#this doesn’t apply to mutuals for some reason them I can share with no problem

[sunnie-angel]

why is it so much harder to share your writing with people you know in real life than it is to share it with the entire internet

[safety-pin-punk]

A joint statement from @polyamorouspunk and @safety-pin-punk- this is NOT a divorce kids, it’s just setting some bOuNdArIeS

Dear Punks,

We are gathered here today to talk about a shared view of the punk culture specifically in the tumblr bubble that we share between ourselves and also with so many of you.

To be frank, we get a lot of asks, which is a joy for both of us, and we love answering your questions with our opinions, other’s opinions, bouncing things off each other and our other mutuals, and directing you to anything that you might find helpful in your inquires. However, we get a LOT of asks specifically asking for permission or “Is it okay if I…”, and we really want to stress a point here:

Asking what you can and cannot do to be considered “punk” goes against being punk.

We get so many questions asking “will I be considered a poser if” and the best answer we can give you is: whatever your question is, the answer is PROBABLY going to be ”no, you wont be considered a poser”, BUT, asking if you’re going to be a poser if you do ‘xyz’ thing is gonna be what makes you look like a poser. Part of being a punk is deciding what’s right for YOU. It’s going AGAINST the grain. If you are ASKING what is acceptable, you are not ACTING in a punk manner. Punk isn’t about doing what someone says is okay, its about doing what you think is right.

Not only that, but it is very draining on both of us to receive numerous asks like this. As much as we want to answer every ask that comes our way because we genuinely WANT to help, for people to ask us questions, and to come to us for advice, when there’s a buildup in our inbox of questions asking for permission, one after another, they can be really draining. (And honestly, with how often we get asks about being a poser, the term feels very overused and watered down to the both of us). (We are taking the term poser away and putting it on the tall shelf kids).

Key loves getting asks about punk history and culture, and Punk loves getting asks about DIY tips, what’s worked for them, and both of us love talking music. In fact, we both listen to non-punk genres quite a lot as well, such as metalcore and pop rock. So, yes, we’re both team “You don’t need to listen to punk music to be punk”. But like with everything else, there’s a level of subtext in that statement. There are so many different genres of punk music. There are also so many different genres of alternative music in general. When the two of us say “You don’t need to listen to punk music”, we are not talking about the people who listen to music that explicitly goes against punk values. And we would hope that if you are existing in punk spaces online, that you can reason your way to understanding that without us having to explain it every time it gets brought up. 

And that goes for more than just that specific idea, there’s a lot of things we say that should be taken with nuance and your own critical thinking skills should be applied to. And on top of that, its also important to remember that we ALL come from different backgrounds and have different life experiences that have shaped our views and opinions. Because of this, we would also like to point out that you should not be asking us questions that involve us being your moral compass. Asking for opinions is one thing, but asking for what right and wrong is another.

There are punks out there who we’re both mutuals with who have differentiating opinions on topics, like whether or not punk is a music-based or political subculture at heart. Us having differing opinions than some of our mutuals doesn’t mean that us or them are less punk than each other. Since part of being punk is about thinking for yourself and going against what the mainstream and the masses think, then it makes sense that we don’t all agree on the smaller details. When it comes down to the real big problems, on topics like fascism, or bodily autonomy, or queer rights, etc., that’s what really matters.

We’re not the perfect role models for punk culture. We’re messy, flawed, human beings like everyone else. We like problematic things. We say shit that doesn’t always come across the right way. We can get irked easily from things on tumblr, either by asks we get or posts we see. We’re more than just our blogs. We have whole other lives outside of our punk worlds. We have different styles of fashion, different music tastes, etc. We do not live and breathe being 100% the perfect punk 24/7, but we try our best to make a difference where we can.

We genuinely enjoy being part of this community, but we also reserve the right to not answer asks that make us uncomfortable in any way, even if they come from a place of genuine desire to do what’s right. And again, we both do genuinely enjoy questions that ask for our opinions on topics, but asking for our opinions is a LOT different than asking for permission, which is something that we’ve both said a few times, but we feel like might not be reaching everyone who is thinking about sending in an ask like that. We thank you for taking the time to read this, and hope that our friends and followers understand where we are coming from and respect our wishes and boundaries on these matters, and hope you choose to continue along with us on both our individual and joint content.

[electricbluebutterflies]

4 and 5 just scream Garcy to me.

Usual post-canon-divergence, PG-ish, also on ao3.

4. “You can’t keep doing this.”

It’s been a while since Lucy has shared so much space with another human being, and never under these circumstances.

Her relationships don’t make it that far, okay? It’s always been talk about getting a place together, maybe even tour an apartment or two, and then something comes up, usually something about her that isn’t good enough, and-

She’s not delusional enough to think that her current situation compares so easily to her past, but the fact remains that she has no idea what she’s doing here and even less idea how to resolve a few… unfortunate habits.

It makes sense, objectively. She’d needed to hide, and she’d been spending most of her time up there anyways, and she’d been willing to curl up with a blanket on the floor and she made that very clear the first time she intentionally asked if she could stay and… of course that didn’t fly, because Flynn is at least generally chivalric if not totally in love with her and okay that’s a problem she doesn’t have time for, and-

She hadn’t meant to appropriate his bed. And, through some combination of logistics and well-hidden masochism, that put him on the chair. The chair that she is truly amazed he hasn’t broken. This won’t do.

She tolerates said logistical issues for a few weeks, long enough that she can get used to the advantages she gets out of them, long enough that she makes one little comment about being cold and the next day an extra blanket practically appears out of thin air and there are questions she knows not to ask and-

She tries not to pay too much attention. She cannot, under any circumstances, ruin this fragile dynamic before anything’s even really happened. But it is way, way too obvious that the current sleeping arrangement isn’t working out.

He won’t say anything, she knows. Guilt remains a good part of why she’s the only currently living being who can consistently get him to do anything – although the other women on the team are getting there, Lucy’s starting to notice, the dynamics different but at least consistently positive – and there is no doubt in her mind that any attempted sacrifice on her side, no matter how small, will not fly. It’s strange to be so adored, so uncertain of what the other person wants but aware enough that this is the only sphere in which they are capable of holding back, and-

“We need to talk,” she says towards the end of the night, towards the point where that man will once more fold his body into a space that is not comfortable and still pretend in the morning that nothing hurts. He thinks he’s subtle, and it’s almost cute and that’s not a word she’s used to applying to him and she kinda suspects no one else ever has, maybe the dead wife did, that sounds like her sense of humor from the bits and pieces Lucy has heard, and-

“So talk.” Unintimidated by her, by that phrase that has never meant good things in her octaves, but used to it. Progress, somehow.

“You can’t… you can’t keep doing this,” Lucy says, gesturing towards the chair vaguely behind them. “I know it’s not comfortable and-“

“I would suffer through worse for you.”

Yep, she thinks. Guilt. A different person, in this situation, would take more advantage of it. She, on the other hand…

“That’s almost my point. It’s not an ideal situation, and it needs to change.”

He’s quiet for a moment, looking her up and down, not quite like prey but close, like-

“And what change would you prefer?”

“I think that bed could hold both of us,” she says. No reason to be subtle when this is going to get weird either way. “It previously held you, and I’m small, and-“

“And you would be alright with that?”

“I’ve been falling asleep in here on a regular basis for a month and the strangest thing I’ve woken up to is an extra blanket over me. I trust you. Might be a little awkward, but I’ll deal.”

“And you would…”

They are not discussing the mutual passive attraction. Not right now. This just isn’t the time, Lucy decides, and Flynn won’t do anything first, not after all they’ve been through, and-

“You might have to cuddle with me a little. To make it work. But I’m in if you’re in.”

He does not outright say no. He does not say anything, for the moment. But later in the night when she gets tired, she curls herself up on the side of the narrow bed closer to the wall and… it is nicer to have another person so close, she decides. Wrapped around her as she’d expected, the space just a little too small for comfort, and-

“This is what I want,” she murmurs. “Let me have it.”

[anagramtransitory]

1.I’m just afraid as always of being called simple or predictable because of my warmth and my kindness and my strength and my energy. It’s the worst feeling when that happens, as it often does. They’re simple misunderstandings and understandable misappropriations of suspected motivation(s) in another person. But they do hurt because it’s me and I want to be understood immediately and completely by all people always. Which not only never comes close to happening, but which insists on happening with people who’ve known and observed me for years, and who still barely seem to know me at all or still have me all wrong in the opposite direction(s) from reality. And I know myself pretty well, both as animal and mind, and I know what’s obvious pretty well, so I know when people should be able to infer and visibly see things, and when they’re more complex to understand and recognize. And I know that very often almost everyone doesn’t even try to see the obvious, for whatever reasons they have. And those reasons tend to be cynical ideas. At least, that’s what I’m guessing, maybe falsely, back at them, in a false-understanding, ridiculous, self-escalating unchecked-by-communication-or-by-rethinking, dually-made, “mutual misunderstanding of the other ping pong match”. But I feel like. I feel like it’s not that hard to reasonably guess that the reason people refuse to see me for myself is because they’re blinded by thoughts and ideas they have that don’t allow for the ideas I embody to truly exist in the way that they do, right in front of them, and right in front of them inside me even when I’m not in front of them acting them out in specific contexts. That they’re non-context-specific, general ideas I embody and apply to my entire existence because I believe in them and also crucially because /I choose those ideas continuously./ I, specifically, go out of my way and choose, specifically, those “cynicism-unharmonious”, and unusual, and non-utilitarian, and unhelpful-to-oneself/one’s-survival, and collectivist, and unnecessary, and un-called-for, and apparently random, and deeply complex/deeply personal, and highly understood, and thought about in detail and with intense emotion for years, if not merely for multiple days, in a row, beforehand, ideas. I choose specifically those ideas that are all of those things at once, usually. Pretty much all of my ideas and my behaviors are like that. At least, the ones I’d say reflect me as a person and as a personality to predict things about and to understand. Rather than things that are just, like, problems, quirks, or uniquenesses, which clearly aren’t good and don’t appear to be examples of thought feeling and planning but rather absences of all 3 due to lack of functionality or lack of caring/prioritizing those things in my own mind. Things like my lateness, my speeding, my dui, my lack of accomplishment, my stuttering, my silence, my inclination towards sharing interesting information I’ve learned rather than personal facts about myself and my life, both of which are obviously troubled. Or should be, if the obvious is obvious, which it barely is. So yeah. I’d say it’s fair to say I can reasonably guess that it would take some serious near-universal-application-cynical-philosophy of some kind to make people apparently refuse to see the reality right in front of their face for what it is, aka the realities of the ideas that make up my personality and my existence in life as a whole pretty generally and without fluctuation and without changing my mind. Even as a person who changes their mind more than like, everybody, and is totally willing to, no matter what the cost is, if I think the truth demands it and the benefit to society and myself is worth it in the long run. No matter what the new ideas are, or how much they hurt me or I don’t want to agree or see or think about them. They’re true, and good (good for people/the world ultimately in the long run), so they’re my ideas, even if they’re just lists of ways I can’t be happy, and the reasons why that never fail to be true and underlying.

[makeste]

some meta about Izuku, Katsuki, and trust

and choosing to trust is the real bridge that goes to accepting that person as a part of your live again and what the offender has to earn. I think the interesting aspect of Deku and Bakugou's relationship is that Deku has always trusted Bakugou, and I would say more than he had forgiven him at the start of the story (where he does show more frustration and resentment towards Bakugou's behaviour and see him as a jerk) but despite that he can always trust Bakugou to him himself, attested to

the fact that Deku feels very confident about how Bakugou will act or what Bakugou's true motives are and probably the reason why he always sees Bakugou as a hero despite his hurtful behaviour is because Deku 100% trusts Bakugou even if he's doing something disagreeable or that will hurt him. Knowing someone and trusting is not exactly the same and I see it as trust because of Deku willingness to be co-operative. On Bakugou's side he is mistrustful of Deku and thats where the communication

breaks down and there has been plenty of meta exploring why Bakugou has deep rooted problems around Deku and his journey is him taking accountability of that and changing to be a better person. While understanding and miscommunication get their fair due I think trust and mistrust are the true bedrocks of the bkdk river bed because that allows for how they can still be so connected despite the miscommunication (with Bakugou mistrust is mixed with some trust) because of knowing.

anon I really enjoyed this, thank you for sharing your thoughts! I concur with just about all of this, and this ask got me thinking a lot about the nature of trust, and how it applies to Izuku and Katsuki’s relationship.

I think a lot of people’s reactions to reading the sentence “Bakugou and Deku have always trusted each other” would pretty much be, “???” and “lol what.” like, yeah, sure. they trusted each other so much that Bakugou decided that throwing a tantrum for ten years would be an appropriate reaction to Deku trying to hold his hand. classic Trust, right there!!

lol but I honestly think this is true, though. it’s just that there are different... levels?? types?? of trust. let’s go with types. there are different types of trust, and what makes Izuku and Katsuki’s relationship so interesting to me is that it’s kind of the opposite of what these fictional rival-type relationships usually are. it’s basically the difference between knowing, and understanding.

okay so first of all let’s back up here to make sure we’re all on the same page. we’re defining trust as “firm belief in the reliability, truth, ability, or strength of someone”, which is the Oxford Language definition and which works pretty well for me. you’ll note, btw, that the current relationship between Katsuki and Izuku more or less meets all four of these criteria.

reliability - both boys regard each other as dependable and are willing to rely on each other in a pinch (although Izuku is currently having some difficulty with that, but that’s another topic for another day).

truth - both are honest with each other, though not completely honest (this is the aspect that Katsuki still needs to work on, as he’s currently hiding his desire to atone).

ability - neither of them have any difficulty with this. Izuku admires Katsuki’s ability so much that he’s made it his own gold standard since childhood, and Katsuki respects Izuku’s ability enough that he made him his main rival, and never doubted that Izuku was qualified to receive OFA and become All Might’s heir.

strength - as with ability, this is another aspect of trust that neither of them has ever struggled with. in fact, a lot of their relationship struggles happened specifically because Katsuki never doubted Izuku’s strength, but feared it because he didn’t understand it.

so yeah. there’s a lot more trust between them than most people realize, I think. but the thing is that the type of trust they have is based more on knowing than understanding, and that’s where so much of their conflict stems from.

when I say knowing, I’m talking about the kind of awareness that comes from familiarity and experience. this is the type of trust that’s difficult to take shortcuts with, because it mostly just has to be accumulated over time. this is all about learning what someone is like through observing them and being around them. and it’s just as much about being known as well, because at the same time that you’re learning who the other person is, they’re learning about who you are. and that’s where trust starts to work its way in. it’s the slow unveiling of who you are, and laying it on the table piece by piece over time. and every time another little piece of you is revealed and accepted, and every time you accept one more piece of who the other person is in turn, that trust increases a little bit more. this type of trust takes a long, long time to build up, but in exchange the foundation it creates is pretty much rock-solid and nigh-indestructible.

understanding, on the other hand, to me is more instinctual. it’s about empathy and insight. and the interesting thing is that it’s possible to know someone for years upon years, and yet never truly understand them. and on the flip side, it’s also possible to understand someone within minutes of meeting them, even if you know almost nothing about them. if “knowing” is about learning who someone is, I would say that “understanding” is about learning why they are who they are. this type of trust isn’t necessarily always mutual, but it does necessitate forming a connection with someone. because empathy is such a critical component of it, it’s basically impossible to understand someone and not form an emotional connection to them in some way. this type of trust can be far more powerful and intense than the “knowing” type of trust, but the flip side is that it can sometimes be less stable and easier to break.

I think that the majority of fictional relationships, especially the ones that become really popular ships, are based more around the latter type of trust because of its intensity and unpredictability and potential for story development. the thing is, both of these types of trust are necessary for a good ship (and when I say “ship”, I’m talking about both romantic and platonic relationships just fyi). if neither type of trust is present on at least some level, then there’s really no foundation to start building up the relationship. so most of the time a ship will start out with one or the other, and then over the course of the story they'll work on building up whichever one was lacking.

and because of how stories work, the majority of the time we’re going to be dealing with characters who at first don’t know each other all that well. and so the relationships we get are ones where the characters first form some kind of emotional connection that builds understanding, and then over time they start to learn more about each other and build up that kind of trust as well. I feel like 90% of ships have this kind of dynamic. it’s the basis for things like enemies-to-lovers, fake dating AUs, and basically any kind of trope in which the characters get stuck somewhere and are forced to spend a lot of time together. it’s good, and it works.

but the fascinating thing about the relationship between Izuku and Katsuki, though, is that it’s actually the exact opposite of this. the premise of Izuku and Katsuki's story is that these are two people who’ve known each other their entire lives, but have almost no understanding of each other whatsoever. they know almost every little detail about each other, so much that they hardly even think about it. but all of their conflict is based on the fact that understanding between them is basically nonexistent.

and to me this is such an intriguing dynamic. the two of them know each other like the back of their hand. they’re familiar with the smallest habits. they can predict each other’s actions. they know how the other person thinks. and they have the kind of trust that comes with having seen the other at both their best and their worst. Katsuki is capable of letting his guard down around Izuku in a way he doesn’t do around anyone else. he cries in front of him on multiple occasions. he lets Izuku call him “Kacchan” long after their other childhood friends have stopped doing so. and even though he fears and resents Izuku’s strength early on, he also subconsciously acknowledges it in ways that even he doesn’t realize (e.g. “don’t you dare get into U.A.,” rather than “you can’t get in” or “you won’t get in”). he knows Izuku.

but he doesn’t understand Izuku. he knows who he is, but he doesn’t understand why. he knows that Izuku is strong, but he can't wrap his head around the nature of that strength. and because he lacks that understanding, this vital aspect of the trust between them is lacking, and is all too easily broken when Katsuki falls into the creek and Izuku tries to offer his help. Katsuki knows that Izuku is a good person, but he doesn’t understand that goodness, that selflessness, and so he’s mistrustful of it.

on the flip side of the coin, however, Izuku has the utmost faith in Katsuki. to him, Katsuki is the strongest, smartest, most capable and most amazing person in the world (aside from All Might). and Izuku, unlike Katsuki, actually does understand his childhood friend at least a little bit. he understands Katsuki’s reasons for wanting to be a hero. he understands that Katsuki is not just mindlessly pursuing strength. he understands that Katsuki’s motivation is about overcoming obstacles and beating challenges. and most importantly, he understands that Katsuki, in spite of everything he’s said and done to Izuku over the years, is fundamentally a good person.

and this is crucial. because, along with the bond of familiarity they’ve built up together over the years, it’s this other, one-sided bond of understanding that is responsible for their relationship enduring for as long as it did despite everything. as you put it, anon, Izuku’s trust is ultimately what becomes the bridge between them. on some level, he trusts in Katsuki’s innate goodness. he believes in it in spite of all of Katsuki’s attempts to persuade him otherwise. e.g. when Katsuki suggests that he go jump off the roof, Izuku is hurt by the words, but he never once takes them to heart, because he knows on some instinctive level that Katsuki doesn’t mean them. and so he grumbles to himself about Katsuki needing to think before he speaks, but aside from that he never gives the words another thought.

Katsuki would no doubt consider this yet another example of Izuku not caring enough about himself or taking himself into account. but it really is more than that. the reason the words don’t cut deep in spite of them being vicious and well-targeted is simply because Izuku knows that Katsuki isn't truly that cruel. and he knows that on a level so deep that Katsuki is never able to break it despite his best efforts. he can’t break it, because there’s nothing to break, because it’s true. the reason the relationship endures in spite of everything is because deep down Katsuki is fundamentally a good person, and so Izuku’s trust, in the end, is based on truth. and so it never fully breaks, and eventually, it becomes reciprocated.

and that’s what their story is all about. it’s two people that have known each other their entire lives, but have to work in order to build their understanding of each other. unlike many ships, they start off already having that foundation of knowing and being known, and so their story instead is about forging that connection of empathy and insight. and it doesn’t come easily to them at all. but they keep at it.

anyway, so thank you again for sharing your thoughts on this, anon. I didn’t even get into the topic of forgiveness, but I agree with you about it being a process of letting go of negative feelings and resentment. I also agree that forgiveness is a separate thing from trust, but I do think trust plays a big part in one’s decision to forgive or not forgive. it's a lot easier to forgive if you have an understanding of the other person’s actions. and it’s also far, far easier to forgive if the offender’s actions are long in the past. and because the latter is now true in Katsuki’s case, that shows a pattern of him learning from his mistakes and not repeating them. which further builds trust, especially in the “reliability” department. and so even though forgiveness and trust are two separate things, they’re still connected. and in many ways, by working to rebuild the understanding between him and Izuku, Katsuki is also working towards earning Izuku’s forgiveness, even though that’s ultimately something that can never truly be earned, but can only be granted.

I’m not sure if I’m really making my point very clear here lol, but basically what I’m trying to say is that while the relationship may have once been one-sided in this aspect, it’s not anymore. it’s mutual, and they’re both putting the work in. and Katsuki is also doing his part without any guarantee or expectation of forgiveness on Izuku’s end. it’s unconditional. he’s doing it because he wants to atone. and he’ll continue to do it whether he’s forgiven or not. and that’s important. it’s important because it shows that the relationship has value to both of them. and it’s important because neither of them wants to lose it. they want to fix it; they want to make it stronger.

and ultimately what that means is that the relationship will continue to endure, despite their ups and downs. because even though it may have started out as something incidental -- two boys who just happened to become friends because they spent a lot of time together as children -- it’s not, anymore. it’s no longer just something that happened, something that just accidentally came together. it’s something that they’re both working to build. they want to trust each other. they want to understand one another. their relationship is no longer something that simply withstood and persisted -- it’s something that is now being nurtured. and you love to see it.

so let's see, how do I even begin to tl;dr this post lol. something something blah blah blah trust, understanding, childhood friends, knowing someone, having faith in someone, being the recipient of that faith, and working to become worthy of it. they're very confused, but they care about each other a lot, and they are good boys.

[oogaboogasphincter]

The 50/10 Method (Agent Whiskey x f!reader)

Summary: Jack makes the most of your 10 minute study break. 

Word Count: 2.7k+

Rating: E (explicit) 18+ ONLY! bc this is just cringey smut lmfao

Warnings: smut (oral (f receiving), unprotected p in v sex (obvi use protection irl), very easily and conveniently reached orgasms (this is a fantasy i can do what i want skjfkd), dirty talk, one (1) allusion to thigh riding and one (1) instance of 💙spitting💙, fingering, positions i hope i've given enough detail so y’all can imagine what i was picturing💀), pet names (sweetheart, honey, cowboy *affectionately*, good girl, baby), there’s a sentence about reader having long-ish hair, reader and jack have a dog, swearing, reader is afab and is called things like good girl and the like, just overall trash grammar and structure 😇

Author’s Note: so this is very poorly written and extremely self-indulgent, as i myself use the 50/10 method 🙃. but i had a lot of fun with it, and i think that’s what writing is supposed to be all about! :) also i was heavily inspired to write this after reading “Take a Break” by @mellowswriting​ and “Study Buddy” by @pascalpanic​. please go check those out because they’re absolutely fantastic!!!!! +while you’re at it, i would highly advise you to read anything on their masterlists bc they’re just 💜exquisite💜

gif by @thernandalorian​

The lines of text on your computer screen are starting to blend into each other, creating a single run-on sentence that one of your previous English teachers would ridicule the author for. The sharp curves and angles that distinguish each letter from the next are becoming soft and dull, blurring into each other until your brain can only recognize it as a smeared streak of black on white.

It’s 11:00am on a Saturday, a big exam set for the upcoming Monday’s morning. You don’t feel rushed for time, or overloaded with unknown material, and the early hours of the day have been quite productive. Following a shared breakfast of homemade waffles in bed with Jack, your boyfriend, you didn’t complain when setting up your study station on the living room’s large oak table. If anything, you had been excited to begin studying early in the hopes of finishing your review by the end of the day. That way, tomorrow would be free for you and Jack to do whatever you pleased.

However, as the hours went by, your motivation was slowly but surely diminishing. The serene study atmosphere that you usually thrive in is now driving you mad. You yearn for a noise, any noise; a bird to sing a song in the tree outside your window, the smack of your dog’s loose wrinkles against each other as he attempts to shake the sleep out of him, a pencil unable to stop itself from rolling and dropping onto the floor with a tink.

You’re momentarily gifted with the crisp sound of a page turning. You flit your eyes over to gaze upon the source of your granted wish and your heart flutters in reaction to the sight: Jack’s resting on the couch, cowboy hat balanced on the back of it, deeply absorbed in the next installment of his favorite murder-mystery series. You find it curious that his desire for an adrenaline-filled challenge doesn’t stop when he comes home from mission after mission that nearly cost him his life. You’ll ask him about his insatiability one day, but for now you categorize it as fictional research for his Statesman assignments.

Your short glance quickly turns into an entranced stare. Jack looks... divine. Fetching. Luscious. As he’s lying on his back, neck propped up against the arm of the couch, his book balanced on his chest, relaxation radiates off of him in waves and utterly seduces you. You’re surprised that he hasn’t been a greater distraction to you throughout the morning. How have you managed to ignore the denim-wearin’, plaid-shirted, pornstache-sportin’ cowboy of your dreams that is only a few steps away?

Involuntarily, the thigh muscles of your crossed legs contract in an effort to bring some semblance of friction to your now weeping core. Similar to your imaginings of your dog earlier, you shake your head to force these heavy, unwanted feelings to dissipate and turn back to the work in front of you. Of course, Jack does the opposite of what you’d like him to do and takes an interest in your fidgeting. He peeks over the top of his book, “You cold, sweetheart?” 

His question is reasonable: you’re purposely wearing a skirt that’s so short it rides up quite high when you sit. You don’t dare to meet his eyes and answer while pulling a textbook close and opening it up, “No, I’m okay.”

Fortunately he returns to his reading. Your attention is able to retain itself for about a paragraph, but then your mind takes a sharp detour back to those pesky, steamy desires. You mentally huff at your inability to remain concentrated on your studies and rifle through the options of what you can do to satiate yourself for the time being. 

You could switch texts and force your brain to recognize the change and therefore become distracted. You could pick out some colored writing utensils and bring some fun to active reading. You could say fuck it, go straddle Jack and beg him to use you in whichever way he would like.

Jack interrupts your brainstorming, “Are you sure you don’t need a blanket or sumthin’? I can go get my jacket for ya.” 

The attentiveness of your southern lover melts your heart. You turn to him, “No, really, I’m okay, thanks.”

“I wouldn’t count a bathroom break as taking away from your 50 minutes, honey, if that’s what’s makin’ you twitch.” 

You had been implementing and strictly adhering to the 50/10 method all morning: study for 50 minutes, take a break for ten. Its effectiveness was never doubted, as it has proven to work for you for years. Only ten minutes into this 50 minute period, the devil of restlessness pokes at you and makes you think could time go by any slower? A hand comes up to cover the blush creeping across your cheek as you dismiss Jack’s suggestion, “No, that’s not it.”

Behind your embarrassed hand, Jack cocks an eyebrow at you. Your simple choice of words has given the Agent a hint, that there is something that’s bothering you, he just hasn’t figured it out yet and you don’t want to admit what it is for some reason. He returns to his book, however lost in thought about what your problem could be, while you task every cell in your body to pay attention to your studies. 

35 minutes remain on the clock, and Jack guesses, “Did you have too much coffee?”

You can’t help but grin at his sleuthing, “No, I just had my regular.”

He conjures up another possible solution five minutes later, “Are you itchin’ to get out of the house? We haven’t left in two days.”

He’s getting warmer. Both of you know exactly why you haven’t left the house in two days: you’d been occupied with activities of the sinful variety. You can’t gauge yet whether or not he knows he’s dancing around the answer, “Baby, you’re distracting me. And nope, it’s not that.” 

He smiles apologetically, “Sorry,” and uses his book as a partition, blocking your ability to procrastinate and just visually drool all over him.

Silence fills the next 20 minutes. Even though Jack is out of your sight, details from your observations exaggerate themselves in your mind to the point that they’re all encompassing, intoxicating. The way his jeans wrap around his legs ever so perfectly, the worn denim hugging those muscular thighs that he loves for you to grind yourself against when you’re feeling especially desperate (like now). How his plaid flannel slopes over the swell of his belly, stretching tight against his skin as his diaphragm contracts and deflating when he exhales. Even his large feet, strewn about lazily on the couch, his toes pointing in different directions, amuse you. 

Ten minutes remain in your study session. Feeling guilty about spending the majority of the last hour envisioning the seductive intricacies of your boyfriend, you actually start to study. 

“How many times do you think I can make you cum in ten minutes?”

Your eyes are ripped from your material and land on the menace lazing on the couch. He’s put his book down, one arm behind his head while the other is crooked, allowing himself to palm his cock through his pants. Jack’s wearing a shit-eating grin, bewitching your crossed legs to switch which one is on top; an excuse to apply more pressure to the yearning area between them. You fidget in the chair, shamefully trying to get the seam of your underwear to rub against you in just the right way. You shrug, “I-I’m not sure.”

He gets up and comes over to you, standing behind you and leaning forward to rest his chin on your shoulder. He murmurs in your ear, “I think we should find out during your next break.”

You turn to face him, “I think so too.”

He gives you a quick kiss, “Well, you better be a good girl and study for these last few minutes. Earn that break.” He places his large hands on either side of your head and turns it toward your materials, making you both laugh.

Somehow, you’re able to pay attention. Jack’s impending promise of ravaging you for ten minutes straight quells your jittering nerves and gives you something specific to look forward to. Before you know it, your alarm is beeping, alerting you that your break has commenced. Jack cages you by reaching forward and grabs the clock, programs it to ten minutes and keeps it in his hand. He grips the sides of your swivel chair, pulls it back from the table and spins you around to face him, the speed of the turn making your hair swoosh across your shoulders. Through mutual giggles, Jack lifts you up, winding your legs around his waist, your arms doing the same around his neck. “I want you to count for me how many times you cum.”

Breathlessly, you simply obey, “Okay.”

He practically runs to the bedroom. He sets the clock on the nightstand and turns the face towards the mattress so you don’t lose out on studying time. Tossing you onto the bed, your giggling continues as you bounce from the force. Jack hooks his fingers in your underwear and yanks them down, pulling them out from under your skirt and over your shoes. The way he wastes no time ridding you of any other garment makes blood and heat flood your center and air rush out of your lungs. He pushes your lost air back into your mouth with a kiss and then immediately retreats back to in between your legs.

He flicks the fabric of your skirt up onto your belly, letting himself have complete, unobstructed access to his early lunch. His fingers fondle your folds while his lips place sloppy kisses along the inside of your thighs. After he’s had his fill of that step, he sits back and stares at you: spread out for him, more than willing to take anything he wants to give to you. He blows out a whistle, eyeing your core, and you say, “Hey, you’re on the clock, cowboy. No time for dramatics.”

He nods, a smirk pulling at one side of his mouth, “You’re right, sweetheart.”

He spits onto your cunt, forgoing his usual gentle licks to adequately wet your pussy. A quiet fuck escapes your mouth as he plunges his tongue into you. Your fingers wind themselves in his chocolatey locks and pull, extracting an excited moan from your lover. His fingers knead the soft flesh on the backs of your thighs as he eats and when his mustache starts to tickle your clit, you’re done for. Your grip on his hair becomes vice-like and your whole body seizes up, constricted by enrapturing pleasure. You strangle out, “One.”

Jack unlatches his mouth only once he’s certain your first orgasm is complete. He stands, admires your wrecked expression, takes his cock out, spits into his hand and pumps his dick a few times. Hands slithering around your waist, he flips you onto your stomach and pulls your ass up, positioning you on your hands and knees. You’re a little bit dizzied by his manhandling in combination with his expert tongue, but this type of vertigo is the most enjoyable you’ve ever experienced. 

When he pushes into you, it’s a bit of a stretch because he hadn’t warmed you up with his fingers. He relaxes you by leaning forward, pressing his chest against your back and peppering soft kisses to your shoulder blades. The clink of his belt comically punctuates his thrusts, but your laughs are swallowed by intoxicated groans. You don’t know, and you don’t really care to figure out, how he already has you teetering on the edge of cumming again. Heightened senses tell you that you’re close; the fabric of his shirt feels unearthly soft as it brushes against patches of exposed skin, his fingertips are delightful lead in their clamp on you, his grunts and pants angelically reverberate in your skull. And then, suddenly and all at once, “Two.”

Jack’s pride shows itself in a smirk while he flips you onto your back. He makes a show of hooking your calves over his shoulders, eliciting laughter from the both of you. Resting almost all of his weight on top of you, your knees find your chest and his hands find your hair. The intimacy of it all is almost too much; his thumbs stroke your temples, palms cradle your head, those goddamned puppy-dog eyes bore into you. You turn your head in his grasp to check your timing: five minutes left. 

Jack’s tongue darts out to lick the pads of his fingers before he snakes it down in between the two of you to rub your clit. Your moans come out uncontrollably, your eyelids stutter and he eggs you on, “That’s it, sweetheart. Give me another one.”

Hearty moans are reduced to desperate gasps and you’re unable to verbally acknowledge the third orgasm that rips through you. Nonetheless, Jack can tell from the way your eyes roll into the back of your head and his name tumbles ferociously out of your mouth that you’re cumming. “’Atta girl.”

Jack takes his cock out of you and the whine that escapes your lips embarrasses you. He can’t help but laugh at your whimpering before he scoots down the bed and starts to eat you out again, framing his head with your quaking thighs. You find the strength to check the time, “Jack, there’s only a minute and a half left.”

He moans deeply into you, unaffected by your comment, and eases three fingers into your fluttering center. Like earlier, your hands fly to his hair like a magnet and find purchase so tight it makes your knuckles go pale. In a matter of seconds, circling your clit with his sopping tongue and tapping your g-spot with his deft fingers, Jack has you cumming yet again. This time you yell out the count, “Four!”

The sounds his ministrations make are lewd and exhilarating, pushing himself to his own precipice. You look down your body to find Jack’s other hand jerking his cock and his seed spilling out of him moments later. He groans into your pussy while you pet his hair, praising him for his efforts. 

Simultaneously, you both remember that you’re being timed. Your eyes meet the clock at the same time: 30 seconds. Jack springs from the bed and pulls you up with him, grabbing your discarded panties. He squats and taps your ankles so you lift your legs up, sliding each leg hole over your body and pulling your underwear up underneath your skirt. 

You fumble with his mussed clothes, stuffing his still-hard cock into his boxers, hiking his jeans up over his ass and zip and button them closed. You snake his belt around his waist and let his fingers do the work of buckling it before he picks you up bridal style and ushers you out of the bedroom, grabbing the clock off of the nightstand on your way out. 

Unhinged cackles follow you two down the hallway as you return to the living room. He plops you down in your chair, straightens you out, gives you a kiss on the cheek and then your alarm goes off. You raise your eyebrows at him, “Jeez, you didn’t waste a second.” 

He hums, then mumbles, “You get back to work now, babygirl,” and leaves you with a yearning kiss on the part of your hair.

Both of you return to your respective readings, hopelessly trying to downgrade your panting gasps to normal breaths. The absence of Jack’s warmth is already painful. But you rationalize that the indulgence of the last ten minutes is more than enough to get you through this next hour of studying, if not for longer.

Little do you know that Jack feels the same pain. His ache for your touch, sexual or not, will overtake him later and he’ll be unable to resist the temptation of coming over and distracting you again. Determined to finish your studying, you’ll propose a compromise: you can sit in his lap while he is lulled to sleep by the ambience of the afternoon rain and the enveloping comfort of you. The two of you can try to beat the record of four orgasms next semester. 

💘taglist: @pascalpanic​, @mellowswriting​

[hannigramficrecs]

A/B/O

The One That Got Away by whatacunningboy [words: 4,694]

Hannibal Lecter had this macabre air to his name. Everyone knew who he was and in what he specialized in—assassination was his trade and no one questioned it. He could make anyone disappear with a simple trick or two. He never missed a target, he was quiet, and swift. Yet, he missed the biggest target of all.

Ethics & Aesthetics by fragile-teacup [words: 106,330]

Pride and Prejudice omegaverse AU

Beginning and Ending by LittleUggie [words: 36,888]

19 year old Will gets cornered in an alley right before his first heat. Hannibal steps into help him out and decides he wants to keep the young omega. Will eventually comes around, against his better judgement. Let the mutual manipulation and power games begin.

I Could Just Eat You Up by orphan_account [words: 32,604] 

Hannibal breeds Will. A love story in bodily fluids.

Sirens Wail by Breakmybones [words: 48,495]

Will has been an Omega since his eighteenth birthday. He's been a Beta since his twenty-third. Finding a mate was never a priority - staying out of the spotlight and keeping his secret was. Enter Hannibal: dark, dangerous and keeping secrets of his own, Will knows what he is from the beginning, but he's more interested in understanding the beast than slaying it.

Bright Hair About The Bone by MissDisoriental [words: 484,669] 

In a world where omegas are little more than trophies to be bought and sold, Will Graham has done the unthinkable by escaping a forced bonding. Already in high demand as a profiler, Will's determined to find freedom on his own terms.For Hannibal Lecter the outlook is far more straightforward: a slow, systematic seduction of the most uniquely captivating omega he's ever encountered.As the shadow of a new and terrifying serial killer falls over Baltimore, the stage is set to redefine all accepted meanings of passion, temptation, horror and beauty – and to discover the ecstasy of a genuine love crime.

Not Interested by Watermelonsmellinfellon [words: 64,333] 

Will Graham, an Omega of forty-four years, finally finds himself interested in an Alpha. The only problem... that Alpha is not interested in him! And he can't stand it!

The Only Place I Can Hold You by snapdragonpop007 [words: 27,865]

“Hello, Jack.” These past two years had not been kind to Will Graham-Lecter. The solitary confinement that Chilton had promised would help had only seemed to make the omega worse. “I was wondering when you were gonna come talk to me.” Will hadn’t looked up from the book in his hands. He was running his fingertips across the pages, and when Jack looked a little closer he could see that it was full of photographs.

Friends To Lovers by Sirenja, TigerPrawn [words: 8,008] 

When Harry Met Sally AU

Consortio by kelex [words: 23,088] 

Every Omega in the land is brought to the lord on the evening of their first heat. Lord Hannibal usually doesn't choose to exercise that right, but this night's offering is too much for him to pass up. A virgin Omega in his first heat, with brown hair, blue eyes, and a spirit that can't be broken.

Sharing A Bed by TigerPrawn [words: 4,150] 

Will, Hannibal, Jimmy and Zeller are sent to Butfuck Nowhere on a case and the small hotel has messed up the booking leaving them with only 2 rooms between the 4 of them. And specifically Omega Will having to share with Hannibal, the only Alpha on the trip.

Stormchaser by YouAreMyDesign [words: 6,465] 

One thing, Hannibal knows absolutely; Will is empty, all the time. He aches to be filled.

Pathology by YouAreMyDesign [words: 14,129] 

In his periphery, Hannibal's head tilts. "Tell me," he purrs, "how exactly does one your age come to enroll in an FBI training facility?"

There Will Be Bells by Entropyrose [words: 36,639] 

In Georgian England, male omegas are very rare diamonds. Baron and Baroness Graham have a plan to build their wealth and social status by offering their son Will's hand in marriage to a mysterious older Duke, an Alpha named Lord Hannibal Lecter. Will's personal feelings need not apply.

Alpha Mart by slashyrogue [words: 63,164] 

Will needs an alpha. After years of fake knots, half-assed suppressants, and his own damn hand during heats he’s reached the end of his rope. He doesn’t do dating so he decides to waste his life savings and hype with the current trend. Alpha Mart.

Enchanted By Your Name by CarnivalMirai [words: 9,207] 

“Now, my husband would prefer it if I got the job done quickly.” He says, slashing down the back of each gag as he passes each man, watching as the silk falls gracefully to the floor. “However, I want to have some fun. Considering you’ve troubled my husband so much… it’s only fair, right?” One of the men whimpered fearfully. Or: The name "Will Graham" is a name you'll only ever hear once.

I've Been Building Black Ships by cloudsarefluffy [words: 8,116] 

Alpha Hannibal moves to the States with his sister Mischa after being overtly done with the fancy life of a count, and his blind omega neighbor gives him an insight into love that he never quite expected.

A Rare Find by hit_the_books [words: 5,379] 

Life as an omega bookseller can be quite lonely. However, as the owner of Graham’s Books, Will Graham is reasonably content. That is until he meets—long-time customer and crush—Doctor Hannibal Lecter in person for the first time. Attraction blossoming between them both, Will agrees to a dinner date with the good doctor.

We All Have a Hunger by 1ntothew1ld [words: 12,260] 

Hannibal will ensure a properly slow and painful death for an alpha who allowed a beautiful young omega to go to waste as this one has. Too skinny for his own good, a stuttering and humble mess. The likes of the omega in front of him belonged at Opera houses and in million-dollar mansions, not scrounging for his next meal. Meek and afraid in some disheveled row house. When he finally looked back up the alpha had to conceal the utter punch to the stomach that meager glance was, blue eyes full of innocence but also hunger.

The Doctor Is In by Kummerspeck7 

Will nearly scoffed. "You can't expect me to believe you'd want anything other than a delicate flower to adorn your side, keep your ostentatious home, bare you the exact number of children you want--No more, no less-- all while being available at your whims." "Not at all." Hannibal disagreed. "I would no more put a wilting flower in my home than in a bouquet given as a gift. Tell me, Will, is that how you are treated? Forbidden from work, cloistered inside and used at Mr Brown's discretion?" "My Alpha's discretion." Hannibal looked pointedly at the curve of Will's neck, free from a single scar. "Not yet he isn't."

Sugar by Sweaty_dogman [words: 12,659] 

Hannibal finds himself hung up on his friends mother, desperate to find ways to spend time with the omega. Will Graham is a beautiful, kind and single omega. The young alpha finds himself struggling to keep his emotions hidden.

No One Falls the Way We Fell by HigherMagic [words: 9,206] 

Five years ago, Hannibal's mate died, leaving him with their young daughter. He's tried to move on, but Abigail keeps interrupting his sleep and insisting that she can see her mother in her room at night. Hannibal turns to Alana for help, and Alana gives Abigail a doll, someone to talk to and help her accept her mother's passing. Once the doll arrives, though, strange things start happening in Hannibal's house. It's impossible to consider, of course, but if anyone could defy death and return to them from beyond the grave, it would be Will.

Proud of You by CarnivalMirai [words: 11,748] 

Will worked right up until labour to make money, through all the sickness and fatigue and swollen ankles, he worked to bring his little boy the best life. And it has paid off. As of last week, Hannibal has sent off his university applications. Medicine at Johns Hopkins, Harvard Medical School, Stanford University, and the University of Pennsylvania. He’s applied for a scholarship at all of them, and Will desperately hopes he gets it. He knows he will. He’s Hannibal, after all. His baby can do anything.

Venus Is Bright by wolfgraham [words: 7,237] 

Tomorrow, he tells himself, tomorrow he'll set new rules, boundaries. He'll tidy up Hannibal's room and give him the talk, and download Matefinder on his phone. But is it so bad? So bad to wish that the world outside the two of them would just disappear and leave them be?

Creator by Caidepgun, wolfgraham [words: 5,589] 

Will and his son, Hannibal, have an unusual relationship.

My First, My Last, My Everything by TheBl00dyFl0wer [words: 14,930]

Will Graham's encephalitis gets out of control and messes with his hormones, mutates him. May I present: Will Graham, the first known Omega.

Room 205 by HotMolasses [words: 9,220] 

Will is an Alpha, but in name only. He's a hotel maid at the Graham Bed & Breakfast. He considers himself a freak; an Alpha with no knot, who dreams of a powerful Omega to dominate him. He's pretty certain that because of this, he'll be alone for the rest of his life. Then he meets Hannibal Lecter.

Howl by multifandom_fanfic_writer [words: 7,083] 

When omegas go into heat, they go feral. Only an alpha strong enough to subdue them is a worthy mate. Will Graham has never found anyone worthy. After all, there is only one alpha Will plans to submit to – and he doesn’t even know their name.

Careful, He Bites by maxxeoff [words: 10,328] 

Will Graham is a feral child. His dad died when he was five, and he lives with a wolf pack until he has his first heat. He's found, brought to Baltimore. Dr. Lecter takes an interest in him.

Predator by eijirouN_17 [words: 7,619] 

Will hasn't presented, he doesn't give off any scent at all so everyone, including himself, assumes he's a beta. Then Will goes into heat. At a crime scene. In front of everyone. And Hannibal tries so hard not to go feral.

[jett-dawson]

🌈 RH POSITIVITY🌈

DISCLAIMER: this doesn’t exactly have to do with the dolls, the creators, etc. it’s literally just about the web series alone. i figured since i have been feeling quite negative in the doll community, i kinda just wanted to shed some positive light on my current comfort show. also, you don’t have to agree or anything! not that these are really opinions... they are more facts with evidence from the show haha.

FEATURING:

Ruby Anderson

Poppy Rowan

Sunny Madison

Jade Hunter

Skyler Bradshaw

Violet Willow

Bella Parker

Amaya Raine

❤️ RUBY ANDERSON - she’s a supportive girl. she is always there for her friends when the right time calls for it. we can often see her being supportive of violet’s channel (at least in the earlier episodes), her working hard to complete group projects, her complimenting their friends, her bringing them up from their worst moments and more. some of my favourite scenes of ruby being supportive is definitely in episode three when poppy was showing her music to the a’s. you can see ruby excitedly standing there with her thumbs up for poppy. another great scene is ofc in episodes five and six when she immediately dumps the boy she was interested in just to go comfort skyler, because she knew she needed it. i also love how she was supportive of bella’s feelings and was quick to defend them. she truly cared for her roommate and was rightfully upset to see her go. the group as a whole is usually supportive of each other and each other’s decisions, but i have noticed a lot of that hype is channeled through Ruby’s support

🧡POPPY ROWAN - she’s a dedicated, passionate artist. poppy definitely has a personality, i just don’t think it’s as prominent as the other girls. poppy doesn’t usually get the spotlight (other than in her two respective episodes) and she doesn’t usually get into drama. i noticed she’s usually in the background or remains neutral during drama. so we really don’t get to see sides of her like we do with violet, ruby, or jade. but she’s still really sweet! she’s a total goofball, loves to be silly and is clearly close with sunny. she dedicates her time to her music, a clear fixation. she relies on music for comfort and to express her feelings and emotions. when feeling homesick, she found comfort in the sounds of the waves from her home. when excited, she loves to pay hard attention to her music, and just simply channels all creativity into that. it’s not that “being a dj” is her only personality trait, it’s the time, effort, love, creativity and passion that is part of her personality, and part of anyone ever for that matter!

💛SUNNY MADISON - she’s the sweetest friend. sunny is always there for those she loves, no matter what. a perfect example would be w/ violet. she grew up w/ violet! they are best friends! seeing violet attempt to drift away for her was an obvious stab at sunny’s heart. and while i wish the drama lasted a bit longer and not get resolved off screen, it’s clear that sunny still loves violet & they worked past those problems together. she is seen hyping violet up, supporting her vlog, bringing up past memories, etc. even when violet had wrongfully exploited bella, sunny still remained loyal to violet because of how much she cares for her. another perfect example would be with amaya. amaya was the new girl, and came at the wrong time. she did absolutely nothing wrong and sunny knew this. on the other hand, the other girls’ heads were clouded with judgment because they had just lost their very best friend. sunny knew she had to be their for amaya. she’s caring that way! she welcomed amaya, & immediately grabbed her hand when first walking in to introduce her to the girls.

💚JADE HUNTER - she’s a loyal defender. i figured she wouldn’t just be some mean girl who had this cold, hard exterior for no reason. luckily, we get to see a soft, goofy, lovable side with jade. she’s emotional. she’s dependent on positive energy & comfort. she gets these through doing what she loves & caring for who she loves. her being a loyal defender is clearly seen in episodes 5-9. she was defending ruby & skyler when yelling at colin. when bella was leaving, she was quick to be upset. that’s her girl & she was no longer going to be there! even though bella didn’t fully listen to jade, she didn’t waste any time blaming bella. she immediately was filled w/ powerful emotions. she wrongfully took them out on amaya, which had reason, but wasn’t right. she ended up apologizing & grew from it/developed. same with the violet situation. violet did something wrong, and it filled jade with powerful emotions. what jade did was wrong, even with good intentions. but in the end, it got resolved and they moved on from it. development!

💙SKYLER BRADSHAW - her emotions are powerful. i often hear talk about how emotions and feelings are lame. “get your head out of the clouds & come back to reality.” statements like that are hurtful, and i can 100% imagine them being hurtful to skyler. she takes a lot of things personally. she didn’t know how exactly to feel when she found out colin and her were no longer a couple. her thoughts were all over the place, & it took the help of a friend to bring her back to her senses. skyler is more than just “colin’s girlfriend”. even though she’s shy, she’s got big talent. it’s like ruby and even skyler herself said... she may not talk a lot, but she loves to let her artwork speak for itself. and she clearly channels all of her emotions and feelings into her artwork. so these creations speak a thousand words. she’s always the mutual one, taking emotions and thoughts into consideration. never picking sides, always being reasonable and rational. she’s not just the shy girl. she is arguably one of the most mature girls in the group!

💜VIOLET WILLOW - she is outspoken, loud & proud. i will confidently say that she’s been doing better since her dev. arc... she was always looking to record this n that, only ever talk about her vlog, ignore others feelings & just wanted to focus on her channel. focusing on what you’re passionate about isn’t wrong! it’s abt how you handle it! she was shown the cold, hard truth in episode 11. she had to experience a similar pain that bella was feeling to understand what she did wrong. and ever since then, she hasnt really started any drama or been involved in any! she definitely is a passionate girl. it’s good to be outspoken! it’s good to put your thoughts to words for the public to hear! she just wants to have fun as an entertainer & share school stories w/ her audience. needing a friend to bring you back to your senses isnt always bad! it’s the development that counts! she just wants to enjoy her time with her friends! i do want to point out that scene in the recent episode (15) where she asked amaya before posting the video of her dancing.

💗BELLA PARKER - she’s an impulsive, hard worker. bella likes to work hard & get the job done. this can be seen in episodes where she’s trying to complete school tasks or help her friends with their situations. she also clearly puts effort into friends! she stopped everything during the escape room just to have a fun moment to cheer jade & her friends up. when she knows what she wants, she goes for it. even if it takes a little debating, she will go for what she is passionate abt. this is seen in episode 7, and is unfortunately at the expense of her space at RH. yes, she broke a rule. yes, that is technically wrong. but the rule was sort of dumb, and she rightfully applied for that internship with her idol. i, too, would do just about anything to get a chance to work with my favourite celeb! honestly, bella was gone too soon, especially considering how many episodes there are. it’s all just truth anyway. she’s a supportive, caring, goofy, impulsive, hard worker who honestly means nothing but the best!

🤍AMAYA RAINE - she isn’t afraid to stand out and show some spirit. amaya is definitely a feeler. she feels things at a deep level and just wants to make a significance at her dream school. she unfortunately entered at the wrong time, but was luckily able to work hard to solve the problems. even though she was filled with negative emotions about the drama, she still found ways to be positive, whether it was by trying her best to fit in and work with the girls on their project, she tried her best. and in the end, succeeded! it seems she likes to take the lead during some things, but definitely isnt someone who fully picks sides during conflict, especially when it has nothing to do with her. like skyler, she is someone remains mutual and can see both sides of an argument... sort of in a diplomatic way perhaps? she’s obviously a strong girl who lets her emotions take full power, and she is definitely a bold character. i really hope we can see more of her personality develop in these final episodes and see how bold she truly is!

[astrologanize]

*this is about your next mutual romantic connection - it could be that you both like each other but nothing may come of it, it could be someone you choose to date casually or not, or it could be someone that you go on to enter a serious relationship with. it’s a ‘connection’ for a reason! what you make of this connection is your choice, this is just the next mutual romantic connection that is coming towards you (yay for free will)

please take a moment to take a deep breath, ask yourself the above topic, and select the icon you are most drawn towards

pile 1: this person is not the most forthcoming with their emotions and i wouldn’t say that they’re cold but they are emotionally constipated. you’re showing up as closed off though so both of you are hesitant when it comes to romance, or at least for this romance in particular. it could be possible that when this connection comes around you’re still not entirely over someone else which is why you’re not as quick to get attached to this person. you’re going to need to decide whether you are going to move on from the previous person and pursue this new connection wholeheartedly or, if that doesn’t apply, then you’re going to have to work through the emotions of discomfort with this person by sharing your worries and concerns and make a more conscious effort to bring that sense of togetherness. to be fair this person reaaally needs to learn how to be bolder with you anyhow because they aren’t very expressive about their feelings for you so you’re both needing to learn how to open up in different ways. as your icon, the north star, suggests - it’s a time to figure out where you’re going! will you move on? will you make the trek towards opening up? something has to bring brightness! 

pile 2: this person has been through some things but they’re overcoming those issues or have already overcome those issues so this person doesn’t want to allow for anything to knock them down again Or this person has not properly dealt with past woes so they struggle with having healthy connections. for the former it will seem at times this person can shrug things off or have the mentality of “like water off a duck’s back” and it’s not from a lack of caring but because they’re trying to avoid pitfalls. for the the latter, this person shrugs things off because they genuinely don’t have the will to deal with it. this seems like a connection where neither of you expected to like the other because they aren’t your usual type at all and you’re not what they were looking for but somehow a romantic connection formed. i don’t see this as being a long-term connection because neither of you are heavily invested but if you both wanted to invest in it then the expectations would have to change (lol aka there would have to be some) and there would need to be quite a bit of effort put into this. honestly i think you both kind of like the freedom that the connection grants so idk how well the transition to a relationship would go with the workload it would require. your icon is the plum and a plum is great for keeping things in motion; it’s important that in this connection you remember to keep things regulated and adaptable because the best thing you can do in this connection is remember that this is uncharted territory so do your best to stay nimble without losing yourself 

pile 3: this person is spacey and they’re not what you think they are (which doesn’t always have to be a bad thing), its a tip of iceberg kind of person where there’s an internal jumbling under the surface so it may take awhile to feel close to them. this could be a connection that becomes a serious relationship because it seems that you’re both rather committed towards the long haul and there is a good level of reciprocation happening in the connection. kind of not surprisingly enough though, you do need to work on intimacy issues when it comes to this connection because it seems like you have some emotional distress due to past attachment issues and you could be the type that gets uneasy when things are too settled. this person’s biggest enemy is themselves and they easily feel like they did something wrong and get caught up in negative mental patterns so they have to learn to inject more positivity. your icon is the cupcake so when it comes to this connection you need to take a bite and enjoy the sweetness; like the “cupcake phase” of a relationship you have to make sure you continue to keep that lighthearted, saccharine quality so that the relationship doesn’t become stale or make you feel trapped. embrace this connection in spite of fear because love will always be a gamble and there will be rough patches but if it’s worth it, it’s worth it

pile 4: this person radiates youthful energy so they may seem immature or naive but they’re a joy to be around. you will feel like the mature one between the two of you and i am seeing that the connection is more in your hands than theirs so you’re the one who is initiating most of it. this person takes on a c’est la vie attitude so i wouldn’t count on this person being the best at serious conversations or being the type to face things head on. this connection will take both of you out of your comfort zones - you’re going to have to work on your tendency to play things too safe and this person is going to have to be more willing to demonstrate substantial effort instead of flying by the seat of their pants all the time. with your icon being (blue) crystals i feel that this connection is an important experience for you in teaching you how to find relief because there’s both a liberation and an acceptance that’s needing to take place. there is emphasis on this being a connection to experience above all, i’m not seeing any definition so i doubt this will become anything serious but it’s a connection that could alleviate something that has gone repressed for a long time

pile 5: this person is all over the place. the icon of the car is showing through right from the get-go i guess lol. you’re not in the clear though either because you’re seeming like you’re trying to control the connection out of fear and there is a concerning lack of accountability on your part. neither of you have a clue what to make of this connection, there is emotion and attachment to each other but too many mind games are taking place and intentions are obscured. this person is going to feel iced out by you with the way you’re behaving, like they’re way in over their head because they aren’t feeling that support from you - it’s mostly just you asserting harsh boundaries that make them feel like they don’t have a say. it’s okay for you to take the lead in this connection because this person does have problems with focus but it’s not okay for you to be so heavy handed. when it comes to this connection you’re going to need to keep things light and open and the car icon may also suggest that this connection could benefit from some adventuring/traveling (covid safe pls). this is not a connection that fits into a box so don’t try to force it to 

pile 6: this person tends to fight the tide in life and it seems like they attract hardships because of it - they may seem like they can never catch a break almost. they might be older than you or more experienced because you’re showing up in this connection as being juvenile and using this connection as a way to bide time. this person has fixed energy though so despite the fact that they are the committed type, it’s also them having issues with taking things too seriously and not wanting to change their expectations. as your icon suggests, there is cyclic behavior happening from both parties and within this connection and both of you are needing to learn responsibility in different ways; you’re needing to learn to be more practical and heedful while they’re needing to learn to not take things so seriously and be more responsible in the sense that their expectations are unrealistic and unfair. you should let this person care for you, i gotta be honest and say that i’m not seeing this connection as necessarily equal but it does very much seem like this person is wanting to give and it can be a lesson of you learning how important it is to have someone that does ground you. this connection is specifically beneficial for you, not exactly a symbiotic connection, so if you’re wanting to learn about priorities and follow through then this person/connection will provide the opportunity to do so. since this person is pretty set in their ways i’m not seeing a loss or a gain on their part, it’s like you have a tree (them) in front of you and whatever is growing on it you can choose to take it or leave it. this one was interesting because i was like ??? is this manipulative??? but since this person is lowkey trying to have the upper hand and does prefer being the provider i don’t see the problem in you accepting what they offer - do still be aware though and don’t let this become a dependency or about power plays

[weaselbeaselpants]

Weird week behind me weird week ahead of me but I’ve done a lot of self reflection and came to the weirdest epiphany. The older I get the more I realize all my ‘problems’ with VivziePop - her thoughts on criticism;  the choices she makes in story telling; some of the people she’s worked with (not that any of that’s my business; I’m not her mom) really aren’t about Viv, but more about her fandom.

I’m speaking of the preHazbin era Viv here and as someone who’s only watch horny fish jump at the surface rather than jump straight into the Hazbin-fandom, but given my ‘noncritical’ fellow fans have told me that the Vivziefandom now is also terrible - I guess I’ll go over my experience and make the most out of what I do know.

I followed Viv in 2009 and fell off in 2013 cause I kinda just lost interest and found myself wrapped up in other fandoms. I’ve always felt amicable about her content; I could give or take designs or the way in which she wrote characters -- ((Zech represent!!!)) but it’s honestly surreal and really fun seeing this person I recognize make it big and improve so much. Like I’ve said before I am very happy and very impressed with Viv doing all she’s done in the span of TWO YEARS. wow gurl.

Trouble is, there was the particular breed of fan who really made me...uncomfortable. They felt almost possessive of Viv’s attention. They sang praises about her work in a way that just made me want nothing to do with it because I was worried if I drew those characters these people would be like ‘hey, I’M Viv’s fav artist, not you!”. They would  unironically write Viv messages like:

“you are a GOD” -- “I’m so not worthy compared to you” --“I wish I was as talented as you” -- “YOU ARE EVERYTHING AND CAN’T DO WRONG VIV”.

The kind of messages which were meant to sound flattering but, intentional or not, came off as gaslighting, like they were guilt tripping Viv about being better than them. This behavior, treating your favorite artist/internet personality like your superior and groveling like Starscream, it strikes a nerve with me; partly because I was this way with my favorite artists and influences back in the day,  but also because once I got a taste of that treatment myself I realized just how bad it could be:

There was once a girl on dA who was jealous of me because of the attention I got on my art instead of her. I told her that I wasn’t gonna stop drawing but also that there was nothing wrong with her art and she’d find her place. It was weird being put in that position where someone is very clearly upset at you but also looking for your approval.

The second was some scumball who I blocked in 2016. He wouldn’t speak to me, only write condescending, backhanded comments on my art; check on my profile daily; call me a bootlicker (cuz I took commissions) behind my back; redrew my art and would talk about me in his personal artist notes about how I ‘probably wouldn’t see this’ - oh yeah all the while he did fan art of my characters but again never spoke to me when I replied. When I finally messaged him about his behavior he said he thought I was “really overrated” and “bad for the fandom” cuz I took money and kept him from getting the love he deserved. It took messaging another person within our fandom, one I had been in spats with online before, to finally realize I shouldn't put up with that bs....

That guy who was stalking me btw did so while I was well under 1.K watchers and am still pretty obscure. Anyway, I had one guy unhealthily watching me for the wrong reasons. Just one. This is why when Viv says she “hates creeps” I 150% believe this woman and am not about to call her a liar who just can’t take criticism. Like, if you really think that, I’m sorry but you don’t know what Viv’s gone through from both her critics AND fans.

Of course, a lot of people will be like “I bet you’re just jealous and really just want that kind of attention yourself so you’re preaching to the choir”, but like...no. I am envious of just about any creator who’s the social butterfly I’m not, but, like, if I'm jealous of an artist none of that is that artists’ fault. Ever. It’s my own issues with being comfortable with myself are at stake. If I criticize Viv’s work it’s not because I see her as competition or my Squilliam Fancyson; it’s because I’m a critical fan of animation and cartoons and have my own thoughts to share on the cartoons of an artist I’m familiar with.  Jealousy/envy/mixed-admiration/godIwishthatwereme.jpeg feels are totally natural and valid emotions when you’re a creator. Envy becomes a problem when you internalize, weaponize, and scrutinize people on the basis of them being what you aren’t which -yes - some people do in the name of criticism. ((Although, I would hardly say some of the nastiest AntiViv folk are jealous as much as they are angry that this project they think is harmful is getting attention and using that as justification for some really shitty behavior of their own, which no, this post is not a part of by virtue of coming from a critical fan.))

Critique can come from either a good place or bad place; good critique can be used to bad ends and bad critique can come from a well-meaning place, and vice versa.   It’s the difference between many a criticalfan having a sour taste in their mouth regarding the Viv’s base but persisting in a critique+admiration separate of that, and this asswipemonster trying to weasel his way into Spindlehorse while also bashing Viv on a public forum for clearly vitriolic reasons. He was a creep.

So yeah um please stop insisting that every Hazbin critic is just jealous’ because a) there are people who have a past with Viv’s base and that clouds their judgement, but in a lot of cases that doesn’t invalidate their feelings or thoughts on her work separate from that, and b) I’ve seen what clingy gaslighting jealous fans are. Spoiler: they’re not so much Annie Wilkes as much as they are Tommy Wiseaus. You don’t want Tommy Wiseau following you.

Another bad vibe I really picked up on that I can kinda confirm is still probably the case now: people think that they know Viv and the Spindlehorse crew and have the right to send them shit they don’t need or WANT to be seeing.

Like, I talked with Viv once ages ago. I don’t remember what I said other than we were talking about Frankenweenie, I think. She was nice. Outside of that she said “thank you” to my comments on her deviations but that’s it. I DO NOT KNOW THIS WOMAN AND unless you’ve worked with or are a legit friend/mutual of hers, NEITHER DO YOU. But I don’t think every Vivzie stan/critic knows this. Whether it be people assuming she MUST think they’re headcanon is now canon-canon cuz she liked a comment they made; or some critic thinking they must have seriously hurt her pride because they’ve been blocked by her on twitter (or you know, maybe she and the rest of Spindlehorse is tired of getting @s and don’t have to time to read through your analysis so they’re gonna just block and move on cuz they’re busy).

Just because the creators talk with fans doesn’t mean fans are literally their best friends and have a part in the show’s direction. And yes, critics and reviewers fit that bill as well. Know your damn boundaries people.

If you find/make some kind of contribution as a viewer that’s awesome but you should never expect nor DEMAND the creator see it. The most obvious horror stories involving this and Helluva/Hazbin have been the Instagrams made by the crew being harassed by incestpedo enthusiasts, but it applies even to just @ing creators as well.

I’ve seriously had someone tell me to just take my criticisms directly to Viv and like...no. Why would I do that?

I respect Viv and the artists working with her enough to know that they’re working their asses off on an animated series and should not be bothered. I don’t want them to stop all they’re doing and reply to me. I want them to keep working. Also, that kind of logic makes me wonder how many critics Viv’s found because she found it on her own or if some obsessed fan told her about it - which is really messed up cuz if it IS just good critique you’re, again, just pestering her, and if it wasn’t critique but full on harassment WHY THE FUCK WOULD YOU MESSAGE HER ABOUT THAT ANYWAY? I’m sure she doesn’t need to be reminded that people drew and said really awful shit about her on Tapatalk. My point being I’m sure what people think they’re doing is

“OOOoh Viv lookitwut this person is doing in our fandom we need to ban together against this toxic behavior”

but what they’re actually doing, and sounding like, is -

“Hey Viv I know you are working so hard on the show and you’re trying to figure out where to go from here but LOOKITWHUTTHISHATERSAID. LOOKATIT! VALIDATE ME VIV AND PUT’EM IN THEIR PLAAAAAACE!”

TL;DR Viv’s fanbase back in the day consisted of everyman artists and interests but there was this one breed of fan -who I hope was just a vocal minority- that ruined it for everything else.

Call it stanning or ‘simping’ or as it’s classically known, ‘white knighting’, whatever it was it really soured a lot of people on her because of those fans.

That’s why the DollCreep drama got so bad from what I can tell. Doll and Viv had a falling out and then called out eachother online where people who took it upon themselves to speak for them starting throwing mud.

Back in the day I remember Viv used to get mad at artists for ‘stealing’ her style. I think this attitude from Viv directly has vanished but I remember it happening because one of the people she thought was stealing her style did art for me at some point and they were basically shamed/chased off deviantART by a gaggle of these really nasty Vivfans.

inb4> “VIV WAS AWARE AND STILL WEAPONIZES HER FANS THO”

I don’t know that. And honestly, where I’m inclined to believe she’d do something like that then I think Viv is really different and has improved her business and public image from her college days. I’d be very disappointed in her if she was pulling a Butch Hartman or Derek Savage, but I just don’t think she is one, k?

Viv is more self critical and aware than any of these uber protective-gatekeeping fans give her credit for. She said on the Pizzapartypodcast that she knows the Hazbin pilot wasn’t perfect; she’s been able to identify the problems with old Zoophobia; this woman knows that criticism of all kinds need to exist and from what I see she sounds like she’s trying to get used to that. It’s just, you know, when you have nasty antis badgering you, stalkers, obsessive yes-mam’ fans, opinionated shit posters, r34 artists, entitled shippers and the NDAs of a company alongside your own branded image - all that negativity, even the constructive bits, tend to clump together and you just want to scream at it so you can finish the damn cartoon already!!!!

TL;DR: PART TWO

VivziePop/mind is basically indie Tim Burton.  Her work is fun, shallow and made with love but is marketed as being for everyone when it’s really not. Parts of it I love to watch; parts of it drives me crazy cuz of reasonswhatev this isn’t a review.

BUT any fanbase where people tell me I should just “expect what’s coming to me” when I’m trying to argue against dragging creators into fandrama is troubling. People have a parasocial bond with fandoms and their creators and they need to learn when to back off.

[love-bokumono-fics]

Fresh Crops! Week of August 9 - August 15, 2021

The week’s newest fics and chapter updates posted on AO3!

Firsts - by tatertotarmy; Complete, 1/1, 1.5k

Rating: General Audiences; Archive Warning: No Archive Warnings Apply; Category: F/M

Fandoms: Story of Seasons (2014)

Relationship: Farmer/Fritz; Characters: Fritz, Raeger, Farmer

Additional Tags: Summer 2021 Bokumono Gift Exchange, First Dates

Summary: “Fritz.” Raeger shut his book and gave a hard look at Fritz. “You really just need to let things happen. Dates are half preparation and half enjoying your time. Unless the fireworks last a week, you’re seriously overthinking this.” “I just want to be prepared, alright!” Fritz sighed. “Just want to make sure that everything goes right by being super ready for everything! The most prepared boyfriend a guy can be on a first date!”

By Your Side - by EmeraldHaze15; Complete, 1/1, 1.1k

Rating: General Audiences; Archive Warning: No Archive Warnings Apply; Category: Gen

Fandoms: Friends of Mineral Town

Relationships: Popuri & Rick, Lillia & Rick, Lillia & Popuri; Characters: Rick, Popuri, Lillia the Shopkeeper

Additional Tags: sick parent, Hurt/Comfort, I'm Bad At Titles, Sibling Love, supportive family, Family Fluff, Family Feels, Crying, health scare, Alcohol

Summary: Rick and Popuri might not always see eye to eye, but they're united in their love for their mother.

What's In a Name? - by EmeraldHaze15; Complete, 1/1, 1k

Rating: General Audiences; Archive Warning: No Archive Warnings Apply; Category: Gen

Fandoms: Friends of Mineral Town, A Wonderful Life

Characters: Carter the Pastor, Ann the Innkeeper | Ran, Kai, Dr. Hardy | Paddock - mentioned, Carter the Archeologist - mentioned

Additional Tags: Names, Nicknames, Pseudonyms, Childhood Trauma, Bullying, silly one-shot, I'm Bad At Summaries

Summary: When Carter gets talking about the subject of names, an old secret comes to light...

Two in One - by PineconeTheKitten; WIP, 1/?, 1.3k

Rating: Mature; Archive Warning: No Archive Warnings Apply; Categories: F/M, M/M, Multi

Fandom: Trio of Towns

Relationships: Ford/Wayne, Female Farmer/Ford, Female Farmer/Wayne; Characters: Female Farmer, Ford, Wayne, Dessie, Inari, Witchie

Additional Tags: Alternate Universe - Fusion, Magic Revealed, Gods, Goddesses, Spirits

Summary: Ford and Wayne were once two people. Now they aren't. Holly doesn't know what to do. As it turns out, Ward is pretty into Holly, and she into him.

Frozen Confrontation - by johulia; WIP, 1/2, 4k

Rating: Explicit; Archive Warning: No Archive Warnings Apply; Category: M/M

Fandoms: Harvest Moon DS Cute

Relationship: Pete | Jack/Skye | Steiner; Characters: Pete | Jack, Skye | Steiner

Additional Tags: Enemies to Lovers, Pining, Fluff and Humor, Fluff and Smut, Boys Kissing, Swearing, Feelings Realization

Summary: Skye has been nothing but a menace to Jack since Jack moved to Forget-Me-Not Valley. Tonight, he's putting an end to it. -- In a world where we got Skye in Harvest Moon: DS not Cute.

Barriers - by krose13; WIP, 23/?, 165k

Rating: Mature; Archive Warning: No Archive Warnings Apply; Category: F/M

Fandoms: Friends of Mineral Town, Harvest Moon DS Cute

Relationships: Claire the Farmer/Gray, Ann the Innkeeper | Ran/Cliff; Characters: Claire, Gray, Ann the Innkeeper | Ran, Cliff, Kai, Karen, Popuri, Mary the Librarian, Rick, Basically the whole Mineral Town cast, plus Forget-Me-Not Valley

Additional Tags: Drama & Romance, Complicated Relationships, Sexual Content, Slow Burn, Alcohol Abuse/Alcoholism, Not for the kiddos, Fluff and Angst, Jealousy, Unplanned Pregnancy, trying to fit a realistic pregnancy in hm time is a challenge but we doin it, POV First Person, Mutual Pining, Drug Use, Dreams and Nightmares, Drowning, I’ll probably have to add more tags as we go along but

Summary: Unlike everyone else in town, Gray wants nothing to do with the new farmer. He can't stand Claire, despite all her attempts to befriend him. But when one small mistake leads to an even bigger problem, he might be seeing a lot more of her than they both had planned.

Winter's End - by ModernTsunami; WIP, 43/80, 220k

Rating: Teen And Up Audiences; Archive Warning: No Archive Warnings Apply; Category: F/M

Fandoms: Friends of Mineral Town

Relationships: Claire the Farmer/Cliff, Ann the Innkeeper | Ran/Cliff, Claire the Farmer/Doctor Trent | Torre; Characters: Claire the Farmer, Cliff, Ann the Innkeeper | Ran, Carter the Pastor, Duke, Manna, Doctor Trent | Torre

Additional Tags: Slow Burn, Grief/Mourning, Slice of Life, Hurt/Comfort, Friendship, Pining, Found Family, Eventual Romance, Love Triangles, Cliche, especially in the beginning, Alcohol Abuse/Alcoholism, Other Additional Tags to Be Added, Other Ships Not Mentioned in Tags

Summary: Cliff's life in Mineral Town changes with the arrival of a new farmer in need of guidance. As his relationships grow more complicated throughout the year, he finds himself grappling with the doubts of his past and present.

Photograph - by EmeraldHaze15; Complete, 1/1, 1.6k

Rating: General Audiences; Archive Warning: No Archive Warnings Apply; Categories: Gen, Other

Fandoms: Friends of Mineral Town

Relationships: Cliff & Heather (OC), Cliff & Carter; Characters: Cliff, Carter the Pastor, Ann the Innkeeper | Ran, Doug | Dudley, Heather (OC)

Additional Tags: Family Reunions, Crying, Dead Parent, Mineral Town, Emotional Hurt/Comfort, I'm Bad At Summaries, Sibling Love

Summary: A simple meal at the Inn changes Cliff's life completely...

The Cauldron’s brew - by Thefallen1986; Complete, 1/1, <1k

*Link not provided as fic is Not Safe For Tumblr*

Rating: Explicit; Archive Warning: Rape/Non-Con; Category: F/F

Fandoms: Harvest Moon: DS

Relationship: Flora/Witch Princess; Characters: Witch Princess, Flora

Additional Tags: *some tags redacted to remain sfw* Lesbian Sex, Seduction, Drugs, Love Potion/Spell, Restraints, Kissing, French Kissing, Non-Consensual Kissing, Corruption

Summary: Flora is forced a sample from the Witch Princess's Cauldron...

Wildflower - by EmeraldHaze15; WIP, 7/?, 14k

Rating: Mature; Archive Warning: No Archive Warnings Apply; Category: F/M

Fandoms: Friends of Mineral Town

Relationship: To Be Decided; Characters: Claire the Farmer, Harris, More to come, Basically the whole of Mineral Town, Ann the Innkeeper | Ran, Popuri, Rick, Mary the Librarian | Marie

Additional Tags: Tags Contain Spoilers, Abusive Relationships, Running Away, Bruises, Hurt/Comfort, mentions of prior abuse, Emotional Scarring, Trespassing, Domestic Violence, Pseudonyms, Tags Are Hard, Other Additional Tags to Be Added, Mineral Town, Peril, No Smut, Panic Attacks

Summary: The world is a scary place, especially when Claire is all alone. But maybe she can begin to heal in a little place called Mineral Town... Rated 'M' for heavy, dark themes and emotional trauma

Sakura Sisters - by LuluRuru; WIP, 4/?, 12k

Rating: Teen And Up Audiences; Archive Warning: No Archive Warnings Apply; Category: F/M

Fandoms: Friends of Mineral Town

Relationship: Ships will be revealed soon!; Characters: Claire, Naomi, Brandon, Cliff, Doctor | Trent, Gray, Kai, Rick, Elli | Elly, Jennifer, Karen, Mary the Librarian | Marie, Popuri, Ann the Innkeeper | Ran, Mineral Town Residents

Additional Tags: Family, Slow Burn, POV Alternating, Updating tags as I go

Summary: Mineral Town is the destination for these two sisters. Claire appears dainty and sweet but really is childish and a loudmouth. Naomi appears shy and uncaring but is perceptive and a go-getter. The two of them are here for different reasons, but both of them have to manage Sakura Farm together. Will Claire be able to find her childhood friend and the boy who saved her? And will Naomi be able to find her true calling in life? The road ahead will be tough, but these two can do anything if they put their minds together. After all, that's what sisters are for, right?

Stranded - by TheBeckster; WIP, 3/?, 7k

Rating: General Audiences; Archive Warning: No Archive Warnings Apply; Category: Gen

Fandoms: Trio of Towns

Relationships: Ludus & Siluka, Ludus & Iluka, Iluka & Siluka; Characters: Ludus, Iluka, Siluka, Tototara, Zahau, Caolila

Additional Tags: all aboard the childhood trauma boat!, Pre-Canon, Peril, Wilderness Survival, Mild Blood

Summary: Desperate for an adventure to break up the interminable boredom of a long summer, three kids set to the high seas and get way more adventure than they ever hoped for or wanted. AKA: Let's explore the Lulukoko Trio's shared childhood trauma!

[j-reau]

There’s something I want to talk about that’s been sitting in my head for a few days now. I kept telling myself not to talk about because tumblr struggles with the line between feelings and drama, between change or growth and confrontation and vauging.

That’s not what this post is for me. It’s not drama or a vague post. It’s trying to work through how I feel, trying to talk to the community at large about stuff I think we can do better, or at least stuff I want for me and for my friends and writing partners. 

I think somewhere along the way, in its inability to wrestle with grey areas, tumblr as a whole lost the middle ground between self care and hurting others, and in doing so turned communication into confrontation. I’ll be clear about something to start this off; you don’t owe strangers on the internet anything. You don’t owe someone an explanation as to why you don’t follow them. You don’t owe a mutual an explanation as to why you write with someone else more or where your muse goes that day. You don’t owe anyone your time. You don’t owe anyone your mental health. Curating a safe space is important. Creating boundaries is healthy whether they’re for you or for someone else. I believe all of that to be true and I think that it’s important that on tumblr we absolve some people of the pressure put on them by themselves. I was once stalked by someone who I had never once talked to on this website who demanded to know why I wouldn’t write with them. I did not owe them explanation. Not for why I didn’t follow them and certainly not for why I eventually blocked them. And once they messaged me over and over from different accounts, my boundaries had been crossed and I felt very uncomfortable. So I understand the importance of making sure people know that that kind of pressure is fucked up. Because of my decision not to follow them, that person posted at length about how I was an elitist, unfriendly, etc. They even threatened self harm and guilt baited. And it is instances like that where I think it’s important that we make clear over and over and over that you don’t owe people an explanation. 

With all of that said, I think somewhere along the way we started applying all of those posts about how to deal with toxic people and strangers and started applying them to our friends. And that’s where things get uncomfortable for me and worth talking about for me. So I guess that’s what I want to do. Because to me, you absolutely owe your friends some communication. You owe your friends a reason. Even if it’s as simple as “hey I think I need some space, please don’t contact me for a while.” Relationships come and go and on a website like tumblr we get very close to some people fast, or we talk a lot and share a lot, not everyone is going to click. Not everyone is going to jive and that’s okay. There’s nothing wrong with that. But in relationships, communication is a crucial and important part of adult hood. Ignoring problems isn’t adult. Failing to communicate isn’t mature or conflict free. My best and closest friends are the people with which I can communicate. And in some relationships you’ll learn that your communication styles don’t match. And that’s okay too. But communication is important to any friendship, partnership, etc. Something as simple as “hey can we not talk about that? It makes me uncomfortable.” Something as simple as “will you do me a favor and blacklist your posts about _____ because seeing them makes me anxious.” Or even communicating needs for validation like “I’m feeling really sad and anxious today. It’s nothing you’re doing but could you give me a little reassurance?” Or “hey I’ve been busy this week. It’s not you but I need some space away from discord.” Communications don’t have to be arguments. They don’t have to be confrontations. They’re just expressing a feeling and allowing someone else to then accept the boundary or need you express and meet it, ask questions if they need to or whatever it may be. Like for example, “sure I can give you space. Do you want to just hit me up when you feel better or should I reach out in a few days?” 

I think maybe part of it is about how we place value on “friendships” and on partnerships writing on tumblr. And maybe that’s where some of us differ and I also think is an important thing that should be communicated. For me, I write with hundreds of people. I love writing with people. I love having tons of partners and writing with any of my mutuals who want to. When it comes to writing and people who I have writing partnerships with, my communication style is pretty straight forward. And it starts from jump, communicating if we want to ship or not, communicating what kinds of plots we like. And then later when someone has to say “hey can we drop this thread and start a new one?” Or “Sorry I vanished for a month do you still want to write this?” All of those things are communications and to me, come with trust that you will be honest and receive the other person in good faith. of course, in hundreds of people that doesn’t always happen. Sometimes it doesn’t go well, and that’s fine. These are writing partners and while my communication style will always be the same and be as honest and straightforward as I can give it, it may not mesh with someone else’s. But then there are friends -- good friends. And by good friends I mean the people you talk to frequently. The people you talk to about how you feel, about what’s going on in your life, about your insecurities or whatever it may be. The people you write with frequently or have built a relationship with, the people you tell with your words that you love or that mean a lot to you. Maybe some people on tumblr use words like that lightly. I don’t know. But for me those are meaningful things and the people I consider good friends are not the same as strangers and are not the same as casual writing partners. 

Something is exchanged when we RP. I talked about this in my last post. I talked about how it’s not “just tumblr RP” how there are feelings and intimacy that is personal and terrifying in writing with people and sharing your creative work with them and opening yourself up to rejection and insecurity. When you RP, when you talk a lot, when you become friends with someone even if it’s on the internet, just as in real life, you’re exchanging trust. You are opening yourself up to vulnerability in expressing your feelings, in sharing your world with someone and they are doing the same by accepting that, caring for that, sharing their own, etc. To me, once you hit the point of having exchanged trust with someone, that’s when you owe communication of some kind. It can be as small as “hey I can’t talk today” and as big as “this thing you did yesterday hurt my feelings.” But it’s so important to do it. That’s important for a number of reasons. It’s important because maybe there is a misunderstanding that can be cleared up. It’s important because maybe that other person may not even know they hurt you and could apologize. It’s important because vocalizing your own feelings is an adult point of growth for you. And a number of other things. 

And I GET IT. Trust me, I do. Communicating is uncomfortable. What about how anxious it makes you? What about how you feel panicked and sweaty and your heart races and you worry that it won’t be well received. Trust me, we all have been there. It happens to everyone and it fucking sucks. But the only way that gets better is with practice. I can already hear the tumblr mentality that says “you shouldn’t have to feel that way if you don’t want to,” and there’s some truth to that. But any therapist will tell you that communication is the key to coming to the other side of that and that the more you do it, the better it’ll be, the easier it’ll feel. Having been in several relationships with people that projected their feelings onto me or held me accountable for their happiness, learning to communicate boundaries, learning to communicate feelings versus intention and all of that were huge for me. This isn’t something I popped out of the womb understanding. It’s something I’ll surely fail at a thousand times. But it’s definitely something important to me to learn. And I think it’s something tumblr can benefit from. Because while “let people block you” is an important mentality for strangers, for abusers, for toxicity, etc it’s not a good mentality for friendships and relationships. Ghosting your friends is really hurtful. Cutting people who mean something to you out with no communication or explanation causes a snowball of bad feeling and anxiety in allowing you to have closure on your terms and the other party to have none. Expecting people to handle hurt and confusion and sadness in private without ever talking about it to anyone is really fucking isolating. Tumblr mentality likes to push that we should be able to axe people without consequence, that they should not ever wonder why, that they can not talk about it to anyone else, or express their sadness. But isolating people in their feelings isn’t healthy and it isn’t adult. There’s a lot of hurt that could be avoided on this website by people learning to communicate and by accepting that sometimes conversations have to be had, even if we don’t like it. Or at the very least, taking ownership for the fact that if we don’t want to have a conversation, that that is on us and not on the other person for feeling confused and not knowing what happened.

So I guess where I’m at here is that I just wanted to talk about that area, and open the floor a little to remind people about communicating. And what I mean when I say friends vs. strangers vs. partners is that I think we also need to be honest with each other and ourselves about who our friends are. Because once you open that trust with someone, there’s responsibility there with what you do with that trust. So be aware of where you open that trust. Be aware of what you say and how you treat people. You don’t have to be best friends with everyone you run across on the internet. I certainly am not. Even people I love writing with may not be my close friends, but I make sure that those are people that I’m not being vulnerable with and sharing feelings about things with and expressing how important they are to me. They are of course still important, but it’s different. Don’t fake friendship with people. Don’t love people into the safety and security of trust and communication that you’re not willing to have. It’s okay if communication isn’t your thing, but understanding that and understanding how you treat people because of it is important. Because communication is important. To friendship, to partnerships, hell even to relationships with coworkers and family members. As a community, I think it’s really important that we encourage being more communicative, and that communication isn’t conflict, and that sometimes having a quick conversation about something where both parties get closure or can say their piece or clear things up is the absolute best way to handle things. 

[duraxxor]

Character Sheet: That Damn Trio

Uh oh, it would seem Duraxxor has gotten himself in a lot of trouble this time around! He’s been split into three pieces of his former self! Oh the humanity! Well there’s only one thing to do. What’s that? Well, we go on a wild adventure to put him back together, of course! That’s why I have decided to create character sheet to explain and every one of the fragments and their traits. So without further interruptions, let’s get down to the material! 

Character No. 1

Name: Daev  ( Pronounced just like Dave ) 

Race: Sin’dorei?

Height: 5′ 8″ ( down from the 6′ 4″ that he once stood at. )

Hair Color: Silver Blonde

Eye Color: None, his eyes are as clear as glass

Age:  “ I was only born not that long ago... I jest though... “ 

Physical Traits: When a person comes in contact with Daev, the first thing they may notice as his youthful appearance. Unlike Duraxxor as a whole, Daev has the physical body of a young adult that has suffered from lack of muscle. Despite this, he seems able to stand straight and maintain himself but is unable to physically apply the strength and running speed he once had. The scar that once dominated his features is now shrunken down and appears to have lining that almost reminds some of a stitching, so to speak. Perhaps even mending? The same can be said about the majority of his black attire that decorates his body other than the sleeve that appears to have torn on the right side. A thin trench coat and a pair of black leather britches that are only matched by a pair of boots below. One can also notice the pair of snake bites piercing on his lower lip that seem to have appeared as he no longer bears even a semblance of the elven fangs gene. 

Personality: Quiet and probably the most balanced of his former self. Daev seems to be given the nickname of being the Heart of the Trio. And with good reason considering he is probably the very being that keeps the other two in existence. He is never to quickly jump to violence and seeks to see how people function and feel. Selfless thought and under normal circumstances, kind to those that share a mutual respect for him and his space. Although he is the most attuned to multiple emotions, he has a hard time properly expressing them and it may even come out in a series of riddles. However, he does seem to have something to say for every type of person. 

Abilities: Lack of physical strength, Daev has to rely on his mind and quick thinking if he hopes to manage avoiding being killed off with the help of his familiars. It isn’t known whether he retains much of his weaponry training, other than having a dagger tucked away under his coat that appears to have a significance, or perhaps even symbolic value. Despite his familiars having their own personalities, he seems able to maintain control of them in certain moments and can even call them or dismiss them at will. Daev’s greatest ability is that he has so much untapped potential that is it unpredicted what he may learn in his stay within the Shadowlands. 

Character No. 2 

Name: Randdu ( Ron-doo ) 

Race: Familiar ( Bat ) 

Height: Unspecified, look to his Abilities for details

Hair Color: White

Eye Color: A mixture of Red and Yellow

Age: “ Look, man, give me a break. I only look old. “ 

Physical Traits: You feel a piercing gaze always watching you when you approach Daev with his avian shadow, Randdu. He takes on the appearance of most bats native to Azeroth aside from some defined features that make him appear more like a Fruit Bat from our world, bearing a canine-like snout beneath the leathery wraps that are his lengthy wings. Jagged claws appear to be on both the back legs and wing joints, giving him almost the look a humanoid if not for the fact he lacks thumbs. He is the definition of wild animal with personality. 

Personality: The reckless familiar that is highly regarded ( and prideful of himself ) as the symbol of Duraxxor. Randdu is also the loudest and most immature of the trio. He would rather pick a fight and see who is the strongest than listen to negotiations. He also possesses quite the appetite match this need for combat. However, this doesn’t mean he isn’t self aware when he is in over his head, being the quickest to also panic when he feels outmatched, that is until something goes right, then he will simply mock his foe. Warning: He may curse a lot. 

Abilities: Despite his reckless personality, Randdu is actually quite the powerhouse. He is physically strong and can easily pick up something that is three times his own size, which is only matched by the fact that he is able to grow and shrink his form based on the energy reserves he has obtained through his vampiric aura. The more he fights and succeeds, the stronger Randdu gets. Claws, teeth, and even a mind piercing screech are at his disposal. However, the magical affinity seems to lie more so in the fact he is able to cast a blaze of shadows about his form, giving him enough speed to perform a Wraith Flight, an ability that projects his vampiric aura outward and making mere contact results in the sapping of one’s raw energies. 

Character No. 3 

Name: Sphula ( Sph-ooluh ) 

Race: Familiar ( Serpent ) 

Height: 15′ 07″ in length 

Hair Color: “ Crimson Scales, you uneducated pig. “ 

Eye Color: Onyx 

Age: “ To old for you to know. “ 

Physical Traits: While Randdu is regarded to be the visible lurker, Sphula sticks to remaining hidden into his time is most appropriate. The lengthy serpent bears a strange familiarity to the Arcane Serpents of Northrend, but with many more rows of teeth and definitive fangs. He also lacks the ethereal skin until certain abilities are applied. Scales, bladed fings, and circular markings that are akin to chains, this crimson familiar seems to be the most colorful of the trio. 

Personality: Calm until provoked, Sphula recognizes his own intellect and will exercise it when it is most necessary. More often than naught, he is seen wrapped around Daev, whispering into his ear while chastising Randdu. For once to gain conference with Sphula would mean that you either have earned his respect or there is something of worth about you or upon you that he would sooner have you align yourself to their cause. Unlike the other trio, Sphula is not above breaking the rules in his favor. For he believes logic is more important in the case of survivability in the cruel world of a snake. There is one he deems the most worthy of his time: The Lady in the Red @sanguinesorceress​ . 

Abilities:  Not as physically strong as Randdu, Sphula is also a constrictor and has no issue wrapping his long tail around his foes or even applying it in a flailing motion to dispatch someone from approaching Daev. And speaking of which, did you know that snakes can actually jump three times their length? Not just this one, but he can also slip his entire length through objects much like a pocket space just to come out in a near forty yard radius. Sphula is also the strongest when it comes to the use of magic and intellect. He is able to conjure geomancy, hemomancy, umbramancy, and in some cases, cryomancy and pyromancy. But what would a snake be without his bite? Twin fangs possess a potent cytotoxin, which is a toxin that induces tissue necrosis. Keep your hands away from this snakes mouth!

OOC Information Station 

Rp Style:  When interacting with this blog or even the in-game character, I cannot always guarantee that you will interact with all three of them, just as I also cannot guarantee that one of the other’s won’t squeeze themselves into the RP. Otherwise, I am generally laid back and always up to most themes, including the dark and twisted. I am an adult writer and in most cases, I am not so easily triggered and easy to speak with. Please, don’t hesitate to ask questions as I may have an actual answer for them. I also would like to remind everyone that I have been roleplaying in World of Warcraft for nearly ten years. All I ever ask is your undying patience and kindness in return. 

Platforms: Tumblr, Discord, and In-game (Planned) 

If you have made it this far, congratulations. Now to get to the nitty, gritty disclaimer warnings and rules.

1. Roleplaying with The Trio means you have agreed to not knowing the original character Duraxxor is the true identity of these characters without the proper knowledge or permission. Should you regard him as Duraxxor, Alphus, Lord Daevara, Myotis, or any other former alias, it will be ignored in-character. Should this become a continuing habit, I will ask you personally to please stop trying to ruin the mystery of the characters. Let’s make this a fun plot for all, old and new. 

2. If you are seeking to fix the problem as quick as possible, then you have come to the wrong player. I am wanting this particular plot device to go longer than a few weeks or even months as the Shadowlands is going to obviously take longer than a single year itself. There’s going to be hurdles to make evolve these characters over time. You are welcome to speak about being a part of the plot where he attempts to fix himself though!

3. When addressing particular character questions, please specify who you are addressing to unless it is all the above or the mun. This makes my life so much easier and more engaging. 

4. Do not god mod my characters as I would not god mod yours. All of them have their own individual strengths and weaknesses and should be considered only through natural interaction. 

5. More importantly, be respectful and patient. This is a brand new concept I am playing with and I really wish to see it through to the very end and want those involved to have fun. 

Thank you all for taking the time to read this and I do hope that everything is clear! I look forward to roleplaying with everyone and enjoying the Shadowlands storyline! Happy Writing everyone! 

And if you have not read Chapter 1 to the Shadowlands storyline, here is a link to the story is here

[sepublic]

Eda and Willow

           All right, but @megadan94 brought to my attention that Eda and Lilith parallel Willow and Amity, and I’m kind of caught up over this idea?

           There’s that idea that a perceived power disparity separated the two… In Lilith’s case, she saw herself as weaker than Eda. Amity saw Willow as weaker than her, or at least her parents fed this idea into her head and used it as justification, until even Amity began to believe in it… At least to the point where I believe Amity low-key began to blame Willow for not being strong enough to be her friend. Obviously the parallels aren’t one-to-one here, but they never were amongst various character’s compared and contrasted relationships…

           Additionally, you have Eda and Willow as being innately talented and powerful, much moreso than Lilith and Amity! Lilith talks a lot about having to work smart to keep up, and Amity of course likely has her own natural skill as well; But it’s not as much as Willow’s, and it’s not enough to keep up with her parents’ incessant expectations, so she really has to invest so much time and energy into being the absolute best. Amity and Lilith, of course, also want to be in the Emperor’s Coven- Well, Lilith wanted to and then WAS, but now she’s left and is open to realizing how much it truly sucked in retrospect. Amity and Lilith both have a lot of genuine skill and talent; But they constantly feel the need to be better regardless, because they’re always compared to someone who’s naturally better…

           In this scenario, we have Lilith comparing herself to Eda, competing for that spot in the Emperor’s Coven- And then we have Amity likely being set up against Emira and Edric. It’s a mutual feeling of never being good enough, and not being able to recognize your own worth… Likewise, Eda and Willow are incredibly powerful, although both were restricted by the Coven System, and left unable to really explore their talents. Eda couldn’t pursue all forms of magic, Willow was stuck in Abominations… It’s only by an act of defiance to the rules that they’re ultimately given the chance to explore themselves. Eda and Willow also arguably have a nurturing side to them, compared to others in the show; Eda has her motherly instincts with the Bat Queen’s children, and Luz and King for that matter… While Willow is incredibly nurturing to her plants, and encourages the best growth out of them.

           Eda and Willow encourage others to be the best they can be; And you can make that comparison between them and Luz, who plays a HUGE role in both of their lives, too! And while it’s not overt, and possibly more speculation than actual canon… It’s worth noting that even with Willow’s past issues with Amity, she never really brings them up, nor does she get in the way of Luz’s friendship with her. Maybe she might’ve brought it up out of potential concern for Luz; But otherwise, Willow didn’t want to impose her own experiences onto Luz’s, and she wanted Luz to form her own opinions on the subject.

           And that’s… A LOT like Eda’s stance on Luz, joining Hexside! Hexside hurt and traumatized Eda, just as Amity did to Willow- But Eda still recognizes the worth of Hexside and what it has to offer, just as Willow knows that Amity isn’t inherently terrible and was a good friend in her own way. Eda and Willow know that Hexside and Amity mean a lot to Luz, and they don’t want to get in the way of that; At least, they don’t want Luz to get hurt. But they also recognize that their experiences may not be universal, that things may have changed- And sometimes they won’t until you put a step forward and let your loved one participate. Eda and Willow have rightful reservations about the institution/person that Luz wants to engage with…

           But in the end, they decide that Luz deserves the right to form her own opinion. They don’t want to hypocritically impose their own will onto others, and tell them what to do; Not after going through the same, with Eda and Willow oppressed by the Coven System respectively. And by letting Luz engage with the institution/person that hurt them… It enables Eda and Willow to make amends through Luz, and emerge so much happier as a result! By letting Luz do what she wants, Eda manages to change Hexside for the better, and Willow also does the same to Amity- They both indirectly help the thing that hurt them, and ensure that nobody else is hurt by it either! Eda and Willow just don’t want others to be hurt like they were… And by being emotionally mature and recognizing this, they open the true opportunity to protect not just Luz, but really anyone who would interact with Hexside/Amity…

           It also allows Eda and Willow to make peace with a painful past, too! Because Eda DID enjoy her time at Hexside, she had fun with Grudgby and loved learning, even if a lot of her curriculum wasn’t exactly legal… And Willow truly enjoyed Amity and cared for her and vice-versa, just as Bump really wanted the best for Eda, he was just scared by Belos! Just as Amity wanted the best for Willow, but she felt pressured by her parents… One way or another, Eda and Willow recognize the circumstances behind their split as a bit more complicated and nuanced than the other person being terrible- And this applies to Eda recognizing that Lilith was also indoctrinated by the Coven System herself. Which, coupled with their sisterhood and Lilith’s change of heart, prompts Eda to make the steps to forgive her… Or at least make amends.

           This is all making me imagine Eda being hesitant about Luz and Lilith interacting later down the line- But possibly not wanting to get in the way of either of them. Because she sees how much happier the two of them are for it, she doesn’t want to unproductively bring up old pains if it only means causing a rift… And Eda knows that Lilith could really benefit from some new connections, and by getting to know Luz, Lilith can respect her surrogate daughter and better understand Eda’s own decisions in life. Obviously I can see Eda being hesitant- But she just wants the best for people in the end.

           Then, you have Eda and Willow being ostracized. Bullied, treated as lesser, having their status as Witches questioned; Eda is called the Owl Lady, no doubt treated as a freakish monster, and loses her magical ability as the curse progresses. Willow is called Half-a-Witch and repeatedly bullied and tormented, until she really begins to form a negative view of herself, if Inner Willow’s raging state in Understanding Willow is any indication… Both Eda and Willow have a crisis of self-identity, of how they perceive themselves. But ultimately, Eda learns to overcome this, while Willow does so as well- Especially with Luz’s help! Both of them have also become rebels to the Coven System in their own way… Eda’s reasons are obvious. It took a while for Willow- But after seeing the injustice done onto Eda of all people, fittingly enough… She takes a stance.

           Willow rallies an entire crowd at the Conformatorium to vouch for Eda’s release, thereby planting the seeds of revolution (ba-dum tsss) in a way that Eda always wanted to as a kid, but never quite could… Up until Luz arrived. When Luz the outlier arrives, she really changes things for the better, and spurs Eda and Willow to put themselves out there, to be themselves- To believe in old passions and connections they miss, while also learning to grow as individuals too! Eda learns to connect with society again, ultimately leading to her having a hand in making a change through Luz; And Willow learns to stand up for herself, recognize the injustice of Belos, and lead a protest!

          They can both be powerful leaders and symbols of rebellion in their own right, so it’s appropriate that Eda and Willow serve as focal points for the revolution’s beginning in the season finale… Eda’s treatment being an example of what’s wrong with the Coven System, and Willow pointing this out to others. Willow recognizes Eda for who she is, and while a lot of this is no doubt influenced by Eda’s connection to Luz… It’s with Luz that I see Eda and Willow potentially connecting with one another more, later down the line. Maybe they have a discussion or at least see the similarities; I can see Eda thanking Willow or feeling indebted in her own subtle way, while being proud of Willow’s rebellion and encouraging it. Eda inspired Willow in her own way… And really, who’s to say Willow doesn’t inspire Eda, too?

          Willow’s friendship with Luz shows Eda that there’s a lot Hexside can offer the girl; Interactions with kids her age, to name one of them! And Willow vouching for Eda shows that Eda is a worthwhile person… The protest leads Eda to realize she DID leave an impact, that others appreciate her, and it’s not just Luz or King that like Eda! Even this rando kid appreciates Eda… It was Eda who brought Luz to the Boiling Isles in the end, and it was Eda’s maturity that led to Luz getting to hang out with Willow more at Hexside. Willow appreciates Eda for who she is for Luz, and how this indirectly led to Luz’s impact on Willow; And the same could be seen vice-versa, too! Eda doesn’t care much for Willow, but Luz does, so who is she to judge- Luz deserves to interact with other kids her age, make connections with the students! And it’s all just bringing me back to Really Small Problems, how Eda includes Willow as among being her ‘dumb kids’…

           Obviously Willow already has two loving fathers who are married to one another- But hey, who’s to say Eda can’t be a fun aunt to her? The more the merrier… I’d love to see Eda and Willow, subtly if not openly, recognize a shared solidarity and kinship among them. Maybe Eda says that she knows how Willow felt, when Willow brings up past frustrations with the Coven System; And I’m just enjoying that one time Eda pulled Willow’s hood over her head at Covention! Maybe Eda can teach Willow to really revel in and embrace herself, to unapologetically practice self-love, the way Eda learned. In some ways, Willow is like Eda as a kid- But things turned out better for her, than they did for Eda in the past… And Eda, she’s glad and happy for this, that nobody else has to go through what she did! And Willow can show her that, hey, things can turn out better for Eda too- Not just for the present, but even retroactively with old mistakes and grievances addressed.

[vroenis]

Part 2

This is part 1.

Can you tell how tired I was getting by the end? This is life under meds, but given the other benefits (I think?), I’ll take it for now.

When I woke up the next morning, I had a whole lot I was thinking about and it’s stuff I want to say given I said a lot, but didn’t cover this stuff. I’m still happy with part 1, I think that’s just how I write, moving from subject to subject more or less organically and it does show me to more unstructured even if there is a vague plan for how I want the piece to go.

Anyway let’s get going.

As always, mild spoilers for well, everything. If you haven’t seen this stuff and are mildly interested in watching them then ah, you may have a lot of catching up to do. I don’t think I’ll drop any real hard spoilers for anything but you never know.

Ghost In The Shell is an Outsider story

There are whole stacks of lore you could dive into with Stand Alone Complex in particular, with Motoko having been in an aircraft accident and getting her first shell (cyber-body) at a very early age, what that means, the thing with Kuze (avoiding spoilers here), and the extended cast - not that Paz, Boma and even Ishikawa get a whole lot of time anyway - but it’s not really that important.

Looking at just Mamoru Oshii’s 1995 film, and even more-so his 2004 film Innocence (not really a sequel but usually regarded as such), the narratives cast the characters very much as Outsiders. In the first film, Section 9 is already at odds with the government in general and while it’s subtle, Aramaki as a department head is certainly different from his contemporaries, even if we don’t see much of it - again, so much more of this in Stand Alone Complex. Motoko’s early conversation with Togusa in the first film is probably the most telling as far as playing it loud. She speaks in pragmatic terms to why he’s there, but this is a precursor to what will ultimately transpire for herself at the conclusion of the film, something very intentionally written into the film. Batou is also an Outsider in more ways than one, not only in the role he plays in the department but in the very clear personal boundary between him and Motoko. There are boundaries between Batou and everyone and they become more apparent in the second film. Togusa is easy pickings so I’ll leave him alone, suffice to say if the film needs one, he’s the audience’s window of ignorance which is why he’s discarded so willingly half way in. He gets his time in the spotlight in Stand Alone Complex and it’s pretty amazing.

As for Motoko... I admit it is difficult separating my understanding of her character from Stand Alone Complex and attempting to just isolate what’s shown of her in the first film but I’ll try.

I mentioned the film’s centrepiece montage in my previous journal, in which we might say Motoko is the centrepiece but if so, she probably shares it with the city itself, and I feel much more is being said about the two together rather than separated simultaneously. This would be one of the first indications of Motoko’s sense of identity, of otherness, isolation, questioning. Again the scene that plays it most loud would be diving on the boat and her speech to Batou. There are other moments tho; single frames of her face, looks, movements that are lingered on, I feel like Oshii is constantly telling us about her and what she’s going to do, but more important than that, why she’s going to do it and how she feels.

Ghost in the Shell is a film about great emotion, and not like I’d know because it’s been a long time since I’ve looked into the discourse around it, but I suspect no-one really talks about it as a film about feelings.

I realise these days I talk more and more about moods and art being mood pieces. I labelled my Instagram account as being “A catalogue of moods” and I’m very fond of the use of the word in vernacular. It might seem flippant but it’s immensely empowered, especially for me as an individual when I understand my moods and can translate them into, via and thru art. I do appreciate many struggle with Oshii’s cinematic language as it can appear cold and detached and that’s fine, but it’s anything but for me - it’s immensely emotionally charged, it just appears differently to what audiences are perhaps accustomed to seeing. It’s a different language that perhaps takes time to learn, but it’s all there.

This couldn’t become more evident than in Innocence (the Ghost in the Shell 2 moniker I think was a western addendum). Batou takes centre stage and is  immediately presented as bluntly as possible as an Outsider, reaffirmed later by Aramaki who also cements Togusa’s position in limbo.

I should pause and say that within the GitS canon, I feel Togusa is definitely embraced by Section 9, so he’s not wholly an Outsider to the department, but for obvious reasons, he doesn’t fully share all of their daily or philosophical concerns - hence not wholly. He would also definitely be an Outsider to most other members of the force after joining Section 9, but unfortunately I’m not here to love Togusa, poor guy - I feel like he’s always a bit unloved. Someone write a giant essay in service to his greatness. He actually is great.

But I adore Batou in Innocence. I love his story, his struggle, his emotion. I love how present Motoko is without ever appearing on screen and then when she does, the impact she has on everything, especially with the lines she delivers, one of which I quoted to open the last journal. Batou is in many ways a shadow of what Motoko was and is/has become, just in physical form, mirroring her in a real world manifestation with the natural physical limitations that comes with.

For some reason I feel like I need to inject a comment about Batou putting the jacket/vest on Motoko’s body. I don’t know if people perceive this as an act of masculine modesty but it’s not how I read it. I did stumble on this action for years but as I began to interpret the films as Outsider stories, I realised that he does this as an act of inclusion, and that Motoko consents, permits him to and doesn’t immediately react with violence or technological recourse we know she is well capable of, indicates it’s mutual. Their inclusion isn’t just about the boundaries of the Section 9 department but extends beyond that, an inner circle that may only contain the two of them - inside which there are still boundaries between them Batou can never cross. Those boundaries become infinitely more apparent after the final events of the first film, and the second film effectively is all about how he feels about them. He is an ultimate Outsider, but so is Motoko in the state she now is in.

Section 9 is a department of stray dogs. Individuals who haven’t quite fit in where they belong, and found belonging with one another. Then, after a time, one of them moves on - at the conclusion of the first film, and then another feels an almost permanent and ultimate sense of separation - more or less the duration of the second film.

Ghost in the Shell isn’t about technology and sentience and hacking and corporations at all. It’s about loneliness and belonging and acceptance and affection. It’s about how that feels.

I’m Not Sure Why People Struggle With David Lynch Films

I need to stop talking about anime. Honestly I looked at the list at the start of the last journal and thought hell yea Sky Crawlers, Jin-Roh, Haibane Renmei and Lain let’s unpack some shit! but honestly I’ll run out of time and I should really draw from a variety of mediums and sources.

OK I’m not being facetious when I say Lynch’s films are fairly straight-forward narrative-wise. Again, it’s hard for me to position myself in a place where I’m not into the stuff I’m into and maybe that’s what gives me the cinematic language familiarity to parse them but that just sounds like wanker bullshit to me. I don’t mind if folks don’t like Lynch films, that’s fine. But they aren’t difficult.

So in the context of everything else, even on that short list on the last journal, plus how I keep trying to shift the discussion of works from the pragmatic reading of them to an emotional reading of them from a mood perspective, I feel as tho the same process can be applied to Lynch. So much about his films are about how they make you feel, or I’ll say - how they make *me* feel. It might be grandiose to assume I’m feeling the correct emotion, that these are the moods that David Lynch himself is attempting to create and evoke and thus, I am interpreting them correctly but hey - I enjoy the hell out of the films, feel I understand them and watch them over and over again so that’s all I’m basing it on.

That’s not to say there are things I dismiss as meaningless or that I don’t understand in his films, it’s just that I don’t have to parse them immediately at first watch and perhaps that’s the audience’s problem. I don’t know if reverse-diagnosis is appropriate but looking at how much hand-holding there is in other directors’ films might be just as telling. I mean I saw Nolan’s Tenet and was about the least confusing thing I’d ever seen in my life but apparently *that* confused people, and you know hey that’s fair I guess, but I mean Nolan did a whooooole lot of audience hand-holding in that film, I mean, the dialogue was terrible. There was so much unnecessary exposition, which I generally find in all of his films, so if an audience can’t follow that then OK sure, Lynch is going to be a problem.

The thing is popcorn cinema is totally OK. I watch it. I really love it, I’ve written about it before, it’s good Industry. There’s a lot of great creativity in popular cinema, I don’t at all think poorly of it and I love seeing a really well produced, Hollywood picture... but I guess if that’s all you consume, and I guess if folks’ short-format episodic media (aka series - think Netflix, HVO etc.) is more or less to the same standard, then it begins to make sense that anything outside of that isn’t going to make sense.

Long story short - Lynch films tell simple stories where the feeling of the film is as important as the narrative of the film. To understand the story, you have to understand the feeling, and vice-versa.

Surprise surprise, it turns out independent and deemed “fringe” film-makers... aka Outsiders... make films about Outsiders.

Now I wouldn’t know if any of the Marvel films thematically are about Outsiders or Outsider culture, they probably are and very loudly at that, but the reason I’ve never included one in my catalogue of moods is they all read the same way. Not only are Marvel films mostly indistinct from one other to me, they’re also mostly indistinct from much of popular culture in general. That doesn’t make them bad, some of them still have some pretty awesome stunts, visfx, even parts of the narratives, funny jokes etc. in them, but on the whole they’re not useful to me as things I deem truly valuable in the long-term.

It’s OK, I’m not at all going to lament the proliferation of Marvel films, a lot of them have been pretty cool and they keep people in work. Meow meow meow “the death of cinema” mate, sure - I find it more difficult to find the sorts of films I like but that’s always been the case. Humans will do what they do, it’s not a read on cinema, it’s about being an Outsider and what that’s all about. True, maybe weird shit like Lynch and Noe might be more difficult to make, but the weird-indie corner was also dominated by white men and that needs to change, so who knows what the future holds.

Can you detect the point at which I took my meds and started getting tired?

Ghost in the Shell // Innocence // What We Want // What We’re Left With

Growing up as an Outsider, I feel as tho the first Ghost in the Shell film carries the weight of isolation, questions of identity and belonging, ultimately of acceptance, empowerment and liberation. Then Innocence brings to bear very similar moods but states that things may not necessarily change for the better, they simply change state. I love that in both narratives, the main texts of hacking or corrupt corporations, crime etc. are the least common denominators and barely relevant to heart of the films. I think about the theme of icons in Innocence, icons operatively being the dolls throughout the film, and the final image of Togusa’s daughter’s gift. As humans we assume we’re to take the position of biological humanity as representative of sentience, taking moral priority over all other beings. Earlier in the film we think Togusa is in limbo, but  at the conclusion Motoko asks the question, or perhaps states that perhaps we’re all in limbo together.

I think that’s a significant part of what growing up as and being an Outsider is like, what it feels like. Christians have this saying about “living in the world but not of the world” (derived from a bible verse) and honestly I don’t think they know what it means because they just operate like a cult, but I think queers and folks with long term mental health conditions have a better idea. We are pushed out to the fringes of our social groups from an early age, long before we know or understand what’s different about us. Our peers and the adults around us do this to us because their social behaviours are so well hard-coded, even they may not even know precisely what’s different about us, they just do - and they’re right. We are different. And they don’t accept us.

Maybe I am starting to get a little more upset that weird/different art is becoming more difficult to fund and make, because it’s for us, for me. It speaks to me. You already have so much, and representation and inclusion is so important. I don’t just need queer cinema, I need weird cinema, I need moods. I need quiet, introspective, pensive, reflective, Outsider moods.

I still feel like an Outsider. I have a few people who understand more about me, but I don’t think I have a place, not in a real sense. I have never felt that. Art is one of the few places I feel any connection with anything, and connecting with people is a very odd thing to consider - honestly, I actually would really like to connect with people but the unique combination of being queer *and* autistic comorbid with bipolar makes it really tough, more difficult the older I get. And now all you want to do is fund Marvel movies. I can’t feed off of that.

I’m getting tired, I’m not making any sense. It’s time for bed.

[raguna-blade]

So carrying on the shared symbol thing with persona games, here’s a fun one that probably needs more time in the oven but hey, can come back later with later revelations

So, here’s one that technically shows up in the first game but doesn’t really become a thing until (I am assuming, i still need to actually play the first few and finish most of them but whatever) Persona 3

Evokers! Also known as guns. Specifically hand guns, but I think that’s the least important detail when one of the big symbols of your game is shooting yourself in the head to summon mythic figures.

So Evokers. In game, and as per the wiki, they are supposed to function by more or less...making you face mortality and the fact that you’re going to die for real.

By simulating shooting yourself in the face. It’s a good thing that the Kirijo group already got their mad science comeuppance because man, that’s kinda...

But hey, the logic and rules at play here do seem to be consistent across the games. To Summon a persona requires, apparently, a huge amount of stress and or trauma to activate properly, and the Evokers are a fast way to do that that isn’t, comparatively anyway, super duper traumatic. It’s free artificial trauma for everyone that is comparatively less permanent.

Which...Well I don’t believe that for a second considering SEES is one big trauma center. I don’t think there is a single person in that group who is trauma free really. Nobody is free of it, even the dog.

I mean maybe the protag, but they come off as super depressed to me.

But for the moment let’s accept that as true. If i’m wrong i’m wrong, but I think i’m right and i want to get to the juicy stuff.

So given evokers function by applying trauma directly to the soul to summon yon persona, I think it’s obvious then what guns are SUPPOSED to represent right?

Trauma. But not just any kind of trauma no. Remember, Evokers are supposed to basically be going Hey Trauma But For A REASON. To Summon a Persona. A persona which is used to protect yourself from something (Shadows technically, but A persona is a mask used to face life’s struggles as the games are so fond of reminding us.)

So, Guns are Trauma Turned Towards Protecting Yourself from...something. My understanding of psych stuff is you know, layman, but basically it’s an active self defense mechanism. Or at least turning that pain on outside hurty things.

So if this holds true as a consistent and shared symbol going forward, we should expect that everyone who uses a gun is both

A: Traumatized in some manner.

2: Actively Defending themselves possibly by literally using that trauma against things.

Which i’m sure is totally a healthy thing to be doing. Has to be. Can’t not be right?

I can see no possible way in which using your trauma like a club against the world can possibly backfire on you.

SO!

Who uses guns in the series going forward.

In Persona 4, We have two for sure, maybe a third. That is Naoto, Adachi, and Maybe Dojima (I assume he HAS a gun, but I don’t think he’s ever shown using it. I’m going to assume for the moment this is true as fits the analysis, cause it fits well enough, but if he actually pulls it out ehh)

Persona 5 has uh...literally all of the phantom thieves. Technically not morganna, but if you think a slingshot isn’t basically a fire arm, well sure technically but also you can absolutely kill someone with a slingshot don’t get it twisted. But yeah, all of the phantom thieves and ESPECIALLY Akechi, since he uses a real one. Well, sans Futaba, but we’ll get there.

And do these individuals demonstrate being both traumatized AND using that as some kind of defense mechanism...?

yeh.

So start with P4. Now compare the other persona users in 3-5, the group in 4 is actually really well adjusted. Like yeah, you have some elements of stress and being an outcast and elements of weird harrowing stuff happening to them sure. I mean if nothing else they’re in the middle of a murder mystery with a serial killer in town, that’s stressful for anyone, let alone the weird supernatural shit on top of it, and then there’s the more mundane stressors.

But...Uh...Largely, they’re handling it pretty well actually. Protag was pretty alright moving to town and seems to get along with people well. Yosuke had the dislike of being in town but he had friends, he wasn’t really hated or anything. Chie is pretty alright, Yukiko is stressed but not exactly freaking out, Kanji has some shame going on however you want to frame that i’m told it reads different for japanese audiences though it’s not mutually exclusive, Teddie DID in fact have an existential crisis but that’s not really the same thing i think, Rise is hella stressed, and then there’s naoto who uh.

Kid’s got some problems. They’re also the only one who uses a gun So Hey First stop.

So depending on how you want to read it, Naoto is either dealing with some trans issues or just aggressive and unending misogyny given their profession. Personally while i can see the naoto is trans reading, the game doesn’t explicitly come out with that as the issue, while it DOES with the misogyny so I’m going with that. If you do think it’s more that than what i’m going with, you can easily sub it in I think since from what i’ve heard on the subject suggests it very much CAN be traumatizing dealing with that in society....And also because it’d still feed back into the misogyny thing so it comes back to that anyway.

Regardless. This is a thorny enough issue really, so i’ll strive to not fuck up but please forgive me if I do cause it’s not intentional.

What do we see with Naoto? They’re a genuinely skilled, talented and experienced detective, and at a really young age. Their skills are undeniable really, and they’ve got acclaim and real accomplishments under their belt.

They are also, apparently, belittled constantly because they’re read as female and that is apparently far far more important than their skill. Because of that they’re belittled, talked down to and dismissed purely because of that.

And Naoto is fucking tired of it. So much so that they do everything in their power to present as male and believe they should straight up just...cut out whatever lady aspects are there and just go full dude.

Which here you get two really radically(?) different readings depending on if you fall on the Naoto is Trans and so fucking tired of the misogyny vs Naoto Is fucking Tired of the misogyny and so damn desperate.

In case A, Naoto genuinely believes they’re a dude, and genuinely believes duding it up will solve their problem....But they’re rejecting that part of themselves actively, and refusing to acknowledge it at all. That’s a problem for him, if only because actively rejecting a part of yourself is by no means a healthy thing, especially when it keeps getting brought up constantly in your line of work (I can only imagine how much this would suck to be dismissed because people think you’re a girl when you’re a guy but also you’re denying that you’re a guy and recognize that even if you were outwardly a guy they would STILL dismiss you as a girl even though you’re not. Just typing that out is...yech.)

In Case B, you have a still tired of the dismissal, but also they think they radically need to change their body and gender just to get anywhere in the world which is egregiously fucked up because you know. She’s good at her job! Why should she HAVE to be a dude to get anything done? It’s fucked up.

But they’re a gunman! So...i mean i guess it’s obvious what the trauma at play here is, it’s gender related regardless of how you slice it and how is it used...? Naoto disguises (or “disguises”) themselves as a guy, actively using the thing that they’re being traumatized by to fight back against the world in some way.

I mean as thorny as the issue is in the reading it, the outcome is at least simple enough under the shared symbols thing.

Ok, but what about Adachi...? Welllllllllllllllllll

Adachi is definitely traumatized I think but it's not in the kind of way that's sharp and specific. I'm cribbing a bit off of [https://youtu.be/8qG8Mqe_1v8] with their description of how Adachi reacts to the Scoobies calling him out.

To summarize and or paraphrase, it's not that there's a specific thing that broke Adachi down. It's that he's trapped in a job he hates, or at least without the possibility of improvement. He's shoved in a backwater town when he's a city boy. He feels ignored, he doesn't like the people around him very much, he's got basically no money, he has no significant other, he has to just keep going and existing day in and day out and it's...

God it's so fucking soul killing.

It's not like his childhood was better apparently, in that it basically was a prelude to adult hood but also unlike then, he didn't have the supposed promise of do well in school and get cool shit that was summarily broken.

So what's a guy who's made to feel worthless, made to feel like a nobody, made to feel utterly disenfranchised, and has actual evidence to support some of this (keep in mind the reason he got reassigned did involve him screwing up somehow, though I don't think it's explained what or how) going to react when given the ability to act out with no consequences, or seemingly?

Well, I imagine that you would see them do some fucked up shit really. We've seen people in real life do things just as bad if not worse, and the exact way he wields his trauma is well...sadly understandable to anyone.

Though another interesting shared thing, which I neglected earlier and MAY share into the Gun Imagery is a sense of isolation. Which...Actually. Actually may track. Evokers are used by well...ritualistically killing yourself, which is for all the harm it throws out to everyone connected to you, is also a very solitary act. And in both cases here, the characters are in a very real way killing their true selves in order to deal with the world (In adachis case by presenting a fake version of himself and in Naoto's case by actively rejecting a part of themselves however you want to spin that one)

This does raise a question of the SEES gang having elements of isolation which off hand I want to say yes that's the case across the board, and only by coming together do they win but I also legitimately cannot recall how it plays out beyond the minimal We're The Only Ones Capable of Dealing With This thing which isn't quite the same thing. The ritualized killing yourself still stands so that's still in play really, and i'll keep an eye on it going forward.

I should probably ALSO keep an eye on the uh...Suicide aspects. Even looking back at Naoto and Adachi they have elements of it, although more figurative than literal. Both very much have a life is over thing related to their careers and where they end up when first introduced, so it's not an unreasonable call though the strict actual read of suicide suicide is...Hmmm...

Well I suppose Adachi's chunk of the world is accessed through the noose room if I recall, so that might not be quite as empty a connection, while Naoto's secret lab thing may not be quite as on the nose it does focus on a destruction of self in some way given the way a lot of those secret labs go about doing things in those shows.

That is, there's generally one of two outcomes. Either the Evil Org creates a mindless/corrupted pawn to use whatever their powers/abilities are for the organization (see every monster of the week) OR they create a hero/renegade warrior that uses those very same powers they were imbued with against them....Which suddenly makes me wonder if the the ambiguity of if Naoto's transness vs woman in male spaces thing is intentional in regards to how to read that section. If so that's actually clever as hell because then either way you want to read it the literal what's going on with their shadow (body modification either to become their true self and the rejection of that or to be able to actually be respected for their work and the implied destruction of self that's going on there) it reads as this is bad so...Kudos.

Anyway, off topic, maybe another day.

All this said, this leads to Dojima who SHOULD have a gun and probably does, but...never uses it that I can recall, not once. Doesn't even show up with a gun if memory serves.

It's not that he's not traumatized. He most definitely does have some shit kicking around what with the dead wife, disconnect from his daughter and all that, but he never really...weaponizes it does he? He never turns it on others, never uses it to isolate, none of that. Which is interesting because as a Cop I think we can safely say he SHOULD have a gun of some flavor right? That does seem to be the vibe, and yet he doesn't freak out. The reason why is heartfully straightforward though.

Nanako. He can't exactly revel in his hurt and lash out at folks with it. Like yes, he's not winning parent of the year at the start of the game by a long shot, but frankly emotionally distant and neglectful after your wife died but still trying (failing but trying, critically, the trying) is not the worst spot to be in, no way. And he takes to reorienting things quite well once he get's the additional stability in his life Yu and (at least in part) Adachi.

Which, really, is what also ended up saving the SEES members. Not Yu, but the fact that they managed to form genuine connections with each other that let them get past the hurt and not be taken up and swallowed by it. It's why Adachi ended up going the way he did because he really DIDN'T forge those connections, and because of the whole everything he couldn't really get out of that loop and fix himself up.

I mean Izanami's game basically threw two whole ass people into the deep end of their problems but this ain't about her right now.

So ok, that's the group from 4 and right now this is feeling pretty consistent.

So let's get to the group that has literally every party member carrying with The Phantom Thieves.

So...again, to bring it back, Guns symbolically here are weaponized trauma right? They're using that to strike back against what's threatening you, often by using it against them.

Now, there are variances with the phantom thieves for sure, and the most relevant and DIRECT one is that all of them, every last one, is an outcast of some flavor from the social norms, and this has screwed with them something fierce. Now it's not as apparent or visible in all cases, but I'll get into specifics as we go down the list, but I want to say this at the top because it fundamentally comes down to Because Of this outcast status, this particular form of trauma, they became the Phantom Thieves, and in doing so struck back against the society that hurt them, with the intent to inspire those like them.

Well not Akechi, but his specific issues at least nominally align I guess.

Anyway. I won't go into as much detail here, but I feel it's worth pointing out that their Phantom Thieves Personas are probably the cleanest way to point out how they go about weaponizing their various more personalized traumas to protect themselves and fight back.

Joker: Accused of a crime he didn't commit, sent to a city away from his family and friends, said to be a violent felon...Like it's not exactly brought up in the game in part because he's a silent protag but Joker absolutely had his life ruined. Like full stop, his world fell apart over night, not because he did something wrong but because he tried to do the right thing. And then Kamoshida happened which basically took boyo from being merely fucked over to losing what little he had left (where what he had left was a friend of a friend of his folks taking him in and shoving him in a drafty attic)

And then from said trauma he created the well...Joker Persona. Someone who emphatically is a criminal, the kind of guy who is actually pretty ominous when you consider the knife,gun and dark outfit combo making him look like some kind of assassin. That he helps people is probably a small miracle really.

But by the same token, it's blatantly clear the persona that he pretends at school is not his true self either. He has to hide himself, make himself look small and innocent and as unthreatening as humanly possible. He's not, by any means but...

Morgana: Imagine you wake up one day and you remember maybe your name, a few random bits of information, and nothing else except that you were (probably) a human and now decidedly are not. That's...Rough man. It's just rough to deal with and it's awful, and then you just keep getting hit with that fact over and over and over again. Mona's pretty straightforward, but it tracks that they would make themselves out to be the cool collected sort that they do (even though they botch it nigh constantly). If you can't remember anything about yourself, make yourself out to be the coolest smartest most talented type right?

Ryuji: He literally had an authority figure not only mock his family situation, he straight up broke his leg, killed his dream of running track, ostracized him from his friends and peers, put more pressure on his mom. He was reduced to a thug and his response to that was, apparently, let me be a (diet) delinquent then. It's not like he did anything bad really but he certainly stopped giving any kind of a shit to the world. His attitude got turned up for sure. This got more emphasized with the Actual Skull persona as a phantom thief, where he's far more intimidating, outright hostile and violent (A bat and a shotgun? yee)

Ann: I mean there's the obvious sexual assault, her friend attempting suicide, etc, but i've seen it pointed out that a good chunk of Ann's problems are also based in the fact that she's white in japan, so basically she straight up has to deal with racism too. It's why she's considered the sexy one for example (girls like her are easy you understand) so it's...well. How the game handles (or doesn't) that aside, the persona she ends up developing first off a very blithe sort of vibe to how the world views her (seen in her confidant arc) before ultimately gravitating to having more active control over her image and consciously choosing how the world will view her instead of them making the choice themselves.

Yusuke: Abusive parents (which is damn near a theme with the phantom thieves. Families being broken or Abusive which is hm) who actively stole his work, and he knew about it. It very clearly messes with his art and his relationship to this thing that he loves, and even after knowing how his adoptive dad was abusing him and other students and making a mockery of art...To which he actively throws himself into Art EVEN HARDER than before, as a dedicated fuck you on the subject. Actually straightforward, which is perhaps weird for Yusuke, but hey they can't all require deeper reading.

Makoto: Makoto's deal is a bit more complicated but boils down to She's tired of having all these expectations pushed onto her and dictating the exact kind of person she should be. Always the good girl, always kind and elegant, soft spoken, I mean she knows aikido and is supposed to be good with it. Which is why she turns that around is basically Lord Humongous, albeit less jacked dude in bondage gear and more Badass Violence Biker. Just let it all out and take no shit from anyone ever. Again straightforward enough.

Futaba: Now...Here's a weird one to say because it's...She doesn't have a gun. I mean we could probably make a fair enough statement, if an absolutely buckwild one, that she does not at this point have a trauma. Or at least, not one that is weaponized. Because well...Her issues were very self focused. She thought her mom killed herself because of her, and that almost made her (futaba) kill herself. That's not a great place to be, but it's not like she ever takes her dead mom issues out on the world. She doesn't even really take her extreme social issues out on the world. If anything she pretty much...Has them and kind of deals with them quietly.

I suppose you could say that her weapon of choice is the computer. It's no gun, obviously, but unlike everyone else up til this point she also doesn't really...hide herself. There's no fake persona (in the not summoned beings of myth and story) that she presents to the world. She's decisively genuine about everything, and pretty much the only difference between her and her Oracle persona is neat goggles yeah? Which makes her an interesting pair with Maruki who we'll get to later as another gun not haver.

Haru: Kind of a complicated one, though also kinda straightforward. She's ostracized from her father and finds the abuse that he's laying down on the people who work for them abhorent, which is bad enough, that kind of realization that your life is built on the suffering of others. There's also the uh...It's not strictly this because arranged marriages are very much business affairs more than romance, but the way it's portrayed definitely reads as her dad selling her which is you know. Not...ideal, though her specific reservations there seemed less the arranged marriage (it's business she get's it) but more the dude was an creep and also again the abuse. The family motto being betray anyone to get ahead (paraphrased to hell and back) also suggests some not so great things really, though her bond with her dad did seem to be genuinely strong, which is why her reaction is tada heroine of justice.

Which, I just realized this and I gotta point it out, actually lines up MARVELOUSLY with Morgana and Zorro. Wealthy Individual who see's the crimes and evil deeds of the world and decides to mask up and fight the crime they cannot contest with their unmasked face, warring against the system that enriched them at presumable cost to themselves because it's the right thing to do? Beautiful. Probably should look into that more. But yeah.

Sumire: I mean...I mean she basically straight up says I think I was second best to my sister in everyway and then I got her killed and her reaction to that was Let Me Be My Sister and well...yeah that's exactly how she dealt with her trauma, albeit with a little bit of magic help. And Perhaps most notably, this is almost the most explicit demonstration of Evoker Gun Antics because She Creates a Persona (“Kasumi”) To Protect Herself (alldattrauma.exe) by using that trauma (dead sister) against the world (Literally everyone else) it's...Actually a really clean example I think?

Akechi: Last but not least of the gun havers, Akechi who uh...Outcast because of family reasons (single mom, Dad's a creep) in a way that just...We don't actually ever get the details I don't think, but the way he reacts to it I think makes it clear that his whole life was basically a string of kick this kid while he's down, keep him outside the system, and of course the persona he ends up creating, both of them, end up being one the charming charismatic prince who seeks justice and a bloodthirsty lunatic, neither of which accurately reflect his true self I don't think. Aspects of it sure, but not completely. If pressed, I would say that the Akechi we see in the Third Semester is probably the closest even though he's probably a dream Akechi, being someone who does have a distinct judgement for what is right and wrong but also, critically, can and will shoot you in the face cackling as his plans come together. Rather like Joker actually, which is appropriate given their mirrored trickster roles, and the general shape of their outcomes (both get their smuggery on when things go to plan)

Anyway, the way he reacts to being forced to live an outcast is as mentioned, let me get back into that system, let me be part of it and all that.

And last but not least

Maruki: Now...He doesn't have a gun. It doesn't quite match up with the symbol thing which I think at this point is established enough that it's probably some kind of thing, but what I find interesting is that...he fits MOST of the criteria right? Definitely has a trauma that shaped how he reacted to the world and yet, it's not weaponized right? It doesn't well...evoke a different persona from him. It's not weaponized to protect him and that seems odd right? He ends up with a Palace right?

Sure. But I want to go back to what i'm proposing the Evokers Represent.

Trauma, A Destruction of the Self (Suicide literal or figurative), Isolation, and weaponizing your trauma to protect against the world...And he only actually tracks to the Trauma part of that. He IS hurt for sure, no question. He is fighting back against the world in his own way for sure, what with Azathoth and his mind whammy, and I would say that the nature of it is directing how he's doing things (no more pain for anyone yeah sure)

But where it falls apart, and actually DOES line up with the guns as metaphor for those things mentioned, is that he doesn't really Isolate. He doesn't present a fake self to protect himself. He doesn't destroy an aspect of himself to protect himself. No, he's extremely upfront that “No this is bullshit, it should change, fuck this noise, I'll do what I can with what I can and oh hey godlike power now I can help everyone”

Which cool, except that apparently in the Stay in Maruki's world ending he kinda fades into the background, which suggests the self destruction but no, not even then really. Like I know I made a bit of meta about him obscuring himself and kinda fading away as a person, but I don't think it's strictly meant to be get rid of yourself so much focus on the message and not the messenger. You can throw your mask away. No more pretending. You don't have to hurt anymore. As the song goes.

And it's worth pointing out that, in comparison to literally everyone else on this list, Maruki is unambiguously a healthier person mentally by a long shot. Shady antics with Sumire aside, He genuinely wants to help people, he want's them to be better the right way ideally but if he had the means to do it of course he'd just hot delete those deeply traumatic and life shattering pains that they couldn't overcome. Then he does get that ability. And Then he does do that.

Anyway, the ramblings on long enough, and I kinda feel i'm drifting, but yeah. Think this is another symbol that tracks (I probably wanna check out Persona Q and Q2, but what I know on those does have it break down a bit but they're also not mainline games so I'm not sure how to square that so....)