#this finals push is something

[milkyberryjsk]

2 projects left and i am free this semester

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

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[nyancrimew]

That’s because Bacon has lots of salt and you need salt like any other mineral you need. If you don’t have enough of these minerals your body will tell you by being messed up and making your mood bounce around. Sometimes a slat boost (or other minimal) is what you need sometimes it’s not but when ever my mental health starts to show signs of not being good I eat all the right minerals sometimes it work sometimes it does not but Salt rocks!!!!!

salt rocks

[moongothic]

You know I'll be first to point out if/when Crocodile does a little Luffyism, so let's take a moment to appreciate it when Luffy does a little Crocodile-ism;

Like Luffy may be a silly lil goofball, but as he's said many times himself, he's always serious (in combat). And so Fujitora laughing at Luffy right in his face, when they're in battle and Luffy is completely dead serious... Yeah, the way he takes it like an insult gives Crocodile

[dykedvonte]

I think any fix-it mouthwashing au has to have the mandatory scenes of Curly either being able to blink again or speaking for the first time.

[clfixationstation]

Eren didn't care about anything until he met Armin, whatever that means

[kazanskyy]

iceman + his concern for maverick post-hop 31

[unhinged-nymph]

Having so many thoughts about both of their reactions

[thereseuwu]

APOLLON SKETCH!!!

I just needed to sketch him :^)

[drawnfamiliarfaces]

👻❄️ &🔥🐉

[sleepyorchidmonster]

While I'm curious about the other's dreams in Book 7, a part of me is mostly looking forward to overall shenanigans with the Dream Team and their assigned overblot buddies!

Especially since it looks like we're revisiting past twstunes.

-Jamil and Octavinelle is always funny AND a recipe for disaster;

-I can already hear Azul complaining about Savanaclaw's weather, not to mention his overall lack of stamina and how Book 2's twstunes are all either chase sequences or Magift;

-Leona painting the roses. Or helping bake a tart. He can't even escape because then dream Riddle and Sebek will team up and yell at him.

(More rambling under the cut)

Really hoping the Heartslabyul dream sequence is just extra chaotic. Maybe everyone already knows it's a dream, maybe the blot becomes even more dangerous. Maybe Malleus makes an appearance.

Part of me wants Cater to get a new card. I love Trey, but people often forget that Cater is also an important friend of Riddle's, so getting him to be the one to snap Riddle out of the dream would be great!

Maybe we can get cards for Trey AND Cater (maybe Chen'ya too), since both Tweels are getting cards...

Also I need Deuce's sequence to be Rabbit Fest again. We already have outfits for both Silver, Ortho and Grim, so we only need ones for Leona, Sebek and Ace (and even then Sebek and Silver often wear matching outfits,so you really only have to think about Leona and Ace). Idia's tablet also gets a ribbon. There's also a gang fight.

I just need Leona to have the worst time possible in Heartslabyul dreams.

Bonus:

Ortho, after we finish Savanaclaw's dream sequence: Alright, now it's time for our next dream! And you know what that means!

Silver: Only one more dorm before we face Lord Malleus again?

Sebek: We have to deal with Ace now?

Idia: I can't handle Mr. Zero EQ (A.K.A Riddle), Extrovert Extraordinaire (A.K.A Cater) and TREY in the same dream?

Yuu and Grim, holding baseball bats: We can FINALLY punch Riddle's abusive mom in the face?

Everyone: ...

Jack: I'm sure she's not that bad...

Yuu: She is the OG Red Tyrant.

Grim: Who yelled at Trey's parents for 5 HOURS because they gave her kid a SLICE of a strawberry tart! WHO DOES THAT?!?!

Leona: Welp, that explains a LOT...

[hayaku14]

pushing daisies kaishin au #2

pushing daisies au where shinichi has been able to revive dead animals, plants, even people since he was a child.

kudou "i can literally talk to the dead" shinichi

shinichi's parents didn’t exactly encouraged him to use this power. especially not in public. they’ve seen him revive and re-kill dead plants and animals in the same breath, it doesn’t take a detective to figure out what could happen near a human corpse.

but a young shinichi is curious, a young shinichi admired his father, and a young shinichi wanted to prove himself a detective. but most of all, a young shinichi wanted to help.

so when he saw his father struggle in solving a particular case, a young shinichi figured that maybe asking straight from the source would help give them a hint.

the complete horror in yusaku's eyes shinichi saw that day made him promise himself to never do it again.

shinichi realizes later on that reviving someone just for a clue on the whos, hows, and whys of their death only to touch them again, to basically kill them again, is sick and twisted and the realization leaves him feeling raw and dirty.

he then decides that if he’s gonna find out the truth, if he’s gonna bring justice, it’s not by making the victims suffer a second death. he will unravel the mystery not by magic but by logic.

the curious case of kuroba kaito

hakuba immediately contacts shinichi.

“he was...a friend. if i have to gather all the best detectives to catch his murderer then so be it.”

hakuba goes on to explain.

it was a kid heist. shots were fired. snipers. kaitou kid was caught on camera falling, as if he’d been shot, but he appears a minute later flying away on his glider with not a speck of blood on his suit. all should be well however, a few buildings away in an alleyway, the body of kuroba kaito is found dead. gunshots through the heart and chest.

a simple explanation would’ve been that the glider was a fake activated by kid’s assistant as a last ditch effort to save his legacy and this kuroba kaito was kaitou kid himself. he would’ve said it out loud but by the look on hakuba’s face, he can tell that he already connected those dots long before shinichi even stepped foot in the morgue. that wasn’t what hakuba called him for.

“can i...take a look at the body alone?”

hakuba raises an eye at him but moves to leave without questioning. "alright then. i have to check on another friend anyway. she's been...distraught ever since she heard the news and..." hakuba's words trail away as his eyes unconsciously drifted towards kuroba kaito's covered body. shinichi patiently waits through the quiet pain that he sees on hakuba. the pinch in his brows, the tenseness of his body. he must've been a really good friend.

hakuba shakes his head and turns his attention back to shinichi. "sorry, i...its been a long day. i'll leave you here then. call me if you find anything."

left alone, shinichi carefully zips open the body bag covering kaitou kid's upper body. he looked eerily similar to himself and imagining his own body cold and dead in the morgue sent a shiver down his spine. shaking his head, he pulls a chair close and reads through the file hakuba brought him.

"no witnesses. no camera. not a trace nor lead to anything. just some reports on mysterious gunshots in previous heists that lead to nowhere." they were professionals, whoever did this, shinichi thought. it was not going to be an easy case.

he takes another peek at the body. so this was kaitou kid, huh. too young to be the same as the one before his hiatus. perhaps a successor? motive could be related to his predecessor. his mother hasn't said anything of interest. does she really not know or is she protecting him? he runs his hand through his hair. there's too little information to go on...unless...

temptation rears its head. the source of information is right there in front of him. one touch and it could open up new leads to the case. an immediate disgust twists deep into his gut. he promised himself to never use it on people. to never kill. his father's haunted eyes embedded in his mind. he shouldn't. he really shouldn't. but he remembers the anguished look on hakuba's face. if he was going to do it, this might be the only good time. any longer and his touch would not revive kid. and gone along with him would be vital information to catch his murderer.

shinichi heaves a deep sigh. he has never used his abilities on dead people since that one incident as a child but he couldn't shake off the look on hakuba's face. it was now or never. shinichi reaches for kid's hand.

---

pushing daisies au #1

[finelythreadedsky]

wait i think actually madeline miller's circe is the heir to margaret atwood's penelopiad, unintentionally, in the way it thematizes the impossibility of real solidarity among women.

bc it's such a major part of the penelopiad how penelope creates what she thinks is a real community, a sort of family, with these young women in her household only be to reminded and continue to reinforce that they are slaves over whom she (among others) holds the power of life and death. and penelope ultimately does not or cannot hold a lasting grudge against odysseus on their behalf. she aligns herself, or circumstances force her to align herself, with odysseus instead of with other women whose positions are even more dangerous than hers. the world they live in does not allow solidarity between women across lines of class and enslavement, and penelope is also complicit in maintaining that world and her place in it.

and then the thing i found so frustrating about circe was that at every turn miller forecloses the possibility of real connections between women-- but the thing in this world that prevents that is just, like, jealousy over men. and totally needlessly. the other nymphs are prettier. glaucus loves scylla and not circe. her mom never liked her. hermes doesn't really think she's hot. athena is a rival for odysseus' attention. and the book doesn't do anything with this, it's not due to structural power imbalances or a society built on enslavement or even how patriarchy pits women against each other (circe lives alone on an island outside of society that could be another writer's lesbian separatist utopia!), it's just that circe doesn't like other women and they don't like her. end of story.

much as i don't love what atwood does with helen, it does make sense in the context of the penelopiad! thematically and in terms of characterization. atwood's penelope has internalized this idea of what it means to be a good woman and, willingly or not, she's staked everything on being seen by men as a good woman. it makes sense that she's desperately trying to pull herself up or even just cling to what little she has by dragging other women down. she does to helen what she ultimately does to the maids. she's with and for odysseus, always, not helen, and not the maids. that's the kind of world she lives in, and while she likes to think that she's resisting it with a sort of radical female community, in the end she is its agent. even if she feels bad about it. she's here to tell a story about odysseus, not about the girls he killed.

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[nenoname]

still love how the book starts out with stan beating up the statue and taking ford's discarded one dollar bills and then ends with stan completely destroying bill and ripping up money just to spite him

[mega-banette]

Not at all going insane over how in ‘A Light or Something’ Swan sings “Then you’ll go” while Mercy sings “Then we’ll go”

And then in the finale when Mercy says “I need to be free” and Swan says “Stay with me” ???? The implications