#this got a bit long

[deer-with-a-stick]

Idk if the people complaining about the BG3 endings are D&D players or not but like...this does feel like the ending of a campaign y'know. Sacrifices are made, people are stubborn and time is short so sometimes you have to choose between npcs who could have worked together but won't, and the thing with character arcs.

If you finished them, the companions' arcs are complete emotionally I think (except for Karlach rip, although I hope Larian does make up for it. Late-addition I guess :/). Lae'zel breaks free of her indoctrination, Shadowheart discovers who she is and now has the choice to decide who she can be, Astarion's learned enough things about himself that he's almost a completely different character by the end of it, Gale's gotten over Mystra and over his constant need to be better and stronger (this is all assuming the "Good Endings"), Wyll's broken his pact with Mizora and it makes sense for his character to keep trying to help people, whether that's by becoming the Blade of Avernus or otherwise.

Life goes on after the campaign ends. Characters move on, and for characters like the BG3 ones, where it ended at level 12, it makes sense that they wouldn't settle down in a place to chill and have a fairytale ending. They have the last tiny part of their stories to complete.

I think the reason it funnels a little right at the big moment (where it ends up being "Choose Orpheus or the Emperor," and "Choose who to become the illithid or let Gale explode") is because for these big last boss fights, there tends to have to be a sacrifice. I know there might be some bugs or whatnot, or people wanted more knowledge about what was going to happen to everyone else, but this is still a roleplaying game? Should I remind you that in BG3, you are, in fact, roleplaying as Tav/Origin Character?

That's the reason why you learn more about what a companion does after defeating the Netherbrain if you play as them and why if you play as Tav, you don't know what comes next.

For the few D&D campaigns I've played, at the end of it, it's always just been the players deciding individually what happens to the characters. Sometimes, they've died. Sometimes, they've continued adventuring and end up making appearances in the next campaigns, and sometimes they just had their fairytale ending. (From what I've seen the ending is quite a bit bugged and once Larian fixes that it'll probably please a bunch of people. My thoughts are incredibly disjointed right now but hjkrhlakjsdfh)

Those open-ended endings are good, I think. Lae'zel's always been a fighter, regardless of whether it was because of Vlaakith or not. She's always been steadfast in her beliefs and will stop at nearly nothing to make sure she accomplishes what she's set her mind to. She's got a code of honor, even if that code might skew towards "evil," so it makes complete sense that she would want to return to the Astral Plane to stop Vlaakith. What becomes of her and her mission, we don't know, because Tav, in that moment, is not in the Astral Plane with Lae'zel.

Shadowheart's arc was about reclaiming herself, so to speak. And that's hard when you've been brainwashed by a goddess for the majority of your life. Ironically, the whole theme of "Loss" is always prevalent, whether it's because she serves Shar or because she's let her parents go. Unlike Lae'zel, her purpose now is something vague: live your life. She doesn't know what exactly to do, so she heads off by herself. She doesn't know where she's going exactly, and so therefore Tav wouldn't either.

Astarion's ending pissed people off, and I do kind of wish that if you kept Gale's True Resurrection scroll, you could cure him, but it makes sense I suppose. If you kept him from becoming Vampire Ascendent, it signifies that he's finally free of Cazador and that he's finally free of his near all-consuming quest for power. The ability to walk in the sun is a power, and when he burns after the tadpoles die, it's because he's given up that power earlier, but is a better person because of that. I believe that if you do an Astarion Origin ending, it turns out that he heads to the Underdark to lead the vampire spawn because he's taking responsibility. He's becoming a leader where Cazador had been a tyrant

For Gale, his entire storyline is just him walking on a knife's edge. He's somewhere between desperately trying to live and trying to find some convenient time to die, between loving Mystra and hating her, between wanting more power and being content with what he has. The end (find the crown, give it to mystra) is a fitting ending I think. I honestly don't think Mystra's a very good goddess to hold the attention of, but he realizes that a) he's got a little obsessive and b) he doesn't need more power and that he'll be content just to be Gale Dekarios. So it makes sense for him to quite literally just settle down somewhere. He doesn't have the urge to make himself stronger and better constantly, and he won't end up killing all of Waterdeep. He's free to live at home, do wizard things, and have Tara yell at him for poor life choices.

And Wyll's Blade of Avernus ending makes sense (even if he didn't sell his soul to Mizora forever: I think you can get this ending if you save his father anyway). He's got his hero complex. His daddy issues aren't so much a problem and the pact is gone (you can break the pact and then hurry to the prison I believe), but he's going to keep fighting, keep being a hero. If Karlach's dying, he's definitely the kind of person to jump at the chance to help her, even if that means going to Avernus. Besides, he can keep killing demons and devils there.

I will agree that its a bit annoying (because again, I definitely think that Act 1 is the most thought-through and polished piece, and there are bugs abound in Act 2 and 3) but seeing Larian's response so far (we've got Patch 1 and 2 confirmed already, with the possibility of a DLC not off the table), people who were disappointed should still have hope.

Just be warned that the perfect fairy tale ending probably isn't possible, but your companions will still be happy. This isn't new: take LOTR for example. Faramir's father and brother are still dead, but at the end of everything, he'll still be happy. He'll have some more action when he cleans out Minas Ithil, but in the end, despite everything he's lost, he'll be happy. Frodo is heavily scarred by his experience, and perhaps it's not the best ending per say, by the end of the day, people and life move on, and we know that Frodo will be happy in Valinor.

(This is unfiltered rambling I'll probably edit or delete this later)

(This is also probably because I love the bittersweet endings, although I understand that most people probably hate them)

[randomfoggytiger]

I don't want to shame or be age-ist, but why did they bring in Mimi Rogers as Diana? She looks so much older than both Scully and Mulder. Was she hot and in the market in the 90s? I can see that her assertiveness and self-assuredness could be attractive, but she just didn't seem to "fit in". It's almost as if Mulder went for her because of mommy issues and looking for an older woman like Scully did with Daniel and her daddy issues.

I don't know anything about the actress. My issue is just with the casting and that she fit more in line with being an older character that came across, to me, more like a wicked step mother than a potential mate.

I don't think the question is ageist. :DDD It's a reality that she does look older than Mulder-- but that really works for canon.

Actually factually, they hired Mimi Rogers because DD acted with her before (The Rapture); and he likes to bring his friends forward into new projects. But her casting also enabled David and Mimi to take their characters' interactions in a slightly different direction than the script dictated.

I get you completely, Anon-- and I agree. That angle worked for me, however: it underlined Mulder's personal growth over the past five years (and showed how glaringly unimportant Diana had become.)

Diana Fowley: the Definition of Manipulative Comfort

(Credit to: @iddoitforfreebaabe)

In the script, CC wrote Diana as a knock-out who subtly wielded her sexual prowess to draw Mulder's attention away from "the truth" (and to make Scully jealous, ahem ahem.) There was a sneering, preening quality to her that isn't present with Mimi Rogers. And I like that difference; because five years and a thriving partnership have changed Mulder as a person-- not completely, but enough. Sneering, preening superficiality would repel, not attract, the person he's become.

Moreover, Mulder is a man so haunted by his past that he sees his sister in every little girl-- or, to the point, he sees the love and security he lost in childhood in every feminine, devoted, almost nurturing brunette. (He's drawn to women who promise love, companionship, and ease up front, only to be duped by their intentions and strung along with breadcrumbs of affection later.) I don't think he's looking for other sisters or other mothers in his selection process; just that their standard of beauty has been normalized since childhood. Importantly, we see his own distinct sexual preferences separate from his traumas: Mulder is attracted to intelligent, outspoken women, be it Pheobe Green or Diana Fowley or Dana Scully (or Bambi Berenbaum, etc.) This trait doesn't define his on-screen interactions with Tena Mulder-- a very passive, emotional woman when around him-- nor distinguish Samantha in his memories. They weren't idiots, certainly; but that's not how he selectively remembers them.

Back to Diana.

THE NATURE OF DIANA AND MULDER'S PAST RELATIONSHIP

Diana Fowley is the perfect archetype of a person who latches onto potential-- for intelligence and companionship-- and stays until she decides to leave (cutting loose ends cleanly, and purposefully parting friends.) Relationships are for advantage, positive or negative.

We know this because of her reappearance: in The End, Diana expects to waltz back in and turn Mulder's affections back to herself with the snap of her fingers; in The Beginning, she chastises Mulder for doubting her dedication and loyalty to the files (read: him); and in One Son, she foists a kiss on Mulder when he is at his lowest point.

She's not a mother figure but a dangerous second thing: a prey animal who locates the wounded boy in the man and weaponizes that to her advantage-- hence, her full name (Diana meaning 'goddess of the hunt'; Fowley, a spin on the word fowler or snare.) (It's not until The Blessing Way that Mulder began to question his own mother's involvement in the conspiracy, posts here and here; which provides ample proof of the lengths his ex would have been able to twist him about without his suspicion.) Diana knows how to mask her control through silky "Fox, I know better; and you know I know better" language that skirts his animosity and detection. While Phoebe is cruel and callous and careless-- getting caught-out both times she and Mulder engaged in a relationship of sorts-- Diana is circumspect and calculating and careful. Diana exploits his weak spot-- self-punishment and a desperate need for love-- by disguising her attentions behind loving, near-maternal guidance and protection... something she would have known he lacked after Mulder unveiled his backstory. While Phoebe is reliant on relationships and adoration and praise to feel superior-- unable to face or accept rejection-- Diana doesn't rely on anyone or anything except herself (hence why CSM came to depend on her, too.)

DIANA, THE (PURPOSEFULLY) NOT-SO RAVISHING

All that logic and canonical consistency aside, the beauty in Mimi Rogers's casting is that she isn't a ravishing beauty to Mulder.

Mulder isn't head-over-heels for her like he was Phoebe Green or Bambi Berenbaum or (later) Scully. In the magazines and tapes that aren't his, in his dreams, in his Kill Switch illusion, Mulder fantasizes about larger-than-life sexuality: the Jersey Devil, Phoebe, Bambi, the blonde bimbo nurses, Jade Afterglow, Scully in sci-fi gear, etc. The exaggeration in their presentation captures his imagination and attention. (We see hints of Diana as a wanton, sexually deviant temptress here and there: namely in Mulder's vision of her in Amor Fati-- post here-- where he is not surprised to see her in aggressive, sexy lingerie-- but is surprised to hear she suddenly wants to settle down and have children, post here. And, again, "settling down" is framed as "It's time to grow up, Fox"-- another maternally slanted manipulation.) In casting Mimi, their dynamic changed from Phoebe-Green-enraptured to old-wound-manipulation.

Mulder himself wasn't gutted over their breakup-- telling Diana, without a shadow in his eyes pointing to past hurts or wounds or pain he'd overcome, "I've done okay without you." It was Diana who walked and Diana who returned; but it's Mulder who didn't ask her to stay either time. She was his partner: not in the "wildly understood definition of that term", but a literal partner who discovered the X-Files alongside him, who spent five years of her life with him, and who left-- without regrets, from either side-- for greener pastures. It had been a comfortable, not passionate, relationship. Afterwards, Mulder was content to burrow down in the basement, alone; and resented any intruder into his sanctum after she left.

And when Diana returns, he's stiff, tense; and takes a while to warm up to her presence. Yes, because of his past with her, yes because he hadn't informed Scully of said past; but mostly because he knows Diana is there for a reason. And, profiler that he is, Mulder suspects he's the reason. And he's right.

DIANA FOWLEY V. DANIEL WATERSTON

How does Mulder's draw to Diana differ from Scully's draw to Daniel?

Well, firstly, we have to discuss the similarities. Both Diana and Daniel are older partners, and both put down the instincts of their lovers (or would-be lovers, in Scully's case) to assert their own interests and end goals. ...The similarities largely end there.

The differences, however, point to the nuance of their situations.

Mulder isn't drawn to Diana because she was "his mother"-- he was attracted to her because his inner porch bug is drawn to the promise of a light at the end of the tunnel; and always coaxes him into the dangerous dark and straight towards the beam of a bug zapper. In this case, he got caught in the window screen, peering into the glow of a house but unable to advance towards or retreat from it. Diana and he had good times, comfortable times that they could remember fondly later; but their reminiscing consists of her helping on the files, not the years of their relationship beforehand. In essence, they have "the work"-- in whatever current form that was-- between them and nothing more (in contrast to his bond with Scully, which transcends Mulder's search for "the truth.")

Scully is drawn to Daniel because he is "other fathers"-- a man who not only understands her expertise and passion but rewards it with devotion and pride. While Diana left Mulder and was, apparently, perfectly content to be single as she carried out the Syndicate's aims (or because she left her options open to exploit CSM's interest), Daniel mourned and pined after his loss, letting his cracked marriage dissolve completely and abandoning his daughter to-- hopefully, maybe-- run into Scully someday. Diana and Mulder coasted five years-- another sign their relationship didn't healthily benefit either person-- before they decidedly separated. Daniel and Scully had a stormy (near) love affair, and split after the tempestuous blowout.

(By the way, Mulder and Scully, carry out those patterns with their ensuing relationships: Scully moving fast and strong with Jack and Jerse before they separate; and Mulder coasting on from case-to-couch, phone to his ear when he gets lonely at nights. Their partnership ultimately breaks each other's pattern, posts here, here, and here.)

Diana does fall in love with Mulder, though: by One Son, we see she truly has lingering feelings for her ex-- that take a backseat to her Consortium calling (and lack of characterization)-- and by Amor Fati, her affection has grown enough to manifest guilt, shame, and change-- that results in her death. However: the series portrays this as new emotional growth, not a symptom of their past relationship. Mulder doesn't expect that depth of feeling from her in The End nor The Beginning; nor even Two Fathers and One Son (hence his consternation with Scully's "jealous" suspicions, post here.) Again, "I've done okay without you" speaks volumes-- especially with the twinkle Mulder sports to show Diana that, for the first time in his life, he's found a spark: that his current "relationship" isn't comfortable or stagnant or in the past. (Which is why she reads between the lines and plans to break apart the partnership as deftly as possible.)

CONCLUSION

Hopefully these thoughts helped in some way or form. :DDDDD But what do you think, Anon?

Thanks for reading~

Enjoy!

**Note**: Here's the interview mentioned in the tags.

[sesshy380]

you said your wow oc's have their own stories, can you share them?

I did a count, and I am currently at 44 characters. For now I'll just tell the stories I have for the 4 on my Warband screen, which are Sesshy, Kanika, Phillaria, and Salarii.

Posting below the cut to avoid dash clutter

We'll start with Sesshy.

Sesshy is an Enhancement Shaman that really loves her storm spells and elemental spirit wolves (each time she summons them to fight they appear as different elements, but when summoned for the pic they both summoned as storm). She also loves to run around in her Spirit Wolf form.

She was born in Outland and loved animals. One day, she got too close to a clefthoof calf and was attacked by it's very angry mother. A large cat sprang out of nowhere and saved her. The cat shifted into a tree after to heal her wounds, then into a pointed-eared humanoid (which she soon learned was called a Kaldorei, or Night Elf).

Awed by the fact that one could turn into an animal, Sesshy decided she wanted to become a druid like the elf that saved her. She managed to discover that there was a druid encampment in Zangarmarsh, and travelled there so she could learn how to become a druid.

It was there that her dreams of being able to shapeshift into a cat or bear met it's end, as she discovered that becoming a druid wasn't something the Draenei race was capable of. There was some hope for her, however, as the head of the Cenarion Enclave mentioned that she might have better luck speaking to the Prophet Velen on Azeroth to help her find her true calling.

So off to Azeroth she went. She thought for sure the Prophet would be too busy to bother with something so trivial and meet with someone of no importance, but she was wrong. The Prohet directed her to Farseer Nobundo for a test. It was here that she discovered that she was able to commune with the elements.

After a lot of training, she was finally able to become an animal like she always dreamed, and was able to take on the form of a ghost wolf. She also learned how to summon spirit wolves to fight alongside her.

Sesshy is very devout the Alliance, and was even granted the title 'Crusader Sesshy' very early on during the war against the Lich King. She did some extra training as a healer during this time, and she actually enjoyed it, but the call of the storm always brought her back to what she enjoyed the most.

Next up is Kanika.

Kanika is a Beast Mastery Hunter that loves her spirit kitties. On the left is Shadow (ghost saber) and on the right is Ice (loque'nahak). Ice likes to run around in stealth so they appear ghost-like like Shadow.

Kanika was a survivor of the Exodar crash. She was on Azeroth before her cousin, Sesshy. Like Sesshy, she always had a love for animals. The first time she encountered a cat on Azeroth, she was smitten. There weren't any cats back in Nagrand where she'd originally come from, though she'd heard stories of animals matching their description being found in other parts of Outland.

She'd been training to be a hunter back in Nagrand, so it only made sense to continue that training. In Darkshore she came across an old elven ruin and found a small cat figurine. She picked it up with the intent to take it with her on her adventures, but it summoned forth a ghostly saber. She had no animal companion like most hunters, so she decided to see if she could make this ghost her animal companion. It took a lot of patience, but in the end, the ghostly saber decided to follow her and fight alongside her.

During the war against the Lich King, she heard rumor of a rare cat in Scholozar Basin, and with the aid of her partner at the time, Đom (another Draenei Beast Mastery Hunter like Kanika and my irl hubby), she found the beautiful spirit beast, Loque'nahak, who quickly became another companion that she renamed Ice (because of the icey blue glow coming from it's spots and mouth).

Kanika could care less about faction. Her devotion is to the spirit side of nature. She would do anything to protect it.

She was known as Ambassador Kanika for a while, as she'd gained the highest level of reptation available with all the different races of the Alliance, but she now carries the title Kanika, Veteran of the Fourth War. She fights for Azeroth as a whole, and cares little about the petty squabbling of the Horde and Alliance. To her, both sides have committed their own fair share of atrocities.

Now on to Phillaria.

Phillaria is an Arcane Mage.

Phillaria is fairly new to the conflicts of Azeroth. She spent her years as a scholor in the Outland city of Shattrath. After the leader of Burning Legion, Sargaras, plunged his sword into the world of Azeroth, she was compelled to take her years of arcane knowledge and the aid a world she knew only about from books and passing adventurers. Adventurers fought to protect what was left of her home from the Burning legion, it only felt right to offer what she could for aid in return.

Little did she know that she'd chosen a bad time to come. The factions of Azeroth had broken out into an all out war over the power the blood of Azeroth, Azerite, possessed. She was quite literally thrown into the fray of the Fourth War.

Phillaria only shows allegiance to the great mage city of Dalaran, and only because of how highly the mage, Khadgar' spoke of it during his time in Shattrath. He was the one who inspired Phillaria to become a scholor of the arcane.

Khadgar often spoke of the gifted mages there, including the Quel'dorei prince, Kael'thas Sunstrider. While Phillaria never got to meat Kael'thas personally during her time in Shattrath, she heard many stories of him and how he was a formidable mage. During the Fourth War, Phillaria struggled against many of her opponents, and it irked her. She wanted to be just as formidable as Kael'thas.

She hesitated in joining the fight in the Shadowlands, but it was there where she finally found her strength. She got to not only meet Kael'thas, but also aid him in his quest for redemption.

And lastly, Salarii.

Salarii is a Retribution Paladin.

Salarii is a Lightforged Draenei, meaning that she isn't like most Draenei. She is a member of the Army of the Light, and that her body has undergone the process of having her body infused with Holy Light by the Prime Naruu, X'era. (The Naruu are a race of beings made entirely of light)

After adventurers from Azeroth helped them fight off the Burning Legion on the planet Argus, she (along with many other lightforged) followed them back to their homeworld and aided them in the Fourth War.

Salarii is devout only to the Light, and greatly respects the paladins of the Alliance due to her teachings from Turalyn, who was one of the original founding members of the Knights of the Silver Hand on Azeroth. She strives to prove that she was worthy of having learned from someone of such high renown.

[hanlengjun]

@darkenforcer cont from here

The number of times Mobei Jun could count on one hand that some pint-sized human had thrown themself at his chest, pleading for assistance, would be twice. An astounding two times.

The first occured when his Shang Qinghua fled from a nest of monstrous, maneating ruby-eyed spiders. He snotted all over the front of Mobei Jun's robes and clung to his waist crying desperately 'My King! Save me!' The pathetic display stirred something deep inside him, but at the time he couldn't figure out exactly what.. so he did the only rational thing any demon would do in his position! He peeled Shang Qinghua off and flung him back into to ravenous mandibles of the spider swarm! He realized, some time later, that what he felt was sympathy and probably shouldn't have thrown his attendant..

And the second time is now. As he stares down at the unfamiliar face, Mobei Jun decided he wouldn't make the same mistake he did years ago. When the shouts of angry bar patrons reached the allyway and the thrashing of heavy footfalls stampede closer, he effortlessly scoops the human up into his arms.

"Hush. They're coming." His voice rumbles, the thought of retreat occurring to him for a fraction of a second- but demons never retreat. Instead he plots, the temperature plummets and a thin layer of ice crackles as it engulfs the street and surrounding buildings.

The first patron rounds the corner shouting, "Found the bastard!" A second chimes in, "Get 'im!" While a third roars, "He's mine!" Simultaneously all three skid on the ice, toppling into one another and slipping on their asses.

Mobei Jun huffs, the corner of his lips twitch. It's not quite a grin but it's pretty damn close as he watches on in amusement at their failed attempts to stand upright. This emtertains him for a good 5 seconds before he grows bored from their struggle and turns to leave, with the human who caused all this ruckus still held firmly in his arms.

[lain-at-the-gay-bar]

🐈🐾🌷🎼🖼️🔮🚪⛏️ for the minecraft asks? sorry if that’s a lot :P

NO I LOVE TALKIN ABT MC :D

🐈 Favourite cat colour (1.14)?

the brown one :] i think they look a little bit like patches so i got attached

🐾 Favourite passive mob?

hmmmm i think kitty cats 🐈

🌷Favourite flower?

Lily of the Valley and the new pink petals!

🎼 Favourite Music disc?

otherside :'] i think most of the discs are really good tho, i used to follow my friends around and play random music discs to annoy them make their minecraft experience better!

(im assuming 🖼️this emoji is the same as 🖼 this one cuz for me they show up differently but emojipedia says theyre the same)

🖼 Do you like the default paintings? Do you have a favourite?

i started liking them a lot more after i saw the original artworks! my favorite has historically been "Bonjour Monsieur Courbet" cuz i thought it looked like 2 puppies playing

🔮 Do you tend to enchant things? What are your favourite enchantments?

i get full enchanted netherite everywhere i play baybeeeee! i have a lot of love for the new swift sneak enchantment.. woosh

🚪 Favourite door or trap doors?

spruce, dark oak and cherry are my faves!

⛏ Favourite building block?

red mushroom block, moss and brick r some of my favorites!!

[nicoappreciation]

Hi 🖤 this maybe a weird question but I just got into the fandom and I’ve been catching up on the Solangelo discourse and I haven’t read the newest book yet but I was wondering if you think it’s better on the ableism front or at least negated/addressed some of the concern from the ship antis?

Side note but as someone new to the (tumblr) fandom are there any blog/post/thinkpiece recommendations? I’m just starting to understand some of the discourse and discussions and I don’t want to miss any important stuff in fan discussions. Or anything you’d personally add?

honestly as an able-bodied person i wouldn’t say i’m the best person to judge whether or not the ableist undertones in the ship were properly addressed. i will say that a significant part of will’s arc in the book is about learning to put in more effort to understand nico and that the darker sides of him aren’t meant to be conquered or fixed, just lived with. however, that’s more about his underworld heritage than anything else. but it can also be applied to his ptsd, and you could easily see how it can also be made to be about physical disability. most of the complaints about the book that i’ve seen were about the plot or the continuity errors or the characterization, not ableism in particular. so based on what i’ve seen in the book and the reactions from my mutuals i at least believe the ableism isn’t any worse than before. nevertheless, take my perspective with a grain of salt.

as for blog recommendations, most of the people i reblog from regularly are good places to start (i don’t want to try tagging everybody because if i forget someone i’ll feel bad so mutuals feel free to promo yourselves lmao).

if you’re interested in analysis on the ableist undertones of early solangelo and the blatant ableism of solangelo shippers from an actual disabled person, @ursie is a great place to go. xe makes very good posts that actually opened my eyes to a lot of this stuff.

as for fan discussion posts there’s a really good post somewhere that covers nearly all of the problematic elements of rick’s writing when it comes to his minority characters, i’ll try my best to find it. if anybody has any good posts they’d like to share, feel free to leave them here.

as for what i’d add, all i will say is just do your best to listen. it can be hard to hear criticism of something you love, but don’t take it as a personal attack. actually take your time to process the information, and then think about what you can do to make this fandom a more safe and accepting space for disabled people, poc, and more. we’re all here because we love this world and these characters, but those things are far from perfect.

and have fun!! find people who have the same favorite characters as you and spend hours brainrotting about them and ignoring half of canon. it’s therapeutic

[ulna-amqi]

reading new pressure lore is so infuriating because no, you guys are so wrong. your military can not beat gods because it couldn't beat me, a 50-foot fish that single-handedly took out the entire blacksite. they are also not that smart, considering I faked being under anesthesia, and they just... didn't check???? like, no, you guys don't get to write that and then say the gods fear you, they dont. you guys are worse at holding yourselves together than the foundation is, and that bar isn't very high.

[buzzrds]

here's my wonderful isopod child, handcrafted in leather

[daeyumi]

I am what you made me 🩸

[hotdogmchiggin]

Company Mandated Fancy Fits on the Tulpar 😏

Also had to include the REAL star of the show (and a bonus)

Based off of this and this. Thank you very much joetastic for being inspirational 👍

The REAL reason this is late

[mirrorama]

estimate! and say you currently still work at your first job, just choose how long you’ve been employed. i also understand there might be some nuance as far as maybe like promotions/transfers/etc etc etc, so feel free to explain things in the tags!

[wcrriorhearts]

( aemma ) “ how do you feel about marriage ? “

"I have been taught from a very young age that marriages are necessary for various reasons, but to me it has become a cage. When I was given to Viserys, I was a child. It was supposed to be a symbolic union, one that would not find meaning until I was of age, so I believed that I could just continue to be a child for a few more years, ignoring the bond I had forged. Yet in public I was already expected to act as a little wife at the age of one and ten, when I didn't even yet understand what that truly meant and it wasn't until much later that I understand the extent of what had been taken from me so early in life. I was never allowed to find my own match, find attraction in men as a growing girl. My sexuality was never mine to discover, but ripped from me at three and ten when I had to do my duty as a wife. It was then that I realized that I had been sold like cattle at an auction to further my father's political career at the expense of my future and dreams and hopes. Viserys was never a bad man, by no means. We grew fond of each other through the years, but he was never the one I would have chosen. The burdens that came with marriage have ruined me in so many ways, yet I have swallowed my rage and despair in favor of being who everyone else in my life expected me to be. Kind Aemma, well mannered Aemma, who knew her place from a very young age. The truth is, I never had a chance in life to be anything other than this, but not a day has passed without me longing to find the key to my cage and break free. I'm afraid only death will liberate me. Maybe in another life I'll get another attempt at being happy and finding true love. Maybe I'll get a chance with him. The one I would have chosen first."

@halfyearsqueen

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[chloesimaginationthings]

FNAF movie Mike meets Jeremy Fitzgerald

[gigizetz]

Hi Gigi :3

Are we gonna get a hold them down animation? Or no because the uncomforty topic?

that's up for the future to decide

I'll be busy with commissions up until february I think, so util then I won't be working on any Epic animatics

and then once I have time again I'll finish God Games

and after that I kinda want to do Legendary-

[hinamie]

brighter days ahead