#this could turn shippy or not

[hahnsplatinum]

speaking of trigun road trip plots, Im currently afflicted by another fic idea i’ll probably never write but please imagine with me:

a post-trimax au where Knives doesn’t create the apple tree with the last bit of his life force—what if he used it instead to bring Legato back from the dead. From Knives’ dying perspective, it was probably from some vaguely remorseful position of trying to undo how he inadvertently forced Vash to break his “no-killing” code on Legato by, ya know, un-killing him for Vash (and maybe possibly perhaps also due to whatever convoluted care he had for Legato under their deliciously fucked up dynamic).

And Legato would be absolutely pissed about it.

Legato choosing to force Vash to kill him is one of the few blatantly autonomous choices we see Legato make—and Knives took it away from him. After everything, not even his death is his own. A slap in his face from his savior. And to top it off he comes back wrong and has to relearn his psychic thread abilities

Anyways, something something Livio stumbles upon him and finds out what Knives did. Insert road trip montage adventure of them reluctantly traveling together to find Vash because

Livio is scared shitless that Vash might kill himself as well trying to bring back Wolfwood the same way (but will never admit to the conflict he feels about the fact that there is technically a way to get his brother back)

Legato has decided he is in fact quite resentful of Knives for bringing him back and is now dead set on killing Vash as the ultimate “fuck you” to Knives, who centered everything he did around Vash (but he has not told Livio this plan)

also Razlo’s there

[thebroccolination]

Be My Favorite Premiere Day IG Live [May 26, 2023]

[wingsofhcpe]

me about to have mud and rotten tomatoes thrown @ me by at least half of my musketeer fandom friends when I say these two have more chemistry in that one scene than Sylvie and Athos ever did:

[robo-dino-puppy]

if tumblr isn’t giving us a recap i guess we have to do it ourselves!

1. 1,043 notes - Aug 3 2023

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Created by TumblrTop10

[penofwildfire]

@necropencil

SPINCHIPS DTIYS ❄️

To celebrate 4k followers, I’ve finally gotten around to doing my own Draw This In Your Style! Ice Emperor Zane :] if you know me you know this is what I had to do haha

Once the deadline of October 26th is up, I’ll choose 3 of my favorites and those people will get a colored sketch commission free of charge :]

RULES:

• Use #spinchipdtiys and tag me! (Optional: If it seems like i missed your post, please send it to me so I can like and RB it!!)

• Loose deadline of October 26th, a little over a month from now :] if you do it past that date that’s fine! You just unfortunately wont be in the running for a prize. I’d still love to see it and will reblog it though!

• Feel free to have as much creative freedom as possible! I know it’s pretty simple with just IE, so do whatever you like if you want to spice it up! Make it shippy, Add him fighting someone, change his expression or armor design, do whatever with the colors. Go wild!!

[potatoesandsunshine]

you know, normal stuff to think

[ecoustsaintmein]

Poolverine thoughts

So I've just returned from watching Deadpool and Wolverine for like...the 8th? 9th time now? And I have thoughts about how the filmmakers chose to portray the evolution of their relationship -- some of them may already have been pointed out by others on this site, but this is my attempt to summarise them!

Also mostly I'm putting myself in Logan's shoes and writing this from his perspective?

Spoilers below cut:

We know that Wade has always made comments about Logan, even from the first film eg 'whose balls do I have to fondle to get this movie made?'. He might sound like he hates the guy, but obviously there's respect there, and he showed it in a Wade way. We know that by the third film, Wade wants to matter. He wants to be an Avenger, and almost regretted that even the X-Men didn't even want him. He prooobably almost nearly gagged when he spoke in earnest about how Logan has always been viewed as the X-Man in his world, but the respect is there. (And perhaps that's why he doesn't 'hit on' Logan as much as compared to Cable, Colossus et al? And all the 'shippy' comments were made by other characters in the film eg: bartender 'are you gonna fuck or fight?' or Cassandra's 'you two are cute'?)

The song choices when Logan and Wade interact, from AC/DC's Hell's Bells when they fight for the first time (fair, because Logan doesn't know Wade that well yet), to Avril Lavigne's I'm With You ('Take me by the hand, take me somewhere new/I don't know who you are but I, I'm with you') when they're driving in the Odyssey, which again, quite apt? And 'also the line 'take me home' in the Avril Lavigne song, which probably reflects Logan not really knowing who Wade is but just -- going along with the ride, as if asking Wade, just take me home, find me a place for me to belong. The theme of home recurs again and again, which leads one to wonder why it's not so surprising that Logan did end up following Wade home in the end???' Plus, 'You're the one that I want' when they're having that heavy makeout sesh intimate fight scene in the Honda? Let's not even talk about the 'Like a Prayer' scene, which again. 'When you call my name, and it feels like home.' Again. Home.

Which then leads to Logan, who confessed to Cassandra that he 'turned away' when 'they called for him', and he didn't make that mistake again when Wade called out his name at the end. While Aretha Franklin's 'You're All I Need to Get By' plays in the background. Yep.

Let's not forget the fact that Logan, after the fight in the Odyssey (despite all the boohooing and ongoing alcoholic misery afterwards), picked up the photograph of Wade's 'world', and returned it to Wade. Man doesn't want to show or say it during the second and third act but he CARES. A LOT!

Logan repeating Wade's words, verbatim, twice! ('You didn't lie, you made an educated wish'), and 'I'm an X-Men. I'm the X-Men')

Logan telling Wade that he wished Wade would die alone, then ending up making sure that Wade wouldn't have to die alone.

Logan keeping the suit on him at all times, only to have it get destroyed at the climax of the film - which, sad, because yes it's the only thing that reminds him of the X-Men of his world, but it could also be an analogy of -- he needs to move on. And he did! He wanted to be free, and he told this as much to Cassandra, and he did become free, in the end!

On the subject of Cassandra, she promised Logan that she could 'silence everything'. The joke's on her, because Logan found himself trading peace (as silence), for peace (as a chaotic, loud motormouth). He found his home, and it's with Wade.

On the subject of peace and home -- Logan is pretty much an immortal being, and a lot of his issues may have stemmed from the trauma of losing people he cares about, or people who got close to him, even for like 5 seconds (evidenced by ALL THE X-MEN MOVIES). He carried that with him throughout this movie, with all the references of saving the world, saving Wade's world, getting home, etc etc -- the point being, he did it for Wade, in the end (never mind Wade's educated wish that the TVA would restore Logan's past). And despite doing it for Wade, Logan was rewarded by having Wade AND Laura in his life now; both pretty much people who can't die, as part of his family. At least he will always have them -- and isn't that freeing and peaceful enough???

Last but not least -- as a circular thing, I'm going back to my first point. Wade spent the whole movie wanted to matter. In the end, he finds out that he does matter -- not just to his 'old world', but also to Logan. And be it just mutual respect, which then blooms into friendship, fondness, maybe more -- the point is: Wade does matter. To Logan. A character he spent the previous two films talking about despite not featuring at all in those movies. How do I know this you ask? Yes, Logan wanted to sacrifice himself for Wade. But more importantly, he followed Wade home. And at the end, after multiple groans, and frowns, and curses, he SMILED! AND LAUGHED! At Wade's stupid jokes!

I'm probably reading too much into their relationship and how they were written, and maybe it wasn't even Ryan's intention, but goddamn Hugh and Ryan made their chemistry/friendship bleed onto the screen, no matter how they were initially written in the script.

[imababblekat]

So Close

@badlywritten-stuff2 ,"i am a sucker for spiderman reader w the turtles so i was hit w a potentially galaxy brain (and. shippy.) idea; the reader and leo are about to have like, a spiderman-esqe kiss where the reader is hanging upside down on their web with only half their face showing (you know the scene-- that's ROMANCE baby!) maybe it's a little farther down the line, in terms of their relationship and it's crept into less platonic and more 'i like you' vibes but still very much leo doesnt know our beloved spidey's identity. then the boyz show up and they're all like "YALL WAS GONNA KISS??" and leo and spidey are like "NUH UH" or something idk! have fun with it i just got the sillies. thank you! i hope youre doing well!"

◌ S,p = Spider Persona ◌

~xXx~

The air felt chill across green pebbled skin, a light rain cascading down from the sky and creating a beautiful wash of colors of the city scape for Leo to gaze upon. Despite being a stickler for always staying together, especially when in the world above his home, the mutant turtle felt he exceptionally needed this moment of peace. Away from the loud bustle of his brothers, away from the grueling training he’d tunnel vision himself into in moments like these, and away from the heavy expectations of being not only the eldest but the leader put upon him.

With a heavy breath through his nose and eyes shut closed, the terrapin in blue had not noticed the quiet pitter patter of feet behind him.

“Looks like someone finally learned to get out and have some fun for once.”

Leonardo nearly jumped out of his shell, but was quick to recover and turned with a glare that quickly dissipated at realizing who his uninvited guest was.

“(S,p), what are you doing here?”, he questioned, trying his best to stop the small flutter in his chest.

Sitting on the ledge of the door that led to the roof they both now occupied, the eyes of the friendly neighborhood (S,p) motioned in a way of how one would quirk a brow.

“Uhm, fighting crime. What are you doing out here? Thought Raph was the one to go soloing about.”

Leo looked down to the city streets below, his face scrunching up at being reminded of one of his latest stressors.

“Nothing, I. . .I just needed some air.”

(S,p) frowned at this. The hunched form, stiff shoulders, and shadows beneath gorgeous blue eyes were only a few tell tales of what Leo was currently going through.

“Hey. . .”

Leo watched as (S,p) hoped down from their perch, walking only a few steps before sitting down on the edge beside him. A gentle hand had come to rest on Leo’s forearm, and even through the miraculous suit they wore, he could still feel the comforting heat of their touch.

“Remember what we talked about?”, (S,p) questioned, looking up into Leo’s cerulean(?) eyes, that of which shyly wished to look away but held firm.

“You can’t keep things bottled up, Leo. It’ll weigh you down till it suffocates you.”

Swallowing a tightness in his throat, said terrapin could no longer hold his best friends gaze, and instead focused on the smaller hand still rested upon him.

“I know. I’m still just not used to this kind of thing.”, he admitted, a dusting across his chilled cheeks in the New York night.

For a brief moment, he wondered if you were cold as well, and could not help the feeling of concern at you becoming sick for being out in such weather trying to comfort him. Though, he knew any attempt at dissuading you would be futile. The more time you and the four brothers had spent together, the closer you and honorable terrapin had grown, no way was he going to get rid of you that easily. Your gentle caringness you were about to display proving as such.

“That’s okay. That’s why I promised to always be here when you needed and were ready.”, you beamingly reminded, taking your other hand to gently cup Leo’s face and direct his focus back to you.

The flutter felt earlier returned once more to Leonardo’s chest, his wrapped hand reaching up to gently lay over the hand that still caressed his face.

How had he become so lucky to meet someone like you? He knew not of your true identity, but Leo still fully believed he could trust you with his life and vice versa. Maybe it was because you were not so normal yourself, but whatever the case may be, you never treated Leo like a freak. Not only that, but you saw more of him then some cold hardass leader. You saw past the wall he built, the façade he wore as his duty placed upon him at such a young age. It wasn’t that Leo disliked being a leader, but it hadn’t been easy on him and he very much felt alone at times. Yet, when you had stumbled into their lives, it was like a ray of sun came to cast out the rays of his lonely mind. You had always cared for him, and you still continued to do so, as he found himself doing for you as well.

There was no one he felt closer to in his whole life but you.

“So, do you feel up for talking? Or do you just wanna hang for a while?”, you quietly asked, tucking one of Leo’s mask tails aside.

With a warming smile, Leo stood, taking your hand he still held and pulling you up gently as well.

“I think I’d just like to hang, if you’re not too busy kicking bad guy butt.”

You giggled, a melody like sound to Leo’s ears as he watched you walk back to the place you once sat perched upon.

“For you? Never busy! I know this cute little roof top café we can hit up. It’s got a little private area the owner set aside for me to take breaks at. Won’t have to worry at all about any surprises.”

Watching you jump up to the higher roof ledge, Leo thought about your proposition. Sitting in a cozy area with calming night rain in New Yorker city, enjoying a nice warm cup of coffee with the one person who could light up a whole room? What could be better?

“That sounds really nice actually. They have any pastries?”, Leo asked, getting ready to follow you up.

“As a matter of fact, they do! Oooh, their honey rolls are just ab-shit!”

Leonardo's heart spiked as he saw you suddenly slip on the wet surface above, and with quick reflexes he lurched forward, ready to catch you in his arms. Unfortunately, your own reflexes had kicked in just in time for you to web your self to the dryer, bottom portion of the ledge, leaving you effectively upside down. Combining both of your quick movements, neither Leo or you had time to stop the momentum of your faces colliding together. Despite being masked, there was no doubt in either of your minds the connection you each felt upon one another's lips. As quick as it had happened it was just as quickly over; Leo stepped back faster than lightning and his face lighting up as red as his brothers mask. As for you, your whole body felt it’s only electricity, spidey senses going awry from the incident.

“I-I’m so sorry!! I was just trying to catch you and-“

“N-no, I should apologize! I’m the one who slipped!”

The air grew thick with silence, as neither you or Leo looked at the other, hearts still racing and emotions on the high end. You were still buzzing, a new feeling you had never felt before coursing through you. It was your spidey sense, that you knew, but it hadn’t been the same as every other time you’ve experienced it. It was warm, soothing, elating, like taking a nap cozied up in bed with the window open to allow for a nice spring breeze.

Taking a chance, you glanced over at Leo, the later still looking to the ground. Not aware of the eyes upon him, Leo slowly had reached up to touch his own lips, a glimmer in his eyes that had not gone unnoticed by you. The sight sent a flutter of your own though your chest, as you thought back on all the special moments that you both had shared.

Almost similarly to Leo, you had felt alone for so long. A hero with abilities never heard of before and no one to learn from. Navigating a new world and taking on responsibilities and hardships you’d never asked for. When you met the ninja turtles though, and found yourself in an ever growing friendship with Leonardo, you suddenly found yourself almost not ever remembering what loneliness felt like.

“Hey, Leo?”

Said terrapin was quick to look your way, feeling the shyness of your gaze as you called for him.

“Yeah?”

“Do you uhm. . .”

Your voice fell to a mumble, your characteristic bravado suddenly gone. Leo chanced stepping forward, and once sure that you were comfortable with him moving into your space he continued closer.

“I’m sorry, I didn’t catch that.”

Leo felt a new nervousness within him. You both knew it was an accident, but dear god, did you hate him now? Was this going to change things for the worse? The thought of your friendship dwindling caused an ache in Leo’s heart as he worriedly waited for you to repeat yourself. However, the next words you’d speak would be the complete opposite of the turmoil within his mind.

“I-I said. . .do you want to try that again?”

Leo gulped, his eyes behind his blue mask widening.

“What? Kiss?!”

“Yeah.”

“Uhm, but your mask. Are you sure your okay with?”, Leo gestured to his own face, knowing how important your identiy was to you.

You simply nodded, gaze just as soft as the handsome one now mere inches from you.

“You can pull it down part way.”

“Are you sure?”, Leo asked once more, half lidded stare looking into the eyes of your mask, that of which he swore for but a brief second he saw (e,c) orbs.

“Yeah, I trust you.”

That was all that Leonardo needed to hear, his heart now feeling like it would explode just by your simple, but powerful statement. Ever so gently he peeled down your mask, mind a flutter at finally seeing some hint of your true self. This whole action and moment had been elating for you as well, a thrill in your heart at feeling the brush of Leo's hands across your bare skin.

With the ambiance of falling rain, glowing lights of ranging hues, and the warmth of the others breath, the kiss Leo was about to share with you, would be a cherished memory for a life time and more.

“Hey, guy’s! I found him!”

Never had you pulled your mask up so quickly, and never had Leonardo let out such a roaring groan. Foot falls came to a halt as Raphael, Donatello, and Michelangelo hopped onto the roof top you both occupied.

“What the hell, man?! We’ve been tryin’ to reach you all night!”, Raph glowered throwing his hands up as his brother in blue sent him the sharpest of glares.

“There’s been a Foot Clan robbery, and NYPD needs back up.”, Donnie hurriedly spoke, too focused on one of his gadgets to take notice of the same death glare sent his way.

Ultimately, it was Mikey who had come to read the room, going to give you an excited greeting when he took notice of the bashful look displayed on your mask, Leo’s deep scowl, and the close proximity between you both. The biggest, toothiest of smiles breached the youngest face, but Leo had no time to stop him from speaking out.

“Yooo!! Were you two about to do what I think you were about to do?!”

Raphael and Donnie confusedly looked to Mikey, Leo furiously making motions to get Mikey to shut up.

“What are you talking about, Mikey?”, Raph spat, not in the mood for his antics.

“Oh you knooow~ Leo and (s,p), sitting in a tree, K-I-S-S-I-N-G!”

Realization smacked both Raph and Donnie in the face at that moment as they quickly looked between you both, each’s expression brimming with surprise.

“Wait, seriously?! Is that why you weren’t answering your phone?!, Donnie gawked while adjusting his glasses.

“So, like. . .with mask or no mask?”, Raph questioned with a shit eating grin.

Another heavy groan reverberated from Leonardo as his brother huddled together to begin their collective teasing. How was he going to survive this? Cheeks hot with embarrassment as his brother laughed and continued to banter from a distance, Leo turned to apologize to you, only to find you suddenly absent. Leo felt a sudden sadness at your disappearance, but a ping to his phone caught his attention. A text notification, above the many missed calls from his siblings, caught his eyes.

“Meet you dorks at the robbery! Coffee after? Or will you be too busy dying from your brothers torment? ; )”

Leo let out a breathy chuckle, and with a warm grin and even warmer heart, sent a message in return.

“For you? Never busy!”

~xXx~

[thetwilightroadtonightfall]

[volume warning sorry!] This scene is making me feel 700 things all at once but I’m really really really interested in how Player and Remus’ interaction was framed and deliberately paced here…

I support the theory/possibility that Remus could be a blueblood (whether he knows it or not) so maybe this could be Player subtly picking up on a connection if that’s the case? Looking at Eph’s statue evokes something in them, and they immediately turn to Remus right after…it just feels very intentional

((also um. I’m not opposed to the potential shippy vibes either 😄))

[eyecan02]

Possible Future Payoffs for Charlastor

This post is meant to hopefully raise the spirits of Charlastors. As we all know, Chaggie is supposed to get a "sexy song" in season 2. It's honestly not surprising but I'll be honest. They could show 20-25 minutes of Charlie and Vaggie having the raunchiest, freakish, loudest sex and I would still rather watch another 3 minute Charlastor touch-a-thon similar to episode 7.

Chaggie getting a sexy song or them being all over each other will not convince me that there's chemistry until Vaggie fixes her co-dependency issues. To me, Charlastor has the more natural chemistry and they'll definitely be getting more scenes together too judging by the line, "She's filled with potential I could guide.:

It's clear they'll be spending more time together as mentor and student. Also, since Alastor needs to maintain Charlie's trust, I'm willing to bet that Charlie is the one that Alastor confides in with his Vox falling out story, and maybe even with his human back story as well.

They don't need to be having sex or have a "sexy duet" in order to show they have chemistry/are intimate. Trust can be a very intimate thing too- literally baring their soul to someone, especially to someone who has been described before as Alastor's "mirror".

Charlastor doesn't have to be endgame in order to have a payoff. A payoff can take on many forms. Here's a few good ones I can see happening. Alastor standing up to Eve/Lilith (after Charlie frees him) by saying the only one he has loyalty for is Charlie, before kneeling before Charlie and calling her his Queen!

A different payoff could be a mutual Charlastor hug where Alastor tells Charlie, "You don't know how dear you are to me." One hand is shown cradling the back of Charlie's head, lying his cheek on the crown of her head while his other arm is wrapped around her waist.

Another payoff could even be one brief kiss. Call me delulu but I think one kiss for the fans could actually happen. Picture it being at a time where Chaggie is briefly broken up and there's a moment before a seemingly hopeless battle where Alastor briefly pecks Charlie's lips to bring her out of a worried/depressed rambling and says, "Forgive me, dear. I've always wanted to try that...with you in particular." -cups her cheek- "Even if all seems lost, I've taught you how to properly wield a smile so let's go forth and turn the tides in this battle. Together."

Be as delulu as you want or keep your expectations very low. I kept mine extremely low for season 1, and look how much we feasted in two episodes plus the hug we got in the finale.

I still can't help but get excited for season 2, though, especially if we keep Amir's interview in mind where an interviewer asked him, "Who is the one person Alastor would do anything for?" Amir of course said that he couldn't answer.

Someone on Twitter (will never call it X) replied with, "He can't say because he knows the fans will go nuts." Amir replied with, "Yes." The first people that come to mind would be his mother and Niffty, but Alastor being a momma's boy and him being "charmed" by Niffty are public knowledge so it can't be referring to either of them. If it were one of them, Amir wouldn't be so cryptic. He would just admit it's one of them if it were one of them but I highly doubt it.

It's an answer that would make fans go "nuts". I'm detecting a note of shippiness. I'm willing to bet that the answer is Charlie. I think Alastor really loves Charlie in his own way and he's determined to prove himself as her friend, mentor, confidante, possibly future advisor and as her "steadfast chum hotelier" for reasons that are more complicated than it simply being that it's because he's leashed and following someone else's orders.

[lestappenforever]

So, I’m like a realist, right? Sure, yes, I ship people from time to time but I know it’s just for funsies. So, I saw a lestappen edit last week and was like “hey cute guys, what’s up with these two? I better check it out.” and have fallen into a bit of a rabbit hole it seems. So I’m back in the real world now, where Max is in a long term relationship and Charles has a girlfriend, and am wondering: how does one explain Max’s behaviour? Does he just have a friend-crush on Charles? Has he always wanted to be friends with him since they were young and it was just hard since they’ve been rivals for so long? Does he envy him maybe since his father wasn’t a pos and he still turned into a great driver? Is it a “it’s lonely at the top” kind of situation, where he’s never been able to make many friends his own age? (I’ve seen Charles with a bunch of friends outside of racing, but I don’t think I’ve ever seen Max with any, but that could be on me.) I mean, a blind person could see that Max takes every opportunity to talk to him or be close to him and he knows stuff about him I’d personally be too embarrassed to admit (like getting his “stupid” quote exactly right or knowing about the twitch thing with his girlfriend forgetting her keys, etc.). I guess I’m looking for the actual non-shippy explanation for this behaviour cause it fascinates me. What are your two cents on this?

Hi anon, and welcome to the world of Lestappen! We're happy to have you. ❤️

I will preface this by saying that shipping is solely for fun, and I don't actually believe Max and Charles are in a secret relationship or anything of the sort. The majority of Lestappen shippers on Tumblr are on the same page about this, with some exceptions, but there are exceptions to anything. And a big part of shipping is speculating, being delusional about them, and overanalyzing things.

Now, in terms of a non-shipping explanation as to why these two behave the way they do around each other, I think it's a combination of all the reasons you've already listed. And the thing about Max and Charles is that they have known each other for so many years. They have been in each other's orbit, in one way or another, for the majority of their lives, and there is no denying that they have seen each other as one of — if not the — biggest rival they've had since they were children. Despite the fact that a lot of the current drivers on the grid have raced each other at some point before F1, there doesn’t seem to be any of them that have the same sort of rivalry that Max and Charles have, which goes so far back. And that kind of bond is one that I believe sticks with you forever.

Now this is not a delusional take at all, as this quote by Armando Filini, manager of the Maranello Kart, the first team for which Leclerc raced, proves: “They were always fighting. It didn't matter if they were competing in a tie or in a final, if it was raining or if the track was dry. Once we were in Genk, Belgium, in the first free practice, and they went on track. Charles and Max met, began to push each other and almost hit each other, with the risk of being left out. Jos Verstappen and I were glued to the fence to look at them and he turned around and said to me: 'These two will fight forever. They will fight even in F1′. A prophecy”.

Even though Max and Charles obviously haven’t been best friends for the majority of the time they've known each other, and they've only started building what appears to be a genuine friendship in the last few years, they share a connection that has been evident to people around them since they were little.

Max's comment from last season where he said that he wasn't surprised both him and Charles were sitting in that press conference together because he always thought that if he made it into F1, Charles would too, is just another testament to how tied together they actually are. And Charles' fond recollections of their karting days in the past season shows that it's a mutual thing: that Charles feels that same bond with Max that Max feels with him. And I think this is the whole baseline for why they've never been able to be normal about or around each other: because they go so far back and their lives are so intertwined that I honestly don't think either of them is fully capable of treating the other as just any other colleague or friend, because they don't see each other that way. They're something more, and by that I don't mean they're secretly in love with each other — they just have this bond that goes beyond normal friendship, forged through years of rivalry, envy, conflict, mutual growth and respect, and eventual friendship.

I have a childhood friend sort of like that: obviously not with the rivalry and drama that comes with the surroundings in which Max and Charles met and grew up, but someone that I share a bond with that I don't share with any of my other friends, old or new, and it's honestly my most treasured friendship because it has helped shape me as a person in a profound sort of way. He's not my closest friend and not the friend I talk to the most since we live on different sides of the country and our paths haven’t crossed much in the past few years, as is often the case when you grow up and become an independent adult. But when I do talk to him and hang out with him, it kind of feels like coming home. And to me, it seems like Max and Charles share that same type of bond.

This is just my personal take as I obviously don't know Max or Charles, and this is all based off of watching their interactions and watching their relationship develop over the past few years, as well as deepdiving into their history in the past. But this is the explanation that makes sense to me.

[beaconfeels]

Okay playing off @mirrorthoughts last ask:

Thoughts on Alpha werewolf Stiles and his second in command, werewolf Chris Argent? 😉

I HOPE YOU’RE THINKING SHIPPY THOUGHTS BECAUSE I’M THINKING SHIPPY THOUGHTS! Ahem. *smooths down hair*

I love the way this ask is worded because it makes me feel like I can handwave how this situation came to be and just GET TO THE GOOD STUFF.

When I think Chris and Stiles, I think PINING. Second in command werewolf Chris being OUT OF HIS MIND because twitchy kid Stiles Stilinski turned into young but extremely competent alpha, person Chris trusts most in the world, maybe love of Chris’s LIFE, but he can’t fuck this up because they actually have a stable pack, and Beacon Hills is finally not the murder capital of Northern California, and also Stiles wasn’t even born yet when Chris graduated high school. Fuck his life.

Meanwhile Stiles is over here like, he might be the glue that holds the pack together, but Chris is the glue that holds him together. Chris became his second in the early days, back when Chris was still human. He doesn’t really understand how it happened, but Chris became his rock, that solid energy he rests up against when everything feels like it’s spinning out of control. He trusts him, not just with his life, but with helping him make good decisions for the pack, to have his back, to tell him when he’s off the rails.

Derek and Peter had hammered it into him that having a person as his anchor isn’t a good idea, so Stiles has anchored himself to something else but…Chris is still a big part of what keeps him sane and grounded.

Also, turns out when Chris is happy and healthy he not only has bulging werewolf-fueled muscles, he also has a little extra meat on his bones, and a belly that is just a bit soft around the edges and he looks big and solid, and Stiles is OBSESSED with the way he feels small and protected when Chris wraps him in his arms, even though they’re the same height. He’s pretty sure if he could curl up with Chris and sleep for about eleven years, it would fix him.

Chris knows he and Stiles don’t have a typical Alpha and Right Hand relationship. He’s seen how other packs operate, and it’s definitely more of a business relationship than he and Stiles have. He and Stiles are wrapped up in each other in all the ways. Protecting the pack. Protecting each other. Hugs and neck nuzzles and eating meals where they end up still sitting at the table hours later just talking about anything and everything.

Everything he’s read says it shouldn’t work that way, but every time he tries to put some distance between them and act like he’s “supposed to” around his alpha, things fall apart. It’s bad for Stiles. It’s bad for the pack. So fuck the rules. He and his alpha are what they are, and everyone will just have to deal with it. Including himself. Because fuck his life he’s in love with his alpha.

And Stiles decided ages ago that what he has with Chris is enough. Sure, he really really wants to push Chris up against a wall and kiss him senseless before letting Chris take him to bed, but he can live without it. Chris is partner enough, just as things are.

This might have gone on forever if Peter and Derek hadn’t come back for a visit. They watch the alpha and his second in command like they’re a reality show until suddenly one day Peter can’t take it anymore and says “Jesus Christ, you’re not the typical Alpha and Right Hand because you’re mates, you idiots!”

And…

Oh.

[the-authoress-writes]

Up Where We Belong Part Two

Pete “Maverick” Mitchell x Writer!reader

Up Where We Belong Masterlist

Synopsis: When a writer experiencing horrible writer’s block goes to the Apple Valley Airshow for inspiration, she meets a certain older, daring naval aviator, leading to maybe a little more than just inspiration.

Warnings: Age gap (reader is in their late thirties to early forties), some to-be-expected cursing, depiction of the beginnings of a panic attack (it doesn’t become a full blown one).

But really, this is just fluff.

Author’s Note: I intended this to be a two part story, but as always, it didn’t turn out that way (my brain is like a mushroom farm at this point), and the third part of this (fingers crossed), is going to be the final part.

I’m choosing to look on the bright side and I’m telling myself I’m more than halfway done with this.

*sighs in frustrated writer*

This part is a little more MavDad than shippy, but it’s where this wanted to go, so…

¯\_(ツ)_/¯

Again, I name a story after a song, from another movie about the Navy, funnily enough.

(Only three of my stories on my masterlist are not named after songs)

I can’t stop, apparently.

So here we go!

Pete “Maverick” Mitchell had been expecting a normal day when he met her.

Or, well, as normal as a day could get for him.

It was a bright and sunny weekend at the Apple Valley Airshow, where Mav had just flown an aerobatic sequence for the gathered crowds in Bianca, his beloved P-51, and Bradley had not taken much convincing to come out for a day with his dad and the chance to see planes, despite the fact that he was already around them Monday to Friday.

Most aviators were plane nerds after all, and airshows like these were heaven for aviators like him and Bradley.

“You okay back there, Baby Goose?” Mav asked through the comms, raising his voice slightly to be heard over the engine of the P-51.

“Yeah—yeah, I’m fine,” Bradley breathlessly replied from the backseat, his exhale turning into a weak chuckle. “You’re crazy, you know that, right, Dad?”

“Your father and uncles might have mentioned that a few times,” Mav grinned.

He gracefully looped the venerable Mustang around and brought her smoothly onto the runway, mindful of the P-51’s unstrengthened landing gear, gently flaring the aircraft so she caressed the tarmac, unlike the unflared, hard landing he instinctively would have done in any Navy aircraft.

After an uneventful taxi back to the flight line, he pushed the canopy back and climbed out of the cockpit, Bradley a second behind him.

“At least we didn’t have anyone shooting at us this time around,” Mav half-joked, patting his boy on the back, once he’d also jumped down from the wing.

“Thank Heaven for small mercies,” the younger man muttered.

“Come on, you can’t tell me you didn’t enjoy that, Brads.”

Bradley chewed the inside of his cheek, before amusement shone in his eyes, and he cracked a smile. “Okay, yeah, it was pretty cool.”

“She’s still got moves, huh?”

His son looked affectionately at the P-51. “Yeah, she does.

But it’s not the plane, it’s the pilot, isn’t it?”

“I’m willing to share when it’s this girl,” Mav grinned, patting her sun-warm silver fuselage.

After the two of them had stacked their parachutes and harnesses between the landing gear, Mav was busy putting the chocks on the wheels, when he heard a smooth female voice say, “Excuse me?”

“Yes?” Bradley replied.

“Is this the P-51 which flew a few minutes ago?

She is a P-51, right?”

“That’d be a yes to both questions, ma’am.”

A low, rich chuckle. “Are you the owner?”

Bradley scoffed amusedly. “Nah, that’ll be my dad.

Hey Dad, someone wants to talk to you!”

Mav ducked out from beneath the undercarriage and under a propeller, coming face to face with a very unexpected, but not unwelcome sight.

The first thing he noticed about the woman standing before him was her air of extreme competence, which immediately had him wanting to know more about her.

(He was decidedly ignoring the memory of Halo saying he had a competency kink after he’d told some stories from when he was in relationships at a Dagger Squad get together [non-explicit; the Daggers, especially Bradley, didn’t need to hear… intimate details of his life, after all].)

A quick appraisal had him estimating her to be older than Bradley, but younger than him.

She was beautiful, with lips glossed just right, shining, lush hair that he could already imagine running his hand through, a smile he could look at forever, and a figure that ticked all his proverbial boxes, visible even with her long, loose brown cardigan and cream button-down shirt over black jeans.

But what hit him like Mach 10 (and he would know) was the spark in her eyes, keen and intelligent, and they held a warmth and passion that called to him.

“Hi,” he began, extending his hand, ignoring the fact that he was stunned by this woman so he could attempt to be his usual self.

He’d been delighted to show her around Bianca, and he even went so far as to let her sit in the old girl.

Mav had not been expecting what she said about the book she was writing—her granduncle’s story hit home on practically every level possible.

He was absolutely honest with her when he said he wanted to help, but… he’d absolutely be lying if he said he didn’t give it with the hope that she’d call him in the first place.

It’d been years since he’d felt like this about someone, and he tried to stifle a smile as he recalled how they’d collided on Bianca’s wing, his quick reflexes preventing them from falling off the wing with a snapped-out right hand on the cockpit edge, his left instinctually protectively pressing her against him.

He’d never forget the way his heart raced as he realized their proximity, his battle-honed wits prompting him to swiftly move his hand before she could register his touch, though he kept his arm close enough to catch her if she began to slip off the trailing edge.

“What’s with that look, Dad?”

Bradley’s voice brought Mav back to the present, where he sat on his favorite chair in his hangar, Bianca’s flight log book in his right hand, pen in his left. “What look?”

Bradley shut the locker for the safety gear, the last thing on the P-51’s post-flight checklist, and strode over to the couch opposite. “You look sappy.”

“I’m just happy I had a great day flying in my girl, and with my Baby Goose, no less.” It was not a lie at all, but it wasn’t the whole truth either.

Any other person would have probably bought that excuse, but Bradley was one of the very few people he’d ever met in his life who could read him like a book in every situation, a skill unfortunately inherited from his father. “Uh-huh, sure, I think you’re just thinking about __,” his son incisively replied.

Mav absently bit his lip, “…That obvious, kid?”

“…It’s about as obvious as an F-14 in cloudless sky at 2,000 feet.”

“So, pretty damn obvious,” he squinted speculatively.

“Yeah.

You guys were like something out of a romcom, honestly.

Was that thing on the wing on purpose?” Bradley grinned.

“No, it wasn’t,” he smiled.

“Because you know, if you were any shorter, you might’ve ended up kissing her.”

Mav felt himself turn a little red, but was still amused despite himself. “Shut up.”

Heedless, Bradley continued, “You would have liked that, I’m sure.”

“You’re just as bad as your father,” he sighed.

His gosling’s grin turned sentimental. “Learned it from both of them.”

Bradley had openly called him “Dad” for years before, and again after their reconciliation, but statements like that never failed to warm his heart.

Helpless, Mav stood, and, going over to his son, stooped slightly to place a hand on his shoulder and a kiss at his temple. “Love you, Baby Goose.”

Before he could pull away, Bradley wrapped both arms tightly around him. “Love you too, Dad.

Mav was more than content to let the moment sit, the two of them still making up for almost twenty years of no hugs from the other.

Bradley eventually broke the silence with, “I’ll go heat up that pizza we got from the grocery last night, Dad, how about that?”

He frowned, pulling back, “I can do that, B,—”

“I’ll do it, Dad, you just sit and relax,” Bradley said, already walking towards the Airstream, and just as he was about to step inside the silver trailer, the kid fired off, “Think about your writer!”

Mav spluttered, looking incredulously at the Airstream’s door.

Bradley was really too much like Goose and him, he chuckled silently to himself.

The weekend’s end saw the two of them return to the duplex he and Bradley had bought together last year, sitting about fifteen minutes drive in the Bronco (about half that on the Ninja, at full Mav power) away from TOPGUN, where they were both posted as instructors; Mav himself permanently, Bradley, for a three-year period before his next deployment cycle.

Monday dawned, and he found himself glancing at the screen of his phone every time it dinged, so much so, that said son repeatedly glanced between him and the cellphone laid out on the Officer’s Mess Hall table over lunch.

“What?” Mav asked, confused at the younger man’s consterned expression.

“Who are you, and what have you done with my Dad?

You have not looked away from your phone since we sat down, Mav.

You used to have no idea what TikTok was, and now you look like Hangman after he posts a new photo on Insta, and I would know—God, he was insufferable that time in Sigonella.”

“…I’m guessing Insta is Instagraph?”

Bradley made a noise quite like his callsign. “l—you don’t even—Instagram, Mav, Instagram.

It’s like you’re expecting a call or so—” brown eyes excitedly widened as dots were abruptly connected, “—ohh shit; you gave her your number, didn’t you, your writer?”

Mav rolled his eyes, “She’s not my writer, Brads, but I… I did give her my number just in case she needed more help with—research.”

“Oh, research, sure, Mav; I bet you’d love to help her with her research,” the younger man chortled.

“You sound like your Uncle Slider.”

“Uh-huh—” Bradley brushed off, “we’re getting off topic here, did she say she’d call you or something?”

“No, she didn’t.

I told her to call if she needed me.” He wondered if, instead of being subtle, he should have just out and asked her to call him—or even just asked her out directly; the Maverick of over thirty years ago would have.

His son’s eyes comically widened. “Please, for the love of God, tell me you did not say it like that—that is as bad as you serenading that ex of yours with, of all the songs, “Abracadabra” by The Steve Miller Band.”

“Hey, that’s a good song!” Mav protested.

“It’s also creepy as hell—‘I wanna reach out and grab ya’?

Tell me you hear that?!”

Well, when the lyrics were said like that… “In hindsight, I hear it, no, I did not say it like that, and now who’s getting off topic, Roo?”

“Fine—so you were playing subtle, huh?” Bradley wrinkled his nose, tilting his head from side to side. “Well, we’ll just have to see if the subtle play works, because the Maverick charm was on max power, so you likely made an impression—”

“Thanks, kid?”

“—so I’d say… there’s a sixty-five percent chance she’ll call you,” was the determination.

Mav paused and raised an eyebrow. “Only sixty-five?”

“I’m taking into account the variable that she might not go for… people like you, you know.”

“…No.”

Mav could see both himself and Nick in Bradley’s shit-eating grin. “Old men.”

“An old man, huh?

Well, this is an old man who can still kick the asses of people less than half his age, and you too, Brads, six ways to Sunday, in the air or on the mats.”

A fork promptly got brandished daringly. “I almost had you when we did that demo on the death spiral two weeks ago, Dad, and if you hadn’t slipped my headlock on Wednesday, I’d have gotten you to tap out.”

Mav reached over and affectionately ruffled his son’s brown curls. “Almost only works with grenades, Baby Goose; now eat your shitty mashed potatoes.”

The week ticked by, and after every hop, he tried not to make it too obvious to Bradley, whose locker was right next to his in the Instructor’s Locker Room, that his phone was the first thing he checked.

By Wednesday evening, he was starting to lose what hope he had, and he ignored his son’s sad look as he surreptitiously looked at his phone.

On Thursday evening, Bradley slung an arm around his shoulder as they walked together to the parking lot. “I know I give you shit about being old, Dad, but you’ve still got more than enough charm and looks for women to be attracted to you.

I mean, you should have heard the stuff Phoe and Halo were saying about you during the detachment training—ugh, especially after Dogfight Football.

The thirst was real.”

At his confused look, Bradley continued, “Long story short, they said you were—bleh—hot.

I’m not repeating exactly what they said, even though I can, it’s all seared into my memory, unfortunately,” he finished, shuddering.

Mav laughed, “I’m sorry for the trauma, but, what, uh, brought this train of thought on, Baby Goose?”

He was pressed closer into a Hawaiian shirt-clad side. “I know you’re sad about not getting called by your writer.”

Knowing it was useless to deny it, he shook his head, “I won’t lie and say it doesn’t sting, because I really thought we had a connection, but it’s probably for the best, because I’m… well, you know.”

“No, I don’t,” his son adamantly stated. “Because you’re… kind and loving, with a heart about a billion sizes too big for his body, who gives so much of himself in literally everything—except maybe following orders; any woman would be happy with you.”

Mav reached and gave the vague vicinity of a shoulder a loving pat. “You give me too much credit.”

“No, Dad, you would make someone very happy—I want to see you happy,” Bradley squeezed a Nomex jacketed arm.

“I am happy, kiddo;” he cheerfully stated, “I can fly, I have the rest of the Flyboys, the Daggers, Bianca, and most importantly, I have you, my not-so little boy, who’s become a better man than I could have hoped.”

Bradley halted in his tracks, and tugged him into a hug with a laugh that could have been a sob. “Fuck, Dad, how do you just say shit like that?”

“Like what, that I’m so proud of you?” Mav beamed.

His son’s heatless “Shut up, will you, old man?” sounded suspiciously wobbly, but Mav chose not to remark on it, and hugged back before they continued walking after a moment.

“But back to my point,” the younger man pointed, “unless there’s something you’re not telling me about your relationship with Bianca, she doesn’t count as a woman in your life.

I know you have me, the Daggers, and the Flyboys, but it’s different from being in love and getting that love back.” Bradley suddenly snapped his fingers, “I know, I should start you a dating app profile!”

“Oh no, I’ve heard horror stories about dating apps, and I’m not desperate, Baby Goose.”

Bradley threw both hands up, “It’s not about desperation, Hangman has—okay, that’s not a good example—but you know, you need to put yourself out there more.

Meet someone.

Come on, Dad, please?”

The kid looked so hopeful, he couldn’t outright say no. “I’ll think about it.”

“Yes!

It’s not a no, I’ll take it.

I’ll look through the photos at the hangar tomorrow night—we gotta pick the right one—that can make or break things!

Maybe one of you in the dress whites or blues—or hey, ladies love the flight suit, and it’ll be even better if you’re in front of your F-18…”

At Bradley’s musing, Mav had a smile on his face all the way to his Kawasaki, and the whole way home, trailing in the Bronco’s wake.

After work early Friday evening, both men began the preparations for their weekly getaway to the hangar, packing their respective bags with whatever they deemed necessary for a two-day stay in the Mojave.

Mav was busying himself with checking his duffel before he hopped in the shower, when he heard clattering from his kitchen, and immediately, a dismayed “Damn it!” rang through the house.

“You okay, kiddo?” he called out.

“Yeah, I just—we’re out of Doritos!”

As amusing as it sounded, that did constitute a little bit of an emergency—the triangular chips were Bradley’s go-to snack, ever since he was a child, and he’d be bemoaning the lack of them the whole two days at the hangar if they really were out. “Did you check your kitchen?”

“I looked there first—we can’t leave without Doritos, Dad!”

A soft chuckle escaped him. “You still have time to go grab some if you want, I still have to take a shower, Brads,” he offered.

“Good idea, I’ll just go to the store and grab some, be right back!”

“Okay, drive safe!”

“Always!”

Mav waited to hear his front door shut before turning for his bathroom and starting the shower, tossing his shirt in the hamper on the way.

A few minutes later, he’d just begun to rinse off when he heard a faint noise from downstairs; his phone was ringing, he realized.

He initially paid it no mind—he’d been getting scam calls the last few days, which always ended up disappointing him—but then… it kept ringing.

And ringing.

And ringing.

And ringing.

Hope suddenly bloomed in his chest, and he hurried to get out of the shower.

He nearly faceplanted on his own bathroom floor in his haste, stumbling when his lunge for his towel missed, but he was able to keep himself upright and the second attempt had the fabric in his hand, then around his waist.

Mav dashed out the bathroom and down the stairs, tapping the green “accept call” button.

“Pete Mitchell,” he spoke into his phone, trying not to sound like he’d just run a marathon while his chest heaved.

A slight pause later, a hesitant “Hi,” came over the phone, and his heart leapt. “I don’t know if you remember me, we met at the Apple Valley Airshow—”

She had to be joking if she thought she was that easily forgettable. “__, right?

The writer,” he replied, pushing the dripping strands of his hair out of his face.

“Yeah, that’s me, you said I could call if I had any questions.”

“Uh-huh.

I’m guessing you have one,” he smiled.

The following invite to the hangar was twofold; he’d be able to help her without the hassle of dealing with emails or something like that, and he’d be able to gauge if she was actually interested in him.

He remembered the way she’d slightly frozen, when he stepped out from under Bianca, how she’d glanced at his hand when he’d extended it for a handshake.

But he’d been wrong about a great many things before, and he didn’t want to immediately assume she was interested, because everyone knew what the first three letters of assume were, and for all he knew, she really just needed help.

Regardless, he smiled while they bantered as easily as breathing; it was invigorating, and… maybe a little bit of a turn-on, if he was honest.

(Maybe Halo was right.)

Shortly after they said goodbye, Mav sent the address of the hangar with a “How does 3:30 sound to you?” to her number, and three beats after it registered delivered, a “That’s perfect—see you tomorrow 😊” message came in, which had him sigh like a teenager as he leaned against the counter for a moment, before he pushed off to get dressed.

By the time Bradley came back with four grocery bags full of Doritos, from two different groceries, Mav was already dressed in his usual t-shirt and jeans, ready to go. “You got enough Doritos there, Baby Goose?” he gawked at the sheer amount of chips.

“I’m restocking us, Dad, it’s not all for the weekend,” the younger man replied, emptying one grocery bag and a half into Mav’s snack cabinet. “I just need to put another bag and this half at mine, and the rest I’m taking.”

He bit down on his laughter and watched as his son dashed next door to stock his own snack cabinet, before returning in time to catch him staring at the “That’s perfect—see you tomorrow 😊” message on his phone.

“You’re looking sappy again,” Bradley squinted suspiciously at him. “It’s almost like you got a call from your writer.”

Mav tried to keep his face neutral, but as always, it was pointless with his gosling.

The kid’s eyes widened, “Holy shit, she did call you, didn’t she?!

Fuck, you still got it, Dad.”

He waved off, “There’s no guarantee she actually is interested in me like that, and she called me because she needs my help.”

“Oh, your help, of course,” Bradley grinned. “Well?

What’s the profile?”

Mav rolled his eyes. “She wrote a dogfight scene she can’t cut, and she wants to make sure the tactics are sound.

So I invited her to the hangar tomorrow so we don’t have to do any emails and stuff.”

The younger man whistled, impressed. “That was smooth as hell, Dad.

You have an idea of when she’s coming over?”

“1530ish.”

Bradley planted his hands on his hips with a sigh. “Well, that’s a good amount of time, but we’ll still have some work to do.”

“Work—what are you planning, Baby Goose?”

“We have to make the hangar a little neater than usual—make you seem like a responsible adult,” his son replied, as if it were the most obvious thing.

Mav burst into laughter while picking up his duffel. “If your father, your uncles, and nearly forty years in the Navy couldn’t do that, what makes you think spiffing up the hangar could?”

“Worth a shot, you never know—she might be fooled,” Bradley muttered, locking Mav’s front door behind them both.

“I heard that!”

When the afternoon set over the hangar the next day, now the neatest it’d been in a long time (admittedly, it wasn’t that bad, Mav just had a particular system, which didn’t much look like one in the first place), Bradley clapped his hands, “Now, I’m going to head into town, Dad.”

“What for?”

“Dad, your writer is coming in about ten minutes, and the last thing you need is me cramping your style, so I’m going to head into town, I’ll be back at around… let’s call it 2345–please don’t be naked when I come back—”

“Bradley!” Mav exclaimed, a little bit scandalized, though they were both hardly virginal.

“—and, and, prior notice of if I shouldn’t come back would be greatly appreciated.”

“Bradley!”

“What?

I’m just covering the bases.”

“There’s no bases to cover here, I’m just going to review her scene,” he replied.

“Annnd?” the younger man deadpanned.

“And then… we’ll see what happens.

But all I know is I’m not about to—whatever you’re thinking is going to happen.” Mav sighed, picking up a screwdriver that had fallen off the maintenance cart next to Bianca, and placed it back in the toolbox. “And I don’t… this probably isn’t going to go anywhere, because—I’m pushing sixty, kiddo, and really… I don’t think I have casual—anything—left in me anymore.”

Bradley slowly nodded, a proud look on his face. “Good for you, Dad.”

“Yeah?”

“Mm-hmm,” he replied, nodding, mustache quirking up. “I’m happy you know what you want.

But you gotta be more optimistic than this, because who knows, this could lead to your more-than casual something.” Bradley slapped him on the arm, “Come on, where’s the ‘I’m going anyway’ Maverick Mitchell who proved he could fly a suicide mission on a crazy profile, with fifteen seconds to spare?”

Mav scoffed self-deprecatingly, “Doing crazy pilot shit; that makes sense to me, Baby Goose, but… relationships—I’ve always FUBAR-ed them.

Oh God, I don’t actually know what I was thinking, giving her my number—this was a mistake,” he muttered, thoughts beginning to spiral as his breathing picked up.

Bradley grabbed both his arms, squeezing them to ground him. “Hey—hey, Dad, look at me—look at me.

Take a breath.

You did not make a mistake, you made a connection with someone, you offered to help them, and she took you up on the offer.

At the least, you help someone in need, and you come out the other side with a friend; if everything goes well, maybe you get more than friendship.

But like you said, you’re just checking the scene she’s having trouble with, like she asked.

Don’t put pressure on yourself—just see what happens.

You got this, Dad.”

“I got this,” Mav murmured, partly confirming his son’s statement, partly reassuring himself, and partly asking if he did, indeed “got” it.

“You got this; come here.” Bradley pulled him into a tight hug, one to which Mav clung, while he got ahold of himself.

When he pulled back from his son’s embrace and repeated “I got this,” a minute or so later, it was still slightly shaky, but held some of the classic Maverick confidence.

“That’s the spirit.” The younger man checked his watch, wincing. “I don’t want to cramp your style, and I’m cutting it close, but I don’t want to leave you if you’re going to spiral again.

You good, Dad?”

“Yeah,” he nodded. “I’ll be okay.”

“You sure?” Bradley frowned.

“Yeah, I’ll just check on Bianca a little while I’m waiting.”

His son exhaled heavily. “You do that, alright?

Don’t get in your head—don’t think, just do, remember?”

“I remember,” Mav smirked.

“Okay.

I’m gonna go now.” Bradley cautiously backed out of the hangar, as if ready to pull him into another hug if he showed the slightest tell of another mental spiral. “Call me if I shouldn’t come back, and remember, 2345!

Please don’t be naked!!”

“Go!!” Mav chuckled, feeling mostly like himself again, if not slightly nervous.

“Love you!”

“Love you more, kiddo!”

Soon, the sound of the Bronco’s engine rumbled through the dry air before it faded, leaving the air still and silent except for the distant sounds of the Mojave.

Before his and Bradley’s reconciliation, he was used to the stillness and silence, a consequence of choosing to make the hangar his home a few years ago, upon his assignment as a test pilot at NAWS China Lake, despite the long commute; he’d never liked base housing, and avoided it like the plague.

He’d even found the stillness and quiet comforting in a sadistic way, thought it was maybe something he deserved in cynical moments.

But now, the hangar which Hondo had once referred to as his “Fortress of Solitude”, was a place of life, love, and joy, the old silence and stillness now the strange one.

Before he could think too much about his relationship with silence, he went to Bianca and started some busywork with her engine, allowing his mind to get lost—and more importantly, his body to relax—in the process.

He’d gotten so absorbed in his beloved plane’s maintenance that he almost missed the sound of an unfamiliar car pulling up to the hangar.

Immediately, his heart started racing again, but he’d accepted that for better or worse, this whole thing was going to play out as it would; if that involved him fucking something up, he just prayed he could fix it.

Moment of truth; the car door opened.

“Ghostrider, up and ready,” he muttered to himself.

“Hello?” she uncertainly called.

“In here,” he replied.

Mav swallowed thickly upon seeing her; he liked to think he had a decent memory, but his memory did no justice to her.

The desert afternoon light streaming in through the open hangar door haloed her in an otherworldly way, only making her even more beautiful to him, the breeze blowing her hair around and billowing her loose blouse.

His eyes were drawn to the little smile at the corner of her lips, and it was only because he’d been looking there, that he realized she was speaking.

“Hey, glad you could make it,” he brightly said, hoping that that wasn’t too out of left field from what she’d said, because he’d completely missed it.

Her smile widened, “Not going to miss it—for all I know, this is a one time opportunity.”

The replies that immediately came to mind sounded creepy, stupid, or worse, so he settled for, “Who said it was?”

She chuckled, lighting up her already sparkling gaze, biting her lip briefly before looking around the hangar, her eyes soon landing on Bianca. “Great place you’ve got here; must’ve been hard to get, though, with it being Navy land.”

“Not that hard when you’re got friends in high places.” Mav recalled the moment Ice and the Flyboys gave him the title to the hangar for his fortieth birthday, which they were celebrating along with his promotion to Commander.

She tilted her head slightly, and he realized that she probably heard the somber tone in his voice—remembering Ice was still hard, but it was getting better.

“Anyway, uh,” he clapped his hands, pushing forward, “you had a scene that needs checking?”

She blinked as if clearing her head, and raised the leather messenger bag on her shoulder. “I have my laptop right here.”

Mav gestured to his couch, and as they moved towards it, he prayed that he wouldn’t somehow make a fool of himself today.

To be continued…

Previous Part Next Part

Because the P-51 was an Air Force aircraft, her landing gear was not designed for hard, unflared Navy-style landings, which are flown in that manner for carrier operations.

However, even if naval aviators land on a full-length runway, carrier habits die hard, and if you watch planespotting streams, such as my favorite, L.A FLIGHTS, you can make reasonable guesses as to who was former Navy, as the landings will tend to have a shallower flare at landing.

Chocks

The Apple Valley Airshow takes place every year in the town of Apple Valley, located in San Bernardino, California.

(I considered setting this story at the annual Miramar Airshow, which takes place at MCAS (formerly NAS) Miramar, but I imagine that Mav would probably want to avoid going to MCAS Miramar for obvious reasons.)

The trailing edge of a wing is its back edge, the edge closer to the tail—its opposite is the leading edge, the edge closer to the nose.

The chair I write as Mav’s favorite chair is the one he sits down in in the opening scene of TG:M.

As Mav is a Maverick in most aspects of his life, I thought it was perfect for Mav to be left-handed—and as Tom himself is left-handed, it couldn’t get more perfect.

The F-14 is notable as being quite large as fighter jets go, and she is practically impossible to miss in the sky, once within visual range; and she is sometimes called the Flying Tennis Court, a nickname she shares with the McDonnell Douglas/Boeing F-15 Eagle.

Bradley and Mav living in what is essentially the same house, having bought a duplex together, is something I can see them doing after they reconcile, because to me, these two are basically orange cats with separation anxiety, and I feel like they would be the epitome of healthy codependency, if that’s possible.

Mav power is a play on words/reference to the engine throttle conditions of fighter jets; Max power is the maximum engine power with afterburner (wet power), and MIL (which stands for Military) power is the maximum engine power without afterburner (dry power)

Do not quote me on this, but as I understand it, in the Navy, you don’t deploy all the time.

There are years you are given a land-based assignment, like Bradley being assigned to TOPGUN, before you are put back on ship deployments for a similar amount of years.

TL;DR: Deployment cycles in the Navy have you rotating between ship-based assignments and land-based assignments every few years.

NAS Sigonella

“Abracadabra” by The Steve Miller Band

I chose this song because of this piece of art by @woodsywarbler, and “Abracadabra” is my favorite song by The Steve Miller Band, despite the really creepy lyrics.

A death spiral is this little bit of crazy pilot shit, as shown in TG:M. (Timestamp 7:34)

Nomex is the flame-resistant material which flight suits are made of, and it’s also what Mav’s green jacket is made of.

Doritos came out in 1964, plenty of time for Bradley, ‘80s baby that he is, to develop a yen for them.

(Flight) Profile: a graphical timeline of the operational characteristics, configurations, and speeds of an aircraft along a flight path in a specific phase of flight or maneuver.

FUBAR: Fucked Up Beyond All Recognition (or Repair, people argue which word the last letter is)

Fortress of Solitude

Ghostrider was Mav and Merlin’s operational callsign during the Layton Mission, and again, do not quote me on this, but you get to keep the operational callsigns you received during notable missions, a detail alluded to in the TG:M screenplay, so Mav uses it here to psych himself up.

Taglist

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[positivelybeastly]

Hey there! The post you made about the core of a well written Hank McCoy inspired me to ask if you'd be willing to do a similar deep dive into Hanks various relationships over the years. Not in a shippy way in so much as a pros and cons of the relationships ( all relationships have them , even good ones) and how they reflect on and influence Hanks character over time.

Hello hello! I would indeed be willing to do a deep dive, and, at the same time, find out if Tumblr text posts have a word limit! I also realised maybe 20 characters in that you meant actual. Relationships, as in romantic, and I've done just. Basically. All of his relationships. Including platonic ones. Oops. Oh well, hope you enjoy!

These won't be quite as exhaustive as if you asked me about a particular relationship, since I always work best with plenty of image resources and I already know I'm going to hit my image limit early, but I hope I can give at least my general thoughts on how Hank has influenced and changed, and been and influenced by, the following characters.

Edna and Norton McCoy

X-Men Unlimited vol. 1 #10, 1996.

You have to start all the way back at the beginning, and Hank's relationship with his parents is crucial to understanding why he is the way he is. Hank is the by product of a radiation accident that nearly killed his father, which led to the odd nature of his mutation - namely, that it manifested at birth in the form of abnormally large hands and feet.

This was, in many ways, the best case scenario that Edna and Norton could have hoped for, that their child not miscarry, be stillborn, or be born with a disability that would massively impact his quality of living - this was a very real possibility for them. So Hank being the way he was, actually stronger, more agile, and more dextrous than a normal child, and not to mention a genius intellect even at a young age (not related to his mutation, but it certainly didn't hurt) created a bit of a miracle baby effect.

They were unremittingly supportive and loving - they supported his choice in academics, they supported his football career, they supported his choice of girlfriends, they pushed him to be the best that he could be but never put undue pressure on him. He grew up feeling like he could do anything he wanted to, if he simply chose to.

The worst I can say about this relationship is that you could view it as fostering his ego - perhaps if they had tamped down on his ambitions a bit, maybe he never would have turned himself blue and furry in a fit of 'I know better than everyone else,' but I think that's a lot to put on his parents, honestly. He made that decision, and he has no-one to blame but himself for making it. Blaming his parents for that is like blaming your parents for daring to make you believe you can grow up to be somebody - like, what's the alternative, making you believe that you'll never be anybody? Horrible way to parent.

There's a bump in Marvel Team-Up #124 (1982) where Edna freaks out about her child growing up to be a superhero and more physically obvious mutant, but it's resolved when Hank proves himself to be a man of caliber and altruism, putting himself in harm's way to save a child - proving himself to be the boy that Edna raised, and she returns the favour, putting her life at risk to save him from Professor Power.

He may not be the CPA or 'normal' genius she may have wanted, but he's still brilliant, and she realises that quickly. I also think it's notable that Norton, his father, doesn't go through a similar patch, which is attributable to the fact that he sees Hank's mutation as his 'fault', as you can see in the panels above - he can't exactly blame Hank for being who he is, he's explicitly responsible for it. It would be the height of ridiculous for him to come down on Hank for who he is, when who he is is a direct result of Norton's act of heroism.

In many ways, Hank can do no wrong in his parents' eyes - but in many ways, Hank never does do wrong by his parents. He makes their lives comfortable and improves on it in a lot of ways with his intellect, and he keeps them safe as best he can. They're a little disappointed they aren't grandparents when we last hear from them in 2018, in the X-Men Christmas Special, but they're still defensive of him and love him, even though he's changed for a third time.

Charles Xavier

X-Force vol. 6 #20, 2021.

You knew this one was coming. You'll note that this is one of the few times that I'm going to use something from Benjamin Percy's X-Force in this deep dive, mostly because it's one of the few times that Percy comes close to examining who Hank is and why he is the way that he is. It's one of the few times in X-Force that anyone asks, why is Hank doing what he's doing? Why is he committing these actions?

Because, in many ways, he's still chasing Charles Xavier's approval.

Charles does Hank maybe the biggest disservice of any of his original X-Men, save maybe Scott - while he plucks Scott out of an abusive home and then moulds him into a soldier for his dream, pretty much completely failing to give him any coping mechanisms for what that's going to do to Scott's relationships with other people and his ability to maintain a normal life, Charles plucks Hank out of a loving home, and cuts him off from it. He telepathically wipes Hank's parents' mind of his existence for a while, to 'protect' him, but really, he's isolating Hank, and installing himself as a father figure.

Whether he realises he's doing this or not is immaterial, because it's canon, as established in Marvel Presents #85-92 (1991) and reaffirmed in X-Men Origins: Beast (2008). And though Hank doesn't appreciate it, on some level hates Charles for it forever, he falls for it, because he is a fundamentally altruistic person who knows he has a responsibility to use his intellect and his mutation to make life better for other people - this is the canon reason he joins the X-Men, and it's important to remember that, because he has no need of training to foster his gifts like Jean or Bobby, and he has a home, unlike Scott. In many ways, he's actually most like Warren, but we'll get to that.

There are moments where Hank separates from Xavier, most notably in Uncanny X-Men #8 (1964) and Amazing Adventures #11 (1971), and it's significant that the latter split leads to, arguably, the best years of his life, where he's freest to be who he wants to be and enjoy his life. He joins the Avengers and the Defenders, he becomes a sex symbol, he feels comfortable in his own skin, he explicitly feels no pressure to use his intellectual gifts, and instead is, arguably, most himself.

It's especially interesting when you consider that even with all that in mind, he still matures and grows up and realises, independently of Xavier, that he still has a responsibility to help - but rather than being inorganically forced to take on that role by a man he doesn't know, he realises it in New Defenders #142 (1985) when a mutant activist calls him out on his immaturity and his lack of forward momentum.

Hank self-reflects, and self-actualises, and forms a grassroots mutant political activist group called M.O.N.S.T.E.R (Mutants Only Need Sensitivity, Tolerance, and Equal Rights), which is something that Charles would NEVER do. Its emphasis on elevating mutants everywhere, rather than focusing on providing examples of mutant heroism like the X-Men, is unique, and I really do wish we'd gotten to see more of a grass roots approach to mutant politics. But.

Then, Hank gets pulled into X-Factor, and all of that goes away. Then, he gets pulled into the X-Men, and his life becomes smaller. And smaller, and smaller, and smaller. And his life becomes worse, and worse, and worse. Eventually, he hits the point where Charles is handing him an Infinity Stone, and consigning him to joining the Illuminati in his stead, and Hank doesn't want to be there, but he feels obligated to, because this was Charles' last wish, his literal will and testament, and he can't say no to that. But he should've. Because it tortures him, and it all ends up being for nothing anyway. Thanks, Chuck.

That being said, I think one of the most telling depictions of Hank and the Professor's relationship actually comes from Astonishing X-Men vol. 3 #12, where Scott is dressing down the Professor for enslaving Danger. Something I really appreciate about that scene is that it highlights how different Hank and Scott are in their relationship with Xavier.

Perhaps because Scott grew up with an abusive parental figure in Jack Winters and Hank grew up with very loving parents, Scott was able to recognise Charles' toxic behaviour and break away from Xavier - it might also have had something to do with the fact that at least one of Charles' biggest fuck ups had to do with Scott's brother Gabriel? Hard to say. But Hank, who Charles very carefully isolated from his parents by mindwiping them for years of Hank's whole existence, never really managed to break free of him, and it shows here really acutely.

Hell, it arguably never went away, even into the Krakoan era - a more interesting version of X-Force would have really dived into the kind of fucked up dynamic they have, where Chuck keeps covering for Beast's moral transgressions for seemingly no reason, because in some respects, he's responsible for them. He gave him the power, he gave him no oversight, but even more pressingly, he wasn't there for him emotionally. He pulled him into this life and didn't prepare him for the toll it would take, how much it would ruin Beast by the time he gets to Krakoa. Beast needed someone to help him there, and no-one did, which is part of why he went on the skids, I think.

But anyway, Whedon does a lot of moments where Hank is present for scenes but doesn't speak, which is important for a character who's well known for not shutting the fuck up. This, the initial cure conversation, the whole conversation about Piotr - Hank clams up. He doesn't feel like he can talk about it. He's off in his own head, his thoughts are his own, he doesn't feel the need to share them.

And here, it's especially important, because this is a big moral violation that Charles has committed in their name. I know it may be hard to remember, but back in the day, Hank had a moral opinion that was worth something, so the fact that he doesn't say anything here speaks volumes about just how much he feels capable of calling out the Professor, i.e. not at all. He craves Xavier's validation, his approval, he feels a kinship with Chuck. So he doesn't criticise him like he should.

It's especially interesting given that this would continue through the Utopia era. Every time Scott distanced himself from Xavier, Hank was there to comfort Charles, and I feel like that's just something he feels like he has to do. He feels like the devoted brother to Scott's more radical, more willing to criticise brother, and if Bendis had any interest in Beast as a character, he would've played on that in All-New X-Men - the fact that Scott killed their toxic father figure, and Beast feels both free of an influence he didn't know was choking him, but outraged that Scott would break their 'family' like that.

I find Beast compelling because of his flaws, and this is an interesting moment when you take all of that into account. I don't even know if that was the intention of this scene, or if Whedon just wanted to give Scott the speech, but it's interesting, nonetheless, and it really shines a light on how Hank and Charles see each other. I'm very interested to see Hank's take on where Charles has ended up in From the Ashes, because it has the potential to really change that dynamic.

Scott Summers

Astonishing X-Men vol. 3 #34, 2010.

Hank McCoy is Scott Summers' best friend.

I said it because it's true, and it's true reading all the way back to the Silver Age, honestly. Even as Bobby's screaming his head off about Scott being a stuck up asshole, Hank's quietly reminding Bobby that Scott can't be anyone other than who he is, "he can't help his psychological make-up," and I think that gets at a really important part of their relationship. Just as Scott's mind is attractive to telepaths because it's so neatly ordered and makes perfect sense to them, Scott's personality is appealing to Hank because he makes sense to him. Scott is orderly, anxious, dedicated, intelligent, hides his true feelings, and wants to belong, even as he stands apart. Hank is most, if not all, of these things, and so, they get each other. Bobby fucks around, Warren schmoozes and gets cocky, Jean is a GIRL AND THEREFORE SCARY, but Hank and Scott just get each other.

Which makes it all the more tragic when they fall apart, because Hank sees it all and it makes sense to him, even as it breaks his heart. What a lot of people misunderstand about Hank's arc during Utopia is that they read his moral grandstanding as self-righteousness or hypocrisy or a big ol' stick he wants to use to hit people with, and it's honestly not that. I really don't think it is.

I think he sees Scott sacrificing the parts of himself that make him a good man so that he can make a better general, and it terrifies him. He sees him become callous, manipulative, cold-blooded, willing to risk everything on a course of action because he believes he's right. Hank thinks he's fighting for the soul of the X-Men, for his own soul, for Scott's soul, even as everyone else is fighting for mutantkind.

Hank went through his own journey in Endangered Species, and he knows that there's nothing he can do, so why fight it? Why not just stop, and live out his days being the best man he can be, a member of the first and last generation of mutants, and let it go? Because no-one saw what he saw.

No-one saw the end of mutantkind inscribed on the vellum of reality like he did, saw what he would become if he did what Scott did and did anything and everything to stop the death of the mutant race - no-one else knows how close he came to jumping into the abyss and becoming Dark Beast. And no-one, honestly, cares. Hank doesn't tell anyone, because he never does, but it absolutely informs his views going forward. It can't not.

But no-one is interested enough in Hank McCoy's feelings to really ask why he's so insistent, or what happened when he was gone. He's a private individual, and he never told anyone. He felt profoundly ashamed of what he did while he was gone, which didn't exactly help. So his moral insistence just comes across as hatred, and it's not. He loves Scott Summers like a brother. That's why he fought so hard to keep him the way he was, not the way he became.

I also find it interesting that, in some ways, Hank is responsible for Scott becoming a happier, more well-adjusted individual, if in the most fucked up and irresponsible and manipulative way possible. Even in the midst of their relationship being at its lowest point, Hank was inadvertently responsible for time displaced Scott joining the Champions and getting to spend time with his father, giving him precious memories of a life not lived for Xavier that he didn't have before, and it's arguable that that's part of what mellowed Scott, coming out of the Death of X/revolution era.

It's not a good thing that Hank did that, obviously, he did it because - well, because he was having a brain aneurysm called Brian Michael Bendis, but whatever, it wouldn't have happened without Hank's intervention. I don't know if it's fair to give Hank credit for this, because those are Scott's choices and Scott's relationships, but the sequence of events is such. Idk. I try to see the best in Hank's actions and make them make sense to how I see the character.

A better version of X-Force would have made Scott central to Hank's descent into darkness, because it's frankly too obvious a connection to make, but whatever, we missed that boat. I just know that, just like how Hank didn't want for Scott to hollow himself out like he did, Scott wouldn't have wanted Hank to hollow himself out like he did, either, and I'm glad to see that reflected in MacKay's X-Men #1. I hope that friendship is rebuilt, because it deserves to be.

Jean Grey

New X-Men #124, 2002.

Hank McCoy is Jean Grey's brother.

Okay, so maybe not biologically, but they are basically brother and sister. It's why the stabs at making a relationship between them have never really worked for me, and I just enjoy the friendship moments between them too much to think of them together romantically. They're both intensely empathetic, deep feeling, loving characters, and in some ways, despite Jean being a literal telepath, Hank actually gets people better than Jean does sometimes (see X-Men Annual '95) because where she can be blinded by anger and passion and justice, Hank sees people for who they are and what they want very easily.

Almost any time that Hank is feeling blue (heehee) in 90s X-Men or New X-Men, it's Jean that pulls him out of it, because she's spent the most time learning what his habits are, when he's not really feeling as all right as he promises, and I honestly don't think it's a massive coincidence that the period that adult Jean spends dead (2005-2017) is a period that Hank spends alternately depressed, irrational, or alone. Maybe that's a form of dependency? Possibly. I just think they're best friends and that they make each other better when they're around one another.

Hank believes in Jean. He walks through the snow, thinking the rest of the X-Men are dead, believing that if he can at least get Jean out, then maybe he hasn't failed. He gets yanked onto the Shi'ar flagship, hears about what Dark Phoenix did, and instantly tries to throw the book at Empress Lilandra because he believes in Jean, and he believes in justice and law and due process. He watches her manifest the Phoenix and piece Emma together with her telekinesis, yanking her consciousness into her body once more, and even though he's afraid, he sticks with her. He trusts her with his mind, giving her his anatomy knowledge so she can work informed, even as the flames of her Phoenix form lick at his arm and burn him.

Hank believes in Jean Grey.

Bobby Drake

X-Men: First Class #4, 2007.

Bobby Drake is Hank McCoy's first best friend.

There were definitely great friends beforehand (Jennifer Nyles comes to mind), but in terms of making Hank feel normal, in terms of becoming friends to have fun and just hang out and because you simply like each other's vibes and feel comfortable each other? Yeah, Bobby is absolutely Hank's first best friend.

It's probably best exemplified in New Defenders, especially #122, where Bobby just. Needs Hank. He needs his best friend. Hank always has a knack for chasing away Bobby's blues, and you see it again and again throughout that run, where Hank is just who Bobby goes to first whenever he's feeling bad (as well as in 90s X-Men), because Hank always seems to know what to say.

I also don't think it's an exaggeration to say that there must've been a lot of good feeling going on for notable stick in the mud 60s Hank and retroactively gay Bobby to go out on double dates with Vera and Zelda. Hank bought an entire cabin so that they'd have a place to go to. Can you think of anyone else that Hank's done that for? I rest my case. (Is it all a little gay? Maybe. But it's not gay if the socks stay on.)

Where this relationship falls apart is when Bobby stops growing before Hank does, and what Hank needs outpaces what Bobby can provide, as seen in Uncanny X-Men #518. It's not necessarily Bobby's fault, he's just - not a very emotionally capable person, a lot of the time, his primary character flaw is an inability to grow up, and so Hank throws something heavy at him, and his best, most immediate impulse is to just say, well, deal with it how you've always dealt with it.

And that's just not good enough. And in many ways, I think Hank just stops trusting Bobby at that point, to the extreme where Bobby calls out for every other member of the original X-Men but him at the 2023 Hellfire Gala as he dies, and I wasn't surprised one bit. They stop appearing in comics together, Hank doesn't feature in his modern solo series' at all, and their interactions are fine, but nowhere near what they were.

Warren Worthington

Uncanny X-Men #297, 1992.

Warren is the original X-Man that Hank is most like.

Which, you might think is strange, given that Warren is a rich kid with wings and Hank is a farmboy quarterback with big feet, but it's true, by virtue of three facts - one, they're the two most obvious, physically mutated members of the O5.

Two, they came to heroism on their own. Warren's turn as the Avenging Angel, and Hank's fighting against the Conquistador in his origin, both predate their time as X-Men, and this is massively important in their development because it demonstrates that altruism and self-sacrifice are intrinsic in their characters. They believe in doing good things to help people, or stopping bad people from doing bad things, because it's the right thing to do. Whereas Scott and Jean and Bobby emerged from tragedy and ruin, Hank and Warren came from a place of stability and a desire to do good.

Three, they both undergo a terrifying physical metamorphosis that causes massive changes in their personalities, Warren becoming Archangel and Hank becoming a much more literal Beast. This point of commonality is a rock for them both, and as you can see, it helps them through. They realise that for all their struggles with the other aspects of their new selves, they're still, in the ways that count, the same people - they're still the friends they always were.

It's also very significant to me that Warren is the X-Man that Hank first 'comes out' to as the Beast, in Amazing Adventures #15 (1971), and I don't think it's a real coincidence that even as Charles tries to assert that Hank's protest that he's his own man, not an X-Man, and Jean shies away in shock from the vehemence with which Hank rejects their telepathic call, Warren calls bullshit and just goes.

He asserts himself. He's independent, and he breaks from the X-Men, much like Hank and Bobby did, Hank going to the Avengers and Bobby and Warren to the Champions, then all three of them to the Defenders - even as Scott and Jean stay with the X-Men, a decision that will lead to a whole line of catastrophe that ends with Jean dead, and Scott resigned to a life left unfulfilled because his one true love is dead.

Meanwhile, Hank, Bobby and Warren are clustered in a borrowed quinjet in their best togs, going to a wedding. Warren asks why he and Bobby are going along, given they hardly know the couple. Hank replies Warren that he's family, and he wants them there, and that's that, and there's a quiet, warm little smile on his face, because he is. They are.

I also find it very interesting that Hank and Warren undergo a very similar trajectory, tracking from Utopia to the Dark Angel Saga for Warren, and All-New X-Men to Krakoa for Hank - they cloister themselves off from others, they lose sight of who they originally were, they roll around in the blood of innocents, and in the end, they both end up dying and losing their memories, born anew.

Like I said. Warren is the original X-Man that Hank is most like.

Jennifer Nyles

X-Men Unlimited vol. 2 #10, 2005.

Jen is an underrated figure in Hank's history, and that's mostly because she has very limited appearances, none of which quite make sense with one another. Her first appearance in Marvel Presents #85-92 posits that she was, in many ways, Hank's first love, the person he missed most of all those who were made to forget him, and that the absence of him in her mind compelled her to study the mind so that she might try and unlock what she knew was missing. In the end, he stays away from her, because she nearly dies and he feels he endangers her. He probably does.

Then, we have a retroactive appearance in Origins: Beast, and the above story in Unlimited. Origins: Beast doubles down on her importance, stating that she's the person who encourages Hank to come out of his shell even before he's an X-Man, to use his gifts and be the brilliant person she knows he is, and while Unlimited agrees with that importance, she knows who Hank is at a time when she shouldn't. How to square it away? Ehh. I kinda don't. I like the three stories and how they impact and change and demonstrate Hank's qualities too much to try and change them. Instead, I just enjoy them.

In another life, Hank and Jen absolutely got married and they had a brilliant history together. She's almost as smart as he is, just as fiery (she punches out a bully antagonising Hank), and she has a strong moral, empathetic core. Hank, honestly, has a type. But even more than a romantic figure, I like her as an inspirational figure for Hank, someone that pushes him in the right direction and leads him to the right answers without giving them to him. She accepts him at a time when he needed it most, and helps him rebuild his life.

Tony Stark

Amazing Adventures #14, 1972.

For a pair of geniuses that snark at each other almost non-stop whenever they're around, and who feel almost constantly at loggerheads in classic Avengers, Tony is very important to Hank's development, sometimes by virtue of his faults.

First off, he's the superhero who turns up to investigate Hank's transformation at Brand, and his apparent death there at Hank's hands (a Mastermind illusion) and his mercy and understanding of the torment that Hank is undergoing are massively formative in Hank coming to terms with his new bestial form. He teaches Hank's two lessons - one, that he needs to control himself in a way he didn't need to before, and two, that he can still rely on people to see the human in him if he acts it.

Secondly - it's his inadvertent dismissal of Hank during the Avengers' examination of Wonder Man that sparks off Hank getting annoyed about his genius being ignored, pushes him out of the Mansion in a snit . . . and that's when he discovers that he's not just adjusting to being a beast anymore. No, he's fucking hot now. Even when he's being a dick (without really meaning to), Tony helps Hank grow, helping him realise that he doesn't need to be the high performing intellectual he was on the X-Men, the Avengers have that covered, but also, that he can afford to be someone else as well.

They continue to be friends for years and years, with their friendship built up over the course of plenty of classic Avengers issues, leading to a complete bypassing of a big ol' hero vs. hero fight in X-Factor Annual #1 (1986) because Hank's just like, oh hey, Iron Man, it's me, and Tony's just like, oh hey Beast, what the fuck's all this about? And it just. Fixes the problem.

I also don't think that it's a coincidence that Hank and Tony are the two most visibly affected when the Illuminati mindwipe Steve during the Incursions arc, with Hank unable to even really look at Steve when it happens, and Hank is constantly pulling on that morality chain even as they tie each other into knots, trying to justify the destruction of worlds. For as much as they give each other shit, Hank and Tony can rely on each other to give it to 'em straight, and that's important when their heads can get as big as these guys.

Wanda Maximoff

Uncanny Avengers vol. 3 #30, 2017.

Hank should hate Wanda more than he does.

The event that Wanda caused, the Decimation, was, in a lot of people's opinions, the beginning of the end for Henry McCoy. It stripped him of his morality and his pretensions and his ability to do anything. It was the height of cruelty, and Wanda did it without arguably meaning to. Not casually, but in a moment of instability. Leaving a gaping wound in evolution that Hank tried to fix.

He threw away a lot, trying to fix it. He wrecked a lot of relationships, came away feeling dirty, consorted with demons. Became acutely aware of every one of his limitations. And yet. He never really blamed her. Because how could he?

After all, he knew Wanda before the mess. When she was a brilliant friend and teammate on the Avengers. When she was shining, glimmering proof that people could change and become better, if only they tried and were given the chance. When she was at her best. And he never stopped believing she could be that again. It certainly didn't help that they had a certain wonder man in common, but honestly, they're just great friends.

Hank supported her in Children's Crusade, even in the face of the X-Men going kill crazy, and he never held a grudge. Even when he finds her, at the end of his rope, in Endangered Species, when he's at his most fraught and defeated, he just. Wants to fix things. It would be so easy to be hateful and resentful, but he just doesn't have it in him. After all, he knows what it's like to ruin your life in an instant because of a bad decision, and to want to claw it back however you can.

Carol Danvers

Ms. Marvel vol. 2 #18, 2007.

Honestly, for someone who you often see getting blasted on the X-Men Reddit for the Superhuman Registration Act/where were you when our babies were burning panels, Carol has a lot of really strong relationships within the X-Men, but I think her bond with Hank is especially strong - which is saying something, considering their first meeting was a fight! But, honestly, they just like and respect each other. They don't tolerate injustice, they believe in being heroes for everyone, not just the few, and they support each other.

Even in the midst of Civil War II, arguably the single worst that Carol has ever been written (not counting Avengers #200, take your pick of a character assassination), there's a moment where Tony is begging Carol to rethink her Minority Report bullshit, and she says, fine, I'll consider your evidence - but only if Hank checks it. And he says he has, and it's not wrong. And she knows that that means something.

The best friends will tell you when you're wrong. And you'll listen to them.

Heather Douglas

The New Defenders #139, 1984.

Hank and Heather have an almost constantly combative relationship from the instant Moondragon joins the Defenders, with Hank never afraid to let her know that he doesn't like her and that he doesn't want her on 'his' team. In his estimation she's high, and mighty, and conceited, and possessed of more power than wisdom.

And. Guess what?

Hank's fucking wrong. Heather is trying. Yes, she backslides, she has her moments of true ego and duplicity, but it takes Hank far too long to come to realise that she's trying as hard as she is - and frankly, she's right to smack him down and humiliate him from time to time, because he can be conceited. He acts as though the Defenders are his team, and he harbours pretensions of leadership that no-one takes seriously, because Hank is not a leader, you don't even have to dislike him to know that - and it takes him a while to realise that.

Their combative relationship keeps the other in check. They grow as a result of being around one another, even if they never quite settled things between them. Hank's maturation into a grown adult, into a man able to be more than just a superhero, is in no small part thanks to Moondragon's barbs and pushes and slaps at his ego, and he should be grateful that he got the chance to make good on that chance to mature, because Heather didn't, in the end.

Alison Blaire

Marvel Heartbreakers #1, 2010.

I'm gonna be real, the Beauty and the Beast miniseries by Ann Nocenti is not great. It has moments of fun, some pathos, but for the most part, it's incredibly soapy, incredibly hackneyed, goes nowhere, has a lot of weird anti-set up, and Hank is strangely incredibly violent and cruel in it at times. For someone claiming Hank was his usual charming self, Nocenti sure wrote him as a borderline psycho.

But. The Heartbreakers epilogue for that relationship redeems it, honestly, and it gains added poignancy when a future version of Alison is killed in Battle of the Atom, in one of the few instances of that series actually managing a moment of pathos. There's no magic trick to why Hank and Alison work, they just sort of find each other hot and fun and they're there for each other in a weird, fucked up time in Alison's life, so maybe it was inevitable that it faded to nothing.

I just like to think there's always a lingering softness, a lingering what if, for the both of them. A potential of something, if not an actual something.

Vera Cantor

The New Defenders #149, 1985.

Oh, Vera . . . you deserved better.

Gonna be brutally honest, Hank treated Vera kinda like shit. I don't think he meant to, it was never a relationship he was invested in, and he said as much, he was interested in the stability it represented, but I'm genuinely sorry for Vera that she got caught up in the crossfire of it. She was dismissed and treated like a pick-up, drop-off girlfriend when she was looking for a good man - and Hank is a good man, but at this point? Not what she was looking for. Not what she needed.

I'm glad we see her again in X-Factor and she's doing well for herself. I'm fairly convinced that she's a lesbian because Hank may have ruined men for her (in the not good way), but hey, a pro-mutant activist? That's pretty worthy - and considering how Hank treated her, pretty big minded. I like to think this taught Hank to be more considerate of people's feelings and grow out of his womaniser stage.

Julio Richter

X-Factor vol. 1 #18, 1987.

For a character often defined by his teaching abilities, Hank actually wasn't a particularly great teacher or carer for children when he first started - I always think there's a good deal of significance in the fact that X-Factor #1 has him searching out a position in academia, being rejected out of prejudice, but then finding his way to a teaching position through way of X-Factor, though I doubt that was planned.

Regardless of whether or not it was planned, I do think his relationship with Julio Richter, or Rictor, is massively important to Hank's development, because everything that Hank gets wrong with Tabitha Smith, he gets right with Julio. He encourages him, gives him his clothes, never talks down to him, nurtures his potential, pushes him to learn and think for himself - and it's rewarded.

Julio imprints on Hank strongly, and you can see that he favours Hank amongst all the other X-Factor members for a reason. This relationship largely went away in future, sadly, but I always like to think that it remains in some fashion, even if only in small ways.

Trish Tilby

X-Factor vol. 1 #36, 1988.

Yeah, you knew this was coming.

Honestly . . . I can see what Hank saw in her as a human being. She's a woman of fierce convictions. She believes in truth, and honesty, and justice. She is pro-mutant, after a fashion. And I have to give her credit, she does have her moments of heroism, like in this issue, when she risks her life to help Hank save a bridge of people as Inferno kicks into high gear. There are moments of good between them.

But fuck me she's an awful human being.

Leaking the fact that the Legacy Virus has jumped to humans directly leads to a mutant hate crime that ends in a death. She barges in to a sick, dying man's hospital room in the search of a scoop. And I'm not even gonna get into what happened when Hank turned feline.

She's just a trainwreck of breaches of journalistic ethics, and I hate her to bits. If she taught Hank anything, it was that the people you admire and love can disappoint you, and it says a lot that it's a one-two punch of her, and Cassandra fucking Nova that shatters Hank's self-esteem into a million pieces. What rarified company. The very fact that she tries to get back together with Hank after this, like, what even the fuck, man.

Jubilation Lee

Uncanny X-Men #308, 1993.

These two make me smile.

I think Jubilee awakens something very simple and immature in Hank, but something healthy at the same time - she encourages him, and everyone else at the Mansion, up to and including Professor X, to have fun. At a time when they were losing people left and right, it would have been easy to lose heart, but Jubilee kept Hank and the rest of the team bolstered, kept them focused. That's no small thing, honestly. Maybe she doesn't have quite as strong a relationship with Hank as she does Logan - that's a hard bond to match - but it's hard not to look at these two and see a true blue friendship.

I also adore that it came back in full force in X-Men vol. 4 (2013), where Hank often acted as mission and home support for the all-female team of X-Men that featured in that book. Taking care of baby Shogo, helping Omega Sentinel with her physical rehab - Hank was an invaluable asset in that run, and his scenes with Jubilee were always a treat.

Dark Beast

X-Men: Endangered Species, 2007.

"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known."

Dark Beast is such a well constructed character because he is not just Henry McCoy if Henry McCoy were evil. Dark Beast is, what if Henry McCoy were raised in an evil world that believes in evil things and the only thing to do is be evil, lest it kill you? There's such a curious drive to betterment, to becoming stronger, smarter, more, to him, that speaks to the same in Hank, but it's all just so twisted up. It's driven by fear where it's driven by hope in Hank.

Because he is afraid. And he is human, much as he might hate the label.

He's a warning. He's a check and balance. He's a cruel joke. He's a monster. He's the other side of Hank's fears. Hank fears devolution, becoming more of an animal, giving in to the Beast, but Dark Beast represents evolution, becoming less animal and more - other. Something that considers itself above human, animal, mutant. Intelligence without conscience, drive without wisdom.

He's not what all Hank McCoys inevitably become. That's stupid, and basic, and anyone who believes that is stupid and basic. That's genetic essentialism, and it's shit media literacy. It's also the basis for X-Force (2019) and I reject that hypothesis entirely.

Henry's much more interesting than evil Hank - not just because he's funnier, and better at his job, and a more efficient villain, but because try as he might, there's still something essentially human inside of him. Something stopped him from killing Hank's - his - parents.

An essential, viral, inescapable fact.

There's something good in him, just as there's something bad in Hank. And it will bedevil them both forever, because they can't get rid of it.

Cecilia Reyes

Astonishing X-Men vol. 3, 2012.

Honestly, maybe the most grown up and equal relationship that Hank ever had, and I don't really feel like he even really had the chance to have it. Cecilia is everything Trish wishes she could be, and much more besides. Uncompromising in her morals, fiercely dedicated to healing, defensive of her boundaries, strong, independent, intelligent, funny - and kind.

She held a torch for him, for a long time. There's a lot of pictures of him in her apartment, both from the 90s and his feline form. She felt for him in a way maybe he didn't realise. Maybe he's the one who got away. Maybe she is. Either way, these two just. Work. There's a world out there where they became something more, and that's a happier world for Hank, honestly. But, hey ho.

Emma Frost

New X-Men #123, 2002.

Sometimes friendships don't make sense. Other times they do.

The friendship between Hank and Emma always made sense to me. The wit, the banter, the emotional intelligence, the willingness to play to roles assigned to them by their image - they were practically destined to be friends. And yet, often forgotten. Every now and then, it crops up, and I cherish it, but for the most part, they're just irrepressibly bitchy all the way through Morrison's run, and that'll always be special to me.

I always try and see good where I can, and I wanted to post an exchange from Secret Empire Omega where Hank tries to bolster Emma in the wake of New Tian's fall, because I like the moment for them, but in the end, it's just too poor of an event and a context for me to share it. All my props to Nadia Shammas in the X-Force Annual, the one issue of X-Force I thought actually had a decent handle on a villainous Beast - by sheer virtue of actually remembering that people would care. Emma would care.

Abigail Brand

Siege vol. 2 #2, 2015.

Abigail Brand did not make Hank McCoy into a war criminal.

To say so is to betray a basic lack of understanding of this entire relationship, but then, what else is new? A lot of people seemingly don't get who Hank is and why he works. Out of universe, but also in, oddly enough.

Kate Pryde and Kurt Wagner both speculate about what made Hank into what he became in X-Force, and they think it's Abigail, because that's an easy explanation, but it's not the truth. Not remotely. It betrays that they didn't know Hank as well as they thought they did, and Hank died not being known by a lot of people.

Which . . . sucks. But it is what it is.

Abigail knew him. She knew him as a kind man. Kinder than her. Kinder than anyone. She wanted that kindness. Craved it. Needed it. Managed to jam it into her work life, by hook and by crook. But I don't think Hank minded. At that point in his life, he needed what she offered, and though I don't think either of them ever thought they'd catch real feelings, they both absolutely did.

He kept her honest, she gave him options. He gave her moral dimension, she gave him self-esteem. They complemented each other perfectly, and I'm sorry that they never got a fair chance, really.

Sure, it was all essentially motivated by a desire to get good dick, but sometimes, that's all it needs to be.

Kurt Wagner

Uncanny X-Men: The Heroic Age, 2010.

Ahhh, Kurt . . . honestly, I don't think Hank and Kurt were ever shown to be quite as close on panel as you'd think they would be, in part because there's a One Blue Limit on X-Men teams for a while (seriously, check the X-Men team line-ups, and you'll realise that Hank and Kurt are pretty much never on the same team until 2015, with Amazing X-Men, a team Hank promptly leaves at issue #5).

But I like to think they're good friends, even if Kurt does fall for Hank's facade of being okay, just like a lot of other people. I like to think that Kurt represents a kind of ideal to Hank - he's what Hank, in many ways, wishes he could be. A better man. A happier man. A more hopeful man. A man who believes in a higher power, still. I certainly don't think it's a coincidence that it cuts Hank deep, when Kurt dies at Bastion's hands.

Steve Rogers

Secret Avengers vol. 1 #21, 2012.

Hank and Steve have an odd relationship. In a way, he does a lot for Hank, bolstering him during his time in the Avengers, treating him as a valued teammate - even if, as is typical of 70s writing styles, they can both come across as cunts to one another occasionally - and one of my favourite moments for Hank is in Avengers Annual #11, where Steve calls Hank out as a man who won't kill. Doesn't have it in him.

Which makes this moment, a sequel to what Steve pushes Hank to do in Secret Avengers #16, hurt so much. Steve had to know what it would cost Hank, to shortcut his way into an Oppenheimer arc, but he hoped the math would comfort Hank. I don't think it did.

I don't know if it was intentional, but it haunts me that both Scott and Steve use Hank (Scott during Secret Invasion, and Steve in SA #16) to commit acts of mass murder, and try to console him with the numbers of people saved through atrocity. Hank tried to escape all of that, fleeing from Utopia, and maybe he was naive to think a band of Secret Avengers would be a place to hide from doing bad things, but it doesn't change the essential fact. Scott and Steve used Hank to achieve their goals, and he had to just deal with it.

"Are you seriously asking a mutant what he'll do to avoid extinction?" Mindwiping Steve in New Avengers vol. 3 hurt, I'm sure, but it's a fine old thing, trying to morally grandstand to a man you explicitly used to make a nuclear bomb. A lot of mixed up history in that room.

Broo

Wolverine & the X-Men vol. 1 #7, 2012.

If only Hank's adopted sons were given as much attention and care as Wolverine's adopted daughters. Ah well. There was a lot of work being done over this run, to make it clear that Hank, Abigail and Broo were forming a family unit, including Abigail being there as Broo's parental figure during his graduation and a possible future showing Broo as head of S.W.O.R.D, but all of it eventually came to naught, which saddens me. Broo deserved better. So did Hank.

Time Displaced Beast

X-Men: Blue #35, 2018.

There was a kernel of an idea here.

It was inevitable that Hank was going to end up hating himself. He's a character largely defined by self-hatred, in most of his forms. The thread that never got pulled was the fact that, honestly?

Older Hank should hate younger Hank just as much.

Younger Hank is much closer to the man who turns them blue, who's ego tripping at Brand, than older Hank is. That's what leads him down this entire path, of magic and demon summoning and servitude, that's broken only by the intervention of other X-Men.

But, whatever. The era of lost potential, tbh.

. . . . . . . .

Oh, hey. You're still here?

Yeah, I guess there is someone missing, huh?

Simon Williams

Uncanny Avengers vol. 3 #28, 2017.

Avengers Annual #6, 1976.

X-Force vol. 6 #49, 2024.

Avengers vol. 3 #14, 1999.

Wonder Man vol. 2 #5, 1991.

Avengers Annual vol. 2 #1, 2012.

They complete one another.

They simply are their best selves around one another.

Even when sick, and twisted, and cruel, and beyond redemption, Hank couldn't bear for the possibility of harm to an invulnerable, immortal, ionic man. He would rather dash all of his plans, make it all for nothing, kill himself, than risk hurting Simon.

At the start of this whole ass breakdown, you said, all relationships have pros and cons. And I think that's true. Mostly. But when Hank and Simon are together, nothing can tear them apart, nothing can bring them down, nothing can stop them, nothing can keep them from doing the right thing.

I can't think of a negative to them being together.

They love each other.

Thanks for bearing with me. :)

[silviakundera]

The Double ep 15-16 reaction

I'm glad they added another flashback of her brother and included his escort friend from the novel. Minor character and a small tragedy but it humanizes him for me. He was just a sincerely nice guy who wasn't kind to her as an aim to possess her, but because he was a good person. And so she never forgot him. She thinks he forgot her - only to learn he never cut ties with her; he was killed. Little tragedies, small people that royalty step on like ants.

To me it feels important that as much as the drama gives her husband depth and makes us sympathize with his situation, it shouldn't allow us to forget that her family was destroyed. We didn't see it happen, like the shovel to her head, but her father was his teacher. Xue Zhao was his brother in law. Their names may no longer matter to anyone else, but our protagonist will not allow them to go unavenged. [lil note from the novel I liked - novel!Duke Su being perplexed and unable to figure out how FL is getting this successful escort to assist her, when even he seems to respect how impossible it is to get a handle on the woman - because she has a secure position as a popular escort & enough money & is satisfied being exactly where she is (doesn't want to fight for favor as someone's treasured concubine), independant and unable to be threatened or bribed. so what could possibly move her?]

(Now this is sorta thematically tying in with the backstory drama created for ML with this bandit. ML's general dad was a good person and so he wasn't forgotten by this person whose life he touched, so presumably he'll do ML a favor. FL and ML have turned into schemers and are willing to get their hands dirty; but are aided in their quest by the fact that their dead family had a positive impact on some people who still remember it?? Be interesting to see if this does become a minor theme 🤔)

ANYWAY let's get to the good stuff: Last episode ML started realizing he's catching feelings. This episode FL feels jealousy and isn't shy about it ('can't I?'). We're making real shippy progress here!

He very much still enjoys watching her strut and perform. But the distance between them is slowly closing. That whole drinking game scene was pure gold.

"Are you not upset now? "Huh?" THE LOOKS THEY EXCHANGE AT THIS.

He's entered the play, joining her on stage instead of coldly manipulating from a high vantage point. Her walls are down for a moment and he's not even hiding his bias. Blatant flirting and she has him smiling. Yes, he has 2 agendas here but unlike the last failed 'date' they were playing together, not her in the role of pawn. I love a smart ML. Boy is not gonna fumble this chance to have his schemes AND a woman who's perfect for him.

I found this subplot of FL foiling the Li clan's plans for Ye clan her most clever manuveuring in the translated novel (up to ch 113). Though it's being compressed for time & tweaked, still satisfying to see her outflank the corrupt local government. As well, very glad to see the ML point out that she has a double-motive... to intentionally make the Jiang and Li irreconcilable. (They're not her real family, they're her enemies!) Nooooooo don't have multiple layers to your plans, it's too sexyyyyyy

[ninetqs]

who's gonna write the AU where Charles is in fact a mouse who turns into a human. I think it should be chalex... he could collect him for Albon Pets — @gayferrari

i have something in my google docs kinda like this. but it's charlando (not shippy) where charles crashes at monza 25 and turns into a mouse in the wreckage. everyone thinks charles died even though his body is missing. charles the newly turned mouse gets picked up by a marshal who then gives him to lando. 7k words later charles has a newfound appreciation for lando's mental illnesses <3

Charles gets put in a box.

At least it’s a clear box, so he can see outside of it. There are medical personnel coming in and out of the tent, carrying strange machines and charts everywhere, each of them running back and forth as their radios bark orders, their voices harried, anxious. Their anxiety trickles to him, too—each beep makes him start, each muttered curse like the cutting edge of a dagger. None of them carry Charles’ remains.

“It doesn’t make any sense,” one of the marshals says, her hair a frazzled mess. “There should be something.”

Is it Charles that they’re referring to? Please. Think it over, he wants to tell them. Of course it doesn’t make sense. Because he’s still alive.

Her partner shrugs. “Just focus on the cleanup. Investigations are above our pay grade.”

All Charles can do is squeak. Being a mouse doesn’t give you many options for vocalisation, as it turns out.

An eternity—possibly several lifetimes—passes before the marshal who first nabbed him reappears. Charles claws at the box, squeaking furiously. The marshal peers down, raising an eyebrow.

“Calm down. I found someone who knows how to handle little guys like you.” He raps a knuckle on the glass, right above Charles’ twitching nose. “Can’t take you home myself. My daughter’s got this thing about rodents.”

A pet. That’s what he’s going to be reduced to. What do mice even do for fun? Cower in corners? Gnaw on floorboards? Die horribly in traps?

He’s carried into the paddock, where the mood is appropriately somber. At least people seem to care that he got hurt. Went missing. Died. Whatever. There are murmurs, lowered voices, snippets of mournful speculation, and Charles strains to listen. But his hearing is so good now that every word melts into an indistinct din.

It hurts, somehow, more than dying. Too much going on at once.

The marshal weaves through the crowds to the garages, and Charles peers out, hoping to catch sight of his crew. But no—of course not.

Instead, the marshal starts walking straight towards McLaren.

No, no, absolutely not. Charles bounces frantically against the walls of his box. His cries once again fall on deaf ears.

A McLaren mechanic approaches, offering the marshal a small smile, watery-eyed as though feeling genuinely touched. Charles isn’t exactly in the mood to appreciate the sentiment.

“Hey,” says the mechanic, “need anything?”

“I’m looking for…” the marshal begins in heavily accented English before he cuts himself off. “Oh!”

The box jerks, sending Charles somersaulting into the plastic wall as the marshal unceremoniously thrusts him forward. The indignity of it all.

A familiar voice chuckles, “Cheers for bringing him.”

He’s handed over, and suddenly Charles is getting the world’s least wanted view up Lando Norris’ nostrils. They’re distressingly clean.

“What a cutie,” Lando coos. “At least one good thing will come out of today. Thanks, mate.”

Charles squeaks in terror.