#they make me so ill i don't know why i don't draw them more

[clingyduofan]

i Need to draw more vitalasubzam

[frostbite-the-bat]

i hgoupe I'm The roller guy to yall

[a-sleepy-ginger]

3/4/24

✿❈✿❈✿

Baby potato

Finished hime Sama goumon no jikan desu anime and it was really cute

Fruit

[luvsavos]

life kicks me in the ribs yet again: more than likely i won't be able to get all the money i need in time for the alatreon model, so. got excited for nothing :)

[seth-whumps]

I MADE A WHUMP EVENT: get ready for July folks

welcome to the Whumperless Whump Event of July! for your sickfic, situational, and completely apersonal whump needs--comfort included, of course. follow @whumperless-whump-event for more information and details!

Image transcripts, tagging rules, and guidelines under the cut!

RULES

Any and all art types allowed (GIFs, drawings, music, writing, etc.)

No AI generated content allowed

OCs and Fandom works alike are welcome :)

Trigger and content tags required, even if the prompt explicitly requires the content (eg. Vomiting still needs the emetophobia tag)

NSFT and NSFW are allowed, if tagged appropriately. This blog will not reblog them, as minors do follow it. However, you're still free to write as you please :)

If enough interest is shown, I will make an Ao3 collection (edit: ao3 collection is made and can be found here)

Side note: please let me know if there's anything I can do to make this post or event more accessible. Should I put the image transcripts on the ID too? Is the formatting causing issues? What can I do?

This is not a contest, just an event. The only awards will be announcements for people who completed the whole darn thing. My entries will not receive any announcements or awards, because I'm hosting

TAGGING

Tag with, per example: #whumperless whump event day 1; #whumperless whump event; and (optional) #whumperless whump event day 1: alcohol as a sanitizer

Tag @whumperless-whump-event please! If not, I may not see it or be able to reblog it!

If desired, tag the medium you used

Trigger tag and content warn (including nsfw/nsft)

If posting early, tag with #wwe early entry. If posting late, tag with #wwe late entry. If posting just for fun, no need to tag these!

IMPORTANT:

There are NO OTHER RULES. Do one prompt! Do seven! Do 'em all! Repeat the same prompt six days in a row! Switch them around and do them all out of order! Post them eight months after the event is over! Finish the prompt list early! Write one long-ass story that deals with every prompt or do a one-sentence drabble for each one! Recommend your favorite scenes regarding the prompt! Write, draw, sing, play music, make playlists, do fic recs or show recs or episode recs or book recs, fucking crochet or something! FOLLOW THE VIBE. DO WHAT'S FUN.

Prompts (text):

Emergency First Aid: Self-done stitches / Alcohol as sanitizer / “It's just a scratch, I've had worse.”

Does your insurance cover this?: Car accident / Bystander caretaker / “Eyes open, ambulance is almost here.”

Like a record, baby: Vertigo / Struggling to stand / “Is the room spinning, or is it just me?”

It's every day bro: Chronic pain / Massage / “I'm used to it.”

Stealing my breath (give it back): Wheezing / Light-headed / “I'll count, you just breathe.”

Summer is a curse: Heat Stroke / Panting / “Why don't we… find some shade, quick?”

Accidental Cryotherapy: Falling through a frozen lake / Hypothermia / “Hey, c'mon, you gotta stay awake.”

Put your head on my shoulder: Migraine / Light & Sound Sensitivity / “I can close the curtains…”

White and red handkerchief: Coughing up blood / Can't speak / “You just can't shake that cough, can you?”

Your work is never finished: Forced to work while ill / Workplace emergency / “...sit down, I'm calling HR.”

A minor annoyance: Stuffy nose / Hate to be sick / “I'm fine, I can work.”

It's going down (I'm yelling timber): Building collapse / Trapped under rubble / “I can't move my legs.”

It's just a pebble: Avalanche / Stuck in the mountains / “Well, this wasn't how I thought the hiking trip would go.”

Lay down your sword: Fighting back a cold / Cuddling / “Just let yourself be sick so you can get better.”

I'm going down (you're yelling timber): Passing out / Exhaustion / “I've got you, let's sit down, I've got you.”

Say goodbye to filters: Half-conscious / Delirious / “You would never say that in your right mind…”

In hot water: Dangerously high fever / Cool baths / “We have to get that number down somehow.”

I don't see it: Hallucinations / Fever dreams / “It's just a nightmare. You're safe.”

The whump morning after: Tending to injuries / Domestic hurt comfort / “Let's check the bandages, okay?”

It's not fun if you're panicking: Stuck in an elevator / Claustrophobia / “Get me out.”

Where's the exit: Lost / Stuck in the wilderness / “Surely someone will notice we're gone.”

Better out than in: Nervous Stomach / Vomiting / “I got your hair, it's fine.”

Well, that doesn't taste right: Accidentally poisoned / Allergic reaction / “My tongue feels like bees, is that normal?”

Be one with the fish: Drowning / Rescue Breaths / “Why did you think that was a good idea?!”

We didn't start the fire: Severe burns / Running into flames / “I know it hurts. Breathe.”

That's no barn spider: Venomous bite / Arachnophobia / “You'll be okay, we can help.”

What's your name again?: Concussion / Temporary Amnesia / “I don't remember what happened to me.”

Nothing behind the eyes: Fully unconscious / Force feeding / “It's just me, go back to sleep.”

Wrong place, wrong time: Robbery / One of many hostages / “Stay behind me, I can take a hit.”

I don't mean to get emotional: Fear / Breaking point / “I can't stop crying, I'm sorry--”

Only way out is through: Tunnel collapse / Accidental Journey / “We can't just sit here and wait.”

ALTERNATES:

Seizure

Choking

Withdrawal

Mugged

Wild animal attack

Hangover

Strain/sprain

Broken bone

Bloody nose

Panic attack

[rogueddie]

"Something is really wrong with Steve," Robin says.

The party look up, startled. They wait for her to continue, but she starts pacing nervously. It immediately sets the kids on edge, glancing at each other uneasy.

"What do you mean?" Dustin eventually speaks up. "Is he... ill?"

"No, no, it's... his parents came home, right?"

"Yeah, we know," Max snorts. "Dustins mom had to ban him from the house because he wouldn't leave."

"He can't avoid them forever," Dustin points out. "I get that it's hard to talk to them when you have to lie all the time but they're, like, paying for all his shit."

"No they aren't!" Robins voice cracks. "They cut him off years ago! Dude, he hates them and now he's writing up a resignation letter so he can go work for his dad."

"Why is that a bad thing?" El asks, eyes a little wide.

"He'd have to train for a few months in New York for one."

"New York?!" All of them burst out. They all try to speak at once, loud and panicked. They're so loud that Hopper bursts out, confused and tired and panicked.

"What the hell is going on?" He snaps.

The kids all look a little guilty. El stands up so he looks at her. "We are worried about Steve."

"What? Jeez, that's what you're yelling about?"

"He's moving away!" Mike snaps. "To New York! For months!"

Hopper frowns at him like he's not making sense. "New York?"

"To work with his dad," Robin adds. "I didn't know if I should talk him out-"

"They're back?" Hopper asks. He's gone still, voice devoid of emotion and dangerously calm. "How long?"

"A month? Maybe more, it-"

"And they're home now? Do you know if Steve is there with them? It's not one of his shifts, is it? That'd make it easier."

"What? No, he's home. Make what easier?"

Hopper ignores the question, grabbing his coat and shoes. "Stay here, I won't be long."

He ignores the questions that grow frantic and panicked when he picks up his gun, stomping out the door at a fast pace. Robin is yelling from the door as he climbs into his car. She's too taken aback to even begin to think of how to answer to avalanche of questions the kids throw at her.

Hopper gets to the Harrington house in record time, having sped just a little to get there. Mrs Harrington is the one who opens the door and looks a little guilty when she sees him.

"Where is he?" Hopper asks.

She steps back, letting him in. "In his room."

Hopper pushes past her, taking the stairs two at a time. Steve is sat at his desk when he enters the room without knocking, head snapping up and looking startled. He looks a little ashamed when he realizes that it's Hopper.

"Hop," Steves voice is strained. He frowns when Hopper ignores him, pulling his closet open. "Uh, Hopper? What are you doing?"

"Taking you home," Hopper mutters. He pulls out the three bags he knows Steve has been keeping hidden, just in case. "Come on, pack up."

"I can't just-"

"Yes you can. Pack. Up."

Steve only hesitates for a moment. He slowly fills up one with his few sentimental things and some things he considers important (his scoops uniform, the drawings from Will). Hopper stuffs the other two with clothes. It doesn't take them long.

"I'll come back for the rest, if you want any of it," Hopper hands Steve his car keys, waving him toward the stairs. "Wait in the car. I'll be a minute."

Steve hesitates at the door, glancing between Hopper and his mom. He leaves though, doesn't say goodbye.

"Right, here's what's going to happen; I'm going to come back for the rest of his things. I've seen that room, I'll know if somethings missing. And that shit is his, don't try to bullshit me." Hopper eyes her with visible distaste. "He's an adult now. You can't take him back and if I hear that either of you've been trying to harass him again, I'll press charges."

She nods, which is enough of an answer for him. He throws the two bags in the back with the third before climbing in the drivers seat. The air is thick with tension as he pulls out the drive, starting the drive back to the cabin.

"Um... could you, uh, drop me off at the trailer park?" Steve asks, quiet and timid in a way that is horribly familiar to Hopper. "I, uh... I need to see Eddie."

Hopper grunts. He grits his teeth to stop himself snapping. It wouldn't be fair on Steve. So he drives him there, quiet and tense.

"Thanks," Steve mumbles.

But Hopper climbs out too, gently grabbing Steves jacket lapels to drag him over to the Munsons trailer. Hopper knocks.

"Oh," Waynes eyebrows raise. He looks Hopper up and down before turning his eyes on Steve, who he gives a soft smile. "Harrington, you doing alright?"

"No," Hopper answers for him. "Could we come in for a moment?"

"Sure?" Wayne shuffles out the way, shutting the door behind them. "Eddie's in his room, if you want me to get him?"

"You want your boy to see?" Hopper asks Steve.

Steve ducks his head, fiddling with the sleeves of his jacket. He mutters, "he probably will anyway."

"Ok. Do you want him here for this?"

"Here for what?" Eddie asks, hovering in the doorway, worried. "What's happened?"

"Nothing," Steve tries to say. "It's... really, it's nothing."

"Steve," Hopper calmly says. Waits for Steve to look back at him, simply raises an eyebrow. "Where?"

"Hopper, it's fine, really."

"Where?"

Steve tries to stare him down, unsuccessfully. He huffs, annoyed, glancing at Wayne and Eddie who, understandably, look confused.

He slowly takes his jacket off, keeping his eyes on the floor. There's a sharp intake of breath when the dark, almost black, bruises on his arms are revealed. They litter the entirety of both arms, the ones around his left wrist and right bicep standing out the most- the ones shaped like hands.

"Steve," Eddie whispers, walking forward slowly. He's careful, brushing his fingers against his skin. "Oh, baby, who did this?"

"It's fine," Steve tries to insist.

Hopper clears his throat though. "Where else?"

Steve doesn't try to argue this time. He grabs the back of his collar, lifting his top off. His ribs have the worst of his bruises.

"Fuck," Eddie carefully, gently, pulls Steve into a hug. Presses gentle, ever so soft kisses to his neck. His hand is just as gentle when he rubs his back. Steve clings to him, grip looking almost painful, but Eddie doesn't complain.

Hopper turns to Wayne, who is also pointedly looking away so the two can have their moment. "His parents are gonna try to find him. Direct them to me if they try here."

"Don't worry about Steve," Wayne glances at the pair, still wrapped around each other, at the bruises. "Worry about them. If they try to come by here, they'll be leaving in a body bag. I'm sick of assholes treating my kids like this."

Hopper looks over at Eddie, who's pulling back so he can hold Steves face, eyes painfully understanding. He nods at Wayne, pats his shoulder. "I'm getting the rest of his stuff, he's got no reason to go back there. It's my cabin he's coming home to."

"I'll drive him there myself," Wayne glances at the pair, who think they're being subtle and sneaky as they giggle their way towards Eddies room. "Tomorrow."

Hopper chuckles, glancing towards the hall the two disappeared down. "Tomorrow."

[nothorses]

You've made a lot of really great posts about transmasc experiences and struggles, and they really resonate with me! So I guess I want to in complete earnest ask: why the push for 'transandrophobia' when anti-transmasculinity as a term has been around for longer and faces little friction by comparison? I don't really *dislike* transandrophobia, but its meaning gets muddied everywhere from different directions, while ATM is pretty direct and succinct I feel. It's very clear that it's about TRANSmasculine oppression. I'm not against having a dedicated term at all, but the content of our struggles gets lost in the weeds of attaching kind of understandably divisive terms like misandry and androphobia in an attempt to mirror a phenomenon very specifically about misogyny; it seems more trouble than it's worth considering ATM is right there

I'll be honest, this ask is confusing to me for a few reasons.

When I started talking about transandrophobia around the summer of 2020, the conversations I was encountering were very much, like, a handful of people across Twitter and Tumblr (literally, a handfull!). I picked up "transandrophobia" because it was one of two words I saw in use, and the other- "transmisandry"- felt much less clear and much more contentious. It seemed super obvious to me that people would draw a line from "men's rights activists" trying to push this idea that "misandry", as a systemic oppression of men by women, to "transmisandry", and assume some ill intent where there was none. It's confusing!

"Transandrophobia" was the better of two options being floated at the time, at least in any conversation I saw. "Anti-transmasculinity" was not really a term I'd been made aware of, if anyone at all was talking about it at the time.

I have seen people pick up "anti-transmasculinity" more recently (maybe in the last year?), and this is definitely the first I've seen someone shorten it to "ATM". The people I've seen use that term have been mostly people who seem really new to the conversation, and the vibe I've gotten has been very, like, "we're the Good Transmascs, our word isn't dirty and gross like those other Bad Transmascs everyone hates. you'll listen to us now that our word is Good and Pure, right?"

Which is like... kind of frustrating, and kind of sad, honestly. I think these people honestly believe that if they just choose the right word, all the people who've been dragging me and every other transmasc talking about these issues through the mud for the last 4 years or so will really just stop & listen. If they can just say it right, these people- who have been relentlessly harassing and spreading lies about every single transmasc who came before them for years now- will care what they have to say, and will be willing to engage with them in earnest, compassionate dialogue.

If you just find the right word, all of these people will care about your hurt, your pain, and the suffering of your community.

It kind of breaks my heart. It's an incredibly hopeful, kind, loving way to view the world. It's compassion and patience and forgiveness that these folks are not being given, but that they so badly want to offer to others.

And at the same time, it sucks to be the Bad Transmasc. It sucks to have fought so hard for so long, and for the people I've been fighting for all this time to turn around and say, "you're gross, and dirty, and evil, and everything you've done is a mistake." It sucks to see the people I've been fighting for agree with the people I've been fighting against, and shove me under the bus in an effort to appeal to the people running me over with it. Knowing that the bus is going to aim for them once it's done with me just makes it sadder, yknow?

@saint-speaks wasn't the first person to ever speak the word "transandrophobia", but he is the one who coined and popularized it in its current form. And then he was dragged through the mud so hard and so brutally that some people think I coined it, just because when I defended him (too little and too late, imo) I withstood the mud-dragging better than he did (and gee, I wonder white.)

And now people take for granted that everything everyone said about hymn to justify that frankly fucking evil harassment campaign was true, actually, and we should abandon the word he coined and find one with purer origins.

If you honestly think "anti-transmasculinity" is just a more practical word, that's fine. I don't care what word we use. But they're going to cover it in mud, too. They're going to cover every one of you in mud.

Will you keep fighting for "ATM" once they make it the new dirty, gross, bad, evil word? Will you keep fighting when they drag you and everyone else through the mud for using it? Or will you agree with them, make up a new word, and never look back?

Please don't let us drown in the mud. We've been fighting for you, and we want to fight with you. Please.

[weaselmcdiesel]

ok so it's not a comic hope thats ok with you but instead it's karkat n nepeta but designed by someone whos madly in love with them both

some more au explanations + transcript beneath the cut

they're maybe around 30-40 yo? This was mostly just an exercise to give both of them adult designs. uh. i'm only calling it an au because I made bs some explanations behind their designs while i was drawing them. so uh, in this universe, sburb never happens + things that happened because of sburb don't happen either, but the alternian society is relatively unchanged. i dont actually know.. what.. karkat does.. like i cant figure out why he wouldnt be culled but it doesnt really matter i just wanted to draw him looking cool! (i am. open to hear about speculation if you have any). also i figured that Kanaya would go to the brooding caverns after her lusus dies, bc the wiki said her lusus would die regardless of the game taking place n whatever, and probaly do something with the matriorb there idk. thats all tho! ill prolly draw them more and maybe develop more lore as i do ^^;

--

Transcript!

i don’t know what their dynamic is in the canon of this au… but that won’t stop me from making them kiss :]

The Vigilant adult karkat on alternia

new highly developed shoosing skill

honestly has a calmer demeanor because he’s learned what’s worth exploding about… though he probably developped a crazy resting bitch face

pleased (arrow to karkat with a neutral face)

The sash doubles as a sling for when he visits Kanaya in the brooding caverns. He’s also very tranquil around grubs because they don’t cause unmanageable problems. He’ll get mad if someone else bothers one

(yes i’m obsessed with dilfkat that’s why i drew this)

The Predator adult nepeta on alternia

Taller than karkat <3

still a silly goober, but better at getting what she wants

she probably got her title from a history of single-handedly slaying fearsome lusii. she likely takes assassination type of jobs because of her stealth. one of the more easy-going trolls from the group

--

also! fun fact. i was having trouble designing kk's outfit so i looked in an old antiques catalog book from the internet archive to get inspiration from objects that had the same colors as those that i wanted to use in his design? not sure why i did that. just had a hunch that it would be fun. so this is the object i found that strangely enough inspired kk's fit

haha.. and i also found one for nepeta, though it was easier to design her fit and i didnt actually need a reference object

the book was "Antique Trader antiques & collectibles 2009 price guide"

[captainmera]

Was evelyn ever ALMOST caught by witch hunters?

I WROTE IT, BECAUSE DRAWING IT TAKES TOO LONG.

For some reason, I forgot I could just...... Write these little shorts with little illustrations alongside it, instead of drawing out the whole thing and it takes forever. So... here ya go! Two more little drawings beneath the cut with some text!

Roger growled through the gap amongst his ivory. He could not wrap his head around why his rival was standing there with bow and arrow, willing to.. What? Shoot him? For this woman. Barely a Christian woman, even. "What are you going to do?" Roger gestured at Caleb's homemade weaponry. "You're going to shoot me if I don't leave?" "Maybe." Caleb said, still not tensing the bow. "My brother's a real clever guy, he knows a lot about the body. Did you know that arterial bleeding is the most fatal?" "Uh-" "Looks the most accidental, too." Roger furrowed his brows. Caleb's brown eyes were void of warmth. "What are you saying?" "I'm saying I'm holding a bow. I'm saying I'm pretty good at using it. I'm saying I'm a woodsman, you're not. I'm saying that if I wanted to accidentally shoot you and hide your body, I could. And if you were discovered, it's an arrow in you, not an English pistol wound, or a knife. And nobody knows you were ever here." "...You're not serious." "You can always find out." "You're bluffing, I've never seen you use a bow and-" "Leave my property." Caleb repeated. "And if you are going to accuse my friend of witchcraft, you better have more than suggestive or spectral evidence." Roger glowered back, held his hands up in peace, and backed away. "Fine, I will." And left the way he came through the woods. Caleb waited until he couldn't see him any more, before locking the door and pulling the curtains. Roger had never liked Caleb, but before his rival took a break from witch hunting, Roger had at least had a competitors respect for the man. But respect turned to suspicion. Caleb had been acting strange for awhile... Glum and a lot more quiet. Then that woman showed up. And now the cove were against spectral evidences? Caleb had been the most frequent and outspoken about how witches found a lawful loophole by using supernatural means to get away with their crimes. As it was difficult to prove that a witch had tormented someone in their dreams, for example. And Roger agreed! Sure, Caleb was annoying, but they had both been amongst the best and the worst of hunters, being the same age only meant the two lads butted head to stay in their spot as head of a patrol. Being a witch hunter was a competitive sport, almost, it was hard to explain unless you participated. They were not friends, but Roger was sure if the roles had been reversed, Caleb would've been suspicious too and, honestly? Caleb would've tried to save Roger. It was just good sportsmanship. And this whole thing smelled wicked. Caleb turned to Evelyn. "Are you alright?" "I don't know.." She said and looked at her hands. Artemis had crawled out onto her shoulder to give her a comforting little spider hug. "My magic.. It didn't work." "What?" Caleb abandoned his bow by its place next to the backdoor. "It's not working?" "I don't- I was trying to make it work, he saw me. I'm sorry." Caleb lift her chin up. "Hey no, it's alright. Maybe.. You've just been here too long?" "No that's not it. I know it isn't." "Maybe you're ill?" She smiled up at the crease of worry on his forehead. He was trying to sound calm and proper, and she knew that tone of his. That rougher, almost demanding, serious tone. That tone he used with Philip and his friends when they were turning to him for leadership and give them orders - even if he was just as anxious as them.

His eyes flickered away, noticing that she had caught him spiralling with worries. He shook his head to get out of it and straightened his back. "Are you ill?" He repeated with a softer tone "No, I dont think so." "Not witch-ill, human-ill?" "No... I don't have any symptoms." "Hm.." Caleb thought back at when she had visited him at his job. "Oh, was it the sprig of dill tea?" Evelyn's eyes lit up. "Oh! Oh right that did taste awful!" Caleb couldn't help but break out into a soft scoff. "Well, good to know that folktale is true." "Huh?" "It's said sprig of dill keeps witches and evil away. That's why we drink it at the morrow' meeting." Evelyn's lips pressed into a line, feeling a little silly that she had so readily accepted tea from a bunch of woodsmen-slash-witch hunters. Of course they would be drinking things like that out of superstition.

"Right." She brushed her vest. Caleb snorted. "Stop it! I was afraid!" "Sorry, sorry. I'm sure it's only temporary." Evelyn looked at her hands. "You think so?" "Yeah. But.. Why don't you stay here, just in case, until it comes back. Yeah?" "Appreciated." "Of course." Evelyn swayed her skirt bashfully. "Caleb?" "Mh?" "Thank you." She pulled him in so she could plant a kiss on his cheek. "You've been my hero today." Caleb's limbs were full of pink and red butterflies. He laughed nervously and swatted his hand around in the air. "Oh! PFSH! O-Of course! I can't just- You're a maiden in distress! It's only the right thing-! Anytime, milady." And theatrically rolled his hand before bowing to her. And that got him in the right height for both of her hands to cup his face. "I think you deserve one more then." And kissed him on the side of his nose, his forehead, and when his smile spread his lips wide across his face, she kissed the dimple by his side. And that was enough. Caleb crumbled, and turned away from her with an incoherent sputtering of words. She smiled. Caleb put his face in his hands to cool, stroked them through his hair and coughed. "TEA?" He offered, gesturing at the stove. "Er- not, that tea, better tea." "Sure." And took a seat nearby him.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[g-xix]

🔞AMP EATING OUT HC'S

What the AMP boys are like giving head Feat: Duke Dennis, Kai Cenat, Agent00, JiDion, Fanum

Duke Dennis -This mf is so fuckin hot it's crazyy -Presses a myriad of kisses all over your inner thigh, even leaves a hickey there just so that only he can see it, cuz he's a possessive mf -Even starts with pressing a kiss on your core, wetting his lips which he j licks off before getting in there -And he's like, 6'2 so i know DAMN WELL he's got some sexy long fingers that he's gonna be scissoring in your pussy whilst he wraps his lips 'round your clit n sucks on that -Double stimulation of your g-spot and clit has you cumming haaard -And I j get the feeling that Duke's the type that's gonna ask whether you wanna do another round after that- maybe with his cock in your hole instead, this time

Kai Cenat -I just don't think he's much of a giver 💀 -I feel like he'd rather use fingers than go down on a girlie and eat it up -Atl he's... tried before? -Sorry but I just can't imagine he'd be good at it 😭 Like he'd be narrating to himself what he's doing just to like... Affirm to himself that he's doing it right -But this is the type of guy to get the left flap confused with the clitoris -Wondering why you're not moaning or really saying nothing... Eventually just had to say "You know what, maybe this isn't for you" -sorry to the Kai girlies but I just don't think Kai's got the good head game in him 😞

Fanum -This mf loves eating, and eating you out is no exception ong fr 🙏 -I feel like he'd be so easily turned on an picks up on signals sooo easy, so best believe that after a whole night out of teasing he wouldn't be playing around -Soon as you two get a moment alone he's not even wasting a second of time to take of your clothes or nun -Pulls up your skirt, pushes your panties to the side - the one time you wore a pair of tights he ripped through them like nothing, making you gasp and hiss his name - he just hushed you with promises of ill buy you a new pair don't you worry sweetheart- -And he's a messy mf when he's going down -Lapping that shit up like a DAWG, has you cursing n squeezing his head HARD between your thighs -Honestly it's crazy how good this guy is at giving head and he's a cocky bastard because he knows it too

JiDion -I think his song Thick Chicks affirms what typ'a girl he's into -And facesitting, he's a big fan of that -He likes a girlie sitting on his face, grinding down and riding his tongue -Clamps his arms around your thighs to your your pussy flush against his mouth 

Agent -Sooo this guy could not SHUT UP about eating ass, and squid pussy during that AMP x Beta Squad vid -And I think his enthusiasm has me convinced that he is genuinely into all that... not eating squid pussy, eating ass i mean -Has you on all fours, hand pressing your upper back down so that your face and tiddies are pressed into the bed, ass arched on up  -He's got one hand 'round your thigh, rubbing up n down, occasionally his thumb curling over and pressing to your clit, drawing circles on your clit and making you arch back into his touch -and he's going between licking your pussy and eating you out there, and spreading your cheeks n eating ass -I feel like he'd have experience too, yk, like he'd be good as hell with his tongue

-------

look ik i didn't do all of AMP but ngl, im a big british youtube girlie and i don't rly know (at all) what Chris n Davis r like 😭 That being said, do lmk if the AMP girlies out there enjoyed bc this is my first ever AMP-based fic... lmk whether u wanna see more!

Hope you enjoyed reading!! Feel free to interact- whether that be a comment, vote or follow! Requests open, feel free to submit what u wanna see... Much love!!

To see more, here's my MASTERLIST

And here's my WATTPAD, with 50+ more oneshots to read

[luveline]

baby blurb of sirius looking after sick shy!reader pleaseeee. I miss him and my throat is killing me today :((

thank u for ur request! feel better soon<3 fem!reader

"Let me see," Sirius says. 

You stare at him. 

"Open up. I wanna see if you have ulcers." 

"Sirius," you say, your voice shaking with the hoarseness that accompanies a bad throat intertwined with the nervousness of having someone so handsome this close to your face, "we both know I'm not going to let you look in my mouth." 

"But you'd let me put my tongue in there?" 

You flush with a heat that has nothing to do with your flu. "We all make mistakes." 

Sirius smirks at you. It's a very charming expression on him, as is the quirk of a slender brow as he pulls his legs onto the bed and crosses them. 

Elbows on his knees, face in his palms, he looks out of place on your white sheets. Black jeans, black t-shirt with a tasteful rip from shoulder to pec, black hair a glossy, messy siren call, and all his dull black piercings. He has a stray wave splayed against his cheek that you want to push behind his ear. His stubble would scratch your thumb. 

"If that's how you feel," he murmurs, though he makes no effort to move. 

"Do you think I'll be ill forever?" you ask. 

"Likely. Don't worry, gorgeous. I'll take care of you forever." 

You bite your tongue where it's pushed against the inside of your bottom lip, your eyes softening at his promise. He's joking, sure, but he leans forward to rub your knee and inner thigh, startling you despite the layers of blankets between your bare skin and his. 

His head remains in his palm, propped up casually, so your shock swiftly fades. This is just Sirius being Sirius.

"What will I do with you?" he asks sympathetically. 

"Not much." 

He scratches a hand through his hair. "Now, why are you talking about my girl like that? Being poorly is no excuse." 

You're laying back in a mountain of Sirius-sanctioned pillows and cushions, Sirius to your left, a box of things he'd brought for you to your right. The necessities: super soft aloe vera tissues, decongestants, paracetamol and ibuprofen (an ultimate combination). The treats: new fluffy socks, chocolates you can't yet eat, a blanket one thousand times softer than the tissues, and a teddy bear that 'looks like you', apparently. 

"You're probably too good to me," you say softly. 

"Or I'm the right amount." Sirius straightens, groans, and drops into the cushions beside you. "You're very, very lovely, even when you're as sick as a dog. I think you should know that," he says, his tone ringing with a sincerity that makes your eyes ache worse than they already do. "And you're like, insane levels of gorgeous. I'm not kidding when I say–" 

He pauses as you raise your hand. You settle it sluggishly over his pretty mouth, feeling it curl upward. "Sh," you say, too tired to fluster at his praises. 

"You're beautiful," he says quietly into your hand. 

Sirius' fingertips trace the slopes of your body. Not sexual but inherently intimate, he draws a path from the fat of your upper thigh to your ribs where your blankets end. He pulls them higher. 

"You really won't let me look at your throat?" he asks. 

"No, but… maybe you can make us a cup of tea?" you suggest shyly. 

Sirius leans forward, pressing a short, firm kiss to your chapped lips. "For you? A-ny-thing." Two more quick kisses. "Don't go anywhere." 

Sirius is jogging down the stairs by the time you find the energy to call, albeit weakly, "I can't stand up!" 

"I was joking! Christ, it's worse than I thought. I havta get you to a doctor." 

That time, you catch the sarcasm. 

[benedictscanvas]

pretty boy, pretty girl - jamie tartt x reader

pairing: jamie tartt x fem!reader

word count: 2.1k

a/n: okay yes. it has been six months. which is actually mad to me, but there we are - whoops! i've been off following my dream and wrote this while procrastinating an assignment, so this is by no means a return!! honestly i was just itching to write it, but i don't know how much time i have for more - enjoy nevertheless <3

warnings: just a little bit of suggestion towards the end, reader is referred to as 'pretty girl' as the title implies amongst other pet names, quite a lot of swearing (some things don't change)

---

“Hi love.”

Jamie barely murmurs it as he walks past you, can’t help himself but to drag a palm along your back, one shoulder blade to the other, as he goes. 

He knows he’s bold sometimes, but he swears it’s instinct. He glances back to see whether your expression holds any discomfort, but all he finds is your grin, a tiny wave. He continues on his path towards the canteen, knowing that your corridor conversation with Rebecca is probably important.

Somewhere between here and there, he decides to get your lunch, your usual, and sits alone on a table until you appear.

You do, three and a half minutes later. As soon as he sees you, the irrepressible urge to make you grin again is back with a vengeance. He waves you over to his table with a gesture to the food he’s got for you and- there it is again.

If he was a slightly smarter man, maybe he’d consider why all it took was the sight of him to draw your lips upwards, set your eyes alight.

“Thought I’d save y’ from the queue,” he speaks, still soft, in a tone he feels he only uses with you. You match his unnecessary low volume.

“Thanks, angel,” you say easily, and you must not see his stomach doing flips, “Too good to me, you are.”

“Shut up,” he deflects, wonders if you can see him fluster at your nickname for him, “Are you still coming tonight?”

You groan. He frowns, and you quickly correct.

“Sorry. It’ll be fun.”

“Yeah, you sound proper convinced, an’ all.”

You chuckle, taking a bite out of your sandwich and taking a pause to chew. Jamie eats too, content to let you think before you speak. It was slowly teaching him to do the same.

“I’m just boring, Jamie. My favourite people are all under this roof, but usually they’re sober, you know?”

He often forgets you don’t really drink. Your friendship (however sour that word feels in relation to you) usually confined to these halls, to the pitch, to various football stadiums up and down the country. When they all get a chance to let loose, you’re very quick with the excuses, but he’s believed them blindly until this moment.

“Shit, y’ don’t drink, right? I can’t imagine that’s much fun in a club. I won’t tell anyone if you happen to come down with an illness or somethin’ this afternoon.”

You’re grinning at him again, all bright and sunny. It’s downright infectious, so Jamie nudges your foot with his on purpose and then apologises like it’s an accident.

“You’re alright,” you reassure, “I will join tonight. Even if it just proves to myself I’m not missing out on anything. Maybe Colin’s not as bad a drunk as I’ve been led to believe.”

Jamie winces.

“No, he is pretty bad,” he admits and then finally comes up with something to make you more comfortable, “Hey, what about this? I won’t drink either and we can spend the evening laughin’ at everyone else.”

You poke his hand and he tries not to drop his crisp packet.

“It’s everyone’s ‘relax and recharge’ night, Ted said. We both know you relax much easier with a few drinks in you. And I’d never judge anyone for that, I really hope it doesn’t come across like I’m judging any-“

“It doesn’t, sweetness,” he cuts in, “But actually, I’ll relax better if I’m one hundred percent positive that you’re relaxing too. What better way than judgin’ everyone else, together like?”

You purse your lips thoughtfully, mid-chew. He feels like he’s holding his breath, like he’s underwater and you’re in charge of the oxygen tank.

“Well, see how you feel when we’re there. It sounds lovely but only if you’re still up for it when we’re right next to a bar,” you say, still unconvinced. He wants to convince you fully, but he can’t decide if he should argue with you or kiss you silly before you speak again, “Hey, if not, I’ll buy you a drink?”

“Pretty sure that’s my line, love.”

“I said it, I meant it. Girls can buy drinks for pretty boys, you know.”

He thinks you might have removed his oxygen tank now. There’s some cruelty in that sentence but you don’t know you’re wielding it. He wills himself to flirt back even though it’ll only make him feel sick.

“Okay, pretty girl. One passionfruit J2O, please.”

Another grin. He’s so fucking fucked.

---

He’s been waiting for you for around forty minutes. He doesn’t know if that’s the normal amount of time you take to get ready, even if he wishes he knew, so he just waits, leaning against his car.

After fifty, he decides there’s no harm in just checking you’re alright and haven’t slipped on a sparkly floor that an evening cleaner has done a number on.

You mentioned going to the kit room to get changed, and he meets Will on his way there.

“Hey mate, you seen Y/N?”

Will looks paler than he’s ever been. Guilty. Jamie narrows his eyes and waits.

“Kit room.”

It’s all that Will says. When Jamie doesn’t walk off immediately, still waiting for an explanation for Will’s strange demeanour, Will turns around and legs it all the way down the corridor, turns left at the end and never returns.

Jamie shakes his head and continues in the direction of the kit room. The closer he gets, the more he hears. Muffled banging, shouting. He picks up the pace.

“Y/N? Love?”

“Jamie! Jamie, in here!”

Your voice floats out from the kit room and he hurries over. Still very confused, Jamie turns the door handle and finds the door won’t budge, however hard he shoves his shoulder against it.

“It’s locked, babe. Did you lock it?”

He hears your exasperated sigh and feels a little embarrassed.

“No I didn’t bleeding lock it! Well, I did, when I was getting changed, but then when I unlocked it my side it had been locked from the outside.”

Jamie struggled to put the dots together. Had Will locked you in? Judging by the running, he had… and he’d done it on purpose. A spark of anger shot down Jamie’s spine but he tried to convince himself there must be a reason.

Before he could, there was a hand on his on the door, pulling him away. It was being unlocked by another hand and then he was being shoved inside, hard enough to stumble against one of the benches. A piece of paper was thrown at his face and Jamie groaned as he heard the lock click back in place.

“What the fuck?” he muttered as he stood up fully, more dazed than angry now as he stared at the locked door.

“Jesus, Jamie, are you alright? Who the fuck was that?”

“I dunno,” he says, staring at the door as if it might have answers. Your hand on his face wakes him up, his eyes shifting to yours where you look him over with concern.

“You’re alright, though?”

You ask it like you need the answer, and Jamie needs you to stop trailing a finger along his hairline either way.

“Fine, love,” he assures you, patting the juncture between your shoulder and neck gently until your hands drop to your sides. Then he raises his voice, and he’s not really talking to you anymore, “Whoever’s locked us in here as some kind of joke won’t be fuckin’ alright though!”

No answer. He picks up the small piece of paper from the floor and reads it in his head.

Tell her, you prick.

He’s actually going to hit Roy with his car. Lightly, definitely not enough to damage him, but enough to really, really piss him off.

This was all some ridiculous attempt to make him tell you how he felt about you? Absolutely not. Never. He wouldn’t be coerced into something so delicate, so important.

“What’s it say?”

You’re peering over the top of the paper, but he folds it in two before you can read anything. His chuckle comes out strained.

“It says: Get fucking pranked. Must be Roy, he’s probably scared Will into helpin’ him, the fucker. I’m afraid it’s payback for putting all his socks on the ceiling last week, babe, an’ you’ve been caught in the middle.”

You pause, staring at your shoes. For some reason, you look far more forlorn than the situation calls for, but it’s gone before he can think about it further.

“On the ceiling?”

He nods and you giggle. It’s only as you step away from him in your laughter that he realises how close you had been. He should’ve savoured it.

It’s also only as you step away that Jamie finally gets a glimpse of your outfit and nearly reaches out to the nearby bench for strength. He’s never seen you in a v-neck anything before, let alone a dress, and he thinks it might do him in.

“You look good,” he says lamely, then tries again, “Great. Fan-fuckin’-tastic, I mean.”

“I like that last one,” you smile, ducking your head. He thinks, or rather hopes, you’re a little flustered, “Fan-fuckin’-tastic happens to be what I was going for.”

“Yeah,” he breathes, words gone as soon as he’d found them. And now he was staring. Shit.

“I like your suit,” you say, maybe breathless yourself. It must be his ears. You reach up as if you might fiddle with his lapel but just point towards it before your hand drops again. You practically fall down onto the bench you’re both stood beside and he follows, ever obedient, “Shame no one else will ever see it. How long do you think we’ll be stuck here?”

The suit isn’t for anyone except you. That’s what he’d say if he had any stupid bravery. He’s an awful coward, he thinks.

“Until Roy gets bored or Keeley finds out I reckon,” Jamie guesses, “Y’ wanna play I-spy?”

You sigh, but when he peeks at you out of the corner of his eye, you’re grinning your silly, lovely grin again.

“I spy with my little eye…”

---

It is around 11pm, when Jamie has not long fallen asleep against the jacket he had scrunched behind his head, that he feels your hand on his ankle. He can tell, as he wakes without opening his eyes, that you’re not trying to rouse him. The touch is light, feathery. Maybe an accident.

No, not an accident. It wouldn’t have lasted this long, and your thumb is drawing absentminded circles into his ankle bone. You think he’s asleep and you’ve reached out to hold him anyway.

He opens his eyes but doesn’t move. His legs are stretched out on the bench in front of him and you sit upright next his sock-clad feet, one hand on his bare ankle. You’re staring at a piece of paper so intently he wonders what could possibly be so interesting.

“This doesn’t say get fucking pranked, Jamie,” you murmur, and his hand flies to his jacket pocket. It must have fallen out when he slumped into a slumber. He’s sat up in a blink, watching the hand that had been so soothing, fall back at your side suddenly.

“I’m sorry. Shit. I’m so sorry, Y/N.”

“No, don’t,” you insist, still staring at the piece of paper. Instead of whirling on him for answers, you reach calmly into one of the boot cubbies beside your head and pull out a piece of paper from one of the boots. You chuck it at him without looking.

He unfolds it with careful, if shaky, hands.

Tell him, you silly shit.

It takes him an absurdly long time to understand what the hell this second piece of paper means. Later, when the two of you look back on this moment (and you do so often), you’ll wonder how he could have been so dense and he’ll spin you a line about how too good to be true it all felt. But in the moment, he has no lines and no words, until your hand lands heavy on his knee this time.

“Jamie,” you say softly, through a grin that is so different from your usual that he could pass out. It’s so beautiful and so strikingly lovesick that he thinks he might actually be sick, “What do you have to tell me?”

“What?”

He feels dumber than he’s ever felt. But your hand is still on his knee and now you’re shuffling closer to him on the bench.

“What do you have to tell me?” you repeat, then you poke his chest playfully as you add, “You prick.”

He still looks confused, so you clearly decide the best way to catch him up is to kiss him.

You pull away after a moment, a moment of pure heaven, because clearly you don't want to kiss him fully until he's all clued in.

"Come on, pretty boy," you say, teasing, "Figure it out. I was going to buy you a passionfruit J2O. It's the sign of all signs."

He should be laughing at your joke, but all he really wants to do is kiss you again. And again.

Maybe again.

"Oh pretty girl," he says, and he feels the rumble of his low tone in his chest. He places a hand on your face, fingers itching at your hairline, "I'll tell you anything ya wanna hear, I swear. Anythin'."

He hears your breath hitch, but he feels it too, where the meat of his palm is covering your neck.

"Anything?" you answer back, "I could have a lot of fun with this."

You scrunch up your brow like you're thinking and he's so stupidly in love with you that he just tells you. Too-soon be damned.

"Smooth talker," you laugh, giddy, and you kiss him again. And it's so good that he doesn't even remember you didn't say it back until hours later.

(at which point, you say it back so many times and in so many ways, Jamie is certain that he's the luckiest man in the world. he might not hit Roy with his car after all)

[moodymisty]

[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]

Author's Note: Inspired by this conversation. I'll be making one that takes place while Reader is alive as well, but the one where you aren't just got finished first. Enjoy.

Warnings: Sanguinius/Fem!Reader, Major character pseudo-death(Reader), Worship, i don't know consider this a sort of writing practice type thing for me

Guilliman finds himself having to hold the vile taste in his throat down, as he looks upon the scene in front of him.

...He remembers you.

He remembers the friendly smiles you gave him, and he remembers the smiles you would reserve just for Sanguinius. He always wondered what Sanguinius found worthwhile in being with you; In managing his legion, the expectations put on him by the entire galaxy, The demands of the Emperor, and a relationship with you. But then he would spot the way Sanguinius would look at you, like you were everything he had ever hoped for, and Guilliman would feel a twinge of something. He never quite figured out what it was.

And now you're here. Dead.

At least Guilliman would've wished as such, but instead you lay in an eternal state of unrest much like he was, not too long ago.

Sanguinius had once voiced to him that he was worried his sons would idolize you much like they did him. They were already beginning to towards the start of the Heresy; You'd become less of a person and more of a ideal, an extension of Sanguinius' own supposed anglicism. Sanguinius had found it distressing. He didn't want them to blindly follow something because of a holiness put on them. Sanguinius could handle that sort of thing, persuade those thoughts away and order them to stop, but you couldn't. You weren't meant to.

Guilliman had appreciated him confiding in him at the time, but hadn't offered much to soothe his worries. Perhaps that had been a mistake. He remembers exactly where they were, how the sky had looked. And each time he remembers it, he wants to yell at his past self to say something; To spurn some sort of action and prevent this.

"She still looks the same,"

The primarch mumbles, remembering your face in the last snapshot of his mind. Your skin had been pallor, you were falling ill, but you still soldiered on. You had to. While you had given most logistical and battlefield duties to Chapter Master Raldoron after Sanguinus' death, you still held significant sway in the chapters rituals and other types of decision-making. They wouldn't allow you to divert those duties, the anglicism they had put on you had begun to grow and grow even back then, wearing down on you like a disease.

Sanguinius' genesons had nothing less than the utmost respect for you, which Guilliman had watched morph into the thing that Sanguinius had feared the most. It wasn't his place to step in, so he never did.

The glass coffin which holds you does nothing to hide a single thing, displaying you and the delicate lace gown you lay in. It was the dress you'd worn when you married Sanguinius, and Guilliman doesn't know how to feel about it. The sleeves do well to hide the tubes and machinery that digs into your wrists, deep into your lifeless veins. They keep your body psudeo-alive, he presumes, to stay off decay.

However it seems it's drawing blood out, which he finds interesting. Though he doesn't have the time nor the desire to dwell on why such a thing would be needed.

"You remember The Mother Angel?"

Dante is more composed than most of the other Blood Angels, but Guilliman can still sense the awe in his voice from the primarch's eyes having touched their Mother Angel in life. He stands across from him, having decided to show Guilliman this sacred place.

"Her name, It was,"

Guilliman can't find himself to say it.

"I remember her, yes. Quite well."

Dante stands in reverence as if he's waiting for Guilliman to continue.

"I remember her voice, her face; I remember her wedding. I remember her putting Sanguinius' fallen feathers in her hair and dancing a fool." He clears his throat before continuing. "She lead the Blood Angels for a decade after Sanguinius. Then she fell ill. I always respected her tenacity and ability to lead a legion of Astartes despite her limitations."

Guilliman feels regret. He wishes he would've said more to Sanguinius when he'd voiced his worries, perhaps it would've spurred more action to prevent this outcome.

Sanguinius was the only one of them to find love, and look what happened; You got desecrated by it. Perhaps Corvus and Fulgrim were right to abandon the prospect all together. It seems to bring nothing but horror in the end. The only one of them to find love and that love got turned into it's own hideous creature, completely removed from what it had stood for.

His brow furrows, and he purses his lips in preparation to speak words that he just ends up swallowing.

"This, this is..."

Guilliman cuts himself off. He knows he shouldn't say these things in these chambers they call hallowed, in front of their Chapter Master. he needs Dante, he needs the Blood Angels more than he needs to protect a promise he never made in the first place.

"What, Lord Guilliman?" Dante urges him on, curiosity on his face.

"With all due respect, Master Dante," Guilliman looks to him, face stoic.

"If I were to say how I truly felt about all of this, I imagine you would no longer be willing to lend even a single man to assist the Ultramarines."

Dante looks at him confused, but doesn't show anger regarding his implications. Guilliman can see his lips twitch, eyes flickering down to your glass coffin for a moment.

But Dante just doesn't see it, and Guilliman knows it.

You've been like this for thousands of years, none of them see this as anything unusual. Generations of Blood Angels have been reared on you being this deity, the wife of an Angel, and there is no possible way to raise them out of that. What is done is done.

Guilliman is the only one seeing it as something wrong, as he is an outsider.

"Now, what is it you wished to discuss with me, Lord Dante?"

Guilliman changes the subject and turns away from the centerpiece of this cathedral, only allowed entry by the most elite of Blood Angels. He attempts to forget your body is even there, as there isn't a single thing he can do about it now.

He hopes Sanguinius will have mercy on him, next they meet.

[2minutesnotice]

Why People With Mental Illness And Trauma Deserve Love

(and why Blitzø Buckso is one of them)

Grab yourself some snacks and a drink, I'll have a talk with you people who go all for the

"If you can't love yourself, you can't love anybody else"

mantra, which is toxic as fuck.

And sorry for the typos 😬🥲

SPOILER WARNING Full Moon

tw:mental illness / coping mechanism / self harm self worth / shitty parenting /abusive and toxic relationships

First of all, I'm autistic, so a lot of scenarios I'll give you will come from my experiences because it's easier for me to feel empathy that way and explain a situation.

BLITZØ IN FULL MOON

People come into my DMs and want to rant with me about him. I get it. It seems he's an asshole.

And he IS.

Blitzø has multiple character traits which are trauma coded and boy what a can of worms that is. Most of them are really hard in your face, like the fact that he can't stand his own face in pictures.

Which comes from a deep rooted self hate, which comes up in self worth issues. Blitzø had his fair experience with drugs and alcohol , even drowned himself in last to get over his shitty experience with Stolas at Ozzie's.

I'm not saying he's suicidal, but Blitzø's biggest fear is, to die alone.

Because he KNOWS how he is. That makes him really self reflected. He knows how he behaves, he knows his own coping mechanisms.

That's why it's so easy to make him mad. He's mostly angry at himself in most situations, so it also happened in Full Moon. Blitzø uses anger to get things out of people, because most people react to anger, but he's not doing it to HURT people, it's the only way he knows how to get an reaction out of people.

The reaction HE wants. Since Blitzø has no self worth he has no clue WHY people should love him. So he shoves them away and keeps them at distance.

At the same time he CRAVES intimacy. And here's the conflict. Blitzø's love language is sex.

He feels the closest to people if he can be intimate with them. And yes, even in a weird "I fuck Chaz to be close to M&M" kind of way. He is krass with his talking about sex, he over shares, he LOVES to talk about sex.

Because he's good at it. And because it gets him close to people. If the show had more time I bet we would've seen Blitzø having multiple one night stands over the time. Yes, even with his arrangement with Stolas. Because there was sex before there were feelings. Definitely.

Shitty Parenting x Self Worth

Blitzø got sold by his own father as a play buddy for a rich kid. Yes the rich kid was Stolas and it was cute, but still, rich kid.

And we all have seen, that he wasn't good at what his father made him do in the circus but what Blitzø always had, was his pride. Also, he's very good at making things up as they go. Doing that damn horse balloon and making a joke about it, shows how he is capable of selling himself still as the best, even if it isn't so.

We don't know much about Tilla, but we know Blitzø definitely had a closer relationship to her then to his father.

I know we only have two concrete scenes which show what kind of an relationship Cash and his son had, but the "I wish you were my son" card for Fizz kinda draws us the picture here.

As a child who always had to compete with a sister which was highly gifted, this does something to you.

You try to be better, at any cost. Sounds familiar?

"I'll try to be better".

But what? In what will he try to be better? I think Blitzø doesn't even know at what he will try to be better, he just does not want to lose this. But what is this?

RELATIONSHIPS

IF Blitzø would have just cared about his business, he would've walked away with the crystal. Just like that. He would've said

"Thank Satan, I thought I would lose my business,thanks Stolas, it was nice as it lasted" and he would've been gone.

But he didn't. He listened to what Stolas said but he didn't LISTEN. Because it was confusing as fuck, even as The Audience just watching it was a LOT what was said and going from

"I'll let you go" to "I have feelings for you, please stay" in a second.

And of course Blitzø would not understand that. Because Stolas could not MEAN it. Because Stolas has servants who are Imps and he called him names, a plaything and if Blitzø is anything for Stolas, at first, he's a whore.

Blitzø sold his body for a service. For his business.

They could have made that arrangement about ANYTHING. Money, another hitman service, bodyguarding.

STOLAS made it about sex. The thing Blitzø knows, the one he CRAVES, the thing he is good at, besides killing people.

But the one thing Blitzø is not good at, are words and feelings. And Stolas had a lot of them, at once. And it felt not fair for Blitzø to be cornered like that, because he had no idea what was expected from him. And then he used the ONLY thing he knows, which always gets something out of people: Anger.

That's the words and feelings he knows.

And he got an reaction, but also had to deal with the consequences.

STOLAS AT FULL MOON

I love Stolas. But he he's living in a romance novel world and there's also, trauma.

Stolas first words I had imprinted in my mind were "I always thought love could be fun". He wished for a happy family his whole life and all he got was an abusive wife and a loveless marriage.

He is a dreamer. Someone who loves the small things and he is caring. He loves to indulge in fiction, he loves telenovelas because even if there's drama, there are relationships. Something he never had experienced.

Stolas is a soft soul. But he's repressed and depressed as fuck. And that's not only because of Stella, but his upbringing and the knowledge to live in a Golden Cage. But he never voices that he has problems with THAT.

See, Stolas is a prince, he grew up with servants, Imps mostly. In a palace. Even if he despises Stella's parties, I bet if he wouldn't be an outsider in his own race, he would be the one doing the parties himself. It would do him some good because Stolas is also, lonely.

While Blitzø lived in Circus tents and tried to proof himself, Stolas had to proof that he's worthy his title as a prince. Being married, the whole heir thing, his duties.

And then Blitzø appears out of fucking nowhere, seducing him (like in his novels!), staying with him the whole night (showing him he's obviously gay), showing him he can choose, that he HAS A CHANCE to be happy.

With Blitzø.

And then we see the duet and the second Stolas sings about how he wants this to go, I knew they will fuck up. Because Stolas had played out this scenario SO OFTEN in his head, that he has so many images of Blitzø in his head that he knows this will not work out good. He has hopes and dreams but in the end, the decision falls on Blitzø.

So we go to Full Moon and Blitzø reacts... poorly. He even mocks him. And then he starts screaming and shouting and guess who else was always shouting and screaming? Guess who told Stolas his whole marriage that he's not worth anything. That he's not worth of love, that he's a failure, that his head is in the clouds and mocked him about everything he loves.

Blitzøs only way to cope with too many feelings is anger, Stolas trauma is based on anger and rejection.

But Stolas reacted so FAST. He gave Blitzø the crystal and he told him that he gives him the offer to stay, because he has feelings for him (like in his novels!) and his hopes are so high and the second he does not get what he wants, what he needs, he snaps. He's disappointed. He's hurt.

Because he wants this so bad to work.

But it can't, because they're for now reading the same book, but they're so not on the same page.

Because, and now we're getting there, they have to deal with what was said.

TRAUMA AND RELATIONSHIPS

I'm married for ten years now. My wife and I met each other 20 years ago.

I was suicidal back then, I cut myself regularly, I was depressed and had an eating disorder.

But I had friends. And I had relationships. And I loved so so deeply.

And then I got together with my wife 11 years ago. I was freshly diagnosed with being autistic, my wife has ADHD.

She also has several PTSD triggers, I have childhood trauma from living with my Mom who's an alcoholic.

And yes, I am able to have an relationship. We love each other dearly, we care about each other. We learn from each other, daily.

We have bad days, but we are GOOD for each other.

Because you DESERVE TO BE LOVED, no matter what.

In the first place is always that you're responsible for yourself. You can't trauma dump on your partner in excessive ways because that's not healthy. BUT learning to share your experiences but still being responsible for yourself and your actions, is a whole different thing.

You can love and be loved, even at your lowest.

But you have to be aware that your partner is not your therapist and that communication in a relationship, in which both parties are mentally ill, is KEY.

You have to go to the same ground, you have to explain what are your boundaries, what are your triggers but you have also to accept that the other one is sometimes not able to deal with your package.

My wife and I, we communicate DAILY. We have totally different needs. We have totally different views and patterns to deal with things. But we love each other.

Because we respect each other's differences.

And that's the homework for Stolas and Blitzø. They don't have to TO GET BETTER, they have to grow and they have to listen, communicate instead of just dumping expectations at each other.

You can't expect someone to break a pattern that is carved by trauma, just because you tell them you love them. And you can't expect that someone's listening when you push all their triggers at once.

I'm really excited how this will go. It's heartbreaking but I guess now that everything is said, they can finally be honest, without all the trauma dumping and pushing buttons.

And as I said:

You're worth of love. You're worth to be loved and you can give love, even at your lowest. Your deserve love, even at your lowest. You ARE loved.

Thank you for reading! ✨ Gold Star for you!

[anistarrose]

Hey. Psst. Person who comments things like "please update" on unfinished fics. As an AO3 author with a couple of works on indefinite hiatus, I'm gonna teach you the secret to maximize your odds of that author writing more of your beloved story. And it only takes two simple steps! Are you ready?

Stop commenting "please update" and similar things on incomplete fics.

Leave a comment about something you enjoyed in the fic. Anything. If you liked it enough to reread previous chapters, let the author know that too.

Why does this work? Well, if you tell us you liked the fic, we can infer that you would be excited to read more. We can draw that conclusion pretty effortlessly — we're usually fic readers too, so like, we get it.

On the other hand, if you comment just to ask/beg for an update? You are much more likely to leave a bad taste in our mouths. Your comment may be intended to be polite, but it does not exist in a vacuum.

If you're commenting "when will you update I'm desperate" on a fic with a lot of traction, the author has no doubt gotten dozens of similar comments, and is absolutely exhausted by them. But if you're commenting "please please please don't abandon this" on a fic with a tiny audience, that might be one of the only comments the author receives. Do either of those sound pleasant? Being flooded with demands for more content, or to have the only response to your creation be about the fact that it's incomplete, instead of about all the love you clearly put into it?

I can't speak for all authors. But I've had works fall into both these categories, and to me, both suck. I've gotten "update plz" comments while fighting for my life to get through college while chronically ill. I've gotten "I hope you keep writing this" comments from people who didn't even leave kudos, on fics that were explicitly labeled as "bonus scenes" for a separate and stand-alone, fully complete work.

Do I want to shoot a rude reply to any of these comments directly? I'd rather not, because I'm sure at least some of them are trying to express that they liked my writing, no matter how bad of a job they're doing. But the fact stands:

It's not fun, or motivating, or going to draw me back into an old hyperfixation, when the majority of comments I get are appreciating me only for content. That's just isolating. The comments that make me want to come back to old projects are ones that provide a chance for dialogue — even as simple as "I'm so glad you enjoyed!" — and make me feel appreciated as a part of a community.

That's it. Content versus community. Just comment in a way that shapes your interactions with creatives and fan spaces to be more about the latter.