#this is for the 2019

[annabelle--cane]

such a profound sense of delight when I realize that a piece of media is matching my freak to the very letter. there are creators out there who are my exact kind of sicko and we are reaching out to each other as if across the cosmos.

[zegalba]

Devils Horns sunrise during a partial eclipse (2019) located: Al Wakrah, Qatar

[miamaimania]

Enigmatic echoes of Sulfur's tears, 'Kawah Putih' whispers the story of Bandung's untouched volcanic lake.

[liimonadas]

randomly rememebered a very silly maya content creator AU i came up with like 2 years ago. its just dumb fun haha

[dozydawn]

“Albina Ysmailova lightens up any chess tournament with her presence. This passionate player has a chess-themed prosthetic hand that she made herself.”

Photographed by David Llada.

[miss-carter]

LITTLE WOMEN 2019 | dir. Greta Gerwig

[kendallspussy]

they’re everything to me

[pastart]

Andrés Sanjuan (2019)

[unspokenmantra]

Philosophy - Dmitry Kochanovich, 2019 (1st) Oil on canvas, 100x120cm

Ideal - Dmitry Kochanovich, 2019 (2nd) Oil on canvas

[trashpidgeon48]

Musicals are time loops. Every night, the same thing happens except for a few minor differences. It always ends the same. If you want the characters to do something different or to make better choices, too bad. The actors are bound by the script and the score. The only way for the time loop to end is for the show to close. But you (the audience) don't want the show to close, nor do the actors who would like to be employed. It's a lose/lose situation. For the actors, audience, technicians, and for the characters, who are forever stuck in the same stretch of time.

[shiftythrifting]

robot love.

[zanephillips]

DEREK SMITH What/If (2019) 1.03 "What Happened"

[zegalba]

Saturn by NASA (2019

[capinejghafa]

SAMARA WEAVING as GRACE Le DOMAS READY OR NOT (2019) dir. MATT BETTINELLI-OLPIN & TYLER GILLETT

[maxipad33]

“They’re still calling you Daniel. Thank you, Daniel.”