#this is genuinely a really interesting interview!

[akookminsupporter]

I’m reading Hobi’s interview with Weverse Magazine, and it’s really good. I love these interviews with the magazine because I think they’re the only ones that manage to get the guys to open up. They give deeper answers, and it lets us get a glimpse of how their minds work. Hobi said some really interesting things, but as a BTS fan, I want to share this:

The thing is, BTS started with hip hop at its foundation and progressively became more pop-oriented. Throughout that process, we tried so many different songs—some fit me like a glove, while others felt a little off but I could still suck in my stomach to make them work. (laughs) Then we all went off doing our own thing, each with our own style. After pursuing our own little ventures, we are now coming back together, and I love that for us. At this point, I think we’re together because we genuinely enjoy each other’s company and get along. That’s what makes our work as a team so natural and effortless. And if you enjoy and appreciate each other’s company, it doesn’t matter if the clothes are a little tight at times because your hearts would still be in the right place. With that in mind, I believe the next step for BTS is to think about how we can shine as a team without diminishing our individual colors and identities.

[sondheim-girly]

ok im gonna get my yap on, because Brody Grant has so much power in this fandom and I need to talk about why. Am I overthinking this? Yes. Is everything I’m about to say super obvious? Also yes. But who cares.

Ok so some might say “oh the fandom just likes him cuz he’s hot�� and the thing is, yes hes hot, but so is the entire cast? And I can’t think of anyone else in the cast who can break the fandom with one single appearance. I think the key of it is the fact that hes unpredictable and always leaves us wanting more. See, back before the Tonys he was doing a lot of press, both for opening and as a nominee. And then post Tonys, you had a three month drought where we practically didn’t get any content of him. However we were still riding high from the pre Tonys interviews, so the obsession continued to stay strong. And theres an element of someone not having their entire life and personality on public display that makes them so much more exciting. And then he disappears for an entire month, then comes back blonde and posts a bunch of photos from his trip in Tokyo. He then goes on to start appearing in the occasional Soc Saturday after not appearing in one for literally months, then is in sky’s Instagram, and starts posting on Instagram more!! So hes giving us just barely enough content to keep us sustained, but also leaving us wanting to much more. Theres also a level of mystery that’s just super exciting cuz you literally never know what he’s gonna do. Is he gonna disappear for a month and go blonde? Is he gonna show up on Soc Saturday and yell about a guy named Mike? Who knows. Not to mention how… mysterious the post he just made was? Like who even knows why he posted that?? No clue, but it’s wonderful.

now of course this is how he has maintained this strange hold on the fandom, but how did he get it in the first place? Of course hes good looking, but hes also absurdly talented, and a very charming person. He’s interesting because he has this kinda edgy ‘persona’ tho idk if that’s exactly the right way to describe it, but then you watch an interview with him and hes this super duper genuine, thoughtful, interesting guy! And then u see a clip of him with the cast and hes just really silly and funny. And so he has all these sides to him which is very intriguing. And he just has this like- really sweet smile and also I think the ear cuff and fingerless glove combo is something that definitely had a major effect on the fans. Ok ive kinda lost the plot.

also theres something about him having social media and rarely using it. Because then it’s like oh we could get content but you never know when- there are a lot of cast members who are super active on social media so we get used to it, or actors who don’t have it at all, meanwhile Brody can just get on there, say something, explode the fandom, then leave. Hes also very intentional about what posts he leaves up, which we can tell from his occasional cleansing of his account. Idk what my point is here but I wanted to say something about this

anyways this is my yap. It’s unedited and completely chaotic but I hope y’all enjoyed it.

[therollingriceball]

Of Cartoons and Cuddles [ Aventurine x Fem!Reader]

A/N: I recently got hold of the Anan Japanese magazine with interview of Aventurine and it have an interesting tidbits I don't know if available in English or not-- one including that he mentioned that he used to enjoy Clockie cartoons as a kid. So I tried to write something based on that.

---

You knew Aventurine had been tired and overworking himself for a while now, even if he didn't express it clearly. While he had been suggesting a date out for you two for a breather, you're afraid of his perfectionist side that would've just made him busy in other side of the idea of a 'perfect date'.

So you very much insisted on a house date. With cartoon marathons. Clockie cartoons for exact.

Nothing could go wrong with Clockie cartoons-- they're a classic for a reason. You initially thought of watching mindless romcom movies with him, but right now nothing really strikes your fancy. And suddenly, you remembered that time Aventurine casually mentioned that he used to watch Clockie cartoons as a child.

While he might meant nothing much by it--- given you two's age range, Clockie cartoons are the thing most people around the same age have in common about their childhood-- you also knew of how he kept dear of all the happier things on his childhood, like his love for his family.

And so, under numerous blankets-- season being winter, after all, with popcorns and hot chocolate ready, on his cozy sofa in front of his television that seemed too grand for the choice of old cartoons, you two begin your watch-along marathon.

One thing though, you forgot telling him of your choice of movie as opening reels plays along.

"I thought we're going to watch Christmas romcoms." "Huh. Didn't I tell you? We're going to watch Clockie cartoons... or do you prefer romcoms instead? Sorry." "No, it's fine. It's just... a pleasant surprise."

Aventurine chuckled. It may be just be the body's cold weather measure, but his face is reddened. He didn't have the timing to say so, but he's really happy you remembered something he mentioned rather offhandedly.

In between little giggles and laughter the cartoons bring along your watch, he held you close to a cuddle. Too close, even, you could feel his breath on your neck. It caused your cheeks to be the redder one now.

"Heeey. I can't focus. This was my favorite episode as a kid!" "What a coincidence. It was mine too!" "Then let's focus on the show, shouldn't we?" "Nah. I already memorized this episode for a while. I have a good memory when it's about the happier sides of my childhood, you know." "Huh. Fine then."

To those words of yours, Aventurine just giggled-- his giggle made you felt vibration on your neck. He's too close, and his held on you felt quite tight.

"Hey." "Hmm? What is it, Aventurine?" "Nothing. Just... I'm happy you're here to spend time with me. It feels like a reward for working hard recently, if you don't mind me thinking so."

It might not be in the spirit of the comedic, child-friendly cartoon, but now you wanted a kiss after seeing his genuine smile and hearing his whisper-y voice saying those words. But you're a little too shy to say that. So instead--

"Of course I don't mind. Just treat it as a reward if you want to--" "Then, I'll take it."

---of course he could just read through your expression. You two have dated for a while, after all.

And in between you two's shared childhood favorite, you two kissed gently, sharing another memories just for the two of you...

[rathologic]

biggest disconnect in pathologic's reception has kind of always been a divide between "patho is driven by mechanics" and "patho is driven by story" camps where opinions only ever come from one of these extremes... around p1's development and release the developers considered it exclusively a survival challenge sim, not a game marketed for its story (despite story representing a huge fraction of the time and thought put into it). In The Society Of Dead Poets goes into so much detail about this. and it WAS a stunning technical work under the circumstances, but the complex story was what gave the franchise cult appeal, or at least enough so for it to get a sequel... reviews from the period tend to go along the lines of "this game looks and plays like shit but it's extremely thought-provoking". there's a little to be said about the mainstream view of a "Gamer" in 2005 and what they would be interested in marketing-wise not tracking with story games yet; anyway, the one-dimensionality here was consistent with the studio's approach to games as a whole (cf BoneHouse.ppt).

so IPL's perception of their work was what informed p2's priorities, which turned out to be A Way Better Survival Challenge at the expense of things like characters having complex motivations (expansion on this has been omitted; iykyk), and they did an incredible job with that & basically perfected what they had been going for mechanically. which created this weird divide where p2 fans think 1 isn't worth playing because it's less engaging as a gaming experience, and p1 fans (me included, to be clear) see 2's story changes as a spit in the face of everything that made the series work. like, neither of these are fundamentally incorrect, but they refer to completely non-overlapping paradigms of engaging with the material. when hopefully it can be agreed that a Video Game is comprised of Both a narrative aspect and an interactive aspect, and that they need to work together to create the player's transformative experience (again, premise of BoneHouse.ppt).

Anyway. that helps explain a lot of hbomb's stance on the franchise, particularly that he can endorse patho2 without comment as an ostensibly leftist youtuber when even the most cursory playthrough is enough to let players in on its gleeful centering of ecofascism... that game's representation of colonial relations as an unfixable divide employing the racist trope of reciprocal violence, its obsession with maintaining status quo, and its completely tasteless approach to MMIW are all elements of Story and thus all secondary to p2's huge improvements on the survival system. in the same vein, his discussion of p1's changeling's route is limited to the constant reputation decrease and the repeated quests because those are the only mechanical features introduced over the previous routes, even while clararoute text is fundamental to understanding most characters... his video isn't like Bad for getting the interactive experience p1 would present to you, but it sucks for engaging with the story because it's not about the story. and unfortunately, on discussion posting websites, we do usually post about story

[shannonsketches]

years ago Toriyama said 'i didn't really like vegeta but he was really helpful to the story' and honestly?? more of that. more of those. you don't have to like him but is he good for your story? he'll be good for your audience too, bet

[my-coven-is-claudia]

love how autumn’s interviews have become a mini-event in the fandom lol

[skitskatdacat63]

This is my personal crossover event of the century

[aeolianblues]

I'm not an extrovert. At all. In everyday life, I'm a yapper, sure, but I need someone to first assure me I am okay to yap, so I don't start conversations, even when I really want to join in sometimes! It's just the social anxiety acting up. God knows where from and why I lose a lot of my inhibitions when it comes to talking to people about music. I don't know where the confidence has suddenly sprung from. I've made a crazy amount of friends in musical circles, either just talking to people about common music or (since it is after all in music circles) talking to bands about their own music. I let out a sigh of relief any time an interaction goes well, because in truth it's going against my every instinct. I wish I could do that in everyday life

[nyaagolor]

I'm reading an interview about the creation of Dual Destinies and knowing that this was the writing philosophy certainly clears things up for me. "Don't worry about past characterization of chronology, just be creative" They sure did do that sir

[batsplat]

love all the archival work! one question, sometimes (indeed most times) when i google certain quotes to find the source article, google cannot find anything. this quote from vale for example:

"In 2014, I and the others were "bombarded" with questions about Marquez. So I understood even more what my opponents must have felt in the past, because a rider never wants to talk about his rivals. It's also true, However, this is how the world of sport goes: people want to hear about the number one. Marquez now has the same media pressure that I had in the past."

the screenshot you provided is very clear and yet i cannot trace the words to anything whatsoever! and unfortunately this has happened enough times that i kind of have to ask… should i use a different search engine? or are there journal archives your frequent? and no hurries whatsoever i know this is a big ask… but i would appreciate any help!

oh this one's quick to answer haha I didn't even need to consult my notes - the article's here! the reason it doesn't come up immediately in search engines is that the original article was in italian, so I just threw the first sentence into google translate and. voila

I try to stick to the habit of providing sources and if I made that ranch post now, I would have properly put a list of sources at the bottom of the post lol. if you can't find a quote through a search engine, it's going to generally be for one of the following reasons:

the quote is from an article in a different language, typically italian or spanish (the german publication speedweek also gets used semi-regularly)

the quote is from a book, which I DO try to be extra diligent in providing a citation for that reason

the quote is from an article that is no longer available on the internet. it might be in my notes because I copied it there and, if I'm smart, I will have made sure I can still access the article using the wayback machine (which is sometimes what I use to find things in the first place). if I'm not smart, then my doc becomes the last reservoir of lost knowledge I suppose

the quote is transcribed from a video/podcast

I should also say that my notes aren't perfect since... well, most of them have existed a lot longer than me starting to blog on tumblr about motogp. there is just stuff I'll quickly pull from my lil mind maps or whatever when I post, which is where the 'being too lazy to give a source' thing sometimes comes in. when it's english language articles I'm not too bothered because I know people can find it pretty quickly with the use of a search engine if they are thus inclined; with the other stuff I'm trying to be more diligent. but yeah, unfortunately for three of those there's no great fix - the language one is the only one I can recommend. which, btw, if you're looking to do your own motogp research, this one is absolutely invaluable. there is a lot of stuff I've only found because I started searching for stuff using italian and spanish keywords. hope that helps!

[hadesknockedupintheunderworld]

Who is the Tails Polycule favorite sonic?

So as far as the Prime Polycule au goes, the only Sonic they've met is Prime!Sonic (who in this au is sort of combined with Modern!Sonic and IDW!Sonic). This kind of means that despite being in a polycule there is some lowkey background fighting over Prime Sonic that's inevitable😂😅

As for an version of the au where Sonic variants exist, sadly I haven't yet done too much thinking for potential Sonic variants. But for what I have so far, I'd say just about everyone in the polycule would prefer their own Sonic/Sonic variant

Except for Nine (lol). He prefers Prime!Sonic over the two versions of New Yoke!Sonic that exist in my head (one is a take from an au I've been working on with someone else, and that Sonic is a major dick. the other is from @phantom-fleetways's au, where New Yoke Sonic is basically just a paycheck to paycheck disabled guy living in a bachelor pad)

[scentofpines]

in class today i felt so incredibly out of place again, why does it have to be so hard for me? and, i like this girl, but every single time we have class she mentions her "autism" while happily chatting with 3+ ppl at a time, completely effortless, while im sitting there, staring and trying to focus enough to even understand the conversation bc there is so much noise around me that i feel like i'm about to either explode or shut down completely and i feel like an alien trying my best to somehow socialize and understand what is going on and really to just get through this.

[indigodawns]

.

[icewindandboringhorror]

finally settling once and for all... with the evidence laid out plainly.. which of these brother boys is more stinkys ,,,

[todayisafridaynight]

It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.

But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.

Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.

But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!

I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!

I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!

Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.

Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?

And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.

A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.

I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.

I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.

It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.

Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time… damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.

Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.

I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.

Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.

But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.

Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)

And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.

But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.

Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.

OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!

Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)

About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!

The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.

Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.

To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.

And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.

Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.

You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.

I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.

To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.

Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!

I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.

I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.

For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.

And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3

[the-kipsabian]

tomorrow is such an important day, im a mcfucking nervous anxious wreck already gOD