#this is about diablo

[handhourgalleries]

I’ve been thinking about the Bloodied Wolf all night.

Just. that voice. 

<.< >.> 

[jacqcrisis]

I hate when I start shipping something from a series no one fucking writes fic in for two characters those limited fic writers will never write about.

[fisheem4mmal]

Today is not only Malleus's Birthday, but also Lilia's 'rebirth!'

Happy Birthday Malleus!

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[michaelinprogress]

Thinking about how this must have felt...

Being able to freely move his body again, to feel some semblance of life after over a century of lying in that grave rotting. Up to this point, he's been so stiff, lumbering around arduously. But this is where he becomes more man than corpse.

And the first thing he does with his newfound life?

He dances with Lisa.

He knows there is a piano inside. He could go in and play it for her, he could finally play music after nearly 200 years without it. But he dances with Lisa.

With his new life, all he wants to do is be with Lisa. To touch her, love her, make her happy. He has all this energy and he gives it all to her. Everything is for her.

[flowerynameslover]

“Oh, dear, what an awkward situation. I had hoped it was merely due to some oversight. Well, in that event, I'd best be on my way.”

Maleficent and Diablo in Sleeping Beauty (1959)

[totallynotsilversora]

So I had another head canon on twt about Uncanny Vash and basically what’s stopping people from drawing his pupils turning into slits or dilating whenever he’s about to snap?

Because trust me Knives canNOT be the only twin who can pull a thousand yard stare and scare the shit outta people like cmon:

Picture source here

[misterxsamsa]

I think the JTHM universe's versions of heaven and hell are very interesting. They're evidently not based on mortality persay, not even just an objective measure of intelligence. It's very nuanced, and specific, and the introduction of it acts a good narrative conclusion to Johnny's character progression.

We're introduced to heaven first, and an evidently very flawed God. He's portrayed as all grotesque, and lazy, and funny-looking — not answering any of Johnny's questions, or doing anything about the the world's suffering. However, in relation to heaven's inhabitants, the concept of "content" is stressed above morality. There's nothing enriching in the enviorment, just chairs to "bliss" in, but they're all completely at peace and given immense power alongside that.

We're not given incredible amounts of insight into the people residing there. However, it seems some of them were likely quite unpleasant in character, like the crabby old woman. Through all this, the notion of morality not being the determining factor of where you reside in the afterlife is established. So, if it's not morality, subjective or otherwise, then what is it? Well, it's not any one thing, and the answer to that question is left somewhat open-ended and subjective.

When catching a glimpse of hell, the characters of its residents are just as mixed as heaven's — some nice, some mean. The shared trait between all of them though is a preoccupation with the inane. They're cartoonishly reactive to the smallest of inconveniences, materialistic, superficial, or lacking in attention span. We're told many of them are driven to neuroticism by an eye in the sky that they all simultaneously believe to be watching them specifically. To me, this is a barely symbolic representation of an obsession with appearences: the judgements, opinions, praises of others.

Personally, I interpret the determining factors for the fate of your eternal soul in JTHM to be that of priorities and perspective. To be specific, what you allow to consume your thoughts — the things you value and pursue during your life. By choosing [or rather prioritizing] contentment, the residents of heaven decided that it was more worthwhile than wasting mental energy on fleeting negative emotions, or other base things. It's not that their souls are being judged from some detached perspective outside of themselves. They're determining the course of their own afterlife, and hell is effectively just a self-imposed state of mind.

That's all intriguing from a lore perspective, but this system is a backdrop meant to emphasize the themes of Johnny's narrative journey. The idea that "heaven" and "hell" are states actively sought rather than assigned is meant to highlight Johnny's agency in his own deterioration. He's chosen to prioritize his misanthropy, and homicidal tendencies, over his art and relationships. By seeing himself in the residents of hell through their shared flaws, he's forced to internally take accountability. That's what ultimately drives him towards a pursuit of contentment in Issue #7.

What's interesting though is that the notion of what exactly "contentment" entails is left purposefully vague. Why wouldn't it be? The concept of "contentment" is subjective and self-determined. That's why Johnny continues to kill, and overall be very morally dubious even after his change in perspective. He's choosing to make it about his own amusement and enrichment rather than centering it in exhaustive hate. Hey, everybody finds happiness a little differently, I suppose, it's still tangible progress nonetheless.

There's an interesting dichotomy to be found between God and Senor Diablo. Upon a first glance, I've seen many take their portrayal [and differences] as a cynical, but straightforward poke at organized religion. That's probably the case, but I see more to it than just that. In JTHM, the systems of heaven and hell are meant to reflect and support Johnny's character progression. As such, I'd make the argument God and Senor Diablo could be symbolic of the judgements Johnny would normally make on others.

Senor Diablo is very distinguished, intelligent, and he loves the word "DOOM". He's seemingly well-off compared to the God of this world, and Johnny respects him significantly more [relatively speaking] as a result. However, he's unhappy with the people he rules over, and exhausted by their repetitively short-sighted tendencies. In some respects, you could view him as Johnny's parallel, both are cynical enjoyers of suffering looking down on idiots who they view as beneath them. Perhaps, by a subjective character evaluation, and on aesthetics, you could say he's above his heavenly counterpart. Still, that judgement would bring him no joy.

It's emblematic of the lessons Johnny has to learn about himself and others. He's not better than humanity for constantly engulfing himself in the sufferings and injustices of the world, ones he only pretends to truly care about. His intellect is only valuable for as much as he can properly utilize it to better his own circumstances. With God, he's greasy and ignorant, but he's completely happy, or content. He's a representation of all the traits that motivates Johnny's hatred of others — he's all fleshy-like, and completely unconcerned with his sorroundings in any deep sense. It makes sense for humans to be apparently made in his image, since he's a fucked up interpretation of the quintessential human.

Still, by the end of the comics, Johnny learns to appreciate his love of content, rather than fixating upon his numerous detestable traits. In life, you'll encounter many people you'll find to be as disgusting as that lumpy God-dude in his chair. Regardless, it's in your best interests to only allow their bad qualities to occupy your thoughts to a limited degree. By learning to internalize to philosophies of people different from him, or particularly flawed, Johnny's learned to become a more well-rounded person. Again, relatively speaking by the standards of a homicidal maniac. Rome wasn't built in a day!

[pedro-pedrito-pascalito]

You like this? The saxon crown. I like to wear it around the house sometimes.

[arkiwii]

fellas is this our man

[shesmyscar]

currently thinking about how doug and michael both call lisa “kiddo” when lisa is in a vulnerable moment with both of them, they both betray her in similar/different ways, and how neither of them see her as equal to them

[foolishlyzephyrus]

why did no one talk about lisa frankenstein? it’s like a mix between heathers and jennifer’s body, i thought y’all would’ve ate that up

[thebigbiwolf]

I'm getting a breeding pair of ouroboros cataphractus imported from Ukraine in October and I need name ideas!!

[egophiliac]

Have you heard of the "Crowley is Malleus' dad" theory going around? Where Prince Levan (or whatever his name is) didn't actually die and just went out to get some milk and is now known as Dire Crowley, the silly man? The implications of that theory is absolutely hilarious when you think about it

hold on, we can figure this out, we just need LISTS

PROS THAT CROWLEY IS SECRETLY REVAAN/LEVAN/LAVERNE/WHATEVER:

unspecified fae of some kind, with similar coloring to Mal

the animal masks are apparently a Briar Valley thing

has some kind of big blackmailable secret that was alluded to in episode 4, and then as far as I know never brought up again

(unless this was just Azul bullshitting, which is extremely possible)

based on Diablo, which...maybe means something?

has canonically worn Dad Shorts

CONS:

(gestures to Crowley's entire personality)

NO LISTEN Revaan was the guy they sent off on diplomatic missions and to take care of delicate political situations, and...look, I love this dweeb, but would you trust Crowley to be in charge of negotiating your war treaties

despite my brain insisting on reading his name as "Raven", Revaan's title does imply that he was also a dragon (or super into longan berries, I'm not ruling that out)

currently unclear why Lilia "my closest friend Revaan...he is no longer with us...I used to make fun of him for being kind of a priss about eating jerky..." Vanrouge has somehow not noticed or said anything

Malleus' Aloof Anime ~Aristocrat~ vibe had to come from somewhere, and by all accounts it was NOT his mom's side of the family

???:

turns into a bird in the opening, I don't know if that means anything but it's kinda cool, I guess

all that aside, if Malleus and Yuu are any indication, then the Draconias have...questionable taste in their social choices. so anything is possible!

[humming-fly]

Congratulations to the Diablo team and Inarius and Lilith for making/being the most divorced couple of all time

(for the record drawing these i was picturing them Pre messy breakup because it's even funnier for me to imagine them just being utterly awful right from the get-go)

[ligninn]

I know I'm reeeeally late to the party, but I just finished Diablo 4 and I have… questions. First of all, the game looks incredible, and I loved the aesthetics, the scenery, the character designs—they were all really well done. However, the story felt a bit "meh."

Since Diablo 3 (or maybe even 2—tbh I really don't remember D2 lore; it's been ages since I've played), the story kept showing us how Heaven, source of light and good, doesn't care about humans or anything related to them, that they just mind their own business with Hell. They see humans as abominations since they have the darkness in them too. Again since D3, there's been this yin-yang situation going on, especially seen with Inarius and Lilith. Inarius is an angel corrupted by darkness, mostly by hatred, and Lilith is the daughter of hatred "corrupted" by love and care. She was a mother, maybe not the best for sure, but it really looked like she cared when her son got killed. Especially since Inarius was the killer and his reason was so fucking stupid. He really thought killing his son would get his ass back to heaven- i can't with this man... We see more humanity in Lilith than any other "villain" we've had so far, I believe. I'm not saying she's perfect of course, her ways were brutal obviously but she only talks about giving people the freedom to do whatever, suggests that they're free to do sin but never really gives any details on what a sin is. In the end it's the people choosing to do evil. She's saying that no religion, especially one following a corrupted angel, can show them the way to live and act. AND SHE WAS RIGHT! But why was she doing all this? What was in it for her? Did she just want to send a big "fuck off" to both Heaven and Hell, or was she craving power and wanted to be the sole ruler?

That's my biggest issue with the main story. We never get to learn. We were never given a chance to really talk and consider her points, which mostly made sense, btw. But instead, for some reason, we were considering more of what Mephisto, a damn Prime Evil, had to say? Like I said, the story so far had a yin-yang theme, so I thought we would dive deeper into this with less prejudice, but it felt so superficial, unlike the theme itself. Because it was literally just Lilith = bad while everything about her was mostly gray. And I think they wasted a lot of potential there :/