#theyre my greatest weakness

[minotaurs-my-beloved]

gonna give her a god complex with the way id obsessively worship her

[ozlices]

im like sincerely so sorry bc my most shameful flaw is that envy is one of my favorite characters in the entirety of fma which is like. listen it's genuinely irredeemable but she knew exactly what she was doing when she made envy the pinnacle of gender envy bc my non-binary ass is NOT immune to feeling the gender envy to the highest degree for that little freak

[twentyfivemiceinatrenchcoat]

went from writing yan!gojo to working on sappy!sugu i feel sick in the head

[lazarish]

Hey how are you? I absolutely LOVE the hairstyle from this post https://lazarish.tumblr.com/post/726487149713686528/youre-dead-to-me-im-not-somebody-you-know (also your prof. pic) could you please tell me where you got it? Thanks in advance <3

Hey! It's the adorable Libra hair from Kamiiri's Female Hair set! The pink is one of the additional swatches from the creator <3

Have a nice day!

[nerdie-faerie]

Do you think there's any elements of vampirism that the Mikaelsons sold as being quintessential and a norm of being a vampire that was actually just a side effect of their specific experiences with early vampirism. Like maybe they try to sell that vampires don't need sleep, they're superior to humans but that's because they couldn't sleep while on the run from Mikael constant diligence was expected of them. Vampires can go days between feeds if they wished but in reality they couldn't always find someone to feed on while on the run at least not without alerting Mikael etc. etc. That lil speech Rebekah gives Elena about vampires being a predatory species just screams rehearsed, a story they sell to newbie vampires that also helps dispel they're own guilt

[portraitofalinkonfyre]

I’m literally going feral over ur fierce deity fics I’ve been dehydrated for so long and these are like a tall glass of water

Could I pretty please with a cherry on top request a Fierce Deity x reader where Like theyre Just hanging out together and fierce is just really gently putting flowers in the readers hair and they’re watching the sunset together and fierce just thinks the reader is really pretty while they’re yapping about their day

THANK YOU SO MUCH IN ADVANCE IF YOU DO DECIDE TO DO THIS BUT YOU DONT HAVE TO <333

CONSIDER IT WRITTEN. Fierce Deity is literally my weakness, so I'm ecstatic more people love him!

Braided Daisies

Pairing: Fierce Deity x Reader

Warning(s): Tooth-rotting fluff and philosophical discussions that probably shouldn't be read before one's morning coffee.

Masterlist

There was a clearing a mile's walk from your house. It was small and quiet, filled to the brim with tall, swaying grass. In early spring, a myriad of flowers bloomed among the vegetation, as if sprinkled by the gods themselves. But its best feature was by far its proximity to a staggering, craggy cliff, and the accompanying view that followed for anyone lucky enough to stumble upon it.

"—And THEN I told him I don't make the rules around here, but nooo," you ranted to the Fierce Deity from your sprawled position on the grass. You had originally intended to come here alone, but it seemed you had an adventurer in your midst. That, and the fact that it was becoming increasingly hard to refute him when he looked at you with such... care? Want? You weren't quite sure, but from the looks the other boys would shoot him, you assumed it was deep. "—of course I look rich enough to be the owner... in my work uniform!"

"That is... unfortunate," mused the deity, looking almost offended. When his gaze turned menacing, you realized you probably shouldn't have shared your troubles with a literal guard dog of a god. "If you require assistance—"

"Nope, nope, nope," you waved your hands frantically. "I am not dealing with you mauling someone."

The put-off expression on his face would have made you cackle if you hadn't known his offer was very much real. "Shame."

Shame?!

"I'll stop baking if you kill someone," you leveraged, holding back the urge to laugh when his expression turned to one of abject horror, then what you could only assume was his version of a pouty face. "Don't look at me like that, I will do it."

There was silence as you held his gaze, setting your jaw in what you hoped was a stern expression. Miraculously, Fierce was the first to break eye contact, leaning back on his arms with a deep sigh. "You are brave," he said, and there was something soft in his tone that you couldn't place for the life of you. "Have you always been this way?"

It was such a him question, yet you had to stop and process why in the world the Fierce Deity wanted to know something so mundane about you, a mere mortal. It couldn't have been genuine curiosity... but there was no other explanation. "I... maybe? It depends on your definition of bravery, I guess."

"And what is yours?" He was getting closer, practically casting a shadow over you. A callused hand drew forward, capturing a strand of your hair, rubbing softly, and the notion that he was feeling your hair threw you for the greatest loop of your life.

"Bravery is..." you trailed off, averting your eyes. What was bravery? To say one had bravery meant they had a strong character... some could even say a heroic one, but it felt too simple an answer to give to such a being, especially when he gazed down at you with a warmth you hadn't felt in a long time. Not even the burning tangerine of the horizon—smattered with flashes of gold and honeysuckle— could ignite your skin in the way his eyes could. "...immediate."

Impossibly, the deity leaned closer, tone expectant. "Immediate?"

Fuck, he was practically on top of you. "I-It's not like courage, because that comes slow and is more moral based, but..." you gulped. "I guess bravery is what happens in the moment, as in the choices you make when there's no time to make them."

"I see," rumbled Fierce as he withdrew, resuming his cross-legged position next to you. As if on instinct, you raised yourself onto your elbows and huffed.

"Why do you even want to know?" you questioned, emboldened by the falling sun. "You're a god and I'm just... human. I'm sure there's a million more interesting things out there."

"You speak as though my curiosity is an insult," intoned the deity, gaze fixed on the bleeding horizon. "I can assure you, it is not."

And that was all there was to it, really. You knew the topic had died as soon as he fell silent, though it didn't mean you were giving up just yet. You reached out, picked a nearby daisy, and offered it to him. "Can you braid?"

"Excuse me?"

"You said you wanted to discover," you defended lightly, even though there was no need to. "Hair braiding is easy when you get the hang of it, but it's a lot easier to learn using someone else's hair."

A beat passed, and you thought for sure he was going to reject the idea. That is, until his hand twitched up to take the flower, examining it with keen eyes. You took it as an invitation to scoot closer—already parting your hair in preparation—until your legs brushed his own and your chests were nary two feet apart. "Okay," you relinquished the flower and put the head at the top of the braid. "You're going to want to cover it with one section like so, then keep braiding like you normally would without letting the stem fall, capiche?" You held up the half finished braid for inspection, eventually pulling it apart and offering him the flow. "Now you try!"

There was determination in the Fierce Deity's eyes as he relinquished the flower and did as instructed: laying the head at the top of the brain and incorporating it with every cross and pull. His touch was so gentle you could have mistaken it for the wind pulling your hair, and you wondered it he feared anything harder than featherlight pressure would shatter you, though that was most certainly not the case. Before you knew it, he had reached the bottom of the strands, and was merely holding it as to not fall apart. You took that as a cue to snap a hair tie on that sucker and shoot him a happy grin. "It looks great, awesome job!"

But the Fierce Deity remained silent, simply gazing at you with eyes softer than silk before rising to his feet. You tilted your head in confusion, about to ask where he was going, when he bent down, plucked another daisy from the earth, and plopped down behind you. "What are you—"

A heavy hand laid itself on your shoulder, applying gentle, firm pressure as the deity's voice rumbled in your ear. "Be still, I am only using the skills you have shown me."

And, without preamble, he sectioned your hair like a pro and began to braid while you sort of just sat there, questioning everything that had lead up to this point. He was so close that you could feel the press of his muscled abdomen against your very unmuscled back, and it was doing unspeakable things to the beating organ in your chest. A sort of choked gasp left your lips when he reached down to capture your wrist before pulling a hair tie from it, but you forced yourself into silence—he seemed to enjoy it, so who were you to deny him—?

"Have I upset you?" Came Fierce's voice, clear as day. His actions with your hair halted, and you nearly morned the loss of his body heat when he pulled away.

"I— what?" How in the world could he have upset you? There was simply no way.

"You are quiet," answered the deity, as if it made perfect sense. "I ask again: have I upset you?"

"No?" You could hardly comprehend how he came to such a conclusion, but you would do everything in your power to rectify whatever misunderstanding he was living under. "How does that have anything to do with me being upset?"

"You talk when you are happy," and he noticed?? Did he think you were upset because you weren't rambling?

"Well, yes," dear lord, he was too precious. "But I can be happy in silence, too."

"Ah," you felt a wave of relief when his hands fell on the braid again, lifting it for what you could only guess was inspection. "I had assumed you disliked quiet."

"Funny, because I thought the same."

"Then it appears we both assumed wrong," stated the deity, and you couldn't have agreed more.

The fading light was filled with laugher as you regaled him with more stories from work, throwing in a few embarrassing childhood ones when things became dry. During this, Fierce fitted two more braids into your hair, each with a different flower. You could hardly wait to look in the mirror when you arrived home, an idea that seemed less and less pleasant as your conversation dragged on.

When the sun was all but a speck in a sea of navy, you reluctantly started the trek back, noting how insignificant the darkness seemed when you had Fierce by your side, expression attentive as he listened to you talk about nothing in particular. It puzzled you how he seemed to hang off of every word, but you assumed it was merely loneliness. Had it been lighter outside, or your attention sharper, you would have noticed the crimson flush painting his cheeks a deeper red than the very horizon.

The plot got away from me a bit, but I still think it turned out great. Hope y'all enjoyed!

[ohnoitstbskyen]

hey skyen, you mentioned about kuina that she seemed transmasc to you and in my experience i think more people see zoro as a transmasc person, the reason being is his want/need to break gender stereotypes rather than enforce them. through kuina, his story to become the greatest swordman is inherently about breaking gender roles. and personally i think a lot of transmascs see this as their relationship to cis women. (especially in how kuina pushes zoro into the "weak" category with him and parrots sexism without knowing how it affects him) i also think his story is WAY more satisfying from a gender perspective if you see him as transmasc, regardless of if its intended or not. (the truth is that theyre BOTH transmasc, actually, why not?) (idk if you read fanfiction, probably not, but the fanfiction Burning Man on ao3 really goes in depth with transmasc zoro. its also the best fanfiction ive personally read for op)

Yeah, I can absolutely see that.

On related lines, I've also seen an interpretation of the story that Kuina and Zoro are the same person, and that Zoro's flashback depicts a metaphorical series of events rather than literal, where he battles with his assigned identity over and over as a child and can never "beat" her, never overcome or break out from under her.

But when he realizes that his assigned identity is miserable and in pain, and that all that even she wants is to be a boy, he has to go through the trauma of seeing her die, and go out into the world as truly himself. Through that lens his quest to become the greatest swordsman in the world is, in part, a quest to spite every motherfucker on Earth who told his past self that he would never be able to transcend his assigned gender.

So long as you assume that Kuina's father is playing along with it to the point of setting up a grave for his dead daughter who never was, it does explain why he would let Zoro take away the Wado Ichimonji, an incredibly important and valuable family heirloom, and treat Zoro so much like a direct son.

The Three Sword Style already represents Zoro carrying Kuina's spirit and memory with him always - his two-sword style in the hands, her one sword style in his mouth - and in this reading the style would be carrying the memory and pain of his childhood with him, and letting it empower him to become greater than anyone without his experiences could ever be.

It's one of the nice things about One Piece, I think, that it is open to these kinds of interpretations. Luffy being aro/ace is basically canon, which I appreciate a lot, and nobody can tell me Nami and Vivi didn't have a mutual crush going during Alabasta, and there is no understanding of Ace I will accept where he wasn't the most bi/pan wandering disaster the Grand Line had ever seen since Roger.

I do hope the actual explicit text of the manga will catch up to that someday... I was really happy to finally see some actual transmasc rep with Yamato, and a bit more playfulness with gender in general in characters like Izou and Kikunojo in the Wano Country arc, and honestly canonically transmasc Zoro or Crocodile would be enriching to both of those characters, I think.

[bulbabutt]

if i can be corny for a second i wanna talk about the greatest strengths of the 2003 tmnt series and why it speaks to me (esp as a queer person)

so i might have alluded to this before, but let me say it outright: each show is definitely a product of its time, and the ideals of whatever generation its from. whether talking about the humour, the story, the dialogue etc, its always important to remember that these shows will always come off in a way due to the generation theyre from. and thats not a bad thing! it just means its important to think about them from that perspective.

2003 is a show of my generation growing up, and a thing about that era that maybe some people younger than me wont understand is there is so much more language commonly available to describe yourself now than there was then. you can take this in any context; mental health, sexuality, gender identity, or even just the ability to describe your relationships with more (idk if this will be the right word) therapist language.

in 03 we have a family unit of splinter and his sons, each with their own strengths and weaknesses. we have a splinter who hasnt opened up to his sons about the trauma hes experienced, but not in a way of shutting them out, simply because it isnt their responsibility to know as they are teenagers. he tells them of the mutagen that created them, but not of his past with his master yoshi, who he calls father when by himself, but never around his sons which is just an interesting concept to think about.

(i do not intent this next sentence as ragging on the two shows after this when i say it, simply from a character standpoint) this is the splinter who completely doesnt make his problems his sons problems, but he also is very willing to tell them the truth when he knows they're ready. this is is the most idyllic version of splitner out of all of them, even when comparing to his mirage counterpart (who hes the most based on) due to that splinter raising them to be ninja specifically to make them fight shredder. this one is just their father who loves them and wants to keep them safe the best way he can, and he was never a human in the first place to even know how to be that. so this whole family dynamic starts with him, and the way he raised his sons reflects his parenting.

so, the setting and year this show is made is 2003. something very relatable here is how there isnt a lot of language for the personality quirks of the turtles. there's so much evidence here for mikey having adhd, his brothers will say things like "why doesnt mikey have to help?" and the answer is "well, he'd be bored. and whats worse, mikey not helping or mikey being bored?" its this beautiful moment of, "hey, we know its not fair, but thats how mikey is, and its better for everyone if we just respect that thats how he is" mikey cant keep his hands off stuff, they know this they dont yell at him for behaving that way, they just stop him. this coding feels the most specific, but like i said. its 2003. we dont have the words to describe what this is yet, and if we do its not common knowledge.

another example is in the classic episode where raphael meets casey jones. raphael is sparring with mikey, and he lashes out and nearly kills mikey. everyone reacts to this by getting him to stop, and no one is more upset than raphael himself. they all tell him to go get some air, which he does. theres no moment of any of them screaming at him for losing his temper, its very clear that they all know he's going to do that himself. and he does go get some air. they all know thats what he needs. he goes and meets casey jones, another hot head, and raph has to help coach this hot head on his anger. when he comes back at the end of the episode after having let out that aggression, he apologizes and no one is upset with him. there's a very clear understanding among his family that he cannot help it, but the best thing they can do is give him his space when he needs it. watching this from a 2023 perspective (20 years later) im sure we could analyze this as a few things going on with raph, my mind comes to autism but at the end of the day it doesnt matter why he behaves like this, the point is that he does and the best thing his family does is just...help him. which they do. and they never hold it against him.

when leo is going through his ptsd arc hes at his closest to raph as a character, the show draws a lot of parallels (like having him go let out some aggression with casey) and we get to see the dynamic in reverse. in "i, monster" (the rat king episode) leo is losing it, taking on rat king alone and not wanting to let up. raphael is actively holding his brothers back when they say "we shouldnt leave him to fight alone", raphael says "if leo gets in trouble i'm the first one in there, but right now it looks like leo's got more than one monster to work out of his system" raph doesn't exactly know what leos going through, but he recognizes it. he knows he needs to fight alone, so raph lets him. its only when the building collapses and leo is no longer in a safe position that he says "leo lets go", which leo wordlessly agrees with and actually listens.

this is what i think is the best part of these guys, the unconditional understanding they have for the way they are. we still have our "raphs a big hot head" "mikeys annoying" jokes, but they feel like genuine good natured sibling ribbing because they know each other on that level.

and to go back to the fact that this show is set in 2003, there's something so specific about the way mikey constantly makes references to liking women's clothing, to being fine with feminine language, and to being open about being the pretty turtle who "has that effect on minds of men" speaks to me as a queer person. this could easily be intended as homophobic jokes and probably is, because again.... its the mid 2000s, thats very much what media was like, thats what the jokes were. especially with the girly screams mikey does being one of the first jokes of this nature.

but theres something that happens in season 4, where an alien is attacking mikey, and donnie rushes in and says "hey, thats my sibling" that sticks out. and it happens again in fast forward. when talking to the dark turtles leo says "you and your brothers" "me and my siblings"

because of the way this family unit just understands each other without ever having a conversation about things, it feels like its not a joke. theres some kind of affirmation happening here. even if it seems like i could be reading into it too much, its specific! and it keeps happening!

and by the end of the show, when mikey says he wants to be maid of honour, even if that line in the media itself was intended to be a joke, no one in their family treats it like one. of course mikey is the maid of honour, he asked to be one! the only real offence taken is when april says bride's maid, to which he is offended because hes so much more important than that!

so from a story standpoint, this show doesnt have the intricate complexities and butting heads of latter iterations, there isnt much relationship growth to be had (in fact once we get to around season 5 the flanderization of the characters kind of begins and it loses some of the more complexities) but thats because its just not the focus of the story! the story is more about what they go through together, and thats fine! thats what our shows kind of were at the time. not saying there isnt any relationship growth, but its very much not the focus because these turtles? they already understand each other in a healthy way.

so to me, these guys are kind of the most wholesome family unit

[morningstarwrites]

the part in the new chapter where alastor and lucifer are sitting at the window and alastor has a little light in his hand??? 💥💥💥and their hands are touching but only a little????? 💥💥💥💥and theyre having a cute little conversation of reassurance???? 💥💥💥💥💥

im LOSING my mind!!!! its so good. its so warm feeling. its. so,,,, so good,,,, words,,,,

fun little lighting coupled with cute little conversations is my greatest weakness

THANK YOU!!! I wanted it to be a private moment between them, barely touching, just emotional support, y'know?

[hymn-of-muse]

Not My Flower.

a Yasha x Reader requested by @botanicalbard

"tell me, bard. you've been seen with the nein quite often, you're familiar with them, yes? tell me all you know of them." a man demanded in a low tone, face obscured by shadow in the dimly lit room.

you'd left the tavern after you and your friends had a few drinks, all you wanted was a bit of fresh air as the ale started to take affect on you. you we not expecting, however, to be grabbed from behind and dragged into the alleyway next to the tavern, a hand silencing you and arms holding you firm so you couldnt run away.

the next thing you knew, you found yourself in a small room, windows covered up and the lighting too dim to make out any doorway outline, unless it was behind where you sat on a stool, ankles restrained and hands tied at the wrist around the support beam you were leaning against.

a man, clearly trying to intimidate you into talking about your friends weaknesses and secrets, stood over you with his arms crossed. you could hear someone in the corner shift, so you knew it wasnt just him here.

"i'll ask you again-"

"no i heard you" you interrupted "im just not sure what it is specifically you want to know, i mean theyre a lovely bunch, sure, but you cant just be so vague, do you want me to give you an introduction for each individual? i can do that in song!" you told him smugly

"what?" he gave a confused look upon your sudden compliance "no-no, no songs, just tell me-"

"are you sure? i got a really good one! oh! or i could sing you a tale of the mighty nein's greatest adventures thus far! what a brave and interesting party of beings they are, like this one time-"

"stop that!" the man snapped, agitated by your interruptions and clear attempt at stalling him for more time. "enough of your games, bard, just tell me what i ask of you and nothing more. if you comply, we'll consider letting you go unharmed. got it?"

"come on, you went through all this effort and all you want is a little information? why not a whole story, huh? not even one song? all you want is small talk? thats so boooring" you groaned, putting emphasis on the 'o' in boring.

the man gave a grunt of frustration as he grabbed hold of your shirt collar and got all threatening in your face. "shut up! just tell me each of their weaknesses, secrets, some information i can ACTUALLY use!"

"one, ew your breath smells. two, nah thats lame. besides, by now they likely know im gone and will come looking for me. you made a huge mistake thinking i was a good kidnapping choice." you chuckled, still smug as ever.

"yeah? what makes you so sure they'll find you?" he grumbled.

"because the barbarian's my girlfriend, and she can get really physical when shes angry"

"heh, you think youre safe? youre not going anywhere till i get something outta you" he glared, raising a fist to throw a punch just when the door swung open with a crash, breaking it off its hinges.

in the doorway now stood yasha after she'd kicked in the door, the light outside illuminating the room and as she stepped in with heavy foot falls, the anger on her face was clear as day. she gave an icy cold glare to the man who's fish was frozen in the air.

"how did you..?" the other person in the corner finally spoke up with a weak voice.

"your neighbors made a noise complaint" yasha stated, storming closer to the man who threatened you a minute before as he stumbled back and reached for a weapon to defend himself with.

when he tried to swing a club at her, she grabbed it and tore it out of his hands, tossing it to the side and grabbing him by the arm. she swung him around and threw him into the other person, knocking them both out on impact when the hit the wall.

"are you hurt?" yasha asked you as she quickly moved to undo your restraints, a gentle hand moving to the side of your face to make sure you were alright. the look of concern on her face said everything.

"i knew you'd find me" you smiled sweetly at her, leaning your head into her warm hand as her shoulders dropped in relief.

"of course i did. i wouldnt let anyone hurt you." she spoke with a light chuckle to her voice, hoisting you into her arms and walking out of the room as she carried you. "not my flower."

reblogs are appreciated! im sorry this took a while to get done! /g

[7smiles]

SasuNaru rant bc its pridemonth

dudebros watched Naruto entirely with their eyes closed because how do you look at this series and not think Naruto and Sasuke are cosmically intertwined in both heart and soul.

But besides that im going to yap and break down some lyrics used in the show that literally back up how they feel for each other.

This is from the opening "Diver," in Naruto Shippuden. The lyrics are so obviously from Sasuke's perspective. Not only does the imagery show how Sasuke is continuously sinking and full of sorrow, it shows Naruto reaching out to him- chasing after him like he's done this entire series. He is the light shining on Naruto ITS LITERALLY WRITTEN HERE

Theres also Naruto Shippuden ending 6, "Broken Youth"

The lyrics talk about someone referring to ANOTHER MAN, in which the speaker refers to the subject as a simple person with a strong will to fight. After that, he questions what has changed with the subject as time has passed. I'll cut to the chase, the ending credits literally have a scene where Sasuke and Naruto are staring at each other when the lyrics "Please kiss me, Please Kiss me all night"

Another opening I'd like to mention is "Namikaze Satellite."

Like come on do i really have to spell out how this song talks about how despite their distance, the wind will always connect them??? It also talks about how theyre constantly separating, and personally i think this comes from Naruto's perspective because ITS SO positive despite their turmoil and distance. The part where it talks about being thrown to the side is so reminiscent of how Naruto lacked permanence before Team 7. That impermanence is reflected in Sasuke leaving 😔

"Seishun Kyousoukyoku" is another prime example of original Naruto openings painting a picture of how important Sasuke and Naruto are to one another. Naruto is the only person Sasuke can be emotionally vulnerable with and even as the days, weeks, years pass for them, they will always be able to pick up where they left off. Their bond has always been so wildly important to the other that its like nothing has changed.

We see Sasuke and Naruto change throughout the series, sure, but their relationship has stayed the same. It transcends the bounds of friendship or even brotherhood; Sasuke and Naruto are always in competition with each other, but more than anything they want a relationship unaffected by the binds of their fates. Sasuke's feelings about Naruto, romantic or not, are a driving force in his pursuit for power- its literally Itachi all over again.

Theres that scene during the Valley of Death arc where Sasuke tombstones Naruto, a surely fatal blow. Sasuke is convinced Naruto is dead because he's literally floating face down in the river and SASUKE IS DISTRAUGHT. The absolute look of sorrow on his face simply says it all

"My body just moved on it's own" is one of my favorite SasuNaru lines ever ITS SO PRECIOUS. This was their first major mission together, their friendship yet to be anything remotely friendly, and Sasuke was already protecting him, blaming muscle memory or something to avoid his apparent embarrassment. As much pride as he has, he has always felt positive towards Naruto, even if it manifested as jealousy sometimes.

Theres another scene in the manga where Sasuke recounts feeling "warm and fuzzy" at watching Naruto try to make friends, but he says it made him feel like he had a form of weakness. ARE YOU HEARING THIS!!! They are literally each other's greatest weakness and they have lived and died for each other over and over.

SasuNaru is real. Happy pride month 🏳️‍🌈

[intertexts]

EPISODE 21 TRIVIA:

- bizly, introing the episode: "welcome to just rolled with it where we answer our generations greatest question: will dakota cole break the law?"

- grizzly: "no, you know what? i think the final villain of prime defenders is william fucking wisp! i think youre playing out a villain backstory and youre going to snap and go batshit crazy" < hehehehehehehehe

- charlie: "i dont think its a secret that william is FOR SURE the most likely to become a villain out of the three of us. i dont see it as a permanent final thing but i definitely think it could happen at some point. i think he would have like a red x teen titans arc" WAHOO

- charlie CURRENTLY has no plans to do this he and bizly have never even discussed it. however he thinks its a possibility. "im playing this kid who is VERY smart and has a lot of ideas, but keeps getting shut down by basically everyone and i think hes starting to get a little desperate"

- they start talking about how when charlie plays william he gets "the Chip Brain" which is a reference to how in riptide bizly makes the most WILD NONSENSE decisions and then afterwards goes "i dont know why i did that i was just so in character and i felt like thats what he would do in the moment. out of character i agree that was fucking stupid why did i do that" << so. charlie gets this playing william too LMAO

- HEY UH. FUCKED UP SENTENCE INCOMING !!! "william has literally seen what happens after you die. thats knowledge that almost NOBODY else in this world has. and i think it makes him values life... less. hes seen that theres more after, hes seen that people kind of stick around, i think life to him is a lot more fragile and messy and less black-and-white, killing or not killing. it doesnt hold the same weight. becoming sort of apathetic and desensitized to the concept of death" << THIS IS AWESOMEEEEE FOR ME

- grizzly says hes glad william and vyncent didnt try to break the doctor out of prison like they thought they would because he genuinely wouldnt know how to play that as dakota

- charlie: "william has gotten so protective of dakota that if in his mind there was ANY chance that his friend would die all because of this guy being in jail over false charges, if that was the direction the conversation was going, william actually right then and there wouldve gotten him out. he couldnt have accepted that a situation like that would lead to losing his friend"

- grizzly: "iiiiii would like to sayyyy. bizly. will i still kick absolute ass if i dont have strength and speed, or will I just be some kind of loser" << bizly says maybe but he wpuld have to play dakota as more of a Regular Guy and just have him train at martial arts really hard

- DISCUSSING A TRAINING ARC AGAIN !!!!! which they think would be fun but they dont want to do another timeskip. (<<me who has future knowledge and knows how they figure this out: :3c)

- one of the biggest reasons keeping grizzly from agreeing to break the doctor out now is because hes really afraid he'll be super bitter against the family and augment himself to have some sort of powers and become a supervillain. and he thinks something like that happening would absolutely CRUSH dakota to a point where he wouldnt know how he would come back from that

- bizly had a real time epiphany, everyone was quiet for a minute and he just went "oh my god. i know exactly how this is gonna work. pick anything you want, i got this. i have a way to make everything work"

- grizzly has NO idea which option hes gonna choose, but he thinks hes leaning toward dakota getting a normal heart and just training really hard at martial arts. charlie and condi are saying that theyre really interested to see dakota before he goes and trains because theyve never seen him *weak* before

- grizzly: "if you ever call dakota stupid in character again ill cry"

charlie: "i mean i only did that because he was putting himself in danger! i think william heard him say shit like 'its cool. its okay ive got two years' and i think he just got genuinely really upset at that. william would rather keep his friend alive than spare his feelings"

- "if william ever did become a supervillain he would *never* hurt dakota" (<< WAUGH)

- charlie was gonna ask the doctor about williams whole decaying thing but decided not to because it didnt feel right in the moment. bizly goes "i mean you already know who you need to talk to about that" to which charlie goes NOOOOOOOOOO bc he is implying. mal

- charlie: "william doesnt wanna talk to mal he pisses him off"

grizzly: "why, because its like looking in a mirror?"

condi and bizly at the same time: "ooooooohhhhhhh"

- grizzly: "god this decision is so fucking hard i feel like i need an adult- OH MY GOD can we go see tide. can i not make my decision and instead we just go see tide"

- condi: "vyncent doesnt really know how to feel about this choice. he wants dakota to be powerful because he knows those powers are really important to him but he also doesnt want his friend to fucking die!"

- GRIZZLY IS TALKING ABOUT THE DEMON HE ATE AGAIN AND BIZLY GOT SO FRUSTRATED THAT HE ACCIDENTALLY REVEALED WILLIAM STUFF:::: "i dont think the demon works how you think it works, its not PHYSICALLY in your stomach it doesnt have a physical form you CANNOT digest it !!!! in this whole campaign, no spirit has been able to wander out and influence the physical world, thats why william is so special as a planeswalker! he is a spirit that has a physical form, he can affect the real world and also be in the spirit world without a guide!"

- theyre discussing the morality of the blake family and grizzly genuinely doesnt know if dakota could process something like this where its sooooo deeply in the grey area, dakota is very black and white he doesnt think he can even understand that right now

SUCH GOOOOD FUCKING TRIVIA THIS EP DUDE!!!!!!! thank u for the foooood. fuck yes a little bowl of seeds for me.

WIWI VILLAIN ARC. PLEASE. PLEASE. YEAH. honestly at this point i know it's going to happen, i just don't know when n how. not even from ur ominous giggling it just feels SO clear to me that he is a guy who can be so desperate and do anything for the people he loves and i... give him One situation where he doesn't have his very fragile support system of two other extremely fucked up teens and their absent dad who he just doesn't wanna disappoint!!! give him one fucking situation where he's separated from them and scared and there's some threat and you fucking KNOW he's going to be Up To Some Shit. i'd bet real money on both the villain or at least morally grey conflict arc AND that general setup being the catalyst.

god. literally all of this stuff is SOOO good i'm fucking LOCKED ON to the other wiwi planeswalker shit-- that's basically what i was thinking? when the planeswalker thing had come up before? but. tasty... before i started 22 my assumption here was then that the decay situation was like. a subconscious... choiiiice? i guess? like. you know. he perceived himself as dead and his body began to reflect that & then he looked more dead so he got more dead etc etc vicious cycle. but. now i'm not sure??????? ALSO. that thing ab his thoughts on death are so fucking tasty. so so good holy shit. makes sense!! makes sense!! there's less gravity to death when it's just a place you can go, there's less gravity to killing when it's not permanent-ending, just shifting someone from one place to another. like, y'know, when u were a kid, and there was someplace u never went very often & so u thought it was Special and Important & then u grew up and figured out it wasn't actually Special and Important and an Occasion to go there, your mom just hated the parking situation or it was a bit too far for a car ride w/ little kids. that's what death is like to william wisp!! head in hands. not even gonna touch on mal rn!!!

anyway. ghostkicksisms................

[mobblespsycho100]

🍳 give me your opinions o great sash

I think people should be nice to Laios more but I also think that they're not wrong for being mean to him because he says stuff sometimes that just sounds Awful out of context like the whole thing where he was like "I hate to say it guys but if Falin didn't get eaten by the dragon we wouldn't be here rn eating monsters so I'm kinda happy" LIKE. when he said that I agreed with him maybe because we share a freak bond (autism) but also like It's not the greatest wording, I know, but like, he's not wrong 😭😭 he still cares about Falin a lot obviously thats his little sister ... he loves her sm. He's just WEIRD (i say this with love in my heart)

like , I think the reason why he hates his dad so much is because he sees himself in him at a subconscious level, and also he hates being compared to him because he thinks that his dad is like him if he was worse and an adult. He thinks his dad should have it all figured out, why was he so mean to Falin? Why was he so quiet all the time, so closed off, did he even care at all about us? (he did)

And that's why I think that Laios honestly is like... hes got a whole lot of baggage. Leaving Falin in the village a year(?) before she went to the Mage Academy as a way to like escape the awful environment of his home life and in a way show "solidarity" with Falin. Hes like "IMMA PACK IT UP!!! BECAUSE THEYRE KICKING YOU OUT!!!" and he doesn't realize how that would've affected Falin who actually wanted to spend more time with him before she went. That's why when he realizes it like... in hindsight/afterwards, and he never wants to leave her side again because he feels really guilty about it.

And I think... thats really beautiful man. The touden siblings have such a strong bond and it crushes me that they've both faced alienation and like dealt with it in different ways because it's really realistic to the autism sibling experience I think. Like. Laios' self-centred nature and like his lack of awareness regarding how his actions might affect others... his like self-loathing/blaming himself tendencies...

like

He's self aware. He knows what he did. And he thinks that he's inferior to his sister in a way, which fuels his desire to protect her and save her and always be there for her when she needs him (he wants to be needed. he wants her to always be his little sister who looks up to him. the little sister who is so much more talented but still cries and loses at dog naming wrestles. the little sister who stands behind him so he can protect her protect her be there for her be better in this one way just in this little tiny thing. hooray for codependency ... )

But I think he forgets a lot that he's a person. He remembers that hes human (because he hates being human and wants to be a monster because of well again the alienation reasons . lol) but he forgets that he's a /person/ who people Care about. He can acknowledge others' strengths and weaknesses, he admires when they do as well, he's aware of his limitations. And he hyperfixates on them (low self-esteem moment). He beats himself up over them. And he grows over the course of this story... he learns that he is loved. He learns that he is a person deserving and worthy of love despite being different. He's worthy of life, of eating, the privilege of the living. Of sharing that meal. Living with others, amongst them, and not from the outside looking in.

And I think. Thats beautiful

[jophiares]

Can I ask something from Code Geass? What do you think are Lelouch and Suzaku’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Sorry if you've answered these questions before.....

i haven't actually! thank you so much for sending this. thoughts in the read more below!

the thing abt suzaku and lelouch that really called to me was that they are two sides of the same coin. theyre both altruistic to a fault (different but the same), they love far too deeply (not talking abt this in a ship way either. both lelouch and suzaku do things out of love for others that is...questionable at best), they don't really understand the situation as a whole, and they don't really face major consequences to the end. lelouch is cruel, selfish, manipulative. suzaku is uncritical, righteously full of self loathing, half-hearted. theyre both major fucking hypocrites. they hate each other for the same reason they work so well together. (they love each other for those same reasons, too.) they're kind and optimistic to a fault. they're children playing war.

easily my favorite scene in all of code geass is one of the final scenes during the damocles battle, when the core argument between what lelouch stood for and what suzaku stood for is contended between the entire cast of characters, jumping from statement to statement, viewpoint from viewpoint. not only do suzaku and lelouch have their own quips but the other characters are what really make it for me because those are all people who are just as alive and have just as many feelings as they do--but at the end of the day none of that matters to them, such symbolized by the finale and zero requiem. their world was always so small, suzaku, lelouch, and nunnally. the final punishment was to destroy that in such a way that it could never be restored, that nothing could ever be the same. it's a much crueler punishment for suzaku, but i think lelouch knows suzaku well enough to know that suzaku would not be able to truly live (if you can even call it that, haha) without being molded into being something he is not (he was regarded as a knight and hero when all he saw himself as was a murdered.) but in the same breath, lelouch knowing that, accepting that part of suzaku, it being his final parting gift, his form of an eternity together... its powerful!

its kind of funny because code geass has its moments where the writing is so very much Not Good but then it also has these amazingly complex interwoven moments sprinkled in. personally, i actually grew up always asking myself whether its better to change the system without any casualty whatsoever vs dismantling it no matter the price, so i see myself in the both of them, though i agree with lelouch far more. truthfully, i didnt even like suzaku until after he detonates the fleija in r2 and he tells schneizel that as long as he makes him knight of one, he will slay the emperor. it took him a while, but he finally showed his own truth, understanding his fate as a weapon above all else.

its an anime with characters that are more complex than they look, parallels that run deeper than i believe many give credit for (dont get me started on shirley), and the truth of war, though maybe a bit sanitized. that being said, code geass would be Nothing without suzaku and lelouch at its helm, the true driving forces of the narrative and even the world of code geass itself.

those two are truly one of a kind.

[tannisin]

things i loved about natla:

sokka. just sokka. all his scenes were great. obviously they gave his character more emotional weight earlier on, so he is not as goofy. his sarcasm is still there though, his stubborness, his willingness to learn. he is still the comic relief of the season but youre clearly meant to take him more seriously and and and i love him your honor

suki i love you!!!!!! great to see her be just as into sokka as sokka is into her. not her trying to connect with sokka by showcasing her skills as a warrior and instead intimidating and emasculating him im-

iroh and zukos relationship is so soft. the funeral scene had me sobbing. zuko allowing himself to be vulnerable in front of one (1) person im melting im warm butter im soft

katara being the heart of team avatar, aangs greatest supporter, and just as stubborn as sokka - ALSO SHE FUCKING TAUGHT HERSELF WATERBENDING WITH ONLY A FEW INSPIRING WORDS FROM AANG AND JET LITERALLY I LOVE HER SHES SO COOL

the bending cgi was great

azulas abuse being pretty explicit i mean come on did you see ozais little smirk after 'praising' zuko to her face while calling her an asskisser - the emotional manipulation is real he could not care less about either of his children he sees them as tools only

the menstrils

the cave of two lovers being about sokka and kataras sibling love

GYATSO MY HEART MY SOUL tears grief pain

on that note - my god they really had to show how vibrant and unique the air nomad culture was huh, makes you really feel aangs loss

irohs past as a warlord coming back to haunt him and iroh not exactly being perfectly empathic or a saint about it - shows complexity and im glad

hahn being a sweetheart and a hunk (also sokkas bisexuality was strong with this one)

just everytime sokka and katara fight theyre such siblings

also notice how katara only really lets her temper loose on sokka - the amount of trust that takes, she knows he would never leave her even if she hurts him

zuko and aangs conversation in ep 6

katara and sokkas painful memories in ep 5 my god my heart

the sexism of the north being less about women being inferior and weak and more about traditional gender roles that both women and men perpetuate

things that truly baffled (annoy the fuck out of) me:

momo sacrificing himself for a random water tribesperson like momo is an animal with animal instincts why would he risk himself for a stranger

aang not learning waterbending at all

its definitely not the og animated show but i like it anyway. i laughed, cried, yelled through it all and what more can you ask for really.

[othystt]

okay so @whatacreepything im putting this in a separate post because of how long is got but basically ive been playing around with the idea that instead of going to a literal "hell" in your dream with like fire and shit, everyone has their own personal hell that revolves around their own flaws/sins/fears

we see kevin's as the stereotypical "hell" because of how he views things in such plain black and white. for kevin, what scares him the most is the idea of disappointing Heavenly Father and his peers and that he isn't a good mormon. so kevin turns into a bad mormon: his uniform and garments are ratty and not taken care of, he's dirty (mormons have a strict hygiene rule), he's defacing his book of mormon and breaking all the rules, etc etc. this is why we see him drink coffee, get reprimanded by jesus, have metaphors for being gay, etc, in his helldream because they all represent what mormonism goes against.

connor's greatest fear is giving into the temptation of his sin of (what mormons like to call) "same-sex attraction." he presents more flamboyantly and wears tight and revealing clothing, makeup, etc—all the things he's been taught would make him "effeminate" and "weak." however i ALSO like to think his actual hell is him fantasizing about the beach with steve/kevin like he talks about in Turn it Off, but they arent the real versions of themselves. theyre weirdly twisted, etc, and the whole atmosphere feels wrong, until steve/kevin eventually do something fucked up and connor gets dragged under the water and down to hell. (i touch on this in my fic we don't deserve love on ao3)

as for arnold i dont really think he has regular helldreams for a few reasons. arnold's parents are relatively softer than connor and kevin's as you can see in the beginning of the show (his mother especially) and we know that he has never read the book of mormon and is super hyperfixated on all his fav medias which further proves the point his parents arent strict. if they were strict then they wouldnt let him focus on all his favourite things and disregard the BOM. however, arnold's dad is more pushy about it (again we can see that at the beginning) with how he talks about his dad being "stuck" with him. so if arnold had a helldream that wasnt the stereotypical hell because of all his fantasies, i feel as if it might be an unending office building or maybe even an empty church to signify how he thinks a world with something boring like an office job or the book of mormon is boring and he wouldnt want to live in it. hes also disappointed his father greatly in the dream

so yeah these are my thoughts on helldreams and stuff lmk what you think hehe. i loooove talking about headcanons/my aus/fics etc so my inbox is always open you guys