#this got rambly! i'm sorry!

[who-the-fuck-are-you-bruh]

[salamispots]

speedrunning a bday gift for bb nephew hjdfgjh

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[superhoeva]

"oooooh, what the fuck am i doing?" the whispered question pushes out of robby on a long exhale as he stares down at you in disbelief. his hands have to squeeze into fists to stop himself from placing them anywhere near your bobbing head.

face flush, his chest jerks at how the wet of your tongue flicks against his head, your cheeks drawing hollow as you gulp him deeper. robby grunts out an apology and tries to pull back when he hits the back of your throat, making you gag. you stop him, gripping the back of his thighs to keep him right where he is.

robby's hisses, huffing out a drawn out jeeeesus christ that makes you smile around him.

should he be embarrassed that his knees are shaking? his back also feels like it's about to give out at any second though not for the usual reasons. you're sucking at him like you're possessed, lips and chin smeared in a shining layer of spit others might find off-putting.

robby has to shake his head and chuckle shortly to himself at you, because what the fuck is he doing? he's your boss. you're his subordinate... and so goddamn pretty with his cock down your throat–

"fuuuck, 'm close," robby rushes out with a sniff. something in his eye twinkles when you show no signs of detaching from the man. he laughs again, face twisting into an impressed smirk. "oh, you want it in your mouth, huh? want your belly full'a my cum?"

giving in, robby grabs you face with both hands, holding your cheeks so he can thrust himself across your tongue at the speed he wants. it only takes a few heaves of his chest and a couple pumps of his hips to get himself there.

robby's cock twitches eagerly as he releases in long, thick spurts that flood your mouth faster than you can drink him down. he hunches, hanging over you with croaking moans and heavy grunts that pair perfectly with the sight of his dropped jaw and furrowed eyebrows.

you keep sucking, even when he's completely drained and jerking involuntarily every few seconds.

he gasps with wobbly legs when you finally pull off to lick at the dribbles of his load that had somehow managed to escape, and gulp down the mouthful of his cum.

"well, shit," robby huffs, reaching the pad of his thumb to rub across the still-slick plush of your bottom lip. grinning, he tilts his head. "you're fuckin' greedy, aren't you?"

more robby rambles <3

© 𝐬𝐮𝐩𝐞𝐫𝐡𝐨𝐞𝐯𝐚

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[momomallowart]

Happy birthday Tomura ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔっ🎉🎂

He is loved more than he knows 💗

Alt version + close-ups 🫶💗

[chronicowboy]

[sunburstsandmoonshadows]

Stanley and Sixer!

Sent to Gravity Falls to live with a great aunt they barely know with no warning, the twins have… slightly different reactions. Stanley is not at all impressed with the idea of kicking it around some backwater town for a summer when they could've been working on the Stan o' War. Stanford is also put-out, but is optimistic about finding fun in documenting interesting things in the woods. Their attitudes pick up even more when they discover a spellbook lost in the woods that teaches them that Gravity Falls is full of weirdness and adventure. They both want to discover the two Authors of the spellbook, though each has a secret favorite author they want to meet in particular.

Stanley: With his brash yet suspicious personality, he finds his fun in looking for monsters in the woods with the hopes of beating them up and making a name for himself--a stance the creatures of Gravity Falls don't appreciate much. He feels a growing distance between himself and Stanford and has no idea what to do with it or how to talk to his twin about it, so he masks it with bravado and charm. He constantly thinks of ways to make himself important and interesting, which often blow up in his face. Thinks he's cooler than he really is.

Stanford, aka Sixer: Once he realized that Gravity Falls is a town full of weirdness, Stanford was thrilled by the thought that it might be a blessing in disguise, a place to finally branch out and make friends who won't run once they see his hands. He really, really wants to make friends with anomalies, like one of the sirens that supposedly live in the lake or the boy who claims to be a psychic. This goal combined with his trusting nature might lead him down dangerous paths. At least he has Stanley to help him! Though lately it feels like Stanley has been less honest and more clingy than usual, and it's starting to grate on him...

While Dipper and Ford are paralleled in the show, I feel like Ford as a child would have an attitude that parallels Canon Mabel's better in terms of inciting the plot. They're both enthusiastic to the point of being Too Much, intense, and often convinced they're right above what others think, and I just feel like him having a quest to find friends takes the place of Mabel's quest for a boyfriend very well. Meanwhile this Stanley has the skeptical but investigative attitude of Canon Dipper, and I could see him being the type to want to prove himself a la Dipper vs Manliness, provoking people he really shouldn't provoke in the name of showing who he can be.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[demaparbat-hp]

Almost

[serotonin-dose]

AsaDen x Metaphor Re:Fantazio

[quatregats]

Hornblower x Baby Pelican Insults Part 1/2

[grungepoetica]

I'M BACK IN THE FUCKING PIZZERIA AGAIN

[doubletroubletag]

i got almost all the next month's updates sketched! i'm not doing the last one simply because i am feeling the burn out of composing these pages. (each have at least 6 pages, a good amount have the max 12!)

that said, these are all just sketched. i want to do it in this order: backgrounds -> lineart -> transcript. i got other projects i need to work on (winning hat and NightFell) so I can't really guarantee when Tag will start to update again.

[isatartdump]

Trying some stuff out cuz I always wanted to get work like these. If you got tips!!! Please. Please share.

[sergeantjessi]

(Coding a GTA 5 Challenge, but I smoke weed every 15 minutes)

+ Just the finger guns for all your finger guns needs: