#this guy's design is insane. so happy i got the opportunity to draw him :')))
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wiltkingart · 2 years ago
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Simon Belmont for @vourdalak
[commission info]
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eds6ngel · 6 months ago
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Please friend, I need Eddie and his equally feral grungy little girlfriend. Think like Allison Reynolds from the Breakfast Club before they gave her the hideous pink makeover. I want these two clowns to match each other’s energy, both of them nuts about D&D and metal, and I want her to be the one member of Hellfire who is in charge of drawing these insanely intricate drawings of everyone’s player characters.
being eddie's grungy gf would include ...
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a/n: i think this calls for some headcanons! and i suppose this is my reminder to watch 'the breakfast club' as i still haven't gotten round to it ! :')
warnings: SLIGHT SMUT!! (one mention of sex, two allusions.) fem!reader. artsy!reader. grungy!reader. kissing. one mention of people calling eddie a 'freak.' tons of fluff and comfort !!
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𝜗𝜚 you guys met in your sophomore year.
𝜗𝜚 eddie had been looking to set up a d&d club at the end of the year, knowing his middle school friends (jeff & gareth) were now going to be in high school with him.
𝜗𝜚 eddie didn’t know that you played d&d at the time, but he had sneaked a glance at your notebook during art class and was very intrigued into your drawings, many which consisted of your own monsters, fairies, dragons, anything magical and mystical.
𝜗𝜚 he knew the opportunity was even greater when you were pinning ‘battle of the bands’ posters in the school hallways. he couldn’t believe it was you making those incredible designs.
𝜗𝜚 asked you right there and then if you could help him design a poster for his new club.
𝜗𝜚 you were unsure at first, wondering what the hell this random dude who was in your art class wanted a poster for.
𝜗𝜚 however, you were immediately on board when he mentioned it was for d&d.
𝜗𝜚 you were technically the first member to join his club. it was you and him against the world at that point.
𝜗𝜚 you asked some of your artsy friends who were also in the drama club if you could rent their space on friday nights for weekly campaigns.
𝜗𝜚 they reluctantly said yes just because it was you. eddie was happy as it was one of the few groups of people outside of his own friend group that weren’t calling him a ‘freak’ upon arrival.
𝜗𝜚 over the summer, you and eddie met up to discuss how the whole ordeal would work. his trailer had basically become your second home by that point.
𝜗𝜚 you had started cooking meals together, you would go out to benny’s for a quick evening bite, you even started sleeping over at his.
𝜗𝜚 you began with bringing over a sleeping bag to camp out on his floor, but it soon turned into the two of you just sharing his bed. platonically, of course.
𝜗𝜚 it wasn’t until jeff and gareth came to visit the two of you so you could start drawing their characters for eddie’s visual reference that they encouraged eddie to grow some balls and ask you out.
𝜗𝜚 it took him a couple more weeks, but he finally got there.
𝜗𝜚 luckily you felt the same and you shared your first kiss that day.
𝜗𝜚 and by the time your junior year rolled around, everything was settled in place.
𝜗𝜚 eddie let you sit on his lap during campaigns, to which the boys always complained about.
𝜗𝜚 and after the boys had left, you got up to some… not exactly PG activities on his throne.
𝜗𝜚 or your throne, should you say. eddie said that the throne was all yours, since you decorated the entire thing.
𝜗𝜚 it was actually a 50/50 split effort.
𝜗𝜚 you were the couple who annoyingly blasted metal music out of his van on late night drives at 2am.
𝜗𝜚 hopper stopped you once as you had been getting noise complaints from locals.
𝜗𝜚 you and eddie both agreed it was only because it was metal music and continued anyway.
𝜗𝜚 eddie didn’t realise how feral you were until you got together. you were pretty excitable when you were simply platonic friends, but this was a whole different level.
𝜗𝜚 he didn’t care though as he loved it (and it also transferred to the bedroom.)
𝜗𝜚 sickly PDA couple alert ! eddie’s kissing you all the time ! the boy cannot keep his hands to himself ! he’s infatuated by you !
𝜗𝜚 always sharing cassettes. the both of you never buy new albums individually anymore. you either listen to them together and nerd out, or you share them back and forth.
𝜗𝜚 friday night dates after d&d ! i repeat, friday night dates after d&d !
𝜗𝜚 followed by some truly amazing sex. thank god wayne took the late night shift on fridays. and you hoped it never changed. because it was always the best ending to your week, and you didn’t want to change it for as long as you lived.
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taglist: @cosmorant @ye0nvibezzn @tlclick73 @agxxb
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theabominableblogger · 5 years ago
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My Reaction to “Birds of Prey“
*in best Roman Sionis impression*  WHOOO!
Figured I might as well FINALLY watch it.  On with the show!
*silently jams to the opening logos*
This animated intro is great.
*snorts at the little animation of how an egg gets fertilized*
Why is this animated Joker a different (and actually better) character design than what we got in Suicide Squad?  Were we robbed of Letoker in full Joker suited glory?  I think we were.
“Behind every successful man is a badass broad.”  *points at screen in agreement*
I love Harley’s freaking rainbow apartment
The hyena!
This movie has the same amount of color saturation as “Pulp Fiction”
Freaking Bernie the Beaver is holding her tissues!  We stan supportive friends!
*gasp* Cass!
This guy [Roman’s driver] looks an awful lot like Jon Hamm and that is never gonna go away
“It’s not a party without a little drama!”  I love Ewan McGregor
*snorts in hilarity when Harley turns to address the audience about how much she doesn’t like Roman in front of Roman*
“Do give the Joker my [Roman] best.”  Uhhh....
*jams the crap out to “Boss Bitch” by Doja Cat*
*laughs at Harley drunkenly giving relationship advice to a female bust in the club*
“Some people have the Eiffel Tower.  Or Olive Garden.”  Can we please hear the stories about Gotham’s Olive Garden?
Oh that shot [of Harley walking away from the Ace Chemicals explosion] is great
[Four Minutes Ago]  *snorts in hilarity*
So far I actually really like Rosie Perez as Montoya.
Huntress!
*Huntress kills the mob people in the flashback*  That was awesome.  And the way Montoya steps back and forth to investigate the body is great.
“Harley Quinn just called open season on herself.”  And oop.
God, seeing Ewan as Black Mask is really gonna throw me off but man this is gonna be a great performance.
*jaw drops in horror when Zsasz removes someone’s FACE*
JESUS CHRIST HOLY SHIT RATED “R” HUH?!?
“Is that a snot bubble?”  Shit!
OHHHHH THAT SHOT OF ROMAN WITH THE MASK ON!!!  AAAAAAHHHH!!
The SATURATION IN THIS MOVIE
Also the soundtrack and aesthetic in this movie is very... “Suicide Squad”-esque
Man that sandwich looks good
*jaw drops when Harley accidentally throws her sandwich into the road*
Also they de-saturated everything again hahaha
Oh my gosh that guy [”Happy”] is HUGE
[GRIEVANCE:  COSMETIC VANDALISM]  Yeah, that sounds about right
“Par-ley??”  *snorts*
Her [Montoya’s] shirt....
Also why is she wearing that shirt at work?
This movie is giving me huge Tarantino vibes
Why does the actor that plays Montoya’s boss looks familiar?
Oh!  He’s Rufus in “Supernatural.”  Bobby’s kinda buddy!
“Ms. Montoya, we do have a dress code.”  There we go.
They are really just going back and forth in the timeline to cover everything, aren’t they?
Harley’s using nonlethal rounds?
The action set pieces in this movie so far are awesome.
*says “Run, piggy, run!” along with Harley*
Of course Dinah is singing “This Is A Man’s World”
Also I’ve seen like a 20 second Twitter compilation of Roman saying the f-bomb and it’s glorious
“We could make our own family.”  Oh snap.
WAIT THAT’S THE GUY WHOSE FACE ZSASZ REMOVED!
Does... Roman... like Dinah?  Like... that?  Or is this manipulation?
*chuckles when drunk Harley slides up next to Dinah at the bar*
*gets very uncomfortable at a guy trying to take advantage of a drunk Harley*
C’mon Dinah...
What’s the song playing here [when Dinah’s beating up the guys in the alley]?
Uh whatcha doing in the corner there, Zsasz?
“Oh sooongbirrddd?”  Noo...
Did I just see a street sign that said “ANUS”?
So is Cass faking a broken wrist or does she actually have a broken wrist?
So far my favorite characters are Montoya and Dinah.  Not gonna lie.
*has to muffle laughter when Roman does the mmkay hand sign* 
“I mean, I like crossbows!”  *giggles*
Holy shit, Zsasz is jealous of Dinah.
“Look at his little ears, the little haircut...”  *insane giggling*
ZSASZ IS DYING IN THE BACK I LOVE THIS SONG
Dinah is clearly rethinking some life decisions while looking at that statue of Roman
*jams out to “Sway with Me” by GALAXRA*
*Cass robs Zsasz of the diamond*  WHOOP!
*winces when Roman does acupuncture*
“SHE’s a chILDDD!!”  *laughs*
ZSASZ
Ho shit that shot of Roman on top of the stairs looking down at Harley
“VOTED FOR BERNIE” HAHAHA
*Harley completely derails Roman’s villain monologue*  THIS IS AMAZING
HE [Roman] GOT A BOWL OF POPCORN
*Zsasz licks Harley’s cheek*  EEUUUGGGHHH!!
Did that goon just pull a tampon out of Harley’s pocket?
I’M SORRY CAN WE TALK ABOUT THE PICTURE OF NUDE ELEANOR ROOSEVELT?
*gasps when Roman backhands Harley across the face*
OH HERE WE GO
HOLY SHIT THIS IS GREAT
ROMAN IN THE STRIPED SUIT
THE CHOREOGRAPHY
WHY WAS IT SO SHORT I LOVED IT
Where is this cover at on the official soundtrack?!?
“I’ll give you ‘til midnight.”  Hold on, hold on, what’s the timeline for this movie?
Harley’s just booking it in the background
Aaaand we’re back at the beginning!
Aaand there’s Harley!
Wait there’s about an hour left and we just now got to Harley meeting Cass?
CONFETTIIIII!!
Is she just using paint bombs on all the guards?
Harley, trying to enter the cells:  I AM PRESSING.  EVERY BUTTON.  I CAN FIND.
Why would they put Cass in the cell block with all the adults?
OH HALSEY!  COME THROUGH!
*Harley slides across the floor to knock a guy down*  OHHHH!!!
Daniel Pemberton’s orchestral score for this movie is reminding me an awful lot of “Into the Spiderverse”
Is that Katana’s sword?!?  How the hell did it get there?!?
WAIT SHE’S GONNA HUFF THE COCAINE?!?
Jesus, now THIS is Harley’s fighting style!  Holy crap!
*gasps when Harley gets kicked back and knocks off a car door off its hinges*
*jaw drops*  SHE JUST SET THAT DUDE’S BEARD ON FIRE
How does everyone seem to know where Harley is?
*Smash cut to Harley buying laxative for Dinah in the store*  Hahahahahaha!
“I do not care that you’re [Cass] a kid.”  Yeah, Harley, didn’t you uh... assist in the murder of Jason Todd in this universe?  Hmmm???
Wait so how long ago have Harley and the Joker been together?
Doc calls Harley “lotus flower”!
Those are the nuns from the school in the beginning!
She is actually... talking to the beaver
“[Joker] Sounds like a dick.”  I mean, yeah.
Also I just realized that Harley drew an actual dick in the Joker drawing’s mouth
HUNTRESS!
OH NOW WE’RE GETTING INTRODUCED TO HELENA!
*eyes widen in shock at the Bertenelli massacre*
*chuckles at the smash cut to Helena practicing in the mirror*
*Roman sees someone laughing in the club*  Oh no.
“Get on the table.”  Uh.
Oh no what is he doing?
“DANCE, ERICA!”  Ohh.  Shit.
“Take your dress off.”  *jaw drops in horror*
God, I cannot watch this.  Holy-
*has to avert eyes*
*Roman stops Dinah from leaving*  NO.
“You soothe me, little bird.”  AHHHHHHHHHHHHH-
OK, I can take a breather now.  Ohhhh my God...
They’re [Harley and Cass] really just having a girl’s night
BRUCE, NOOOOO!!!
“No one knew we were here except-”  DOC SOLD THEM OUT!
“This next bit ain’t very pretty.”  Oh boy.
“I [Roman] own this town.  You have my protection.”  Mmmmm... no?
Whoa this super dramatic cover of “Hit Me with Your Best Shot”
OH HE’S [Zsasz] GONNA SEE THE TEXT SHE [Dinah] SENT [to Montoya]!
*Roman starts to break down*  Oh.  Shit.
OH THIS MUSIC
*Roman puts the mask on*  OHHHHHHHHHHHHHHHHHHHHHH!!!
OH THIS IS GREAT
Also of course Joker and Harley had a hideout in Amusement Mile
*winces when Montoya punches Harley right in the boob*
*Harley kicks Montoya out the window*  Oh she dead
*gasps*  Zsasz!
Man that sideways shot of him is terrifying!
OH FRICK NO
JESUS I DON’T LIKE THIS
So is it implied that Zsasz only kills women or what?  I thought he was an equal opportunity killer?
“That’s why he [Roman] needs me [Zsasz] to look after him.”  Dude.
...did they just kill Zsasz?
Everyone except Harley is pointing guns at each other and all I’m thinking of is that scene from “The Office”
*snorts in hilarity for Harley clapping for Helena completing her kill list*
Oh Roman just brought a whole freaking army
OHHHH HE’S GOT THE MASK
Oh this music *chef’s kiss*
Oh my God is Roman gonna find Zsasz’s body?
Oh that crane shot out of the lair and back outside?  That’s some good shit.  Cathy Yan, I see you.
“I [Helena] DON’T HAVE RAGE ISSUES!”  DINAH’S FACE!
*Helena pounces on a goon in the slide down and kills him*  Geez that’s awesome
This whole set is great
*Helena gives Cass her old toy truck*  THIS MAKES ME SAD
Yeah when did Harley have time to put on her skates?
Some dude just gets shanked then leaps back up
That fight scene just went by real quick
*gasps when Roman shoots Montoya*
*jaw drops when Dinah does the Canary Cry*
*Harley gets sideswiped by one of Roman’s goons*  Yeah no there’s like half a rib cage gone
*Harley works on overtaking one of Roman’s goons’ car*  CRAZY TOWN BEEP BEEP!
*Harley backflips onto the top of Roman’s car*  OHHHH!
Founders Pier... geez that looks great
Wait are those all Roman’s goons just lining the dock or are those just statues?
Oh they’re all statues.  That’s creepy.
“exCUUSEE me?!?”  *snorts in hilarity*
*jaw drops when Cass tucks a grenade in Roman’s coat and activates it*
*still shocked when he FREAKING EXPLODES*
I’M SORRY THEY JUST KILLED OFF BLACK MASK
*Cass finally goes to the bathroom*  Finally!
“Does she always [Montoya] talk like the cop in a bad 80s movie?”  *laughs*
Guys Helena is great
*laughs when Helena laughs at the fact that Harley stole Dinah’s car*
“They call themselves the Birds of Prey.”  Yay!  Lemme see them again!
Harley’s jacket has a bedazzled vagina on the back of it
Look at Cass with her jacket and sunglasses!
“Yeah, I made the kid my apprentice.”  Yeah, that’s not gonna last long.
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housebeleren · 6 years ago
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War of the Spark New Commanders
It’s now that time. Time to figure out if I feel like turning any of these new Legendary Creatures into Commander decks. And since the *ahem* Rules Committee decided not to allow Planeswalkers as generals, I’ll have to be content with just the creatures. (I mean, c’mon. Really?!)
With that, let’s get started. There are some goodies to review.
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Let’s start with Dragon Daddy Niv. Honestly, I’m really digging this design. He’s a 5 color general, but actually makes use of those 5 colors unlike certain other generals I can mention. *coughNajeelacough* This design also makes you have to think about deck design in a very interesting way, since you’re incentivized to put as many 2 color cards in the deck as possible. I went right ahead and put him at the helm of my Superfriends deck, because he’s a pretty strict upgrade over Jodah. And I typically draw 2-3 cards off casting him in that deck, so I feel pretty good about that choice. Overall, I really love the design for Niv-Mizzet Reborn, and I can imagine a wide range of decks being built for him.
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Okay, now let’s get this out of the way, because this is obviously the Legend that got the most initial attention for EDH, and rightfully so. This is fantastic new design space for Boros, which is a notoriously difficult color combination in the format. And the possibilities are endless. Sure, you can throw all kinds of cantrips at Feather and dig deep into your deck, but there’s also fun stuff you can do with cards like Aurelia’s Fury, that can target multiple targets. And forget about it once you have Zada on the field. Then it just gets insane. I look forward to seeing all the different options people come up with, and I’m also just happy that Feather finally got a card.
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Aside from being some absolutely gorgeous art, Roalesk packs a lot of action for 5 mana. For one, he’s huge just on his own. But the fact that he can spread the love on ETB and when he dies is just fantastic. That said, I definitely see Roalesk as a supporting player, and not so much as a lead. He’s a great inclusion in Ezuri, Claw of Progress decks, and I can also see builds of Atraxa being very interested. That deck has access to numerous ways to retrigger both the ETB & death abilities, so this could be a powerful proliferate engine if done right. Every general needs a lieutenant, right?
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I like Storrev. I really do. I truly wish there was a format that really wanted this. But, alas, in Commander we have Meren of Clan Nel Toth, and I just don’t think Storrev is going to supplant her anytime soon. Maybe some Meren or Karador decks will find space for her as some added redundancy, but I’m not holding my breath. (Which is good, because a Zombie Elf Wizard is likely to beat me at a breath-holding contest.)
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Another absolutely gorgeous piece of artwork, our final Gold Legend is... wolf tribal? Huh, I guess that’s a thing? This is definitely a Standard card, and I don’t really see this making any waves in EDH unless they come out with a ton of sweet wolves in the upcoming sets. I will say, between Tolsimir & Arlinn, this does give me some optimism that there will be wolves in the Fall set. Because wolves tribal in Standard is totally a deck I would play.
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Alright, let’s tackle the gods next. Oketra, while an absolute monster of a beating in Limited, and a Standard powerhouse, doesn’t strike me as all that potent as a Commander on her own. Now, will Varina decks potentially be interested in this? Why, yes they will. And potentially any other creature-heavy go-wide decks might be down. But Oketra is definitely built for the 99.
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Blue mages everywhere collectively nerdgasmed when Kefnet was previewed. I think there’s no doubt that Kefnet will likely have the largest impact on Commander from cards in this set. There’s already talk of him supplanting Teferi as the mono-Blue general of choice for CEDH, and that’s no easy feat. But honestly, this is exactly what every Blue deck wants to do! I’ve already slot him directly into my Aminatou deck manipulation build, where he goes infinite with her plus any extra turn spell. As the headliner or in the chorus, Kefnet is going to be an EDH staple for years to come. And that’s to say nothing of the impact he’ll have on Standard.
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I’m glad not all of the gods are instant hits. Bontu is great, make no mistake. And there will definitely be Big Black decks that want this. But I don’t think she’s going to be an auto-include, and I also don’t think there are many good reasons to run her as the Commander of a deck over some of the better mono-Black options. Bontu is a clear role player in several builds. I, for one, will probably slot her right away into my Gisa & Geralf deck. And I suspect many will do the same.
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Doing this slightly out of order, which is difficult because one compulsion is telling me to keep all the God-Eternals together, while another compulsion is telling me to do all 5 gods in color order. It’s rough up in here.
I guess every family needs a disappointing sibling, right? It’s crazy to think that a card like this could be a “disappointment,” but in the world of EDH, this reads like a mediocre Craterhoof impersonation. I’d honestly rather run End-Raze Forerunners more often than this, because the Trample is just so. relevant. I think there’s potential for Standard, and he’s undoubtedly a bomb in Limited, but that’s about the long & the short of it, from what I can see.
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Ilharg is fun, and totally reminds me of Etali, Primal Storm, except for the part that they’re not actually that much alike. Okay, they are both 6/6 mono-Red Legendary creatures with an attack trigger, so that’s kinda similar. That said, I think Ilharg really wants to be a supporting cast member in a multicolor deck, with Green in it at the very least. You really want to power out huge creatures with ETBs with this guy. Again, Craterhoof comes to mind. It’s like that card is good or something.
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Let’s keep going on this mono-Red train. New Neheb is fun, and a nice callback to the previous version. That said, I do think Neheb, the Eternal is probably a stronger general, as this version has the potential to get brick-walled by good blockers. Basically, the likelihood for this Neheb to fail seems greater than I’d like. Who knows, though. I could be wrong, and Dreadhorde Neheb could be the new hotness.
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The string of “not quite as good as their previous versions” continues. Again, I do kinda love this design. But it’s really hard to compete with Double Trouble Krenko from before. Maybe they want to be in the same deck? But even that seems like a bit of a stretch.
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Tomik is family and we never turn our backs on family, hon! You ride that gargoyle off into the sunset, you fabulous queen you. Also, I can’t be the only one who thinks it’s a bit on the nose to have the confirmed gay (and suspected top) and-I-quote “tie it into knots”? I mean, I could’ve told you Ral was into some kinky shit just from looking at him (e-stim much?), but apparently they’re just super about this life on Ravnica and I am here for it hennnnnny. 
Oh, the card. Yeah, stick to Legacy with this one. If your playgroup is literally all Frog Monsters & DaddyCats, sure. Knock yourself out. Or maybe Tomik will do it for you? Maybe if you beg good.
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I always wondered how they would make a Fblthp card, and well... now I know. The little guy’s actually pretty good, doing his best Elvish Visionary impersonation, only better, because if he gets super duper lost, he finds himself an extra card on the way. Sure, yes, he combos with Proteus Staff in a deck with no creatures as a strange build-your-own Divination on a literal stick. But honestly, that’s not enough reason to run him as your Commander. Prove me wrong, bitches. Because, honestly? I’d love to see that.
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The unfortunate thing is that, as much as I was happy to see a Massacre Girl card, it’s really unfortunate that there’s no Hekara in this set, given the role she played in the novel. (And the fact that miss not-Hekara here didn’t appear at all.) It just underscores how many missed opportunities there were in the coordination between the novel & the set. 
Anyway, not-Hekara is a super cool design, and will often be a pretty clean board wipe on a stick. Honestly... I could see her having a place in some Black decks that want this effect often, since recurring your board wipe over and over is a pretty strong line of play. It’s Staxy, but I’m kinda okay with that. Not a slam dunk, but a definite option for decks that want her.
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Aaaaaand lastly, the goodest of boys is... a good boy. That’s about it. He’s fantastic in Limited, and I highly recommend playing him often, and with great enthusiasm. But yeah, there’s not really any EDH potential here, except maybe in the strangest of jank Ezuri decks. And that’s a stretch, for sure. If it doubled the counters, then I could see it more, because that would get out of hand really quickly.
So that’s basically it. All the Legendary Creatures of War of the Spark. Who are you running in your Commander decks?
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vinku-iikku · 6 years ago
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Yay I finally finished 2018 inktober! If you want to just scroll through them all please go here, and if you want to see some comments on each please look under the cut.
Day 01 Flowey and Overgrown Ruins This prompt I picked as is because as far as I remember Flowey stayed behind when the monsters left. If you can’t find him, he’s near the big root on the left. All other days the second prompt got randomised by a die (except when I reached the last two).
Day 02 Grillby and Exotic Flora Grillby’s on a journey to look at all the flowers that aren’t living in a wet environment. Maybe he’ll make some wine from the non-poisonous ones.
Day 03 Chara and Cave Entrance They are still curious about morbid things and places that could be portentially dangerous, practically running at danger.
Day 04 Undyne and Astral Plains/Dreamland Welp I’d rather have had her with some other prompt, but now she has an anime showdown/faceoff with a mean monster that harasses a moldsmal.
Day 05 Asgore and Rocky Ruins Asgore had a trip down memory lane and visited the place where their castle used to be, before the war. Not much is left any more.
Day 06 Frisk and Ancient Tree They are still precariously looking for adventure. I saw this article about a 800 year-old Finnish tree, as soon as I saw that top I wanted to climb that, looks like a perfect spot to see everything around you and chill for a bit.
Day 07 Temmie and Nature Untouched I did some research in a nearby forest for this one, the sales-Temmie has made a nest in a tree that has fallen down in a storm. The soil is shallow before solid rock so trees have their roots mostly close to the surface, when they fall the roots go up as well. Temmie on the left is sitting on an ant nest lol. There are seven Temmies in total.
Day 08 Muffet and Crystal Coves Crystal Coves is either a place where crystal business is the main employer, a cove that has crystals, or a cove with crystal clear water, I think. I tried to implement them all just to make sure. Muffet has now made a business in making spider-products with glass expertise.
Day 09 Fuku Fire and Freezing Fjord Finally back to the ‘monsters travelling’ theme, Fuku is taking a longer trip and is currently on a boat by Norway.
Day 10 Gaster Blasters and Townsquare The blasters are on their own for whatever convenient reason, Pap’s one is figuring how things work by destroying them, Sans’ is... playing with local children. :D The fountain is loosely based on Havis Amanda.
Day 11 Nice Cream Guy & Shanty Town He’s travelling the world and selling nice cream! Definitely inspired by Beadle in BotW.
Day 12 Mettaton EX & Cemetery This combination took me a moment, Mettaton is a bit loud and showy for a cemetery. Then I remembered that Napstablook said they’re already dead when you try to kill them, so here Mettaton’s visiting haunted places and telling everyone about this wonderful body he got and where to get one if you’re interested in becoming physical again. I worked in a cemetery for one summer years ago, felt weird pulling those visual memories to this...
Day 13 Toriel & Hall of Deities In order to become a teacher I’d imagine she’d have to brush up her knowledge on lots of things that’ve happened on the surface, and here she’s in a secret underground place with some sacred scriptures or something, she reads them and writes down notes and then returns the scrolls.
Day 14 Annoying Dog & Volcanic Terrain Another weird combination, but eh, it’s the dog. It’s feeding bones to the vulkins and admiring danger up close.
Day 15 Monster Kid & Path Along the Water I made a huge area with different textures so I could try learn something new by scribbling around, and I’m really happy how the boulders on top of the waterfall and the water itself look like.
Day 16 Doggo & Ancient Altar Room Took a moment to come up with an idea, then I read Doggo likes squirrels. So now he’s travelling the world too, and he always has time and seeds for any squirrel population he discovers.
Day 17 Alphys & Summoning Altar I thought I’d not be drawing Mew Mew, but here was a perfect opportunity for that! Alphys isn’t travelling, but discovering new things in her home, humans have such interesting books! All of the Japanese text mean something; the bowl has the kanji for ’love’, books under it are Mew Mew manga, there’s two yury books, a reference to Free!, Digimon, Pokémon, Rose of Versailles, Natsume Book of Friends... and it’s fine if you don’t get the one that says ‘corn’.
Day 18 Photoshop Flowey & Windmills and Grasslands I think the modern wind generators look super cool. I tried to make Flowey as cute as possible so he’d be more fun to draw there, this is some dream stuff or alternate universe since Flowey did stay behind.
Day 19 Papyrus & Desserted Drylands I’m pretty sure that’s an accidental typo, but since it was Papyrus I wanted to roll with the new pun meaning. First thought was Papyrus somehow being in the drylands and dropping a huge cake, thus ’desserting’ it, but that would’ve been a bit mean. This cake is made with 100% organic sand (some of which he ground himself when grooming Rocky), the tiny cow ornaments are modified mouse skeletons. :) The chef hat would be straight but there wasn’t enough room on the page of the notebook I draw these on... I remembered he had a triangle on the battle armor, but didn’t remember what way it points so avoided it by replacing it with a heart. :D
Day 20 Sans & By the Beach Sans is getting some more sand for Papyrus with his shortcut, then he took a nap unfortunately close to the tide..? The shore felt a bit bare so I added some animals to keep him company. I h/c that animals don’t mind having monsters around unlike how they usually try to run away when a human is near.
Day 21 Shyren & Buried Statue(s) She’s doing that Disney princess thing where you sit down and start singing and all small animals within hearing range come to listen.
Day 22 Asriel & Underwater Temple Another dream thing since Flowey stayed behind, this is how he imagines the oceans look like outside.
Day 23 Lesser Dog & Market Place Some people have to learn the hard way to not trust a dog that has opposable thumbs.
Day 24 Box Mettaton & Merchant’s Store Any website run by a popular monster must get an insane amount of curious folk, which leads to ad revenue being a good way to fund the next tour. There’s some.. insider jokes there if you’re in any kind of website business.
Day 25 Rocky the pet rock & Eldritch Forest I don’t actually know what the latter means, looking at Google images it’s probably just a forest that’s very dark or something. Wanted to try a different perspective for a change. Rocky has a bowl of food there but I can’t really think of any non-sad reason for why it’s in this forest.
Day 26 Froggit & Inn in th Middle of Nowhere Had to take a break for one day, regardless I’m proud of myself on being consistent this far despite everything going on. I first only had the top Froggit and the bg in the sketch, and didn’t like how it looked. Somehow adding more Froggits made it look a lot better to me...
Day 27 Burgerpants & By the Docs Birsd with human arms and birds sitting like humans will never not be hilarious to me.
Day 28 Bratty and Catty & Deep in the Woods Tried to play with perspective with this one, it’s kind of the opposite of the Rocky drawing.
Day 29 God of Hyperdeath & Idle Portal I had a hard time coming up with anything for this, so now poor goat is somewhere in a completely white dimention and the only way out is not active, though he’s quite chill about it.
Day 30 Amalgamate & Abnormal Formations This and last one’s world I didn’t leave for the die to decide, I really wanted to do Tetris with Napstablook and out of the two still left this prompt suits Endogeny more anyway. There’s a forest in Poland where several of the trees bend to north like this.
Day 31 Napstablook & Puzzling Platforms Only one I did during morning, my hands shake more then so all the lines are more or less wobbly. Every Tetris piece has it’s own signature design except the L-shape which is just blank to keep it interesting. Napstablook is enjoying game music while inside the game, maybe ghosts can possess videogames..? This also shows the notebook I drew all of these in and the tools I used most of the time.
It’s hard to tell if I’ve improved at all when comparing these to 2017 inktober, I haven’t draw regularly through the year and the main focus point this time was on backgrounds and not so much on lines and characters. I did learn new things and that’s always exiting, I think my trees, glass and rocks look way better than before I started, and I did some progress in shading metal too. All of these took 3 hours or less to finish, some only took an hour. I didn’t need to erase pencils like last year because I used a trick where I placed the sketch under the notebook page and my tablet with 100% brightness and a white bg under them, and traced that with ink. The notebook paper is pretty thin, you can see the Amalgamate drawing’s clouds showing through in the Napstablook photo. Anyway, this was fun, and I think I’ll try do it next year too!
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tillerman1 · 3 years ago
Text
TORMENT [to the word] (pt.1)
TORMENT
A screenplay by Ingmar Bergman
translated by Thomas Jester to the word
TORMENT: A knife on an abscess
The summer after my matriculation low me ill and suddenly advent TORMENT. It was for finished in one yield over an old "Latin writing exercise" that each started at one end, all events just came, it was like a compulsion. When I the writing complete read me through everything, knew me relieved and buried this first, only and as I hoped closing read procreation in an old dresser drawer's roomy darkness.
How then TORMENT stack upward again from of oblivion, taken up, reviewed, made till screenplay and finally till film are admittedly a remarkable but though completely alternative history.
For this film's part entertained I three hopes and I am happy over to get talk about them.
1.) I desired that TORMENT became a knife on an abscess, that it had something liberating to come with simultaneously as I hope that the spectator might find it worth the entrance ticket.
2.) I desired that Caligula might become revealed, purged, disarmed. There are namely many sorts Caligulas, major and minor, rather harmless varieties or sickening monster, apparent or insidious. But on one thing feels Caligula always again. He creates hatred, pungency, destruction among humans. He is foreign for all joint community, lacking contact opportunities and natural sympathy.
3.) I desired that man might feel compassion with Caligula, as he none himself is the cause of his situation. He is as poison snake, bacterium, the extinguished harmful who by no means himself understands the evil he comes providing, but as ever alone, always unhappy hunted by furious furies, the custom terror and the drift till harm. If man strikes up the word Caligula in a conversational dictionary stands following:
Caligula: (Latin = »small boot«) F 12. 12. 41 Roman emperor, son to Germanicus. C:s bloodthirst and abnormal addictions did him soon so hated that he was killed.
TORMENT
Film manuscript by Ingmar Bergman.
This film dedicated Caligula and all his ilk in both dead as living language, Christianity, geography and history…
QUIDQUID ID EST TIMEO DANAOS ET DONA FERENTES.
(HOWEVER THAT IT'S DREAD GREEKS AND PRESENTS BEARING.)
(Caligula's first words till his class, significant for his character.)
Caligula is a man of something over fifty years. His exterior is not in any way startling. He is dark, something white-haired. Face occupied mainly of one pair quite powerful glasses with large black frames. When he takes off the glasses alters his face suddenly and gets small insignificant, almost frightened.
It is after so of Caligula, how he has a facade to the outside world, a facade that he till the utmost endeavor it to maintain. »The Cat Story« is significative for his human island type. "Biting not I as bite you and therefore bite me first." This has designed one EnGarde position as has developed one strong predisposition: the stiletto sharp sadism, the lust to see humans plagued, feel power over them. Before for this sadism is naturally one white stain: "I am no criminal, I can none make a fly offended." He is not himself fully aware, he is one of these many humans, who lives his life till half, in a sort's half-conscious, where the external events only reach the soul indirectly and thereby lose their original wounding and devouring effect but also the positively building and curative.
The reason till this violent EnGarde-in-status based itself on a given helpless-unit-feeling that with Caligula has reached a powerful (let go for pathological) development. It is admittedly dangerous to scold everything pathological. Such that based itself on the undisciplined still-satisfactory-drift of the one or other kind need after not endure it, but Caligula's steps show for-a-knot-hot, his intentional perverse lust to admit his horror and expose himself, his flagrancy towards probably pathological. And if man experiments your view forward, what as conceivable comes to happen him, ends it with all security on insane family or also super he in the at dipsomaniac institution. That he would take some life of himself is hardly likely. It makes not humans like he (judgment is too suspicious concerning opportunities in neighbor life).
His relationship till the girl Bertha is utterly not any Mr. Hyde-folly, but are just by his easy, almost everyday system so insanely creepy. The girl is from beginning afraid for him, mostly for that her limited understanding and intuition not can take him. This fright gives him one advantage that he utilizes under the thesis "eat not thou me so eat I you."
"Murder" that after actually not is any murder in ordinary meaning, comes for him as a deep, unusual direct shock, that also furnishes about terribly in his perversion's bedroom. Such conditions to the boy are similar. Sandman till illustration would he never venture himself in. But this upright, sensitive guy selects he of instinctive security till his victims. There are just that category's lads in the class who he plays with cum that suggests up the horror in whole the class. The insane paralyzing fear that only (of my experience) can break out in a school class under the experienced school man's management.
A final wants I make a personal confession concerning Caligula and humans as he.
I think that they occurred through one nature's mistake. They have till single task to themselves suffer and cause other woes. There perhaps is some meaning of it. But as humans are them failed, without development, without fortune facilities, without real life. The most radical would naturally to killing them. Perhaps also the most merciful. "A characterized compassion" is impossible when there applies Caligula. What man feeling is dislike, disgust, a shiver of discomfort, which before the bugs that wedge front and back and disappears of hole soil under a just articulated stone.
Jan-Erik Widgren is a boy of 18 years. He is not unusual in any way. He is a schoolboy right and plain with all that it means.
Psychologically undergoes Jan-Erik a development under the film's walking. When it starts is he something quixotic, writes poetry, plays piano, thinks of a clean woman who will become his wife and between its has he surely quite the doctor to keep out of "losses" that forces him to one and otherwise that he considers with antipathy and one some resignation.
Through the event's race changes it.
First confronts he of a woman, who procures him setbacks in his beauty established principles. He is not dear at her, but goes unto[?] all fall till bed with her and rises upwards (till his surprise) but too big conscience. Like all your collegians with a little Sturm und Drang draw is he right isolated, alone. He finds in Bertha someone who bothers herself for him and requires him in one such way that it doesn't need encroach on his own usual and very fragile puberty-bargains with to himself. Therefore accepts he her and gets fixed on her with a tenderness that she reciprocates, and which gives him a reassured body and thereby one certain freedom in the soul. [?]
But away for away quite hastily breaks this good relationship asunder. It is Caligula as picks asunder it unconsciously, bit for bit. When Bertha is there snotty, full and howling, is he with even stranger for her. He was for never dear at her, loved her not and this new stress is their relationship not mighty to bear. It goes asunder.
Slowly but surely run he toward desperation. Make out some rash is when he beats Caligula, second is when Jan-Erik in wild despair rushes home. Fully broken out is it when it does his residence on Bertha's floor there he hides out like a wounded animal. [?]
But the knot is not so hard applied. It is a normal, something oversensitive, rights-aware only at large balanced boy it applies cum he lets the rector help out. [?] He returns home, not longer collegian but something bitter, something sensible, with a feeling of how lives probably are damned, indeed sometimes run "on clean sophistication," but also is a good life with obvious meaning in the most as done. The final image shows him lying on some flooring, weeping, this can seem depressing, yet is intrinsically the contrary. It would worse if he was silent and bit together about himself.
Till at parents relate it to like the most boys of his category: armed neutrality.
Jan-Erik is there nothing wrong on, he becomes one good fellow.
Bertha, that a arm (wretched) small life! It is that intrinsically not very say whether. She is constitution-kind, looks intrinsically not slutty outward, but are from circumstances' power start such go revolving: "Man wants after exist with, man want course live." Till end has she lost count cum with her something indolent temperament has she not bothered herself so much about it.
Then has she enacted knowledge of Caligula in like way as of many other men, at a tobacco shop and its facilities. Caligula has seen kind out cum so with even is she the scaring her more than all otherwise. The horror ramped till the excessive, mainly suctioned of her herself cum she allows herself willingly abused mentally by Caligula.
The togetherness with Jan-Erik gives her something respite and shows her as she is: a kind girl, who not asks more than how gain draw someone to think about, that could have a live human text beside herself in bed, to avoid being alone.
She suppers death itself. Drinking on Caligula initiative, lets to tortured, suffer from malnutrition. Her will to live flows as away cum she deceases so well as on peculiar desire.
I find much pity for her and desired that she had become married with any kind fellow cum that she had got many children and a small alright home. Perhaps was it her small adventurousness, inability to take care of to herself, that brought her performing. A victim is she in all fall and I am nowadays if conceivably yet more convinced of that Caligula should slide as shot.
*
The giant playground outside school. It is unsettled and empty. A little lad comes rushing far from behind. He runs with high speed over the yard on the diagonal.
Contra steps up till home entrance. The small lad rushes up the stairs. Trips, travels himself, rushing further. Gets with effort and difficulty up the door that is large, large. Slips in. [?]
Inside the door.
The large vestibule with doors to the prayer hall. From within heard Bull Jesus' monotonously echoing voice. The lad (12 years) looks at the wall clock that shows 10 minutes over eight. The lad swallows a few times. His bad conscience is unambiguous. He sneaks silent further up next staircase and - next. He tries (to) make himself as small as possible.
A teacher goes in corridors, opens doors to classrooms, and peeks in, open till storerooms, maps room cum toilettes. Snoop everywhere. Can further.
Lad hears echoing footsteps. He sneaks in through the door. It is chemistry room, with one long row large table. He dives yourself down behind one.
The teacher opens the door till the chemistry room, gets hastily through it. Out again. Lad, as crouched, travels himself up, sneaks up till the door and listens. Opens and glides out.
Long corridor.
Lad sneaks. You sneak past a cross corridor. Stays as riveted at the ground.
The teacher comes in the cross corridor. He gets sight of the boy, stops.
Lad sets himself off, rushes like a shot through the corridor.
The teacher turns, sneaks around a corner.
The kiddie turns around one other corner and rushes straight at the arms of the teacher. The lad finds for good to start howling. The teacher takes him in some neck skin and for away wrongdoer.
A classroom.
The lad, still cohesive in some neck skin, howling, discarded down in a bench. The teacher takes up the class book. Stare gloomily at The Lad. Turns up the book, writes.
The stairs cum the corridor.
Pippi comes walking rather soon. The hat on the neck. The rock{coat} flutters. The white hair test {tufts} stands right out. He goes past "the lads" classroom, yet stops, turns about cum peeks in. Pippi having's clear to –
PIPPI : Mornin' the adjunct.
The young, gloomy and zealous teacher turns of head and considers Pippi –
ADJUNCT : Good morning lector.
Pippi steps in, looking at the howling boy –
PIPPI : Till what offense has this the sorrow's youngling done to guilty now then.
ADJUNCT : He has come for {too} late! Come for late till morning prayer!!
The adjunct beats back his class book and prepares himself to go.
PIPPI : Yes only, that have after I've also done.
The adjunct turns himself lightning-fast if as if he would say something, but is stunned. The lad ends howling and looks up. An explained grin bursts slowly out on his snotty small gangster-physiognomy.
Bull-Jesus fishes with the tongue after loose palate, as holding on to allow himself off, bending head deep down where he stands at the oratory's lectern.
BULL - JESUS : Aameen!
The organ puff, sighs. One long boy with nervous hands and the eyes in the notes intones bluntly "Alone God..."
The school's 856 pupils plus teachers and principal travel themselves {rises} as one man and sing with ho and hello and a certain clamp –
SKOLAN : Alone God in heaven-rich, spring Grace and price belong…
Grönstrand stands stunned, stares at the psalmbook, then shoulders he on Jan-Erik –
GRÖNSTRAND : The damned in it. I mayst nothing Latin till in daylight… You should see man field there. I had premonitions with Mother.
JAN - ERIK : Where sits they.
GRÖNSTRAND : In a gastric. Boy! waking(?) diarrhea.
SKOLAN : For all the Grace he loves rich with us has wanted make.
BROBERG (sings in falsetto): Think you not that sounds neat when one other sings soprano?
Östergren stands with Latin grammar in highest grab –
ÖSTERGREN : Hold the jaw. I'm studying. Interference me not! Volo, nolo, malo, cupio, juvo, studeo… [I want; I do not want; bad; I; watch out; studying]
SKOLAN : He earth donated - great delight and peace...
Bergman and Krefler.
BERGMAN : A Tuesday with little home sadist Caligula.
Caligula tramps up and down. Turns something with left arm as if he had rheumatism in it.
BERGMAN : He has rheumatism today.
KREFLER : Becomes he fun. Yes yes!
BERGMAN : Fun ... he gets sublime.
SKOLAN : And of a human may well rejoice at –
Sandman, bald, burning eyes, strange revelation, lies with rapture.
SANDMAN : You understand, one another was after quite hungover when the donna said that she rolls of a lump.
Göterström, small, glasses, impressed –
GÖTERSTRÖM : Ouch, ouch you.
SANDMAN : You know ... ANVIL have man after not thought oneself to be... yet.
Sång-Pelle stands with closed eyes, hands at the gastric, happy. Sings so it's empty –
SKOLAN + SÅNG - PELLE : God's forever good wiiiiiiiill…
An oratory.
Everyone's heads bent on Bull Jesus' initiative. Dead silent.
Two schoolboys lean themselves together and affect sleep. Panoramic up. One jams a salmon book down in the pants. The other ends with to whittle in the bench with his penknife. A third wakes to where he has stood and lost the psalmbook on some floor.
It becomes up crime's signal.
Long rows march now, bench row after bench row, class after class, outward from the oratory.
At the door stand two teachers.
Each pupil, who goes past, shows up his psalm book. Then comes one - no psalm book -
TEACHER I : No psalmbook.
A PUPIL : Mine's stolen.
TEACHER 2: Lie at least not. From ranks.
The pupil joins till one small cluster of other individuals -
PUPIL 1 : Will it stick?
Pupil 1. responds not. Make(s) only one much ugly and vast grimace.
Some train of pupils.
Faces in long lines. Descriptive, intensive. Scores of faces.
The mighty stairwell. Mingle of boys outside classrooms. The rings in clocks. Some stairwell becomes hastily ground. There comes the teaching. They go in of yet classroom, whose door closes. It gets quieter and quieter.
Noise cum upset, whistles cum clamor. Ringning.
It is silent and plot everywhere.
Classroom system.
It is silent. All 25 pupils seated still, cautious. The roof lamps are a spark. Day stands gray outside, rain sprinkles down along the three large windows. Panoramic up. Caligula in the rostrum.
He travels out. Moves silent and light. Taps pointer. Moves through the class. Talks so slowly and low -
CALIGULA : I will not put at fingers between ("I'll show no mercy.") Ignores you me so - ignoring - me - you. (pause) Wants you-all have the un-pleas-ant so GLADLY for me.
Up with pointer straight in eyesight on the spotty and resin near horror-hypnotic Grönstrand. Pokes with the pin against his larynx –
CALIGULA : Perhaps Mr. Grönstrand wants last friendly to continue.
Grönstrand sighs. He bending his spotty and constantly distressed face over text and reads with high and shrill meeting –
GRÖNSTRAND : After Fabius Maximums thus had broken up, marched the army ten days, then it struck camp at the river Igas. The under-command-haves called till the consul's tent, where he till told them ... where he till told them ... with to ... unless the campaign plan would to and then unless the campaign plan would to and then that they ... unless ...
Grönstrand bend your face, his eyes are confused, save, he is smooth in such physiognomy.
Caligula stands silent and then begins he pull in at fingers, the one after the other, slowly –
GRÖNSTRAND : I could not get out the here sentence lecturer.
CALIGULA : So.
Caligula drags in the fingers. The class seated tense, silent. Some rain rushes against the boxes –
CALIGULA : Then maybe Mr. Grönstrand want [to] start on neighbor sentence?
Grönstrand makes a brave attempt to bluff. He begins healthy –
GRÖNSTRAND : This showed legacies be... and then ... individual ... between themselves ... but this till despite if though non ...
Dead silent. Against Caligula.
He takes with a hand against glasses, straightens till them. Sets himself in the lectern, leaning himself forward, puts hands under the chin -
CALIGULA : Grönstrand has not opened the books till now. (pause) (chop till hard) In any fall not there the lesson was. (smiles)
Around Grönstrand.
Some strained giggles from the about-around-sitting -
CALIGULA : I will give Grönstrand occasion till reflection. – Mr. Widgren continues.
Jan-Erik jerks till, begins looking among the lines, finds, begins something choppy –
JAN - ERIK : This synopsis the legates make a good statement.
CALIGULA (breaks off): Stands it so... Karling?
Karling seated just behind Jan-Erik –
KARLING : Pretense.
CALIGULA : Continue.
JAN - ERIK : A good pretense. And since they stayed counsel mutually, wherein they came agreed about that a great gift should delivers at …
Caligula breaks off. Crisply –
CALIGULA : Can Mr. Jan-Erik Widgren not speak Swedish.
Jan-Erik looks up, licks himself of mouth, is very- –
CALIGULA : It called not delivers a gift... That is poor Swedish (fast). What called it, Mr. Widgren?
Jan-Erik stares before himself. Stare and think. The brain has gone in deadlock. Dead silence.
Caligula traveling out of (the) lectern, cum the pointer in hand and goes silent and slowly down the room towards Jan-Erik. He pokes with the pin on Jan-Erik's throat –
CALIGULA : It is till that be witty.
Turns himself round instantly –
CALIGULA : Ström!
Ström, a round boy with gentle, mild, melancholic eyes, takes finger from the nose, startled –
STRÖM : Submit a gift!
Caligula again. He smiles something sly, cozy –
CALIGULA : Has Mr. Widgren heard that before?
Widgren. He grins silly –
WIDGREN : Indeed[,] certainly yes.
CALIGULA (suddenly mocking): Indeed[,] certainly yes. Continue.
WIDGREN : Assumed they before Caesar and assured that they were ready.
CALIGULA : Thanks. That was where we had.
The class draws a sigh of relief. Jan-Erik straightens of himself. But the period is short.
Caligula starts going up and down between the benches right quickly. Questions and answer comes as submachine's matter –
CALIGULA : Prepare some joy, Widgren! Jan-Erik –
JAN - ERIK : Afficere aliquem laetitia. [Latin for: "Affect any joy."]
CALIGULA : Instill any(?) fear.
JAN - ERIK : In … aliquem timore. [Latin for: "In ... any fear."]
Caligula. He stops –
CALIGULA : Instill.
Jan-Erik can not come on some words –
JAN - ERIK : In…
CALIGULA : Well!
JAN - ERIK : Injicere. [Latin for: "Inject."]
Caligula swings the stylus around so it whistles in the air –
CALIGULA : It was someone who whispered. Genitive of impersonal verb. Example. Kreutz.
Kreutz, calm, turns at some head. Leisurely, teasing.
KREUTZ : Miseret, penitet piget, pudet, taedet. [Latin for: "Sorry, repented wearisome, ashamed, tired."]
Caligula. Kreutzs' way annoys him –
CALIGULA : Spare, Karlsson. Karlsson –
KARLSSON : Parco, peperci, parsum, parcere. [Latin for: "spare, forbear, spared, spare."]
Caligula. He allows now the stylus whiz around in a run –
CALIGULA : Flay, Bokstedt.
Bokstedt gets startled –
BOKSTEDT : Plango, plantisi. [Latin for: "bewail, I planted."]
CALIGULA : Wrong. Bergström.
BERGSTRÖM : Plango, planxi, planctum, plangere. [Latin for: "bewail, mourn, mourning, wailing."]
Caligula goes up against Widgren, down to behind him –
CALIGULA : Caesar hostem agressus devicit. [Latin for: "Caesar (the) enemy assault overcame."] Widgren.
He puts the stylus between the shoulder blades on Widgren –
WIDGREN : Caesar attacked and defeated the fiend.
Responds without to turn on some head. Keeps hard on the desk –
CALIGULA : Example of what.
WIDGREN : Participial construction.
CALIGULA : What of them.
WIDGREN : Participium conjunctum. [Latin for: "Participle conjoined."] It is (a) predictive attribute.
CALIGULA : Till what.[sic]
JAN - ERIK (silent).
Caligula swings around and puts to on the desk straight front Jan-Erik –
CALIGULA : Has Mr. Widgren not read on the homework?
Jan-Erik stares Caligula stint in the eyes –
JAN - ERIK : Yes, that has me.
CALIGULA : I think (whispering) I think Mr. Widgren - lies!
JAN - ERIK : No one does I not!
CALIGULA : Not that.
Caligula.
He stares with his on glasses magnified eyes at Jan-Erik.
Silence.
Jan-Erik.
He stares back. Immensely tense, but intrinsically not afraid.
JAN - ERIK : No!
Caligula travels to up. He goes one kind up against blackboard -
CALIGULA : So. So.
Flips to about. Throws out –
CALIGULA : At what verb stands genitive?
Jan-Erik is as seized of one icy horror. But he holds together.
JAN - ERIK : At verb as means remind if, remember, forget, accuse, convict, judge, acquit. Fore business verb.
CALIGULA : Example.
JAN - ERIK : Aestimo. [Latin for "I Think."]
Caligula looks at Jan-Erik. Nods interested –
CALIGULA : So!
JAN - ERIK : Facio, duco, puto. [Latin for "I do, think, I think it.."]
Caligula as above –
CALIGULA : So!
JAN - ERIK : Camo. [Latin for "bit."] Mercor [Latin for "trade"](trying) dono [Latin for "gift"].
All follow under silent tension course-for-events. Caligula approaches himself slowly Jan-Erik. Dead silent.
CALIGULA : Mr. Widgren considers still that Mr. Widgren mayst his lesson.
JAN - ERIK : I'm could it then of yesterday.
CALIGULA : Mr. Widgren is lazy. Mr. Widgren ignores me and my homework.
JAN - ERIK : No, it makes me not.
Caligula has now passed past Widgren. And is farthest down in class.
CALIGULA : So! Not. Strike up the book. Start with the day's homework.
Slamming suddenly with the stylus in an empty desk with all might –
CALIGULA : FAST! FAST!
Jan-Erik and Caligula of background.
JAN - ERIK : For three days collapsed battle. One last did Romans one storm onset …
Caligula sneaks silent on toe up behind Jan-Erik and leans himself over him and peers in his book –
JAN - ERIK : … and chased Hannibal's troops on the flight. Thereby was a large number soldiers captured …
Caligula bend(s) himself instantly down, slams the hand over the book, takes up it. Raises that in the air. Long silence.
Jan-Erik's face.
Hales somehow together itself. The eye creeps in of the skull on him.
Sandman. Staring, mute.
Grönstrand pulls together eyebrows in one childishly desperate grimace.
Caligula and Jan-Erik.
Caligula speaks low –
CALIGULA : What is it here!
Caligula looks out around in the class under silence. So –
CALIGULA : Mr. Widgren uses to of unauthorized aid.
JAN - ERIK (low): Forgot to erase.
Caligula raises an eyebrow, as if he were quite amazed over the information. Plays something –
CALIGULA : Forgot blurring out.
Speaks mildly –
CALIGULA : So. Sure. Forgot blurring out. It is clear.
Turns about, furious –
CALIGULA : Cheating my Lord!
Throws down the book –
CALIGULA (continued): CHEATING!!
Caligula goes slowly up till the lectern. Addressed till eyewear, staring sadly before himself –
CALIGULA : Sad to forced penalize a student for this criminal procedure two months before the student, fourteen days before the writing compounds.
Strikes up the class book –
CALIGULA : Much boring is it. Very.
Jan-Erik.
It is hot despair in the eyes of him. It is quiet. The only as heard is the pen's rasp in the class book.
Caligula.
He hits back the book. Straightens on the eyeglasses –
CALIGULA : I will talk with provost (pause). We mayst probably some part with each other to do, Jan-Erik Widgren.
It rings –
CALIGULA : Good midday.
Caligula glides out.
There is violent excitement in the class –
SANDMAN : One such potty.
GRÖNSTRAND : Man would snap bastard alive.
Students start packing in their books. And walk towards the door. They are fast still occupied by Caligula.
Sandman pouring himself back –
BERGSTRÖM (flings out - the eyes glow in skull on him): Sadist.
SANDMAN : It'll be damn nice to me when you cured this misery. Then will man a slag.[film: Boy, am I going to sleep then] Stream what man should a slag and crib and lead the roll and yield blank it in it here institution.[film: Sleep & eat & forget all about this place.] Come Widgren, then breaking us and buy scratchy.[film: Let's get some cigs.]
They go out.
Widgren and Sandman.
Göterström sits and digs with the spindly hands in some hair. Speaks low for to himself –
GÖTERSTRÖM : I should acquire one picture in constitutional size by him cum then should I stick out eyes on him cum so should I shoot till target on him. The Latin grammar …
He takes out it –
GÖTERSTRÖM : The Latin grammar should I have as privy-paper if it gives you till it.
The tobacconist.
Jan-Erik and Sandman will in.
One newsprint-reading lord stands forward of the shop –
SANDMAN : Good day my sweet Carmen.
Bertha turns herself about, laughing–
BERTHA : That will that be. One caramel. You-all know that self none may sell tobacco at schoolboys.
SANDMAN : Must buy at papa.
BERTHA : To what said he!
SANDMAN : Bah.
Sandman extends out one courtship-true hand and fingers on Bertha (right dined) -
BERTHA : Yuck on it. Let be.
Jan-Erik is markedly embarrassed –
JAN - ERIK : Sandman. Can we not walk, eh!
Bertha and Sandman laugh.
The door opens cum Caligula comes in. Sandman speaks something rushed -
SANDMAN : An Allers was that yes, miss.
BERTHA : Where so good.
SANDMAN : Thanks. Good midday.
Both boys greet reserved and disappear forth from the boutique.
Caligula looks at them.
It gets silent one small while. Caligula considers irritable the newspaper-reading gentleman –
CALIGULA : Havana II.
Bertha takes up the requested - –
CALIGULA : And then a little box Virginia.
Bertha takes forward it. She seems annoyed –
CALIGULA : Wants you-all last kind and cut up it. I have such bad hands, so clumsy.
BERTHA : Yes[,] certainly. Certainly.
It cuts. Cuts a little scratch in the hand –
CALIGULA : Oh, get regard. Did you yours badly.
He takes her hand. Clamps forward some blood. Keeps it, looks at it. Pause. Then jerks Bertha suddenly of her hand. Pale.
BERTHA : Uh, it was nothing. Nothing at all. Was it something else like the lecturer …
Caligula. He shakes on his head, staring a little silly. Then gathers he together their boxes and pays. Goes. Lights his cigar-cigarette.
Home of Caligula.
He presses down the cigar-cigarette in an ashtray with an energetic movement. He sits at his desk with a back at the room. Piles of exercise books. He pretends to read. Behind him diver Aunt Elisabet up. She is a something, thin, dull, pale face, cold eyes with a spark of passion. She stands some moment silent. Then:
AUNT ELISABET : Why answers you not?
His face carrying tracks of horror-blended anger. He shuts up.
AUNT ELISABET : It is still not right of you … I want you of course only well …Answer then … Say something … You have of course been ill, you vet what the doctor said! … I hold of course so much of you … It is so empty, I am so alone.
The room carrying vision for the say. Aunt Elisabet is middle of the floor. A handkerchief creeps misguided out from the sleeve.
AUNT ELISABET : Thou has never had any other home… We had why such great... Answer then something. Dear boy my.
Caligula flashes till. Furious.
CALIGULA : GO!
Aunt Elisabet pinches together the eyes, knots hands over the handkerchief –
AUNT ELISABET: That you CAN, that you only CAN!
Caligula creeps together in the chair. He is furious, afraid, furious ...
CALIGULA : I want none see you. You. Go, go, go.
Now fall the first tears along Aunt Elizabet's pale cheeks.
AUNT ELISABET : You are mean… mean. When you were small, off boy came you cum said: Dear small aunt Elisabet.
She flags down in a chair and buries the face in her hands.
Caligula travels to pitiful, angry, humiliated, irate.
CALIGULA : Matter kind now. Weep not[,] for God's sake.
He stands footed.
CALIGULA : I WILL be for me oneself. I want none take up that there some monkey business with mother and son… It is disgusting, disgusting.
Aunt Elisabet shaking head forward and back, tears runs and she sobs -
AUNT ELISABET : You lived in your small room inside the hall cum each evening got I arrive in on the till you and I got stop of you before you fell asleep. I got still be like… like your mother.
Moved to the rupture limit over her own voice falls she on new in crying -
AUNT ELISABET : Why wants you not come back. I am so alone … You are of course also so alone …
Now happens all very fast. Caligula takes Aunt Elisabet in the arm, drags up her from the chair. She screams till, turns flash-quickly around. But he gets making of her again. Wills up the door and tries to shoo her out.
Aunt Elisabet turns suddenly one another. Cold, resentful -
AUNT ELISABET : Be careful. Be careful.
CALIGULA : Give you away!
AUNT ELISABET : You will get back this here. Be careful.
CALIGULA (laughs): It is good. Then may you go now.
She twists out by the front door, which goes again with a bang. Caligula stands a moment right still. Then steps he around. Sinking gradually together after the tension. Stops before the bookshelf. Takes down a photograph. It represents aunt Elisabet somewhat youthful and a small boy in feminine costume. She leans her head against his.
Caligula's hands breaking some photograph middle deal so that the glass bits dizzy around. Then goes this ruptured some card in the paper basket.
The food hall at Widgrens.
At some dinner table sitter agency director Widgren, Mrs. Widgren cum the little boy Brother and Jan-Erik, who is gloomy, very gloomy. The eat's under silence.
Brother adds down his spoon and licks to about mouth and looks under bangs on Jan-Erik.
BROTHER : Hey Janne. Why look you so faded out?
MOTHER : Brother small, has none mother said hundred times to you not may wiggle on one chair.
BROTHER : Janne looks equally faded out still so.
Jan-Erik looks not up from the soup –
JAN - ERIK : It should you give seventeen in.
THE MOTHER (mildly reproachfully): Should you say so when Brother wants last friendly.
JAN - ERIK : Small guys would keep the quack when judgment cribs.
Silence lowers to again over the congregation. So looks the bureau director up from his plate, dries himself about the mouth cum speaks -
THE FATHER : How has he gone to school today?
Jan-Erik looks not there -
JAN - ERIK (nonchalant): Good, suppose I.
THE FATHER : Is it true that[?]
It becomes silent one moment. Jan-Erik gives the father one fast glance –
JAN - ERIK : No.
The mother anticipates immediately that something terrible has occurred. She constructs a compassionate, slightly complaining tone –
THE MOTHER : Has there happened any boring? Say, what is it that has happened.
JAN - ERIK : Has got perch.
THE FATHER : For cheating.
JAN - ERIK : How vet Father it[?]
THE FATHER : Your Latin teacher has rung me. The remark sights have been justified.
Jan-Erik. He lowers some head.
THE MOTHER : Jan-Erik, how can you do us one such sorrow.
JAN - ERIK : It WAS not cheating. I could not myself see that which was there. I wrote there it to the cursive-over-setting, then forgot I erase outward …
THE FATHER : It is terribly uncomfortable, now just before one's matriculation.
The father looks upset out. He has a wrinkle middle of the forehead –
JAN - ERIK : So damn dangerous is it surely not. (despair in the voice).
The father silent a moment –
THE FATHER: It depends on how Man takes it. YOU seem to take it relatively lightly. But mother and I are very sorry. My opinion is that you got a stain on you. [(A tingling.)] Should we trip ourselves[?]
The father lays together his napkin.
The family goes from the table. Jan-Erik goes forward till the window.
Brother comes in in the hall again, where a service-spirit right holds on to lay the table out.
He goes forward till Jan-Erik.
Jan-Erik has badly to keep the lip away. But he masters himself male –
JAN - ERIK : It is well not criminally either.
BROTHER : And not should you become sorry for what the stab talk. That vet you well how he is... you… Sandman is on the phone and wonders if you can go to the cinema.
Jan-Erik and Sandman sit at a café. Sandman smokes greedily. It's evening. Sandman yawns –
SANDMAN : Damn sleepy man is. Man would have that the kill in the film, a comfortable, big cum wide snark - one such there tarpaulin or what that called, on a nice dope.
Sandman smacks. Jan-Erik laughs a little, shakes on the head –
JAN - ERIK : Says thou there.
SANDMAN : Boy! And a smorgasbord and burnt and distilled beverages en masse. And the dope and the snoring.
Jan-Erik considers his companion with a certain admiration –
SANDMAN : Man would not climb up in 14 days. Just slag and crib and crib and slag and use the dope. Feathers in it.
Jan-Erik pours for himself tea. Sandman kindles a new cigarette on the old with a practised hand movement –
JAN - ERIK : You are all one terrific materialist.
SANDMAN : Jäh.
He stretches away himself, yawns yet one time large and voluptuous.
Around Jan-Erik. He sees something beyond Sandman. Is actually something embarrassed –
JAN - ERIK : Nah[,] see you, I see everything in one other way. I intend pen thus much I want and play as much violin I want - when this round some whole sick is over.
Jan-Erik becomes pensive. Drinks from his cup and turns and twists on it –
JAN - ERIK : Later with ladies and such there( )... self thinks only have one and her should I be dear over.
SANDMAN (interested): So you have nothing now then. But that there bean Lena or whatever she named …
JAN - ERIK : Indeed yet I am why none all dear of her. Would …
SANDMAN : Dear! You are not wise. Woman uses man.
JAN - ERIK : Do man. Not me in any fall.
Sandman blows smoke clouds and rings. Staring at the ceiling –
SANDMAN : Nah, for it you should take should be clean and untouched and stuff where. What!
JAN - ERIK (embarrassed, but determined): Yes.
SANDMAN : Those animals are none.
JAN - ERIK : Says thou it.
Sandman teaches. High school student-cross-safe –
SANDMAN : All ladies are hookers. And are they that none so want them becoming that. That says both Nietzsche and Strindberg. Waitress[,] may we pay.
The two boys walk down the street. Then stop they outside a port –
SANDMAN : Comes you cum up.
JAN - ERIK : Nah, are home cum read some Latin misery.
SANDMAN : Caligula is one as.
JAN - ERIK : I vet not. I think most that he is a strange dude.
Sandman takes out their keys and inaugurates. He turns himself round –
SANDMAN : You vet, that man turns on stones finds man nasty animal. Caligula is naught real considerably swine(,)[;] he is a little nasty, toxic insect.
JAN - ERIK : I think not that a human can be just evil.
Sandman kindles the light in the stairs(,)[;] they have badly to divorced –
SANDMAN : You are secondary. Expect boy. Expect should thou will see, how devilish it is, everything. It shocks on clean sophistication. Good night brother.
Sandman handrails forward a hand. Jan-Erik takes the fat of it –
JAN - ERIK : You think well-being I am heavenly silly.
SANDMAN : You drivel. You are the only human man can speak cum. You can none help to thou holding you to ideals and speaks round innocent woman. Cheerio!
JAN - ERIK : Servant.
Sandman disappears at the gate. Jan-Erik turns and drives along the street. He goes strenuous with his hands deep down in the pockets. He looks very thoughtful outward.
One other street.
Jan-Erik goes as before. Suddenly raises he some head cum fixes someone before himself.
Before Jan-Erik on the street walks a girl. She wobbles strongly here and there.
Wobbles more and more. Suddenly goes her on one foot in the street and the other on the sidewalk.
Jan-Erik stays. He considers her steadily.
The girl stays now and supports herself against a house wall. She expels a curious chirping sound. So shuffles her down for knee. Stands unto all four, supporting in against the wall.
Jan-Erik thinks a moment. So goes it forward till the girl. Stir at her –
JAN - ERIK : How is the making?
It is Bertha of the tobacco affair.
She turns some face towards Jan-Erik. It is swollen and she pants –
BERTHA : I feel so in of hell great, so it is not true.
Jan-Erik can not camouflage his surprise –
JAN - ERIK : Mrs. Olsson!
The girl laughs, only answers not.
JAN - ERIK : Can I help you?
BERTHA : Oh, hold the jaw on you.
She returns to the exit's position, tries to travel herself, but sinks back again, unable to move it.
BERTHA (angrily): Stand not there and stare. Come and molest a dame. (furious) Give you away.
Jan-Erik bends to down over her and takes her in the shoulder –
JAN - ERIK : You are not wise. You pass you none yourself.
BERTHA : What says you! Am I not wise. (laughs) Oh, came should thou get some.
She travels the laborious and stands upright. Laughs Jan-Erik right in the face.
Jan-Erik becomes cum even angry. He takes her in the arms and shakes her hard -
JAN - ERIK : Talk not rubbish. Where do you live?
Bertha screams high and whines and grins –
BERTHA : Oh! Let become. Release me. (screams) Ouch!
JAN - ERIK : Cry not so. Where rooms you?
BERTHA (angrily): It should you give the cat in.
JAN - ERIK : Attempt for Jösse name that last sober a minute. There comes a cop there away.
Away distance. Some pair. A policeman comes walking the street down. He wanders gravely. Then he goes past some pair watching it on that, yet continues.
Jan-Erik shakes the girl again. She is "limp" –
JAN - ERIK : Now, where live you?
With even flags her off fully and is close to founder in the street. Jan-Erik gets forward her bag and finds a letter -
JAN - ERIK : Ore-different Street 53, four stairs.
He pulls away with her, half carries, half foals her.
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yourheartsaremine-blog · 7 years ago
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You’ve been matched with...
@seraphsword-seraphs​ aaaAAA APOLOGIES FOR THE LONG WAIT I’ve been sluggishly trying to get though reqs and rl at the same time so :’DD Thanks for sending in a matchup req, and I hope you enjoy!
Also fyi that the owl cafe in Tsukishima is absolutely a thing and I’d def rec it for real if anyone is in the Tokyo area. :’D
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I feel like you and Futaba would get along grandly! She’s someone who has a fantastic sense of humour and will probably not only be able to appreciate your jokes, but will be more than happy to fire back some puns of her own (to the great exasperation of any of your friends who happen to be in your vicinity at the time). Additionally, she possesses a brilliant mind and would be a more than capable mental sparring partner if the urge to have a friendly debate ever arose! She loves learning about new things and would be more than happy to bestow whatever random information she comes across with you! This is especially true when it comes to topics on the mind, as both you and Futaba share an interest on learning about psychology. Futaba’s gone through a lot and, while she’s gotten better, she still has some difficulty trusting others. For this reason, I feel like she would be able to empathize with your own insecurities and feelings; despite her carefree demeanor, she’d likely pick up quite quickly on your doubts and worries. She’ll be patient and understanding if your insecurity ever rears its head in regards to her intentions, and will reassure you that she wants to stay by your side as many times as it takes. Admittedly, she may not always the best at comforting you when you’re feeling particularly emotional about something due to her own awkwardness, but she always tries to make sure that you at least know that she’s there for you. She’ll be there if you need to talk, and will try her best to cheer you up…though sometimes her own emotions start peaking and she’ll be right there getting mad right alongside you on your behalf! Sometimes, though, simply having someone who understands and expresses the same feelings as you do may help you overcome whatever hurdle is in your way. She won’t write off your feelings, but will seek to understand them while also trying to help you grow. She’s not great at taking care of herself, but Futaba will at least make sure to keep a close eye on you, especially when you ignore your own needs in favour of others. She really admires the side of you that goes out of her way to help friends, but worries about the consequences of you doing it too often. Futaba’s not above telling someone off if she thinks that they’re imposing themselves too much on you, though she’d bring the issue up with you in a gentler manner if she chooses to approach you about it. Overall, your relationship with Futaba is one that is fun and engaging, but is also one where you both mutually understand and support one another!
HCs (w/ Futaba):
Futaba loves it when you get particularly passionate about something! She enjoys the fact that you have so much to say about it, and if it’s something that she’s into as well, she adores having someone to have a nice discussion or debate with. She also finds that she learns a lot just by listening to you talk, which is always a huge bonus for this girl. It might even become somewhat of a tradition for the two of you to have a nightly discussion where, along with sharing things about your day, you choose a specific topic neither of you know a lot about but are interested in and do a little bit of research together.
Whenever a new pair of Pokemon games comes out, you can bet that Futaba will get whichever version that you don’t! You play the games together, trade Pokemon, and Futaba probably names her main team after the Phantom Thieves. She’ll have one named after you too! She would have asked you what your favourite Pokemon was at one point and made sure to breed one with perfect IVs so that she could train it up. It never leaves her team, partly because she’s biased, and partly because of how much of a powerhouse she made it.
Ever heard of cat—and even bird—cafes? Because those are pretty commonplace in Tokyo, and upon learning that you like both     creatures, Futaba would probably surprise you with a trip to one! This can either stem from just an everyday urge to see you smile, or to help cheer you up if she notices that you’re feeling particularly down. They be a little crowded sometimes, but she’s willing to brave the crowd if it means seeing you happy (plus, she feels quite a bit safer in your presence anyways, so it all works out)! She ends up doing some research to find all the different cafes available around you guys, and saves some of the cooler ones—like the owl café down in Tsukishima—for special occasions.
I think that initially in your relationship, she’s not always totally sure what to do when something is making you feel particularly emotional, and this just stems from her own lack of social interaction. However, she’ll try her best to make sure that you know that she’s there for you! At first this may be just be through making sure that you’re well fed (if you like curry, she’ll be demanding lots of that from Sojiro) and staying near you, but as your relationship develops and if you’re comfortable with it, more physical affection comes into play (i.e. handholding, cuddling up, etc)!
 HCs (w/ Phantom Thieves)
I like to think that the back and forth joking between you and Futaba—especially the puns—tends to drive some of your friends insane. Because of the fact he lives at Leblanc though, Akira tends to get the brunt of it, but he at least seems fairly neutral to all of the jokes…up until the point where, in the middle of a PT meeting, he makes his own punny jokes. Then everyone realizes that you’ve both rubbed off on him. In all seriousness, though, you probably do get to spend a fair time with Akira because of his relationship with both Futaba and Sojiro! He proves to be a very reliable friend, and he’s probably one of the best to confide your innermost thoughts to because he’s a great listener and isn’t one to judge.
Whenever you and Makoto find common ground on a specific topic, you two have a lot to talk about! While the student council president is generally quite collected, she absolutely beams when it comes to having a friendly discussion or debate with you on a shared interest. Sometimes, after you’ve had your initial chat, she’ll come visit you on a different day just to drop off some books on the topic that she had checked out for you because she thought you’d enjoy them.
When he learns that you like to draw and design characters, Yusuke’s interest will definitely be piqued! He may ask you to share some of your work with him if you’re willing, and will probably be very curious to ask you about the finer points of your work (i.e. why you chose to design something in that way, your colour choices, etc). Of course, you don’t necessarily have to answer him in a serious manner, but he’ll be quite delighted to know that someone else in his group of friends enjoys drawing. He may go on to ask what other creative outlets you have as well!
 Short scenario:
You and Futaba briefly try to introduce Yusuke to the world of fanfiction and ships. “I’m still not sure I understand.” Beside you, Futaba let out an exasperated sigh. “Look, Inari, it’s just something that fans like to write, okay? Sometimes it’s so that they can expand the story that’s already there, and other times it’s so that they can develop their ships.” Your gaze darted back to Yusuke just in time to see the poor boy’s confused frown deepen even further. Sensing the question that was coming even before it could be asked, you opened your mouth. “Yusuke—” Too slow. “I have heard that term many times, yet I still fail to understand why anyone would seek to introduce fleets of ships in every piece of ‘fanfiction’ that they write. What is this fascination with ships?” Futaba flopped against your side, her face buried in your shoulder as she let out a short laugh. Taking this as your cue (and finally, your first opportunity) to talk, you held up a hand. “Like…’relationship’, Yusuke. A ‘ship’ is when you pair two people or things up, and if you support a specific pair, you say that you ‘ship’ them.” There was a moment of silence as Yusuke digested this information. Then, his face lit up. “Ah, I see! So it can be used as both a noun and a verb.” Yusuke folded his arms across his chest and hummed thoughtfully. “I suppose it is not unlike capturing the essence of love in a painting, only done through the medium of writing instead of the visual arts.” You thought about how to respond to that. He wasn’t entirely off, but it probably wasn’t quite as grand or…refined as he seemed to think it was. In the end, you just settled for nodding. The boy nodded back, the smile on his face indicating that he was satisfied and thought himself properly educated now. “I see. So by that token, I suppose that you and Futaba would be considered a ‘ship’ if I were to use the term correctly.” Your girlfriend finally lifted her head to grin at Yusuke. “You got it, we’re the best ship! You picked that up faster than I expected, Inari.” Yusuke’s expression grew more confident. “And I must say then, that I…’ship’ the two of you. You certainly make for a good couple…though I do continue to question your tastes in humour at times.” You weren’t sure what made you grin more; Yusuke attempting to--and, arguably, successfully--using the term “ship”, or the exasperation in the latter half of his comment. Just as you were about to thank him, however, he glanced at the clock on the wall and let out a little “ah”. “It’s nearly time for the half-price sale at the grocery store! As I ‘ship’ myself with such sales, I must depart at once to ensure that I arrive in time.” The two of you watched as he suddenly got up, and Futaba was visibly trying not to laugh. “Uhhhh, Inari, that’s not really—“ “It was lovely conversing with you both today,” he interrupted, hastily gathering up his things, “And thank you for teaching me about ‘fanfiction’ and ‘ships’. I will return at a later date to learn more, but until then, have a good evening.” And then he was off. For a moment, you and Futaba were both silent, but then you turned to look at one another. You were the first to speak up. “Think we should have emphasized the romantic aspect of shipping?” Futaba thought about it, and the shook her head and flopped backwards into your lap. “Nah, this makes it more fun!”
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astralescent · 8 years ago
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I love love this class I do, who wouldn’t want a class that’s literally just about creating a couple of OCs, drawing them and building stories around them
I just hate how transparent we have to be with our ideas, like, people are always asking each other about their characters or going back and forth to see the prof to ask his opinion like it’s the most natural thing and I’m just sitting at my spot and I don’t even dare write down the stuff that I think up because I get so scared that people will ask me about my ideas and know how much they suck in comparison to everyone else’s
so it’s basically like I haven’t done a single thing in that class because I’m afraid of putting my stuff on display but I HAVE been thinking and I HAVE been building a character in my mind
the first one we make has to be human and has to fit the adventurer/mercenary archetype and since I’m trash I went with the latter
so this guy’s name is Dewey Sethry Gilmyn, but he just goes by Seth and pretends he doesn’t have a family name or forgot it over the years, even his version changes depending on the person. He’s a scruffy scrawny blond kid with brown eyes and freckles no intensity of tan can hide. 
He grows on the continent of Abrish, in the country of Thebia, which takes up the south-east of the continent. Thebia’s pretty prosperous, there’s not much of a hierarchy there but any local idiot can pretty much live off the land, so those people are basically mostly uneducated but happy. 
To the north is the Lirus Kingdom, who aren’t so lucky. The low, middle and high class are very well defined; all the resources they have (which isn’t a lot, since the country is up north and the land isn’t as generous) go to the noble class aside from a small portion reserved for the middle class which is mostly constituted of the military, who have a tough life but are at least well fed and sheltered. The majority of that nation is very poor and has a very short lifespan and they want to either invade or make some sort of deal with the country of Thebia so they can live better, but the military and leadership is in the hands of the nobles and they get by just fine so they don’t exactly make things happen.
To the south-west is the Shuston Empire, which are the people you just don’t want to fuck with. They are prosperous, well organized, and have insane military forces, and they vowed to remain neutral and out of any conflict that could possibly break out between the other two nations, so they’re mostly just on the side and ignored by any Thebian or Lirusian. 
So yes Seth grows up as this dumb but lively kid in the west of Thebia and one day he comes back from a day in the fields with his dad and they find his mom dead. His dad doesn’t even wait, just packs up a bunch of stuff and takes the north road with Seth following without question. Seth learns over the traveling that his dad had gotten greedy sometime a week ago and decided to take a hike and trespass over to Shuston to steal a bunch of stuff from this random country house thinking they wouldn’t notice because they were so wealthy, and well let’s say now he understands why you don’t fuck with Shuston and he knows he has to flee and hide somewhere or else he’s next on the chopping block. 
So he makes it all the way to Lirus and buys his way into nobility by selling his son to the military. That’s the last Seth ever hears about his father and the moment he starts pretending he can’t remember or doesn’t know his last name. He’s a little too old for the trainers’ taste tho, by then he’s around 12-13 and usually the kids here come in when they’re still around 9-10 so they’re easy to break. So in hopes it speeds things along, they brand him directly on the face and he ends up with this huge white burn-scar that’s an horizontal line from one cheek to another and goes over his nose. 
Regardless of that initiation, he just obeys and let them break him in and re-shape him however they see fit and uses the opportunity to learn a thing or two about fighting and survival. He stays there for a couple of years or so before he finds a good opportunity to escape, so to speak. There’s not really anywhere to escape to, since the only place to go is the lower class where the only difference is that he’ll have no food or shelter, but he gets into one of these underground organizations who’ve been gradually migrating to Thebia in small groups over the years.
So Seth manages to get back to Thebia and that’s when his “mercenary” days happen. Because he has no land no family no nothing and he doesn’t really care for any of that anyway, so he just figures hey I’ve heard that word a lot back in Lirus but I’ve never heard of something like a mercenary here, so I’m gonna pass off as one and see if people are willing to give me stuff in exchange for services or whatever. And so he does. 
He stays out in the sun as much as he can so a dark tan shows off his scars. That and his carrying a couple knives and daggers all the time make him look tough (or so he thinks) even though he’s like 15, so he goes around the country saying he’s a merc and he can protect people from stuff or something. The people of Thebia are happy-go-lucky and not super smart but hey they like the idea of hiring a mercenary so why not keep him around for a few days. There’s a war about to break between us and Lirus he might come in handy. Of course they get rid of him after a short while but he gets along. He kinda changes his own rules and his own fees as he goes. Hmm these people have lots of fresh crops I’ll just ask for more food here. Oh god I do not want to be staying in that house just give me more money and I’ll sleep in the barn.
That’s the character I want to design. I do have a follow-up for this story that involves Seth being hired by the first Thebian who seems to take him seriously and giving him a fairly long term contract in the middle of which Lirus will actually declare war against Thebia and Seth’s employer will flee to Shuston where Seth will learn that his employer was a Shuston spy of sorts and that the Empire has been instigating all kinds of little things between all three nations here and there, but that’s a story for another day
tl;dr I really like and want to work on this 15 year old kid who tries to pretend he’s this tough guy who fights for a living when he’s got nothing to fight for and doesn’t really take himself seriously at all
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rachel-amber400 · 8 years ago
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The Love For Another
3411 words Pastel dan, punk phil , cursing and no smut Dan was out on a cold winter day on his way to school in the city of London. Dan had is headphones in listening to Melanie Martinez. He was the kind of kid that had only a few friends that accepted him the way he was. Those people of course included Zoe, Louise, and Tyler. The reason for that was because he wears pastel colors all the time, so people thought he was different. As Dan was walking, Zoe came up behind him. "Boo," Zoe said and scared Dan and he dropped his phone. “Zoe, really, did you have to do that?" Dan diligently picked up his new iPhone off the concrete, and found that it now had a crack in the corner of it. “Sorry, Dan but I can't miss the opportunity to do that to you." "Great I just got this phone three days ago and now it has a crack in it. Thanks, Zoe," Dan said sadly as they continued to walk to school. Dan put his phone in his pocket and headphones in his bag. Louise and Tyler eventually joined them on their walk. "So guys I have some news about school I can't wait to tell." Tyler excitingly interjected. Dan was excited to hear this along with everyone else and was hoping it was a new student. They have not had one in a while. The last new student was not the best. His name was Chris, and he bullied Dan every day. "So are you going to tell us or not?" asked Louise in a happy tone. "So you know how we have not had a new student in a while? Well we are getting a new one sometime this week." Tyler said like he was happy about this. “That’s just great.. another person in my life to hate me," Dan said sarcastically. “Come on Dan we all know that Chis is a stupid person," Zoe said right as they walked into school past Chris's locker. Chris walked up to Dan and pushed him against a locker. Dan looked around for help but his friends could not help him this time. "Hey, Danny boy. So your friend Zoe decided to call me stupid. I wonder why? Oh, wait I know why. Maybe it's because I ‘hurt you’ the first day I came here." Chris said to Dan mockingly. Chris punched him in the face, and Dan fell to the ground and started to cry. Someone stopped Chris from making another move on Dan. Chris got what he had coming to him. He got socked in the face by the new kid. "Now run or I will do it again and I am not afraid to get expelled," The new kid said in an evil tone to scare Chris. "You win this time Dan but next time you won't," Chris said scared. The new kid put out his hand to help Dan off the floor, and Zoe came running over to see if Dan was ok. "Are you ok there ‘Danny boy’?" asked this new kid. "Yeah, I am. By the way, my name is Dan, just so you know." "Dan are you ok," Zoe asked anxiously, just to make sure he was. "Yeah, I am fine Zoe. Where are the other two?" "Oh, they went to class." "Ok I will be there soon you should get to class I will be ok," Dan said and gave her a hug and smile. Zoe left off to class and smiled back at Dan "Thanks for the help. What’s your name?" Dan turned as he asked this heroic new kid. "Oh my name is Phil, and you’re welcome for that. Do you think maybe you could show me around, so I know where to go?" Dan was looking at the person who saved him and found himself falling in love with this new Phil. Phil was the exact opposite of Dan. He has a dragon tattoo on his neck, a skull on his right shoulder, and a lip piercing. But how Could Dan not fall in love with his beautiful blue eyes? “Earth to Dan..." Phil waved his hand in front of him. "What? Sure I guess." Dan said nervously as he snapped back to reality. Dan showed Phil around the school. As they finally got to their first class, that apparently they found they shared. "Daniel Howell, why are you late again for the third time this week?" the teacher barked, until she saw Phil, the new kid, behind him and the bruises on his face. Her extreme expression softened slightly. “I am sorry Ms. Lemieux I-" but Dan was cut off from his sentence by Ms. Lemieux. "It's okay Dan just go take your seat, and since the both of you are late you will be doing the project together. What is your name?" she asked Phil as he took a seat in the front of the class. "Oh, my name is Phil Lester," he said as if he was trying not to be the way he was. "Okay, the project is a video project about falling in love." "Oh great, I have to do a project with the guy I like, and with my parents around, what am I going to do about this?” Dan thought to himself. As Dan thought about this to himself, Zoe noticed that Dan was looking at Phil differently than he would Tyler or Chris, or anyone she’d ever seen him look at. Zoe had become determined to find out why. All of the students talked about their project until class was dismissed. Dan and Phil packed up and left the now empty classroom. "So, Dan, I have nothing going on today if you would like to start on the project I could come over," Phil suggested. They walked to their lockers, and Dan sighed. "I don't know Phil... my parents are very religious and don't like it when I have people over. But if it is for school, I guess you could," Dan said. He was scared of what his parents would think of him. Later in the midst of their crazy second class, Zoe was losing her mind, pacing back and forth as she talked to Dan. Phil sat closely on Dan’s right. It occurred to Dan that they shared a lot of classes. "Dan are you insane? Your parents would kill you if Phil came over. You know how they are. Look, there is nothing wrong with Phil, but your parents don't believe that people should be like him. No offense to Phil." Zoe was clearly worried. "We have to get it done some time, and I can't go over. you all know why, but I think I could convince them it's just for the project," Dan said. "I take no offence to that. Most people don't agree with what I look like but this project is important," Phil said confidently. The day went on as normal after that till the last hour of the day when Dan had art class. When he walked in the class, something wasn’t quite right. Normally, Chris would be in here to make the whole class yell and scream awful things in Dan's direction. Today was different because Phil was in his class. The quiet class was a nice change. All the students had their sketchbooks out and drawing in them. Dan couldn’t stop thinking about what his parents would say tonight when they met Phil. Dan looked over at him, who was drawing something from the anime, Death Note. Dan was so worried about what was going to happen. Dan started to draw Phil in his sketchbook. The class ended, and Dan and Phil were the last people in class. "So Dan are you ready for tonight?" Phil asked excitedly. "I think so, but my parents may not like you at first because of your appearance," Dan mumbled. Phil put a hand on Dan's shoulder. "I am sure it will be fine. I have a car we can drive to your place." Dan smiled "Sure! I thought you walked, but taking a car to my place is better than walking." "Okay, then let's go so that we can start some of this tonight," Phil said as they walked out to his car. The car was a black Mustang. The windows had a different variety of stickers on the back; some from different amines, others that Dan did not know of. Dan put his stuff in the back of the car and took out his phone to text Zoe that he would not be walking with her today. Dan and Phil got in the car and Phil started the engine. "So, Dan, what type of music do you listen to? You can hook your phone up and play it." "Really most people don't like Melanie Martinez. Do you mind if I play her album?" Dan was so happy Phil asked him that. "Actually, I have never heard her before, so go ahead and play it." Dan put Cry Baby on, and it played as Phil pulled out of the parking lot and drove to Dan's house. Most of her songs played through the car and Dan sang to all of them. When the song Carousel ended, they arrived at Dan's place. Dan’s house was two stories and bigger than Phil’s place. But that didn’t ever matter to him. It was the last thing he bothered to notice about it. He lives where his dad beats him. The floor plan and interior design was nothing to find pleasant when no one else knew the horror he felt when he walked inside. Dan unlocked the door and they walked in. Phil placed his shoes by the door and walked behind Dan until they got stopped by his mum. "Daniel, is that you dear?" she called from the kitchen. “Yes mum it's me and a friend. We have to work on a school project." his mum saw Phil and got worried about what might happen, but did not say anything. "Who is this, Daniel?" "Mum, this is Phil, the new kid in school, and we have to do a video project for class." "Okay... no nonsense Dan," she glared at him, and Dan knew exactly what she was implying. "Of course mum." Dan walked up the stairs and to his room. Phil followed as they got to his room. Phil noticed that they had some stuff in common. Dan's room had different games like Pokémon, Mario, and many others. The bookshelf he had was filled with different animes like Death Note, Attack on Titans, Black Butler, and even more. He also had a piano in the corner of the room. It looked older than he did, and it probably was. It must have come with the house when they bought it, because it had always sat in that corner. "So what do you think of my room? It probably has more colors than yours does," Dan said jokingly. He almost never let anyone in his room. He felt very insecure and exposed. “At the moment it doesn't, but it will. Dan do you play the piano?" Phil said, gesturing to the piano in the corner. “Yeah, I do. So why don't we get started. I will go get my camera and tripod, and we can work on the script tonight and film hopefully." "Sounds good," Phil got out paper and started to write the beginning of a story. Dan came back with a camera, and sat down and watched Phil write the first part of the story. "So do you want to read this to make sure is make sense? I think that we could to where the two boys are friends and like each other, but don't know how to tell one another. They kiss at the end of the film. What do you think?" Dan was shocked. Phil was an amazing writer, and the fact he finished it in a few minutes baffled him. Although what shocked him the most was Phil’s willingness to do a film like this, with him. "That's a great idea. So where do you want to start first how about this part?" "Sure." They read over their lines, and Dan set up the camera and pressed record as they jumped into the movie. "Dan are you in here? We need to talk," Phil said on the other side of the door. "NO, I don't want you here. You hurt me Phil. I could never forgive you." Dan screamed at the door as Phil walked in. "Dan I need to tell you that I am sorry for what I did." Phil sat down next to Dan who was crying and Dan looked up at him. Dan had to admit, he was also an amazing actor. "Phil, do you really mean that?" "Of course I do, Dan." Dan pulled Phil closer to him. His heart was racing and surprised that Phil couldn’t hear it. He hesitated, and pressed his lips against his. They had forgotten they were even acting. Phil sat there, stunned, he liked it, Dan thought he could tell, but he pulled away and ran out of the room before Dan could say anything. The camera was still on,but Dan got up and turned it off. He went to go look for Phil to make sure he was okay. As Dan walked around, he heard someone crying in the bathroom, and he knew that it was Phil. "What just happened? Why did I like the kiss that I and Dan shared? I don't know who I am anymore." Phil said to himself as the door opened. Dan sat down next to Phil and hugged him. Dan can't believe what he heard Phil just say but Dan felt the same way. They sat like that for a long period of silence, that was broken when Dan spoke up. "Phil are you okay? You can go home if you want.” "Dan I don't want to leave just yet. I want to do something first." Phil’s said while he looked up at Dan. Phil kissed Dan and the feeling they shared was amazing for both of them. As this happened, Dan's mum had walked in, and she saw the kiss. She hurriedly walked away. Dan knew what was going to happen, he knew she was getting his father. Phil sensed it, too, and pulled away. "Dan I better get going." "Okay, I will see you tomorrow at school right," Dan said sadly. "Okay," Phil said as he got up off the floor. Dan and Phil walked to his room and Phil picked up his stuff, and they both walked to the door. Dan watched Phil leave, watched as Phil's car drove away and went to home. "Daniel, come here!" His father snapped. "Yes, Father, I will." His father and him had a long talk about what had happened that night with Phil. They kicked him out of the house. The only place Dan knew he could go was Zoe's house. Dan walked there in no time at all. He knocked at the door with tears in his eyes, and Zoe's mum answered the door. "Oh dear, Dan come on in. What happened?" Zoe's mum was asking so many questions, but all he could do was just cry. As Dan walked into Zoe's house, Zoe ran downstairs to see a crying Dan. Zoe has never seen him like this before. No matter what had happened,Dan has never cried like this before. Dan's face had been tear stained, and his eyes were red, like he had been murdered. Zoe went up and gave Dan a hug as he sat on their couch. "Thank Ms. Sugg for letting me in your house." "You are always welcome here, Dan. Now why’d you come here at this time of night?" "Well you see, there is a new kid at school, and his name is Phil. we are doing a project for class. We started off fine, until we decided to do a scene where the two boys kiss, and we kissed. Phil ran out crying to my bathroom down the hall. Then we kissed for real that time, and my mum saw us and told my father. After that, he kicked me out of their home that is why I am here." Dan said as tears began to form again.” "Oh, you poor thing," Zoe said as he gave him a hug. "Dan, I am so sorry that they did that to you. You can stay here if you would like to, until you to get a place on your own. I understand what you are going through." "You do?" he asked, surprised. "Yes. My friend went through the same thing as you. She had a crush on a girl, and they got together but her parents kicked her out. they are all better now and love each other." "Thank you for letting me stay here." Dan said with a smile. "Zoe, show him to the guest room please." "Sure thing, Mum will do. I am happy you are here with us Dan. So are you and Phil ever going to be a thing? And will you tell everyone at school about the both of you?" Zoe asked in excitement. "I don't know, Zoe, people think I am weird now what will they think then," Dan said exasperated. "I don't know, Dan, but think about it please." "Sure thing, Zoe." After that, they both went to bed. In the morning Dan ate his breakfast and got ready for school. The only problem was his lack of a plan about what he would say to Phil about what had happened last night. As Zoe and Dan walked out the door, Dan saw Phil’s car pull up next to their house. "Hey, you guys want a ride to school?" "Sure, Phil, nice car." She said as she got in the back of his car and Dan got in the front of his car. "So, Dan, you want to put on your music? I liked it." "You did, Phil? Really?" "Wow, I would not think that you like Melanie Martinez." "Well, I do, just play some music please," Phil said as if he was upset at something. Dan put on the music and they did not talk the rest of the way to school. As they arrived at the school, it was crowded and very loud like normal. Suddenly, Phil did not want to get out of the car. Zoe got out first and went to talk to Tyler. "Phil what's wrong," Dan asked worriedly. "Dan, I am okay, just thinking about last night that's all.” Phil said. "Well, why don't we relive that moment, then." Dan kissed Phil in the parking lot, and Phil kissed back. As they pulled apart and got out of the car to go to class, Chris was standing there. He saw what the two did in the car. "Hey, Danny, do you have a boyfriend now? I saw you kiss that new kid, Phil, I think it was." "Why do you care, Chris? it's not your life." Dan pushed Chris away and walked to class. The day went normally, except for the fact that Dan could not stop thinking of Phil. When school got out, Dan just wanted to go home, but remembered his parents wouldn’t let him after what had happened. "Dan, can I ask you something?" Phil said, scared to ask. "Yes, Phil, what is it?" Dan waited to know. "Well, I was wondering if you would like to be my boyfriend. You don't have to, I was just wondering." "Phil you are really asking me to be you boyfriend? If you are, then I would love to be." Dan kissed him. A few years later Dan and Phil were still together living on their own. They have a great job with YouTube and BBC Radio 1. As time went on, Dan and his parents got back together until Dan left for college. He and Phil lived together for 4 years and Dan decided to ask Phil to marry him. Now they have adopted two children; one girl and one boy around the same age. They are all still friends with Zoe, Tyler and Chris, who was sorry for what he did for Dan in high school. Dan and Phil will live in peaceful love forever.
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