for the oc asks: 8 and 9!
8: what keeps them up at night?
i did asha in the last one so i'll do azar in this one
mostly it's the adhd i will be real with you there's something wrong with that one (affectionate). probably for the best that they don't physically need sleep to function being both technically dead and a being of chaos. ALSO: Asha getting hurt. they care about someone again the idea that they couldn't keep her safe is knives in their throat
9: what do they dream about?
Azar again: nothing and everything. They're a being of chaos which operates through contract bounds and dreamscapes. They don't dream themself, they're technically dead by more than a thousand years, but they can experience others' dreams, so whatever you can think of! In a more metaphorical sense, they dream about spending whatever time Asha's got left with her and maybe after that, the eventual heat death of the universe.
Thank you honey! (ask game here! send me some!)
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I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.
Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.
Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents
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the Dorym strain was not nearly as bad as I was lead to believe. They're just in their conflict era. And even then no they're not
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I watched Lisa Frankenstein and it was deeply silly and the pacing was bad and the 80s slang was off and the start was slow and there were so many things wrong with it. It was also fun as hell. Lovely final act and I had a great time. five stars outta five stars. I'm gonna call this a cinematic masterpiece while looking a filmbro right in the eyes to establish dominance.
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Recently bought the chickens a rat-proof feeder because the world's biggest pack of rats has moved in and I've had enough. Training the chickens to use it is going well, if slowly. (It would be a lot faster if I still lived with my chickens, or at least lived closer than 30 minutes away... 😅 I can't be there all the time to work with them.)
Midnight, however, refuses to engage with the thing and instead stands next to it looking cranky while she watches the young'uns eat.
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Skybound is my anti-comfort season.
I can't handle any positive statements about it because it's just so, preciously, awful to me.
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Hollywood Strike(s) thoughts, skip if you want
ngl: While I do see the huge boon that is having a show like Stranger Things stand in solidarity with this strike being a Californian with a bunch of friends who live and work in and around media makes me...less optimistic this will be over quickly than a lot of people here.
The issue here isn't just paying writers (or creators in general, given the other looming Hollywood strikes)—it's a fundamental shift in the business models of entertainment. The last 10 years of streaming have completely changed the way everything works in Hollywood, and that's before you take into account the fact that every single corner of the industry (and America) has felt the shockwaves of the pandemic financially anyway—which means negotiations aren't just about greed, but network restructuring AND transforming ideology.
I do think they'll win—the fact that they stand at 97% solidarity within their 11K union, and other creators across every industry and the world are backing them—but given writers strikes generally last 100-ish days and have gone on as long as six months? Combined with the fact that the actors + directors guilds will be joining them if it doesn't end in 55 days, which would be the shortest writers strike on record?
I'd settle in a bit if I were you lmao
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Let's be honest, and I say this with full offense, Lucerys Velaryon is the Archduke Franz Ferdinand of the Dance of the Dragons. He is meant to be a sacrificial lamb to kick off the entire war proper. If we had gotten a full season of development with him like we did with the younger cast in Game of Thrones, I guarantee more people would've felt something. The only reason I personally feel bad is from a baseline level of empathy, because he was a child who was placed in an unwinnable situation due to his mom being completely irresponsible with him and his brothers.
However…
The comparison between Lucerys and Aemond is no contest. Love him or hate him, Aemond has an actual personality and goals when we first meet him. There's enough dimension in Aemond as a child to showcase the potential for sympathy between him and Jace at the funeral, a scene they didn't need to put in, but they did, which emphasizes his own innocence. Even before he breaks bad fully in S1E10, he's still far more compelling to watch due to the number of scenes allocated to him and his dynamic with other people.
This is where you and I are going to disagree just a bit, because Lucerys does do something in S1E07 and S1E08. He gouges out the eye of a family member and petulantly whines that he “didn’t do anything!” when confronted with the possibility of getting in trouble for it, then years later has the nerve and complete lack of sense to giggle at the person he permanently maimed only hours after his legitimacy was publicly called into question (again) and resulted in a murder. The narrative (perhaps unintentionally) glosses over these moments in favor of portraying him as good, whereas if you read between the lines, you can see that as being an oversimplification. The problem is that because S1 was truncated, secondary characters like Lucerys don’t receive screentime dedicated to portraying anything other than a single personality trait. Unfortunately, because of his role in the text and the way it was adapted for television, there was never a chance that Lucerys would be interesting.
I don't even have anything to add, this is just objectively correct.
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