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vbecker10 · 7 months ago

Text

What Prank?

Laundry Day (Loki x female reader Y/N)

How Could This Not Fit?! (Loki x fem reader Y/N)

Loads of a Fun (Bucky x female reader Y/N)

Pairing: Bucky x female reader (Y/N)

Summary: You and Bucky plan a week's worth of pranks to get back at Sam for telling Bucky the toaster was voice activated. A few days in, several members of the team decide to join in on the pranks without even questioning who is behind it.

A/N: So in Laundry Day (linked above) I wrote an off hand little comment about how much laundry Bucky needed to do and it led to Loads of Fun (also linked above). In that one, I mentioned a joke Sam pulled on Bucky and based on a poll I did, people wanted Bucky to get back at him so here we are 💚

This is not the same Y/N from Laundry Day & How Could This Not Fit?!, this is a different one. Apparently a bunch of women in the Tower have the same name as you (haha sorry that's dumb but I wanted them both to be Y/N fics so here we are)

Bucky's arm settles around your waist and he pulls you closer to him on the couch as you shut your laptop. "That's everything," you tell him with a triumphant smile.

"I really appreciate all of your help with this," he tells you and you turn to look at him. "I never would have even thought to do any of this myself."

"I'm happy to help. I hate when people mess with someone I like," you respond.

"Wait, you like me?" he asks jokingly.

You hit him lightly with a pillow, "I think I've made myself awkwardly clear about that."

He laughs and takes the pillow from you easily, "I'm just checking because I like you too." He moves his hand to the back of your neck and kisses you, when he pulls away he smirks and says, "You're an evil genius, you know that right?"

You giggle, "You have no idea."

Day 1

You sit at your desk, watching the clock closely as you wait for Sam's call. Ten minutes after 8, he finally reaches out and you answer professionally, "Stark Industries Technical Support, this is Y/N, how can I help you this morning?"

"Hi Y/N, it's Sam Wilson. There's something wrong with my ID badge I think, or my entry panel maybe. I'm not sure but I can't get into my office," he tells you.

"Oh no, that's not good. I'm going to put you on hold for a few moments while I look into this for you," you tell him and he says okay. After refilling your bottle with water from the kitchen down the hall, you take him off hold. "Hi Sam, sorry that took so long. Computer is a bit slow this morning," you make up an excuse and he asks if you figured out what's wrong with his door. "Yes, looks like we need to run a quick update on your entry panel. Should be about five minutes or so," you lie easily.

"Okay, thanks," he says but you can hear the annoyance in his voice before he hangs up.

You go back to checking your emails and five minutes later, you unlock Sam's office with a smile. Your phone vibrates, alerting you to a new text from Bucky, he has gotten so much better at sending them in the last few days.

You laugh at the thought of Sam being that annoyed and send him a quick text back.

As if on cue, your office phone rings. "Hi Y/N, it's me again," he says in a defeated tone. "I can't log into my computer."

"Well aren't you having the worst luck this morning," you tell him. You pretend to type loudly so he can hear it, "Looks like your password expired. I'll set you up with a new temporary one and then you should be good to go." He tells you thanks again and you wish him luck before hanging up.

Fifteen minutes later, your phone rings a third time. "Its Sam again," he says as soon as you answer. "There's something wrong with my computer now. I can't get my email to open and all my programs are freaking out."

"Oh no... I see what the issue is," you say dramatically and he sighs over the phone. "It looks like your computer needs to do a pretty massive update." He asks you how massive and you respond, "About an hour... maybe an hour and a half."

As soon as you and Sam hang up, Pepper calls him and he immediately knows he's in for a long day. "Did you finish the reports for the briefing this afternoon?" she asks.

"Not yet, I've been having a lot of really weird tech issues today," he explains. "IT is on it but it's going to take a while to get me up and running."

"That's unfortunate," she says but there is no sympathy in her voice. "I suggest you work through lunch if needed, those reports were supposed to be on my desk last night."

"I'll get them done," he promises then hangs up. With a loud groan, he drops his head heavily on his desk.

Day 2

Sam complains to Steve and Bucky about all of his computer issues while on their way to his office. He opens the door and Bucky jokes, "Sounds like the tech gods were really pissed off at you, huh?"

"I guess, it really was the weirdest thing," Sam says shaking his head. Bucky and Steve each take a seat and Sam goes to sit behind his desk. As soon as he relaxes into his chair, the seat detaches from the base and he falls to the ground with a loud scream of surprise.

Sam gets up quickly from the floor as his friends come around to the other side of the desk. "Someone is messing with me," he declares over Bucky's laughter.

"Why would anyone do that?" he asks, trying to compose himself. "Not like you've ever pranked anyone around here and would deserve a little revenge."

"Not helpful Buck," Steve rolls his eyes. "Are you okay Sam?"

"Yea," he answers while he examines the chair. "Did you do this?"

"Me?" Bucky asks in response. "I can't even figure out how to use the toaster. How would I have broken into your office?"

Sam is obviously unconvinced and also on the right track. Last night after dinner, you unlocked Sam's office so Bucky could remove almost all of the screws from his chair. That wasn't the only prank you set in motion last night though. As per your plan, Bucky suggests they call maintenance for a new chair and get coffee while they wait.

Tony walks into the kitchen a few moments after the three of them and asks if they like the new coffee maker he just got. Sam pushes the button to make a medium size cup and turns to face him, "First time trying it out."

"Well be nice to it," Tony warns in a joking manner. "I had to lie to Pepper about how much the damn thing cost me but it's worth it for a perfect cup of-"

Tony's words are cut off my Sam swearing as the coffee begins to spill everywhere. The mug overflows and leaks all over the marble counter. Sam tries to press the off button to stop it but it continues to pour out.

"Don't hit it, just press it gently," Tony grumbles as he moves quickly towards his new favorite appliance.

"I am pressing it gently, it's not working," Sam says in a slightly panicked tone as the coffee spills onto the floor.

"How much coffee can that thing make?" Steve asks in shock as he backs up from the growing puddle.

Bucky shakes his head, his hand over his mouth to cover his laughter as he watches the scene unfold. He takes out his phone and sends you a text.

Tony unplugs the uncooperative machine from the wall and looks angrily at Sam, "Do not touch this again."

"I barely touched it this time!" he counters as he moves away from the massive mess of spilled coffee. "I told them, someone is messing with me."

You reply back after pulling up the live feed.

<🤣🤣 Bonus points for Tony being so annoyed!>

"And how would this mystery person know you were going to use the coffee maker next?" Tony asks with his arms crossed.

"I have no idea," Sam sighs, rubbing his face.

"Just get back to work," he says, "And quit being so damn paranoid."

Day 3

Your head rests against Bucky's chest, his arm holding you comfortably as you watch a movie in his room. Half way through the movie, Bucky's phone begins to vibrate on the coffee table. "Hey Sam, what's-" Bucky answers but you can hear Sam yelling faintly over him.

"Put it on speaker," you whisper and he looks at you confused. You smile and take the phone, showing him how to change the setting and he nods as the background noise becomes louder.

"I can barely hear you," Bucky says and you cover your mouth to keep quiet.

"I said, my apartment is going crazy!" Sam yells over the sound of the TV and other appliances.

"What are you talking about?" Bucky asks, his voice serious. He keeps his eyes on you and you try not to giggle.

"I don't know! I flipped the switch for the lights and the TV turned on full volume. I tried to turn it off but the remote doesn't work. The volume buttons control the air conditioner, the power button opens and closes my blinds, I even tried going in the menu but it turned on my freaking blender. How does that even happen?" he asks frantically.

"I have no idea what you want me to do," Bucky says and you shrug dramatically as if you don't know what is causing it either. "Sounds like your place is possessed," he adds. You giggle and he holds the phone away from himself to place a quick kiss on your cheek.

"I tried to call tech support but they are closed for the night," he explains. "Did you ever get the number for the woman in IT you know?"

"Who?" Bucky plays dumb.

He groans and you can hear the vacuum turn on, he must have tried another button on the reprogrammed remote. "The one you keep telling us is cute! Y/N, right? I talked to her the other day about my computer stuff," Sam says as the TV volume increases and decreases at random.

He blushes, he had forgotten he told Steve and Sam he wanted to talk to you weeks ago. "No, I chickened out of talking to her," he lies.

"Of course you freaking did!" Sam yells and you can practically hear him roll his eyes, "Screw this I'm gonna sleep in the common room tonight."

Bucky hangs up and tosses his phone back onto the table. You tap his shoulder with a smirk, "So... you think I'm cute, huh?"

He laughs, "Very." He kisses you and you lean into him as his arms wrap around you.

You curl up against him on the couch again then sit up suddenly. "What's wrong?" he asks when you get up.

You open your backpack and look over at him, "I brought my laptop... I can turn off the stuff in his room so if anyone checks, everything will be fine."

"Remind me never to get on your bad side," he laughs and you kiss him when you sit next to him again.

Day 4

Sam finishes adjusting his suit as he walks into the training room with Clint, Bucky and Scott. Tony checks a few settings on his control panel while Thor and Loki finish up their sparing session.

When the door closes Loki chuckles and turns his attention from his brother to Sam. "I heard you had quite the night," the God of Mischief smirks.

"Seriously, even Loki knows?" Sam throws his hands on the air.

"I think the whole tower knows you think you someone is pulling weird pranks on you," Scott chimes in.

"I'm not paranoid," Sam says. "Someone here is out to get me."

"That sounds like something a paranoid person would say," Loki shrugs and Thor laughs loudly at his comment.

"I don't like agreeing with Reindeer Games but he has a point," Tony jokes, ignoring the side eye from Loki at his least favorite nickname.

"Fine, whatever," Sam gives up. "Can we just get this over with?"

"Yep," Tony agrees and motions for everyone to get back a bit so Sam can spread the wings on his new gear. He puts his goggles on and turns around, checking to see that everything is in place but his focus shifts when everyone beaks out into laughter.

"What now?" Sam asks, turning back to face the group.

"Nothing, I think we all just like the new look," Bucky says with a smile.

"What the hell?" Sam exclaimes when he catches sight of the back of his wings in the windows.

Bucky snaps a picture, thankful you showed him how to do that a few days ago, and sends it to you.

You open the picture of Sam's wings covered in googly eyes of every size and color, causing you to nearly spit out your water with laughter.

Sam looks angrily at Loki, "Why are you messing with me?" He pulls down his goggles and walks over to him.

Loki scoffs, unintimidated by the Falcon and says, "If I was 'messing with you' I would have done more then put paint on your eyewear."

He turns back towards the window quickly and sees two thick black rings of paint around his eyes. "Come on! What the hell guys?" he groans.

Bucky, Scott and Clint can barely keep themselves together long enough to deny they had anything to do with this new prank.

Thor almost looks offended and asks, "How come no one assumes it was me?"

Tony pats him on the back and says, "You're not exactly known for being stealthy." He crosses his arms but nods in agreement. "Alright, now that... that whole thing is out of our systems, let's see what the new wings can do," Tony suggests, bringing everyone back to their original reason for being there.

Sam agrees and everyone moves back a bit to watch him take off. Bucky let's a small smile slip when Sam tries to turn left to circle around the room but his suit doesn't respond correctly. He grows increasingly more confused and annoyed as he discovers his controls are reversed.

He lands after only a few minutes and Clint asks, "First time flying? That was rough to watch."

"Shut up," he answers, fiddling with the computer on his wrist as Tony walks over.

"I'll get this thing debugged and we can try again tomorrow, Tony tells him. He nods and leaves with a loud sigh. Bucky and Steve turn to leave as well but Bucky catches Clint and Scott nodding proudly to each other. He chuckles when he spots a googly eye stuck to Scott's shoe.

Day 5

"I am so over this," Sam tells Steve and Bucky as the walk towards the kitchen. "When I find out who is doing all of this they better apologize like hell cause I'm furious," he threatens and Bucky practically bites his tongue to stay quiet.

His phone chimes in his pocket and says, "New text message to Director Nicholas Fury."

"Shut up," he says as he takes his phone out of his pocket.

It chimes again, "Texting, 'shut up'."

"No, no, no! Cancel, cancel," he says, frantically hitting buttons but none of them work to stop it.

"Text message sent," it alerts him with another chime and he rubs his face.

"What the heck was that?" Steve asks.

"I don't know... It's been doing that all day," he says. "I talked to Y/N and she said she is going to have a new phone sent up to me as soon as Stark approves it."

"Y/N, the woman Bucky likes-" Steve starts to ask with a smile but he's interrupted.

"New text message to Tony Stark," his phone says.

"I hate you," he tells the phone as he tries to turn it off.

The phones responds, "Texting, "I hate you'."

He groans and Bucky begins to lose the battle to hold back his laughter. "What is wrong with you?" Sam struggles with the device.

"Texting, 'What is wrong with you?'" it again repeats Sam.

"Stop talking to it," Steve suggests.

"Texting, 'Stop talking'," the phone adds and Steve cringes. "Text message sent."

"I'm gonna get fired," he says and slumps against the wall.

"Finding instructions on how to make fire," it says as if that is helpful.

His phone chimes to alert him to an incoming text message. "Oh good... it's Tony," he says sarcastically.

"Could be worse," Bucky says with a smile and Sam looks up at him skeptically.

His phone chimes again. "It's Fury," he says with a loud sigh.

Bucky laughs, "See, now it's worse." Steve smacks him in the shoulder and shakes his head disapprovingly but Bucky can see the smile on his face.

Later that night, most of the team is relaxing in the common room until Sam walks in angrily. He slams his laundry basket on the coffee table in front of Natasha, Clint and Wanda. Loki looks up from his book in the corner of the room and Bucky follows Steve in from the kitchen.

"Who did it?" Sam asks.

"Oh, what horrible prank where you the victim of this time?" Loki asks with a smirk as he gets up from his seat.

He pulls out his bedsheets which are all different shades of pink, "Which one of you did this? These were new."

Bucky takes out his phone and quickly finds your chat. You text him back, showing the picture of the pink sheets to your friends who joined you for dinner.

<Omg, they did not!? That's amazing 🤣🤣 I can't believe other people joined in like this>

Nat giggles and says, "I don't know but it is a really nice color."

Steve calmly says, "It might not have been on purpose. Someone probably forgot a red shirt or something in the machine."

"No, this is definitely on purpose," he argues with Steve. "I'm going to find out who is doing this."

He grabs the basket and leaves the room angrily. Bucky doesn't watch him leave, he's too focused on Wanda winking at Nat.

Day 6

Sam sits at the far end of the large oval table in the conference room, fuming with his arms crossed.

Loki smiles wide as he takes a seat next to him. He leans close and asks, "What seems to be the trouble today?"

"I don't want to talk about it," Sam responds.

Loki doesn't give up and says, "I think you should share with the team, it might make you feel better. Besides, I'm sure we're all curious as to why you are so annoyed this morning."

Before he can reply, Fury walks into the briefing room. He slams the door shut, which gets everyone's attention at once. He stands in the front of the room, covered in glitter as he glares at Sam. "We need to talk Wilson," he tells him.

"I didn't..." he stands slowly. "You don't think I did that?"

"You left your ID badge on my desk," he holds it up by the lanyard. Sam looks at him in shock then pats his pants and jacket as if it will suddenly appear on his person.

Loki laughs so hard, he slaps the desk and says, "This is the best week I have had in decades. I don't think I've been this entertained since humans celebrated the first April Fools Day."

Sam looks at Loki and then back to Fury, "It has to be him. Do you really think I would be stupid enough to glitter bomb you and leave my ID badge?"

"I have already told you, I have not participated in your torment," Loki says. "I am merely enjoying it."

Thor adds, "Trust me, if it was my brother, he would not deny it."

"Fine, so it's not him but it's one of you," Sam looks around the room at the full table.

Fury stands unconvinced at the front of the room, his arms crossed against his chest. "You have until the end of the day to pick up every single piece of glitter," he tells Sam then he takes a seat at the head of the table to start the meeting.

Loki whispers to Sam, "I must admit, I'm really beginning to like whoever is doing this to you."

Sam rolls his eyes and says, "Oh this person you like? I thought you hated all 'humans'."

Loki corrects him, "I am generally indifferent towards your existence, that's not quite the same as hate."

"I'm not sure if that makes me feel better or not," Sam says and Loki shrugs in response.

Day 7

Sam wanders into the kitchen in the morning, yawning from lack of sleep. He had stayed up most of the night trying to figure out who was behind all of the pranks. He assumed most of the team could have done the laundry prank or googly eyes but he didn't know anyone with the tech skills to pull off the other ones.

He stops short when he sees you and Bucky together, he stands behind you with his arms around your waist. You look up at him and kiss his cheek before you notice Sam.

Sam is confused and says, "Wait are you guys together? I thought you said you didn't talk to her..."

Bucky smirks and says, "Oh yeah, I guess I lied."

"How long..." you can see him trying to figure out if you had been together long enough to aid in his pranking.

You smile at his confusion and ask, "Wanna see something cool?" He shrugs, still processing your relationship. "Bucky told me the new toaster is voice activated."

"Oh shit," Sam slowly starts to realize what set off this whole chain reaction of pranks. "Bucky, it was just a joke. It's not actually voice activated, you know that right?"

You smile and say, "Oh, then how come this happens?" You push the button on your phone inside your pocket and say, "Toast." A few seconds later, two perfectly toasted pieces of bread pop out.

"What the hell?" Sam asks, you and Bucky laugh in response. He turns and walks back out of the kitchen, nearly walking right into Tony.

"Morning," Tony greets you both as he sets up his now fixed coffee maker. "I gotta say, I'm pretty impressed with you Y/N."

"With what?" you suddenly feel nervous.

He smiles and asks, "Did you really think you could get into all of my systems without me noticing?"

Bucky moves slightly in front of you and says, "Don't fire her, it's my fault. I asked her to help. We just wanted to get back at him a little."

Tony laughs, takes a sip of his coffee and says, "Oh, I'm not mad. I actually am very impressed by how well you got into every part of the towers tech, we should probably talk about a promotion into our security division."

You look at him speechless, you had always wanted to work in that department.

"Also," he adds, "I had that glitter bomb for almost a year and I couldn't figure out how set it off in Fury's office without getting blamed for it so thank you for the distraction."

"Um... you're welcome," you tell him with a laugh.

"Barnes, you're luck she is on your side," he says as he turns to leave. "She's absolutely terrifying."

Bucky pulls you closer, looks at you and says, "I know I'm lucky."

I hope you liked this!! Please like, share and comment if you did 💚💚 Please let me know if you want to be added to my taglist!

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canonicallyobserving911 · 10 months ago

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Hi how's your day going? Just wanted to vent and say I'm pissed at what sounds like Ryan being sidelined and casually belittled in the latest cast interview/promo 😑 i.e. apparently zero mention of Eddie's storyline for s7, Tim once again making the tired joke about eddie being "too pretty to kill off" (kind of insulting considering how much Eddie and Chris have brought to the show since s2), seems like the only thing Ryan got to say was something incredibly sweet and complimentary about working with Gavin 🥺😍 and fandom just thinks it's funny "well he IS pretty". If that's all Eddie is to buddie fandom...that just confirms everything I've been complaining about the last couple of years 🙃

Thank you @blutterlie for the ask. I'm doing well and I hope you're doing well too.

I read through the snippets that were posted on 911blr from the panel interview that was done a couple of nights ago with the main cast and the showrunner and... I really don't have words. But to say I was disappointed is an understatement.

I was really hoping things would be different for Eddie and Chris, the characters and RG and GM, the actors this season since it seems like KR got the boot and is no longer sitting in the showrunner's chair. Hopefully she is gone and if so, maybe someone other than Buck (Eddie, Chris, Chimney and Bobby because they were all sidelined in the last two years while the other half of their ships got good storylines) can get a storyline or two but I can't say I'm surprised with the outcome.

Apparently TM cares about the big emergencies which is great and all but it would be better IMO if they stopped trying to recreate scenes from movies (Speed, Poseidon and whatever other movies they've copied) and focus on growth of the main characters. I've mentioned this before in my Constructive Criticisms posts but none of the first responders have been promoted. How long are they going to remain in their same roles? For me, the show has lost something and I'm not sure a cruise disaster that puts Bobby and Athena in danger again for the umpteenth time is going to make people watch... but I digress.

I'm saddened because RG and GM the actors and the characters they play, Eddie and Chris have been sidelined and given minimal screentime for a while but the little amount they do get is always solid gold because both RG and GM are superb actors. They work very well together and I had hope for season 7 that they would finally be given the screentime they deserve especially since they barely got any in seasons 5 and 6 but it looks like another wash, rinse and repeat season with Buck still looking for answers (which I figured would be the case after I completed a post about his attire in the still of him and Chris). I was really hoping it wasn't going to be another season 4 with Eddie and Chris suffering with another recurring character (all they did was replace AF with M) while they wait for Buck to finally "get it" but apparently some people think it's fun and cute for Buck to be in the words of OS, "stuck on a hamster wheel" but I don't and honestly, unless he's headed for a massive breakdown SO he can finally DEAL AND COPE with all his issues, they can keep it.

The comment TM made about RG being pretty was just... 🙄. IMO, it was disrespectful, disgusting, disingenuous and completely discrediting. If it's true and he was initially hired for his looks for whatever reason, shouldn't they be past that by now? It's been six years and RG has proven time and time again that he's a fantastic actor. For those who forgot, EDDIE carried the ENTIRETY OF SEASON 5 on his back while KR was stumbling around as showrunner with most of the "top billed" cast (that's two-thirds of those who are paid the most) out of pocket. AB was working on A LOT of other projects and that's no hate to her but it's true, JLH was on maternity leave, RD and MR left the show and instead of giving more screentime to Eddie, Bobby and Chimney, they forced TK into the spotlight just to show how bad she was for Buck. They could have done that in episode 1 without giving her a back story so they could have dedicated more time to Eddie’s PTSD and therapy. Buck got two whole seasons and he still hasn't figured anything out but they rushed Eddie’s story and wouldn't even let him say he was going back to the 118🤔.

How many times will the audience have to watch these repetitive storylines? Also, how many times will RG, AH, GM, KC, CM and PK be sidelined for the other mains? It's supposed to be an ensemble cast but someone keeps forgetting that and pushing certain characters out front while they push the others to the side. In season 5, Chimney was sent on a road trip to drive across America with a 6-month-old instead of him staying in L.A. so Buck and Albert could help him with Jee-Yun. In season 6, Bobby was given a sponsor (Wendell) no one had ever heard of before and he appeared out of thin air. Hen's medical school storyline went absolutely nowhere and May disappeared after 6x11. And Eddie and Chris were once again sidelined and then pushed into another "Eddie has to date" because "Chris needs a mother" storyline with another bland and ridiculous recurring character because they keep dragging out whatever the "F" they're doing.

Now with the comment about RG being "too pretty to die", it made me wonder if Eddie and Chris being left out of the promos was a mistake after all🤷‍♀️.

I hope RG and GM can find a show that will appreciate their contributions and give them the screentime they deserve and it be based on how great they are as actors because they deserve so much better.

Anyway, this got longer than I expected and I didn't mean for it to but I'm disappointed in how they're treated and I'm tired of watching the same ole same old.

#eddie diaz #evan buckley #christopher diaz #911 on abc #911 abc #911 season 7 speculation #ryan guzman #gavin mchugh #Canonically Observing 9-1-1 Speaks #anti taylor kelly

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depressedbagpipe · 2 years ago

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The Freak and the Jedi (Eddie Munson x female!Henderson!reader)

Prologue

Words: 759 Warnings: break up angst, mentions of Will's disappearance, and Barb's death. A/N: welcome to the mind of a stranger things fan who refuses to accept eddie munson is dead. this prologue is set during season 1, episode 8 (The Bathtub), right after El finds Will and Barb on the Upside Down. reader is Dustin's older sister.

Series Masterlist Next chapter

Prologue

Hawkins Middle School, 1983

“Hey, it’s me,” I looked down at my dirty shoes, kicking the dirt around. “Sorry I’m calling now, a few things came up at home,” I closed my eyes, silently exhaling away from the phone.

“Everything alright? I can come over,” his voice was breathy, quiet. Anxious.

I shook my head quickly. “No, no, it’s fine,” tears were slowly gathering in my eyes. "I'm not even home right now."

“I can tell it’s not. Did I do something wrong? Where are you?” I could feel his lips trembling, even from the distance. Very few people knew him with his guard down, and he was about to lose one of them.

“No, Eddie, you did nothing wrong, you’ve done everything right,” I braced myself. “I just… I don’t think we should see each other anymore.��

Eddie was silent for a few minutes. I was covering my mouth with my hand, preventing loud sobs from escaping. My head and my heart were both hurting, aching for the boy on the other line. I knew I was doing the right thing, protecting him. But I couldn't ignore the hollow feeling in my chest as I thought about life without him.

“But why? Baby please, tell me what’s wrong,” Eddie cried. His room was silent, the only sound coming from his voice. The silence hurt even more. I wished I could've held him, just one last time.

I looked up at the night sky, the stars bright and mocking at my despair. I could hear Hopper calling for Joyce on the other side of the building, driving off in his truck in search of Will. Nancy had run away from the gym as soon as El had delivered the news about Barb. I had been worried sick every day for Dustin, wondering what would be of us if he also disappeared. Even though I had seen things that were impossible, I could only think back to the night Will was taken, wondering where I'd be, what I'd have done, had Dustin been the one gone. I couldn’t let Eddie be the next.

“Listen, Eddie, so many things are happening right now,” it felt good not to lie, at least partially. “I need to take care of my brother, I have to be there for them,” tears fell freely from my eyes. “And you have your own issues too, with your dad and your uncle... this is just too much for us right now, we're only kids,” I was gasping for air, my brain fighting with my heart. “I hope you can understand it. And I really hope you don’t hate me for it either.”

Eddie didn’t respond for a couple of seconds. I was waiting for the call to end.

“I could never hate you,” was his only response. I knew there was more he wanted to say, but the longer I heard his voice, the longer I wanted to keep the conversation going, and I couldn’t afford that. It was now or never.

“I love you, Eddie,” I sobbed, my grip on the phone becoming weaker. It kept slipping from my fingers, the pain coming in waves through my chest. I was violently shaking in place and it wasn’t due to the cold.

“I know,” with that, he ended the call.

I stood there, my hands gripping the phone booth’s panels as I cried. I was suddenly rethinking all my life choices, wondering if I had made the right decision. Flashbacks of all the time spent together flooded my mind, making me wish for the normal life I always complained about before we were all dragged into this mess.

And the worst part was, nobody knew about us.

The sudden noise of the school door opening and locking heavily distracted me. I wiped my tears off and walked around the building, finding Nancy and Jonathan about to get into their car, ready to drive away.

“Where are you going?” I called after them. They both turned around in shock.

“To finish what we started,” Nancy had a fierce look on her face, although her eyes softened when she took in my puffy eyes, even despite the lack of light. “Are you okay?” she took a couple of steps towards me, grabbing my arm comfortingly.

I did the same to her, knowing her fury came in seeking revenge for her lost friend. “I’ve been better. Are you alright?” I asked her in return.

She shook her head slightly. “I’ll be once this is over,” she said. “Let’s go,” she gripped my arm and walked me towards an impatiently waiting Jonathan, who was ready to protest. “We need as many hands as we can get,” she said as she opened the door, quickly getting inside the car and buckling herself up.

Jonathan cursed and hopped into the driver’s seat. “What about the kids?” he asked as he put the key into the ignition.

A pang went through my chest at the thought of them, sitting alone at the gym, but knowing they would be safe there as we dealt with the Demogorgon ourselves, I shrugged. “They’ll be fine. They have Eleven.”

Needless to say, I was wrong.

Next chapter

#eddie munson #eddie munson x reader #eddie munson x oc #eddie munson fanfic #eddie munson x female reader #eddie munson x y/n #stranger things fanfiction #dustin henderson #steve harrington #eleven #eddie my beloved #stranger things #eddie munson fic #the freak and the jedi

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aro-comics · 3 years ago

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Fashion

Fashion, 1/1 - I’M NOT DRESSING UP FOR ANY MAN UNLESS THAT MAN IS A POTENTIAL EMPLOYER AT A NETWORKING EVENT 😤😤

Ok but in all seriousness, like I mentioned in the disclaimer, this post was originally meant to be a lighthearted joke about this idea all too many of us (especially people who were perceived as girls growing up) have been told time and time again – that you’ll grow up and “fall in loooooooove” and then suddenly you’ll be transformed into the heteronormative ideal of a woman who’s hyperfeminine 🙄 … Yeah, I can’t stand it either, it genuinely makes me cringe to even type this 😫

But as I kept working on this, I realized that … this whole situation goes deeper than just aromanticism and proving your parents/guardians wrong about how you would be when you grew up. This entire joke, and my experiences, are tied with so many other things. There are so many factors to consider, like sexism, classism, environmental impacts, ableism, racism (just to name a FEW). And as usual, if I let myself start rambling this description is going to be waaay too long, even by my standards.

So I’ll summarize my general thoughts in the comments, but if you’re interested in this subject I’ve actually written (… and don’t judge me, PLEASE 😳) a 12 page informal essay covering everything from social factors to my personal speculations on where Aro fashion might go, which you can find a link to on my carrd or on my Tumblr (which will also have some extra art, btw 👀)!

NOTE FROM ARTIST: Since this is the tumblr, I will be posting the essay in parts here shortly!! There have been a few logistics issues (since the essay is VERY long) but I promise I will try to get all the parts up and linked to each other shortly. Sorry for all the chaos ^^” If you’d like to see the whole thing all at once, though, you can always read it in the original google doc!

(And as one last note: due to some hand problems – though I’m getting better now thankfully – I’ll be responding either on my computer or with voice to speech! If my responses read differently that’s why 😅)

[Image Description:

Slide 1: “When I was a kid, I hated the idea of fashion, makeup, and dressing up.”

Young Celia grimaces “ewww no!” as she tries to push away a lilac coloured dress being offered to her by an adult off screen, who asks her “Can you try it on please?”

Slide 2: “And all the adults would tell me –”

Shot switches to Celia’s back as she looks at two women in her family. The younger/taller woman who holds the dress says, “oh you’ll dress up one day, when you fall in ~looooove~”. Celia is unimpressed, and annoyed, very firmly stating “Never!!”

Slide 3: A flash forward through Celia’s life growing up, where she does not care much about looks/fashion. The panel is split into 3.

The top third is labeled age 7. She’s running into the forest, saying “Eh, it’s appropriate –” wearing a plain orange t-shirt layered over a light grey long sleeved shirt. Her hair is wild and unkempt and a written note says “Running around like a little gremlin”.

The middle third is labeled age 11. Celia is shown hiding in the shadows in the corner of her school building on the playground. She says: “Well, it’s BETTER if I look plain. It’s easier to blend in!” A piece of context is given to the side: I was an avid manhunt player and my strategy was hiding until late in the game.

The bottom third is labeled age 15. She sits hunched over at a desk with short, messy hair and bags under her eyes. It’s late and she’s still working on some assignment.

“Dressing up? That’s … a luxury that nobody has time for,” she says. A note to the side says: Unhealthy work habits from school.

Slide 4: “And I hate to admit it but … they were right about wanting to dress up eventually” Celia ponders with a slight bit of embarrassment now, at her current age. Her outfit is an orange tank top paried with matching orange barrettes.

Slide 5: Note at top of slide: “At a special networking event”. Celia stands bewildered as she stares into the room of the networking event. A projector slide shows the event is called “Climate action lab”. In the distance, two well dressed young professionals talk.

Slide 6: Celia shown from the front now. She is wearing a very plain/somewhat weirdly cut long sleeved plain shirt with old black jeans (in essence. Not something you would wear to a business casual event). She looks a bit uncomfortable, and says “Oh shit, I really gotta up my fashion game …”

In the background two other people (who are also, appropriately dressed for the event) talk. The shorter man says “actually, I’m an environmental scientist to a tall girl who responds “that’s cool!”

Slide 7:

A montage. At the top left, Celia is shown immediately after the event on her phone, making a note to herself to research business wear when she gets home. Then, in the center right, she is seen typing furiously as she researches on pinterest with a notebook open to her side. At the bottom left, she has already gotten a haircut, has some new hair clips and her now ubiquitous turtleneck top with a green gemstone ring strung on a necklace (which is split in orange and white). She is holding up a spring green puff sleeved blouse with white collar/sleeve details.

The sentence “I WANT TO BE A PROFESSIONAL” is written between all of these scenes.

Slide 8: Celia drawn shrugging nonchalantly now. “It really would have been a lot easier if my parents just told me as a kid “it’ll help you get a job you like”]

#RegularComic #Fashion #FashionComic

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melanielocke · 2 years ago

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Alastember - day 26 - passion

I decided to read passion as emotion, and wrote an Inside Out story set inside Alastair's head during scenes from Chain of Gold. I might rewrite more scenes like this later. I had to think for a while about Alastair's emotions and how to gender them, since Riley in the original movie has mixed gender emotions I felt Alastair should too, especially since emotionally he's not super mature yet (mostly due to trauma). I decided making Anger male since it is Alastair's dominant emotion. I made Sadness female because I think Alastair's sadness is very similar to Sona's (the theory for Riley's mixed gender emotions that I like best is that Riley has a male anger and fear because she models those after her dad since those are his dominant emotions). Joy is also male, and Disgust and Fear are non binary and I used they/them pronouns for them. It is possible I have been inconsistent with pronouns though, since I also have the original movie in mind while writing. If you haven't watched Inside Out, I'd really recommend it, and before reading maybe watch a trailer so you can picture it better?

CW: Charles, descriptions of Alastair's not super healthy emotions

@alastair-appreciation-month

Anger was tired. Tired of the control panel having issues all the time, tired of Joy being sick and pretty much useless. Tired of Sadness keeping at the control panel despite Anger repeatedly telling her to leave it alone. Really, she was impossible. Disgust was the only one up here who was even remotely helpful at keeping this going. If he let Sadness and Fear take control like they both wanted to, Alastair would likely break down. Anger was tired of having to do all the work to keep Alastair going.

‘Do you think Charles is coming today?’ Joy asked that morning.

‘Well, how am I supposed to know that?’ Anger grumbled. ‘He hasn’t sent any messages.’

Joy stretched his limbs, then turned around and rolled over. ‘Back to bed then. I need to save my energy.’

Typical. Anger had been trying for a long time to get Joy back into action, but truthfully, Joy had never been good at his job. He was supposed to make Alastair happy, but Alastair hadn’t been happy in a very long time. It worried them all how sick Joy had gotten in the past years. Anger didn’t know if he’d ever recover.

‘I think Charles might come over later today,’ Sadness said softly.

‘What do you think you’re doing? And stay off the console! It already breaks enough without you messing around.’

‘Of course,’ Sadness said, looking down. ‘I’m sorry. I just thought maybe I could help.’

Anger sighed. ‘Please go back to your circle and keep all the sadness there. We can’t use any more of you today.’

Sadness obeyed and disappeared into a corner. Time to start the day and if this day was like any others, he and Disgust were on their own. He didn’t have time to protect Alastair and keep the other emotions away from the control panel. Not to mention he still had a call scheduled towards maintenance, because someone ought to update this console.

There were new issues every day. Sometimes buttons stopped working, and it became increasingly difficult to make Alastair feel anything. Sometimes the control panel stopped working entirely, or responded only to Sadness which only made everything worse and give Alastair a breakdown. Other times buttons became hyperreactive and only slightly brushing past them let to an overwhelming and out of control reaction. Anger hated it, Alastair hated it, but it was impossible to control. Anger never knew how the control panel was going to respond when he did something.

Alastair got dressed and went down to have tea and breakfast with his mother and Cordelia. They were discussing an invitation Cordelia had received by Anna Lightwood, something that sparked Joy’s interest enough to drag himself to the console.

‘What is it?’ Anger asked.

‘We should convince Maman to let Cordelia go,’ Joy said. ‘If Cordelia accepts Anna, she might accept us too.’

It had been a topic of debate for some time. Fear was absolutely terrified they would be rejected or worse if anyone found out about Alastair’s attraction to men. Joy was hopeful Cordelia might accept Alastair, but often too weak to do anything about it. It was a discussion Anger tried to stay out of, it wasn’t really his place.

‘Alright. Go ahead.’

When Joy hit the buttons, Alastair convinced his mother to let Cordelia visit Anna, under the condition that Alastair would go with her. He hardly sounded or felt happy, but Joy was doing the best he could with the pieces he had left. Anger might not always show it, but he knew that.

‘Cordelia won’t like that,’ Disgust said.

‘What do we care,’ Anger grumbled. ‘We’re taking her to Anna. No need to go all the way inside.’

‘We could visit Charles instead,’ Disgust suggested. ‘Anyone any ideas where he might be?’

Anger was always up for visiting Charles. The time Alastair spent with his lover was the only time Anger really got a sufficient break. It was the only time Joy came anywhere close to functioning.

‘Alright. Charles it is. I’ll see if I can reach maintenance when you’re together. And Sadness, I’ll remind you that Joy is in charge when we see Charles. You had better not ruin this!’

‘Of course!’ Sadness said, but Sadness had a tendency to do whatever she liked.

Anger didn’t understand it. No matter how many times, no matter what he said, Sadness just couldn’t seem to figure out that she was making things worse. That she was making Alastair feel sad. Charles was all Alastair had right now, the only source of light in the endless dark. They all needed to step back and give Joy a chance.

‘I’ll keep Sadness under control,’ Disgust promised as they fixed their make up with a hand mirror. Disgust had always been rather vain. ‘Whatever Sadness wants to do, I’ll make sure Alastair doesn’t let it show.’

‘Thank you,’ Anger said. ‘What would I do without you?’

Disgust snorted. ‘You could never take Sadness and Fear on your own. Fortunately, you’ve got me to make sure it doesn’t show. With those two, you’ve got to pit them against each other. Fear is scared of what Sadness will do if she’s left unchecked and will stop her before she lets people see just what a mess we are. Sadness will keep trying to make Alastair sad anyway, and hates it when Fear gets in the way and so she’ll stop them from making Alastair show his fear.’

‘Charles isn’t here,’ Fear said.

Anger wasn’t quite sure why Fear became so active on the console when visiting Charles by his house, and now at his club. It was frustrating, because Fear didn’t understand their fear of being judged was what made people judge them.

‘Then where is he?’

Anger took over control, pushing Fear out of the way.

‘Time to pick up Cordelia,’ Disgust said when they returned to the city.

‘Already?’ Sadness said.

‘Get back in your circle!’ Anger barked, taking control. ‘Right. We’re going to pick up Cordelia.’

When Alastair finally arrived at the address where he’d left Cordelia, he realized his mistake. He should have gone with her. He should have stayed and at least checked what Anna’s plans for her. There was no one home.

‘What do we do now?’ Fear asked, shaking on their knees. ‘We don’t know London well. Where could Cordelia be?’

‘Stay away from the console,’ Anger grumbled. ‘Okay. Anyone any clue where Cordelia might be?’

No one raised a hand. Typical. Not that Anger had any ideas himself. Not long after arriving, Lucie Herondale and Thomas and Christopher Lightwood arrived at the scene.

‘Maybe they know where Cordelia is,’ Sadness suggested.

‘Or maybe they were the ones who put her in danger,’ Fear said.

‘You’ve lost your hat Alastair,’ Lucie said.

All five emotions stared for a moment. ‘What did she just say?’ Anger grumbled.

‘We did lose our hat,’ Disgust said.

‘That’s beside the point!’ Anger yelled.

‘Wait, wait, stop!’ Fear yelled. ‘Just take a deep breath, find your happy space!’

Fear was always trying to stop him when he was about to have an outburst. Anger didn’t listen, his head caught fire and he pulled the handles of the control panel.

‘I’ve lost my sister!’ Alastair hissed.

Later that day, Anger was exhausted. Another long day with him the only one to keep Alastair going. Some of the buttons on the control panel had gotten stuck again after Sadness had touched them, making it so that no amount of pushing Sadness away from the panel would stop Alastair from feeling sad. Which meant that they couldn’t go to sleep before Anger had fixed this, which meant he was on the phone with maintenance for the second time this week.

‘What do you mean, you can’t come fix this today?’ he yelled into the phone. ‘What kind of mind workers are you? How do you expect Alastair to go to sleep when EVERYTHING KEEPS FALLING APART IN HERE!’

Anger hang up and threw the phone across headquarters, hitting Sadness in the process. ‘Ow!’ she yelped.

‘Well, this is all your fault,’ Anger grumbled. ‘Stupid maintenance, stupid mind workers, stupid control panel.’

‘Charles is coming!’ Disgust said, hold their mirror in front of their face to fix their face.

They entered something onto the control panel, which seemed to be working because Alastair took a good look in a mirror and started fixing his hair. Disgust was generally in charge of Alastair’s appearance, and Anger had to give them that they did a good job of that.

‘Joy!’ Anger shouted. ‘Joy, get up now! Charles is coming, you’re up.’

Anger and Fear heaved Joy onto his legs, supporting him as they walked to the panel.

‘Don’t touch that!’ he hissed at fear, but it was too late already.

Meanwhile, the buttons Sadness had touched were still going and she was getting back to the screen and control panel too and Anger couldn’t fight them all off.

‘Can you guys behave for a moment! This is Joy’s moment, give him space!’

‘Alastair. Why are you looking a state? What happened?’ Charles asked.

‘You’re up, Joy!’ Anger yelled, but Joy was still leaning against the panel, holding himself up by his arms.

Instead, Sadness started pushing some buttons. ‘I went to find you earlier today,’ Alastair said. ‘My sister was with Anna – I went to your house and even to your club. Where were you?’

‘I was at the Institute, of course. My fiancée remains ill, unless you’ve forgotten.’

Anger stopped trying to push Joy and took control of the panel himself. Charles was their one chance for Joy to do anything, that was true, but there were limits. Anger was getting tired of how Charles kept prioritizing his fiancée over Alastair.

‘I would be very unlikely to forget your fiancée,’ Alastair said coldly.

‘Alastair, we discussed this.’

Sadness kept at the control panel along with Anger and for once he did not stop her. The two of them mixed into a sort of softer anger, an expression of Alastair’s pain as much as they could ever allow it.

‘You said it would be temporary. A temporary political engagement. But I have spoken with Ariadne, Charles. She very much believes this marriage will happen.’

They had to be careful here. Too much Anger, and Charles would become angry too. Too much Sadness, and Charles would think him weak and turn away. Anger decided to let Sadness take over for once.

‘This is not fair to her, Charles. Or to me.’

‘Ariadne does not care what I do. Her interests lie elsewhere. She will gratify her parents with a good match, and I will find it useful to be connected to the Inquisitor. If I become Consul, I could do so much good for the Clave, as well as for you. My mother is too sentimental, but I can make our people strong again. It is what I have wanted all my life. You understand. I told you all my hopes in Paris.’

Charles’ mentioning Paris brought back memories. Orange, happy memories. From the corner of his eyes, Anger noticed how Sadness touched all of the memories. It was a thing none of them really understood, something only she could do. Whenever she touched a memory, they turned sad, and none of them were able to change them back.

Alastair closed his eyes as the sadness the memory had brought hit. ‘Yes. But you said- I thought.’

‘What did I say? I would not make any false promises. You know how it must be. We are both men of the world.’

Sadness knew she was not supposed to touch memories, that she was supposed to stay away from the control panel. But everything Charles was saying was a dagger in Alastair. Charles had made so many promises once, and Sadness alongside all the other emotions, had believed him. She’d been happy to let Joy take control when Charles was there. But right now, Sadness knew deep down she was supposed to drive.

‘I know. It is only that – I love you.’

Charles’ voice cracked like a whip. ‘You absolutely cannot say that. Not where someone might hear you. You know it, Alastair.’

Sadness had always been a romantic. She’d wanted something epic for Alastair, a beautiful man who loved him when no one else would. There would always be tragedy in Alastair’s life, and she would be there for him through it, but in the end there would be a man to help him pick up the pieces. Instead, Charles was crushing the pieces of Alastair’s heart that remained.

‘No one can hear us,’ Alastair said. ‘And I have loved you since Paris. I thought you loved me.’

‘He’s going to say it, right?’ Joy whispered.

‘Nah, don’t think so,’ Anger said.

‘What if he doesn’t love us?’ Fear asked.

‘What would we do without him?’ Sadness said.

Then, after what seemed like an eternity, Charles responded. He put his hand on Alastair’s shoulder, and it sent a little spark into Joy, enough to get him up on his feet for a moment.

‘I do,’ Charles said. ‘You know I do.’

Charles’ hands went into Alastair’s hair, he drew him closer and their lips met. Joy finally could touch the control panel, urging Alastair to surrender. Alastair slid his arm around Charles neck, pulling him onto the sofa with him.

‘We did it!’ Disgust said. ‘We fixed the relationship!’

‘That could have been a disaster,’ Fear said.

‘I’m feeling so much better! I’m finally going to make Alastair happy!’ Joy said eagerly, pushing several buttons to have Alastair start running his fingers through Charles’ hair, fumble with his waistcoat.

‘Uhm, Joy,’ Sadness said softly, pulling at Joy’s sleeve. ‘Are you sure sex is the same as love? I mean, does this mean he really loves us?’

‘Oh, come on, Sadness. This a victory. Please allow the rest of us to enjoy it,’ Anger said.

Except that this happened every time they saw Charles and Sadness had learnt by now that in the end Charles would always leave. She’d made so many of their memories together sad. The other emotions didn’t think Sadness knew what she was doing, but she did. Happy memories turned sad as summer turned to autumn, and whenever Charles left it was up to Sadness to pick up the pieces. Sadness wasn’t just there to make Alastair miserable. Her job was to help him recognize when he was being mistreated, and with the other emotions’ insistence of shutting her out, Alastair struggled to recognize why he was so unhappy.

‘Alastair, I cannot- I cannot.’

Charles abruptly stopped, pushing himself upright and away from Alastair.

‘Wait, what?’ Joy said, in shock until moments later he collapsed to the ground again.

Her turn, Sadness decided. ‘Charles, what’s wrong?’ Alastair asked, his voice rough. ‘If this is not what you came for, then why are you here?’

If this is not what you came for. If this is not what you came for. Alastair was so close, but Sadness just couldn’t make him see it, she couldn’t convince the other emotions. It was the only time when Joy became strong enough to do anything, but the aftermath was so much worse than what Sadness wanted to have to do. This was not sustainable.

‘I thought you had accepted the situation with Ariadne,’ Charles said. ‘I would not leave you. We would still be – what we are. And I thought that you would agree to marry to.’

‘That we would marry!’ Anger burst out. ‘How many times? When is it going to get through his thick skull!’

‘Anger, calm down,’ Fear said. ‘You’re going to make it-’

Anger pushed Fear out of the way before pulling the handles of the control panel.

Alastair sprang to his feet. ‘That I would marry? I have told you over and over, Charles, even if I did not have you, I would never marry some poor woman and deceive her as to my love and regard. I have convinced my mother I can be of better use to the family in politics.’

‘You will find it difficult to succeed in politics without a wife. And you do not need to deceive a woman.’

‘Why does he keep bringing this up,’ Sadness wondered. ‘In such an arrangement, both would be miserable. How could we do that to anyone? Why won’t he just understand?’

‘Ariadne is an unusual case, if she did not prefer women, she would be unlikely to be willing to marry you.’

‘And if it were not Ariadne?’

‘What the Dickens is he talking about?’ Anger grumbled. ‘Who else is he going to marry.’

‘Speak sense, Charles. What do you mean?’

Charles shook his head. ‘Nothing. I am unsettled. Much has happened this night, all of it bad.’

‘What is he talking about?’ Fear asked. ‘He doesn’t know what we did, does he? Should we tell him?’

‘No,’ Anger said. ‘We promised Cordelia, and we’re keeping that promise.’

‘She would be very unhappy if we broke our word,’ Sadness agreed.

‘Barbara Lightwood has died.’

‘What?’ Joy said softly.

‘Thomas’ sister is dead?’ Sadness asked, taking over the control panel. Alastair repeated her words.

‘I wouldn’t have expected you to care. I thought you hated those fellows.’

‘What’s wrong with him?’ Disgust said. ‘Wouldn’t have expected us to care? Who does he think we are?’

‘No,’ Alastair said. ‘But Ariadne is alright?’

‘She lives still. But Raziel alone knows what will happen. To any of them.’

‘We might not be safe here,’ Fear said. ‘Maman, Cordelia… We need to get them out of here. We never should have come to London.’

‘Perhaps we should leave London. It may not be safe here for Cordelia, for my mother… Nemidoonam.’

The emotions of headquarters spoke multiple languages, but tended to gravitate towards Persian, so whenever Alastair was feeling a particularly strong emotion, he tended to switch to Persian too. Anger had access to an extended Persian curse word library, whereas Joy liked to whisper Persian terms of endearments into Charles’ ears.

‘We are shadowhunters,’ Charles said. ‘We do not run, or spend our time in mourning. This is the time to fight, and win. The Enclave will need a leader, and with my mother in Idris, now is the time for me to show them my best qualities.’

‘Is he seriously using this as an opportunity to further his own goals?’ Disgust asked.

‘Surely he doesn’t mean it like that,’ Joy said. ‘He’s just looking out for us. Guys, he might have some faults, but he loves us, alright? We can’t forget that.’

‘I must go,’ Charles said. ‘But do not forget, Alastair, that whatever I do, it is with the thought of you ever in my mind.’

‘See?’ Joy said. ‘He is doing it all for us. Just wait and see.’

‘I don’t know, Joy,’ Sadness whispered softly. ‘I’m not so sure it’ll get better.’

Taglist: @alastaircarstairsdefenselawyer @life-through-the-eyes-of @styxdrawings @justanormaldemon @ipromiseiwillwrite @a-dream-dirty-and-bruised @amchara @all-for-the-fanfiction @imsoftforthomastair @ddepressedbookworm @queenlilith43 @wagner-fell @cant-think-of-anything @laylax13s @tessherongraystairs @boredfangirl16 @artist-in-soul @broodyhawthorne

#Alastair Carstairs #anti Charles Fairchild #Inside out #inside out au #the last hours #fanfiction #anger #sadness #joy #disgust #fear #alastember 2022

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antiloreolympus · 3 years ago

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10 Anti LO Asks

1. you know whats also bad about the red eyes? not only do they look awful on persephone's pink color, they're not even a unique feature? like we've seen hades' eyes go red, we've seen eros' eyes go red, and ares' eyes are ALWAYS red, so even this idea its her "unique queenly trait" doesnt even hold up?? because we've seen it on other characters before?like at least the blue glowing eyes looked unique and even gave her a possessed, otherworldly look, something with the red eyes just dont have.

2. The faces in the latest ep (not fastpass).... Ew

3. I saw someone praise lore olympus art, specifically the ones where Apollo is playing his lyre and Daphne is covering her ears while her hair is split in two (yuck! Bad decision looks awful) so we can see Apollo, the one where she transforms into her hibernation state (weird perspective, chin and neck, I think, also what the hell was that supposed to be?) and the last one before cutting to Thanatos (which, I admit looks a little better that the other but I still got distracted Apollo's arm among other things).

Now, Rachel is a professional artist like 15-25 years older than me (I dunno her age) drawing one of the most liked webtoons.

I feel like I'm nitpicking or being too harsh or crazy because I think it is a little terrible and this person thinks it's amazing and I know art is subjective and all but like the difference of opinion is jarring. I am by no means a professional and my art leaves a lot to be desired and I guess I don't have incredibly high standards (or do I? I'm second guessing). Is it really that good?

Because I know that Smythe commits more than a few anatomy atrocities. I wanted to redraw a few panels two years ago and I noticed a few things that Don't Work Like That.

4. ok but that other anon is right. we shouldnt have to go off old tumblr asks or random tweets to understand what's going on and who the characters are. rachel doesnt realize you have to actually write whats going on, not putting the readers on a scavenger hunt trying to figure out what they're even reading.

5. im honestly surprised LO hasnt ruined more mother figures at this point. maybe maia will be next and depicted as neglectful and hermes is only the way he is because hes acting out to be noticed by her, maybe dione will slut shame aphrodite, who knows, the possibilities are endless when its about ruining every mother figure to prop persephone and hera up and to avoid giving the characters actual personalities that isnt dependent on mommy/daddy issues.

6. I hate the clothing choice for Daphne in run for your life. It felt like she was drawn in a sexualized manner when she shouldn’t have been because she was running away from a r*pist. Like she almost had a nip slip, we almost got her ass, it was like Rachel was trying to fit her butt and chest in a lot of the frames like some video game with the token woman character. Like if a different dress was choosen or how she made Daphne tie the dress, I just feel like Rachel can’t draw outside of pinup sexy that well. Like sexy is fine for sexy scenes but running away from a r*pist is not sexy. (I probably sounded really lame, but the way Rachel presents the story in a feminist way but can only draw one way in not even the same style is annoying)

7. Things I think would have been better for the story instead of focusing so much on HXP

-Expanding on Minthe’s and Hades beginning of their relationship (he couldn’t of fallen for her since she didn’t laugh at him and when she yelled at him said it’s not your fault but you have the hat I think that would have added to his character more to see him more than a 40 year old who hits on barely legal)

-Leto’s kidnapping of Demeter. Both we/are close with Hera, and probably know or each other or may have been friends. Like I wanna know how Leto kidnapped her but also how are they interacting since they probably know each other and Demeter probably had Hera’s back when Hera ended their friendship.

-Ares return to Aphrodite. We don’t get to see much of her character but we know this is something she’s wanted, but they way it was handled was so flat, We assume Aphrodite told Ares that his gf slept with his father to save their son but we don’t actual read any words between the couple. And then they’re living together. I wanna see how they actually interact and stay together like their better moments. Like how well did he settle in, did they talk about how long he left for or is he mad like come on that’s something interesting but I feel like RS can’t write outside of HXP

-the deal with Echo. Why do people think Echo could possibly be Hera’s gf if she’s her assistant. Yeah they do dirty work together BUT I didn’t get a wiff or sexual tension or anything. Was it that she was there with the doctor? It just seems like Hera is that CEO trope who has the assistant always by her now.

-a little more of Pysche and Aphrodite friendship. Like Pysche says Aphrodite is lonely (and we can assume a part of that is Ares) but also because she “doesn’t have many friends” so why not a solo scene of just the two of them being actual friends. Like what did Aphrodite say when she brought back a purple nymph that was gonna help them with their work.

-Hermes not talking about Persephone. I feel like that 99% of what his character is and then just a little bit of himbo.

-Maybe Thantos and Minthe started flirting/hooking up. We’re they friends first or flirts first? Was it after Hades and Minthe got into a fight or something else? What did Thantos like about Minthe and what does she like about him? Why did she stay with Hades with Thantos was there (it’s not like she wanted to be queen of the underworld) How did Thantoas and Thetis meet and become friends? Idk if I was seeing two guys and one of them actually liked my friend I might consider leaving Hades for him. But again hades did have the power to control everything in Minthe’s life (job, home, everything) I do like Daphne and Thantos But I feel like the transition could have been better if we knew more, but again RS can only focus on one thing and that’s HXP.

------FP Spoiler/Mention------

8. FP SPOILERS— I’m done. I’m really done. We called it. We FKN called it. They got married behind the readers back, Demeter didn’t respond to the question as she actively avoided it and time was up, Apollo is somehow involved in the trial- THIS WHOLE THING IS A MESS AND IM TIRED OF HOPING THAT IT GETS BETTER. Four FKN years of this??? I’m done with this Webtoon even though I’m FKN stuck in it. I’m so FKN done.

9. Fast Pass spoiler (kinda) OH MY GOD, I JUST REALIZED THE POMEGRANATE PIN IS JUST PASTED ON EVERY FRAME, NOT EVEN RE DRAWN FOR PERSPECTIVE, NO, JUST COPIED AND PASTED, REGARDLESS THE OUTFIT ANGLE AND LIGHTING, IT'S HILARIOUS!!!I mean, I knew the art was decaying, but this just made me laugh out loud of how bad it looked.

10. persephone’s pomegranate pin just looks like a giant fly that landed on her and won’t leave LMAO

#anti lo #anti lore olympus #lore olympus critical #lo critical

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slashersins-abandoned · 4 years ago

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anonymous asked :

If you’re comfortable could I request Micheal, tommy, Jason and Brahms w a little squish and them getting flustered by their SO telling them that they really like it??

michael

it was your fault . you baked and cooked and fed him . you fed him more than his normal once a meal when he absolutely needed it feeding schedule . you fed him , or at least tried to , no less than three times a day . and once or twice a day there could be desserts . so yes , he blames you .

he blames you for the way his normal semi flat stomach had become slightly pudgy and squishy . he blames you for the way his jumpsuit fits just a tiny bit tighter . he blames you for the fact that he is now getting kitten kisses and belly rubs from you like a fat fucking cat too lazy to move . he want to shove you off , but then you say something that makes him almost fluster , his eyes deadly cold and harsh as he tries in vain to end your life with just a look alone .

“ you’re so soft now . i love your little belly . it’s so cute . and … it’s nice when - when you - um , it’s nice . i like it . i think you look so - ”

you don’t get to finish rambling . it almost sounded like you were trying to tell him that his small amount of fat made you want him . it almost sounded like you were trying to tell him you wanted him to fuck you , to squish you under his new body weight . to have you feel him against you . well , if you were this eager , he might not be so upset about how much you fed him after all .

thomas

he’s big . he knows . and not just in broadness and height . he’s a … hefty man . he always has been , chubby as a baby and chubby as a child . it’s never really bothered him , at least any more than his entire self bothered him growing up . but now that he had you , he was nervous . comparing himself to the muscular men , the thin lanky boys , those who were toned and well … not his size . what if he had too much to give ? what if you were grossed out by the light stretch marks on his thighs and belly ? he didn’t know if you ever thought of this , and it was killing him not to know whether or not you were disgusted by him . were you only touching him , talking to him , loving him to humor him ? to pity him ? would you love him more if he was -

“ squish , squish . ” you’re laughter broke him from his inner turmoil , blinking down as you grabbed at his belly and made it jiggle with a smile . “ tommy look ! ” you shifted , moving to sit on his lap and moving your shirt up . you pressed your own belly to his , smiling so bright up at him . “ we match . chubby buddies ! ”

thomas flushed , ears bright red as you continued to touch and even go and kiss over his stretch marks and chub . he’d been worried you hated it . but how could you when you sat up and snuggled into him calling him your strong squishy teddy bear ?

jason

he didn’t need to eat . he didn’t particularity care for eating . and then you found his mother’s old cook book . and suddenly he had to taste everything , had to reminiscence in the old memories and live so fully in the new ones . the only issue is that jason didn’t have a way to telling if he was full . he didn’t feel those types of things anymore . and with his regenerative zombie nonsense , he didn’t put any thought into what the effects could be .

he hadn’t noticed until you brought it up . hugging him from behind as your hands patted his belly . they went under his shirt , and he hummed at the warmth . then you squeezed . you hadn’t been able to do that before . had you ? with a frown he lifted his shirt up only to blink in confusion . when did this happen ?

“ i think i feed you too much . you’re all pudgy now . ” jason shoved his shirt down in embarrassment , looking to the wall as he tried to ignore you . pudgy ? the last time he was pudgy was when he was a child . “ it’s cute . it kinda makes me happy ! you must really love my cooking . or your mom’s old recipes . cute pudgy big man . i love you so much , especially the squishy bits ! ” he couldn’t exactly be upset with that . if anything he was even more embarrassed , even happy . hiding his masked face in his hands as you kept up your playful assault .

brahms

being out of the walls meant that he no longer had to eat the small portions of a child . it mean he could have regular meals , full meals , meals that didn’t barely satisfy the hunger in his gut . and being out of the walls meant he was no longer having to navigate as much through the secret passages ways of his home . which meant … he was getting just a bit chubby . and it showed . it showed when he had to suck in his stomach to move into the walls through a panel he normally had no trouble passing through .

you caught him awe struck in the act , looking insulted that his body would betray him this way . you managed to get to him before he started a tantrum , unable to process the words as he moved back into the room , glaring down at his belly . “ brahmsy , did you get stuck ? ” he huffed , mumbling out a ‘ yes ’ and looking anywhere but you and his offending chub . you could only laugh .

“ just a little chub , brahms . it looks good on you . plus … it makes me wanna kiss your tummy more . ” before he had a chance to respond you were on your knees , lifting his shirt and blowing raspberry kisses on his skin . he jumped , and then laughed , squirming as he pretended to try and get you off of him . “ you’re tummy’s all mine now , squishy . ”

#jason voorhees #jason voorhees imagine #jason voorhees x reader #thomas hewitt #thomas hewitt imagine #thomas hewitt x reader #brahms heelshire #brahms heelshire imagine #brahms heelshire x reader #michael myers #michael myers imagine #michael myers x reader #slasher #slashers #slasher imagine #slashers imagine #slasher x reader #slashers x reader

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florrickandassociates · 3 years ago

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TGF Thoughts: 5x06- And the two partners had a fight...

I’ve been waiting for this episode for nearly a decade, and I didn’t even realize it. More under the cut.

(This is very long! Please fight me on stuff and disagree because I just wrote all these words about this episode and I STILL want to talk about it more, it was that interesting!)

This is the second episode in a row to start off with a TikTok video. 5x02 and 5x03 both ended with elevators. Is there some sort of pattern they’re going for here?

This case—which is, it’s important to note, in Wackner’s court—is about TikTok content creators and copyright laws. Probably not enough material for a full case, but definitely an interesting theme to explore.

Marissa doesn’t have her laptop volume off (which I suppose makes sense; she was just playing the TikTok videos) and a notification sounds. She shuts the laptop.

Wackner rules that the profits made from the TikTok dance must be split evenly between the guy who stole the dance for his video game and the creator. The thief does not like this, removes his moose costume (oh, yeah, did I mention they’re in costumes again?), and starts shouting that he’s going to sue and then moons the whole court. Okay!

He follows through on his threat, and next thing we know, Liz, Cord, Wackner, and Marissa are meeting to discuss strategy.

Liz’s computer makes the same noise Marissa’s did; she punches some keys.

Liz points out that Wackner’s biggest problem is that real judges are not going to like Wackner playacting as a judge. “I’m not playing a judge. I am a judge,” Wackner says. Liz notes that Wackner’s court lacks any way of forcing people to comply with his rulings, but real court can shut him down.

I guess whatever keys Liz punched did not silence the annoying notification sound.

She asks Wackner to try not to become the focus of the court case, since that’s how they’ll lose. “This is why I started a court,” Wackner says after Liz instructs him to only answer yes or no and to wear a suit.

Liz asks Marissa to keep Wackner in line. She says she’ll try.

Now we are at the Black Lawyers Association, where there’s a panel with leaders from Chicago’s four top black law firms. For reasons passing understanding, DIANE is on this panel. This makes absolutely no sense (I mean, unless only white people were involved in this decision, and even then!) and I’ll only excuse it because they mention later that it makes no sense for Diane to have been on this panel.

I wonder why everyone else’s firm gets named but not Diane’s.

Diane also gets the first question, which is, pointedly, about opportunities for black lawyers. Her phone starts making the annoying notification sound. Ever heard of silent mode??

The annoying sound happens every five seconds at the RL offices. According to David Lee, it happens twenty times an hour, but it seems like more than that! He, for some reason, goes to Carmen to ask how to stop the sound. He also wants to know what it is. Carmen explains that it is “Dawnk” which is a new messaging system within the company.

On Dawnk, you can talk about anything you want and be anonymous. Who approved this?! In one frame, I can see there’s someone complaining about someone being promoted too fast because of “the future is female bs.” In another, someone is upset that they are anonymous and wants to use their real name (only Jay, who is otherwise absent from this episode, seems to have figured out how to turn this anon mode off).

Sorry, before I can get on board with this plot, I just need to note for the record how phenomenally stupid the idea of using anonymous messaging software within a company is. This was obviously not going to end well! It’s like workplace YikYak... (remember YikYak?!)

David Lee hates the idea of a messaging software; Carmen says the associates prefer this.

Jay is being very nice in the chat and defends the person who was promoted “too fast”.

“Who’s ‘Anonymous Crab’?” David Lee asks. Well, I think the fact they are “anonymous” should be a bit of a hint there, David.

Anonymous Crab asks, “How the hell did this happen??! How did Diane end up at a Black Conference speaking for our firm?” Good question, Anonymous Crab.

Anon Crab also shares a video and David Lee doesn’t understand how to press play. Carmen plays it for him. Diane looks really awful on the panel. No shit! David Lee seems to enjoy Diane looking bad, even though he should be able to connect the dots between Diane looking bad and potential for bad things to come for the firm...

Not only does Diane get quizzed about why she’s running a firm that is still insisting on calling itself a black firm, she also gets questions about her insurrectionist husband. “He was completely cleared of those charges,” Diane notes. Oh, hey!!!!! Remember how last week I said I’d be more surprised if that was the end of the FBI nonsense than if it continued? I am surprised!! And relieved. Mostly relieved. Dealing with the consequences of that high profile, relationship-straining ordeal is so much more interesting to me than any FBI machinations.

Next Diane is asked if Kurt just took a job to revitalize the NRA. She hasn’t heard of this yet. I’m glad she’s getting grilled on this stuff... it is about time.

There’s a hint that Carmen will be representing Mr. Rapey next week. I assume that’s why there’s a line where David checks in with Carmen on Mr. Rapey’s case?

Anon Platypus says, “I heard she didn’t even have seniority. She just jumped past other black partners to become our name partner. It’s crazy!!!” Anon Platypus is correct—technically. Diane was a name partner at one of Chicago’s top firms before joining RL, so while she skipped the line... that doesn’t seem to me like the PRIMARY issue in bringing her on. The primary issue is that bringing on someone that senior from outside the company is more similar to a merger than a promotion, and Diane’s partnership meant changes for the firm.

Other anonymous animals also don’t like Diane. One calls her clueless; another says that “Liz needs to do something about this.” Someone responds to that, “Liz will never do it on her own,” which is an interesting sentiment I want to come back to in a little bit.

“What is Black Twitter?” David Lee asks Liz out of the blue. “People on Twitter who are black and talk to each other,” Liz responds. David Lee asks how he can find it. “I could tell you, but then I’d have to kill you,” Liz jokes. And to think Jay said Liz wasn’t funny!

The Dawnk conversation shifts and now everyone’s ragging on Julius for representing Kurt and just generally being a Trump voter. There’s a lot of heated and racial language I’m not going to type here, enough to make Julius spit out his coffee and storm down to the associate floor.

He goes to Devin, who I’m not sure if we’ve seen before but is high ranking enough to have Lucca’s old office, to get information on the anonymous posts.

Anonymous Bison says, “Unpopular opinion: I blame Adrian.” Hey, Anon Bison, let’s be friends! I am with you. Adrian is the one who brought Diane on, who encouraged them to lean into Julius’s Trump connections, and who pushed the firm to pursue profit over everything else. Diane and Julius aren’t blameless (though I don’t actually think defending Kurt is a bad thing) but if there’s someone who actively strategized to make RL what it is today? Adrian all the way.

In what world does noting that Julius is pissed in an anonymous message do ANYTHING to stop people who are pissed at him? If they were that concerned about him being pissed they wouldn’t have said anything in the first place.

Liz and opposing counsel talk over each other in court until the judge makes them stop. I think we’ve seen both the judge and opposing counsel this season, making me wonder if there’s a bit of a COVID bubble situation going on here with the guest stars.

Judge Farley jokes about “contempt cards” that go up in value and Wackner, of course, is all, “Wow, I really love that.”

Liz, whose entire strategy was to not let on that anyone calls Wackner a judge, refers to Wackner as “Judge Wackner.” Come on, Liz! (I buy that she’d slip up—there's no one in the world I wouldn’t believe slipping up—but ugh!)

How did the opposition not realize that they could make this about Wackner’s “crazy court” by referring to him as Judge Wackner? You’d think they’d be all over that.

Judge Farley looks SO unhappy that Wackner would refer to himself as a judge; it’s phenomenal.

Now Marissa stumbles over stuff because she’s, for some reason, speaking in court. I bought Liz’s dumb moment more.

The plaintiff’s strategy is to make it look like Wackner is of unsound mind, and they’ve got video evidence. Remember how Del, Cord, and Wackner all chatted in the RL elevator? Well, turns out that lead to a reality show about Wackner for Del’s streaming service. Sounds about right.

I don’t really think Wackner cares about attention or anyone else’s motivations... I think he just likes the idea of budget and an audience and a platform.

Liz meets Del for a romantic dinner and asks him when he was going to tell her about Wackner’s show. Del doesn’t understand why she’s upset. He doesn’t get why he would’ve needed her permission to go into business with Wackner. (I don’t think he’s wrong from a business POV, but from a relationship POV, he totally should’ve let her know!)

Liz says he should’ve asked because they’re using it against her in court. “That is unfortunate, baby, but this streaming show could be really good for Wackner. It’ll draw attention to his court. And... as I say that...that sounds... okay, look I’m sorry,” Del realizes. I like that he sees that Liz has a point. He goes on to note that he would be totally open to Liz trying to go into business with any of his acquaintances, and I think he genuinely means it.

Del notes that this is what “power couples” do. Oh? So they’re an official couple? Don’t power couples also associate in public and not hide their relationship from their colleagues?

This is the place where I note, yet again, that it is always going to be more interesting to see a relationship that feels realistic than to see a relationship that feels like it takes place in a vacuum.

Liz doesn’t want Wackner becoming popular. Del argues someone else would’ve made the show if he didn’t, and that “disrupters gotta disrupt.” Oh God.

Are we going to remember that Liz has a child at any point this season?

Diane is reading the Dawnk discussion at home. It’s still lively even after work hours. The associates appear to be discussing the vaccine before someone changes the topic to “the Diane situation.”

One associate notes that the partners probably aren’t happy about Diane either and just have to vote her out. Kurt arrives home as Diane reads this, reacts to the loud music Diane has playing, the open alcohol, and her general demeanor and asks if they’re getting drunk. “Are we getting a job with the NRA?” she counters.

Turns out it’s not entirely untrue about Kurt and the NRA. They want him for a new role. It would pay $167,000. I can’t decide if I think that’s a lot (objectively that’s a high salary) or not very much at all (isn’t Kurt the top of his field?)

Kurt notes he doesn’t have a job so he’s considering it. “Diane, our politics are very different,” he starts. “I know,” Diane says. “I’m, lately, struck by just how different they are.”

“I would just like one week when I don’t have to defend you,” Diane says in frustration. Kurt doesn’t even know what that means at the current moment.

“You’ll tell me when they offer you the job?” Diane asks. “They may not offer it,” Kurt says. “No, they will,” Diane says, because she knows that it’s basically a done deal already.

In the middle of the night, Diane turns to Kurt and tries to ask him a question. That wakes him up. She asks who he voted for in 2020 and he doesn’t answer. Uh oh.

Dreaming now, Diane sits up and asks, “Hello? What do I do?” More on that later...

The HR nightmare known as Dawnk is still going wild the next day at the office. (Seriously, with HR that strict, the anon feature would’ve been disabled the second the first semi-controversial comment was posted.) Everyone’s obsessed.

The partners, minus Diane, all gather in Liz’s office to discuss Dawnk (and the topics of conversation on Dawnk). Madeline says they should ignore it. I say they should make STR Laurie shut it down and be the bad guy. It is nonsensical that this workplace would continue to allow Dawnk to continue! In addition to being an HR nightmare, it’s also a drain on productivity if everyone’s constantly glued to it, and I imagine STR Laurie cares about profit more than anything else.

But like I really don’t get why Madeline says they can’t censor their associates. Of course they can shut down the app if they want to! Someone put the app there in the first place, no? I do understand not wanting to look like you’re violating free speech (even though taking away anonymous commenting in the workplace would not be a violation of free speech) but I highly doubt it would be only the partners complaining. Tina, whose promotion was called into question, would be complaining too. Anyone trying to get work done, or anyone who didn’t like the toxic culture, or anyone who was uncomfortable with a joke made, would be complaining. There are more than enough reasons it would be perfectly acceptable to take the anon commenting away.

Now the partners are fighting about Kurt’s case too. “Diane is not responsible for her husband,” Liz says when Madeline says that Diane should’ve known better than to get involved. Um, Liz, Madeline is right. Diane isn’t responsible for Kurt’s actions but she’s sure as hell responsible for volunteering to represent him.

“In the real world of this firm, Diane’s billable hours speak for themselves,” Liz notes when a partner tries to call Diane’s unsavory associations into question.

“The rest of us put in the hours too, for the record,” notes another partner. I’m sure... but do you put in DIANE’S hours and have DIANE’S client list? My guess is no. If Diane weren’t the biggest earner at the firm we wouldn’t be having this debate. She’d just be gone. She’d never have been at the firm to begin with.

“Liz, when I joined this firm, it was because of your father’s legacy. It was about Black civil rights, activism, justice. That’s what people talked about in meetings. Now, people talk about billable hours, million-dollar clients, corporate payouts. Now, I know it’s not your fault. That was Boseman’s vision and we were trying to survive the Trump years by bringing in white lawyers, but those days are gone. They’re done with. And I miss being a strong black firm,” Madeline says. Everyone but Liz (and probably Julius) seems to agree with that.

This is one of many interesting facets of this issue. When Madeline argues against Diane, she’s not just arguing that she wants a black person running the firm for optics. She’s not saying that Diane-but-black would be an acceptable choice. She is saying she wants RL to be the firm it was at the very very start of the show—a firm committed to social justice, not maximizing revenue. A firm that didn’t just accept every client that came their way because they love profit. A firm that stood for something. So my question is: Does Liz want that firm?

Liz is hard to read throughout this whole plot, and I think that may be intentional. Liz isn’t a manager by training—she was an AUSA who suddenly became a name partner at a firm (if you want to talk about seniority and skipping the line, Liz is a way better example than Diane—you can even through some nepotism, twice over, in there). She doesn’t seem to have a clear goal for her firm other than maintaining the status quo and keeping power. Liz not taking a stronger stance from the start (either accepting that they are no longer going to be a social justice-oriented firm or pushing to get them back to that place) allows these kinds of questions to fester. It’s my hope that this becomes text instead of subtext pretty soon, ‘cause this is the kind of thing that if it’s subtext for too long will start to feel like bad writing/Liz being conveniently clueless. It’s way more interesting if Liz is just not yet good at being a manager... because she is learning on the job.

Anyway. I think the ideal solution here is probably that Diane and Liz continue to run RL: A STR Laurie Company (the fact they’re owned by corporate overlords kind of makes any decision about RL’s mission moot) since Diane wants to do that and Liz seems to be content where she is. Madeline and the other partners, instead of trying to force STRL to let them pursue the cases they want, can accept pay cuts and go start their own firm. Maybe they can even team up with Barbara Kolstad!

None of that’s to say that the dilemma here is easily solvable, nor is it to say that Diane shouldn’t consider stepping down. I’ll say more on that later. My point here is just that this issue is much deeper than just if Diane is on the letterhead or not. As long as they’re owned by STR Laurie and have clients like Rivi, Diane stepping aside would just be a band-aid.

(And that, I think, is intentional... they’ve been building the “why are we even representing x?” tension pretty consistently this season, so I imagine it’s on the writers’ minds.)

Diane stumbles across the secret partner’s meeting and knows something’s up.

“You gotta handle this, Liz. You cannot have a white partner leading a black firm. We’ll lose clients with that kind of hypocrisy” Madeline insists after Diane heads back to her office. I’ve already said it, but just to say it in a less rambly way: Madeline is right, but she’s right IF AND ONLY IF the goal is to be a black firm. So, Liz, is it?

(They’ll lose clients, sure, but which ones? They’ll lose the clients Madeline wants while Diane continues to keep bringing in business and Rivi and Cord and Wolfe-Colman and their elk* stay put.)

*I know this is not the correct word; see 6x17 of TGW

David Lee has also noticed the meeting in Liz’s office and thinks this may be the “beginning of the end.” Diane glares at him and he says he was just joking.

Diane schedules a meeting with Liz. Liz’s assistant doesn’t know Diane by voice, adding to her frustration.

Credits! We are 22 minutes in! This might be a record if 5x01 hadn’t saved the credits til the very end!

I’ve already written more than I did last week by a couple hundred words.

Two interesting things about the credits. First, this episode was written by Aurin Squire. Forgive me if I’ve mentioned this in a prior recap (I know I thought about it but can’t remember if I deleted), but I think Aurin Squire and Davita Scarlett are key to why TGF and Evil are both always so good. They’re the two writers other than the Kings who are in both the TGF and Evil rooms, and they both REALLY seem to be on the same wavelength as the Kings. I imagine that having four people who are in both rooms helps with managing both at basically the same time.

(This isn’t where I wanted to go with this bullet point, but I may as well shout out how great Evil is this season, too! It also just aired an episode by Aurin Squire about the lead white female character realizing her privilege!)

Second, this episode was directed by Brooke Kennedy. I didn’t know that going in, but seconds before the director credit popped up, I was thinking to myself, “this episode feels like it’s going to be a very important one. I bet Brooke directed it.” I was very pleased to see her name appear.

(For anyone who doesn’t know, Brooke is an EP who’s been involved in nearly every episode of both Wife and Fight and she tends to direct important episodes that require a lot of familiarity with the characters. She directed 5x15 of The Good Wife and she’s done a bunch of the premieres and finales that Robert King hasn’t claimed for himself.)

Diane and Liz meet in a bar to catch up. Diane’s still staring at Dawnk. Liz takes her phone and silences the notifications. “Who thought that sound was pleasing?” Diane complains. “All day in court today,” Liz commiserates. Carmen had to teach her how to silence the notifications. Liz, you’re using an iPhone, there is a very easy to use switch that silences your phone, like you would need to for court. I know you know this.

(I think Diane, despite her complaining about the sound, is captivated by Dawnk.)

Liz orders soda water instead of a drink. I assume that’s intentional, perhaps because she knows this isn’t going to be an easy conversation or a long night of drinking? She has wine in an earlier scene.

I love that Liz and Diane chat about Dawnk even though there’s no real plot reason for them to spend this much time discussing it. Little moments like this make me believe Liz and Diane are actually colleagues who get along well and make management decisions together.

Diane asks if Liz thinks Dawnk actually increases productivity. Liz laughs—she does not. But she knows the associates would “riot” if they got rid of it. She’s right. I still think they can get rid of it without too much blowback. But at least they’re acknowledging this.

“What do the partners think?” Diane asks, very intentionally shifting the subject. You can hear it in Christine’s voice and see it in her body language—Diane is looking for an opportunity to talk about what she wants to talk about.

“God, Madeline can’t even open it. She’s lost her password three times. She finally just gave up,” Liz says. This is concerning! Madeline should know how to open an app! Probably not unrealistic, though. When you’re that senior, you probably don’t need to know how to use a messaging app. And messaging apps can be confusing sometimes. Like, I still don’t understand how to use Discord.

The captions have a line I can’t hear in this scene—Liz (I presume?) saying “You know, ‘cause it’s Madeline.” This makes it sound like Madeline is a little less than competent, no?

“Thanks for sitting down with me, Liz,” Diane says in a quite serious tone. “Of course. So, you’re wondering about the meeting today?” Liz immediately understands. “I am.” “Yeah. Uh, it was about Julius. He’s being harassed on Dawnk,” Liz explains.

“Okay, and I couldn’t be a part of that?” Diane wants to know. “He’s being harassed because he’s defending your husband,” Liz explains. Diane doesn’t seem surprised (perhaps because she, too, would have read these messages?). “Well, that’s unfortunate. We’ve represented people far worse than Kurt, who, by the way, was found innocent,” Diane argues like they’re having a very different conversation. It’s one thing to represent rapists and murderers and drug lords—and I’d argue that the same people pissed about Kurt are also pissed about them!-- and another for your leadership to be married to/close friends with someone who you believe participated in the events of 1/6.

“I’m not saying it wasn’t. But, January 6th. I mean, we watched the Confederate flag make its way into the Capitol building. You know, those people that Kurt didn’t want to turn over to the FBI, those people. They don’t even want us alive,” Liz says better than I ever could. I think it’s important that Liz mentions a POV that likely wouldn’t have ever crossed Diane’s mind here. This is a small glimpse of why it could be so important to have black leadership at a black firm. Would Diane be thinking about the implications of having the Confederate flag in the Capitol? Probably not in the same way that Liz instantly does.

“Well, not all of them,” Diane Lockhart, who is suddenly an idiot, says. Liz looks at her drink and grimaces, and Diane realizes she’s said something wrong. “I’m sorry, I didn’t mean that. I’m certainly not defending those people. They’re all despicable traitors.”

“And now, that’s what people are saying about Julius,” Liz explains. “And me?” Diane asks, though she already knows the answer. Liz doesn’t want to answer that. Before she can say anything, Diane asks if she’s being pushed out.

“No. Not pushed out. You’re a name partner. You can’t be pushed out,” Liz clarifies. Diane knows there’s a but. “The partners just think you should do the right thing,” Liz adds.

“And step aside?” Diane asks. “No. Stay in the firm. Stay as an equity partner, just step back from your managerial role,” Liz says. Diane pauses. “Liz, I... I pull in the big clients. I... I get the billable hours. But still, ‘maybe you should step aside.’ Weren’t we going to form a firm led by women?” Diane argues. Oh, wow, I have so much to say.

First, I completely understand why Diane doesn’t want to give up her title or her power. She's Diane Lockhart! She’s been one of the best in her field for decades. She’s not wrong about the clients and billable hours. It’s just that every time Diane decides to be at this firm, making arguments about how she should retain her role in power, she’s saying that she values her own career/appearance more than the values she claims to care about. And every time she refuses to take a back seat or threatens to walk rather than sacrifice, she’s saying she’ll only through her weight behind her colleagues and their mission if she gets credit for it. To be clear, I don’t think it would be the shittiest decision in the world if Diane decided to walk, to take her clients to a new firm and to let RL become the firm Madeline and the rest envision. It’s asking a lot of her to give up that power and prestige. The interesting part of this dilemma is, to me, that Diane claims to value working for RL and to be active in the fight against racism... but the second she’s forced to choose between that fight and her own power, we all know what Diane is going to choose. There was never really any doubt. Diane doesn’t have to be on the forefront of this fight if she doesn’t want to... but she can’t claim to be invested in the fight if she isn’t willing to sacrifice, at all.

Second, LMAO at this firm led by women idea. Every time Diane talks about her firm led by women idea it sounds sillier! Not because a firm led by women is silly, but because Diane has a habit of saying this like it is a shared goal and each time she references it, it sounds less and less intersectional. For example, when she says it here, she’s essentially saying a firm led by women only has meaning if one of those women is a white woman (specifically a white woman named Diane Lockhart). Who’s to say that Madeline wouldn’t be made partner in Diane’s absence? Or Barbara (haha) or someone else we haven’t met? There is a very real possibility that Liz and another woman could run the firm and Diane would still be unhappy about it. Diane doesn’t ask Liz for a commitment that if she does step aside, her replacement would be female (idk if it’s legal to make this commitment but you get my point). Diane acts like asking her to step aside is already a betrayal of the female led firm.

“And I hope that it will be,” Liz says, basically hinting to Diane that there are women in the world besides her.

“But black women?” Diane says, agitatedly. “Diane, I... am not voting against you. I promised you that I wouldn’t. But there is growing anger here. They want to address it at the next partners' meeting. So just think about it,” Liz responds.

I think Liz is totally fair and forthcoming in this scene and strikes pretty much the right tone for this initial conversation. She gives Diane a choice and is honest with her.

“You’re a good person,” Liz adds. Diane does a double-take, understanding that Liz is actually telling her “You are a good person, so you know that you absolutely need to step aside.”

“No, I’m not!” Diane responds. As I said: Diane already knows what she is going to do. She needs to do mental gymnastics to excuse her actions, but her mind was made up before the question was even raised. (She did warn Liz in 5x01 she was going to fight any attempt to push her out.)

“Yes, you are,” Liz says again. She may as well be saying, “No, don’t try this. Everyone will think you’re in the wrong if you push this.”

Later, at home, Diane is doing some stretches on the floor and groaning. I don’t know if this scene is meant to show her age, but it does remind me that Diane is nearly 70 and started off this show by planning to retire. Retirement doesn’t seem to be an option for her here. (That’s fine by me; she is a workaholic whose career is her life.)

Kurt asks Diane what she wants to do. She says she wants to keep her name on the letterhead and “keep what I fought for.” Heh, I was just re-reading something I wrote about Cary a while ago and I’d pointed out that when Alicia and Cary discuss merging with what’s left of LG, Cary is also concerned about his name on the letterhead because even though he wants to change the world, he also cares about having power. It’s almost like Diane and Cary are really similar characters! (They are! That’s why the Diane/Cary moment in Hitting the Fan is so good!)

Diane calls her position as name partner a fight against “gender and then age discrimination.” She isn’t wrong, especially when you consider how meaningful it likely was when she and Stern went into business together. It’s very easy for me to forget that when Diane has such an attachment to fighting for white women’s rights, it’s not just because she’s out of touch and selfish: it’s because that was something she personally had to fight for. That doesn’t make it okay that she seems to forget the concept of intersectionality (which she’s definitely aware of) the second anything challenges her own power, but it does explain why a firm run by women is so important to her.

Diane is not wrong that she deserves name partnership and she’s not wrong to not want to step aside. Yet, starting a war to retain her position as name partner is a CHOICE. The best thing for Diane to do here (morally, I mean) would be for her to step aside and throw her resources behind the firm’s new leadership, using her experiences and stature to benefit the firm (this would also be a way for her to cement her legacy and mentor a new generation of leaders). The best compromise, I think, would be for someone to leave the current firm—either Diane or the dissenting partners, probably Diane since Liz seems to agree with Madeline—without any hard feelings. The worst possible choice is for Diane to insist that this firm is hers and force every single tension at the firm to come to a head, screwing over Liz in the process and potentially permanently ruining the firm’s status as a black firm. Sooo... yeah.

(I say it could ruin the firm’s status as a black firm because if Diane’s a white partner who happens to be there and the firm is mostly black, that’s one thing. If Diane is a white partner who fought all of the black partners to assert her own dominance over their firm... that’s hard to come back from. She can’t really call herself an ally, can she?)

“Diane, this is the first time I’ve ever heard you sound defeated,” Kurt says. “Because I can’t win this,” she says. She insists she can’t even after Kurt tries to cheer her on (of course he does, he probably thinks having an all black firm is just identity politics and therefore worthless).

“You just don’t want to,” Kurt says. He is not wrong. This is a winnable fight for Diane. Liz is smart but Diane has the experience, the clients, the power, and her own reputation to use in this fight. Liz has her dad’s name (and I don’t think it would come to this, but Diane knows how she can pretty easily destroy Liz’s dad’s reputation). (Liz is great, don’t get me wrong. Liz is also someone who happened into a name partnership because her dad was important.)

“It’s bigger than that. To fight this would go against every fiber of my being,” Diane says. “Every fiber in your being is about winning,” Kurt counters. Oh, damn. That’s a succinct way of putting it. He is completely right. Diane would love to think that every fiber of her being is about her commitment to social justice and women’s rights. It is not. If that were the case, would she really be a lawyer with clients like ChumHum, Bishop, Sweeney, Rivi, and Wolfe-Colman? We all know the answer to this. We all know Diane likes social justice a lot but winning, wealth, and power far more.

When I first watched TGW, now nearly a decade ago, I was a high schooler and my media diet mostly consisted of Desperate Housewives and a bunch of procedurals like Bones and Castle. The thing that hooked me about TGW—more than Alicia’s journey, more than anything—was that TGW never had easy answers to anything. Will tells Diane in 1x07 that “nothing here is pure and nothing here is simple” and that basically blew my mind. TGW always made it obvious that Will was morally gray, which fascinated me. But I struggled with Diane. Here was this woman who looked like she should be someone so impressive and inspirational I could write a college admissions essay about her (I did not, but that was my frame of reference at the time)… but the decisions she made... never seemed all that great?? I couldn’t comprehend it.

When Blue Ribbon Panel aired in March 2012, I wrote to a friend, “Diane confused me a little bit tonight. She didn’t approve of Alicia standing up to the panel, and yet, she’s supposed to care about people, the truth, morality, etc etc. I never understand Diane’s motivations– is her philosophy to help others whenever it wouldn’t hurt her, personally, to do so?”

At that point, Diane compromising her values struck me as something confusing because I wanted to think of her as a powerful role model and icon, and I didn’t know what to do with someone who looked like and often was role model material who also sometimes betrayed her values for her own self-interest. I had my analysis of Diane down: she her motivations ARE to help others whenever it wouldn’t hurt her, personally, to do so. All I needed to do was remove my question mark from the end of that thought.

I promise I’ll move on from quoting myself, but I also want to share a paragraph I wrote about Diane in March 2014 (during season five of Wife) because it says what I want to say now as well as anything I could write today:

Diane is driven and ambitious. Her initial actions can come as the result of intense emotions, but given enough time and space, Diane will always be strategic and pragmatic when it comes to business. She’s spent her entire life putting her career first, and she wouldn’t have it any other way. That she found love is just icing. Kurt aside, the two most important things to Diane are advancing her own self-interest and doing good in the world. These objectives appear to be a contradiction, and often, they are. Nine times out of ten, when it comes down to it, she’ll choose herself. I mean no judgment here: another central aspect of Diane’s character is that she’s upfront about her choices and stands by them, and this sort of moral ambiguity makes for a great character.

The reason I quote myself here is not to be like, ha ha, I was right. It's because I think this episode is even more powerful because I can copy/paste in stuff I wrote nine years ago or seven years ago (oh god, 2014 was seven years ago?) verbatim and it can hold up as analysis. Both Fight and Wife have always implied Diane’s selfish side and given more than enough evidence to make a convincing argument about it, but they’ve never really engaged with it directly (and if you ask the social media teams for either show, Diane is a #queen who can never do wrong). This episode interrogates something that’s always been an unpleasant part of Diane’s character, and I’m so fucking glad about it.

(I don’t think anyone’s accusing Diane of not growing as a person but it crossed my mind that this could be seen as lack of growth. I don’t think it is. I wouldn’t expect Diane to change. Her life and career are so set that growth on this without a LOT of struggle on her part would feel like a cop out.)

Another reason I quote myself is to highlight how friggin’ character driven this episode is. I’ve seen a lot of people saying this episode felt like old-school TGW—and it absolutely does; that’s also how I felt—and I think that’s because it’s so character focused and meaty.

But back to this scene. Kurt tells Diane that if she doesn’t try to win she should just give up entirely. Seems like bad advice.

“Kurt, I appreciate the pep talk, but I don’t think the way you think. I cannot put my interests above a whole group of people—black people—just so I can keep my position.” Sure you can, Diane. You just don’t like to believe that about yourself. You know how Diane says to Kurt earlier that she knows the NRA will offer him the job? That is how I feel about this scene. The writers go to great lengths to explain where Diane’s head is at when she decides to fight for her partnership, but they’d have needed to do ten times more to get me to believe Diane would step aside voluntarily.

Kurt basically thinks that Diane should fight because if her competition is actually talented enough to deserve name partnership, they should fight her for it. He’s missing the point here.

“But a black person’s talent has always been valued less than mine,” Diane counters. The fact she knows and understands this makes her decision even less forgivable.

Kurt knows he’s going to lose this argument and tries the same strategy he did on 5x01: telling Diane she’s right and should just give up and leave the firm. Diane doesn’t like that answer either.

Given how much I loathed Jay’s hallucinations, I was expecting that when Diane asks Kurt in the middle of the night if he believes the election was stolen and then sits down at her fireplace to have a chat with Ruth Bader Ginsburg, I’d loathe what happened next. I did not! I actually really liked it!

I think this is more effective than Jay’s hallucinations, at least for me, because it's less gimmicky. It isn’t played for humor or quirk, and it gets to the character-driven point a LOT faster. This feels more similar to Alicia imagining Gloria Steinem is telling her she’s good enough to be on the Supreme Court in 6x03 than it does to Jay’s hallucinations.

I LOVE that Diane would dream that RBG would advise her on her work dilemma. Dream!RBG tells Diane that “any law firm would be insane to let you go.” (I don’t wanna spend too much time fighting dream logic, but I feel like the operative phrase here is ‘let you go’. Are the RL partners seeing this as letting Diane go? Or are they just trying to get at a different goal and Diane is in the way, and they don’t really care if Diane has top connections or billable hours? It’s almost like the other RL partners want a firm that stands for something and all Diane has stood for thus far at the firm is profit...)

Diane pushes back on RBG and RBG shares her “real” thoughts. This is where this sequence clicks into place for me, because it’s working on a LOT of levels. Obviously, Diane is going to imagine that her hero tells her to do exactly what she wants to do (the aforementioned mental gymnastics). But without losing the level on which this is dream!RBG and filtered through Diane’s POV, the writers are also... criticizing RBG for not stepping down herself!? It’s fascinating and pointed and makes her the exact right choice to play Diane’s conscience.

Dream!RBG shares her life story and notes how she was always asked to step aside, but she didn’t and that’s how she got to be RBG. “Don’t step aside because someone wants you to. Don’t step aside for politics. Men are always asking women to step aside so a man can go first,” RBG advises Diane. Even Diane knows that this isn’t exactly equal to her current situation-- “Even though I’m being asked to step aside so that a black person can take my place?” she counters.

So RBG asks if Diane can still do something “for women” if she says. Diane says yes, and RBG says Diane should do that instead of stepping aside—she should do whatever it takes. That’s the wrong takeaway, Diane! If you want to do something for women then a) you could do something for the black women at your firm lol or b) you could politely remove yourself from the firm, encourage your most profitable clients to stay on if they are wanted by the other partners or and/or c) you could choose to bring your talent and your stature to a non-profit. But, of course, these options aren’t on the table. There’s a reason the options are leave and lose everything or stay and fight for name partnership, and it’s that Diane cares about maintaining control of what she sees as hers and winning more than she cares about anything else, including or even especially her desire to help women.

And also what women is she even helping at RL? Herself? She’s certainly not helping Wolfe-Coleman's rape victim. The closest she’s recently come to helping women is when she told off Weinstein’s lawyer and tried to start #MeToo... in a DREAM.

The score for the next sequence sounds so familiar and I can’t place it. At first, I thought it was Hitting the Fan, but I’m not sure if that’s the right reference (also, damn, the Hitting the Fan score is REALLY GOOD!). I think it might be similar to 5x14 when Alicia’s pacing back and forth in the hotel room.

Anyway, Diane starts meeting with her (white, male) clients to tell them about how she’s stepping aside. She hasn’t run this past any of the other partners, of course. She’s doing exactly what they want, in the most malicious and calculated way possible.

One of her clients is a fracking client who wants to win over democrats by being a RL client.

Diane is so sneaky here! No one said that if Diane steps aside as partner she can’t handle the day to day on her cases... yet that’s what Diane tells this client since she knows it’ll make him mad!

Diane makes a point of showing her fracking client that his new representation will be Madeline. He doesn’t know anything about Madeline, and, as Diane was likely counting on, he isn’t confident in having a black woman he’s less “comfortable” with on his cases. I don’t know if Diane was going for the racial element here, but... if you’re really concerned about continuity, you don’t have this meeting without having Madeline ready to jump in and show she’s read up on the client. I’m sure it’s possible that Diane meant nothing in giving this client only Madeline’s name, title, gender, and race to go off of, but is that likely?

She hands another (white, male) client off to Julius, whom she describes as a “very competent lawyer.” What an introduction. She says she’s not retiring and the firm “just wants to let some other people step forward into a name partner position.” Diane knows how to sell clients on changes they won’t like. She knows this isn’t how you do it.

That phrase, “comfortable with you” is doing a lot of work, no? Both clients so far have said it, and while it might not be racially coded... it’s racially coded.

“Who should we call about it?” the clients ask. Diane can barely keep herself from smiling.

They call David Lee, immediately. He takes the call in the middle of a meeting, while someone else is talking—he is David Lee, after all.

The information on the screen in David’s meeting is quite interesting. It’s about STRL’s plans for RL. Here’s how the firm is described: “RL is a high-end mid-sized Chicago law firm that can consolidate its specialized brand within the American POC community and expand its national and global brand with STR Laure.” Soooo... yeah. For the corporate overloards, RL needs it to be just black enough that it appears like a black firm, but they care more about appearances and branding than anything of substance. (Notice how it says “POC” and not black? Notice how there’s this mention of national and global presence that doesn’t seem to be on the RL partners’ mind?)

There’s an area called room for growth, listing top clients—entertainment law, fracking, the DNC, and civil cases against CPD. Interestingly, two of these are Liz’s clients (entertainment and DNC), one is Adrian’s (civil cases against CPD), and only fracking is Diane’s... so maybe I didn’t give Liz enough credit earlier.

There’s also a plan of action that includes partners working with STRL and the 15-20% layoffs we already know about. I don’t think this text is meant to include any new info, but I assume one of the writers had a hand in writing it and it’s a good way of confirming things that had been subtext.

Wackner’s reality show looks... well, like his court, because his court always looked like a reality show. Cutting together the most out-there moments (audience reaction cards, Wackner singing “Come on defense!”, Wackner renaming himself Judge Shmuley for a day) makes Wackner look pretty bad.

Hey Liz, I thought you figured out how to silence your notifications for Dawnk permanently. (It’s not all high-stakes controversy over on the “R&L General” channel—the anon animals are now discussing a broken coffee maker.) (Though even this discussion is a bit political! Anon Owl says they bet STR’s coffee machine works, and Anon Dolphin wants to know why they don’t have more coffee maters at RL.)

There’s also a dance party—which Marissa participates in—in the footage of Wackner.

Hey, wouldn’t Marissa have reported the cameras to Diane and Liz? I feel like she’d know they’d want to know.

Wackner ends up on the stand to offer context for the strange-looking clips. In a smart move, Liz offers to just let Judge Farley ask questions—she knows that’s what Farley is really after.

Unsurprisingly, Wackner’s context makes his outrageous practices seem much more reasonable. There’s a scoreboard to keep lawyers aware of where they’re standing so they can gauge instead of guess at Wackner’s thought process. Shmuley is to honor a recently deceased relative. The costumes are to prevent bias and cut down entitlement.

Plaintiff’s counsel argues that Wackner is biased and the case continues even though Wackner’s (mostly) won over Farley.

The case next turns to something about copyright law that sounds downright silly—the point is to underline that Wackner’s court makes more sense than real court on some things. It makes more common sense and it’s less racist.

Del gets called into court. It’s interesting how these scenes are blocked together rather than spread out. The same is true of Diane’s scenes—after credits, we have Diane and Liz at the bar, Diane at home, Diane talking to RBG, Diane making moves, and then David Lee becoming aware of the situation. Then we have several consecutive court scenes (all of which feel like they have natural break points) of Wackner stuff. If I had to guess, I would guess that it’s to keep the momentum going. The Diane stuff plays better when it feels like a continuous chain rather than a subplot.

(The only thing that suffers is that I have no idea why there’s a court scene about copyright law right after the plaintiff argues they have evidence about Wackner’s bias? I probably wouldn’t have even noticed if the scenes had been spread out more.)

Now Cord’s involvement with Wackner’s court becomes an issue. It’s funny they need a witness to bring up Cord when Cord is SITTING IN THE COURT ROOM.

Apparently Cord is financing a company that would compete with the plaintiff’s company and this means Wackner is biased. As the next scene will explain, Cord wasn’t even aware of his investment in the rival company, and Wackner certainly wasn’t. But, regardless, it’s going to be challenging to prove that neither Wackner nor Cord knew about the investment, and the opposition is going to go after Cord’s financial records, which no one wants. Liz suggests a continuance, which would give Wackner about a year to keep working on his court before they have to come back to this issue.

Wackner HATES the idea of delays and is all, THIS IS WHY I HAVE MY OWN COURT and again, he isn’t wrong.

David Lee needs to see Liz, now. Liz and Diane meet in David Lee’s office and stare at their phones. Diane says she has no idea what the meeting is about, even though she basically set up the meeting herself.

“What the fuck is going on?” David Lee says. Diane feigns surprise and asks for more specifics. David Lee reveals that four top clients have called with issues about their representation shifting.

Liz knows what’s going on and aggressively says, “Diane, thoughts?” “Nothing from me. I met with my clients. I just told them of a restructuring that I was being told about,” Diane says like it’s no big deal. Liz and Diane both know that Diane forced this meeting.

“Is this a power play on your part?” Liz asks Diane. “No, it’s just updating my clients,” Diane says for David Lee’s benefit or commitment to the bit or something. It is definitely a power play, and a nearly unforgivable one done to an ally.

“David, Diane was told about frustration at the partner level about a white woman being a name partner in a black firm. And apparently, this is her response,” Liz explains. “I just told our clients what was going on,” Diane defends. David Lee doesn’t really care about what happened: he cares about one thing, and that thing is money.

“Diane’s a fucking name partner until STR Laurie says she’s not. No one decides until I decide. Now stick your race war back in its bottle,” David Lee says. I mean, basically, yeah, that’s what happens when you merge with a huge firm that only cares about profit.

I like that this ends up coming back to STRL. You can’t really have a conversation about RL’s identity without also acknowledging that RL is not independently owned. Sure, STRL will care at some point if RL loses its clout with the black community—but like most companies, they care about guaranteed loss of profit and the short term more than long-term what-ifs. It may sound cynical, but if Madeline and all of the other partners quit, STRL would simply put all their effort into keeping Liz or even just the Reddick name and would then hire black lawyers who think more like Julius than Madeline to keep the reputation. STRL does not give a shit about helping anyone, and that’s what Diane counts on.

I do not believe the version of RL that Madeline wants can exist when they’re under STRL’s control. I believe the version Diane wants (not really a black firm) can, and I believe the version Liz seems to want (one that’s mostly black and occasionally social justice focused) can, but this issue won’t go away until STRL does.

Sure, Diane, keep telling yourself you’re fighting the good fight out here.

(Perhaps “The Good Fight” is a more ironic and fraught title than it originally seemed.)

“That was a mistake. I am on your side, and you don’t even realize it,” Liz tells Diane afterwards. Interesting that Liz says “I am” and not “I was.” I would love to know what Liz really thinks about this situation and hope we get more from her POV next week. I think Liz wants to run a black firm, but I also think she wants to run a successful firm and likes working with Diane. Liz is on Diane’s side about as much as she can be while still advocating for Diane to step down.

Pissing off Liz is a very interesting move for Diane here, too. Diane wants to fight the one person who is on her side for control of a firm that doesn’t want her there, and she’s convinced herself this is the smart move! Kind of wild. What does Diane think the day to day will look like? I think I said this above, but in forcing this war, Diane is all but guaranteeing that if she wins, RL will only be a black firm in that STRL will say it’s one to make more money.

Julius and Diane chat next. Julius says he wants to start his own firm—with Diane. Her only reaction is laughter, but, like, this is probably happening. I’m not sure why she laughs. It’s not quite a case of unfortunate timing (Diane could’ve done this before she blew things up, and it’s not quite too late for Diane to commit to leaving and smooth things over with Liz), so maybe it’s just a “well, this sounds familiar!” laugh.

(If you think of Previously On as 5x00 instead of 5x01, that would make this episode 5x05, which would make this a Hitting the Fan callback. I can also do mental gymnastics!)

The episode could end there, but it doesn’t. We’ve still got a Wackner plot to resolve. Cord has some people beat up the plaintiff as a way of enforcing Wackner’s verdict and getting the real court case to go away. Marissa picks up on what’s happened faster than Wackner does, unless Wackner just doesn’t care.

It’s subtle, but throughout this episode, there’s a little bit of a trend towards Marissa becoming more skeptical of Wackner. She tries to keep him under control in court, tries to reason with him about the continuance, and in this scene, she just looks entirely displeased and alarmed every time she’s on camera.

We get another scene with RBG. “It’s different for me than it was for you,” Diane says. She notes that unlike RBG, she herself is up against another “dominated culture.” This other dominated culture is “black lawyers.” (I’m sorry, I just find the way she says “black lawyers” funny, partially because she says “lawyers” instead of people and partially because Diane seems insistent on only occasionally remembering that Liz is both black and female.)

I can’t tell if this scene was originally intended to close the episode or not. The blocks of scenes, the way the episode seems like it should’ve ended with Julius’s laugh but instead has three more scenes (guy getting beat up, Wackner’s court, this one), and the fact the Kings said this episode had to be almost totally rethought because both Christine and Audra had concerns about the original script all suggest to me that maybe some of the scenes in this episode got shuffled around to keep momentum and hit the right notes at the right time.

Diane acknowledges that RBG could’ve stepped down and we wouldn’t have a conservative majority on the court now if she had. RBG insists that she wouldn’t have stepped aside even if Obama had guaranteed that her replacement would be black. She says it’s because she only knows what she can do—not what others would do. And “what you know is always better than what might happen.”

Even if this was originally supposed to happen earlier (Diane saying she doesn’t know what to do makes me feel like it way), I like that we get to see it’s still weighing on Diane after the fact.

(Also, I have seen some comments about, for lack of a better phrase, the girl power energy of these Diane and RBG scenes. No! These scenes aren’t a tribute to RBG! She’s in these scenes because she didn’t step down and can thus help Diane excuse her own actions! These scenes aren’t exactly anti-RBG, but they are certainly critical of some of her choices!)

The topic shifts to Diane and Kurt’s relationship (another reason to put this somewhere other than the main part of the episode; this would slow down the momentum of the middle part of the episode) and its similarity to RBG’s friendship with Scalia.

Tbh, I don’t think a friendship and a marriage are all that similar on this front and I’d be curious to see Diane think about RBG/Scalia in the context of her potential partnership with Julius rather than her marriage.

RBG basically tells Diane to stay with Kurt. Diane thanks her, and then, back in reality, tells Kurt to take the NRA job so he’ll be happy—and then she’ll just sue him. Okay, that feels like an episode ending, so I am REALLY curious about all the re-writing and re-structuring that happened in this episode and what did/didn’t get touched. I can’t make up my mind about what feels out of place.

So we start out with Diane feeling like it might be the right thing to explore whether or not it still makes sense for her to be with Kurt, a suspected insurrectionist and future NRA employee, and Diane feeling like she wants to help her friends and partners at her mostly black firm do good in the world. And we end with Diane doubling down on her relationship with Kurt, giving her blessing for the NRA job, and fucking over her colleagues because she wants to keep her own power. Dark! I love it.

This episode does this all without making Diane entirely unsympathetic, which is astounding. While I think Diane knowingly makes choices that further her self-interest over the values she (claims to?) hold and I am definitely NOT Team Diane on her decisions in this episode, this episode could easily have been less interesting and complex. It’s understandable that Diane would not want to step aside from a firm she’s helped build—who would? It’s understandable that Diane might not feel the passion for a black firm the way she does for a female firm. It’s understandable that Diane might not want to blow up her marriage, despite her political differences from Kurt. This episode allows Diane to be just sympathetic enough she never becomes a flat villain, but never sympathetic enough that someone could mistake this episode for one that shows Diane as a morally pure hero. Personally, I love that in a TV show. That’s the exact kind of writing that made me love Alicia Florrick enough that I still spend a considerable amount of time thinking about her character arc even though TGW ended half a decade ago. It’s what’s been missing from a lot of TGF episodes for me, and why I’ve said that TGF seems like a show more about theme than character. It’s why I’ve written—oh god, TEN THOUSAND words—about this episode.

I have no clue what’s going to happen next, but I hope it includes more character-driven drama (ideally with a lot of good material for Liz) and not a lot of firm-jumping shenanigans.

#tgf thoughts #the good fight

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slashersins · 4 years ago

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If you’re comfortable could I request Micheal, tommy, Jason and Brahms w a little squish and them getting flustered by their SO telling them that they really like it??

i’m taking this as the slashers got some squish , like they a lil’ chubby and are feeling shy about it . i actually really dig this idea ! let’s do it !

If you’re comfortable could I request Micheal, tommy, Jason and Brahms w a little squish and them getting flustered by their SO telling them that they really like it??

michael

“ you’re so soft now . i love your little belly . it’s so cute . and . . . it’s nice when - when you - um , it’s nice . i like it . i think you look so - ”

thomas

he’s big . he knows . and not just in broadness and height . he’s a . . . hefty man . he always has been , chubby as a baby and chubby as a child . it’s never really bothered him , at least any more than his entire self bothered him growing up . but now that he had you , he was nervous . comparing himself to the muscular men , the thin lanky boys , those who were toned and well . . . not his size . what if he had too much to give ? what if you were grossed out by the light stretch marks on his thighs and belly ? he didn’t know if you ever thought of this , and it was killing him not to know whether or not you were disgusted by him . were you only touching him , talking to him , loving him to humor him ? to pity him ? would you love him more if he was -

jason

brahms

being out of the walls meant that he no longer had to eat the small portions of a child . it mean he could have regular meals , full meals , meals that didn’t barely satisfy the hunger in his gut . and being out of the walls meant he was no longer having to navigate as much through the secret passages ways of his home . which meant . . . he was getting just a bit chubby . and it showed . it showed when he had to suck in his stomach to move into the walls through a panel he normally had no trouble passing through .

you caught him awe struck in the act , looking insulted that his body would betray him this way . you managed to get to him before he started a tantrum , unable to process the words as he moved back into the room , glaring down at his belly . “ brahmsy , did you get stuck ? ” he huffed , mumbling out a��‘ yes ’ and looking anywhere but you and his offending chub . you could only laugh .

“ just a little chub , brahms . it looks good on you . plus . . . it makes me wanna kiss your tummy more . ” before he had a chance to respond you were on your knees , lifting his shirt and blowing raspberry kisses on his skin . he jumped , and then laughed , squirming as he pretended to try and get you off of him . “ you’re tummy’s all mine now , squishy . ”

#michael myers #thomas hewitt #jason voorhees #brahms heelshire #michael myers x reader #thomas hewitt x reader #jason vorhees x reader #brahms heelshire x reader #michael myers imagine #thomas hewitt imagine #jason vorhees imagine #brahms heelshire imagine #slasher x reader #slasher imagine #slasher #slashers #slashers x reader #( asks / answered. )

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bamfdaddio · 3 years ago

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X-Men Unabridged: Proteus

The X-Men, those beautiful mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. We’ve been untangling that history for a while, but sometimes, you really want a more in-depth look. Interested? Then read the (un)Abridged X-Men!

(X-Men 125 - 128) - by Chris Claremont and John Byrne

Fun* fact: this particular issue is the oldest comic I physically own.

* for a given value of fun

Something sinister lurks on Muir Isle…

This arc is very much set up like a horror movie. It starts out as a regular X-Men narrative, where Claremont is weaving along several plot threads. We check in with the X-Men in Westchester, we check in with Magneto who has retreated to Asteroid M and we even check in with Xavier in space, who finally learns more about the true scope of the Phoenix and its nature. Finally, we’ve got Jean stationed at Muir Isle, where Moira is investigating the sheer scope of her powers. (She has realized how strong Jean truly is; akin to a god. Her theory is that Jean’s recent power dampening is the result of her human mind trying to cope with her massive power level.) It’s about as everyday as it gets for the X-Men, but, well…

I always thought Jean molecularly restructured her own outfit into the Phoenix-costume whenever she needed to change, but here, she just… wills it away? Also, why did you need an outfit change for this, anyway? Does the costume simply appear whenever she exerts too much of her powers, like an angry forehead vein? So many questions. (X-Men 126)

Other residents at Muir are Polaris, Havok and the Multiple Man, all of them blissfully unaware that something skulks about in the shadows: the remains of an unfortunate captain, whose body has been taken over by something… other.

But someone else is skulking around in the shadows, too. Jean isn’t aware of it, but a familiar stranger is manipulating her from the sidelines.

I’ve been gaslighting a cosmic force, ask me how! (X-Men 126)

1979 marks the first appearance of the Hellfire Club, though we only meet one member for now: Jason Wyngarde. (Maybe all of this could have been avoided if he’d had a Barbie doll to dress up in black lace as a child, but alas.) ‘Jason’ is a pseudonym and though most people these days know that he’s a familiar villain from the X-Men’s past, the reveal of his true identity will follow later.

Meanwhile, Beast finally gets off his ass to check on the Xavier mansion, even though the X-Men must have been tripping intruder alarms for months now. Still, we do get this sweet moment out of it:

Of course she’s going to be surprised at the sheer amount of plot contrivances that were thrown up to keep all y’all apart for a full year. (X-Men 126)

Beast knows that Jean went to Muir, so Scott immediately goes for the phone. Lorna picks up, but during the call she starts screaming, leaning heavily into the horror genre. She fends off the withering remains of the captain, so instead, ‘Mutant X’ jumps into a duplicate of Jamie Madrox and promptly flees to the mainland on a boat.

Guuurl, that body is snatched. (X-Men 126)

The X-Men (sans Beast) hit Muir Isle, where Moira debriefs them. Moira reveals who Mutant X is: his name is Kevin MacTaggart, her son, who has the terrifying power to warp reality. Because his power is so vast, he burns through bodies at an alarming rate. He can only be contained - or killed - by inorganic metal. In an effort to contain him (and, presumably, help him at some point), Moira locked him in a metal cell. He was kept there, alone, for god knows how long, until Magneto accidentally freed him. They know he escaped the island and, because of his parasitic need for fresh host bodies, Moira posits that he’ll be heading for a big city.

Kevin - who dubs himself Proteus - racks up an impressive body count in the country side, killing 7 people in total. (6 people and 1 dupe? Eh.) He’s a terrific villain, because he’s powerful, has a well-defined weakness and, even though it’s not impossible to emphasize with him -- isolation tends to drive people mad -- the way he discards his victims is truly chilling.

The X-Men chase after him, Wolverine picking up the scent. When Proteus tries to claim him, Logan’s adamantium skeleton repels him. In response, he unspools reality.

I’ve had this trip. I think they call this strain Dragon’s Dynamite. (X-Men 126)

Storm intervenes, but Proteus leaves Nightcrawler and especially Wolverine rattled. Logan’s heightened senses root him in reality more than most, and when Proteus uses his powers, everything is just screaming wrong at him. But nobody is safe: little Kevin MacTaggart turns gravity against Ororo, taking her out as well.

He tries to claim Storm, but Moira repels him, sniping at him from afar. Proteus fears (metal) bullets, knowing they can kill him. When Cyclops realizes Moira’s shooting to kill, he intervenes - X-Men don’t kill, after all. Moira knocks him out with her gun, but Kevin escapes in the confusion. Moira finally realizes where her son is headed, while the X-Men regroup.

In Edinburgh, Moira pays Joe MacTaggart a visit - her husband, Kevin’s father.

The MacTaggarts are definitely in the running for the Xavier/Marko-award for Fucked Up Family Dynamics. (X-Men 127)

There’s a calculating coldness to Moira’s character that I’ve never responded well to, but I like how Claremont fills in the blanks here. It’s part unhappiness, part a deep frustration with her inability to help her own son. I wonder how Kevin was a child, before his mutant gene activated: was he a sweet boy, or one with a cruel streak? Did she fear what he might become?

There’s a few gaps in Claremont’s narrative, but Hickman has drawn on this very well, I think: the Moira X in HoXPoX is equally calculating, equally cold. But how can she not be? How often has she raised Kevin? How often has she had to kill him? How many times has she watched these people, these X-Men, die?

Anyway, Moira’s warning is as effective as anger management therapy for Sabretooth, because Kevin comes by Joe’s office a little while later and snuffs out his dad. Phoenix hears Joe screaming telepathically across the moors, allowing the X-Men to pinpoint him. Claremont also makes sure to show that Jean’s power is steadily growing:

Polaris be like: “No, no, I’m carrying my own emotionally stunted Summers boy, thank you.” (X-Men 127)

Proteus takes Moira hostage as the X-Men confront him. They fight.

Ordinarily, I don’t pay a lot of attention to the fight scenes, because recapping those usually boils down to “Cyclops conks Magneto in the helmet” or “Wolverine snikts Pyro in the gas tank”, but this one is truly great. John Byrne delivers some excellent work, showcasing the scope of Proteus’ powers through his art, his panelling. Don’t just take my word for it:

I love how trippy all of this is. Pivoting gravity, changing an optic beam into flowers… Sure, Proteus might be a callous and cruel SoB, but he’s also one imaginative motherfucker. (X-Men 127)

One by one, Proteus manages to distract or take out the X-Men, either by endangering passers-by, encasing them in amber (Storm) or burying them alive (Banshee). One of my favorite details is how afraid they all are: especially Wolverine and Nightcrawler hesitate before jumping into the fray. For them, this villain is truly beyond their scope.

In the end, it’s Phoenix who manages to drive him back, outside of the center of Edinburg and up an old castle, where there are fewer civilians to threaten. There, on the ramparts, it’s Colossus who makes the final stand: he destroys Proteus’ physical body and realizes that right now, there’s only one thing they can do to stop him. All it will cost is Piotr’s innocence.

Showcasing an ancient Japanese truth: Psychic Pokémon are weak to Steel attacks. (X-Men 128)

Proteus scatters to the winds and the X-Men emerge victorious, though Moira has lost both her son and her husband after this ordeal. Moreover, I think this is the first villain that the X-Men explicitly kill, simply because they have no other options left. This marks the first time that their ideal of mutant rehabilitation fails. What’s worse is that Kevin MacTaggart was essentially nothing more than a supremely screwed up boy who got access to way too much power way too quickly.

I wonder if it would have turned out differently had Xavier been there. (I also wonder if it’s a coincidence that this takes place right before the Dark Phoenix saga.)

I think this might be Claremont’s best arc yet, heightened by John Byrne’s excellent art. Chris deftly mixes horror, action and his usual soap opera elements, serving one cohesive narrative that (for once) doesn’t leave much hanging. Proteus is an excellent villain whose powers work visually (pay attention, MCU) and whose entire being touches on one of the same aspects as Krakoa: can and should every mutant fit into any sort of normal society?

If you have someone who’s interested in vintage X-Men and you want to recommend something that doesn’t require a confusing explanation of all the necessary backstory (and perhaps a crude sketch of the Summers and/or Lensherr family tree), I would recommend this arc.

And the rest, as they say, is Hellfire. 1980 is gonna be a doozy.

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stxleslyds · 4 years ago

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MY TOUGHTS ON PART ONE OF RED HOOD BY CHIP ZDARSKY :)

Finally I have read part one of the Red Hood story in Batman: Urban Legends!

This story is very interesting, we start with the Red Hood looking for the people who are providing Gotham with a new drug. This drug “Cheerdrops” has been passed around for weeks at this point and it has had devastating results among it's users. If you know Jason you understand that drugs are a big issue for him and one that he treats very carefully and seriously.

As he interrogates people he arrives to the building where one of the dealers of this drug is supposed to be, there he finds a horrific scene, a boy is desperately trying to wake up his mother who appears to have overdosed in her bed. Jason is quick to call an ambulance and get in contact with Oracle in order to find the boy's father who is (as he finds out later) the man that he was looking for.

Jason sees this scene and can't help but compare it to the time he went through this situation with his mom all those years ago, so he takes the boy with him so he can take him to his father, who Jason is hoping is a good man that had to sell drugs in order to help his family.

That's basically the premise of this first part of the story but now i will write about my thoughts on the specifics of the story.

The story begins with Jason giving a speech about fear and how it's used,

"Fear. Its a tool, it's his tool. I never really adopted it, maybe because he kept that fear all to himself." Then he continues with "Never had to rely on it, had to work harder to take out the bad guys, had to be...more direct." he finishes that thought with "Rubber Bullets. So that fear doesn't get turned around on me."

I for one really liked this Fear speech, it does really sum up what the Batman does, he relies on the Fear that he imposes on Gotham's criminals and such while Robin on the other hand was never meant to work with fear, which is true.

It did remind me of the speech that Alfred gave in issue #10 of Under the Red Hood about how Batman works with fear and Jason had some thoughts on it, here is some of it,

"Master Jason had a condescending practice of referring to the costumed criminals elements as 'dress ups'. He also noted that such individuals did not fear the Batman the way street thugs and mafioso did. The 'dress ups' did not believe he was a monster." "...the boy did say something to me that chilled me to the bone...even then. 'They all know he won't kill them.'"

Anyway let's go back to the actual comic I am talking about...

Jason speaks from his position as Red Hood in current time and says that he uses rubber bullets in order to keep the Bat at bay, the fear that the Bat uses against other criminals cannot be used against him if he plays within the Bat's rules.

As he was doing that he was actually trying to get info about who is making the drug but all he was able to get was who was selling it to the person he was interrogating. This drug is dangerous and Jason has to work fast.

Here is where we see the first flashback scene, we see Jason in the cave before he was able to go out as Robin and he is not to happy about it. The art is very beautiful but sadly in these panels i found my first problem with the context of Jason becoming Robin and how Zdarsky seems to set Jason's feelings on the first Robin.

It seems that Zdarsky is going for the “Jason believed Dick was the perfect Robin and no matter what he did he would never be as good as him” route, which fine ok, that's your right but, is it really necessary? I must admit i am a little tired of this particular thing because i adore the fact that when Dick and Jason first met they were fine with one another (even if a little wary at the very start). And the whole competitive and “i will never be as good as X person” is really tiring in the Robin/Batfamily fandom.

That problem is not as significant as the next one though.

Jason not thinking that Robin was “badass”. Well this is not only a bad take but it's completely OOC for Jason, no matter how you see it. From his first appearance as Robin to the flashbacks in Winick's UtRH and even through both of Lobdell's runs Jason has always loved the concept and the mantle of Robin as a child.

Batman v1, #385.

So that whole take is wrong, i don't like it and also who on this or any universe would rather call themselves Batboy? Honestly i hope this is never brought up again or i will cry. ((((Also in this house Robin will always be the name that Mary gave Dick and then he used as his hero name so it hurts a lot more))))

Also at the end of this first flashback Jason discovers a room full of firearms and is obviously surprised because Batman hates those so he asks why he has them, B responds that he has to understand how they work for his detective work, but that's not all he says, he also says this “...Guns are a coward's weapon, and we will not be cowards.”

Alright Mr. Zdarsky i see the irony... i also see the Daredevil / Punisher thingie right there.

Anyway we are now back to the present where we see Batman seeing the effects of the drug in one of its victims, after saving that person he takes some samples of the drug. We also get to see two police officers with different views on the “masks”, that's a nice way to set the story after the Joker War and before the Magistrate.

Back to Jason, he seems to be struggling, he can't find the people making/providing the drugs in Gotham and is also doubting his skills, he tells a man that if the information that he gave him is incorrect he “will find him” followed with another internal speech full of self doubt, “...sure thing Red Hood, right now you can't even find a street drug. Half of Gotham's teenagers could find it no problem. You never were the best detective.”

Alright, so Jason feels insecure about his skills now? First you have pre-Robin Jason not feeling like he could be able to keep up with the first Robin and now, Jason as a grown man has doubts about the skills that he has used for a long while now? I mean, press X for DOUBT because UtRH showed us how much of a badass and extremely skilled he is. This man planed everything in order to turn the Bat's world upside down (and this story has references to UtRH so it definitely happened) and now he feels like he is not that good?

Shit. i know where this is going, first the insecurities that he has already worked out... I can see it coming, the next big thing will be Daddy issues. Wonderful i hate it and i hope i am wrong because those “issues” are more than resolved, i know that's the only trope DC throws at Jason but honestly how different will it be this time?

Fine, lets move on. Jason finds himself in one of the apartments and what he sees is horrifying. Lying on a bed there is a woman completely catatonic with a horrible smile on her face and right next to her a terrified little boy.

Here is the best take on Jason's character so far.

Realizing that the child is scared of the situation and the masked man that just came into his home Jason takes off his mask and reassures the kid that he is there to help, it's quickly made obvious that the woman has overdosed on Cheerdrops, he makes sure to call an ambulance for her stating that she seems to be in a drug-related coma.

Its important to note that Jason is doing this as he is having troubling thoughts about how much this scene reminds him of the time he was in this little boy's (Tyler) shoes. Its hard for him but he soon realizes that he needs to make sure Tyler is safe.

He asks Tyler if he has another parent, he does and his name is Andy, after taking a look around the house Jason deduces that maybe the father is also taking drugs so if the police comes they will surely take Tyler and put him in the system, this idea is not one Jason is fond of so he calls Oracle, he asks if she can locate Tyler's dad's phone, when she asks about the kid Jason says that he will be the one keeping him safe.

Now we find ourselves back with Batman where he is investigating the components of Cheerdrops, he finds out that the drug is a modified version of Scarecrow's fear gas that gives the victim a sense of extreme happiness instead of fear.

Here we get confirmation of when in the timeline this story occurs, which is after the events of Infinite Frontier (where there was an attack on Arkham and many patients/prisoners were killed or escaped).

B suggests to Oracle that maybe Crane didn't die there and that he might be behind this drug, he will be on the job right away! To this Oracle is like well shit, so she tells B that Jason is also working this case...and here comes a funny yet confusing interaction.

Barbara says “I know you two aren't exactly friends right now but...” before she finishes Batman interrupts her by saying “He is a killer Barbara. I will do this alone.”

OH BOY is this interaction confusing! First of all may i point out how different this conversation is from the one in Three Jokers where the roles were basically reversed??? Please tell me that i am not the only one who finds that funny! Anyway that story doesn't matter here, but Red Hood Outlaw from Rebirth does, right?

Here is the thing, the last person that Jason “killed” in rebirth was Penguin and he actually didn't do it, he had him trapped in a panic room in his own Casino. Batman already beat the living shit out of Jason in RHatO #25 for it...and some time has passed, B surely found out that Jason didn't kill Penguin by now, i mean isn't he like the best detective to ever detective in the history of the universe??

Not only that but Jason has been using rubber bullets for a while and even at the start he mentions that, he basically implies that he is playing by the Bat's rules to keep him off his back. Maybe B hasn't let go of the duffel bag full of heads or any of the shitty people Jason killed during UtRH??? If B still holds that against Jason then why would he try to make Jason part of his Bat clan at the beginning of RHatO Rebirth?

Maybe he still thinks that Jason killed the penguin...but even then isn't B working with Harley and Ghost-Maker? You know, people who have killed? Why is Jason different? Did Jason kill someone recently that we don't know about? Jason only kills a very distinct set of people (that are very not nice) so i guess i don't see the logic...

Anyway second flashback, and this time we have a look at what was going on in the Batcave with B and Alfred during the events of UtRH! Nothing that wasn't explored in UtRH is said here but we do see Alfred explicitly telling Bruce how much they failed Jason. There is a heavy insinuation that the fact that Batman keeps sending the Joker to Arkham only for him to escape and kill more people actually makes B responsible for those deaths and i love that. Thank you.

Back to Jason and Tyler we get to see some very adorable scenes between the two. Jason gives the lower half of his mask to Tyler to protect his identity like a superhero and we have a really sweet moment in which Tyler chooses the Blue Hood as his name because he likes the colour blue (same Tyler).

After he leaves Tyler in a place where he will be safe he goes to the building where Andy should be and let me tell you the more Jason sees the less hopeful he becomes about Andy being just one of the people selling the drug... He does some shooting and incapacitating and then follows the man that is trying to escape and here is when shit hits the fan.

Andy is a disgusting human being. He hates Tyler's mother and doesn't care that she might be dead and the piece of shit hates his son so much that he gave a barely 10 year old drugs.

Yeah. BANG BANG BANG MOTHERFUKER.

If you think that this leads to Jason being a little more like his UtRH self, you know the guy that said that people who gave drugs to kids will get killed without a thought...yeah that's not happening, here comes the guilt!

I get it he just killed a man, but, did you read what that man said?

Anyway that's how the first part of this story ends.

The story is good. it has things that don't make much sense but i think it's because Zdarsky is a Batman fan and not a Red Hood fan in the sense that he doesnt know much about Jason's character and that this is his first ever DC work.

I cant wait to see where this story goes, while i hope “unresolved daddy issues” doesn't become a theme yet again in a Red Hood story i believe it's where we are headed. I will keep on reading because i am invested in Jason and Tyler's relationship and what is going to happen now that Jason killed Andy.

Let me know what you thought about the issue and my post if you want! Bye!

#jason todd #red hood #red hood outlaw #batman urban legends #robin #batman and robin

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sl-walker · 3 years ago

Photo

All right, since I’m in the middle of a flare and have to work manual labor for the next four days despite it, I figured I would make myself -- and hopefully other people -- laugh by talking about one of my favorite OG Captain Marvel stories. Namely, from Whiz #50, with a cover date of January, 1944, meaning it was probably produced sometime in late 1943.

I want to share it because why not, this is some absurdly charming stuff.

I’ll get more into why it’s one of my favorites as we go, in the form of running commentary. So, full story (with said commentary) under the cut. If you wanna just read the story without my commentary, stick to the pictures. XD

First, let me say that the cover and splash page definitely live up to the story, though the cover’s a bit more sensationalized. But the premise is pretty damn simple: Our intrepid hero and his newsboy alter ego are on vacation. Cap decides to go swimming. It goes hilariously wrong and thus ensues a bit of a madcap adventure, no puns intended.

Second, the fact that Cap and Billy are depicted as essentially different entities makes what Billy does next the ultimate trolling:

Gee, airing out the stolen laundry on the radio? Really? I’ll leave it up to you, gentle reader, whether Billy actually was trolling his own alter-ego for ratings or whether he was just innocently sharing the story while his other-self winced quietly in whatever ether-space he exists in when not front-and-center.

Either way, I love it.

Continuing on...

I get a kick out of the fact that Billy’s monologue is that he’s no dare-devil. One, because that’s so obviously not true in any way -- (that kid is awesomely, sometimes recklessly brave on the regular even without Cap) -- but two, because the bridge is actually named Dare-Devil Bridge. We aren’t given any reason why this dangerous potential death-trap is there, hanging without so much as a gate or a warning sign or anything, because we don’t need one. It’s there specifically for what happens next.

Which, of course, is Billy calling in Captain Marvel, who does some light complaining about the situation Billy left him in. There’s no bite to it, which I find adorable -- Cap actually does get frustrated once or twice in other issues with Billy calling on him for mundane stuff, though he’s never mean about it -- but there is a bit of the sense of being put-upon there that’s just-- I dunno, cute. It’s something I miss a lot in the various post-crisis takes on the character: That duality, that difference in personality, and the way each of them responds to different situations. Often, they’re on the same page, but notably, sometimes, they aren’t.

Someday, I promise, I need to sit down and write how I think that works between those two without being a truly frightening mental illness manifested, what with them being the same person but not the same person. Because I have so many ideas, and I’ve only had since the early-2000s to percolate them. LOL! But until then, just enjoy this.

Here is another reason why I love the Golden Age Captain Marvel books and why I love this specific story: This is an absolutely normal, mundane thing to do. It’s the human thing to do. These aren’t the actions of some super-serious superdude. These are the actions of a pretty shockingly normal guy doing something mundane. And a whole story is built around that normalcy.

It’s cute. It’s funny. It’s the reader already knowing that he’s getting himself into a situation that he absolutely could have avoided, but also completely understanding how it happened anyway. It’s pretty brilliant writing: I say this as a pretty damned good writer myself.

So much of the reason why, I think, Cap was so endearing as a hero is that humanity. He’s got pretty much god-tier power in the Golden Age, once his powerset is established. He’s utterly invulnerable to all physical harm while powered up. But-- he’s human. He knows he’s human. He acts like it, and decides, “You know what? I’m going skinny-dipping.”

He and Billy are both characters it’s so easy to empathize with.

Also, a reminder that the art under Chief Artist C.C. Beck is really, really good. (He had a whole stable of artists to help produce this stuff!) Ignoring registration issues on the printing press, the actual line art is amazingly good; proportion and perspective and consistency.

But anyway--Cap does get to enjoy his swim. But, then, oh no.

I love the idea of a world where the prime hero -- and he definitely is in that world -- can take off his suit and go swimming, and where someone else is bold enough to steal the damn suit off of him. The first time I read this, I started laughing here. Not at him, but at the situation he’s found himself in. At the idea that some random passer-by saw Captain Marvel’s costume and went yoink!

Another thing I love about this particular story is how much Cap and Billy have to work together, just by necessity. Like-- it’s just really good. But anyway, thank everything Billy Batson is on the ball, coming to the rescue.

Sheer bad luck via the weather keeps this story rolling along in hilarious misdirections. Realistically, that uniform probably wouldn’t be all buttoned together (we see Cap take off pieces of it aside the pants in other issues, including socks!), but who cares? The point of the story is that giant bear rug on the floor’s gonna get put to use.

Man, when have you ever seen Superman creeping naked through some stranger’s house wearing nothing but a random polar bear because he went skinny dipping? No wonder these comics sold so well. This next panel is when I start wheezing, though, and pretty much keep wheezing.

“A lady, too! I’ve got to get away from here!”

I’m dying at this point. That’s such a characteristic response, and yet, I think that’s why it’s funny.

Anyway, because this is an excellent story (I mean this without an ounce of irony, too), our dynamic duo stumbles across a plot in play to rob the hotel they’re staying at.

Here’s a big part of why this is such a good tale: Everything fits. Even when it isn’t explained, like Dare-Devil Bridge, it still fits. Why is the tree down? Because there was just a thunder storm, the same one that blew Cap’s suit into the room with the gangsters.

I don’t know if this is Otto Binder’s story, but I wouldn’t be surprised in the least. It’s a complete story told in relatively few pages that accomplishes everything it’s meant to.

Anyway, using foliage as cover, Cap gets to be heroic----then Billy gets to get back to the business of trying to stop the robbery of the hotel and get his heroic alter-ego dressed again. Which leads to a rather adorable and funny scene of Billy not only trying to describe what Captain Marvel wears, but what size it would need to be tailored in.

(Cap is supposedly a 44 for a suit coat, we find in some earlier appearance, which would refer to his chest size. So, an XL for shirts and suit-coats. He’s a big guy, but he’s actually not a hulking huge guy. But more on that later.)

I love the fact Billy tries to like-- use himself as a model. Maybe in another ten years, kiddo. Billy’s actually pretty buff for like a 12-14 year old, he’s not a scrawny kid at this point, but yeah, no. LOL!

Another thing I also really, really love about this style, though, is that they draw Captain Marvel as being strong, as having a powerful build-- but not as a dehydrated body-builder with deep cuts. He’s got human proportions, regardless of his strength; he’s got a human build, not a superhuman one.

C.C. Beck had a lot of things to say about superheroes who were just muscles on top of muscles, all clearly defined, and he didn’t like it. As someone who first got into comics in the early 90s with Jim Lee’s X-Men--

I do get Beck’s point. I not only get it, but I really highly approve of it. He maintained to the end that he drew (and oversaw) the Marvel family to look like high school and college athletes, and I can see that. I think the one person who’s gotten it right in the modern era is Evan “Doc” Shaner, who did Convergence: Shazam! He not only nailed that strong-but-not-hulking build for Cap, but also how young he looked. College-age, in fact.

But anyway, enough digression into art and why I like this better than most modern takes on the character. Also, that’s just a cute set of panels.

I also like that there wasn’t an easy fix there. Cap’s still in his not-birthday suit, and Billy’s still stuck running around trying to solve the issues at hand. Next comes some other really good panels:

-snorts- He’s locked in. Yeah, that’ll hold him.

Anyway, what I really liked here was again that tandem working; Billy can’t punch through a wall, but Cap can. Cap can’t crawl out while he’s au natural -- well, he could, but he’d probably rather die first -- but Billy’s got no such issue. It’s just fun when you get to see them doing something like that. You have to really think for a minute about the trust each of them must have in their alter-ego.

ANYWAY, we get the rare treat then--

--of Captain Marvel not only yoinking a dude into a dark room, but then stealing his clothes. Except, not his underwear. Because that’s nasty. LOL!

I love that in this series, you do actually get to see him wear other stuff. Go incognito. Get his red suit messed up enough to take it to a dry cleaner’s, wherein he ends up dressed like a musketeer after. Jerry Ordway’s series is, I think, the only other time we see Cap not wearing his famous suit, but it happened enough in the Golden Age that it wasn’t a shock.

Like, I hate to be the one to say this, but I do think DC drops the ball often on just how much you can do with Captain Marvel (or Shazam, depending on timeline, but that’s the wizard’s name to me so mostly I’ll stick with the original name) if you unbend enough to. It’s not just the costume change, or the duality of him and Billy being the same but not, but also his inherent, essential humanity.

But I am digressing again, sorry. XD I just feel strongly enough about these versions of these characters to spend hours writing this.

Anyway, only a single panel later:

And that’s that! Billy Batson has just outed his own alter-ego’s most embarrassing moment to whomever’s listening to WHIZ radio -- thank everything podcasts and the internet weren’t available then, ha! -- and we get to see a recounting of a very fun story.

Like I said earlier, I love this one for its essential humanity. The hero got himself into this mess, he and Billy got him out of this mess, and stopping the criminals was actually just kind of a lucky stroke thrown in there. But even though Cap got himself into this, the story never treats him like he’s stupid. It never treats him like he’s some kind of idiot. You’re laughing, but-- not in a mean way.

I love how human it is. How complete it is. How genuinely funny it is. It’s a thousand times more funny when you genuinely love and respect Captain Marvel and Billy Batson, too.

Anyway, I hope you enjoyed this dissertation on a skinny-dipping hero. LOL! I enjoyed sharing it with you.

#dc captain marvel #billy batson #shazam #whiz comics

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bietromaximoff · 4 years ago

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How do you feel about pietro being called narcissistic or a sociopath? Because I saw a tik tok where they call him both and I hate it

I do not like it :v)

If I were to give writers the benefit of the doubt, I think those descriptions of Pietro aren’t intended to be like the defining traits of his character. Usually when someone describes him that way, it’s because they’re personally pissed off with him. It’s fine bc we’ve all said mean things about people when they’ve annoyed us, but it becomes annoying when people fixate on one throwaway line and decide that it’s the basis for his entire character.

Putting some panels and stuff under the cut!

I think this is the panel where people are getting their diagnosis of Pietro as a sociopath, from Pietro’s appearance in the Scarlet Witch solo.

The solo as a whole was…meh. Tbh I can’t remember much else about it, but the Pietro issue was fucking horrible and I hated scrolling through it to get that screenshot. This post by @those-celestial-bodies nicely explains my issues with Wanda’s characterisation here, though. It was one line in one issue of a comic from a writer who didn’t obviously didn’t give a shit about Pietro, and who just used him for the sake of creating a bit of unnecessary drama. (also, why’s Pietro wearing converse-looking things over his suit?)

ANYWAY. Any character like Pietro is bound to be misconstrued. He’s complicated and full of contrasts, and some people don’t see that. Plenty of people want their characters to be one thing and one thing only, and they boil them down to one trait and ignore everything else. In Pietro’s case, people might boil him down to being impatient and blunt and keeping to himself. Which is fine, whatever, do what u want with characters.

I do think it helps to acknowledge where those aspects of his personality come from, though. He might seem impatient to most people, but considering his mutation, he’s just being patient too quickly for them to notice. What feels like hours of patience for Pietro might feel like minutes to other characters. In his mind, he’ll spend a good while thinking about how to respond to somebody, and decide that bluntness is the best way forward. To his mind, things are already slow enough without beating around the bush with niceties for an extra ten minutes.

Does this look like a sociopath to you?? He just finished recovering from an injury, and he gave himself another one to save his teammate. His teammates (not including Sam, love you Sam) are often rude to him, and they insult him and call him names and complain about him, but he still goes out of his way to save them when they mess up. (Also I know I complained about the weird shoes over his costume before, but it looks worse here with no shoes. Horrible purple tights)

Also I just remembered this; they hadn’t been on a team together for 24 hours yet, and Remy spent the whole time antagonising Pietro, accusing him of being a spy, and generally being annoying. But when he got caught in a trap, Pietro was desperate to save him straight away. If he were such a sociopath, he wouldn’t have reacted in that way, I’m sure (especially not for a man he hardly knew and probably couldn’t stand).

He might find it hard to socialise with people, but not to the point of sociopathy. His mind works differently to most people’s, and it’s probably hard for him to deal with people who aren’t used to his eccentricities. I’m sure he’s the first to admit he’s not easy to get along with, but he’s friendly with a good number of people he likes.

It’s the same with Tommy, these two panels absolutely did a number on him:

I’ll see the most beautiful edit in the world, and I won’t reblog it if it says ‘I don’t have feelings and I don’t hold hands.’ He was JOKING it was a JOKE of course he has feelings!!! And billy wasn’t serious about him being a sociopath, he was just annoyed at Tommy so he said something mean! It wasn’t supposed to define Tommy as a sociopath for the rest of forever

Tommy and Pietro are both heroes for a reason, though, and it’s because they want to help people. Their powers might not be the most glamorous, and the extent of what they do might not always be appreciated, but they still do it, putting themselves at risk for their teammates and strangers alike. And they keep doing it, despite how their teammates treat them.

And I know people like to talk about Tommy and Wanda bonding, and Billy and Pietro having a lot in common, but I rly do think Pietro and Tommy would become close. It would probably be weird at first, especially for Pietro, to have someone going at his speed, but he’d appreciate having someone he doesn’t need to slow down for.

#Anonymous #ask #pietro maximoff #tommy shepherd #sorry 4 going on a tangent #I just love fast boys #I also think none of this makes sense anymore #but I’m sick of trying to edit it so here :v)#all I do is think about pietro please feel free 2 always talk to me abt him

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ectonurites · 4 years ago

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do u have any thoughts on the whole “tim is zapped to time prison” storyline? bc i feel like it could have been pretty interesting and a good way to bring back young justice/tim’s memories more immediately if it hadn’t been such a blatant attempt to just get tim out of storylines bc they had no ideas for his character

sorry lol u don’t have to respond i just kind of wish people talked about this storyline more? and the fact that tim lowkey became one of the only people in dc with knowledge of the other timelines (i think so at least) and nobody really addressed it?? like going into the next phase where people learn about other timelines after death metal.... tim should already know some of this stuff right?

YES YES YES OKAY LETS TALK ABOUT THIS this got incredibly long because I just have a lot to say (and i included screenshots) and i prob got a little off topic but. but lets get started anyways:

i haven’t read that particular storyline in a few months so i might be missing/misremembering some details here, but that whole ‘time prison + future tim’ thing was like. a really really interesting concept and the implications/impacts it has are a big part of why i liked tynion’s detective comics run as much as i did even with it’s flaws in characterization (such as treating tim like he was jimmy neutron boy genius and making steph..... be all ready to quit/breakaway from the team like that. the steph quitting characterization really started i think in batgirl convergence and unfortunately has haunted her since, even though pre reboot never giving up was like...... one of her defining traits. dc i hate you sometimes)

i think that one of the biggest things that bothers me about the situation is how little we saw most of the other characters in the batfamily grieve (aside from steph and some with bruce, but again the way steph was portrayed just... hhhhhh. it very much reduced her to ‘tims girlfriend’ more than i’d have preferred) but otherwise like...as far as I can remember there was maybe one line in that monsters crossover thing where dick mentioned tim was gone, jason had a single line about avoiding the funeral in rhato, i dont think they showed any reaction from babs at all until after he was back, and the most for damian I recall is at the end of the 2014 teen titans run (#24) where he looks at... a case with the old red robin uniform Tim wasn’t even wearing anymore when he died? and that just bugs me. Instead of getting to see the actual funeral we get one flashback to it way after the fact once Bruce already knows Tim’s not actually dead

But at the time when they all DID think he was dead? the closest thing we see was in that same teen titans issue (#24) there’s a memorial-type ‘sharing stories’ thing after the funeral with tim’s titans friends but.... we don’t see something like that with his family. tim is a major presence in these peoples’ lives, they are his family, when he gets sent into time prison its even SAID how loved he apparently is

its just... idk. they all thought he was dead, and if they had put more emphasis on showing not just telling how that effected EVERYONE (not just steph) in the batfam, it might have felt a lot less like they were just putting tim away until there was a story idea for him. (like obviously I know they can’t make everyone’s stories revolve around Tim, but I’d have way preferred a detective comics issue of the funeral/memorial with the family than having there only be a teen titans one, I think it would have... held more relevance & meaning... but instead they just went right into that monster crossover story instead of lingering on this)

but then the Tim story itself once it does pick up way later, with titans tomorrow/future tim coming along having that whole “tell conner you’re sorry” “who’s conner?” exchange with current tim... that opens up A LOT of things to think about, and I think was pretty interestingly done if i’m remembering correctly. future tim recognizes the timelines are different, and ya know goes off to try to change things further ("whaddaya got there?” “a gun to kill batwoman” “NO!!!!”), theres lots of fighting etc etc the good guys win as we expect, but once that’s all settled tim’s left there with this whole. thought process

which ya know is the big indicator there’s weird timeline/reality fuckery going on (or also the read here can be that tim and kon are so connected across all space and time that their bond can transcend anything even timelines and realities and reboots... “and they were soulmates” “oh my god they were soulmates”)

ANYWAYS lets not forget that tim isnt the only one who learns about this other timeline stuff during this whole situation!

Brother Eye has records of future tim’s timeline, and cass & steph see who they used to be! and as soon as steph finds out ‘holy shit i was ROBIN and BATGIRL?’ she also desperately wants to know more! which then a bit later leads into young justice 2019 where instead of going off to college like they told Bruce they were gonna, Steph and Tim go get the help of Zatanna to see what might be going on in their brains with these timelines and weird feelings (as we see in flashback form in yj 2019 #5)

and HOO BOY DOES SHE FIND THINGS! she gets in there and finds out that oh yeah, their brains had very much so been tampered with, and with her magic she undoes some of it, by unlocking memories, and Tim finally remembers Conner! (also in case u were wondering, that panel is specifically a callback to this one from yj 1998 #17 when Cissie quit the team)

one thing that I think is weird/interesting/idk if it gets... properly addressed even, was that Zatanna also poked around Steph’s brain too and she didn’t remember everything? Might have something to do even with how Tim had been in time prison, might have taken less work from Z to open things up because of that? Who knows

additionally i wanna call attention to how he said “That entire chapter of my life” which... leading into my next point a bit... strongly leads me to believe even though he’s remembering some things he definitely does not have ALL of his memories back (because theres a lot more than just the young justice ‘chapter’ of tim’s life that was drastically changed by the new 52 & rebirth)

BUT moving on, i wanna bring up this part from later on (after they figured out that there was a crisis that caused things in the world to change, which is why their memories/brains were messed with) in issue #16

so yeah, I think it’s indicated even though Zatanna brought back some memories and opened up his brain a bit, there’s still many holes, and some things seem more like dreams rather than memories and he’s probably unable to tell which are which on his own to some extent. (also for reference the real thing that Tim thought was just a dream is... likely yj 1998 issue #1)

So based on the things i’ve brought up here (which are the things I remember off the top of my head, I could easily be accidentally leaving shit out LMAO i haven’t fully read through any of these books in at least 3 or more months now) I think it’s safe to assume that Tim definitely has a head start on getting back his memories before Death Metal happens, but that it was by no means a complete thing. So the after effects of Death Metal are probably just gonna... be a little less drastic for him vs most other people because it was already happening, but it’ll be kinda filling in the remaining gaps?

And like you said he is absolutely one of the few people that already knew about about the timelines/the fact that these crises have happened and changed things, but pretty much all the other young justice characters are also aware that there was meddling in the timeline/that multiple timelines and alternate universes like this exist since they were all together as a group when it got explained (in like. yj 2019 #15 i believe is where most of the explaining happens) (and cass as well is aware of things to some extent because of her and steph’s interaction with Brother Eye) but the difference is that Zatanna didn’t go into everyone’s brains, so they aren’t dealing with the same memory things as Tim (and possibly Steph? because again Z DID go in her brain, she just wasn’t able to unlock all the same things as she did with Tim)

but yeah in general i SO wish this was explored more, both in canon and in fanworks (fanworks tho... that can still happen >:3c). Memories hazily coming in for Tim while Kon and Bart are able to confirm or deny things, him dealing with conflicting memories and feelings about his past as they trickle in... like I think we’ll start to see these types of things moving forward across a lot of titles with Infinite Frontier (i BELIEVE dont quote me on this but I BELIEVE the person writing Damian’s upcoming solo had mentioned in an interview that the memories coming back of the other timeline aren’t going to be an all at once thing but will be more gradual for most characters) but the fact that it theoretically had already been happening for Tim for MONTHS and we only got that one crumb indicating it in #16 of it instead of any actual exploration makes me SAAAAAAD

#Anonymous #tim drake #dc comics #meta #sam talks about tim too much #if anyone has diff thoughts interpretations im always down to discuss!#this sent me down a rabbit hole thats why i didnt answer last night it was Suddenly 1am djsjsjs #also sorry no issue numbers on the detective comics stuff but those r screenshots i already had #from my readthrough a while back or google images. so i didnt go check

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arandompostarchive · 4 years ago

Text

Inure Ch. 4

SAVED WORK

Summary: To some, The Specter is a serial killer. To some, a hero. But to everyone, you were entirely a mystery. You had no history, just a list of victims a mile long. No matter how many people searched your name, they could find anything. If only they had the spelling right. Now, you’ve come across some unfortunate information that drives you out of your usual shadows and into the path of the Avengers. Including two of the more reclusive members of the team. And it’s hard to pick only one of them.

***

“I don’t see what the problem is!”

You scoffed, angry at Howard’s words. “Really. You really don’t see the issue?” He shrugged but stayed silent. “You invited a horde of reporters when I said that no one else should see this. That doesn’t seem like a problem to you?” Despite the anger you were feeling, you looked fairly calm.

You weren’t the type to lash out and scream whenever something went wrong and even in the toughest situations you were collected. It’s a trait that would stick with you for decades to come.

“We need people to know about this. They need to know that there’s hope at the end of this tunnel, okay? We’re doing miraculous things, excuse me if I’d like to show the world.”

You rolled your eyes at his excuse. “Oh please, Stark. You just want an early payday. Not everything can be about your bank account. Especially in the middle of a war! People are dying Howard. We don’t need a media storm to distract us.” He huffed and sat down on one of the many stools you had around your lab. It wasn’t the fanciest place, but the army needed all the weaponry it could get and when they heard about you, they didn’t hesitate to give you a lab. Of course, your skills were always in question, as with most women, but for the most part, they left you alone. You had Peggy to thank for that.

“Look, let’s just give them a quick tour, tell them about SPECTR, and turn it on for a minute. 60 seconds, that’s all I ask.”

“Absolutely not.” You weren’t budging on this. Usually Stark was able to get you to agree to his stupid plans, but you had friends fighting in this war. Peggy had friends fighting this war. You weren’t going to see them dead just because you got distracted by cameras.

For a genius, Howard was probably one of the stupidest people you had ever met. Of course, he could invent beautiful things, but then he’d go and do something like this. Inviting reporters to see a project that was far from done. This wouldn’t give people hope.

“40 seconds, c’mon Doc. On and off, just so they know it works.”

“But it doesn’t work!”

“Well that’s why I’m saying 40 seconds!” He sighed, taking in a deep breath. “I understand, but don’t you think that’s a little unfair to me? C’mon Doc!”

You groaned, not dignifying him with an answer. You walked over to your machine, choosing to work more on the control panel outside the glass. The door to the machine was locked tight, keeping everyone out. It could be opened from the inside, but opening it from the outside took a specific keycard. As of now, there were four of them. Yours, Howard’s, Peggy’s, and an extra for high-ranking guests that entered your lab.

The control panel was still malfunctioning. It was the main reason you were saying no to Howard. You couldn’t risk something going wrong.

“You’ve gone over that panel 50 times.”

“If we want to help people, we have to be sure it won’t hurt them.” You said, looking at the buttons and making sure they worked. “Check the air compressors, okay? That machine gets too hot, I need to make sure those work. If it overheats, it’ll do the exact opposite of what we want.”

You could hear Howard mumble under his breath about how he was ‘certain that they worked’, but you ignored it and went back to your work.

You heard his voice shout at you from across the room.

“L/n?”

You didn’t respond, too focused on one of the buttons that wasn’t responding properly. It was the one meant to open the door with a small key card like invention. You took yours out and tested it a few times. It wasn’t responding correctly. You rolled your eyes and took out a few tools to fix it.

“L/n. Hey, Doc?”

You still didn’t respond, too focused on the task at hand.

***

“Doc? You good there?” You looked up, Tony’s face staring back at you.

You blinked a few times before coldly responding. “I’m fine.” You took another second before looking around. The lab’s lights were dimmed, which wasn’t surprising considering that it was about 4am.

“Alright then. As I was saying, this is definitely Hastings’ blood. I’ve ran it through every test I’ve got, every single match was positive.”

“He’s dead. Believe me, he’s dead. I always double check. A while ago I ran into someone who could regenerate. Had to kill him twice. Now, I just make sure I get it the first time.”

“Listen, I’m not doubting you, but are you sure?”

You rolled your eyes at him. He was so like Howard it bothered you. Even down to his nickname for you. “Doc”. “Well, that sounds exactly like you’re doubting me.”

“Okay, I’m doubting you,” he admitted. “But this is a perfect match. If this guy has been dead for years, I don’t think I need to explain why he couldn’t have robbed a museum.”

“Well, obviously.”

You looked over the matches again. Each result was perfect or near perfect. Not that you had much blood to test, but it was enough.

“Wanda might be right with her shapeshifter theory.” You heard from across the room. Bruce had joined you in the lab, though he was more interested in you for the time being. He had agreed to help find Hastings or his copycat and you agreed to let him research you. He was studying something under a microscope. You weren’t sure what he was looking at, but it seemed like he was comparing two samples.

“We have blood and it’s completely separate from the body. Can he really shift down to the molecular level and keep it that way after it’s away from his body?” You asked, not entirely sure. The scientist in you said it was impossible, but a few years ago New York got attacked by an alien race led by a Norse god, so you had really changed your definition of the word “impossible”.

“Maybe once it leaves the body, it retains its last form. If anything, it would make sense that the blood doesn’t have the ability to shift back when it’s away from its host.”

“Well, that’s one theory,” Tony said, thinking it over.

Of course, that wasn’t helpful at all. “So, our culprit is most likely a shapeshifter. How do we proceed?”

Tony and Bruce thought it over. “I’ll go inform everyone, they might have some ideas. Maybe you can find some way to make him revert back to his original form.” Bruce said, slowly walking toward the lab’s exit. You and Tony nodded and started looking over the limited information you had.

It was silent for a minute or two, the both of you working quietly on something. You were looking into a microscope, trying your best to compare it to a normal human sample. So far, nothing noteworthy. “Hey, Doc, when you built this thing, did you know it could turn into a giant weapon, or was that just an oversight.” You couldn’t entirely tell if Tony was joking. It seemed like something he’d want you to laugh at, but you still weren’t sure.

“Just work, Tony. If you find something, then talk to me. Otherwise I’d appreciate quiet.” You said harshly. It sounded meaner than you thought it would, but Tony was a Stark. You doubted he had any feelings anyway.

“Okay, let me ask you a question.” He said, slightly agitated by your response.

You sighed, “I have a feeling you’ll find a way to ask me whether I say yes or no.” You didn’t look up from the microscope, knowing Tony probably wouldn’t care.

“Why exactly do you hate me?” He asked. The question was sincere, but the tone of his voice made it sound sarcastic.

“What makes you assume I hate you?” Of course, you really did hate him. But you hadn’t murdered him yet, so you were doing better than you thought you would.

“Well, we haven’t exactly been best friends.” He says, looking at you. You had only looked away from your microscope to check some of the information you had gathered about Hastings. Nothing useful.

“Perhaps that’s because there’s a shapeshifter trying to murder people with a makeshift weapon that I invented.” Your voice stayed fairly monotone. You were only half paying attention to what Stark said.

“Well, yes. But you’ve been tolerating the company of most people here. Just thought maybe I did something. Which, hey, I’m not perfect.”

You nodded. “Yes, Stark. You are far from perfect.” You still didn’t look up to meet his gaze.

“See! This is what I mean.” He didn’t sound rude, which is what you were expecting. Instead he seemed to want an answer. Admittedly, this wasn’t the outcome you were looking for.

“Well, Stark. Maybe you’re just not as charming as you think you are, hm?” You said, glancing up for only a moment before looking back down. “I’ve seen your press conferences. That outrageous confidence. I’ve seen you flying around, thinking you’re this world’s savior. You treat everything like a joke. There always has to be a punchline with you, something sarcastic. Talking to people like you’re some kind of god.”

He sighed, taking a moment to think of something to say. “Well, you may have seen me on TV, but you haven’t gotten a chance to actually know me. I mean, yeah, I’ll give you the sarcasm one you’re pretty spot on, but I’m hardly as confident as I look in front of those people.”

“I’ve seen you from afar. That’s good enough.” You said simply, trying to get him to be quiet so you can go back to working in silence.

“So you’re not going to try to have a real conversation with me? Who knows, you might hate me slightly less.” This time you didn’t respond, hoping he realized this conversation was going nowhere.

He reminded you of Howard more than you’d like to admit. But he certainly had his differences. “You’re an idiotic genius who thinks he’s a god on Earth. I’ve seen you Stark. What you do, who you are. I know everything I need to.”

He seemed upset, almost offended. “I understand, but don’t you think that’s a little unfair to me? C’mon Doc!”

That made you stop. You took a deep breath, trying to calm yourself. You weren’t sure what emotion you were feeling. It certainly wasn’t sadness, but it wasn’t quite anger either. More like an upsetting mix of several emotions, all making each other worse.

Then you laughed. It was a humorous laugh, but an empty one.

“You sound just like him.” Now you were actually looking at Tony, tracing the outline of his face with your eyes.

“Uh… who?” Stark said, looking fairly confused. He was probably somewhat creeped out by you staring at him, but you didn’t really care.

“Howard. He said that to me once.” You had abandoned your work, now more focused on the man in front of you.

“Right. I forgot you and Capsicle lived in the 40s.” You could tell he wasn’t quite sure how to respond. Not that you blamed him.

“You’re very alike you know. Dumb. But the stuff you build makes it seem like you’ve got a real brain in your head.”

“…thank you?” He said, thinking over your words.

“You’re also both arrogant assholes.” You said, not really considering his feelings. In your experience, feelings were too bothersome. Sometimes, you’d get attached to people you had to kill. That was never helpful.

“Hey, I thought you 40s people were supposed to be polite and stuff.” You only shrugged in response.

“Howard was awful. The bane of my very existence. I thought we were friends, but I was extremely wrong.” You looked straight at Tony, your eyes darkening as they stared into his. “If I give you a chance, Tony. If I get to know you and make a real attempt to become your ‘friend’, then you will do the same. You are a Stark, after all.” You said, stating the reason for your decision.

Tony got more serious too. “Look, I’m sorry for whatever he did. Clearly, he, uh, did something pretty bad. I don’t blame you. But whatever it was, I didn’t do it. I never asked for him to be my father. Don’t group us together.” You could tell you had struck a bit of a nerve. You doubted anyone could hate Howard Stark as much as you, but you were starting to hate his son a little bit less.

***

“You seem tired.” Bucky noted from the kitchen. He was reaching up to grab some chips while you stood across the room. It was midday, so almost everyone had something to do, leaving the two of you alone.

You had a proper sized glass of whiskey in your hands, much different from your usual full glass.

You rolled your eyes at him. “Yeah, thanks.”

He seemed a bit worried, “Not in a mean way, you just seem, I don’t know, less energetic?”

He was right. Since you had moved in to a strange place with people you didn’t know, it had gotten harder to sleep. You decided to let yourself adjust. These were heroes, they weren’t going to murder you in cold blood.

And then you remembered that you’re a wanted serial killer, which put you even more on edge. Of course, without you they wouldn’t have as much information about SPECTR, but that didn’t help ease your worries.

Instead, you had spent a good amount of your time in the gym. It had been a while since you’d had a place to work out alone. While you were enjoying the alone time, the lack of sleep was starting to get to you.

“Yeah, I don’t feel too energetic. Just a bit sleepy I guess.” You told Bucky, choosing not to discuss your sleep issues.

“Fair enough.” He said, putting a few chips in his mouth and biting down. The crunch filled the empty silence and you chose to walk toward the living room area. As expected, Bucky silently followed you and you turned on some older movies. Though Tony had a limited number of 1940’s movies, modern movies and TV shows weren’t all that bad. When you were a child, the special effects would’ve entranced you. Now, you let Bucky choose which movies to watch. He seemed to understand that superheroes and serial killers didn’t really like action movies. You saw enough of that in real life, though there were a few interesting ones out there.

As you sat with Bucky watching some feel-good movie, your mind drifted a bit. You found yourself wondering what Loki would’ve thought. The thought was fleeting at first, but the more you considered it, the weirder you felt. It had been decades since you’d had a real friend, much less two. Besides, it didn’t hurt that two literal superheroes wanted to spend time with you.

You found yourself moving closer to Bucky, letting your head fall on his shoulder. Truthfully, you didn’t think much of it. You felt like putting your head down and Bucky happened to be there. The action was simple.

Your eyes fluttered closed barely 20 minutes in and Bucky noticed how your breathing had evened out. He smiled softly to himself and turned down the volume so it wouldn’t wake you up.

***

“So, we have no idea who they are or where they’re going next. Any thoughts?” Steve asked the group. They all looked at each other, hoping someone would speak.

You glanced across at Bucky who seemed to be staring at everyone but you. He never looked in your direction during meetings. Normally, you wouldn’t mind, but a small part of you was disappointed.

“If we ran into him, Wanda could scan his head, right? Like, tell us who he is?” Clint asked. The question wasn’t really directed at anybody, but Wanda was the one who answered.

“Sort of,” she began. “It is more like sensing someone. Not exactly mind reading. And if I don’t know the person I’m looking for, it’s not very helpful.” She said, slightly disappointed. Mind reading. Now there’s something you could do.

You were going to speak, but Loki beat you to it. “Mind-reading is a magical art, though it is one I have never trained in. I don’t have a proper teacher, so I doubt it will be adequate, but I could try to find some books on it.” He suggested.

Steve nodded and you spoke up before anyone could say anything else. “Actually, I can read minds. I don’t use it often, but it’s not difficult for me.” The group had mixed reactions. Some seemed glad they had someone in the group who could help, but others seemed more wary of you now.

“You may be a good teacher then. This may be easier than I thought.” Loki said, smiling at you. You smiled back at him. You inwardly questioned why you automatically smiled, it wasn’t something you found yourself doing often. In an odd way, you liked it. Loki seemed to have that sort of calming air about him, despite what the media may say about him.

“Okay, so we have one mind-reader and two sorta mind-readers. How does that help us find him?” Tony questioned.

“Maybe we set a trap.” Natasha suggested. She shifted her vision to you, “Spectr, did you have any other parts that can’t be replicated?”

You thought over everything you made. You shook your head. “Everything else can be replicated with a little bit of time and effort.” You said, not thinking of everything.

“But they don’t have time. We’re coming after them, they must know that. So, if you were building the machine again today, what would take the most time.” She said, still looking at you. The rest of the group was also looking. It was beginning to make you a bit self-conscious.

“Our core was a complicated thing. To be honest, we didn’t even know what it was. Now that I’m here, 70 years later, it was probably something magical. But then we had no idea. The container I made for it took me longer than I’d like to admit. With the modern tools I’ve seen, I’m sure it would take less time, but I know it wouldn’t be quick without blueprints. I had to test it over and over before I finally got something. And building it took forever.”

Natasha nodded. “So, we start there. Where would that core be?” She asked, still looking at you.

“I have no idea. I never bothered to do research on where it went or if it survived.” She then glanced at Steve who was already looking at a screen in front of him.

“Steve and I found a list of World War II machinery that might be yours.” Natasha explained. You stood up, standing by Steve and looking at the pictures.

You didn’t spot anything that resembled your core at all. You sat back down, unsure how to continue.

Natasha was thinking too. Then, Wanda spoke. “Well, if he can’t find the real machine, then he’d want blueprints, right?” The group nodded. “So, where would he get those?”

You had limited tangible blueprints. Though every other inventor in the world would scold you, you liked to sit down and tinker. Sometimes, you made something odd and useless. Other times, you made things like a core stabilizer.

“From the file I got, he already has most of the blueprints that exist. Everything else is my head. No tangible papers.”

Wanda’s eyes darkened. “So, he’ll be coming for you.”

***

#loki x reader #loki #bucky x reader #bucky barnes #loki x reader x bucky #inure #saved work #fanfic

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