#they're a form of creation

[massivementalitynut]

My Connection Lost Comm of White Fang Members by @ogariane

[randomthefox]

Sage:"Why did you retain the Transformer unit known as Starscream in your personnel? Father would never have tolerated a lackey so openly insubordinate and brazen about his desire to betray him."

Megatron:"I do not need to explain my management decisions to the likes of you."

Sage:"Correct, you do not need to... But can you, though? Please?"

Megatron:"... Since you said please.

"While I value competency and loyalty, the truth is there is only one thing Decepticons worship and that is power. Absolute, uncontested power. I rule the Decepticons because I am the strongest, the most cunning, the most hungry, for no amount of power I currently command will ever be enough. But the death of leadership is complacency. If I were to rest on my laurels, if I were to become content with that which I have achieved. Then Starscream will make his move and usurp me. Starscream holding a knife to my back ensures I must always move forward, never settle for less than more more and even more. For all of his shortcomings, Starscream makes me a better ruler. And moreso than that, I admire his transparent ambition. I see myself in it.

"That is why I keep Starscream around. That and because he is, in spite of himself, an effective sky commander."

Sage:"Interesting... You display a higher capacity for self awareness than I anticipated."

Megatron:"I have existed for millennia, little spark. One cannot thrive in the fires of war which has waged for thousands of cycles without knowing oneself above all others."

[yeonjune]

(231020) one day, horns grew on hueningkai's head | transl: ♡ ♡

[player-1]

Been thinking about the Abyssal Tyrants (shocking I know), but I love the implication that the main Tyrants are more of a threat to the Guild while they're basically 10-15 years old before the main story in Extinction. Of course, the Abyssals were still a threat for a variety of reasons and/or paranoia, it's kinda overshooting the fact that they were alive for a very long time; not as long as the Children of Omnicron of course, but still.

But going through the "family timeline" theory again, it's hilarious in hindsight to think that Braccus probably had the time of his life destroying what he can before becoming the hulky bulldozer he is (about 200 years before the main story) but Kroma had to suffer with the idea of wanting to destroy one specific person (ie. Eliza) around the same time and long before their real target was even born, only to get absolutely destroyed by Deena when she finally had the chance to fulfill her mission (also around 20-15 years before the main story so it's common knowledge for the Guild too)...

Long story short the Abyssals had all the time in the world to wonder why they were made/created as they were, just waiting until the time was right for their goals to be fulfilled, until they figure about that they might've been created to be glorified cannon-fodder in the grand scheme of things (even if they would've gone through that existential crisis or not)...Also I refuse to believe that the Abyssals wouldn't have run into each other at some point and figured out that they have nothing better to do but wait to be killed after completing what’s literally their life mission. Maybe they avoid talking with or about each other at Precursor Mountain so it doesn't hurt them anymore than it should (or conflicting goals making them distance themselves despite their origins being the exact same). Also letting Venefelis/Salem figure out that she has "siblings" running around the place would definitely help with their cabin fever, I'm sure of it :)

[rose-lalondde]

Naruto Modern Fantasy AU - Bijuu & Patrons

Order and Chaos are two of the oldest divinities and are responsible for the creation of the systems that exist within the Nexus (my world). Respectively, they're famously known for the creation of the Order of Angels & Life (Order) and Hell & Death (Chaos). Other achievements include the Seven Heavenly Virtues and the Seven Sins (Partially out of commission).

At an early part in their life, Order and Chaos formed an understanding relationship that developed into romantic feelings. The result of that romance and their union were the bijuu, their nine (related) children. Very soon after Shukaku was created, they separated and began their long-standing and bitter feud. In addition to their together children, they each have their own offspring, the Goddess of Life and Creation & the God of the Dead (prev the God of the Dead, Death and Decay; alt title as King of the Dead).

In the older days, each Bijuu was worshipped and had devoted followers because they were so important, and at the time were the only minor gods around. Eventually, after the creation of the New Gods, the Bijuu lost relevance and were in danger of fading away. A deal was struck so that they could maintain their form and power but they had to have a patron that they fused their soul with. In rare cases, the patrons are willing participants who offer themselves in exchange for help. In most cases, the patron is an unwilling sacrifice, pushed by devoted followers (or power-hungry men) who want to keep their god alive. In the very special case of Mito Uzumaki who offers herself to keep Kurama alive by making a deal that she'll honor his wishes in exchange for power and safety,,, she absolutely does not follow through. This builds up decades of resentment, especially when he is passed down to Kushina who does the same, which starts off his rocky relationship with Naruto.

In another very special case, Rin, who is forcibly made a patron to Isobu, dies within the early stages of his soul intertwining with hers. Later she is resurrected, as the initial soul intertwining process was botched, and Isobu and Rin's souls are now one in the same. Meaning that instead of switching out consciousnesses like a regular patron and god can do, they share it. After the resurrection, Rin also displays physical features of Isobu such as red sclera and protruding spikes.

Patrons receive their patron god's powers and abilities in exchange for either sacrifices or completing quests/tasks, often they're centered around the patron god's title. For example, Matatabi requires Yugito to exorcise and guide spirits/ghosts to the afterlife. In Killer B's case, him and Gyuuki are just vibing. Gyuuki has a historically good relationship with B's family and all of his patrons volunteered willingly, so he freely exchanges his power. Fuu was unwilling sacrificed, but thankfully Chomei adores her enough to provide her power for protection, even helping her leave her followers.

Kurama - God of Vengence

Gyuuki - God of Persistence and Adaptability

Chomei - Goddess of Luck

Saiken - God of Patience

Kokou - God of Determination & Freedom

Son Goku - God of Courage & Strength

Isobu - God of Still Waters and light rain showers

Matatabi - Goddess of Exocisim and Safe Passage to the Afterlife

Shukaku - God of Overindulgence and Partying

[shadowbugtidbits]

Shadowbug in a ball pit? Shadowbug in a ball pit.

[senei]

alllsso more of these dude (turns around and gets pelted to death)

[talentforlying]

the silt verses 🤝 hellblazer: we accidentally invested this mundane concept with otherworldly power by casually creating and enacting everyday rituals in service of its potential omniscience until it learned that it possessed that power over us and acted upon it

[quillheel]

❁ ( towards any of your zelda muses − hylia and the three godesses, mainly, but also botw & totk link / zelda / ganondorf if you feel compelled...!! )

Send me a ❁ for the type of flower my muse would give to yours // Accepting!

Hylia's answer comes, sharp and slow like a blade pulled uncutting against thought, a cool not-metal against the inner heat of mind. ━ the same as sky, not in the way of wind but in the way of open space, of nothing at all, of atmosphere pressing in from out against your throat. Almost frozen, almost frigid, but without the effort in coldness, in willful ignoring, of brushing one off : cold as in cold is the absence of heat. No, Iroha receives an answer. Stale pollen and bright, blinding knowledge. ━━━ she was not made to create the way the Goddesses were, and yet, the flowers bloom at their feet regardless : perhaps they should consider themselves special.

━ bachelor button, hydrangea, bittersweet, lavender heather, white poppy, blue violet, mixed yellow & red zinnia, white hyacinth, rose leaf, & buried beneath the rest; spider flower. ( 'You are not of my domain, I am indifferent to you. However, I respect your devotion. I sympathize, perhaps, with your situation. One day, perhaps, there will something other for you. One day, perhaps, you will make one.' )

the Goddesses' response is a ancient one. months hung above the stratosphere, dangling, dangling, waiting to be lowered. Months upon months upon months, the flower of the seasons dripping into the horizon in a haze of days and nights and days again: They were intricate, and slow, and often unknowable at all. how patient, you are, for Them. How kind, to wait, for Them. They reward Iroha with answer in time, in the humid shivering haze of early morning, a wave of such love of all Iroha does, of the endless sorrow They beheld upon their duty, arriving like quartz lining their throat ━ blooms growing from 'pon their fingertips, 'cross their knuckles. a gift, a gift, how merry to be known & seen, how terrifying by They to listen & answer in turn ━ how horrible, horrible to think you had been forgotten...

━ bachelor button, maidenhair fern, red carnation, dead leaf, purple hyacinth, dark crimson rose, pine, acorn, fern, fir, white heather, iris, lily of the valley, tea rose, palm leaf. ( 'We love you, We are sorry, your faith is not unseen by Us, for This to be your undertaking, borne as chains & key. Such is Our terrible, terrible doing. Such is Our apology. We hope, perhaps, one day the selves can exist without the other or in one without smothering, smothering light. We hope, perhaps, one day you are allowed to live; a role unshackled, unlocking Thy own binds. Chains & key. Chains & key. Freedom unmade for you, and yet, still hoping to grasp it.' )

Link & Zelda come as though offering memorial, bundles of blooms and sprigs tucked in their arms as they hurry past stream and grove ( "watch your feet, 'stream made the ground soft" "ah, thank you, I believe I'll be alright-!" ) to find the place where the Blupees haunched on hind legs and watched them with startling, ruby eyes. The one Link had gone before, a familiar forest in the heavy overhang of branches & leaves. a bowl is filled with fruit steadily throughout the day beneath a great cherry tree, pink petals like silk beneath the sun. a final act of care comes as sunset threatens to burn the sky alive when, on a brief journey back to a stable for a briefer meal, they're caught in a fleeting conversation of flora & the hearts beneath their stalks ( "Oh, you're going all the way up to Satori mountain? Hey, if you're going through all the effort, I've heard people bring flowers up there sometimes, you know, offerings and the like. Some people bring flowers, symbolizing what the 'Lord of the Mountain' protector means to them. Maybe it'd be worth your time?" ) ( "That sound's like a nice idea, I think!" "I think so, yes, but what would I even bring...?" ) ━━━ they in bundles, at last, arrive. Hurried up, past the stream, to find the tree again. Zelda hesitates, an offering of silent princess clasped between delicate fingers ━ "Would it be considered disrespectful to place it at the dish...? Maybe I shouldn't..." ━ before Link, calloused hands delicate, maneuver their hands to set it down along the rest, petals bright; bright in the clear sky.

━ bittersweet, bluebell, pink camellia, iris, cattleya orchid, magnolia, evening primrose, flax, rose leaf, forsythia, fern, lavender rose, bells of ireland, azalea, sweet pea, mixed zinnea. ( 'I think you're kind, and charming, and though I rarely see you, I hope you are well. I hope to change that fleetingness, if you'll let me? I think you might like Zelda, you might have more in common than you think.' / 'I've heard of you, but never seen you, all good things. I hope one day to meet, you seem good. Perhaps lonely. I might like you, if you gave me the chance, but I'd understand if you don't like me. I hope your future is a kind one, whatever kind of future it is. I don't know you well enough, even in stories, to tell.' )

Somewhere, there is a valley tucked neatly behind the ridges of hills, in the lowered groove 'twixt them where the land sinks ginger under the long grass and the wild flower of the knolls; as though gently swept down, as though the soft lowering of a stomach, ribs high against the soft tension of smooth skin in earth, as though the rounded edges of hands where the knuckles stood war-like as the gentle palm sinks; ball of the hand softer than the upper of the palm, the upper of the palm softer than the fingers, the fingers softer than the nails, the nails softer than the bones inside them all.

Somewhere, there is a valley of tender, shivering silver. plush moss lining the ground like bolster turned cloudy like rain, muted but beautiful in variation, white paint blending with greys in the fiber that wasn't fiber, the tissue that was. A place no one knew. a place one did. flowers split, forbearing as though shifting only between the folds, and reeds rose in the bed. A place that never died, flowers like chanting; the same message, 'hundred times over, 'thousand more. ━ Somewhere, you know this place. Somewhere, no one else knows at all. Somewhere, it tells you something. Somewhere, somewhere, somewhere...

━ lotus, cherry blossom, chrysanthemum. ( 'how much would it take to stop grieving yourself, and choose to live? how long?' )

[psalmsofpsychosis]

one thing about me is, i'll always always always value creativity and experimental ideas and stories and new structure-breaking narratives above established "commonly valued" creations, even if the creative idea's execution is less than ideal, even if the established story is "perfect and spotless". Like, i literally dont care, unconventional and paculiar and unexpected works of art are infinitely more valuable to me whether in subpar execution state or in perfect structure. If you did it differently and did it your way your creation will always be more important to me than any predictable and "proper" narrative made in complete and utter obedience of well reinforced explicit and implicit rules. "this is very well made in all the technicalities look at all these clean details—" catch me give a fuck. It's cliche, repetitive, it's boring, i dont care. We live in a time where obedience of known metrics seemingly ranks higher than any form of outside-the-box creativity and i'm done with it. Say something new, say something personal, say something earnest and paculiar and weird or i'm out of this theater.

[prezs]

oughHGHHhh the new pokemon dlc looks fun

[pomellon]

Wanna ramble a bit about Noah and Cooper, but maybe after I actually get some sleep :o

[why-animals-do-the-thing]

The Exotic Animal Photo Reference Repository is live!

You can find it at: https://www.animal-photo-references.com!

Here's how this repository works: all photos were taken by me, a human, at zoos, aquariums, sanctuaries, and other facilities with animals in human care. There is no AI involved in the photo editing or creation and there never will be. Right now there's 56 species on the site; my catalog has over 300 and I will be uploading the rest of them as fast as I can.

Artists creating derivative or transformative works (without AI) have blanket permission to use these references. Yes, even for work you're going to sell.

All other usage/reproduction requires permission, but assume I'm friendly and please do ask! That's educators, researchers, the media, people who need images for a school presentation, etc. This is just to retain copyright/control in case they're scraped/reused unethically - it doesn't meant I don't want folk to have access! So please do reach out via the contact form on the repository website, I don't bite and I'm most likely going to say yes.

Please don't repost the repository photos to your own blogs: I've created @animalphotorefs as a dedicated blog to share photos from the site, and of course I'll reblog a lot of it here! That again just helps with retaining copyright and sourcing of the images. If you really want to repost some for a specific purpose, please just ask me first!

Also, folks, this project has no funding. It's just me and my camera.

There will never be a paywall on the site - I believe resources like this absolutely must be free for everyone to access. So please, please, please support the repository if you use it. Want sneak peeks at photos, cute videos I take, or to help choose what I photograph and what gets posted first? You can do that through Patreon (and there's a free trial on the most interactive tier!) If you'd like to just drop a tip, I've also set up a Ko-Fi.

I can't wait to hear what everyone thinks of the repository.

To whet your thirst for cute photos, here's an Indian rhinoceros contemplating a goose.

[blackvahana]

I really do just need to get over the fact that my stuff is going to drive people mad

I had to actively stop working with the DAY because the wide open reality of being the Dreamer being incarnated into like millions of people at once, incompréhensible unimportant and yet all important, was like... its not good for navigating reality. It's still at the back of my brain where I've had that experience and... I mean for some reason it's more unsettling than nondualist Shaivism stuff is. All Are One Being is somehow more normal than Dreamer stuff but anyway

That was like... the one time I really scared Hermes when I woke him up as DAY and you know I think that's fair first of all and second of all... indicative that if I can scare gods then my existence is just going to scare people who aren't gods nor on the path to godhood

Anyway. These creatures definitely have been trying to tell me they're moving towards Dreamer things. Should've known! Should've seen it coming with Lev throwing Kos back at me but I don't associate bb Dream stuff with what I call Dream stuff irl, I associate bb Dream stuff with nondualist Shaivism-esque stuff... Anyway. Guess I now associate the two

Because. really. they're feeding on impulses... I hope that they'll be gentle. I hope that they won't be as raw and rip-tide-esque as the Tree of Madness and my usual Madness energy but I don't... think they're very Madness heavy actually. They're. very quietly something else in an obvious way. probably Day lmfao. yeah. They are aren't they

[forthedancingandthethriving]

Absolutely love making god/divine characters that don't realize the ramifications of their actions

[professorcalculusstanaccount]

Tintin Tarot - A Fool's Journey, Part One. A collaboration with @josephscoat who knows a lot about tarot and other spiritual and cultural topics. They're a very talented writer too, so go check them out!

They first pointed out how perfectly the Fool tarot card mapped onto Tintin himself, and it led to me illustrating the Major Arcana as Tintin characters. I'm surprised Moulinsart hasn't released an official Tintin tarot deck yet, though knowing them if they did they'd probably just reuse existing art...

I wanted this set to reference the Rider-Waite tarot deck, as it's iconic! I tried to keep as much symbolism from this deck as possible, while incorperating a lot of appropriate Tintin references. It was important to us that none of these felt like a stretch, so we tried our best to find the best fit for each card, including the card's reverse meaning!

The Fool - New beginnings, taking risks, embarking on a new adventure, independence and blind faith. He even has a little white dog. Of course Tintin is the Fool! The yellow tights indicate he moves forward with self confidence, even if forwards means off a ledge. He carries a white flower, symbolising purity.

The Magician - Manifestation, creation, resourcefulness and inspired action. Calculus's inventions behind him are a nod to each element - the shark submarine represents water, the moon rocket represents fire, the sound weapon represents air and the white roses he creates for Castafiore represent earth! On the table we have Didi's sword, a bottle of Loch Lommond whiskey, a pentacle and King Ottokar's sceptre. This card is my favourite!

The High Priestess - Mystery, intuition and the subconcious mind. Madame Yamilah was the obvious pick, being canonically psychic! I incorperated the curtains from the theatre she performs at, as well as the columns Haddock knocks over, now in black and white to represent light and dark.

The Empress - Motherhood, protection, femininity. There aren't many parents in the Tintin universe, probably by design. Mrs Wang came to mind. I used phoenix motifs in her headress as in Chinese culture they are symbols of femininity, and are distinct from the fiery immortal birds from Greek mythology.

The Emperor - Fatherhood, authority, structure, control. Mr Wang runs a crime fighting organisation and is Didi and Chang's stern father. Dragon motifs represent masculinity, and I referenced ancient Chinese armour as a symbol of protection.

The Hierophant - Tradition, conformity. The Prince of the Sun sticks closely to ancient laws and traditions, but like the card's reverse, is open to new approaches, such as when he takes in Zorrino. I gave him some elements of the priest's clothing to symbolise the Prince's role as a religious leader.

The Lovers - Partnerships, duality and unity! Despite being identical, the Thomsons aren't related. They in fact come from different countries - one is from France and the other is from Switzerland. Me and my friend confirmed this fact at the Herge museum in Belgium! The card's reverse meaning, disharmony and loss of balance, is also very much in line with the Thomsons. I included the internet famous Gay Lions in the background!

The Chariot - Direction. Control. Willpower. These are the perfect descriptors for Arturo Benedetto Giovanni Giuseppe Pietro Arcangelo Alfredo Cartoffoli, the Italian driver that helps out Tintin and Haddock in the Calculus Affair. He may have only appeared for a few pages, and I may be the only person to get this reference, but he is a perfect fit. He drives.

Strength - Compassion, bravery, endurance. Not only has Chang demonstrated these qualities in Tintin in Tibet, he's had to endure a lot of hardship throughout his life, being orphaned, swept up in a flood and watching his home get torn apart by imperial forces. He still comes out the other side patient and compassionate, being one of the few people to recognise a form of humanity in the Yeti, and possibly being the one to change Tintin's entire political journey! Chang is draped with juniper berries.

The Hermit - Laszlo Carreidas is a lonely and isolated millionnaire who goes through a huge personality change. Being drugged with a truth serum makes him more honest and open. His base personality before his development fits with the card's reverse - isolation and a loss of direction.

Wheel of Fortune - Alcazar and Tapioca's conflict is an endless cycle of war for political control. The Wheel of Fortune represents cycles and inevitable fate. Reversed, it represents a lack of control - both Alcazar and Tapioca cycle between having absolute power and no power at all. I dressed Tapioca as Anubis as a nod to the original card!

Justice - I picked Miarka to represent Justice as she and her community are wrongfully accused of crime due to being profiled. Instead of a sword she weilds the golden pair of scissors she is accused of stealing, and the gemstone representing a third eye is the Castafiore emerald. The owl, a symbol of wisdom, and the magpie from the Castafiore Emerald sit beside her.