#thinking about the only piece of star wars media that has stuck with me in any lingering way

[wastrelwoods]

specifically just their bones all the soft parts you can keep its the bones that have the calcium, so he says

[kitkatopinions]

TW: Sucide, toxic relationship, slavery, abuser and victim

My biggest pet peeve with stans regardless of the fandom they are in is always "you would've like female character if they were a man" No. Just stop.

If you want the biggest example of everyone hating on a male character even if they swap genders is none other than GOT Jeffrey.

That spoiled brat has no irredeemable qualities he's just a spoiled stuck up brat who everyone cheered when he died.

HOWEVER im not saying that there ISNT any misogyny towards female character/villains because no matter what fandom you are in there will be misogyny most towards fandom that has a large male fanbase (example Star Wars, Star Trek, Game of Thrones, Assassin's Creed, etc.)

Having a valid reason to hate a female character/villain is NOT misogyny. I hate Neo because the shows wants us to feel sorry for her because she didn't know what to do after Roman's death but are we forgetting an episode ago she DROVE RUBY TO SUCIDE USING PEOPLE SHE KNOW and then she redeemed herself by killing Cat?

FUCK THAT!

Regardless if Neo was a male anyone who drove someone to sucide will never be liked by me or anyone else.

Here's another one Leonora from Castlevanina is hated because she made Hector a slave and saw him as a pet yet she started to develop feelings for him the more time she spent with him. And many people are disgusted because 1) she enslaved Hector and then develop have feelings and 2) because of the obvious power imbalance/relationship of the abuser and victim.

If a character has a trait that triggers the audience or they don't like them for any actions then they can have a reason why they dislike not. I have many female characters that I hate with valid criticism just how much I hate male characters for that same reason.

Yeah, here's the thing, if I actually thought that anti-rwde posters were honestly concerned about misogyny, I would be very sympathetic.

Every single time a piece of media so much as passes the Bechdol test or has a woman that never wears a bikini, there are a bunch of misogynistic idiots and dudebros who hate it or those women. And in the modern day, only hardcore Trump supporters are out here out and out saying that they hate women and are misogynists and that's why they hate whatever it is they're ranting against. People do very much so use perfectly valid (or not so valid) "real criticisms" because they don't want to say the honest truth, or because they themselves wouldn't recognize their own misogyny. Recognizing that just because someone SAYS they hate a female character because of an action that they did doesn't mean they're not a misogynist is kind of important. The guys who harassed the actress of Rose Tico off of Twitter all hid behind 'valid reasons' for their criticism too.

But here's the thing:

1. It's important to be able to figure out what is and isn't actually a sign of misogyny. There's not a precise rule, but you can do things like see if the thing they hate is an exception or the rule, or see if they're hypocritical about their reasons, or see what kind of language people use. If they come around with "brat" "bitch" "cunt" for female characters, that's a red flag at best!! But yeah, ANY criticism of that kind of thing isn't automatically misogynistic. It's like yeah, a bunch of misogynists hated Taurial in the Hobbit because she's a woman and yes they disguised that by claiming it was for other reasons, but there ARE very valid criticisms and complaints about Taurial and you have to be willing to hear out those things instead if just blanket assigning 'misogyny.' Lots of things from Arcane to something as bad as Twilight has perfectly valid haters that are fine, and then also a bunch of misogynists that are going to pretend or really think they have valid reasons. Somone being unable to tell the two apart probably means that person is too close to the situation and too defensive, but these critics don't want to admit that maybe they're wrong.

2. If this was something like Steven Universe, then the defensiveness would make more sense. If it were a well written slow burn with a cast of characters with well rounded dynamics that the writers put work into and the show was about rebels trying to fight the system for a peaceful life and the show had never sexualized the women and there was hard-fought for groundbreaking queer rep and it was created by a Jewish bisexual non-binary woman, and there were mistakes and valid criticisms of the series, but also a lot of unjustified venom of nothing but bad-faith... Then we'd be having a different conversation. Instead it's a show about badge-carrying law enforcement officers, who fight the evil civil rights group from upsetting the status quo, in a show that has tons of things just 'happen off screen,' with a history of sexualizing some of the main female characters, that only recently confirmed any main character as queer years behind the curve, and that was created by and mostly written for by a bunch of straight cis men most of them having said or done misogynistic things. Anti-rwde posters like to pretend that there's no reason why a great completely non-problematic misunderstood stand-up show like RWBY made with love by the totally not at all a part of RT "CRWBY" should be hated, and therefore it must be because of misogyny, but they aren't living in reality.

3. Most anti-rwde posters actually don't really care about misogyny and they aren't actually basing this on - for lack of a better word - good faith. They don't care about Jaune harem fics or the fanarts of RWBY girls with giant breasts in bikinis, and they don't call out the writers or even RT for their bigotry, and they have quite literally Trump supporters that post anti-rwde stuff, but none of that matters. Instead they spend their time harassing a group of mostly queer women for *checks notes* criticizing a show written by mostly men.

So yeah. I've seen misogyny in rwde posters tbh, and I don't think that "I have valid reasons for disliking them" is always proof that there isn't misogyny at play, but the anti-rwde accusations are nothing, because not only are they blind to the flaws of the show and the writers and are unable to recognize the difference between misogyny and just criticism, but also they're only using these accusations as a screen anyway, because they only ever go after rwde posters with it and are unwilling to call out the blatant misogyny in the rest of the fandom, in the show, or in the writers room. I would take this seriously if I thought this was an actual concern of theirs, but it isn't. They don't actually care about misogyny, they just want their show to be above criticism.

(By the way, I've never seen Game of Thrones or Castlevania so I can't speak to it, and also I like Neo a lot lol. XD Personally for me, villains doing bad things doesn't typically blacklist them for me so long as they're entertaining.)

[angel-eyes05]

i remember his hands - chapter 3

PAIRING: kang the conqueror x fem!reader

SUMMARY: after a scientific experiment goes horribly wrong, you've been transported to the quantum realm and have been stuck there for the past decade. with no company, aside from janet van dyne, your life changes forever when a mysterious man in a golden ship crash lands next to your settlement. startled with his initial presence, you two have a rocky start. but as time goes on, you two find each other slowly drawn to one another. you have secrets though, and he has a past he refuses to bring up. can you two make it through navigating an unknown world together, discovering any ulterior motives, and stand the test of time in a place where time has no meaning at all?

INFO: slow romantic burn, pretty fast sexual burn, kinda enemies to lovers????, takes place during that little flashback janet has during quantumania, idk how accurate this is gonna be to canon stuff cause i get very confused about the quantum realm lol, reader is in mid to late 20s while kang is in his “early 30s�� (ik he like technically doesn't age or whatever idk the lore but i just made it accurate to jonathan majors age and wanted to give an accurate age range/gap/count), y/n will be very fleshed out like im gonna give her everything lol

WARNING: explicit language, smut (minors dni), masturbation (f), oral sex (fem receiving), cum play, not a very happy ending (guys aftercare is important)

CHAPTER WORD COUNT: 2.5k

NOTES: i just wanna say thank you for all the love recently! idk if ill set a specific schedule for when ill release the chapters or not cause honestly i just work better whenever i write when i want without a time constraint so thats probably what i’ll end up doing. if you want me to write a specific one shot for kang or even another character (i feel most comfortable writing for mcu, star wars, the last of us, and stranger things, but if i know the piece of media youre talking about and feel comfortable writing about the character, im down) just lmk! also i decided at the last second this was gonna be a smuty chapter so..yeah!

PREVIOUS PART

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It had been about two weeks since you found Kang at the crash site. Despite the moment you two had when you first fixed him up, you two had very little interactions since then. It made sense though. Both of you were taking your own separate times to heal, you in your room, bedridden from your horrible headaches, him on the couch, still unable to walk due to his foot and abdomen. According to Janet, he hasn’t been very talkative. He would occasionally respond to her comments about how he was feeling, but wouldn’t say anything about where he came from or why he was here. So she just stopped asking. It took a while for you to open up to Janet about how you got here at first as well though, so you understood why he would be all shut up about it. It got you thinking about how you ended up here. How much you left behind. God you wish you got the chance to leave a note or something. At the very least, for them…

You quickly dragged yourself out of that thought, knowing the path it would lead you down led to nothing but wasted tears. It was late at night, and you laid sleepless in your bed, so it was easy to let your mind wander. To distract yourself, you replayed the moment with him in your mind. You were a little touch starved, in that way at least, so feeling Kang’s hand in that sensitive of an area drove you mad. Thinking about it would always give you the same reaction. Butterflies slowly fluttering into your stomach, roses blooming onto your cheeks, and the near uncontrollable urge to touch yourself. You know your relationship was non existent right now and had a horrible start, but sometimes you wondered what would happen if you walked over to the couch right now and started to kiss him. The only thing you ended up doing though was changing your now soaked underwear.

You always felt bad when you let yourself think like that. Poor guy was probably just looking for something to hold while he was in pain. And you were taking advantage of it. Then again, you remembered how he slowly pulled his fingers away from your thigh once you were finished stitching him up, an act that did seem very purposeful. Again though, he might have done that unconsciously. You always sent yourself into this back and forth inner dialogue with yourself about his intentions in that moment. Whether you liked it or not, during the past two weeks, you’ve only had two things on your mind: your pain, and him.

With the mix of your restless mind, the ache between your legs, and your now grumbling stomach, you decide to get out of bed and go to the kitchen to find something to eat. Also partially because you would get to see him, awake or not. To be honest, you preferred him asleep. You could just admire him from a far, without the complexities of a conversation to mess anything up. You crept into the hallway, adjusting your eyes from the dim light in your room to the rest of the house, enveloped in the darkness. Thankfully, you knew the layout of the house well, so you doubted you would trip over anything. You wandered throughout the cabin until you got past Janet’s room and into the kitchen. You didn’t realize how flawed your plan was, it just now clicking that you wouldn’t be able to see Kang in the darkness. You didn’t entirely mind though. Just knowing he’s in the same room as you put your thoughts slightly at ease. 

You finally make it to the counter and put your arms out to find something. They land on a round, spiked fruit. Too scared of accidentally cutting yourself if you use a knife to peel it, you decide just to bite into it. Juice drips down from your mouth as your teeth sink into the fruit. Although the food here was no where near as good as back home, you managed to find a few gems here. The fruits were definitely one of them. Once you finish with the fruit, you use the sleeve of your loose shirt to wipe your mouth. You paced the room a bit, still kind of restless. Your eyes still haven’t entirely adjusted to the dark, but you think you have a pretty good standing of your ground. That is until you trip over the back of the couch. You brace yourself for the impact of flying over the couch and waking up everyone in the process, until you’re suddenly stopped.

It’s a hand. No, not just a hand. The hand. His hand.

Again, it stays there longer than it should have. Placed just below where your sternum meets your breasts. You could feel your heart beating faster the longer his hand stayed there. “You’re a loud chewer” Kang finally said. It was more of a deep whisper though. God you loved the sound of his voice, despite the few times you heard it. “You must be a light sleeper then” you replied in a similar tone. Despite still not being able to see his face, you could tell he was smirking. He slowly push you back up to your normal position. The trick was that he didn’t move his hand. He actually tightened his grip on your shirt. That’s when it clicked for you. He wanted it just as bad as you did. 

You then placed your hand over Kang’s, rubbing deep circles just below his knuckles with your thumb. Then, he began to pull you by your shirt to the front side of the couch. You followed his hand until he stopped pulling, leaving you in the same place you were when you stitched up his shoulder. You stood there as he began to move his hand down from your sternum. The feeling of him dragging his fingers down your body at an agonizingly slow pace was enough to get your starved pussy wet. Then he got to your hips, where your loose pants rested. He then took his other hand and used both hands to drag your pants off. Once you kicked them off, he went back up to your panties, hooking his pointer finger around the sides of them and dragged those off even slower than the pants. 

He then placed his hands on your bare hips, digging his thumbs into them. A slight moan escaped your lips. In response, he placed his finger over your mouth in a shushing action. “She can’t hear you.’’ You were overcome with embarrassment at the fact you were so enveloped in the thought of having sex with Kang that you forgot that Janet was only a room away. You decided now you had to be silent, however hard that would prove to be later. He put that hand back on your hip and helped you onto his chest. You placed your hands over his shirtless shoulders, being mindful of his left one. You pressed your hands deeply into them and began to massage them. Thank god your eyes had finally adjusted to the dark, because now you could see every emotion playing across his face as you sunk your hands deeper into his shoulder muscles. You moved the massage down his arms, making your way to his biceps. They were massive and tough. All you could think about was how much you wanted them around your neck. Ironic. Once you moved on from those and finally made it to his hands, you took hold of them.

You used them to help you take off your shirt and bra. After tossing your bra to the floor, you placed his hands on your breasts and began to grope them with his hands. His eyes rolled back into his head, and as soon as you could tell he was about to moan, you smashed your lips into his to capture it. You took your hands off of his to cup his jaw to fully envelop yourself in the kiss. He kept one hand on your breast while he moved the other one down and began to run circles around your clit. You softly moaned into his mouth with each rotation he made. As each second went by, the kiss became more intense. More desperate. You had no idea how long it had been since he had touched someone like this, and you knew it had been forever since you were touched like this. You two both had some desperation to your actions. Like this would be the last time either of you would experience something like this ever again. Both of you so starved of touch. You needed this so badly, and part of you knew he needed it too.

As he began to circle your clit with more ferocity, you felt the heat in your chest growing stronger. God he had just started and you were already about to come. You didn’t to yet. If you did, that meant it would be over. Lucky for you, you felt his hand pull away from your clit. He pulled away from the kiss ass well, panting. “I need you to help me up for a second” he said. You reluctantly got up, wondering if he was just going to leave you here like this. It was just now that you realized how naked you were. Sure, he didn’t have a shirt on, but you still felt much more exposed than him for some reason. You helped him up onto his feet, also now realizing exactly how much taller he was than you. Seeing him staring down at you like that. Like you had suddenly become the most important thing in the world to him. Suddenly, he turned you around and shoved you onto the couch. You sat there as he kneeled down and began too kiss your inner thighs.

He moved those strong, dry hands of his to the top of your thighs and sprayed them out against them. He dug his fingers into them as he moved his mouth from your inner thigh to your lips. Feeling his warm breath against them in the cold room sent shivers down your spine. You grabbed the top of his head for leverage as you thrust your hips into his mouth.  “Look at you” he said in between kisses. “Being such a good girl and getting so wet for me. Seems like you completely forgot about the fact we were trying to kill each other two weeks ago.” It was strange to you a little. You had convinced yourself you wouldn’t be safe in the same house as Kang, and now here you were, completely naked on the couch with him eating you out. 

He wasn’t doing enough though. You weren’t nearly as satisfied as you were when he was circling your clit. He had yet to stick his tongue in you, all he was doing was kissing your folds. He was just teasing you again. “P-please” you said desperately. “I-I need y-you d-deeper.” He removed his mouth from your area and moved his hand to your clit again as he talked to you to keep you stimulated. “Oh thats what you want now? Am I not doing enough for you? Because I could stop if that’s what you prefer.” “N-n-no!” you nearly shouted out. “P-please, I-I j-just wanna f-feel you.” He sat there for a moment thinking, fingers still on your clit. “P-please Kang-g.” You asked again, looking deep into his eyes. “Well, since you asked so nicely. And plus, how could I say no to someone as pretty as you. Sitting there so neat and ready for me.” 

Next thing you know, he dives back in, his tongue licking all over your folds and into your pussy. Your strangled moan makes one strange noise, but he must have liked it because he moved his hands up to grab deep into your hips in response. God you could stay here for hours. Layed here sprawled out on the couch with him eating you out. You just wish you could moan and whine for you. You wanted so desperately to scream his name out into the world and let it know how much he had you under his grasp. And you knew he wanted it also. But that was part of the appeal of everything. Knowing you had to stay quite. It made it more enticing. But man you couldn’t wait until you had the cabin to yourself. When he could fuck you through your bed properly, where you could scream his name at the top of your lungs, and him with yours. For now though, you would take this. It was enough for what you needed right now.

As he moved his tongue from your folds to your swollen clit, he begins to suck on it. You felt the heat return back to your core as you itched with pleasure, a roaring tide begging to wash from your pelvis into his mouth. The heat of his breath on you, the tightening grip of his hands on your hips, his tongue fluttering over your folds and clit, the soft hums he would make after tasting you. “F-fuck K-kang. I-I-I’m gonna c-cum” you said, the words barely making it out of your mouth without being mixed with a moan. He nods slightly in approval, gliding his tongue over your folds like silk and moving on of his hands to circle your clit to help pull it out of you. Finally, you feel the wave escape your pussy. You grab a pillow near you and release all your moans and screams into as the ecstasy exits you and enters his mouth. You arch your back as he tries to swallow as much of your cum as he can. You’re blinded by the intensity of your orgasm as your thighs tense up and you can hardly move anything, except to move the noises out of your mouth.

Once you finish, Kang stays there, licking off the last of your essence off your folds and feeling your throbbing clit under his tongue. He backs away from your pussy and moves up to your mouth as he kisses you, sharing with you some of your cum. He uses your shirt to clean up his mouth and the remaining bits of cum from your folds. To your surprise though, after that, he tosses the shirt on the floor, stands up, and walks away to your room. In shock, you convince yourself he went to your room to grab you a new change of clothes. Once you hear the door close though, you snap yourself back into reality. Looking down at yourself, naked and trembling (part from the cold and part from the orgasm), embarrassment floods your body. You couldn’t believe how easy you gave yourself up for him. God you knew you were desperate, but you didn’t know you were that desperate. And there he was in the other room, sleeping in your bed. Leaving you there on the couch, laying out naked, waiting for someone to take you away like some fantasy. But there you were. Alone. And really fucking cold.

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NEXT PART

A/N: yeaaaaaaaah, i needed drama so i did that. sucks but i didnt have any other ideas sorry lol. hope you liked the chapter though! this was actually my first time writing smut so i hope i didnt do that bad. looking forward to chapter 4!!! also sorry i didnt really proofread this one either cause it was super late when i posted it so sorry

[delta-orionis]

Tuesday Again No Problem 5/28/24

I noticed I have a handful of new followers, so I'll explain: this is a post series based on my friend @girlfriendsofthegalaxy's series of the same name. I basically round up the media I've been consuming and things I've been making over the past week. With that out of the way...

Listening

I've been listening to a bit of retro synth-heavy music again lately. Near Machinery by Jeffrey Koepper stuck out to me in particular:

I like the way the synths build on each other gradually until it sounds like you're listening to the noises of some otherworldly machine.

Watching

I'm a bit ashamed to admit that I've already watched through Jenny Nicholson's new 4 hour long Star Wars Hotel video twice in the span of a week.

I'm not a Star Wars fan, and I didn't even know this hotel existed until I watched Jenny's video(s) about it. (She has a more extensive vlog on her Patreon, which I also watched). I love Jenny's videos in general; the way she talks about things is extremely entertaining no matter what the topic is. She could talk about literally anything and I'd happily put it on in the background and listen to her ramble for hours about an obscure piece of media I've never heard of while I sit back and crochet. And I have in fact done that. Many times.

Playing

More of Rain World's Expedition mode. More of the same. If I'm being honest I'm putting off playing through Saint's campaign- I want to do it but I'm scared that it will be too hard. @_@

Making

I've been making a lot of things, actually! I continue to work on my iterator amigurumi. I promise I'll post them eventually, I know I'm kind of teasing them at this point. The only real hangup I have is the fact that I hate sewing, and that's the only thing I have left to do.

In other news, though, I caved and made an ask blog for my Rain World OC, Three Stars Above Clouds.

If you follow me you're probably familiar with them. TSAC has quickly become Blorbo From My Brain. I like talking about them and I'm constantly coming up with new ideas, and I figured an ask blog would be a good place to direct some of that energy. Iterator ask blogs are kind of a Thing in the Rain World tumblr fanbase, and after seeing other people have fun with them I became inspired to join in.

I'm legitimately very surprised and happy about the engagement the blog has been getting. It's only been a few days, but it already has about 20 followers and I've also got a handful of asks sitting in my inbox waiting to be answered. I was very scared that no one was going to interact with the blog at all, haha. I'm happy I was proven wrong.

(A tiny part of my brain still thinks it's cringe that I, a mid-20's person in the year 2024, made a tumblr ask blog for my video game OC, but whatever. I am cringe but I am free, etc etc...)

Also- a couple of people have already sent in science-related questions, which I plan to answer in earnest. You fools... this may look like an ask blog, but it is in fact my excuse to do scicomm under the guise of my Rain World OC. Ha!

---

As May turns into June, my work schedule is going to shift from part time to full time for the summer. I expect it to be very draining (though not necessarily in a bad way). I might not have as much energy to draw and whatnot. But I know people don't follow me for Content(TM), so I'm not really worried.

I'll check in again next week!

[femurs-vectivus]

---incoherent ramble about new star wars media and critiques and what i think about it -----

Tbh i thought during andor, ahsoka and kenobi the YouTube situation was already bad, but by now listening to star wars critiques and podcasts has become so predictable that it is just plain funny.

I get that people are sharing their personal analysis and opinions, but at this point you can make a predictive bingo card out of flaws every single YouTuber is going to come up with for every new episode and you'd get like 80% correct as a star wars viewer with a little above average knowledge.

This isn't necessarily because "the show is bad and see, everyone agrees on it".

It's because millions of viewers means millions of slightly differing views, opinions and expectations, every one only vaguely thought out because people usually don't write and produce every detail of a show in their own head before they watch it., they just know what they want it to be like, what feelings they want it to evoke.

but everyone gets the same show that can show the narrative in only one way with a predetermined set of scenes and visuals a few people agreed on beforehand.

This HAS TO lead to details that don't entirely agree with you.

Note: that DON'T ENTIRELY AGREE WITH YOU.

But if you go into something with a bar raised higher than heaven because you have idolized previous media in your head and in the community, of course every single detail that doesnt reach that bar becomes a massive problem.

If you watched something without the goal to actively find bad things and noticed some of these dissonances by yourself, you normally do so mostly unconsciously and linger only on some of them. You are also aware that you are watching something someone else made for a wider audience that isn't a perfect carbon copy of the vision in your head.

But if you then open YouTube and find 100 videos telling you they had noticed this detail too and explaining to you why exactly this is a major problem affecting the entire show and therefore the writers failed and the show is ruined, you'll naturally gravitate towards this opinion because it DOES present itself as an objective and reasonable explanation. It doesn't know it's actually still a subjective one.

Most reasonable people have agreed by now that the problem of the star wars community is that it has raised the bar for its future media so high it can't be reached anymore because no man can build a tower as high as the one in a dreamers head.

The real problem with this is that people don't realise how unatainable their demands are for someone who makes ONE show for all and not one for every person on earth.

As soon as some peoples expectations are met they will be immediately villyfied by everyone for who that wasn't the case, as we've seen happen perfectly during the sequels phase.

-

On a side note, what I've seen in some older (meaning age) star wars fans that really annoys me. Them not realising that their interpretations are subjective and can be turned on their head most of the time.

Combined with a sense of superiority because of their age and them having a quite well established quite vocal YouTube base with some public credibility because of it.

Can lead to them totally discrediting younger new star wars fans simply because they never grew up with the same pieces of media as them and therefore "don't understand them as i do".

Yeah no shit Sherlock, that's the entire problem, you're stuck in the past and because the past is rock solid you can carve yourself whatever throne you want out of it and then judge the still forming present and future from it and occasionally throw stones without acknowledging the distance and circumstances that may have lead to this present, or the fact that your reality was once formed the exact same way.

Media creation evolves on and nothing will ever come back. Get a life.

-

As usual, unhappiness unites.

When i watch critiques that came out right after an episode aired, i mainly notice this:

Many negative points of critique can be turned on their head and be interpreted positively as well, and without any more "reaching" for arguments than it takes for the negative interpretations.

Many irrational character actions have a totally reasonable explanation (sigh really not all. Really not.). Many narrative choices are really just that: choices because the story has to go SOME way and there are just as many reasons for it to go THAT way as there are reasons against it.

But because it isn't giving you the unobtainable feeling you are chasing and you want to keep your old media on a pedestral you can't see that and immediately start to back up your negative feeling with a reasonable analysis to then frame that as fact.

These negative analysises are very persuasive because as previously stated, everyone experiences dissonances while consuming media and more importantly every single aspect of a piece of media can be interpreted and criticized differently by different people.

There is a reason we write a million class tests on book interpretations.

And there is also a reason why 90% of the class will write the same interpretation.

Because people decided before that this is probably what the author meant, there's an official blueprint interpretation you read before, specific passages have been discussed in class regarding this interpretation. It's the easy, save and analytically sound way to go during the test.

But the 10% that don't do this interpretation most of the time pick an almost exactly opposing analysis.

Because as with all aspects of human life there are always two sides to the same coin.

In some cases the coin falls definitely on one side, but even then there are people who see it differently.

When someone creates something for an audience they craft their own coin and roll it in the arena of public judgement in hopes that their audience is looking forward to it and will form an opinion on it from a relatively unbiased starting point.

But if enough people are already determined to flip the coin on one side from the beginning they will and from then on everyone who comes into contact with it will see the the side that's up first.

Human opinions get subconsciously influenced heavily by two things: the first contact with someone elses opinion on something and whoever screams the loudest.

I forgot where I was going with those flowery metaphors but anyway. Hoes are staying mad and can't be argued with on a reasonable level.

[pixelgrotto]

Cool Cold War Ninja

Capcom's Strider series holds the distinction of starring one of the coolest ninjas in video games. Hiryu feels like he was designed to look as rad as possible, from the blue suit to the red scarf to the tonfa-esque cypher blade, and his appearance was partially influenced by Spawn (another hero engineered to radiate style) because Capcom character designer Harumaru saw some Todd McFarlane books one day. Even Hiryu's name (飛竜, "flying dragon") is cool, mostly because it taught me that 竜 is the Japanese simplified form of the Chinese 龍, a character in my own name.

But despite his coolness, Hiryu is better recognized for cameos in the Marvel vs. Capcom series instead of his own franchise. This is most unfortunate, especially considering that Strider's one of the earliest video game examples of a cross-media property. Way back in 1988, Capcom greenlit a Strider comic with the help of the Moto Kikaku mangaka group while also assigning two internal divisions to helm an arcade game and an NES title. The intent was to make Hiryu into a hero who would span multiple mediums and be recognized everywhere, from the printed page to the pixelated screen. And that sorta worked, but not as well as Capcom hoped.

The first and most famous Strider - the 1989 arcade release - begins with Hiryu gliding onto the towers of the Kazakh Soviet Socialist Republic in a truly iconic bit of spritework. Within three seconds, you're hit with an array of action as Hiryu strides forward, explodes enemies in half with his cypher, and does a signature flip where all of his limbs flail outwards in a mid-air cartwheel. The action and setpieces never let up, and over the span of the game's five levels, Hiryu fights a council of politicians who morph into a multi-limbed robotic centipede, runs from mountain avalanches, explores dinosaur-filled Amazon jungles, hitchhikes a ride on an airship, and battles robotic anti-gravity cores in the fringes of outer space.

Strider is a blend of a hundred different things that the developers considered cool. But beyond all of the set pieces, the factor that sticks out to me the most is the Cold War futurism that drips from every level, feeling original but somehow dated at the same time. What other games start with your character infiltrating the "Kazakh Federation" and end with them fighting the sorcerous Grand Master Meio, a dude who seems like a thinly-veiled stereotype of a communist dictator gone wild? What other games commit to their "born in a geopolitical era of tension" vibe by featuring speech samples in multiple languages, including Russian, Japanese and Mandarin? Strider came out right before the fall of the Berlin Wall, and you can feel it. On that note, I don't think Kazakhstan has appeared in any other franchise as much as Strider. Honestly, the world would probably be a better place if more people associated Kazakhstan with Hiryu's adventures instead of Borat.

Strider didn't receive a decent conversion for home consoles until the Sega Genesis/Mega Drive in 1990, and the NES "port" that came out around the same time wasn't a port at all. Instead, NES Strider is an early Metroidvania, and one that I actually enjoy a fair bit. This opinion goes against the norm, since while I can recall NES Strider getting lots of promo in Nintendo Power when I was growing up, popular internet consensus these days tells you that it's a broken game with controls that feel like they're stuck in a beta phase.

I can't refute that - NES Strider's controls stink, especially when you're forced to pull off a wall jump that's impossible to do unless you have perfect timing. (Thankfully it's only a mandatory move at two points.) The game's also got a weird glitchiness about it, with enemies respawning at an utterly aggressive pace and the edges of the screen flickering way too much every time Strider moves an inch. The bugginess of NES Strider supposedly kept its impending Famicom port from ever being released, making it a rare example of a Japanese game that sold in North America but not in its native country.

And yet, the ambition to NES Strider is admirable. The trend of backtracking through levels and using items to unlock previously inaccessible areas might be commonplace now, but it wasn't in 1989. The plot, while burdened by a messy English translation, also features far more of a story than any other game in this franchise thanks to its heavy basis in the Strider manga. (Which is pretty cool, by the way, and partially readable in English thanks to a fan scanlation of its first three chapters.) Instead of simply facing Grand Master Meio, Hiryu's got to dig out corruption from the ranks of his organization, and it's nice to actually get some insight into his companions, from a fellow Strider named Kain to a guy named Ryuzaki who left his Attack-Boots in China.

Strider never blossomed into one of Capcom's sequel-studded franchises of the '90s. The NES game was a bold but flawed experiment that didn't get much traction, and while the arcade game performed okay, many of its key developers left the company soon after its release. In the European market, though, arcade Strider received dozens of ports for home computer systems that really couldn't handle it, like the ZX Spectrum. Tiertex, a local developer behind a handful of these ports, got the rights from Capcom and made Strider II, a sequel with shockingly bad level design which also goes under the name Journey from Darkness: Strider Returns. Capcom effectively retconned Tiertex's work with an in-house Strider 2 in 1999, riding off of the wave that Hiryu received from his inclusion in Marvel vs. Capcom.

Released for the arcade and Playstation, Strider 2 seems to take place two thousand years after its predecessor, with the Hiryu the player controls a clone of the original. It's never entirely clear, as the plot was clearly just an excuse to have Hiryu fight a reincarnated Meio. Forgettable story aside, the game spans as many environments as the first Strider, and the opening level sees Hiryu fighting terrorists in Neo Hong Kong to the beat of some darn good music which sounds suspiciously like the Ozzy Osbourne song Shot in the Dark. There's also a rival Strider named Hein who wears an all-white uniform in a nod to Hinjo, the main character from Tiertex's Strider II, which is a polite ode to a game that Capcom has all but disowned nowadays.

My biggest issue with Strider 2 is that each level is divided into small chunks, with the player forced to sit through loading screens while the next segment loads. Most PS1 games released during this era suffered from long loadtimes, but it's annoying to deal with the same thing in an arcade game. Maybe the load screens are meant to give players a breather before the next spree of button mashing, but I feel like the game's pace suffers tremendously. It's hard to fall into the same "blaze through, slice 'em with the cypher, do a billion flips along the way" rhythm that the first Strider inculcated when you've got to wait five seconds after every major encounter.

Strider 2 released during a period when action platformers were nearly nonexistent in the arcades, and a 30-minute experience - which is about how long it takes to beat the game once you know what you're doing - wasn't going to really cut it on the PS1. And so the series went back into dormancy until 2014, when Capcom once again enlisted the services of a third party. Double Helix Games' Strider is yet another retread of Hiryu versus Meio, but there's a surprising ton of DNA from NES Strider present. These go from the music, which features an awesome remix of the NES game's level 1 Kazakh theme, to the decision to make Hiryu's journey into a full-fledged Metroidvania.

Double Helix clearly poured a lot of love into their work, and I give 'em props for that NES inspiration. But there's something missing from the experience, which is probably why you don't often see 2014 Strider on lists of the best recent Metroidvanias. Unlike the world-spanning levels of the other Striders, this one takes place solely in Kazakh, which is large but very samey. As a result, the game feels padded despite not being terribly long, and the in-game map is far too confusing due to different planes that Hiryu can jump across. While Metroidvanias are one of the few genres that tend to activate my completionist tendencies, I never felt the need to explore every nook and cranny or snag every ability. It's a shame, because Double Helix was almost there in melding Strider's disparate gameplay styles and finally bringing Hiryu back to mainstream stardom. But they didn't stick the landing, and Amazon Game Studios bought Double Helix right after Strider released, ensuring that the devs probably won't ever get the chance to improve on their formula.

It's been almost a decade since Hiryu got his own game. He most recently showed up in Marvel vs. Capcom Infinite, and Capcom threw Strider fans a bone with the character Zeku in Street Fighter V, who has a Hiryu-style skin and is said to be the dude who founded the entire Strider order. All of this is neat, but it's baffling that Hiryu - despite being one of the coolest ninjas in gaming - has never had a solo title truly take off since his debut. Some of this might be due to the fact that Capcom has to credit (and presumably pay) Moto Kikaku whenever Hiryu appears, and one could argue that the original arcade game's balls-to-the-wall action and high difficulty don't have a place in Capcom's catalog any longer, or at least aren't as money-printing as new Monster Hunters and Resident Evils. But I think you could easily make something like Sekiro: Shadows Die Twice starring Strider Hiryu, and I wish someone would. After all, we're talking about one cool ass Cold War ninja here, and he deserves to shine once more.

[kckenobi]

fic writer interview

Thanks for the tag @katierosefun! Took me a minute to finish this and post but.....

Name/nickname: kasey!

Fandoms: I feel like I tend to be on the fringes of fandom for most media lol, with Star Wars being the only one I've really been active in. But I guess the ones floating around in my brain most often are bly manor/hill house and Star Trek tng?

Two shots? I don't actually know if I have any, except if you count Room to Grow and A Moment and A Memory which were connected (completely forgot the titles of both of those for a sec, wow).

Most-popular multi-chapter fic: as far as subscriptions and kudos it's probably bloodlines, my fic about Dooku, Obi-Wan and Anakin getting stranded together. But more recently Rhapsody and Blue, my orchestra au, has gotten some lovely attention, which is nice bc that one's definitely closer to my heart!

Actual worst part of writing: "oh god that's a huge plot hole"

How you choose your titles: I usually try first for a theme from the fic that can be summed up in a word or two, but after that I pick from song lyrics or poems lol

Do you outline? Yes, usually! Or I at least come up with a plan. I have to outline for longer projects or I'll forget where I was going and run out of steam. For shorter ones, I usually try to at least have a beginning, middle, and end thought out from the beginning, even if they're not fleshed put! Doing that just keeps me from hitting a wall and fizzling out when I get stuck, bc I at least know what's supposed to come next.

Ideas you probably won't get around to, but wouldn't it be nice: hmm, I like to think I'll eventually get around to everything I want to? But there's definitely a handful of ideas I've started only to put them on the back burner—I was thinking about a sequel to Rhapsody in Blue for a while, but i just had a hard time deciding what the conflict in that story would be since Palpatine is dead lol. But I'm not saying I won't get to it, because I still might!

Callouts @ me: how—many times—can you put an em-dash in one paragraph—also you write about the same themes over and over again—

Best writing traits: Hmm, I think one of the things I've gotten good at over the years is structuring a scene/structuring a longer plot. It's something I think was hard to learn, like as far as pacing and the balance between dialogue and action, and how to weave multiple plot lines into something that feels cohesive. Reading my old writing vs recent stuff, that's just been something I've noticed!

Spicy tangential opinion: the whole "only queer people can write queer stories" idea hurts people who are closeted or questioning more than it protects anyone, and no one owes you any piece of information about their identity to justify their writing ¯\_(ツ)_/¯

tags: @calltomuster @meantforinfinitesadness @pandora15 @giggles-and-freckles @indigostars @tessiete

[paullovescomics]

I'm partial to the "return to physical media" sentiment, partly because the problems with streaming and digital-only have become glaring, and also out of general cantankerousness. A few recent pieces have pointed out how unsustainable streaming appears to be, and the real problems it has caused for people who work in the entertainment industry (talking here about production crews, writers, and the 90-odd percent of actors who aren't top-billers). One of the arguments in this discussion that goes "now streaming costs as much as cable used to". It's very easy to just subscribe to one or two, watch what you want to watch, then cancel the subscription and try a different one. There may be a small number of people who feel compelled to buy lots of streaming services so they can keep up with everything, but presumably they would also feel the same about all the extra cable channels, so they'd be paying for the highest level cable tier and HBO, Cinemax, and so on.

But I went to my local cable monopoly's website to see what it costs now. Maybe they've cut prices since so many folks have cut the cord. Nope. The lowest-priced tier was $65. Even if you only bought the higher-priced streaming services, you could get four easy and have some change left over, and each one of those would have literally thousands of hours of stuff to watch. Plus, with cable you either have to watch it on their schedule, or pay for a DVR (or I guess it's a digital equivalent now) and hope that it actually catches the shows it's supposed to. And of course it's going to come with a lot of channels I'd never watch, and chances are good all of them include F-- News, which I do not want to support in any way.

So I think I'll stick with streaming for the foreseeable future. Between YouTube, Twitch, and Tubi, there's more than enough "free with ads" streaming. And I'm cool with only subbing to Paramount when there's new Lower Decks or Strange New Worlds, or Disney when there's a new Star Wars show (though I admit i'm mad about Acolyte not getting renewed, so I might be less eager to go back to that one). If AEW goes to HBO Max, even if it streams a week after the cable broadcast, I'll jump on that.

Not to mention that I don't have a real tv these days. After my last one died (only lasted a couple of years), I just stuck with my lap top. I really don't like modern TVs. The sound is awful, they look boring, and you can't do shit without the remote. Also, and I know I'm in the minority here, and my age is a big factor here since i grew up with TV looking a certain way, but the super HD picture looks fake to me. Watching a show where everything is perfectly lit, hardly even any shadows anywhere, everyone's make-up immaculate, sets where everything is perfectly in its place and there's not a mote of dust on anything makes it all feel very artificial. And I'm not the type to demand immersiveness (often when people talk about being immersed, or especially ads that promote a thing as immersive, I'm not sure I even know what they're talking about). I'm very aware that people on the screen are playing make believe and Im' being told a story by other people. That's a good thing, because I appreciate the storytelling skills of all these people, and the whole reason I seek out stories is to be told a good story. But these ultra high def things just look so fake. The fact that I've worn glasses since elementary school might play into it, too. There are few moments when the world I see doesn't have some fuzziness in it, at least at the edges.

[harbingerofsoup]

no hate at all cause im a huge fan of both shows and im a firm believer of fandom being an open space where people can voice their opinions without others going to war over it. so if you like ofmd more than good omens, that’s your prerogative, but i do want to take this as an opportunity to pose a question to the greater tumblr fan community, specifically those of us consuming largely queer media:

why must all queer shows/movies be pitted against each other in a search for the one true “better” piece of media?

seriously think about it. let’s take these two shows as an example. while the fandoms for these shows can best be described as a venn diagram in the shape of a perfect circle, they’re not the same genre, they have a very different plot structure, they’re not even about similar subjects. we’ve got a biblical fantasy in the form of a 3 act romance about armageddon and angels and demons; and we’ve got a loose historical romantic comedy about pirates. we’re never gonna be able to to judge which is quote unquote “better” because what metric would we even use?! well, aside from them both being overwhelming and unapologetically queer shows, but that is the problem.

now that we have all these queer shows and movies and podcasts etc., we need to deconstruct some of the ways we discuss them. with the historical lack of queer media it made sense to group them altogether, but we’ve reached a point where treating “queer” as a genre is becoming a detriment because now people are judging shows to be better or worse based on their own preferences.

part of the problem is of course the high standards queer media is often held to these days because of small pockets of very vocal and very online fans who have taken it upon themselves to recreate puritan ideology. that’s not what im speaking to here, but i would argue that our genre-fication of queer media makes in much easier for them to do so since their modus operandi is to discard anything that doesn’t meet their standards of unobtainable perfection, which is much easier when you can judge things within one genre. you wouldn’t say star trek is better than the saw films cause there’s no context for it. like where would that even come from??

let’s go back to our original two examples. it’s true that they’re both queer and have queer romances, but these romances operate under different contexts. good omens focuses on aziraphale and crowley and their love story in the context of a classic three act structure with an overarching plot about heaven and hell and the end of the world, grappling with religious trauma and forbidden love. ofmd is a romantic comedy that is far more preoccupied with psychological conflicts. they’re pirates so any background characters dying doesn’t matter beyond the effect killing has on the characters, they’re a wide cast if characters that grow and are explored, and the main plot is about relationships because that’s what genre is all about. so i ask again, where’s the context for comparison? where does it even come from?

we deserve a wide variety of queer media, which we’re starting to get, but we’re only going to get more (barring the political climate obviously) if we accept that we’re not gonna like all of it and we’re gonna like some things more than others because queer people like all people have different interests and tastes. deciding one genre is better for exploring queer themes than all others is how we got stuck in an endless feedback loop of teenage coming out stories. those have a place cause teenagers like their sappy romances, but we cannot go back to only having that. seriously please, i can’t go back.

this definitely got away from me a bit, but in my defense im an english major, so i can churn out essays without thinking about it. im someone who likes pretty much every genre so comparisons between them is something i’ve had to grapple with. admittedly, this is also an oversimplification for that very reason since there are absolutely cases where genre comparisons make sense, but even then it’s never really in a “better or worse” way. so yeah like in conclusion or something, queer isn’t a genre, be confident in your preferences and opinions, but think about where the instinct to rate queer media as better comes from.

idk if this is a hot take or not but i think ofmd is better than good omens

[dornish-queen]

GQ MEXICO - PEDRO PASCAL 2021

It seems that Pedro Pascal is in all possible universes. Here and there. In the past, in the present, and in galaxies far, far away. Today, the actor is considered the great entertainment reference and one of those in charge of saving a franchise that seemed lost. Enough reasons to talk exclusively about discipline, gastronomy, creeds and how he traumatized his father in 30 seconds.

The RAE defines 'creed' as the set of ideas, principles or convictions of a person or a group. For example, by creed, one can leave his country and be in exile. It happens that one can leave the loved one behind. Or simply live in another reality. And also one can put on a helmet to pretend never to take it off again. If that is the path to follow, the creed says that it must be done with the profession of faith and without stopping to look. Turning the pages of the script for The Mandalorian , the Disney + series that revived passion and nostalgia for the Star Wars franchise , Pedro Pascal came across this definition in every dialogue and moment, and reflection carved his way.

More than two decades have passed since the Chilean-American, Pedro Pascal, began his acting career and today, named as the great reference of 2020 , he misses the theater and it still hurts him not to have the discipline to exercise and maintain a diet sana while acknowledging the irony of having the best year of her career in the midst of one of the worst in recent history. But even in physical solitude, the man who carried the best-selling Christmas baby rescues many positive things and shares his vision of the universes he has traveled through, his passion for distant galaxies and how to traumatize your family with a simple scene of TV. In an interview, the Mandalorian of Latinamerica.

IMDB named you the 2020 benchmark in entertainment, a year in which the world took refuge in fiction. How was living your best time locked up and what do you rescue on a human level from it?

The strength of family relationships and friendship. For them, we endure this physical loneliness. I do find it ironic that in 2020 I received projects so well received by the public, although they were carried out before the pandemic and their impact was during it, and that year I was isolated and alone. But I must emphasize that this loneliness is a privilege when many people had to continue working, surviving and maintaining the functioning of the world. We only had to be alone, but they more than that and you must value it too.

Among the activities you have missed, how much do you miss the theater?

Much indeed. It's something that I miss the most and being with people without being afraid. See a play and return to those experiences of being with people doing and living things in common. That is what I need most, in addition to my loved ones.

Disney fully entered streaming and its strong letter has your face, what do you think of the discussion of platforms against movie theaters?

There are incredible things in streaming and many people develop great projects that they did not have access to before. The diversity of voices is gaining ground and it is important to recognize that opportunities grow exponentially and boundaries change. It is incredible the availability that we have to very well made content and how creative people can share their work in different ways. But I also want to be honest: limiting the experience of watching content only on our gadgets or at home is a mistake that affects the stories we can tell. You have to achieve a mix of opportunities and challenges.

You jump between the fictional universes that mark the last decades until you reach the universe of universes. What is your first Star Wars memory and how do you summarize the essence of this legendary story?

For me, Star Wars is nostalgia itself. It is one of the primary things in my memory, of my childhood. I came to the United States with my Chilean family when I was less than two years old and one of my first memories is going to the movies with my dad to see the saga ; it becomes one of those romantic childhood things that opens your mind, so imagine how special it is to participate in this project. I think the creators of The Mandalorian perfectly understand this nostalgia and that power, and they managed to count on that element as a great ally for the world of Star Wars and I couldn't be happier to be part of it. (From which we expect the third season The Mandalorian)

The Mandalorian exploits the power and nuances of your voice, did you have that letter on your resume?

I didn't know I could do it, but I resorted to my theater preparation, which was very physical on all levels and feelings. There are elements that have to do with and that are essential to create a role, and they teach you that the voice is something primary, something you have to start with and you cannot hide. Now I have learned much more about the importance of that, and how to use it economically. The body also has to do with that, because something very subtle communicates something. In The Mandalorian , I had a great time figuring out how to do it, they gave me the opportunity to develop it in different ways. The opportunity to be very intense at it.

What happens to the ego when someone works under a suit and a mask?

In the conversations about the project, before doing it, we were communicated the idea and the concept of the entire season , so I clearly understood what it was. I wanted it to be the most powerful version of what they were trying to accomplish, so there was no point in involving my ego, you know? It was already very clear what the project meant, so I knew about the character , the piece that it represented for him and the opportunity that it was for me, so I was only focused on executing in a better way the part that touched me in everything this. In the theater, I worked several times under a mask and it helped me develop the experience.

It seems that The Mandalorian has a very theatrical base ...

Exactly, and thanks to the physical experience of working in theater, doing a play a few times a week, discovering how your body and your voice communicate , being part of a whole image, and how you will tell that story visually, I achieved this character. I never imagined that it would be something I would have to use on such an important Star Wars project .

On the list of entertainment greats, there are names like Steven Spielberg and George Lucas, do you think John Favreau should be added to the list?

I think your name is already included. Without a doubt, it is in that category and it is incredible. His vision fascinates me. I remember an episode in the second season , and I had some boots and I walked so much in the snow, it stuck to them. He figured it out, so he talked to the art department about the kind of boots you need when you're out in the snow. They approached me and gave me new ones that fulfilled the idea I was looking for. He noticed it in an instant. It is such a wonderful detail and it is repeated to scale in every session with him. He thinks of absolutely everything and his vision of the use of technology is admirable. He is someone who makes you feel motivated and always sees how to achieve the goal.

One of the reflections in the series is on how and under what circumstances a man can break his creed and way of life. What makes you break with your beliefs?

I think that you must follow your heart so as not to regret anything; Although sometimes it brings pain or conflict, deep down when you look back, everything is worth it because it was what you heard in your heart. I am very afraid to deny that feeling or not to attend to it. I am 45 years old now and I cannot believe I have a finer philosophy. Make it more disciplined. It's ridiculous, but I'm trying to accept that I am and it's all I can say, "follow your heart." Although, you know, I'm not on a good diet yet, I still have trouble sleeping or exercising.

Still good at Chilean empanadas?

Yes, I couldn't stop. And also how good that I do not live in Mexico City because I would only spend it eating. I could move my whole life to defe just to eat.

I want to deviate and ask you, with whom did you see the chapter of your death in Game of Thrones and what traumas did you cause in your family?

For me, no trauma. I separate myself well from the characters , although I fully understand that if I were a Game of Thrones audience and loved that character, it would make an incredible impression on me. Thank you that it was not. I had to interpret it and there was a model of my head to be crushed that way with the tubes and the fake blood, you know? Me lying there, with pieces of my meat, it was funny in the end. But not for my family. For them there is nothing funny but traumatic. My dad's voice changed completely when we saw the episode, he turned around and said: “I didn't like it, Pedro . No, Pedro , not this ”.

The media found similarities between your villain in Wonder Woman: 1984 and Donald Trump. When playing a character with characteristics like this, do you humanize him or do you understand him?

The project had nothing to do with the former president. They always told me that my character in Wonder Woman: 1984 was emotionally messy, and I took that and took that as far as possible. Instead of creating it with images or certain inspirations from life, it was more to work with what was on the page. Personally, what made sense to me is the size of the story that is being told and there is always more, and we all want more. Creatively, if this makes sense, that meant "blowing her out of the park." Connect a hit with the character and be committed to telling his story faithfully, in a way that was true to me. So all the exterior elements found their way.

What a way to start 2021 with the theme of the Capitol ... How do you perceive that moment?

I am not a politician and it is not that I do not have an opinion about this type of event; however, it is not necessary to state the obvious. My opinion would be very simple compared to that of a person who studied this, who knows how to act in these kinds of scenarios; I believe that I am next to the majority who experienced this, which is the logical result of what we have experienced during these years and we are all horrified . It was distressing to see this violence.

If you had the monolith in your hands, what would your wish be?

My wish would be… it's impossible, really (laughs). I think it is to be together again, with less fear and that people have the opportunity to connect.

What is your position on the reality that Chile has experienced in recent years and how has the relationship with your country been since exile?

It is something that I am developing and I continue to do in my life, trying to understand that it is my home. To be in Chile is to be at home, but my life has been very nomadic, living different things and having many influences; so it is strange, I do not feel with the title of a complete Chilean identity nor with an American one.

Neither here nor there?

In a sense, but I'm also completely both. My parents are Chilean , my brothers were born there before my parents traveled, and I came back sometimes because my family is very large; in fact, my parents came back. It has always been there, it continues to develop, and it will be a part of me. I don't know if it answers your question, but it has a lot to do with who I am.

What is your relationship with Latin American cinema? Are you interested?

Much, it has invaded me in life like American cinema. The movies that I carry in my heart, seeing something like Y tu mama was also something that changed me; I also love the work that comes out of Chile , and the only thing I can say is that it is a cinema that needs more access and projects.

Today you have a comedy with Nicolas Cage on the door, can you tell us something?

It's my first shot at comedy , as a complete story within the genre. Speaking of American influences , in the 80s I saw all the films where Nicolas Cage appeared , he came into my life and it's great to be his partner after seeing all his performances.

How is the relationship you have with the comedy genre?

I love it, I have done a lot of comedy in the theater, what happens is that in film and television issues , I was always part of drama castings . And in the cinema, you go where the doors open; Although I identify with one or the other, I think that being an actor , one goes and does what one has to do. Comedy is something unique, it is very challenging because it must be very real to be funny, you cannot hide or use normal tricks. I was very excited to have this challenge in front of a camera.

Finally, Pedro, after going through so many fictional worlds, literally, what do you dream about when you sleep?

I dream that my bathroom is dirty, that I haven't done my math homework, that the oven is on and all that stuff. Sure, there are times when I close my eyes and see myself in all these projects , although my conscience is with the anxieties of the day that you can imagine.

Without a doubt, Pedro Pascal is a particular type .

English Tranlation: Google Translate

SOURCE:  GQ MEXICO

[digressions21]

The Adam Driver Complex

I’d like to preface this by saying that this isn’t really about Adam Driver, but more of an outpouring of thoughts and feelings towards fame and why so many people want it. I recently graduated university and will soon be starting my first job in the ‘real world’. My job is nothing to do with acting, nor does it have any way of making me rich and famous. This fact has caused me to deep dive into despair over the fact that I am not famous, and probably never will be.

The Adam Driver part of this comes from a Fan Fiction story I read a month ago, after I discovered how amazingly written a selection of stories based around the Star Wars characters ‘Rey’ and ‘Kylo Ren/Ben’ are, of which Driver plays the latter. Fan Fiction can be a bit of a cesspool at times; however, it is a guilty pleasure. Anyway, I read a story where Rey was a clothes designer to the stars, and Kylo Ren/Ben was a famous actor who she designed. I won’t go into detail about the story, but they of course ended up together engaged and happy, after some initial drama. It is not a new formula, and I have read similar stories hundreds of times. However, this story stuck with me. This version of Rey was a relatively normal girl just doing a job she loved – she was not initially rich or famous, just a ‘normal’ person. Upon entering her relationship with the famous actor she became known, and discussed things such as the Oscars with her famous now-fiancé. When I finished the story I felt surprisingly melancholic, so I went on a drive to a park and thought about why I was upset but this story which was good, but perhaps shouldn’t have caused such a reaction in me. I realised that it bummed me out because I would never be that Rey character, I would never meet and fall in love with this character based around Adam Driver, and I would probably never marry him. But why would I? I don’t know Adam Driver, and though I am sure he is lovely, I am confident that he is very happy with his wife and family. So, why am I still bothered?

I realised that it wasn’t some infatuation with Adam Driver that was getting me down – it was the fact that I am not famous enough to have the opportunity to meet a person like him. Of course, one doesn’t need to be famous to meet a famous person, but it definitely makes it easier. Now, I have developed a complex with the actor Adam Driver, through no fault of his own. Whenever I see him online or in a film I am reminded of my inability to have the same opportunities as him or be as famous as him. More annoyingly, whenever I see an actor in a film that he is in, I relate this complex to them and am reminded once more! (For example, Lady Gaga is in the new House of Gucci film – which looks fantastic – however, she stars opposite Driver, and now when I see her it all comes back to me). It is starting to become a little dramatic.

This led me to another question – why would I want to be famous? I have a lovely life surrounded by great friends and family, opportunities related to my passions, and a positive-looking future. Additionally, I value my privacy, something which celebrities often seem bereft of due to the demanding and insidious nature of social media and paparazzi (this word reminded me of Lady Gaga, which reminded me of Driver – it’s hard to escape this cycle). Sure, being rich must be nice, and it must be great to provide for your family easily, but it takes hard work to get there, I’m sure. I’m not a particularly gifted actor, and I don’t really want to make the sacrifices needed to become an Oscar-winning actor either. My career in amateur acting came to a slow end after an unsuccessful audition at a drama school in London. So, if I can make these conclusions, surely this should quell my sudden desire to become famous enough to meet Adam Driver, right?

Wrong. I cannot seem to escape this complex. I find myself trying to think of ways I can become famous on the sly, whilst progressing through my everyday job. Dreams of a famous agent seeing me on the street and stopping me, because I look like the perfect person to cast in some blockbuster movie, and of course they don’t need to audition me – they can already tell I’ll be perfect! However, this sounds like the plot for another Fan Fiction story, which is what got me into this trouble in the first place.

I know that I am not the only person in the world who feels this compulsion to be famous and walk the red carpets but feels like I lack the opportunities (and if I’m being honest, talent) to get there. This reminder does make me feel better, along with the fact that the majority of people in the world are not famous and are very happy. I am reminded of a quote from Rainer Maria Rilke, from the book of hours, which states “Let everything happen to you: beauty and terror. Just keep going. No feeling is final”. I hope that one day this feeling will slowly fizzle away, so I can appreciate the accomplishments that I do make in life, even if they probably won’t involve being famous and meeting Adam Driver on the red carpet.

I often remind myself that there are many people who were considered the crème de la crème in terms of fame and reputation one hundred years ago that are probably forgotten now. It is this idea of not being remembered that underlies this entire issue, as of course none of us wants to be forgotten. However, you can be the most famous person on the planet, but that doesn’t mean that you’ll be remembered in three-thousand years’ time (unless you’re somebody like the Greek figure Achilles, who is still discussed in 2021). Homer’s epic the Iliad focuses heavily on this concept, that the names of men “fall likes leaves”, and the downfall of many heroes within the story is that they care too much about their kleos – their glory and reputation. The fact that this poem discusses a topic which bothers people thousands of years later makes me feel good – our feelings of insignificance are not original, and they don’t need to be our downfall. That is why I wrote this piece, in case there are other people out there who have complexes of their own – perhaps yours is based on another famous individual, such as Brad Pitt or Kermit the Frog. Whatever the case, I have made peace with the fact that from time to time this feeling of insignificance may plague me, even when I am doing well in my life. I mean really, we are all insignificant in the grand scheme of things – will Adam Driver be remembered in three-thousand years’ time? Maybe! He is a pretty great actor – but who is to tell. It is unlikely any of us will be remembered that far into the future, and that’s ok. As long as we are having a good time in the here and now and making a positive impact on the planet I think we are going to be ok. Even if that positive impact is something as small as writing a blog post on why the idea of Adam Driver is causing a bit of drama in your life right now.

[path-of-my-childhood]

Taylor Swift: Pop Star of the Year

By: Jonathan Dean for The Sunday Times Date: December 27th 2020

Rather than hunker down, the singer put out two albums in 2020 and won over new audiences. She’s the pop star of the year.

Taylor Swift met Paul McCartney in the autumn for a big interview in Rolling Stone. The two would have headlined Glastonbury this summer. Who knows if they will do that next year. Anyway, both recorded albums in lockdown, working from home like the rest of us. When they spoke, though, Swift had a secret. As well as Folklore, released in July, she had a follow-up record in the pipeline — Evermore, which was released this month.

Swift noted that the former Beatle was still so full of joy. “Well, we’re just so lucky, aren’t we?” he said. “We’re really lucky,” Swift replied. “I can’t believe it’s my job.” And she is right. Being a pop star is an extraordinary way to earn the living she does. But rather than accepting luxury and letting this tough year tumble on, Swift is also keenly aware what music means. Sad songs soothe, happy songs make us dance, but as fans of most artists waited for something — anything — this year, this 31-year-old released two albums that broke chart records, were critically adored and introduced her to people who once thought that she wasn’t for them.

“I’m so exhausted!” she said to the American chat show host Jimmy Kimmel, laughing, a few weeks ago, when asked if she had a third new album planned. “I have nothing left.” In addition to Folklore and Evermore, she filmed a TV special and even started rerecording her back catalogue, after a volatile dispute over who owns her work. By October I’d just about cobbled together my first sourdough loaf.

A decade ago Swift moved firmly into the limelight thanks to a squabble with Kanye West entirely of the rapper’s own making. In 2009, when Swift — then a nascent country music star — won the best female video award at the VMAs, West stormed on stage, grabbed her microphone and said that Beyoncé should have won. Swift was 19 — West was 32 — and she looked scared. This wasn’t just about her biggest moment yet being stolen, but also about her position in the pop hierarchy being questioned, very publicly, from the off. She stood there as that man bullied her. Apparently she left the stage in tears.

Years later West released Famous, with its infamous lyric “I feel like me and Taylor might still have sex/ Why? I made that bitch famous.” The alt-folk singer Father John Misty also wrote about sleeping with her. Every time that sort of thing happened, a powerful man in Swift’s industry was reducing a successful, talented, younger female to the level of a sex object. It was back-in-your-box belittling — as it was when a TV host groped her. (She successfully sued him.) While Swift herself would retort to West, as her music became less country, more slick pop, such retorts felt forced and gave the rapper too much of her oxygen. A nod to him on Folklore comes with the “Clowns to the West” line, but it is a sideshow now, not a headline.

Not that Swift’s life is entirely her own. She’s been one of the world’s bestselling female artists for a decade, coupled with curiosities such as a well-orchestrated relationship with Tom Hiddleston that kept her in the spotlight. Like many twentysomethings, Swift spent her youth apolitically, only to receive flak for staying silent during the 2016 US election. This year she endorsed Joe Biden, but what if she had wanted to stay quiet? Would the media have let her? She is under so much scrutiny that, after she made an innocuous hand gesture in a recent TV interview, similar to one women make to draw attention to domestic abuse, this headline ran: “Some people think Taylor Swift is secretly asking for help in her latest interview.”

Like many at the start of the pandemic she felt listless. The world we were used to was a wasteland, and we could only find the energy to watch Normal People. Swift’s ennui, though, was, well, swift. Stuck in LA, she emailed Aaron Dessner of the beloved beardy indie band the National to see if he fancied writing with her. No fool, Dessner said yes and, mere weeks later, the duo — with help from Swift’s regular collaborator Jack Antonoff as well as Justin Vernon, from the beloved beardy indie band Bon Iver — released Folklore. The gang just carried on working and, five months later, gave us Evermore.

Creativity is not on tap. Indeed, this year is not one for judging what others may or not have achieved. However, the silence of many big pop stars is striking because they know that even a single would make someone’s day; distract for a while.

Everyone needed to adjust to working from home, but Swift was one of the only musicians who did and, by eschewing the arena pop of recent albums for something more subdued, organic and folky, she gave the sense that she was letting fans in more than ever. She was at home, like us. This is who she is, and the first single from these sessions was so cosy, it was even called Cardigan.

“I just thought, ‘There are no rules any more,’” she told McCartney. “Because I used to put all these parameters on myself, like, ‘How will this song sound in a stadium?’ If you take away the parameters, what do you make? I guess Folklore.”

Maybe it is tedious, for a deft writer with a career of varied, brilliant songs — Love Story, I Knew You Were Trouble, Blank Space — to find respect from some people only when artists who appeal to middle-aged men start to work with her. On the other hand, pop has never been particularly welcoming to many until it sounds like something you are used to and, with delicate acoustics and gossamer-like piano, Swift’s two new albums recall, sonically, Nick Drake or Kate Bush. Thematically, lyrics seem to come from anywhere. Daphne du Maurier, for one. Even the Lake District and its poets.

Some songs are personal. She is dating British actor Joe Alwyn, and on one track she sings, “I want to give you a child.” Make of that what you will. But these records’ highlights are not about herself, but others. “There was a point,” she told Zane Lowe on Apple Music, “that I had got to as a writer, [where I was only writing] diaristic songs. That felt unsustainable.” Instead, she does what the best writers do and mixes subjective with objective. The Last American Dynasty is a terrific piece of writing about the socialite Rebekah Harkness, who lived in a Rhode Island house that Swift bought and was, by all accounts, a bit scandalous. Swift tells her story almost with envy. Imagine, she seems to say, that freedom.

“In my anxieties,” she said in Rolling Stone, “I can often control how I am as a person and how normal I act. But I cannot control if there are 20 photographers outside in the bushes and if they follow our car and interrupt our lives.”

Then there is Epiphany. The first verse is about her grandfather, who fought in the Second World War; the second about frontline workers in hospitals now. Sung in a high register, it is suitably choral. Marjorie, on Evermore, is even better. It is about her grandmother, an opera singer who died in 2003. “What died didn’t stay dead” is the repeated line, and it is eerie, gorgeous. Swift sings how she thinks Marjorie is singing to her, at which point some vocals from the latter’s recordings waft in. Touching, but the real power is in Swift writing about vague memories of a relative who died when she was young. “I complained the whole way there,” she sings. “I should’ve asked you questions.”

In person she is warm like this, and funny. When Kimmel told her there were far more swearwords on Folklore and Evermore than previous records, she replied: “It’s just been that kind of year.” She is also odder than people realise. In the way pop stars should be. Obsessed by numerology, she wrote, on the eve of her birthday when announcing Evermore: “Ever since I was 13, I’ve been excited about turning 31 because it’s my lucky number backwards.” When I turned 31 I just wished to be 13 again, with all that youth, but then, maybe, she is just joking. “Yes, so until I turn 113 or 131, this will be the highlight of my life,” she said. “The numerology thing? I sort of force it to happen.”

Swift, of course, is far from the first pop star to become public property, or have a close bond with fans. This year, however, she was one of the few to show that such adoration is not one-way. She is, simply, a fan of her fans — from planting secrets in her artwork and lyrics, to recording two albums of new music as a balm for them when real life became too deafening.

“One good thing about music,” sang Bob Marley. “When it hits you, you feel no pain.” The 80.6 million who streamed Folklore on its first day will attest to that idea. So will the four million who bought it. Swift is pop star of the year, no doubt — leaving her peers in her wake, on their sofas, rewatching The Sopranos.

[hecallsmehischild]

Recent Media Consumed

Books

The Silmarillion by J.R.R. Tolkien. About ten or fifteen years ago, I tried to read this and was totally overwhelmed by it. I kept it around, hoping maybe someday I might be able to read it. I finally have, and here are my impressions: WHY SO MANY NAMES. WHY YOU HAVE TO NAME EVERYBODY, AND EVERY TRIBE OF PEOPLES, AND EVERY INANIMATE OBJECT, AND EVERY LANDSCAPE FEATURE. WHY. *ahem* So. I have a general comprehension of the events of The Silmarillion, but I dealt with it by doing what you do for an impressionist painting. I (mentally) stepped way back and let all the names flow by me, and if there were names that were repeated a lot, then I mentally attached appropriate plot points and character details to those names so I could track with who they were and what they were doing. And, actually, I found myself able to hang on and enjoy the book for the most part. This is going to lead into a re-reading of the Lord of the Rings books, since I haven’t read those in about as long…

The Hobbit by J.R.R. Tolkien. I haven’t read some of these books since pre-teen years, with one required re-read of The Two Towers in high school (i.e. it’s been many an age since I’ve read these and my memory of the stories has been far more heavily influenced by the movies). In re-reading the first book, I was struck by the extreme tone shift for the Elves and Dwarves. Elves seem much closer to happy, mischievous fairies than these ethereal, solemn pillars of elegance and grace the movies show them to be. And Dwarves are far more bumbling and craftsmanlike than the movies show. Aside from that, The Hobbit was a pretty solid adaptation from the book, and the book also reminded me that this story was the first time I experienced “NO, MAIN CHARACTERS DON’T DIE, HOW DARE YOU,” and probably was the first book to make me cry. I must have been 8 or 10 years old. I FORGOT HOW MUCH THIS STORY INFLUENCED ME.

A Conflict of Visions by Thomas Sowell. I have a longer-than-usual list of things to say about this book. First is that it was just that level of difficult that I was struggling to understand while reading it (on Audible), but I think I got it. Sowell has several base concepts that I see repeated throughout his books, though he does like to dedicate whole books to specific aspects of the same topic. He is pretty damn thorough that way. So, for example, I would put this book in the middle of a three-book spectrum of similar concepts: Intellectuals and Society (most concrete and easiest to read), A Conflict of Visions (next-level abstraction, a little difficult to read), Knowledge and Decisions (root abstract concept, very difficult, I have not been able to get past chapter 2). The second thing I have to say is about a couple interesting concepts it proposes. Its whole point is to help readers understand the roots of two ways of seeing the world that come into severe conflict politically, and he calls them by their root titles: the constrained and the unconstrained visions. He traces the path of each back through the intellectuals that most spoke of them (tending to contrast Adam Smith with William Godwin and Condorcet). Though he leans heavily toward the constrained vision (based on reading his other works) he does his best to make this book an academic study of both, with both of the visions' strengths and flaws and reasoning and internal consistencies fairly laid out. In doing so, he helped me understand a few things that make this situation really difficult for people on opposing sides to communicate. One of them is that root words and concepts literally mean different things to different people. I had some vague notion of this before, but he laid out three examples in detail: Equality, Power, and Justice. It was kind of astounding to see just how differently these three words can be defined. It makes me think that arguing about any specific issues rooted in these concepts is fruitless until first an understanding has been reached on terms, because otherwise two parties are endlessly talking past each other. Another really interesting idea he brought up is the existence of “hybrid visions” and he named both Marxism and Fascism as hybrid visions. This was especially fascinating to me because I have seen the accusation of “Nazi” flung around ad nauseam and I wondered how it was that both sides were able to fling it at each other so readily. Well, it’s because Fascism is actually a hybrid vision, so both sides have a grain of truth but miss the whole on that particular point. In any case, this was a little difficult to read but had some fascinating information. For people who are wondering what on earth this gap is between political visions, how on earth to bridge the gap, or why the gap even exists in the first place, this is a really informative piece.

Movies

The Hobbit & Fellowship trilogies (movies). I mean, it’s definitely not my first watch, not even my second. But I went through it with Sergey this time and that means the run-time is double because we pause to talk and discuss details. This watch came about partly due to Sergey’s contention that Gandalf’s reputation far outstrips his actual powers, so we ended up noting down every instance of Gandalf’s power to see if that was true. Conclusion: Gandalf is actually a decently powerful wizard, but tends to use the truly kickass powers in less-than-dire circumstances. That aside, this movie series was always a favorite for me. I rated The Hobbit trilogy lower the first time I saw it but, frankly, all together the six movies are fantastic and a great way to sink deep into lore-heavy fantasy for a while. And I’m catching way more easter-egg type details after having read the Silmarillion so it’s even more enjoyable. (finally, after about a week of binge-watching) I forgot how much this story impacted me. I forgot how wrenchingly bittersweet the ending is. I forgot how much of a mark that reading and watching this story left on my writing.

Upside-Down Magic. Effects were good. Actors were clearly having fun and enjoying everything. Story didn’t make enough sense for my taste, but it was a decent way to kill flight time.

Wish Dragon. So, yes, it’s basically an Aladdin rewrite, but it’s genuinely a cheesy good fluff fest that made me grin a whole lot.

Plays

Esther (Sight and Sound Theatres). < background info > This is my third time to this theatre. There are only two of these in existence and they only run productions of stories out of the Bible. The first time I went I saw a production of Noah, the second time I saw a production of Jesus. My middle sister has moved all the way out to Lancaster, PA in hopes of working at this theatre. My husband and I came out to visit her. < /background info > So. Esther. They really pulled out all the stops on the costumes and set. I mean, REALLY pulled out all the stops. And the three-quarters wrap-around stage is used to great effect. I tend to have a general problem of not understanding all the words in the songs, but I understood enough. I highly recommend sitting close to the front for immersive experiences. This theatre puts on incredible productions and if you ever, ever, EVER have the opportunity to go, take it. Even if you think it's nothing but a bunch of fairy tales, STILL GO. I doubt you'll ever see a fairy tale produced on another stage with equal dedication to immersion.

Shows

The Mandalorian (first two seasons). Well. This was pretty thoroughly enjoyable. It felt very Star-Wars, and I’d kind of given up after recent movies. Felt like it slipped into some preaching toward the end? Not sure, I could be overly sensitive about it, but I enjoyed this a lot (though I did need to turn to my housemate and ask where the flip in the timeline we were because I did NOT realize that the little green kid IS NOT ACTUALLY Yoda).

Games

Portal & Portal 2. Portal is probably the first video game I ever tried to play, back when I had no idea what I was doing. Back then, I attempted to play it on my not-for-gaming Mac laptop. Using my trackpad. Once the jumping-for-extra-velocity mechanic came into play, I just about lost my mind trying to do this with a trackpad and gave up. Later I returned to the game and played it with my then-boyfriend on a proper gaming computer. Now, after having played several games and gotten better at "reading the language" of video games, I decided I wanted to see if I could beat the Portal games by myself. Guess what. I BEAT 'EM. Yes, I remembered most of the puzzles in Portal so that's a little bit of a cheat, but I'd say a good 2/3 of Portal 2 was new puzzles to me. It is crazy how proud I feel of myself that I could beat Portal 2, especially. Learning how to play video games at this age has really knocked down the lie, "You can't learn anything." Though I still suck at platformers and games that require precision. Since I find those types frustrating, I probably won't be playing many. Games are about enjoyment, so I'll push myself a little, but not to the point where I can't stand what I'm playing.

The Observer. I like the concept and the art but I don't think I could keep trying to play this game. It's really depressing. My in-game family members all died of illness or accident or committed suicide. I also kept getting executed by the state. In order to keep us all alive I'd have to do pretty terrible things that I have a hard enough time contemplating even in a fictional setting.

Baba Is You. Fun and interesting concept, but I got stuck pretty early on. Don't think I want to push as hard on this one.

[bereft-of-frogs]

Hi, hope you don't mind me asking this, but I saw a post about your two fandoms, and I just wanted to ask, do you think there is the same arguments across both fandoms just in a slightly different context, or do you think a lot of discourse is specific to the fandom itself? Do you think it's inevitable that in large fandoms, discourse occurs? I'm only in one so I genuinely don't know. Thanks.

Hi! This is a really interesting question.

I think the base elements of discourse will always be present in a fandom that grows sufficiently large. allow me to postulate a few categories of universal discourse:

- the various iterations of purity culture, whether it’s ‘how dare you find the villain character compelling!’, or ‘this content is too violent/sexual won’t you think about the hypothetical children’! No amount of tagging your work 18+ will save you from the crime of hypothetically traumatizing imaginary children. the P word will probably be thrown around (you know what I mean)

- there will be the ship wars, with the added recent development of desperately looking for ways the other person you don’t ship your fav with is morally bad, overusing terms like gaslight/abuse/manipulation/etc, so as to paint your rival ship and all its shippers as ‘problematic’ and morally in the wrong, character bashing, etc

- the people who seem to actually hate about 90% of the canon but stick around for the fanworks and just constantly rag on canon as it’s released and think anyone (also with an added ‘...and this is why it’s morally wrong!’ for the same reasons as above ship wars)

- the people who aren’t in the fandom at all but sort of flit around the edges just to flaunt how much smarter they are than the people who actually like it. these people just want to pride themselves on not liking something that is popular, and are incredibly annoying about it.

But I feel like each big fandom I’ve participated in has had at least one unique discourse element. Les Misérables has the war against the untagged Modern AUs. Star Wars has the, sigh, ‘the Jedi were secretly the actual bad guys all along and you’re a bad person for liking them’ discourse I refuse to ever participate in again. I don’t think any fandom has achieved the levels of cult recruitment that Harry Potter has. (What is it, 5 cults now?) I’m sure there’s some mess going on in Lord of the Rings somewhere, but I’ve been fortunate enough to avoid it.

Marvel I think is interesting because it’s so large that there are multiple factions, all with unique points that people argue about. Even in compared to Star Wars, which is also large and with many factions. But I think also the difference might have to do with time scale: MCU discourse has really only had 10 years to cram it all it, while SW has developed over the last 40. There’s been a higher concentration of course, with the recent Disney acquisition and all the problems that entailed (lol yes understatement of the decade), but I think because it’s all been so stretched out we only see one significant cycle of discourse at a time, whereas in the MCU they’re all happening at once. Constantly. Which can get exhausting.

I think my personal position in the two fandoms discourse is interesting. I have the general Star Wars discourse ban that dates from when the sequel trilogy anti stuff was getting really bad, and I found myself stuck in a sort of weird position on it...but since then I think I’ve found myself a niche where the discourse is more minimal and easier to avoid, excepting that one big sticking point that I refuse to discuss because the sides are so entrenched it’s useless and also frequently gets to a point that’s just fundamentally upsetting to me, so I just don’t do it. I have had some issues trying to avoid character bashing of some of my favs, because it’s gotten sort of bad lately and spilled over into the AO3 summaries/tags which I really hate...but then I just go back to doing whatever I want and not really caring about what anyone else thinks lol.

I don’t know why I feel more comfortable publicly commenting on MCU discourse. I think maybe I’ve just been more consistently participating in it over the last few years. I don’t know. I also just find it really interesting to break down sometimes, like when I made that post about the fandom and conspiratorial thinking, and if we were headed towards something like TJLC. It is an utter mess right now (like seriously especially the Loki side of the fandom, good god what a dumpster on fire we’re all hanging out in) - which also means it’s a lot harder to avoid, so I think maybe my coping mechanism here is to set an emotional distance by commentating and unpacking it, whereas with SW it’s just utter avoidance.

So yeah, the tldr: yes, I think once any fandom or piece of media gets sufficiently large and popular there will be certain points of discourse that inevitably crop up, and it’s interesting because one can be in multiple fandoms and have completely different responses to and ways of dealing with discourse.

Thanks for the ask! It was thought-provoking. (and apologies for the delay in answering!)

[saturatedcoffee]

How Archive Sunday turned 5,000 TikTok followers into $1 million in revenue… in one year

Nothing has made me feel the big 3–0 looming on my horizon more than being a millennial on TikTok. Like more than the 100 million people who downloaded the app at the start of quarantine, it was something I used to pass the time. It was what all the kids were doing, and I was in strong denial about the fact that I was no longer one of them with my skinny jeans and side part―which TikTok has shown me are signs that I am now, certifiably, Old.

What I expected was videos of lip-syncing and dancing―like the app’s precursor, Musical.ly. But what I found was a collection of content creators making videos about my very specific and very niche interests and using that as a marketing tool for their small businesses.

I found a lot of small businesses on TikTok to satiate my quarantine-induced shopaholic tendencies. Like custom joycons for my Nintendo Switch, Japanese anime stickers for my laptop, and cute gear for my battlestation (otherwise known as my home office). What I didn’t realize was that I wasn’t alone-the pandemic had kickstarted an explosion of growth for small businesses on apps and websites like TikTok.

And one of those businesses is right here in Salt Lake City-in fact, right across the street from my very own apartment.

Just because there’s a pandemic doesn’t mean you can’t do business

When I was downloading TikTok at the start of the pandemic, Sasha Sloan was starting her business. “I was just kind of stuck at home in quarantine,” she says. “I was still in school, but I couldn’t go to campus. I couldn’t get a job. And like everybody else, I was just on TikTok all the time.”

What started as a way to make some money and kill some time in quarantine quickly became an overnight sensation.

Her business was simple: buying old Star Wars T-shirts from the thrift store, bleach dying them, and reselling them on Etsy. Coming from a family who had made their living off of recycled fashion, like her siblings’ company Uptown Cheapskate or her mother’s company Kid to Kid, it was an easy model to follow, but one she did all on her own.

With only 5,000 TikTok followers and 50 bleach-dyed Star Wars T-shirts, Sloan put up a video showcasing her product and went to bed. When she woke up the next day, her entire Etsy collection had sold out. “That was the first moment that I was like, hold on, do we have something special here? And then I did it again.”

For the first two months, that’s how it went. Waking up at 6:00 AM, buying shirts, bleaching them, photographing them, and then listing them. “I couldn’t do it fast enough,” she says.

Sloan launched her business, Archive Sunday, with bleach-dyed T-shirts on TikTok on July 7th, 2020. By August, she’d launched her second product: collage walls. One hundred days in, the business hit $100,000 in sales. By the five-month mark, Sloan’s account reached one million followers. Now the business is projected to make a million dollars in sales in 2021.

Pictured: Sasha Sloan with the Archive Sunday collage kit, Athena. Photo provided by Archive Sunday.

A new social media for a new way of marketing

What makes Sloan’s business unique is that it goes beyond traditional methods because the products she sells draw on existing fanbases, like Star Wars and Harry Potter. In fact, I discovered her months ago because she posted a video from my own favorite fandom, Sailor Moon.

“The [TikTok] algorithm sorted me very quickly into fandom. Star Wars, Harry Potter, all that kind of stuff. And I was just watching and seeing how easy it is to go viral,” says Sloan. She’s right. It is easy to go viral on TikTok, especially if you know what you’re doing.

The algorithm sorts users into social circles that share interests — or liked hashtags. When a video is uploaded, the algorithm shows it to a small subset of people. And when they like that video, it shares it with users who may have similar interests. And if they like it, it creates a positive feedback loop that, if it happens enough times, causes the video to go viral. Unlike platforms like Twitter or Facebook, you don’t have to be following the video creator to find their content.

And though it sounds lucky, Sloan says her success was about more than luck, “Everything that’s happened on TikTok is not by accident. I am very strategic, very calculating in what I post,” she explains. “That’s something that I think is the most common and frustrating misconception to me is that I am a blonde girl. I’m a pageant girl. I know how to do my makeup. And I will get the critique that everything I have only came to me because of the way I look. And I just hate it, because I don’t think people realize I’ve been working in the social media world and studying algorithms since I was about 18.”

Pictured: Sasha Sloan in her signature collection, The Burrow, inspired by Harry Potter. Photo provided by Archive Sunday.

Sloan has worked in social media since she ran the verified social accounts for her family’s businesses as a teenager. Recently, she even ran social media for John Huntsman’s campaign for governor as part of her capstone internship, managing million-dollar ad spends. And in her experience, she can confirm that marketing on TikTok is very different from Instagram, Facebook, or Pinterest.

“[TikTok] has created this liberation in social media where, number one, you can make whatever you want because you’re speaking to an audience that really gets you and has your same interests. And number two, it is a meritocracy. On Instagram, celebrities are often the most-followed and your followers decide how much [your content] gets liked. Whereas on TikTok, the algorithm does not care if you have a million followers or if you have ten. The only question is, is this a good piece of content?”

Creative advertising for a creative generation

TikTok is changing the game―and it’s changing the way we sell products. It’s not about paid advertising, because you can scroll right past the ads. You can’t target an ad to Gen Z the same way you can target a Boomer on Facebook. And according to Wallaroo Media, 60 percent of TikTok users belong to Gen Z, who’ve spent their whole lives on social media and are able to tell what’s an ad and what’s actual content. So if you want a TikTok user to watch your ad, you have to make it content they want to watch.

So Sloan has skipped the commercial. “I’ve never spent a dollar on marketing,” she says. “We just make these creative projects and people want to support them. They want to support the outfits. They want to look like our characters. And so we’re almost using fictional characters as influencers in a way.”

The creative projects and fictional characters she’s talking about tie back into her Noble House of Black series, which is a fan-created, live-action series of TikTok videos about three sisters from Harry Potter: Bellatrix, Andromeda, and Narcissa Black (played by Sloan herself). The series tells the story of these sisters in a visual form of fan fiction, wearing Archive Sunday’s clothes and using their accessories which, if fans like enough, they can follow through Sloan’s TikTok profile to the Archive Sunday store.

Pictured: Sasha Sloan as Narcissa Black in the Tiktok Harry Potter fan series The Noble House of Black. Photo provided by Archive Sunday.

What makes the series so engaging is that they’re featuring characters the very large and very vocal Harry Potter fandom is already familiar with. But while these characters exist in the Harry Potter franchise, much of their story is left untold. Which leaves it to the interpretation of fanon — a collection of concepts and ideas that are used in most fan fiction, but don’t really exist in the real story’s canon. And that’s where the Noble House of Black steps in to fill in the story.

“We are representing the aesthetic of fandom, which is not exactly the same thing as representing the original piece of art or work,” explains Sloan, who is very careful to circumnavigate her business around copyright issues. “We’re not copying and pasting the original piece of art. We’re using that art as a launching pad and an expansionary work to create something [new].”

A new kind of business for a new kind of nerd

The business of fandom, and namely fan fiction, is growing. Comic conventions like Salt Lake’s FanX grow bigger every year. The most well-recognized fan fiction website, Archive of our Own (AO3), even celebrated their 7 millionth fan fiction upload in 2020. Fan culture is a booming and underserved market, which has exploded even further with the stay-at-home orders of the 2020 pandemic. And Archive Sunday is capitalizing on it.

The untapped market of grown fans, particularly young women, is what Sloan attributes to her success. “I wanted to create a brand for that girl who is a millennial or a Gen Z or who loves their fandom stuff, is confident, put together, and is still a cool, popular, fun person that you’d want to hang out with.” For the girl that shops at Target, who wants the $200 merch from Disneyland but can only afford the sale at Hot Topic. For the fan who wants to rep their Hogwarts house while also being office-appropriate.

Pictured: The Black sisters from the Tiktok Harry Potter fan series, The Noble House of Black, with the actresses wearing signature Archive Sunday clothing pieces. Photo provided by Archive Sunday.

And Sloan is using her platform not only for marketing but as a tool for empowerment. “Generally in society, women are made fun of for their interests,” she says. “And I think that a lot of young women, in particular, need and desire the ability to look up to other women that have the same interest and are completely confident and passionate about it.”

And as a grown fan myself, I wholeheartedly agree with her. According to a census survey of 10,005 AO3 users, 80 percent of fan fiction readers and creators identified as female, with less than five percent identifying as male. But how many of these women hide behind online aliases and compartmentalize their fandoms from their real lives?

The answer to that question remains unseen, but Sloan is taking the steps to embrace her nerdiness as the girl who reads too much―and turning that into not only a business, but a positive role model for young women.

“When people message me to tell me why they follow me, it’s usually young women who [say], ‘I’m getting bullied in school and everyone thinks that I’m weird. I like all this stuff. I’m so passionate about my books and things. And I don’t really see any representation for that.”

So she’s filling the gap. Embracing her inner geek and using that to connect with other fans, she’s been able to build a business practically overnight. There’s a market here that’s ripe for the picking and desperate for content. Like Sloan, you don’t need to spend a dime on marketing. You just need to be a little creative and jump in the game while it’s still hot.

...

Originally published at https://www.utahbusiness.com on April 27, 2021. Follow me on Medium!

[surveys-at-your-service]

Survey #479

“war sends our sons to slaughter  /  another failed attack; there is no turning back”

Have you ever boycotted something? Yes: Chick-fil-A. Homophobic, transphobic pieces of shit. Has anyone ever borrowed something from you, and not returned it? Yes, a video game when I was little. I was so mad, lol. Do you vent a lot on social media? No. I don't want people to get annoyed with me. What was your first bill you started paying on your own? I haven't been responsible for any bills yet. What is your favorite charitable cause to donate to or volunteer for? I can't/don't do either really, but if I could, I'd probably donate to uhhhh... suicide prevention organizations. As for volunteering, definitely something with animals. Have you ever dated someone who wasn’t at all your usual type? No. What is something you have no patience for? Waiting at the doctor's office. Have you ever received a misdiagnosis? Yes. What’s that you’re listening to? I'm watching Gab play The Evil Within 2. What kind of relationship do you have with the last person you kissed? We're a couple. What is your biggest accomplishment in life? Still being alive. What is one thing that you really wish you could understand, but don’t? Political stuff. Economics. Have you ever been tutored or tutored someone yourself? I had an Algebra tutor the last time I was in college, and I had to strangle an anxiety attack down because I wasn't understanding the material AT ALL and felt so dumb and annoying. I never did it again. What was the last thing you said out loud (singing doesn’t count)? "It's really embarrassing," to Mom. It really is fucking humiliating that my ankles are swollen from walking/standing more and pushing my desk chair back against the resistance of the carpet. That's pathetic. I'm trying to focus on the fact it's good my body is even reacting to moving more, though. Is everything you have on actually yours? Yep. Do you ever just randomly drive around when you’re upset about something? I don't drive, but if I did, that would NOT be my method of de-stressing. What was the last act of creativity you displayed? Writing an RP post. What’s your favorite department in Wal-Mart? Uh, I guess where you can go see the plants and flowers. Do you find kite flying boring? I LOVED it as a kid. I'd still probably find it kinda fun. Do you have any interest in visiting Japan? Yes, but it's not a massive interest. I've heard the humidity can kill a bitch, and I am NOT into that. Have you ever run a cash register? Yes. I sucked. Have you ever worked as a server? No. Have you ever done the Bratz challenge on YouTube? No, but I saw James Charles do it and it was v unnerving, holy shit. Would you rather paint or carve a pumpkin? Carve. What was your worst experience in high school? My depression as a whole. How much did your senior prom dress cost you? I don't remember. Have you ever been in a serious romantic relationship? Three, if you include my current one. Which part of your body is the most muscular? Uh, nothing? What is the first site you check when you get online, generally? KM. Are you good at creative writing assignments? That's my forte. In elementary school, I actually won a I think county-wide creative writing short story assignment. Not to brag, but I've always been very proud of that, ha ha. Or would you rather just do an informative essay? That's easy for me too, but I prefer writing creatively. Are you more attracted to the badasses, or the goody-goody types? Definitely the goody-goodies. The "bad guys" have never appealed to me romantically. Do you raise your hand or participate in class? I did if I really wanted to ask something or was confident in an answer. What is something BIG you want to do with your life? Make a difference, somehow. What do you think of people who own wild animals? Do NOT just casually take in animals from the wild. That's selfish and just generally disgusting. If you're going to keep an animal generally described as wild and undomesticated, you'd better have a license and deserve that license. Know what you're doing and be certain that keeping the animal in captivity is in the animal's best interest for its unique case. Are you good at explaining things, in general? NOOOOOOOOO, I suck at that. Do you like visiting the mall? Why or why not? Not our mall, no. Its stores suck/are extremely limited, and SO much crime has happened there. Do you like window shopping? Why or why not? YESSSSSSS, mostly on Morph Market, a mostly reptile selling hub online. You can browse TONS of breeders and literally thousands of reptiles, especially ball pythons. They even have a tarantula section I like to look at sometimes. If you lost your job/home/etc., who would likely help you? If I'm losing my home, I'm assuming my mom is gone, so my dad. Why did you first kiss the last person you kissed? We were a couple and I felt like I was supposed to. At that time I didn't see him romantically, but I desperately wanted to. Funny how we're back together and I've no reservations against kissing him now. Feelings change, for sure. Plans for tonight? Girt and I will probably play some WoW Classic together. We've started playing that together, and it's lots of fun with him. :') Has anyone seen you kiss the last person you kissed? Actually, no. Have you ever been kissed in a car? Yeah. Do you think anyone has feelings for you? I know Girt does. Is there anyone in your life that knows right away something’s wrong with you? My mom. Who last made you smile? Girt, 'cuz he's a sweetheart. Where is your mother? She's in bed in her room. She feels like shit. Like, you would think she WASN'T vaccinated, though her long-time doctor has said she'd probably be dead without it while having Covid. Would you rather look at clouds or stars? Stars. Think about your biggest mistake, would you go back and change it? I absolutely would. Are you dating the person you last kissed? Yeup. What is the most immature item you own and actually use? Um. Idk. Do you always take a shower after you have sex? I... didn't know people did this? Like I know women are advised to pee after sex, but full-on showering? No. Do you like chocolate popsicles? Oh hell yeah. Are your parents proud of you? They claim to be. I don't see how. Are you interested in the ocean? Yeah; it's inarguably so fascinating. Hot dogs or hamburgers? I prefer burgers. Have you ever been to a Chinatown in any of the cities you’ve been to? No. Have you ever been to couple’s counseling? No. Do you have any dietary restrictions? No. Have you ever turned down a job offer? No. What’s the largest animal you’ve ever had as a pet? A dog named Cali that was a boxer mix. Do you ever pray, even if you don't believe in God? What exactly is the point if you don't believe in God...? Anyway, I don't. Have you ever been to Mexico? No. Have you ever gotten stuck in quicksand before? No. What's the shortest or longest length you've ever had your hair grow? To around the small of my back. The last nest you saw - was it a bird nest or a hornet's nest? I think a bird's? Do you enjoy Jeff Dunham? I don't know if I'd like him as a person, but I do think he's a funny comedian. Who is your favorite character from Frozen? I was never into the movies. I do think Elsa is kinda cool (no pun intended, lol), though. I like that she has her flaws. Did you finish high school? If not, do you plan on doing so? I did. Have you been in a simulator that mimicked a submarine or rollercoaster? A rollercoaster, yes. How often do you go out to eat instead of cooking for yourself? Mom and I try to avoid fast food for our health. We do a pretty good job at it, but sometimes for convenience's sake, we do eat it. What is the largest family of siblings that you know of? This is probably gonna come across as very judgmental, but... it really bothers me. I don't know how many kids she has now, but one of the dance moms from the studio has SO many children; I've completely lost count. Now if you want that many kids and can provide for them, that's cool. But that's not the case. She uses the "if God wants me to have a baby, then it will happen" mentality, and I'm just like... um, no hunny. Poor choices are leading to kids you're not adequately providing for. She uses no methods of protection and literally has twins whose room is a fucking closet. Ugh it just really bothers me. What foreign languages were offered to you at school? A whole lot. Only Spanish and I believe French were offered as in-school courses, but there were lots of online classes. If you were required to take a course right now, what would you choose? Photography. Team Biden or Team Trump? Over my dead body would I have voted for Trump. My vote went with Biden. What is an animal native to your country that may not exist in others? Bison are factually exclusive to North America. Note that bison and buffalo are different. What are some of your favorite autumn activities? Taking pictures of fall scenery. <3 What are some of your favorite winter activities? Going out in the snow. :') Especially with a camera. Do you eat a shit-ton the week before your period? uuugggghhHHHHHH yes Wendy's, McDonalds, or Burger King? Wendy's. What's the weirdest question you've ever asked Alexa? I've never asked Alexa anything. Do you prefer your apple cider to be warm or cold? I've actually never had it. Do you prefer your coffee hot or iced? Y'all know the story of me and coffee. Can you sing the alphabet backwards? I can't. Have you ever sent flowers or chocolates to yourself before? Ha ha, no. Is there any meat that you won't eat? Yeah, fish and ANYTHING that comes from a wild animal. Does your cat use anything other than it's scratching post as a scratcher? When we got him a scratcher WITH CATNIP, the lil butthead ignored it. -_- He scratches the carpet instead. Did you go through a vampire craze before? Are you still going through it? Nah. Have you ever forged your parents' signature on a poor test paper, etc? No. Has a bird ever pooped on you before? Omg, no. I'd die. Have you ever been sprayed by a skunk before? No. Are black jellybeans delicious or disgusting? I HATE them. Have you ever rolled down a grassy hill before? I have! I miss that.