#this has a story actually

[hb-not-the-pencil]

Originally made for my portfolio, then made it for my desktop backround, now i decided its made for my blog.

(or maybe all three at the same time)

[housederiva]

My housemate's cat came into my room while my dictation was on...

(here's the fic btw)

[roseworth]

i think theres this idea in the general public that the "best" fanfic gets turned into real books like 50 shades of grey. but the truth is that the best fanfic can never be published as an actual book because its intricately woven into the canon material so its inseparable even if you change the names

[quibbs]

just had SO much fun with the fallout tv show... i love you missus okey dokey

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[chloesimaginationthings]

This is Scott Cawthon’s biggest regret in FNAF..

[forgettable-au]

PROLOGUE

FORGETTABLE-AU (Page 1-9)

AND SO IT BEGINS!

[CONTINUE] [MASTERPOST]

[batsyheere]

Forget Bruce Wayne. Give me Jim Gordon, the nosy neighbour who likes to make sure new-to-town Danny Nightingale is looking after himself, who enjoys inviting the 'kid' over to enjoy a meal while he goes on about his own daughter or gets Danny to open up about his life.

Give me Danny, oddly charmed and highly protective of this paternal figure who isn't actively trying to adopt him. Who likes to check in and make sure the man is actually resting when he gets injured on the job. Who, after many trials and errors, manages to cook a meal and bring it over instead of ordering takeout. Who has someone actively listening to him even if they don't actually understand every word out of Danny's mouth.

And everytime a Bat tries to come around Jim Gordon is on the roof with a broom, waving them off because this is his kid, Bruce! He called dibs!

[cyber333angel]

CLARK KENT X SWEETHEART!READER <33

a/n : this is pure smut yap as usual, clarks kind of submissive in this, a dash of dubcon but not really.. that’s all 😋

it started off slow, a nice dinner at your place with a movie that clark had so kindly recommended himself, then some kisses on the sofa with the TV still playing.

next thing you know your panties are pulled to the side and clarks on top of you with his muscular arms holding him above you, hesitantly but needlessly kissing at your plush lips. you moan into the kiss as you feel his bulge pressing against your cunt just waiting to be released from the fabric. you giggle when his glasses press at your forehead, his weary face apologizing when he realizes how clumsy and impatient he’s acting. “sorry- i guess im a little nervous..” you smile softly to assure him it was a silly accident, pulling clark even closer when he places his glasses on the coffee table. “its okay, i was nervous before you came here too..” and that’s all it took to ease him down in front of the girl he really liked, “really?” he asked for more reassurance and you were more then welcome to assure him again. “yes of course! clark i really like you..”

somehow in between that small but meaningful conversation something changed with you and clark, he seemed more sure of himself and even more sure on how to please you.

now you were in his lap wailing as you rode on top, holding onto clarks neck for balance and assurance. he was just so deep into you and hearing his faint pants and whimpers only made you even more wet, you get up from the crater of his neck to look at him more closely and he is a wreck. even more than you. the look on his face made you involuntarily whine, he looked so cute and overwhelmed from all your bouncing and grinding on him. with his bushy brows all furrowed and the most docile eyes, just waiting to cum and your tight cunt squeezing around him wasn’t helping. “please keep going-just a little more please..” his breath hitches out and you were more than willing to comply, going back to bucking your hips onto his dick with pleads similar to his and failing to keep your lips off his. feeling the tip of his cock reach too deep into you and touch your cervix, your back arches and you hiss at the stretch, “shit..” you hear as a whisper from the man im front of you, large hands clasping onto the globes of your ass even harsher. “s’too big-just wait clark..”

“i know nd im s-sorry, just feels so good..” and there’s no way you could have sensed that complete disregard of your pleads over his face of submission, a gasp being pulled from you when clarks suddenly plowing into you. his strong arms holding your waist down as he pushes you completely on his dick, up and down as you take all of his veiny length.

you can’t even make up a complete sentence with the pace he’s going at, showing out his unforgiving strength with each thrust. your mind starts going dumb and all you feel is full and, “so’good..” you whimper out. nails scratching and digging into the flesh of clarks back as he babbles on right back to you. “need y-you so bad..” and “taking me so good angel..” the absolute mess that was created between the two of your legs didn’t go unnoticed, the echoing of skin slapping against each other overshadowed the volume of the TV, only moans and squelchs of your mixed pleasure.

not long after you feel a quiver in your stomach along with a fullness in your tummy, picking up your head from clarks chest to look down at him, holding his face in your hands. “think m’gonna c-cum..” you tell him, his pace slowing down but still just as rough. “yeah? please cum for me, need to feel it..” you place your hands on his shoulders as clark grinds you down on his lap with ease, both of you panting as reach your release and cum. your legs shaking when you feel the ropes of cum shoot into your pulsing hole and your sensitive clit rub against clarks abdomen. you would have never guessed the cute clumsy nerd with glasses at work would fuck you like this but you did know you would never find someone like him.

and when the two of you were done, sleeping in each others arms you couldn’t stop wondering.. with his glasses off and his hair all sweaty, your boyfriend kinda looks like that superman guy you keep seeing on TV.

[clouvu]

yknow what. *undooms your yuri again*

[choccy-milky]

from my new oneshot, 'the vexing village of vellmore' ✨ ao3 / wattpad ((it's about seb & clora visiting a cursed village and trying to figure out how to break the curse, and since it ended up being 50k words i decided to split it into 2 chapters and the next part will be out soon!🙏 also, while it does have spoilers for the raven and the snake, it's a standalone story and can be read blind💖))

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[sirenetica]

Save me Ivory , Whitepine. Whitepine Ivory save me.

(Character and Whitepine by @ivory-frill / ivoryTV on yt)

[koipepo]

That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...

Here's a happier Kabru (and Lairu)

[chloesimaginationthings]

Abby could befriend any animatronic from FNAF..