3 pages, this is because I'm litteraly doing this for free and I'm not gonna put up with that.

RULES:

1● NO 18+ REQUESTS

please please I'm twelve I'm a twelve year old boy

thats a lie I just genuinely don't know how to draw that stuff

2● NO ART THAT WOULD HURT A SPICIFIC GROUP OF PEOPLE (racist, sexist, homophobic, transphobic, antisemitic, etc)

yall know why thats a rule I don't need to explain myself

HOW TO GIVE ME EXPOSURE:

I'm not gonna lie I don't completely know, so I guess it's up to you, you can post the art, shout me out somehow, I think we can talk about it while I'm making your art.

thats it, have fun, go have a great day weather you decide to take my stuff or not

toodles!!

[cringelordofchaos]

I think the reason why the mischaracterization of typically emotionally repressed/closed off characters happen so often in media, is because

It's generally harder to write them

People want to explore the vulnerable side of them

I don't think I need to elaborate much on the first point here. People in fandom while many can be skilled, at the same time not all of us are professionals and we may proceed with unintentional mischaracterization. Which is fine! We don't have to be skilled, good or accurate in our fanworks, as long as we're simply enjoying ourselves. It doesn't have to be taken too seriously and at the end, it's just a piece of fiction (and while fiction absolutely can reflect and affect reality, most of the times fanon mischaracterization isn't that important). That doesn't always mean we/they have the wrong idea about who the character they're trying to write is; it just may be harder to write them. I think there is a difference!

But what I would also like to point out is my second point. That these typically repressed and emotionally closed of characters most often don't show much emotion (other than anger in most cases) are very fun and interesting to explore, and especially explore sides of them that aren't very well displayed/aren't as obvious as their other traits. It's very interesting seeing these characters' most vulnerable moments, and as such people may feel the need to expand on that. However, these moments are rare for a reason, and many fans of these characters don't want them to be as rare, so they may have to write down things that wouldn't realistically happen in order to write them being emotional the way they want them to be. While I don't particularly like this, as I don't personally like mischaracterization of characters (but like I have pointed out before, it's completely fine and not as big of a deal as some may make it out to be) it makes sense.

Though I would personally try and find other ways to approach their vulnerability rather than straight up deny canon; however those are my personal preferences and I understand anyone that would like to take a different approach to writing.

(when I said "writing" in this post I mean anything like writing fanfics, making small Gacha edits of them or Gacha skits, animatics, comics, etc etc.)

I don't exactly know where I was trying to go with this. Just wanted to share?? Dkdic

[berrys-hide-out]

Hey~ What are your top 5 tropes when reading fanfics? This can be about any fandom or a specific one if u like. Just what you like to go for or that peaks your interests :)

Heyaaaa! ✨ Oh man! XD I think i’m pretty basic in that spectrum🤫😂

I think one of the first tropes I really love reading is the children of enemies coming together to break the ‘hate’ the families build up for another.. (like AU’s where both Oscorp and SI exist and Peter and Harley just both run around as friends- completely disobeying their parents)

I’m also a huge fan of Vigilante helping heroes out and then them just starting to love their vigilante to the point that they stop hunting them through the city and just start teaming up more and more-

I’m also weak for the Peter Parker goes on a field trip trope😂😵‍💫; funnily enough I was never able to write one myself since I just stop in the middle 🥹

Oh! Oh! And Peter got kidnapped as a child and is Tony’s Child- I enjoy the build up in these too ✨🤫

Hm, I really enjoyed Vigilante!/Villain! Tropes (Like in the MHA fandom) where they make the characters.. well more understandable, I guess?

And for the last… sassy Peter- Sassy Spiderman and Sassy Peter. GIVE ME THE JOKES AND GIGGLES MAN! Where has it all gone!?? Give me pranks and sillies and I’m in, 100%, you have my attention under a millisecond XD

Basically I’m a sucker for Vigilante/Villain main characters and the heroes slowly breaking through to them or the other way around 🥹 I just think these are usually very well written since there’s a lot of fluff, fighting, angst and understanding scenes between all the characters very well mixed throughout the story 😌

And sillies. Always. The sillies are the best damn it ✨

Aside from these though I’m in love with OC stories and when there’s very thought through details in the story.

Like Peter having a habit of walking on the ceiling because it’s more comfortable, or making hanging mats with the webs, enjoying the dark more thank to the hypersensitivity… etc or Avians; the wings, vanishing through magic? Or into the back? Or to a Cape? Into a tattoo?

All of those Y’know? Hehe

(I have to admit tho; I’m a sucker for fan made or Oc comics and animatics 🥹)

This went longer then I wanted 🥹 hehe ooops- but I hope that I got it all 😉😂

[ketrin1607]

Hello everyone!👋

In this blog, first of all, I will post the developments on my project - a webcomic under the working title "Fiasco".

Briefly about the comic

The plot is based on a mixture of 3 mythologies: Egyptian, Israeli and Greek. The story will consist of 4 seasons:

1 Season is based on the myth of the Rise of the Angels. He will reveal Yahweh from the side of his creatures; tell how the demons were exiled and how they settled in the Abyss after being exiled; how they plan to return home from there to Empyrean; and what their rebellion against Yahweh will lead to again.

2 Season is based on the myth of Horus and Seth. He will reveal from the side of Horus, the protagonist, who Seth is; he will tell you what trials Horus has to go through to regain his father's inheritance - the throne of Egypt, captured by Seth; and what their confrontation will turn out to be.

3 Season is based on the myth of Echidna and Typhon. He will reveal who Typhon really is; what united him with Echidna, the creator of the monsters of Greece; how and why they rebelled against the Olympian gods; and what came of it.

4 Season will not be based on some kind of myth. The demons will be looking for someone who can defeat Yahweh as a new rebellion. He will combine the 3 previous seasons and explain their relationship. It will serve as the culmination, denouement and finale for the whole story. All previously unclosed story arcs and character arcs will be completed in it.

Project stage

The backbone of the story has already been thought out, but the secondary arches are still in development. So here you can see sketches of the plot scenes, concepts, plot ideas, the background of its creation and some facts from mythologies)

If you are interested in the project, then for convenience, this post below will contain links to all the developments on it and my other works. If the comic arouses interest, I plan to make a web cartoon out of it.

Questions and suggestions:

If you have any suggestions or questions about the project, I will be happy to answer😊

Project materials:

Materials on the script

Characters

Comics (Excerpts from the plot and storyboard)

Animatics (My draft animatics)

Other materials (Works unrelated to my project: my drawings for other cartoons, for example, for the "Hazbin Hotel" and other topics)

My profiles on:

https://vk.com/ketrin1607_fiasco

https://ru.pinterest.com/ketrin1607

https://www.youtube.com/@Ketrin1607

(I remind you that since the project is under development, this section, materials and links to them can be updated. I'm sorry for the inconvenience)