#this got really off topic sorry

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[utilitycaster]

if you're up to elaborating, i would love to hear more about your complicated feelings on Taliesin's reads of this campaign, because that's something that's been itching my brain but I'd been having a hard time pinpointing why and I'm interested to hear your thoughts!

So I think it's best summarized in part as a combination of what was said in this post I just reblogged and these tags from @kerosene-in-a-blender on this post:

#yeeeaaaahhhh#ngl it seems like the characters and parts of the cast got so caught up in the potential moral dilemma of interventionist gods#that they forgot the gods of exandria aren't particularly interventionist#critical role#critical role spoilers#cr spoilers

Ashton feels like they learned something about their own arrogance and assumptions with Shardgate...and then it just vanished. And the fact that Taliesin genuinely read that as what was supposed to happen when like 3-4 authority figures, some of whom (Allura) have existed since Campaign 1 as People To Listen To had said "This is a bad idea" in plain language does give me pause because like...with all due respect, I get why Ashton would do this anyway! But come on, man, how do you hear that and not go "oh maybe it's a bad idea."

I don't want to read in too much to cooldown and 4SD either but I really do just feel that like...some of the cast, and Taliesin isn't alone in this but definitely seems to be using it the most in-game, have come under the impression that the purpose of this campaign is specifically to upend everything we knew...but that idea is just an assumption that is not supported, and as I've said repeatedly, there is no situation in which the world is not drastically changed - there's going to be either a hostile alien invasion, or a friendly alien migration, but either one will be monumental within Exandrian history, and that's not counting the establishment of the Accord/the collapse of local institutions in both the Dwendalian Empire and Bassuras/ If one cannot see any possibility for vast change within the world other than killing/driving out the gods, I don't know how to address this nicely. This is an uncreative and stupid position that I can't engage with because it's so stupid. It's like saying World War II didn't change anything in our world because at the end of it the US and USSR both still existed largely intact. So the over-focus on only one means of change in a way that feels based on an interpretation of this campaign's purpose that isn't even stated anywhere is telling and deeply frustrating.

As the second post indicates, it feels like some of the cast, Taliesin especially, got caught up in a theological argument of divine intervention that personally I had a great time debating in Hebrew school when I was 13, but is not ultimately true in Exandria (or reality, for that matter). On some level it's like maybe read some Harold Kushner and you'll calm down; it feels like you're arguing against like, some very real religious tenets (that are not exclusively Christian for once) but in a story where that's not actually a problem.

I'd throw in that Bells Hells sit in this awkward place of not being nobodies (or Nobodies) anymore but many are still acting like it and Ashton is at the forefront. Indeed, look at the name "the Nobodies." The problem is that Ashton is a Somebody now. He's not like, the ruler of a city, or an ancient dragon, or a god. But they're someone who has the personal raw power and the connections to survive an ill-considered second shard absorption. They're someone who is easily going to survive a fall out of a window, and who can't be bound into service. They are someone who has been entrusted by the world to assist in saving it, and they're too fixated on the gods not personally saving them to consider the vast potential harm to others, and I think it's not inherently out of callousness but rather that they've rather abruptly risen from "orphan criminal who expected to be dead by 30" to "guy tasked to save the world" but they have no option but to rise to the occasion, as the Raven Queen said. To change the world, he must change himself, and I feel like Taliesin, who often enjoys the idea of characters who don't change, is perhaps too wed to that concept for this particular narrative. And, for what it's worth: I've said it before that my personal preference is to keep the gods in place...but I would genuinely be MILES happier with a party that decisively had decided to kill the gods. I would not agree with their decision, but anything is better than this indecision. And since Ashton is pretty staunchly in favor of killing the gods and the rest of the party is varying degrees of strongly against (Orym, Braius), weakly against (Chetney, Fearne, Imogen, increasingly Laudna) and unsure but worried specifically about the mortal impact (Dorian) at some point it's like. Either say "I don't like this, but this is the party's plan" or leave. The decisiveness matters on an individual level too; because Bells Hells does not have good internal methods of resolving conflict for reasons stated above and below, at some point it's like. You have to give it up because no one will make you. If Ashton genuinely cannot or will not yield on this, either commit to betraying the party (totally valid, could be a great story) or have them leave; if Ashton does trust the party, have them reluctantly give in. A party-wide choice must be made and fast. The party is aimless because they are all pulling in different directions and it all cancels out, but Ashton is definitely contributing extensively to that agonizing stasis.

I suppose I should wrap up with what I've been saying a lot but should probably go on this post which is that a lot of the flaws in this campaign are not any singular person's fault. I really do feel like they began with the fact that Matt was clearly building to this specific story, and Bells Hells were not a party terribly suited to it in the first place and then were given an earlier narrative that, because it was heavily on rails to get them to the solstice setpiece, failed to give them the tools to become people who would be prepared for this endgame. I think Matt really wanted the cast to make the decisions here, and did not have a specific decision in mind, and now they're all finding that they're playing characters who can't make that decision. It's a culmination of a lot of smaller out-of-game choices that have failed to gel into a coherent whole. When I say the Raven Queen was right, and if they are not ready for this, to go home, I don't think the party should be tpk-ed or anything, but yeah, if they can't decide what to do when they are essentially tasked with killing the BBEG and diffusing the universe-shattering bomb, they should abdicate. I don't think a story in which the heroes fail is a bad one. I know Call of the Netherdeep has been a touchstone in the fandom throughout this campaign and there's one possible ending to that that's sort of unsatisfying, but the unsatisfying nature itself makes it an interesting story to me. I think this campaign ending with the party saying "we can't do this" is vanishingly unlikely, and complaints aside I think they will probably make a decision now but it all feels exceedingly doylist - Bells Hells are the characters the cast happens to be playing for this climactic final moment so I guess they will play those characters, and those characters will have to make a choice so that the final moment happens, but it doesn't feel terribly organic.

[lesbian-rook]

could you draw ragatha comforting an abstracting pomni? like ragatha calms her down enough to make the abstraction go away! thanks :3

🎶When darkness is all you see This is our Sweet Blasphemy���

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[good-beanswrites]

john x fuuta ?👉👈 or 090309

I love the dynamic between them all, thank you for the request! I went with an earlier meeting for them (well, one of the first times Fuuta's aware of speaking with John, at least). As much as I joke about Fuuta being starstruck by his strength in the attack, I tried to take a more serious route for the "something to rely on" vibe.

John’s eyes flicked over Fuuta, sprawled out on his bedding and looking up expectantly.

“Man, you look like shit.”

Fuuta scowled deeper. “I asked for the reason you’re here in the middle of the fucking night, not your opinion.”

“That is the reason I came.”

Somehow, amid all the other things he had to worry about given the horror of the past few days and exile that followed, Mikoto had still found the time to lose sleep over Fuuta’s condition. John had always liked the guy, but he wasn’t in the business of watching over people he didn’t truly care about. He didn’t know what Mikoto saw in him to cause such an overreaction.

Though, with the futon dragged to the bars of the cell, and bathing him in the dim light of the guard’s tower, it was becoming clear that Mikoto’s concern was indeed warranted. Fuuta appeared deathly. The fresh injuries had been bandaged, but there were stains where blood was beginning to seep through. His eye – the one that had survived the ordeal – was bloodshot and rimmed with dark bags. His hair was as tangled as the rumpled hoodie it poked out of.

Fuuta was still staring in anticipation. It took John a moment to understand why. 

“You recognize me.”

“No shit. Mikoto came in here like a fumbling idiot earlier today. He wanted to make sure I was okay or whatever. Like I’d be okay after what happened!” He paused, a clanging from someone else’s cell briefly distracting him. “But you… the way you carry yourself… it’s different.”

“Not that different. I’m here for the same reason.”

The plan was simple. Once Fuuta slept, Mikoto would relax, and everyone would be happy. If it turned out to be his injuries keeping him awake, John didn’t mind crushing Fuuta’s pride and explaining his weakness to the doctor to get more painkillers. If it was noisy neighbors, he’d teach one of those girls a lesson the following day. If the problem was just plain insomnia, well, John’s swinging arm was still completely functional...

“I just want to make sure you’re sleeping.”

“Don’t tell me you’re as disgustingly sentimental as him.”

John’s expression twitched. He didn’t appreciate the condescension. That was Mikoto’s most admirable trait, after all – offering help to others even when he was falling apart himself. He was so selfless, so self-sacrificial. It was no wonder John felt compelled to do the same for him. But Fuuta…

“Ugh, he’s always trying to be buddy-buddy with everyone around here, it makes me sick. Nice words don’t do shit. Look where his friendship with Kotoko got him, eh? That’s what these fools still don’t understand – you need to face these things head-on.”

“Oi, don’t be hard on me just for caring.” He didn’t say it as any sort of gentle encouragement; it was a command, and Fuuta understood. He snapped his attention away from where he’d been peering around the bars. “The world needs more people with that kindness. That optimistic view of life, of others, no matter what – it’s why I’ll do everything I can to save me.”

Silence stretched after the intense comment. Fuuta was looking away again, and John couldn’t read him. When he did speak, his voice came out more defeated than expected.

“Tch. Well. Not all of us have that luxury.”

“Of what?”

“Of you.”

His eyebrows raised.

Cheeks reddening, Fuuta hurried to add, “I mean someone to have your back like that. I wish I could be half as relaxed as that, but I can’t afford to let my guard down. I need to be strong myself, I don’t have anyone else to take care of my problems for me.”

It hit him suddenly, that everything came down to that. Relief washed over him, now that a clear, easy, (and nonviolent) solution had presented itself.

“What if you did? I could take over your little sentry duty for the night.”

“W-what do you –?”

He gestured to where Fuuta was laying. “No need to play dumb. You’ve been keeping an eye on everything, even the other side of the guard’s tower. The sounds from around cell eight have caught your attention. You’re positioned so you can see cell six, but haven’t moved all the way over, because cell ten has easiest access from the right.”

“The others would say it’s pointless, or that they’re handling it. I’m not buying it, though. I don’t care if they say it’s crazy of me to do.”

“I think…” John’s posture softened. “I think it’s very selfless of you.”

He was constantly amazed at Fuuta’s tendency to react to everything as if it were some world-shattering statement just told to him.

“So?” He prodded before Fuuta’s expression could grow any more wide-eyed. “How about it?”

 “I mean… they told me about the attacks… what you did…”

John set his jaw. No matter how many times it had happened in the past few days, it still stung to see how quickly people turned against him because of the fight. He thought they all had come to terms with each other’s capabilities for violence, but as usual, the moment he showed his true face, the world turned against him.

Of course Fuuta could never relax knowing such a violent and unpredictable person was sitting right beside him through the night. It was a miracle he hadn’t panicked immediately at the sight of yet another cold, towering figure appearing at his door in the middle of the night.

John stretched his right arm across his chest. It looked like his original solution still stood. Fuuta said problems should be faced head-on. Surely he’d understand this was for his own good.

“…Yeah, okay.” Fuuta gave a decisive nod. He beckoned with a jerk of his head. “I trust you.”

“I –” John blinked. “What?”

“You understand me. You understand what it takes to be in a place like this.” His gaze flit away momentarily. “You’re incredibly strong. You’re prepared, and have good instincts, and your confidence is –" Noticing how intently John was listening, he interrupted himself to bark, “but don’t think I couldn’t handle this on my own! It’s only because you offered, and it’s a smart move. I’ll just sleep for a bit, we can take shifts. Wake me in three hours, okay?”

“Fine by me.” A little lying was definitely better than what else he’d had in mind.

Fuuta moved his futon over a few feet so John could settle into his carefully chosen spot on the ground. Everything was all set to begin keeping watch, until a new sound rose up to drown out the other noises in the panopticon – soft snoring from beside him.

He glanced over in disbelief at the instantaneous security Fuuta had sunk into. All the tension had melted away from his face and shoulders. He lay completely at peace.

John had achieved his goal. He should be celebrating. Instead, he couldn’t help heaving a heavy sigh.

How did he end up with two self-destructive idiots to watch over?

[son1c]

Teddy really be like: when the celebrity crush ain’t working out so you steal his man instead—

the thing about it is the good ending for sonic and teddy is teddy being like. "hey man. i'm really sorry about what i did when i thought..." and sonic is like "dude, what're YOU apologizing for? i don't remember that quack starline ever asking anyone if they WANTED to be manipulated"

and because sonic is right about the blame being squarely on starline's shoulders for the whole snowpoint fiasco, teddy feels a little better about it. after all, it's not like teddy would blame SONIC for anything that happened... and they were in the exact same situation, being manipulated by the same guy.

cuz like, of course EVERYONE in snowpoint feels gross about being made into starline's toys, but for teddy it's like 1000x worse. cuz starline manipulated him in a very specific way. where teddy couldn't even trust his heart anymore. and that's, like, the most important thing to teddy--his heart.

that's why him growing to organically like shadow is such a big deal... like, he hated him at first, but then when he started to wriggle free from starline's hypnosis, he saw shadow for what he was; someone who was just trying to help. and it's proof that teddy isn't irreparably damaged by the whole affair, cuz he CAN and WILL still love. it's just who he is. it's the whole reason why starline picked him in the first place.

and teddy won't let starline take that away from him.

but sonic and teddy being "doomed" just means i don't think they'd ever have a romantic relationship. despite what starline was trying to push, NEITHER of them want that. even though teddy did grow to like sonic of his own volition, it was more in an admiration sort of way? like sonic is just cool, there's no denying that.

what i'm trying to say is i think sonic and teddy would be good friends after this is all over. bonded by their shared traumatic experience. and also shadow has two hands. you gotta open your mind, man. cuz there's 0 stealing going on. everybody loves each other just in different ways

[tagidearte-spam-sb]

I find it funny how the fandom (or, at least, a part of the fandom I see a lot) has latched onto the "Moon is obsessed with rules" headcanon. True, he's the one that comes after Gregory for "punishment time", but...

Sun is the one calling the player a rulebreaker and kicking a literal kid straight into the less-than-friendly Glamrocks' waiting arms (for accidentally turning the lights off. As if Gregory would know touching a Freddy shaped security box would do that. If it even was Gregory and, idk, ""someone"" disabling the power in the daycare on purpose). Sun is the one nearly popping his circuits if you don't follow his instructions. Sun is the one threatening to release Moon on you if you so much as colour a page wrong. Sun is the one getting frustrated with Cassie if she screws up somehow (haven't played Ruin in a while, but I do think he freaks out if you approach him in the VR world after only disabling one - or zero - generators).

Moon on the other hand? Moon is fizzyfazzing vibing (well, not in Ruin for obvious reasons). Fulfilling his task and getting the kid? Sure sure, let him just jump from leg to leg first, and walk in a goofy way at an extremely slow pace (even Monty with no legs balancing himself on crutches would probably move faster), while giggling and alerting the entirety of the daycare to his precise jingly location. He only starts taking it seriously and entering the structures when you get some generators on, and even then he's still messing around. The robot cares more about his jester theatrics than his goddamn job. If Moon really does security patrols like many people believe he does, half of them are (or were, prior to the virus) probably him tormenting a poor overworked security guard (rip Vanessa, if you're out there...).

Don't take me wrong. I love a Moon who follows the rules to a malicious degree as much as the next person. And he does seem set on putting Gregory down to sleep and punishing him. He does seem intent on harming you in HW2. But let's be real, Moon doesn't give a shit about his job half the time - doing a goofy walk, riding a carousel... those are much better. If he gets to scare someone while doing it, jackpot for him. We only really see him struggle in Ruin, as far as I recall. Sun is the one running around like a bossy headless chicken trying to get everything in order.

I think it's because Moon is the one who directly says "you must be punished" and harms you? But even then my man jumps on the table, does a goofy move, and flies off to give Gregory some time to hide for their little hide and seek game. Sun is the one getting freaked out and throwing you out without any preamble after the lights turn on.

Again, not shitting on anyone. I just think it's so funny. I legitimately cannot imagine Moon being that serious unless 1) a real intruder is at the pizzaplex, not some snotty kid; 2) Vanny tells him to; 3) something actually dangerous is happening and he's not high on whatever virus is going around.

[soupmanspeaks]

you ever wonder if the Glamrocks's face tracking acts up when they look at Glamrock-Freddy, like they'll look at his face, and the recognition will register as Freddy, but their systems for whatever reason or another think that there is a face overlapped on Freddy's do you think they see two small squares next to him, at his side, roughly child sized, but no one is physically there.... right...?

[seriousbrat]

it’s so interesting to see how the interpretation of teen (boy) behavior in books has changed since they were written. it’s mostly for the better, but i think it does cause some people to refuse to engage in good faith with the source material, or on its own terms. i’ve loved hp since i was a kid, but i had never interacted at all with the fan side of things until maybe a year ago, and it was very odd (on the whole — which is why i’ve mostly just stuck to a handful of blogs with great fics and meta, like yours) to see how a lot of the text is taken now, compared to how my friends and i understood it at the time. i think its totally fair — and good, on a cultural level — to point out that the boy who pulls your pigtails isn’t being cute, and your male friend being in love with you doesn’t mean you owe him anything. but it’s also like … kind of intentionally closing the eyes to how these parts of the story are meant to come across? and i am not coming in here as some kind of “boys will be boys” person, but teenagers are messy in their relationships and their friendships, and more relevantly, it’s very clear what types of dynamics are being presented by the text. and it can be fun to pick apart what kinds of narratives are meant to be taken as romantic in different stories written in different times/places and why, but to look at the story on a story level you’ve got to also work with what it gives you.

Yes I think you make a very good point! I agree and personally I think both Snape and James would be written slightly differently if they were written today. Also, imo there's an element of wishful thinking coupled with naivety (and this has always existed tbf) when people who haven't ever been cis teenage boys try to write cis teenage boys haha. Like the 'closing of eyes' isn't always intentional. I know I keep going on about the Inbetweeners but I literally think watching that as a teen myself gave me an insight that I can never take back about what teenage boys are like haha.

Like this isn't to say that teenage boys are all exactly alike, or that there's some inherent, natural difference between boys and girls in terms of mentality or personality, but there is a social difference, generally speaking, a constructed one that happens because boys and girls are raised and socialised in a patriarchy. It's obviously not universal at all, and that's not even accounting for trans kids and the complexities they face, because even among cis boys and girls or men and women there's endless variety, and gender absolutely does not determine personality, interests, etc. Unfortunately it does influence them, though, that's our reality.

In terms of fiction, especially fanfic, obv one is free to do as they please. But there is such a thing as narrative voice, which can be an important thing to consider. Again when it comes to fanfiction it Does Not Matter that much, it's for fun, but in published fiction (or if you care about quality ig) it just is something you should consider. This is where the 'Men Writing Women' thing comes in, where you read something so obviously written by a man who doesn't understand how women (generally) think or speak or act at all. And in our patriarchal society such usually ends up being offensive and has often been overlooked and accepted when it shouldn't be. I don't think it's helpful to pretend men can't write women either, since plenty of male authors write female characters beautifully and the rest shouldn't be let off the hook. If you can't write women, skill issue and you shouldn't be published.

Anyway it's vastly more forgivable and understandable, and it pains me to say it but I think you can sometimes tell when it's a woman writing a man or a boy too. I will say on the whole I think women are better at writing men than the reverse haha, probably because we've been socialised to empathise with men whereas boys are not taught (by society) to empathise with women. Maybe women even empathise a little too much tbh. Maybe that's the problem, like we subconsciously over-project our ideals onto male characters, making them too nice, too woke, too cuddly, too sweet, because that's what we want to see, and leaving out the nastier elements that are so common. Again, that's not necessarily a problem!! Only if you're trying to create a realistic, effective portrayal of a certain (average) type of teenage boy-- which you don't have to do. I'd raise my eyebrows at an unrealistic portrayal much more in published fiction than fanfiction personally.

And ofc you can always choose to write a character who diverges from the accepted norm, but to do so effectively has to be a deliberate choice and done thoughtfully. For a boy like James, who is very average, the norm, he's decent enough but no Woke Feminist King haha. He's not meant to be.

Anyway, I think that's why the Marauders et al (including Death Eaters lol) are nowadays often portrayed like sweet little babies who all cuddle and take care of each other and respect women LOL. Like whatever, it's escapism haha, it's understandable. But sometimes I do think a lot of these people have never really interacted with many gay men or know what their culture is like. lmao. straight men maybe, but in a limited way. if you've ever had the misfortune to be with a group of cishet men who are talking freely with each other you'll know what I mean. again this is GENERAL. and socially constructed, not inherent. but very common nevertheless.

[torchickentacos]

I'm reading poetry at 1 am and spiraling over like 45 emotions at once, which is how poetry was meant to be enjoyed, I think

[rg11]

theyre so Yaoiful

[simplepotatofarmer]

now i need to make a cover for the fic ;__;

here's my plan, though:

i'll probably be posting the first chapter within the next week!

updates will happen every other month

during this time, i'll be updating 'rabbit run' on the off month for the black dog fic

will be working on other things at the same time! like the terrible two au and possibly the last part of the aac au

i want to get back to writing because i really do think not. putting anything else is a big reason on why i've been feeling so down and disconnected.

[tariah23]

question for my fellow sasuke warrior and i’m being so serious here… has sasuke actually harmed or hurt or killed any random civilian of konoha or anywhere else? i only recall him fucking up danzo. there was a manga panel saying he only cares about bringing down the council and he doesn’t care about anyone else.

He never killed anyone randomly, especially civilians 🗣️! After he found out the truth behind the genocide of his clan, he really did want to destroy Konoha himself and knowing how he is, and was during those times, especially with how he’d received the truth, well then who knows?

But we do know that Sasuke has always been about his own goals and following his own path no matter how much they might’ve changed along the way. He was constantly learning new information about the genocide, his clan’s history after all. Of course things would cause his “morals,” to become shaken due to the shock (he was so rifhr though 🗣️🗣️🗣️.)

Despite all of the things that he’d done or threatened to do, he never did hurt anyone who was innocent (he stabbed Karin and I still want to throw up whenever I think about it orz whaaa.) He killed those Samurai but we know that they don’t count, they were the enemy and had attacked him first from what I’m remembering.

I still think about that panel in the manga where Orochimaru called Sasuke “soft,” for not killing ninja who he’d defeated and all his response was that they simply “were not the one he wanted to kill,” and of course, this was all before the “death,” of Orochimaru himself. Like… even this small incident here has revealed that Sasuke had never been a monster or the truly evil person that a lot of people who still mischaracterizes him, view Sasuke as, along with the characters within his very own universe who’d started to view him as a “lost cause,” who WAS indeed, capable of hurting others. Even his own teachers (Gojo would NEVER- white haired teacher of all time, sorry) 🗿. Others had physically tried to restrain Naruto himself from going after Sasuke because they wanted him to give up on him as well, which was disgusting. It’s almost as if they just wanted everyone to equally loath him, to spite him, and feel regret whenever his name and memory would ever be brought up. It’s awful!!! A character so full of love like him??? And yet, everyone around Sasuke had already made up their minds, casting him into such an awful light because they refused to understand why he’d been fighting so hard to begin with and pretended not to see the pain that he had been in for so long. But as soon as he bared his fangs, all of a sudden, he was the “typical crazy ass Uchiha.” Uhh, don’t get me started, Anon 🤕! He beat the killing/harming innocents allegations 😭❤️❤️❤️!!!

[monpalace]

I’m thinking thots at work, what do we think Wild’s [Name] would be like? -🧚🏽‍♀️

i feel like she'd be the leash that stops him from literally killing himself with whatever dumbshit that comes to mind and wild's the puppy that finds something (in this case, [name]) and refuses to leave it?

maybe she's someone who works at the castle who survived the calamity and was put into something like the chamber of resurrection in hopes they'd find each other and she'd keep him from doing more dumb shit because someone realized "hey, [name] and zelda are the only ones link listens to. they're literally his impulse control. but zelda's not here and [name]'s not immortal, so we should probably put her in like, a cryo-chamber or something" and then handed her off to the sheikah and said "do something please"

or she's some sort of mysterious figure who always appears out of nowhere (and gets to places you'd least expect to find them in) and isn't there when you turn around to look at them? like, maybe she showed up on the great plateau when wild first woke up, was questioned by the king as to how she got there, she just hits him with a "don't worry 'bout it sweetheart," and sticks with wild until he's ready before literally disappearing once he lands on the ground outside the great plateau? then at some point, he finds her again, asks where she's been, and he gets hit with "i was out having fun and getting what i needed to be done," before sticking with him for a few more days and ultimately disappearing again

imagine if she just showed up in the lost woods while he was about to get the master sword and absolutely scared him with "you'll probably want to get more health for that. it'll knock a lot out of you." "how do you know?" "just know that i know and be thankful that i told you," before going off to trade with some koroks and disappearing??

or what if she's a good friend of link's (or lover. idk) that died over the course of the hundred years he's been asleep? she's a ghost like the king, but because she doesn't have to guide him and help him relearn things (the king took that upon himself), she's just there to keep him company? because either zelda or the gerudo (keeping the geurdo to my heart no matter what 🤞🏽) managed to turn her into a spirit/ghost that's not exactly similar to the champions in the sense she isn't stuck to one spot/person and has her own separate set of rules? maybe she's not able to be seen by anyone else except wild so he has to do this, that, and the third to not look insane when she's talking to him in front of people? then, when everything's said and done, she doesn't disappear like the champions or the king because she's was created by the gerudo/zelda?-- or, if zelda made her, she's significantly weaker than 100 years before (and grows weaker the longer wild takes to beat ganon) since zelda's grown weaker as well, but as time passes post-ganon's defeat, she grows stronger?

[pixelscharacterlog]

What does naomi like to do in her free time? ( ≧∀≦)ノ

Omg hey!! (⁠ ⁠/⁠^⁠ω⁠^⁠)⁠/⁠♪⁠♪

Wow, I haven't had much free time in a while... I've been non-stop working on some new music with Charlie's help! I almost can't remember what I usually do!!

Before meeting Bailey, I dragged my friends to host clubs! If you play your cards right, you can manage to get fairly cheap drinks there... (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

But like I said, I quit doing that after me and Bailey got together.

Despite seeming unenthusiastic about it, she was the one who asked to help her out with socializing! She's definitely improving!! I love her so much <3

I also will go to ANY party I'm invited to... I *will* make time for it! I love getting together with all my friends, it's so fun!!! (⁠≧⁠▽⁠≦⁠)

[emile-hides]

Artists who draw Princess Peach as fat, my beloved

I love when people redesign canonically thin characters as positively fat! And you even draw Mario with a fat body when sadly most artists thinify him. Thank you!

Aaah it's just one of those things I picked up on Tumblr fkjgfjkdg I can't remember who but an artist I followed drew Pudgy Peach and it's just one of those things that really stuck with me. I can't see her any other way now! The Lovely Princess Toadstool <3

Also any artist who draw Mario OR Luigi thin is an instant block those people get no sympathy.