#this has genuinely pissed me off

[spillurhearts]

Not to be rude, but you say dni proship in one post. So, you’re opposed to “problematic ships,” not the right definition of proship but we’ll say it means that here. but then you make another post

https://www.tumblr.com/spillurhearts/760983725468221440?source=share

where the only thing you can describe the ship is as a problematic ship. I mean, ship it, it makes you happy and doesn’t hurt anyone, the real definition of proship. But I’m conflicted. Creepypasta yume/self shippers apply to proshipping, and often times problematic content.

first and last time i'll be involved in any type of discourse! i also apologize for any mistake i can make, english is not my first language. it is also late in france so i'm sorry if my thoughts aren't articulated well.

if i follow your reasoning, everyone shipping with villains then applies to pr.oshi.ppin.g? because of the problematic actions their f/o has done?

exploring darker themes in your selfship doesn't equal to being problematic as people like to over and misuse that term so much, especially if your f/o possedes a 'dark' canon. it's just exploring a more mature way selfship, including the obstacles it can entail: pr.os.hip.pi.ng actively encourages abusive relationships. in this post i said the relationship could be somewhat a bit 'toxic' mainly due to the enemies to lovers arc i have with the pr.o.x.ies but the relationship is nowhere near abusive, it's complex and layered, which is two different things and while my wording could've been better, the meaning behind it still stands. obviously it's going to be a bit dark, again, it's about the canon like most people with villain f/os. there is no issue with exploring it and toying with it. there is an issue when it starts involving downright concerning and disgusting content.

the pro.ship.ping community, in selfship or not, is problematic in the way that it actively encourages incest, pedophilia, abusive relationships etc, not in the way that they think villains are hot and want to kiss them/make them kiss each other. there is a difference in problematic behavior, views and impact and 'problematic' characters - and even then, there's a scale in characters deemed problematic, there's a difference between a canon r4p1st and a bad, way too edgy 2009 oc.

moreover, p.rosh.ipp.ing, which goes along with c.om.ship.ping, denies the fact that fiction has a drastic impact on reality by ignoring scientifical and real facts. the whole "ship it if it doesn't hurt anyone" thing is just plain wrong as it hurts your own perception of the world, of what's real and what's fake and encourages people that might stumble accross it to do the same. i am in no way part of that nor are my self ship which i use to cope, and will forever refuse to be a part of that community.

i feel like you were trying to prove a point, and if you did then you failed miserably. you were rude by trying to make me fit in a plain disgusting community. if you didn't and we're genuinely confused, then i'm sorry.

i'm guessing that you may be a pro.s.hipp.er due to the wording of your ask. next time, please refrain from asking - the only thing i know is there is a type of community that supports a certain type of content that i do not wish to see on my dash and that i do not wish to interact or engage in anyway with. i'm staying in my lane, so stay in yours.

i would also appreciage if there wasn't any follow up to this ask, whether it be in reblogs, ask, dms... whatever. i have made my opinion and stance clear.

[foxx-queen]

so about the choice in act 3. I feel like the writers wanted to do the suicide mission from me2 AND the companion choice from me1. which clashes at its core because the whole point of the me2 mission was that if you did all the companion quests and worked for it, you could keep everyone alive. and I get wanting the shock of having one of the companions die no matter what, but at this point in the game after the obvious set up, it just feels like one of those haHA surprise! moments

then there's the fact that it's between davrin and harding. the black man and the fan favourite from dai. like it feels so stacked against davrin at that point.

I picked davrin first, and then I went back and picked harding, thinking maybe that was the right choice to keep her alive. and here's where the whole choice gets even worse for me, because harding, instead of using her stone magic, the actual thing that would give her an advantage against ghilan'nain, she climbs up to the exact same spot as davrin, and uses her bow. she tries to use arrows against a giant multi-limbed blight enhanced being. it's stupid! of course she dies!

I had expected that if you picked harding, she would use her stone magic, which would distract ghilan'nain because of the history with the titans, giving lucanis enough time to act. it would have worked really well as a continuation of her character arc, and it would tie into her personal quest in a way that would make it clear that the effort we put into doing that was what makes the difference.

but by not doing that and having her die no matter what, it instead feels like it doesn't make sense. davrin, at least, is just a man with a sword. his death here makes sense because he's against impossible odds.

which brings it back to feeling really bad that the choice was between him and harding. because for this sacrifice / loss to make sense, it feels it should be davrin. for this narrative beat to make sense, it should be davrin dying.

it feels like the writers are saying: the correct choice here is davrin. he's the only companion who should die no matter what. to signpost this at the moment you make this choice, we will have the other choice be the fan favourite from dai. because no one will want to risk her potentially dying.

it feels bad. it feels racist. davrin deserved better.

[bicheetopuff]

Shounen was written for young boys to help them to get stronger and find a purpose in life, thats why most shounen series end up in marriage and having kids. Japan's birth rates are dropping each year and you guys want to see Deku and Bakugou end up together instead of Deku and Ochaco getting married and having kids? The stories and media we consume has to match the standards of real life you know.

Wow… this is a lot to unpack. A normal person would just ignore this, but lucky for you, I’m a bitch when I wanna be, and I happen to have time on my hands right now.

1) “Shonen was written for young boys to help them to get stronger and find a purpose in life”

Shonen is literally just a genre that directly translates to “young men.” But I think you’re trying to define the meaning of story telling as a whole, and even still, that’s a very narrow way to view an entire genre.

Stories meant for young men, most of the time, are meant for entertainment. You have anime’s like Dragon Ball and Naruto that’s almost nothing but action scene after action scene with very little thought provoking plot, because at the time, they were written for young boys. Like, they were aired on children’s channels back in the day, young boys. And while I won’t deny that there are definitely some good lessons in both (I can’t speak much because I never finished Naruto and only got about 20 episodes into dbz) they’re not meant to make a boy “stronger.” Lessons in early shonen were meant to broaden world views and increase emotional intelligence in a way that’s easy to understand. I guess it depends on your definition of what strength is, but I feel like strength is built from personal experiences, not watching an anime.

That being said though, the shonen/young boys genre has evolved over the years in the east and the west. Jujutsu Kaisen, Chainsaw Man, and Attack on Titan, are all shonens, with aot being also classified as a seinen. Those are most definitely not meant for the same age group that Dragon Ball and Naruto and One Piece were written for, given the amount of gore and heavier themes presented. Now, that’s not me looking down upon those stories at all, that’s me pointing out the obvious difference in tone, despite them being classified as the same.

As the genre evolved, authors approaches have also evolved. Literally read any interview from any modern shonen author and you’ll see how unserious they are when it comes to their own stories. Gege didn’t even like writing his story past a certain point and was just trying to push through it, because it wasn’t the story he originally wanted to write. Horikoshi has always said he just wanted to tell a story with no real goal towards the audience. Chainsaw Man is literally about a guy wanting to touch some boobs??? What about any of that screams, “I’m writing this to raise the new generation of young boys into strong husbands and fathers who know their purpose in life!”

Shonen as a whole has grown into a genre meant for young adults, with heavier themes and becoming increasingly more political. It’s not the same genre it used to be, and trying to say that it is, isn’t fair and is lowkey insulting towards authors with a more progressive world view.

2) “Japan’s birth rates are dropping each year and you guys want to see Deku and Bakugou get together instead of Deku and Ochaco getting married and having kids?”

Yeah… you’re right. I’d rather see a well written relationship come to fruition than watch another male author completely disrespect their female lead and ripping away her development. Why the fuck would I, an infertile acespec queer person, give a fuck about using two fictional characters to inspire young people to get married and start a nuclear family…

Also the birth rates are dropping all over the world, don’t pretend it’s only a Japanese issue. In Asia specifically, the birth rate is going down because women are tired of men’s shit and refuse to bare their children, and I’m actually happy as fuck that other parts of the world are following in their footsteps.

Women have been treated like shit in every corner of the world for so fucking long, and we all just dealt with it because that’s what we all thought we were supposed to do. It’s about fucking time we actually put our foots down and protest in the ways that we can, which is practicing our rights to autonomy. Why tf should we be responsible to bear the children of men most of us barely even like? And why is having children a mans responsibility, when women are the ones who have to carry the babies? Besides, why the fuck would anyone want to bring a kid into the shit show that is the world right now?

We’re over populated, have a really fucked up consumption and capitalism problem which causes us to depend on disgustingly unethical ways to find resources to appease everyone, there’s fucking flowers blooming in the arctics, there’s several genocides happening in the world as a result of neglectful and corrupt governments, a literal ethnic cleansing happening, and a carton of eggs costs 12 fucking dollars while the minimum wage stays at only $7.25 and the cost of living isn’t affordable unless you’re making nearly triple the minimum wage. I don’t even wanna be subjected to this shit and I’ll be damned before I subject a child to it against their will. Most of us can’t even afford to take care of ourselves without our parents help right now.

Also, what does a gay pairing have to do with the birth rate at all? Is Deku gonna carry that baby? Or are you seriously just narrowing down Ochaco to nothing more than his incubator? If Ochaco decides to have kids one day, why should it have to be with Deku? Oh and I hate to break it to you, but Ochaco becoming a mother isn’t going to solve any of the issues you presented.

3) “The stories and media we consume has to match the standards of real life you know”

…you’re talking about a story where one of the background characters has a god damn spray bottle for a head…

It’s fiction. Superhero media, at that. None of it has to follow the “rules” of real life, and most of the time, this kind of media does the exact opposite of following societal norms. And you thinking otherwise probably made Stan Lee roll in his grave.

Also, what’re your standards for real life? Because everyone’s standards are different. If yours is to get married and live in a traditional household with five kids and one source of income in this economy, then I think you’re the one being unrealistic here.

We shouldn’t burden children with adult responsibilities. Having kids and being a “good husband” isn’t something a child should have to think about until they’re older and only if they want to. Believe it or not, not everyone’s goal is to get married and produce offspring. We should be encouraging children to do the things they like doing without having to worry about adult shit yet. Not indoctrinating them into believing that the only way for them to be a successful adult, is if they have kids.

Using shonen and other conformative media that is dead set on maintaining the status quo to brainwash kids into wanting to be parents before they even know how babies are made, is weird. Don’t be weird, anon. You sound like one of those “alpha males” with a red pill podcast, convincing young men that crypto scams are a perfectly ethical way to make quick cash.

Literally just say you’re a misogynist, and move on. And get tf out of my inbox.

P.S.

You know gay men exist in real life, right? You’re talking as if gay men aren’t real. Not only are they real, but they also have nothing to do with the birth rate dropping. Find something else to be mad about.

[witchinatree]

i know the whole "do you think jon ever used his powers to Know what his parents looked like" thing is far more devastating than this but what if he tried using his powers to remember original sasha? jon and sasha always seemed closer than the rest, he picked her (and tim) to work with him and tolerated a lot more nonsense from her than anyone else (using his password to access his computer [161], debating his pronunciation of calliope [25], etc)

and ofc jon and martin became significantly closer as the podcast went on, but in the beginning he was cruel to martin when he gave a statement but accepting of sasha? idk i think their friendship was a lot deeper than we realized (ESPECIALLY since his first murder in season 5 was because NotThem provoked him about sasha) and i think jon wouldve used his powers to Know the original sasha, not sure if it wouldve worked though

so so sorry to distract from the post but can yall read the tags for me because i suffered immensely for this post

[seoktized]

to every single ot6 fan, fuck you. you literally ruined someone’s dream because you can’t seem to get over his past “mistakes” which wasn’t even a mistake; it was him being a normal human being. fuck sm for not taking more action on this situation. you put him on hiatus for almost a YEAR. you got people used to riize being 6 members and you bring him back just for him to get death threats and literally get bullied out of the group.

this whole thing was blown out of proportion and he shouldn’t have been on hiatus for that long. truly fuck you sm and fuck every fan that didn’t support him through that tough time. i hope you’re happy you absolute monsters. i hope seunghan is okay right now, sending so much love to him. he didn’t deserve any of this. i hope all the riize members are doing okay. this is just really sickening, i don’t even know what to think.

[sockdooe]

I don’t know if maybe it’s just me, but is anyone else seeing a rise of people claiming that they could do a better rewrite of Voltron and then immediately say they’d make K/L cannon or Adash/ canon?

I don’t know about anyone else but I genuinely don’t think making ships canon would make the show better.

In fact I think It’d make it worse.

And considering shiro isn’t even mentioned in these and if he is it’s just to be Keith dad…. Is telling.

[irhabiya]

commit to antizionism or fuck off

[hercarisntyours]

who the FUCK made the executive decision to not give Elita fucking 1 a proper transformable toy; in the movie, WHERE SHE'S A MAIN CHARACTER.

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[crippl-hacker]

Kill counts on Mobility Aids: cool, funny, fighting back

Kill counts on Cars: stupid, worrying, an actual threat

[bitchthefuck1]

Who would you cast as Kaz? How about all the Crows?

You're going to be disappointed in this answer, but my preference would be to go with a cast of unknown/newer actors, which inherently means that I can't give you a cast list :/ idk I just feel like that would be the best choice for the story practically and thematically.

That being said, I honestly feel like the best way to adapt soc would be in animation. I know that would literally never happen, but in general when it comes to stories with very vibey worlds and magic systems I feel like animation is almost always the best way to go. It's really easy for the sets and costumes to look cheap or super generic in live action, and that's even more true for any effects for the magic system. Soc has such a unique flavor and atmosphere that even if an adaptation had, like, game of thones money and an insane powerhouse creative team, it's just really hard for me to see it getting done right in live action.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[dreadfuldevotee]

having the kind of autism that makes you upset about people getting the randomest things wrongs is so stupid, like what do you mean It makes my skin itch that people arent paying detailed attention to the configuration of furniture in a tv show

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[kideternity]

Most absolutely batshit inaccurate take I ever saw about Kamen Rider, at least the original series, is that it’s a series about suffering and about one specific guy's constant suffering and loner solitary nature like, in the vein of gritty batman media or some shit and it’s just blatantly not true LMAO. I would honestly argue that one of Kamen Rider 1971's main themes is a lot more about human connection and solidarity, of how you can’t do everything by simply yourself- from the help of Tachibana and the racing club, to Taki, to the youth rider squad. (And that’s all Like, ignoring as well the literal existence of Ichimonji, thereby making the argument that it’s about only one rider automatically mute)

A really good example of this is one of the late stage episodes, around the episode 80 mark, where the cast of characters is led to believe Hongo genuinely died, and spend the episode grieving and wondering what to do, with the main reaction being that even if Hongo died, they will continue his mission because they loved him, and they cared about the same message of peace and justice too. In regards to the “suffering”, The main thing there to me anyways is that the show takes care to examine Hongo (and Ichimonji's) trauma, and often has this idea of Kamen Rider enduring hardships willingly for the sake of people around them, but I absolutely wouldn’t call this a sort of like Grimdark angstfest. It just like, baseline respects the horrible things they and other characters go through and tries to be sympathetic to them about it, without voyeuristically making it the absolute focus in a like torture porn sort of way lol.

Idk. Im almost finished the series and this take popped up back in my head, because I was told it when I was first looking into watching the show, and I'm very glad now in hindsight I didn’t let it deter me. I love Kamen Rider 1971 and I will not tolerate misinformation about what it’s actually about

[krotiation]

this soundtrack genuinely makes me so emotional like damn. the jack vs fiona scene at the end of ep 2 is already so perfect and then they had to go make this beautiful as hell ost with it too. those bastards