#they're just the bad timing trope

[gayofthefae]

"You're in love with him, and he's in love with you, and it's like a goddamn tragedy,

because you look at him and see the stars, and he looks at you and sees the sun

And you both think the other is just looking at the ground."

[lotus-pear]

charm stat at debonair ‼️‼️

[enchantrum]

idk why this fandom has such an issue with acknowledging abuse when it isn't Astarion but Gale was pretty obviously abused and groomed and I would rather people in denial of this unfollow me :|

grooming is also not a minor-specific act so trying to use his age as a reason he wasn't abused is pretty dumb and shows both your ignorance and that you don't take abuse on adults seriously. like suddenly cults and brainwashing and power imbalances and human trafficking doesn't exist because you just don't want to see Gale as a survivor of abuse himself lol?

it basically comes down to people being ignorant about what grooming is in wider terms. and even if you want to ignore the actual definition of grooming and how adult survivors are impacted, Mystra is still a GODDESS. if anyone is able to exact a power imbalance on someone equivalent to the traditional child-grooming that you think is the only type to exist, it would be a Goddess to her Chosen

this is also ignoring the fact that he started discovering his powers around 8 and Mystra would have been aware of him immediately?

also-also ignoring Minsc outright describing how magical boys in his village were hidden away from Mystra?

just how is this even an argument? you are simply wrong...

[lizzylucky]

Draxum hadn't accounted for the fact that when he gave four hatchling turtles the DNA of a human being in order to give them greater intelligence, he would effectively be making himself a surrogate father to actual children, with wildly different needs.

When he sent his gargoyles to obtain a sample of DNA from Big Mama's prized warrior, the intention was to create his own. They were to be the prototypes for an army of simple creatures with just enough heightened intelligence to learn combat and follow commands, that he might defend Yokai kind with.

Instead, he quickly discovered the integration of human DNA had been a little over successful in allowing his test subjects to learn and think and feel in a civilized manner, going so far as to override some of their natural instincts as turtles that would otherwise allow them to learn to care for themselves. He had to feed them, by hand, with bottles.

Like infants.

They were easily distraught by unfamiliar things, and quickly became dependent on Draxum in every sense of the word. They babbled, they cried, they explored things with their hands, their tails, their mouths.

It was an unplanned adjustment needed to be made, but no matter. If anything, learning to understand the new hybrid emotions of these turtles would allow Draxum greater advantages when they grew enough to safely learn combat. Preferences, likes and dislikes, needs, diet, and so on, all became more complex areas of study.

Even a couple years in, he found himself continually surprised. Brain scans had shown that the turtles were more intelligent, still, than anticipated. They, truly, seemed more human in mind and function than anything else, with only some base instincts and behaviors left to influence their personalities. They retained many reptilian traits, but overall had the bipedal anatomy and function of humans and some Yokai. It had been an infuriating discovery at first, but Draxum had to admit that over time he became fond of it.

Each turtle had developed his own personality. The eldest, for example, had a love of plush toys, and showed a fierce protective instinct over the others. The youngest, Draxum had learned, was contrastedly reckless and excitable, not nearly so reserved or gentle as the first. Additionally, he was, decidedly, to be kept away from any and every writing utensil unless under strict supervision (unfortunately, this was learned a little too late, as was evidenced by the clear markings left in several work benches). Then, of course, were the slider and the softshell, who had the most bizarre relationship. They were constantly fighting with each other, but utterly inseparable, and each showed an incredible and unique curiosity, constantly exploring and watching and studying, with concentration filling their eyes in ways Draxum had never seen in other children so young.

Embarrassingly, it took another couple years before Draxum realized he couldn't simply refer to them by their species' names. It certainly was effective, but they were not the mild, simple creatures he had once expected them to be, and he knew that they never would.

Now, they were vocal, playful, inquisitive... energetic. By the gods, were they energetic. They never stopped moving, never stopped talking, never stopped eating, never stopped wanting or needing.

...This is why Draxum never had children of his own. It took all the time and energy he had to spare, and then some. Although it would be a lie to say he wished they were any other way.

They had so much capacity to learn, and with their emotional propensity could one day come to understand exactly why Draxum was doing this, which he knew would be an edge in their combative styles.

As he introduced them, slowly, to more of the world's culture and knowledge, he felt, in a new way, that their very existences were revolutionary. A perfect, synergistic unity between two entirely different families of genetic material, with numerous enhanced abilities. And they were children. They maintained all the properties of regular children, but had so much more in store! Such grand destinies! They would be, inarguably, the greatest warriors of their time when they were grown. They would be the compassionate, skillful heroes of all Yokai, the first of a new generation of super mutants, and the key to overcoming the evils of the humans who had overtaken the surface and posed such threat to all who lived below.

It was with great reluctance that he allowed himself to accept, however, that not all of mankind was evil. There were many forms of art, beautiful in different ways, there were some rare people filled with kindness, inventions that utilized resources in ways Yokai kind had never thought to. Perhaps he had been a little stubborn in his ways, a bias cementing over time that blinded him to some of the beauty that did yet exist in such a species.

Make no mistake, humans were a threat. Innocent families lived in fear, in hiding, of the governments and ruthless sciences designed to invade, to blaspheme the name of knowledge, with no regard for the safety of this people.

Draxum could live with being an outlaw to the Yokai if his experiments would lead to their salvation. He may be their villain in today's papers, but in history books he would be a hero.

Still, he wished to amend some of his practices. Even if only to his turtles, he would be known for his ability to change and understand. He would be fair, and he would be truthful.

And so it was that he told the turtles the nature of their existence. Perhaps he muted some of the details, to protect their minds until they had more understanding, but he would not lie to them about their DNA. He told them of Lou Jitsu, and their human genetics, and he begrudgingly allowed them access to the culture of the humans. He would let them choose their interests unbiased.

In the process, he came to know of some of the revolutionaries of human history. Though he wasn't particularly inclined to believe there were no evils involved, he was intrigued by the strange moral code that the humans boasted from their different time periods. The turtles, as well, were fascinated by the stories of war heroes and generals, seamstresses and inventors, artists and royalty.

Initially, when it came time to redesignate his turtles, Draxum had been inclined toward the names of those whose legacies persisted in the humans' culture even today- perhaps a president for the slider, a scientist for the softshell, a great general for the snapper, and an artist for the young box turtle. It seemed, somehow, clandestinely right; carefully considered to exemplify each of their personalities.

And although he had begun to get used to the possibility of names like "Monroe" and "Edison", his indecision on the matter seemed to be working against him. He was taking too long, and the boys were growing smarter.

It was a day in August, later that year, that he found his two youngest arguing over a Renaissance book, oddly enough. The elder two took to a game of knocking "secret patterns" on each other's carapaces, which he dismissed before he could allow himself the confusion that came with wondering why a five year old would want to knock on a spiked shell for fun.

After breaking up the fight and confiscating the book (which, as it turned out, the youngest only wanted because it had pictures in it, much to the chagrin of the other, who insisted that reading it was much better than just looking at the pictures), Draxum found himself idly flipping through pages of rustic images and rudimentary ideas, developed by people with strange names.

Maybe he was simply too tired to consider it properly, but, feeling defeated in his endeavor, he chose four names at random and assigned them to the young turtles, deciding it had been long enough.

It took a while to get used to, but soon "Raphael", "Leonardo", "Donatello", and "Michaelangelo" truly fit.

Over time, the boys grew... ravenous. They devoured everything- food, information, technique. They were learning quickly everything Draxum taught them. They practiced with Huginn and Muninn, leapt up, around, over, and through everything in the lab, and took special interest in action-filled films.

And Draxum grew fonder. He wasn't entirely surprised, of course; it's natural to develop some sense of sentimentality when caring for anything this long. Even if they had been the simple minded turtles he expected, he knew this was inevitable, to a degree.

What startled him was the sudden sense of fear that came with watching them train. The alarm that made his heart beat harder when one of them fell from somewhere high or any time they ran simple drills with weapons not blunted and made from wood.

He subtly began to intensify their defensive strategies, taught them where they were most vulnerable so they could protect those spots, insisted on perfecting their abilities to parry, block, and dodge before anything else.

And, over time, he found himself training them less often than before, thinking, "I must preserve their innocence and prolong their childhood experiences". After all, it was an essential part of development, was it not? If it were tarnished too much, they might become unwise or unjust as warriors. And, really, Raphael was only 8 years old, and he was the eldest; they were much too young to be exposed to the harshness of what their combative training was really for.

He told himself that, time and time again. He told them that, making certain they understood that their training was not a game. It wasn't untrue, certainly.

Really, he just wasn't ready. He wasn't ready to admit to what extent he cared about them, because it was too much. It was more than he could ever have been prepared for. It was more than that passion to protect Yokai kind ever was, and if he ever realized that, he might become the compromise to his own purposes, to the very reason these turtles exist this way to begin with, and then what? What was he to tell them, why was he to train them, who did they exist for if not the inhabitants of the Hidden City?

No. He couldn't do that. He simply would not allow it, not when so much was at stake.

And yet...

More and more often he desired simply to watch them. He was growing weary with worry, and with that tight feeling that arose in his chest each time one of his boys so much as frowned.

Raphael loved to carry his brothers on his shoulders. And he prided himself on being the big brother, in every way. He liked repeating instructions Draxum gave to the others, and tended to play caretaker anytime someone was sad, or had a bruised knee. He often played the "bad guy" in their made up games so the younger ones could "win", he was the mediator in big decisions, like what book they should read before bed, and he seemed always ready with an armful of stuffed animals when he wanted to express affection. So strong, incredibly strong, but soft spoken and sweet.

Leonardo adored Raphael. Just as Raphael did Draxum, Leonardo liked to imitate and repeat instructions. He tended to take charge in many of their childish endeavors, and had a propensity for dramatics and heroism, often pretending to rescue his brothers. This seemed to irritate Donatello to no end, unless he was also playing the hero, and often times he was. The two were usually glued to the hip, though Leonardo liked to make a point to tell all his brothers about everything that went on, and would take a movie night with the three of them over a one on one outing with Draxum any day. He was exuberant and joyous, and very driven by the concept of justice.

Donatello, similarly, seemed to care very dearly about maintaining a bond with all three of his brothers, but he was peculiar, often more reserved and enjoying his alone time. That child read and read like he might never get a chance to again, and he absorbed what he read like a sponge. Quite a few times Draxum found him pulling apart whatever he could get his hands on, and though an effort was made, there was no hiding place the boy couldn't discover in his quest for Draxum's tools. In spite of his quizzical, sometimes stoic nature, Donatello was sensitive, and very thoughtful. He would spend hours talking about his books and his ideas- some of which were very clever- and he was expressive in secondary ways- sitting nearer his brothers even without interacting, crafting things out of paper as gifts. Even the little heart-shaped mark on the back of his soft shell seemed a fitting part of him- he wore his heart on his sleeve, so to speak, and didn't even realize it.

And Michaelangelo. There was an innocence and joy and goodness about the smallest turtle that had struck Draxum. Even when he was younger he always wore a smile and liked to see the good side of things. And he idolized his brothers. With him had grown his creative inclinations, filling every colouring book, drawing on every wall, and absolutely plastering the other turtles with stickers. They were a pain to wash off, but Draxum couldn't bring himself to mind it, especially given the elder three always loved their baths. Ironically, it seemed Michealangelo did not, enjoying it only under specific circumstances. Heat, bubble bath, and bath toys had quickly become a necessity. So too did bath crayons, the need to express himself coming through even when bathing. Everything about the ornate box turtle was bright and colourful.

Draxum... loved them. Dearly. Every facet of their personalities and growth. Every unique trait and behavior.

It was terrifying. He couldn't afford to love them. He couldn't afford to see any more goodness in the humanity they showed. He couldn't afford to change his goals right now.

So he continued disregarding the feeling, trying to reason that everything he did for them was to nurture their instincts as warriors, as science experiments, as specimen.

But a pained scream one day, different from any of the ones he heard when they were frightened as infants, when one of them tripped and fell, when a spat led to hitting, sent his heart into his throat and had him racing through doorways with more urgency than he had felt for anything before.

He had demanded an explanation, panic translating to perceived anger, and three of his boys looked up with teary eyes. Three, but Donatello remained curled up on the ground, wailing his little heart out without ever looking up, and it was one of the most heart wrenching, painful sounds Draxum'd ever heard.

Raphael sat not far from the smaller boy, looking over his shoulder seemingly at nothing, at Donatello, then up at Draxum and back again. Both Leonardo and Michaelangelo burst into frantic, panicked explanations, none of their words coherent enough to understand through their tears.

When Raphael stood, exposing red-tipped spikes on his shell and pointing frantically to Donatello's, it didn't take long to figure out well enough what had happened.

It became quickly a very long day. All four turtles were distraught, and though Draxum had more than enough first aid knowledge to address the situation, bile had threatened to rise the very moment he pulled out the suture kit.

The cuts were deep, and jagged. And poor Donatello cried the entire time, even after a numbing agent had been applied.

Draxum had never thought that in depth about Donatello's soft shell. Not like that. He chose a softshell for the experiment because it would provide greater flexibility, greater agility. It gave an advantage that the hard-shelled turtles did not have.

Now, here... The soft carapace, spongy and leathery and bloody...

It was an accident. Of course it was, Draxum never doubted that. He had to assure that none of his boys were in trouble, no one was in trouble, no one had done anything wrong.

But for the first time he had to be honest with himself. For the first time he couldn't deny how much he cared about the turtles. His turtles. His boys.

He wouldn't, either. If this was what it was, if this was something that could happen again because he insisted on making them into warriors, into fighters- if this could happen on purpose, if this could happen worse, if this could happen with malice and hatred in mind...

Draxum wasn't unused to physical affection, by now. All four boys adored hugs, although Donatello was usually more reserved about them. Now, Donatello clung like his life depended on it, sniffling and whimpering, having cried so long he had no more tears. Draxum clung back, idly smoothing over the edges of the bandages, holding the frightened, exhausted turtle to his chest, cradling.

He did so until well after Donatello fell asleep. He couldn't bring himself to put him down. He accompanied the others to bed, assuring them once more that things were alright, and then simply stood in the walkway, holding his boy tightly.

He couldn't do this. He couldn't go through with it. They were children, every bit as innocent and deserving as the Yokai he wished to avenge and protect. He could train them, prepare them to protect themselves, but he could never send them into battle, ask them to put their lives on the line, much less demand it.

How could he?

It took months of processing, of agonizing his way through the healing process with Donatello, of watching the other boys proving their humanity, their curiosity, and their innocence time and time and time again. His mind was constantly at war with itself, his heart constantly in turmoil and distress, worsened by the turtles' confusion at his sudden change in behavior.

What was even worse was that they would.

They would absolutely sacrifice everything they had for his approval, and for what they understood as "right". He could see them, easily, being willing to submit their very lives to a greater cause if he asked it.

But was he "right"? Even if this experiment had gone exactly as planned, was he right for ever considering putting these turtles into the station of a warrior? Even if they had remained turtles in mind, if they never expressed complex emotion, if they could not speak, if they did not have distinct and colourful personalities, would it have been right?

Was what he saw in them now what they would have been at heart, regardless of circumstance?

Or was it the humanity, that he stole from Lou Jitsu?

Perhaps... perhaps it was time to learn. To consider the root of his motivations.

He couldn't do this to them.

How could he?

[shannonsketches]

The way I will simply never recover from this page:

Vegeta's Panic and then IMMEDIATE affection for his new baby

Vegeta being excited to have a daughter

Goku assuming his wife Magic'd their children out of herself

Supreme Kai being embarrassed for Goku

Beerus getting wasted

Bulma saying she will raw dog her husband frequently and expeditiously with her whole chest, in front of god and everybody

Whis being like 'i gotchu babe 💅 but i gotta borrow ur man first or there'll be no more boning for anybody lol'

[welcometogrouchland]

I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim

Secret origins 80 page giant, ID in alt

(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)

Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:

Robin (1993) #4, ID in alt

Straight up the progression here goes:

The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting

Robin (1993) #4, ID in alt

Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.

Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)

Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)

[captainkirkk]

A lot of A/B/O fics write this traditional society where omegas are slut shamed, and pressured to have children, and have limited bodily autonomy, and aren't able to play "masculine" sports, and are pressured to be feminine and small and thin and beautiful

It's just a genderbend AU with extra steps and a strong dash of misogyny

[ladsofsorrow24]

i think some of you are too used to genre conventions, you guys forgot to question the worldbuilding that many authors painstakingly made to question the subject of death and life in a more nuanced manner than just "wow resurrection is so romantic!"

[kathles]

you ever see the most stupid take about indigenous American history that makes you go "ohhhh this person has no idea what the fuck they're talking about" and then you look up info of their bio and they're literally white

[zaeedsflipflops]

i have very little experience with dnd lore and so when shadowheart said she worshipped shar and, judging by dialogue options and stuff, clearly shar had a bad rep, i was kinda interested. bc i was like oh ok so maybe shar is seen as evil bc she is the goddess of darkness and loss, things that are scary and often unwanted. but shadowheart meanwhile was explaining the misunderstood good of shar and sharran belief. and then selûne being the goddess of light, i was like ok that makes sense people would assume that was entirely a good thing. and considering they are sisters, i thought the conflict between them might have layers beyond good vs evil.

anyway, eventually finding out that no, shar IS just bad and selûne is fully good was pretty disappointing and boring imo? it's not like i wanted it to turn out shar was good and selûne was bad or anything. but even if shar was portrayed a ruthless god who still genuinely had the positives shadowheart spoke of, while selûne was overall decent but there were negatives to her and selûnite beliefs would've been more interesting.

idk it's just kind of boring. turns out the most obvious interpretation is correct and there is no nuance. as always, dark=bad, light=good. shadowheart's hair isnt black anymore bc she is following the Good Light god now. it's just boring to me.

[troublcmakcrs]

you'll learn right now , i don't play nice / and if you hurt me once , 𝙄'𝙇𝙇 𝙆𝙄𝙇𝙇 𝙔𝙊𝙐 𝙏𝙒𝙄𝘾𝙀 ! / and i won't go first ( 𝓭𝓻𝓮𝔀 𝓫𝓪𝓻𝓻𝔂𝓶𝓸𝓻𝓮 ) / 'cause i'm the last bitch up , ＴＨＥ ＦＩＮＡＬ ＧＩＲＬ ！

finalgirl!tweek to go with @feldspar-thethief's ghostface!craig au lol

[shannonsketches]

One of my favorite differences in the DBZ manga that makes Vegebul make More Sense To Me, is that because Vegeta never left Earth, he was living at Capsule Corp for over two years before Bulma got pregnant (assuming Trunks is like 3-6mos old when we see him as a baby), but she said she 'wouldn't live with that jerk' afterward, which implies (to me) that he'd been a chill enough housemate up until the pregnancy, which tracks with his generally private and professional behavior as a Lord in the Freeza Force (in the manga).

I like to think it became a compounding factor in learning that he was slated to be killed in a year, and led to him being uncharacteristically overzealous and performative (and so opposed to Trunks getting close to him) in the android saga as opposed to how strategic and cautious he was with serious threats in the Freeza saga.

I am also always thinking about how Something Happened between him losing to Cell and re-entering the time chamber in the manga, because he was back living at Capsule Corp and staying near Trunks and Bulma when the Cell Games were announced.

[the-acid-pear]

I got reminded the Lacey's series exists and it really left me confused because... People love and praise that but hate on The Painter?

I want to say it's just bias because Lacey's is very well done style wise (the painter has great art but weak presentation), but Lacey's is pure fucking shock content w little substance. That's why I always hated it. And I still do. It's not even surprising.

And it a way it's fitting for it bc it has that strong 2010s/2000s vibes and horror back then was just like that lmao look at any old creepypasta but it's still edgy as shit.

And I don't want this to be me complaining about that series bc that's not my point what I'm complaining about is how I don't understand how the internet ADORED one but hated the other for arguably the same reasons.

But I also want to complain so see y'all in the tags 👍

[desertdragon]

This shit is so ass I just want it to be over

[forcebookish]

bl fandom is so weird half of you are so determined not to have fun

[itwoodbeprefect]

inspired by my own 9-1-1 / bad buddy post, here's a bad buddy / starsky & hutch sequel about cutting ties with your past, polluting the ocean, throwing small shiny rectangular objects, etc. 🌊