#they keep stealing my stuff. which is fine

[allroseshave-their-pricks]

My roommates keep stealing my tools because they don't have any, so I'm curious

[mbat]

i must be fr the only person who never rly cared for vee but thats mostly cause one of the first things we saw her do was throw away and give away luzs stuff as if it was hers and i just know if someone did that to me id be so pissed. do NOT touch my shit dude istg. like they didnt even know if luz was dead or not like at least wait a few years or some shit. not a month. its so petty of me but its also a fictional character so. i dont even hate her i just dont rly care in general

[sehnsuchts-trunken]

(Don't You) Steal My Thunder

my tyler owens playlist 🤝 inspiring fic titles

Tyler Owens x fem!reader  7k words

summary: Tyler Owens is the most annoying man you've ever met. But he's set on getting you on his good side. And the more you get to know him, the less you can resist.

a/n: i had to research sm car stuff for this it's not funny. i now know exactly how to describe a truck bed though, so. that's fun.

again, my inbox is wide open <33 i don't guarantee anything, but you can always come talk to me or request smth

masterlist | twisters masterlist

Tyler Owens is the most annoying man you've ever met.

He prints his face on t-shirts, writes his autograph on mugs, comes up with ridiculous sayings ("Not My First Tornadeo" and "If you feel it, chase it" are really just the tip of the ice berg) and most importantly, he costs you the best shots of tornadoes every goddamn time.

Tyler Owens is a problem.

And Tyler Owens seems to have actively decided to make himself a problem too.

Which would be fine, if he flipped you the bird or told you to fuck off or threw his paper towels at you. Unluckily, those are rather examples of what you have done to him. Because it's not fine, not at all - no, Tyler Owens has decided that it's not enough to be in your way all the time, he has to seek you out and rub your nose in it.

Tyler Owens is the most annoying man you've ever met. He's cocky and he's arrogant and he's entirely too full of himself. He brags too much and calls you "weather girl" too often. He gets under your skin more than you would ever admit.

And, as if all of that isn't enough - Tyler Owens is the very epitome of handsomeness.

It's like god didn't just have a good day when he created Tyler Owens, no, god must have still been in the post-haze of the best head he'd gotten in his whole immortal life when he'd created Tyler Owens.

Because Tyler Owens has the body of a greek god and the face of a Hollywood actor. He's not a pornstar, he's who pornstars worship. He's the Prince Charming little girls dream of and the Christian Grey grown women lust for.

Tyler Owens looks like everything you've ever wanted.

But he's just such a fucking asshole.

You wish you could say you didn't care. You'd love to be the kind of woman who didn't even acknowledge him. But you're not. You're not. You watch his videos when you can't sleep, you chuckle when you happen to overhear his jokes, you ogle his back when he's turned away from you. Sometimes, you get so lost in staring at him that you realise too late when he turns back around, and then you have to act unbothered when he grins his fucking grin at you. That's mostly when you flip him off, desperately fighting to ignore the heat in your cheeks.

Not like it stops him. You honestly feel like it only spurs him on.

Something has to seriously be wrong with him. It's not his face. But something is seriously wrong with him, you're sure of that.

Something has to be wrong with him. No sane person would ever go tornado wrangling. No hate to the rest of his crew - they're nice, you've managed to hold a few pretty normal conversations with them here and there - but none of them are sane either.

Storm chasing is different. You keep your distance. All you need are a few well-placed photographs - and those you can get from a rather safe number of miles away. The weather channel doesn't care about close-ups (not really, anyway). They want something to show the people on their comfortable couches, up in New Hampshire or Maine, so that all of them can say to each other "What poor folks, wouldn't wanna live there" and nod in pity as they switch the channel to watch another blockbuster.

You're just doing your job.

The only problem is that it's hard to do your job properly when there's always that fucking red truck in the way, driving down empty roads right into the heart of the tornado. And because no one on the news wants people to see that and go "Well, can't be too bad if there's still cars on the streets!", in the last few months - ever since you'd volunteered to move back to Oklahoma 'So that we've got someone right in Tornado Alley and don't have to fly people out there every time' - the weather channel has only shown the first few minutes of tornadoes forming. The rest of your pictures and videos lie abandoned in the trash file on your laptop. Except for a few - a very, very few, very, very good pictures of Tyler Owens and his Tornado Wranglers. But those won't ever see the light of day either.

You'd be damned if you let anyone know that while Tyler Owens is busy disturbing your actual work, you're busy taking pictures of him shooting fireworks into tornadoes. Pictures that would make for some damn good headers (if you hadn't buried them far, far down your gallery).

This time is no different. You get a few amazing shots of the tornado forming – surely an EF2, maybe even an EF3 - before you settle in the driver's seat again, your window rolled down and your camera hung around your neck as you push down on the gas. Then, a few miles further, you get even better shots of the full tornado, of the first few minutes of destruction, right there, in the middle of an empty field.

And as always, of course, just as the tornado takes on full form, you spot that familiar red truck through the lens of your camera. It speeds down the pavement right in front of where you’ve swerved onto the side of the road and you snap a few pictures, just because you’ve got the trigger right underneath your finger. Honestly, something about that dirty red paint against the grey skies just looks too good not to capture. But then the truck comes closer and closer and starts to slow down and you let your camera sink.

Tyler has his window rolled down already when he stops the car. There’s that annoyingly handsome grin on his lips, the one that makes you want to slap him across the face.

“You’re too far away, weather girl”, he calls out above the rumble of distant wind and thunder. “The good pictures are down that way.”

“The good pictures are right here.” You lift your camera at him. “Maybe you just need to update your equipment.”

Tyler’s grin widens, but before he can throw another of those obnoxious retorts your way, Lilly’s voice rings out through the car.

“Hey, T, looks like it’s changing course. You should hurry.”

His eyes are still glued to yours, still glued so firmly to yours that it makes your skin crawl. You can’t look away, couldn’t possibly look away. Tyler Owens might just be a cocky asshole, but you’re only human. And the weight of his gaze on yours is enough to keep you stuck in place, clutching at your camera.

“We’re on our way, Lilly”, he drawls without looking away from you. “See you around, weather girl.”

The rest of the pictures you take land in your trash file with all the other pictures of the last few weeks. You’re laying in bed, your laptop propped up against a pillow, the empty plate from dinner on the mattress next to you as you sort through today’s work. That’s the good thing about the time difference – you’ve got until seven to send the channel the day's results.

By nine, you’ve showered, put on a dress you feel confident in and settled on one of the chairs at the local bar. You’ve been telling yourself you need to get out a little bit more – you’ve been living here three months now and you haven’t really made any friends so far. To be fair, your job has kept you out and about most of the time. You’ve spent more hours at gas stations to fill up your tank than you have in your own home. But now you’ve decided to put an end to that. You're a young woman in a new town, you can meet more people than just the cashier at the local supermarket.

So for the past twenty minutes, you’ve been nursing a mojito at the counter and talking to the bartender. She’s nice, she’s your age, she’s extroverted enough to keep sidling up to you after every time she has to excuse herself to do her job. That, and she tells you she’s grown up here, so she knows most of the people around. She’s just serving another customer – a long-haired, brown-eyed, hat-wearing country guy who’s already shared a smile or two with you – when someone rests their arm on the countertop next to you.

“Didn’t expect to see you here”, he drawls, all low, deep Southern accent and you recognise his voice before you’ve even tilted your head up and looked at him. His grin drips down onto his words and wraps itself around your mind.

Tyler Owens isn’t just annoying – he’s unbelievable. He's unbelievable and he’s here.

“So you’re stalking me now”, you say, as drily as you can possibly manage. You've been doing that a lot around him. Dead-panning everything. Schooling your expression into fake neutrality.

"I'm here all the time, weather girl", he grins. "If anything, you're stalking me."

You snort, but it's rather unfunny when you think of all the videos you've watched, hours after they'd been livestreamed, cuddled up in your bed until midnight just to stare at his face. He's not that far from the truth.

"In your dreams, Owens", you say anyway, dragging your eyes back towards your almost empty cocktail glass. You wrap your lips around your straw and drain your drink entirely. What you say and what you do, none of that matters in the end. All of this is just show. Every conversation you've had with Tyler Owens in the last three months has been nothing but a performance. Other than your name, you don't think a single sentence out of your mouth has been honest. Not when it comes to him.

"Let me buy you a beer" is the only answer you get.

His grin widens when you look back up again - so cocky, so unbelievably cocky.

"I don't drink."

You push your glass an inch further down the bar top. Tyler raises his eyebrows. Fuck, someone really needs to kick him in the face. You can't keep having all these little heart attacks whenever he's close enough that you could touch him if you wanted.

Not that you want to.

"You're drinking right now", he says. You rest your palms against the bar top and blink at him.

"I don't drink with you."

He lets out a chuckle, one of those deep ones that settle right in your chest and make it hard to swallow.

"Just this once?", he asks and in all honesty, for just a second there, you actually consider giving in. He's too handsome for his own good. You really need to get it together. He's an ass (what an ass, goddamn). And he's insane. He's an insane ass. Sometimes you have to remind yourself of that - those times like now, when his piercing eyes and his kissable lips and his rugged stubble and his broad, broad shoulders and his drawled voice overshadow everything else.

"Don't you have some livestreaming to do?", you ask, hoping it still comes across just as sarcastic when you're the slightest bit distracted by how gloriously tight the sleeves of his flannel are. "Go chasing tornadoes, not me."

His grin widens inexplicably further. You're sure that if you were in a comic, there'd be a lightbulb flashing above his head right about now.

"Well", he drawls, "if you feel it..."

"Don't you do that shit to me, Owens."

He's raising his eyebrows again, raising his eyebrows as you clasp your hand around your empty glass so hard your knuckles turn white. But you're serious. Just as you'd lost yourself in the view of him, that angelic, sinful view of him, he'd gone and reminded you why you were so adamant to keep your distance. If you feel it, chase it. Ridiculous. Obnoxious. He's an arrogant, know-it-all, suicidal job-wrecker. He's the guy with cameras pointed at him everywhere he goes. He signs mugs and selfies and hats and shirts and bras. He's the reason you haven't gotten a single un-edited shot of a fully formed tornado in the last three months.

"You're not a fan of my catchphrase, weather girl?"

He can't even pretend to look wounded (even though he tries) with how big the grin on his lips still is. You stare right at him, dead-eyed and unflinching.

"I'm not a fan of you."

Lies slip off your tongue so easily by now that you wonder when you'd become morally compromised enough to not even care anymore. It must've happened somewhere along the way, sometime between the first conversation you'd had with him and the one you're having with him right now.

"You wound me", he grins, his palm pressed to his chest.

For the first time tonight, you allow yourself to grin back at him.

"I try."

With that, you slip off your chair and wave the bartender goodbye. You're already two steps away when Tyler calls after you.

"I'd still buy you a beer."

"I'm still not drinking with you", you call back. You don't turn around again. You just make your way back to your car and mark the evening as a half-successful night of socialising on your to-do list.

...

You see him again first thing the next day. Of course. Because there's no tornadoes without the Tornado Wranglers on their tail. By now, you're used to it. You wave at Dani as they come back out of the store at the gas station you're waiting at. They've got both arms full of coffees and for a second, you consider offering your help, but then you hear Tyler shout something out of his car and you suddenly don't feel any desire whatsoever to get up. You've sat yourself down in your truck bed, your camera slung around your neck and the radar on your lap. If all goes right, you're hoping for a tornado to form a little to the east from here. And as much as you dislike Tyler Owens, the fact that he's here soothes your nerves. Where he goes, there's sure to be tornadoes close by.

The few times you hadn't seen him had never ended well for you. You'd missed an EF3 your second week here just because you'd followed the wrong hunch. Meanwhile Tyler, of course, had been in the middle of it.

This might just be the one singular situation that you welcome seeing his red truck around. As long as you can manage to overtake him on the road after.

It's not that you need to be faster. You don't need to reach the tornado first. You don't even take the same way as him most of the time. He wants in there, you just want a sensible picture. Still, you can't help but feel a pang of disappointment every time you hit the brakes and jump out of your car, miles away from the actual cell as Tyler speeds down towards it. You've been telling yourself that it's because he ruins your pictures. It kind of is.

"Hey, weather girl!"

You let out a resigned breath as you tilt your head up and squint against the sun. He's still in his truck, his window rolled down, his elbow propped up against the car door.

"What do you want, Owens?"

Your fingers itch to reach for your camera. It's a visual, him in that fucking car, leaning out of his window with the sun peaking out behind him. But you can't, you can't take a picture of him this openly. Even if you were to argue that it's just the light you'd wanted to capture.

"To give you some advice", he calls out, his lips pulling into a grin. You raise your eyebrows at him. "East isn't gonna work out. Wind's changing. Go south."

He throws you a mock salute and hits the gas before you can say anything else.

Not that you'd been about to.

Instead you just curse to yourself, jump off the truck bed and throw your treacherous technology into the passenger seat with a little too much vigor. Fuck this. You sit at the steering wheel and stare out at the sky for exactly two seconds before you make your decision. Then you start your car and drive south.

You may not be a fan of Tyler Owens, but you've long since admitted to yourself that this man has got a gift. He has an unbeatable instinct when it comes to storms. And sure, you have your fair share of knowledge, but in the end, you're a photographer, not a meteorologist. You won't miss a day's work just because you're too proud to listen to Tyler.

You're a little further behind, but you can spot his truck and guess that he's driving straight on into the cell today, so you take a right and decide to try your luck with the side of the tornado. Not being right in its path doesn't sound too bad anyway.

You actually manage to snap a few well-placed pictures. You don't know what Tyler's doing, but it seems like he's not shooting random shit up the cell today. You'll watch the stream later - you're just the slightest bit curious now what's happening with them. Maybe they're doing some old-school chasing? Or maybe they're doing a challenge. Maybe Tyler is driving blindfolded. At this point, who knows.

It's good for you though. It's a considerable tornado today, an EF2 at least, and you only spot Tyler's red truck again when the cell moves further down the fields, away from him. It doesn't look like it's gonna disappear anytime soon. Maybe today's your lucky day.

Half an hour later, you're sure you've got at least a dozen pictures of the fully formed tornado, long touched down and without the red truck in the way.

You're just packing up your things, already sifting through the photos on your camera, squinting against the sunlight, trying to both tug the zipper of your bag closed and hit the right buttons at the same time when Tyler pulls up next to you.

"You look busy, weather girl", he says, already grinning that damn grin again.

"I am", you say - truthfully, for once. You let go of your bag and lower your camera. You're hesitant, but... "Thanks for the tip."

"Anytime", he grins. "Just do me one favour."

You already know this can't be good. Not with that cheeky look on his face. But he'd just saved you from chasing hot air (quite literally), so he deserves a little treat. And you don't want unsettled scores with Tyler Owens.

"I want to know what favour that's supposed to be before I agree", you say anyway, because with him, you can never be too careful. And in the end, you're only willing to do so much. (Though for him, you'd already do a lot more than you'd admit. A lot more than you hope he's aware of.)

"Let me buy you a beer", he says, and for once, he sounds serious.

The memory of yesterday night flashes before your eyes, of those same words at the bar. With him so close, way too close - with that grin and that stubble and that voice and those shoulders. You cross your arms and stare at him.

"If you're livestreaming this, I'm gonna sue your ass so hard."

He just lets out a chuckle and raises his hands in surrender.

"Cameras are off, I swear."

You stare at him for another silent ten or so seconds. At him in that fucking truck that looks just a little too good in your pictures. At him and his fucking face. That fucking face that you certainly wouldn't mind sitting on, if just to shut him up.

God, he's asking you to drink something with him. He's asking to buy you something to drink with him. You're stupid.

You're so, so stupid.

"Alright, cowboy", you say, uncrossing your arms and reaching for the handle of your car door. "I'll humour you."

...

You're in the bar again by nine that night, the same way you had been the day before. You're wearing a different dress and there's a different bartender, but you've ordered the same mojito and chosen the same place to sit.

Only this time, you're actively watching the door. And when Tyler strolls in, you've got to shift around in your seat and cross your legs. You don't even pretend you're not staring. You just ogle him openly. Not for the first time ever - you'd checked him out very obviously when he'd strutted towards you to introduce himself three months ago - but definitely for the first time in a while. And god yeah, he's a hunk of a man, alright. If you had your camera here right now...

But you don't. So instead, you drop your eyes to his feet (brown leather boots), drag them up his legs (blue jeans), over his chest (red checkered flannel), over his face (god, what you wouldn't give-) and finally rest them on the cowboy hat on top of his head.

When he's close enough to hear you, already grinning, of course, probably at how you're actually sitting there in the same spot as yesterday and hadn't just lied to his face about coming here, you raise your eyebrows at him.

"A cowboy hat?", you ask, your voice as unbothered as you can possibly manage (even though you're very, very, very much bothered right now). His grin only widens.

"Ladies love country boys", he drawls with a shrug.

"Now that's straight out of a song", you say. "You're getting lazy, Owens."

"A song?", he asks. "No, that's an Owens Original."

You pull your eyebrows even further up.

"Ladies love country boys? Trace Adkins?"

"Nope. Not familiar."

But his grin tells you that he's lying. He's a liar. He knows very well where he got that line from. And he knows just how easily he got under your skin with his simple trick. As if his face isn't enough already.

You just shake your head and turn away from him.

"Put your money where your mouth is, Owens. Buy me a beer."

...

Tyler Owens is the most annoying man you've ever met. But he's also a great conversationalist.

The hours fly by as you're talking. One beer turns into two, then into an uncountable number of soft drinks. You both agree that you need to drive home, neither of you is willing to risk a run-in with the police. You need your drivers license for your jobs.

Tyler talks to you about the pictures you've taken today, then about the pictures from last week. He laughs when you blame him for ruining half of them and almost spits out his coke when you slap his arm for laughing at you. He tells you about his crew, about the people they've helped with the money from their dumb t-shirt sales. You think you hate him less by the minute. You're not sure if you're okay with that. But he gets you talking about your childhood and your parents, about school and college and about how you've wound back up here in Oklahoma. That effectively distracts you.

That, and how his cocky grin morphs into a genuine smile the more you open up.

Not that you didn't love the cocky grin. You did, just a bit. As obnoxious as it was. But the way he smiles at you all sweet has you melting right in your spot.

It's not the first time you realise that beneath all that rough exterior, there beats a heart of gold. You've known what those t-shirt sales are for, that he offers food and water after a tornado hits a town, that he carries the injured out of the ruins of their houses and helps find lost dogs. The more you've been around him in the past weeks, the more you've seen of his soft side. Of the way he cares and supports. But in the end, it always is easier to go back to the status quo - to fall back onto mindless snark and fleeting first impressions.

You'd clung so desperately to the image of him as this arrogant, smug, holier-than-thou influencer god for the sole purpose of keeping your own sanity. Because you'd known that without despising him, you would fall head over heels for Tyler Owens, and you just couldn't have that.

But now, with his arm brushing against yours and his hat discarded on the bar top and his smile, that beautiful, beautiful smile on his lips...

"Five bucks", he drawls, already reaching for his wallet.

"What?"

"Five bucks says there won't be a tornado tomorrow."

You raise your eyebrows at him, your glass hovering in mid-air between the two of you. You'd meant to take a sip, but now you're setting it right back down on the bar top.

"You're shitting me."

Tyler just shakes his head. He's grinning again, but it's much softer this time around.

"The winds are looking great. The forecast says it's gonna be the best conditions for tornadoes we've seen in the last six weeks. I've heard Dexter talk about how we're probably gonna see an EF4 tomorrow", you tell him, even though you're sure he's well aware of all of it. This is Tyler Owens, for god's sake. He knows about the winds and the forecasts. He knows that his crew is making preparations already.

His grin only grows. And it's smug now. It's cocky now. It's everything you thought you'd left behind during this conversation. He looks like the Tornado Wrangler again, like the guy who fucks up your pictures and makes your job harder than it already is.

It takes you a second too long to realise why.

"Dexter said that on our live", he grins, as if he can't quite believe what he's hearing. You physically recoil from him. "Do you watch our streams, weather girl?"

"No", you breathe, rigid and frozen, shocked to your very core. No, no, no, no, this cannot be happening. This cannot be happening. You'd... You hadn't made that mistake. He hadn't got you to make that mistake.

"Dexter talked about tomorrow on our live", Tyler says again, straightening his back and grinning down at you like he's just uncovered the lost grave of Cleopatra. "Only on the live. You watched our stream."

"No", you mutter, your eyes wide and your mouth dry, so dry. You need to drink. You need to drink so badly. "No, I didn't."

"Yes, you did. You watched our stream, honey."

The petname runs down your spine and clogs your senses. Honey. Oh, he's an ass, he's an asshole! But you're on the spot, you're on the spot and he's calling you honey, honey, honey. You can't do anything but watch as he leans closer to you, grinning down at you like it's his one true purpose on this earth, like he wants to eat you alive.

"I'd say you watch our streams pretty regularly, weather girl."

You swallow hard and clasp your hand around your glass.

"Yeah?", you breathe, hoping against all hope that your voice sounds somewhat innocent. You're sure it doesn't. You know it doesn't. You probably sound as guilty as you are, but... Hope dies last. Hope always dies last. "Why would you say that?"

"Just a hunch." He shows off those pearly fucking whites for you. "Call it an instinct. I'm usually right."

He is.

He's right now. He's right usually.

Him and his fucking instinct. His goddamn gut feeling about tornadoes, always right all the fucking time. He's like an Oklahoma Jesus. The first coming of Tornado Christ.

Fuck him.

Fuck him.

"I'll take your bet." You drain your glass at once. "Give me your five bucks, Owens."

You don't think it'll work. You don't think he'll let you distract him. You don't think it'll be this easy to stop his vile teasing. He's not the type of guy to let something go. He's not the type of guy to let anything go ever. But he looks at you and he grins at you and he trails his eyes over your face and then he opens up his wallet and pulls out five dollars without another word.

He puts the bill flat on the bar top.

But when you go to reach for it, he pushes his fingers down.

"The price just went up", he says.

You raise your eyebrows and let your hand sink again. Tyler is absolutely unpredictable. You should've known.

"The price just went up?", you repeat. He nods. "What more do you want to bet?"

He's closer now, closer all of a sudden. He's too close, close enough to make your breath hitch. He's looking down at you with that cocky, cheeky grin, with his weirdly green eyes, with his three day stubble and his generally much too symmetrical face. You can't do anything but look back up at him.

"A kiss", he says. Simple as that.

A kiss.

Tyler Owens is the most annoying man you've ever met. He is. Truly. He's annoying and way too full of himself and much too presumptuous. Tyler Owens is the only man who would ever do something like this. The only man who'd bet a kiss on whether or not there will be tornadoes tomorrow.

Especially with that forecast.

The one that says a tornado is basically inevitable.

"Alright", you say. He may be Tyler Owens, the guy with an infallible instinct - but he is also Tyler Owens, the guy who's been doing his hardest to get under your skin. This time might not be any different. For all you know, he's bluffing to rile you up. "I'm in."

...

At eleven the next day, you're standing next to Dexter in resigned silence.

"I really thought today was gonna pan out", you mutter.

"It should have", Dexter frowns, tapping against the screen in his hands. "It should have worked out. The conditions should have been perfect. Everything's been building the last few days."

"But it collapsed this morning."

You turn your head and watch as Tyler comes to a stand next to you, arms crossed, eyes locked on the clear sky up above. He tilts his head to you and grins. Fuck, he's wearing his goddamn hat again. It's like he doesn't even try to be normal.

"Hey, weather girl", he greets. "Ready to cash out your bet?"

You shake your head at him. No, you're not giving up this easily. You never give up this easily.

"The day's not over yet, Owens. You haven't won 'til midnight."

...

You spend most of the next hours sitting in your truck bed, reading a book you'd thrown into your backseat weeks ago and had so far neglected. Lilly hands you lunch around two, Dani offers you a coffee around five and Boone pipes up here and there to joke about the wasted day. Around six, Dexter comes by to let you know they're calling it.

You still have another hour to go. By seven, it'll be too late to send your pictures anyway. But you want the hour. You need the hour.

You still haven't decided what to do about Tyler. About Tyler and his fucking bet.

He's been loitering the whole day, walking by, joking around with his crew, livestreaming a spontaneous q&a just because.

And the more minutes tick by, the harder it is to keep ignoring that you've most definitely lost the bet. Even though you do your best. You read, you check your phone. You stare at your radar. You stare at the weather forecast. You talk to Dexter and Dani and Lilly and Boone. You take a few pictures of the sky. Then you take a few pictures of Tyler, standing some feet away from his truck and looking out at the clouds.

It's only when two of three Tornado Wranglers cars are disappearing down the road, when Tyler Owens suddenly stands in front of your truck bed, that you put down your book and face reality.

"No tornadoes in sight", he says, instead of 'Hello' or 'How are you' like any other person would.

"There's still six hours left", you reason. Even if only one of those is relevant for your job today.

"You really want to wait out six hours to prove I'm right?"

"You're not right", you argue. It's fruitless, it's stupid, it's unreasonable. But... "Not yet, anyway."

Tyler raises his eyebrows at you, lets out an amused chuckle and leans against the side of your truck bed.

"Alright, so we wait."

You eye him from the side. He's fucking leaning against your truck, staring out at the sky, talking about six hours. Goddamn. He can't be serious, can he? His crew is already gone. They've disappeared into the descending sun and he's talking about waiting another six hours. Leaned against your car.

"Fuck's sake, Owens", you sigh, scooching over to the right. "At least sit down then."

You don't talk much at first. You just open your book back up again and try your hardest to ignore that he's even here at all, barely two feet away from you on the other side of your truck bed. If you stretched your leg, you'd hit him right in the hip.

It makes reading close to impossible.

Even though he's not doing anything at all. He's just sitting there, one arm propped up on the side board, that goddamn cowboy hat on his head and his feet hanging off the opened tailgate. It's almost worse that he's not doing anything.

That he's just sitting there and watching the sky change.

You give up on reading entirely when you realise that you've finished exactly five pages in half an hour. Instead, you put your book back in the car, pull out your bluetooth speaker and two water bottles and offer Tyler one of them.

You don't even ask him what music he wants to listen to. You just put on your country playlist and roll with it. By the twitch of his lips, you know he certainly doesn't mind.

Another half hour later, it's starting to get chilly and you're beginning to grow bored of the music. Tyler sitting next to you makes you fidgety, somehow, and you can't really enjoy the songs you usually love so much. So you switch to a podcast. You don't ask Tyler if he minds. He's free to go anytime.

Around eight, the sun starts to set, and the chill turns into an unpleasant cool. You hadn't really expected to be sitting out here so long. You're not prepared for the temperature to drop. You're wearing shorts, for god's sake, shorts and a top. It's summer in Oklahoma - you don't know how Tyler even manages to survive in his long jeans. You certainly wouldn't.

But now you're a little jealous, to be honest. He doesn't look cold in the slightest while you're fighting off shivers. You can feel your hands trembling already.

You really should've brought a jacket. But who brings jackets in 30 degree summer weather?

So instead, you just resign yourself to your fate and rub your hands along your arms. Anything to get some warmth into your body.

For the first time since you've sat back down, Tyler turns his head and looks at you.

"You're cold", he says, eyes raking over your arms and the goosebumps you'd gotten.

"Great observational skills, Sherlock Holmes", you deadpan, even though he doesn't really deserve that. He had so far left you pretty much alone. "A+ on that assignment."

Well, it's hard to break bad habits.

Tyler just chuckles, shakes his head and pushes off of the truck bed. You watch, eyes narrowed, as he walks back to his own car, opens up the trunk and- pulls out a blanket?

Your hands have sunken down to your lap all by themselves by the time he's standing in front of you again, holding out the blanket.

"For you, Watson", he grins as you slowly, carefully take the blanket from him. You mutter something along the lines of a soft 'Thank you' before you wrap the blanket around your arms.

Tyler Owens is the most annoying man you've ever met. But he's also the very definition of "Tough on the outside, soft on the inside". Sometimes, you think the word 'angelic' works for more than just his divine looks.

Your eyes are glued to him as he sits back down next to you and looks out at the darkening sky with that signature grin on his lips, like he knows that you're watching him and enjoys it more than he should. That doesn't deter you though. For the very first time. You don't even stop staring when he turns his head back to you. You don't even stop staring then.

You just look at him until his grin crumbles. Until he's smiling that smile from yesterday night, the one that has your heart squeezing together and then exploding in your chest. You think you could stare at that smile for the rest of eternity and never feel sated.

"What?", he asks, his voice so soft it makes you swallow. Your lips part, but there's no words on your tongue, none in your throat. They're stuck in your chest somewhere, wrapped around your heart so tightly that you can't let them go even now. So you just press your lips together, wrap your blanket tighter around yourself and say:

"So I'm Watson, yeah?"

Your podcast is long forgotten by the time the sky turns dark. So dark that you make Tyler climb into your car and turn on the lights. You're comfortable in your blanket, you don't feel the need to move.

It's around ten when the blanket isn't enough anymore.

You tuck your hands underneath your top, but that only helps for so long. A few minutes later, you're trembling again, trembling even though you're pulling the blanket as tightly around you as you possibly can. Tyler raises his eyebrows when a particularly heavy shiver runs down your spine, one of those that come and go within three seconds.

"Come here", he says, shuffling in his spot and motioning for you to move over to him. You don't really think about it. It's more of a reflex as you fumble the blanket off of your body, scooch over to him, settle yourself against his side and sneak your feet under his thigh. He tugs the blanket back up to your chin, tucks it in behind your back and wraps his arms around you.

Tyler Owens wraps his arms around you.

And he's so fucking warm you literally almost moan. God, you hadn't actually realised just how cold you'd been.

"Damn, you're freezing", he notes as well, just as you nestle further into him and hum in agreement. He's like a living heater right now. You'd like to just crawl inside of him and suck up all his warmth. "You should've told me sooner."

"I didn't tell you at all", you mutter, closing your eyes and taking a deep breath. He smells good. He smells so good. Earthy, musky somehow. You're tempted to turn your head and bury your nose in his shoulder.

Instead, you just satisfy yourself with what you can get. Fuck, he smells so good. He smells just like you'd thought he would, like country and rodeo and thunderstorms. He smells like falling into bed at the end of a successful chase. He smells like more. You want more.

You want more of Tyler Owens.

"Are you sniffing me?", he asks suddenly, but he sounds so amused you can't even bring yourself to feel embarrassed. You just open your eyes and grin at him, tilting your head so you can look up at him.

"What if I am?", you ask, if only to hear that breathless chuckle fall from his lips. Oh, those lips. You're in trouble. "Are you gonna call the cops on me?"

"I could never."

"Yeah, you better not, cowboy", you mutter, eyes dropping to his lips when he grins. He's so close. He's way too close. "There's like thirty things I could call the cops about on your channel."

His grin grows until he's showing off his teeth, glinting against the low light of the leds in your car. He's closer now.

"So you do watch our streams, weather girl."

His voice is so low and he's so close, so close. Your lips part all on their own. You haven't looked back up at his eyes in too long. Far too long. But he's so close, and he's so warm, and he smells so good.

"Alright", you whisper. His mouth is barely an inch from yours. You can feel every breath he takes. "I watch your streams."

And then your lips are on his.

Tyler Owens is the most annoying man you've ever met. He's cocky and he's smug. He makes your job harder than it has to be. He does everything and anything to get under your skin. But Tyler Ownes is the best goddamn kisser this side of the globe.

He trails his hands, his big, big hands, down your sides, pushes the blanket out of the way and grabs at your waist with just enough firmness. He pulls you onto his lap and rests his thumbs over the hem of your top. He breathes into your mouth and takes it slow. He doesn't care that you almost knock his hat out of the way when you try to wrap your arms around his neck. He just holds you tightly to him and lets you tug on his lip.

You honestly don't know how much time has passed when he pulls back, grinning an entirely new grin at you, hazy and euphoric.

"It's not midnight yet", he mutters, the slightest bit out of breath.

"I don't care", you mumble, drawing him right back in for another kiss. You think you might be addicted. You simply can't get enough of him. You can't get enough of Tyler Owens.

But then a thought strikes you, and you pull away with a grin that makes him raise his eyebrows.

You chuckle against his lips.

"If you feel it, chase it, right?"

[monstersflashlight]

Okay , so, I have this request, it's sounds weird, but pls hear me out, werehusband who loves breast milk?, he purposely gets her pregnant, stealing her birth control pills and throwing them away, replacing them with aphrodisiac pills instead, then that night, when they passionate love, he keeps saying stuff like "I'm gonna your belly swell and round with my pups" and similar stuff like that, and it's no surprise when a month later she's pregnant, and in the middle of her pregnancy, her breasts grows large obvi, and they start producing milk, and werehusband just go feral, sucking on her breasts and slurping every last drop of her breast milk? Hope this request doesn't cross your boundaries! Tyy! ❣️

Hi anon! I like your idea, but I'm not the one for pregnancy and I don't really like the part about messing with ppl ability to choose over their own body. So I'm gonna pass on that part. For now I offer you short txt with non-pregnancy induced milking and some hucow fantasy. Hope you like it!

When you thought your werewolf husband was pretty vanilla on the sex department you were a bit disappointed. You thought werewolves would be more fun to play with, he got you off incredibly well... But it was bland. Just normal sex with a big husband. Which was fine, but you needed more, wanted more. But you couldn't ask, your husband was just vanilla. Or that's what you thought.

He loved your boobs, he loved them so much he was constantly groping them and pinching your nipples and sucking on them... If you were alone at home, chances were he was pulling up your shirt and sucking on your nipples. He did it all the time, and you didn't complain because he seemed to like it and it got you going. But after a few weeks your boobs started to feel heavy and weird. You thought it was because your period was approaching, but when you touched them under the spray of the shower, little drops of white liquid came out. You got scared and went to the doctor without alerting your husband. When the doctor informed you that you were milking everything clicked into place. He did it on purpose. He wanted you to produce milk. He wanted to suck your tits until they were big and heavy and you were leaking milk from your sore nipples. And you found that so fucking hot. The idea of feeding him your milk, of him being all over you because he wanted to drink your sweet nectar... Your pussy tingled thinking about it.

When you got home, he wasn't there, your boobs felt heavy and uncomfortable and so tender you wanted to cry. But when he got home? It was like a switch inside his brain turned on. He smelled the air and looked at you, baring his fangs and launching at you. He pushed you to the ground and ripped your shirt, sucking on your left breast like he was desperate, grunting and groaning, telling you how good it was as he changed between your boobs. You were seeing stars, you didn't know it could feel so good, so intense. Each pull of his mouth against your sensitive nipples was replicated on your pussy, your clit tingling. He made you cum just sucking your milk out, and when you were panting, he ripped a hole in your pants and pushed into you in one hard thrust. He fucked you ferally, grinding against your clit and making you scream. He knotted you for the first time, talking about how much he wanted to make you big with his pups. And when he emptied himself inside of you and got to pull out, he told you how hot you looked leaking milk from your breast and cum from your pussy, his perfect little human cow. His hucow.

[that-nerd-who-writes-fanfiction]

I’m not usually one for miscommunication as a trope but hear me out:

Arthur thinks he and Merlin are together because Merlin says shit like “you’re my destiny” and “two sides of the same coin” fairly often.

He even looks fond or proud whenever he calls Arthur a prat, and pet names never suited them. He considered it once but it just felt weird. “Idiot.” Changed to “Idiot <3” when they finally got together and that suits them much better than Darling or Babe or whatever else.

And it’s not like he doesn’t say romantic stuff back, all: “you’re the bravest man I ever met.” Or “you’re the best friend I have and I couldn’t bare to lose you”

Meanwhile, Merlin pinpoints the same moment Arthur believed they started dating as when Arthur started acting more affectionate and Merlin’s crush got dialled up to 11.

Arthur doesn’t seem to mind, so he pushes his luck occasionally and will hug Arthur after a long day or will lean on him if they’re eating together on a hunting trip. Merlin absolutely cherishes these moments, but he’s secretly wishing they meant as much to Arthur as they do to him. (Spoiler alert: they do.)

So they must be together, Merlin just can’t be bothered with titles and with everything that happened, Agravane and Morgana betraying him, it would be ideal to wait for an announcement of their relationship.

He gifts Merlin clothes, new boots, will leave flowers in his chambers and asked for the cook to make more of Merlin’s favourites so he can steal food from Arthur’s plate because he claims it tastes better when it isn’t his food.

Arthur gave Merlin his mother’s sigil, for crying out loud. They’re obviously together.

And even better, (you can pry demi or ace Arthur from my cold dead hands) they don’t even need to be intimate beyond the occasional hug or soft gestures like Merlin brushing the hair from his face before Arthur goes to sleep at night and Arthur doing the same whenever they’re not in the castle and sleeping next to each other. He was worried at first, but Merlin never expected it, which Arthur just takes as: “And how stupid to worry? who knows him better than Merlin? Of course he would already know Arthur didn’t feel comfortable with that sort of stuff.”

Then one day, a delegation comes to Camelot and one of the foreign knights is flirting with Merlin. Arthur sees, and he doesn’t usually feel any need to act on his jealousy because he trusts Merlin, but this knight isn’t flirting in the way Gwaine does that’s just part of who he is, and Merlin looks uncomfortable. So he calls Merlin over to him, starts acting like a prat, and keeps Merlin “busy” all night by keeping his goblet full or usual servants duties.

Then later, Merlin thanks Arthur but says he doesn’t need to worry and he can handle himself. Arthur, finally relaxing after being ready to start a fight for the past three hours, pulls Merlin into a hug and kisses his forehead, because let the medieval gays be soft sometimes. He whispers something like, “I know you don’t like talking about it, and that you’ve said you don’t need a title, but you shouldn’t have to handle everything on your own.”

Merlin pulls back, looking shocked and confused. Then they actually have to talk about everything.

Merlin’s just fine with actually dating the guy he’s got a massive crush on and now he’s more willing to instigate hugs and affection. (Arthur just thought Merlin wasn’t going to push him to not make him uncomfortable but secretly wishes that he would instigate more) They end up sleeping in the same bed in Camelot too, because cuddles and softness, something Arthur wanted for a while but didn’t know how to ask for.

Basically all the problems in the relationship that Arthur was worried about but kinda felt “it’s already more than I could hope for” so didn’t want to bring up get worked out naturally and Merlin, who was previously worried about his friendship getting ruined if they changed the dynamic too much, is shocked by how little actually changed now that they’re together. He just gets to hold Arthur’s hand, can be less subtle about stealing from his dinner, gets to relax and gets an Arthur that’s more clingy and soft now that Merlin knows he’s allowed to reciprocate affection.

They still tease each other, they’re still two idiots sharing a braincell that they occasionally give to Leon to babysit, they’re just more open about being in love now. (More open to each other, anyway. Literally everyone else in Camelot knew long before they did)

Bonus points if they’ve been talking about their relationship and having the important conversation with each other the entire time, just without actually talking about it. Merlin asking why Arthur suddenly changed how affectionate he is and Arthur saying he thought he was allowed. Merlin’s just like “cool, as long as you’re okay. I’m glad you’re feeling more comfortable and relaxed.” And glad there’s no love spells or anything sinister going on. Arthur says he doesn’t like Merlin flirting with Gwaine, even if he doesn’t mean it, and Merlin agrees to stop if it makes him uncomfortable. He doesn’t think too much into it, just thinks Arthur doesn’t like the casual flirting and believes that relationships are important so casual stuff isn’t super comfortable. Merlin is still friends with Gwaine, just makes less jokes about going home with or marrying him.

Like, they’re having entire conversations and maintaining a fully functional healthy relationship, they’re just fucking idiots at the same time.

[keferon]

So I had ideas for Mecha Pilot AU while reading some of the things that other people have sent and those ideas turned into this!

Enjoy some Hot Rod shenanigans!

-=-=-=-=-=-=-=-=-=-=-=-=-

It starts when Hot Rod catches First Aid trying to smuggle a metal sheet out of the base. 

Well, no, it really started when the higher ups said that Jazz, allegedly, stole a half put together experimental mech unit. Which, Hot Rod would like to point out, makes absolutely no sense. Jazz is smart. If he was going to steal a mech, he’d wait until it was completely built and fully functional. No, there was something else going on and it had something to do with those strange upgrades that a few of the mechs got. Jazz had taken one look at them and booked it. 

Then immediately stole a half made mech that was completely covered in the stuff. 

All of this happening after he had been gone for months before mysteriously returning. 

Point is there’s something going on and it started with Jazz.

Presently, it has something to do with First Aid and the hunk of metal he’s carting around. 

The hunk of metal that looks like that strange upgraded plating. 

“Sooo…” Hot Rod says as he looks the other pilot over, “We stealing now?”

“No, I- this is- Vortex is up next for the-.”

“Nah man, you’re fine.” Hot Rod walks over to the back of the cart and places a hand on the metal. “I’m game for whatever we’re doing, I just want to know if we need to be sneaky.”

“It- what? We?”

“Yeah.” Hot Rod smiles and tilts his head to the side, like this was a given. “So, we stealing?”

First Aid gives him a look that’s a cross between befuddlement and scrutiny. It’s one he gets often, but the newer pilot seems well practiced with it. A solid eight out of ten honestly.

“This isn’t for profit.” First Aid says slowly. “And this isn’t for me.”

Hot Rod’s smile takes a slightly more feral edge. “Even better.”

_._._

Apparently Jazz has an alien robot boyfriend and the higher ups were using parts of his body for upgrades. 

Very morbid, but sadly not surprising.

They need to get as much of the original frame as possible back to Ratchet as that would make repairs easier. 

They’ve apparently been getting a lot of the pieces that had already been on other mechs through “collateral damage”.

First Aid had shrugged, “It’s not my fault if an upgraded mech gets between Vortex and a monster.”

The real tricky bits to get were the ones still on base and being tested. Which, for some reason, included an entire oversized thumb.

An oversized thumb he and First Aid are trying to sneak out from under Shockwave’s nose. 

“The rest of the hand was in random parts of the base.” Hot Rod mutters. “Why did the thumb need to be in such a secure area?”

“Complain louder. I don’t think the bugs heard you.” First Aid sasses in a hissed whisper. 

Hot Rod shivers at the reminder of Shockwave’s “helpers”. Knee high robots with four legs and a hexagonal face. They would’ve been cute had their singular yellow eye not reminded him of the eerie visage that is now the scientist's face. Shockwave used them to help in his work but to also keep an eye on his lab and the surrounding hallways. 

“Don’t even go there, Aid. You’ll end up jinxing-.”

His warning is interrupted by a faint skittering from around the next corner. 

“Crap crap crap crap crap crap crap.” Hot Rod looks around frantically before shoving himself, First Aid, and the thumb into the nearest door.

It turns out to be a closet. What kind of closet? Hot Rod doesn’t know and he refuses to find out. While it could be a normal supply closet, he’s not taking the chance that it could also be storage for strange and dubiously ethical experiments. 

So Hot Rod crams himself into the small space while keeping his eyes entirely focused on the door as he closes it. He and First Aid hold their breaths as the skittering of the bug gets louder, comes right in front of their hiding spot, then continues on without pause. 

They both let out sighs of relief and Hot Rod sets his forehead on the door. 

First Aid makes an inquiring hum. “There’s a vent in here. Think the thumb would fit?”

“Oh no.” Hot Rod says, face still against the door. “Do you have any idea how loud that would be? We aren’t dragging a large metal thumb through the metal vents and destroying our hearing with the echoing screeches.”

“Well, what do you propose we do then? Take it out the front door?”

_._._

“That never should have worked.” 

“You should never underestimate the power of looking like you know what you’re doing while carrying a box.”

“That never should have worked.”

Said large and long box holding the alien robot thumb sat innocently in the back seat of Hot Rod’s truck. 

_._._

“We need a movie for Rachet and Drift.”

Ratchet, who is helping Jazz repair Prowl, gives Hot Rod that “befuddled and scrutinizing” look that everyone seems to give him (A definite ten out of ten for Ratchet; truly a professional in giving out looks to others). “What?”

“Well, yeah! We’ve got Ratatouille for Jazz and Prowl. Aid and Vortex got a reverse Ratatouille-.”

“How’d you hear about that?” First Aid demands.

“Tailgate.” Hot Rod answers easily, then turns back to Ratchet to continue his previous thought. “So now we need to think of a movie for you and Drift!”

Ratchet’s eyes narrow in the unspoken promise of bad things to come. “No.”

Hot Rod, being the one who got a mech that catches on fire and made it work, takes Ratchet’s look as a challenge. He snaps his finger and points at the older man “I got it! ‘The Iron Giant’.”

Ratchet scoffs, rolls his eyes, and gets back to working in the alien robot’s arm. 

“What?” Jazz protests, while keeping his main focus on the internals of Prowl’s arm, “Iron Giant? Really? That’s a loose connection at best and you know it.”

“Oh? And do you have something better?” Hot Rod playfully challenges. 

“Dude, ‘Lilo and Stitch’ is right there.”

“How is that any better than mine?”

“Because War Crimes McGee here,” Jazz gestures to an amused looking Drift before getting back to his work, “is a better fit for Stitch than the Iron Giant any day of the week.”

Jazz may have a point, but while Hot Rod’s mom may have raised a fool, she definitely didn’t raise a quitter. 

“So Ratchet here tells Drift all about ohana and kicks off his character arc?”

“Not everything's one to one, Roddy. I’m not using Prowl to become the best chef is Paris. You just don’t want to admit I’m right.”

“I agree with Jazz.” First Aid cuts in. 

Hot Rod gives him a mock glare. “You’re just saying that so you won’t have to agree with me.”

First Aid shrugs. “True, but that doesn’t mean he’s wrong.”

“Children. The lot of you.” Ratchet grumbles. 

-=-=-=-=-=-=-=-=-=-=-=-=-

And yeah! Ideas was mostly ‘Hey, they could probably have Vortex get pieces of Prowl back since fights like that are bound to be very chaotic and Vortex would have no hang ups about attacking allies every now and then’

It went further as the idea of Hot Rod and First Aid trying to do spy things and be sneaky but somehow succeeding due to Shenanigans was too funny to pass up XD

Loving this AU so far and all the cool stuff people are making for it!

OMG THE CHILDREN ARE STEALING FROM THE BIG CORPORATION IM SO PROUD OF THEM~~

Also the way all these different plot lines are crossing each other and occasionally coming together is just so cool I love it

Like, yeah we have fucked up horror, we have space drama, we have Lilo and Stitch aaaaand we have option to combine them together. Also now there is Shockwave so all the guys have the "free angst" option I gues ahahah

[xndrexcruz]

When They Find You Wearing Their Jersey | FC BARCELONA

✮- summary: they basically walk in and see you wearing one of their barcelona jerseys

✮- warnings: none

Requests are open

masterlist here

João Félix:

As you lazily stretched on the couch, draped in João’s jersey from his last match. It had been the only thing you could find last minute after you had taken a shower.

When João walked in, he had abruptly stopped and let out a breathy chuckle before letting out a low whistle. “Estás realmente muy bonita.” (“You really look very pretty.”) he said, eyes looking you up and down. “When did you decide to steal my jersey?”

“Why, do you want it back?” you teased softly, sitting up slightly to look at him.

“Not a chance. You look way too good in it for me to take,” he replied, grinning at you as he took a seat next to you on the couch. “You should think about wearing it more often.”

You let out a giggle, leaning your head onto his shoulder. “Did you have a good day?” your asked as you pressed a soft kiss on his neck.

“Seeing you like this makes it absolutely perfect,” he murmured, gently running his hand on your thigh. “I could get used to this.”

Pablo Gavi

You had been in the middle of brushing your hair when you heard the door open. With you having stayed over, and nothing else to wear, you slipped on Gavi’s oversized jersey and went to greet him.

Gavi’s eyes widened a bit at the sight of you in just his jersey. “Wow, what’s the special occasion?l” he asked, with a wide grin from ear to ear. "Te ves increíble con mi playera de jugador.” (“You look amazing in my shirt.”) he said while wrapping his hands around your waist.

You interlocked your hands behind his head “No special occasion,” you replied, laughing. “I just needed something comfortable, I forgot to bring extra clothes.”

“Well, it suits you,” he said, laying his head on top of yours. “You should wear my stuff more often.”

“If you insist,” you playfully said. “But only if you promise to keep behaving.”

“I’ll try,” he said with a wink, kissing your cheek. “But I make no promises.”

Pedri González

You had been halfway through preparing breakfast for you and Pedri, wearing one of Pedri’s many Barcelona jersey’s, when he had walked into the kitchen. He paused, taking in the sight of you in front of the stove.

“You know,” he began, wrapping his arms around your waist from behind, “I think this might have to be the best view I’ve ever had in the morning.”

“Pedri, I’m trying to cook here,” you let out a breathy giggle, shaking your head.

“The food can wait a bit,” he murmured into your ear, kissing it. "Prefiero disfrutar este momento contigo." ("I’d rather enjoy this moment with you.")

You turned in his arms, brightly smiling up at him. “How about you help me instead? Then we can relax sooner”

He sighed dramatically, acting annoyed. “Alright fine, but only because I can’t resist saying no to you while wearing my jersey.”

Fermín López

You had just woken up to find Fermín already up, lounging against the headboard besides you. You were wearing his jersey, which you’d put on before going to bed the night before.

“Good morning,” he said with a gentle smile, taking note to your outfit. “I didn’t notice you had borrowed my jersey last night.”

“I hope you don’t mind,” you said, snuggling closer into him. "It was the only thing within my reach."

“Para nada. Te queda perfecto,” (Not at all. It looks perfect on you,") he replied, gently tracing patterns on your exposed neck. "Maybe I should just let you keep it."

"Careful Fermín, I might just take your whole wardrobe," you teased.

He chuckled. "Deal, as long as you wear it and you look as perfect as you do right now.”

Héctor Fort

You were wrapped up in Héctor’s home jersey, sipping on some coffee at the kitchen isle when he had walked in. He did a double take, a small smile slowly spreading across his face.

"Hey you," he said, eyes gleaming. "Did you happen to raid my closet?"

"You could say that," you replied, grinning at him. "It just felt right putting it on this morning, not sure why."

“Bueno, te queda fantástico,” ("We’ll, It looks fantastic on you,") he said, sitting down beside you. "I wouldn’t be mad if you happen to wear it again."

"Careful what you wish for," you teased. "I might just take you up on that offer."

"I wouldn't mind one bit," he murmured, leaning in for a kiss as he ducked down to catch your lips with his.

Lamine Yamal

You were sitting on the arm of the couch, dressed in Lamine’s jersey, when he came home. His eyes immediately lit up at the sight of you.

"Te ves absolutamente asombrosa,” ("You look absolutely amazing,") he said, walking over to sit next to you. "Is that my jersey?"

"Yeah," you replied, giving him a smile. "Is that okay?."

"Yes," he said, wrapping an arm around you. "It suits you better than me."

You laughed softly. "Maybe I should borrow your clothes more often."

"Feel free," he said, nuzzling your neck. "I adore seeing you in them."

Marc Guiu

You were tidying up the living room, wearing one of Marc’s many jerseys, when he walked in. He stopped and stared, a soft smile spreading all across his face.

"Would that happen to be my jersey you’re wearing?" he asked, amused.

"Yeah, I hope it’s not a problem," you said, blushing slightly.

"Of course not," he replied, coming closer. "Te queda genial. Te puedes llevar lo que quieras". ("You look great in it. You can take whatever you want.")

"I might just do that," you teased. "If you don't mind sharing."

"Not if it means I get to see you like this," he said, pulling you into a big hug.

[beeseverywhen]

I think we've definitely got to remember regional differences here. I've never been even slightly worried about contamination (here a lot of ppl worry more about contamination in the supermarket food supply chain with pesticides/herbicides rather than out of it) I was taught to avoid food that's low down as its more likely to have had animals peeing on it ect

BUT (and this is a pretty major but) foraging from fruit trees and stuff on land you don't own is technically illegal here (and not just like ppls Gardens, we're talking ppl getting funny about you taking an apple from a overhanging branch on a public footpath when you can see they're all rotting on the ground). It's also illegal to take seaweed if you don't ask the landowner. Obviously nobody is getting prosecuted for taking small amounts to eat but cause its illegal people do see it as like a moral issue??? So while I've always done it it's not something I'd shout about

so far the most baffling response to the graveyard fruit question are people apparently horrified or surprised that anyone would even consider picking any fruit from any tree anywhere that was just out there, not owned by them or not purchased from a store.

breaks my brain. you see a tree or a bush with fruit outside - not even on someone's property, just outside - and you don't take from it? you don't eat the fruit? why? what?

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[vanishingcherry]

YN YLN and Charles Leclerc Take a Couples Quiz

pairing: charles leclerc x reader

author's note: this has been in my drafts for wayy to long, so ive decided to just finish it off and post it. im sorry lmao but i just couldn't watch this rot away in my wips any longer.

masterlist

๑ ⋆˚₊⋆────ʚ˚ɞ────⋆˚₊⋆ ๑

The video cut to you and Charles, sitting opposite each other in front of a yellow to red gradient, smiling at the camera.

"Hi! I'm YN", you say cheerfully.

"And I'm Charles"

"And we are here to take a couples quiz!"

You are handed a stack of questions from a person off screen, and turn towards Charles.

"Are you ready?"

"Is that the first question?" he retorts.

Your face drops, now showing slight annoyance but there is still a small smile you try to hide. "That's it. Minus 1 points."

"Oh c'mon! That is not fair."

You turn to argue but the video cuts to a different scene in which you ask the actual first question.

"What things do I have, of yours, that are my favourite?

He looks up in thought before chuckling and replying. "Theres a lot, you steal my stuff all the time."

You grin. "Yes, but what's my favourite?"

"My shirts? No wait! My bracelets?" He asks.

"Yeah!" you exclaim. Turning to the camera you add. "He gets so many bracelets from fans and they are all so pretty. We keep them in a bowl on our dresser so I like to take a few whenever I go out."

Looking back at Charles, you add. "You didn't know the answer, but you still got it right so I think you deserve half a point." The staff behind the camera gives you a thumbs up, noting it down for when they would edit the video.

"Ok! Next question- which song of yours is my favourite?"

He looks at you, his eyes widening with a confused expression on his face. He looks at the camera crew and then back at you.

"C'mon, I only have 2 it's not a very hard question."

"Then answer it." you reply, looking at him with a small smirk.

"Fine. Uh, AUS23."

"Wrong!" you exclaim, laughing at the way his jaw drops in surprise.

"Then what? I know its not Miami."

"Its the one you wrote for Baku." you slyly say, knowing fully well that he hadn't released it and you were possibly the only one other than him to have heard it.

You look down at the cards you had been given, reading off the next question. "What is the first thing I eat in the morning?"

You see his smirk growing in your peripheral vision and cut in before he answers. "If you dare make a joke, I will murder you."

He laughs at that, chuckling as he looks up to think. "Um. Breakfast? It's different things every morning, but if I wake up before her then I make cereal."

Noticing the evident confusion on the faces of the cameramen, you elaborate. "It's the only thing he's allowed to make without me present. The last time I let him cook alone, he burned the pancakes and half our kitchen."

Turning red at the story, he interrupts. "Okayy, next question amore."

"Which side of the bed do I sleep on?"

"Left."

"If I could get a tattoo of something, what would it be?"

"A bouquet of flowers. The flowers would be your favourite and my favourite together."

You are shocked at his response. "How did you remember that? I told you that ages ago!"

He smiles slyly to the camera. "That is why I am the best boyfriend, there is no need for these silly questions I am already the best. She told me so in be-"

"Right. Next question." You cut him off, eyes widening as you figure out where he was going with the statement. "This is the last one. If I could live anywhere in the world, where would it be?"

"Oh this is easy. Italy. You are always talking about how much you love it. But you also love Monaco and France so depending on how you feel, one of those three."

"Well.", you look at the camera, "I think that answer deserves 2 points." Handing your questions off to the side, you turn to Charles who has started reading the first of his questions.

"If I had a ticket to anywhere in the world, where would I go?" he reads. "This is similar to yours", he mutters.

"Home", you say confidently. "He's a mama's boy, tries to go back home as much as possible."

He blushes slightly before nodding to the camera. "Yup, 1 point."

"What was I wearing on our first date?"

You reply quick as lightening. "A shirt and pants. Very gentlemanly, I remember thinking, probably the best first impression I've had of a guy."

His eyebrows raise at the confession, cockily tilting his head in the direction of the camera. "You heard her! Next, what is something I hate?"

"A lot of things, Char."

"Is that your final answer, cherie?"

"Um." you pause. "Oh I know! When manipulate stuff that you say. It makes me really mad too. It gets really tiresome when they take stuff that Charles has said that turn into into a different story altogether."

"Thats true, I do hate that." He smiles at you, reaching over to squeeze your hand once to say thank you.

"How many kids do I want?"

"3, because you have 2 siblings. But, you said you want as many as I am comfortable with!"

"Of course, amour. You're the one whose going to be carrying them, your choice is more important here. What is something I get annoyed about?"

"Oh, when Seb and Carlos beat you at those Ferrari games you play."

His jaw drops in faux offence, shaking his head as he reads out the last question on his cue card.

"What is one my hidden talents?"

You look straight at the camera, not dissimilar to The Office. A smirk grows on your face and the lens zooms in. In the background Charles can be heard complaining.

"Oh I see! You can make these jokes, but I cant?"

The video cuts to the wider angle once again, you and Charles wave at the camera.

"Thanks for watching our couples quiz! I think it's clear that I've won."

Charles rolls his eyes, eyes shining with admiration and love for you. "Bye everybody."

Comments:

charleslover: OH MY GOD!! THEY ARE SO IN LOVE IT KILLS ME

ynandcharles: their facial expressions always kill me

username89: where do i get a charles leclerc bcs i will willingly offer all the money i have

doratheexplorer16: their love for each other hurts

[chiyuuchu]

sharing is caring <3 (4th August 2024)

Bakugou Katsuki x Reader

Prompt! Bakugou and Y/n gets their laundry mixed up

It was a Friday night, and the Bakugou Squad—comprising Bakugou, Y/N, Kaminari, Kirishima, Mina, Jirou, and Sero—had decided to hang out in Y/N’s room for some much-needed relaxation after a tough week. Y/N had texted everyone earlier, inviting them over for snacks, movies, and some casual chatting.

As everyone gathered, the room quickly filled with laughter and conversation. Kirishima and Kaminari were arguing over which movie to watch, while Mina and Jirou were busy setting up a makeshift snack bar on the floor. Sero was lounging on a beanbag, already munching on some chips.

Bakugou, leaning against the wall with his arms crossed, was watching the chaos unfold with a small, almost hidden smile. He enjoyed these moments with his friends, though he would never openly admit it.

Just as the debate over movies reached its peak, the door swung open, and Y/N walked in. Bakugou’s eyes widened when he saw her. She was wearing one of his old t-shirts, slightly oversized on her smaller frame. His brain short-circuited for a moment, taking in the sight.

“Where the hell did you get that shirt?!” Bakugou barked, his face turning an interesting shade of red.

Y/N looked down at herself, then back up at Bakugou with a casual smile. “Oh, this? I found it in my laundry. Must have mixed up with my clothes. I can give it back if you want.”

Bakugou’s mind was racing. Inside, he was definitely simping, though his expression showed only flustered annoyance. “That’s mine, you idiot! How could you not notice?”

Y/N giggled, her eyes sparkling with amusement. “Relax, Bakugou. I’ll give it back. It’s just a shirt.”

Mina, catching the interaction, burst into laughter. “Looks like Bakugou’s got a favorite shirt thief!”

Jirou smirked, nudging Y/N. “Nice fashion choice, though. It suits you.”

Kirishima, ever the supportive friend, added, “Yeah, looks cool on you, Y/N.”

Sero chimed in with a grin, “I’m just glad Bakugou isn’t blowing up over this... yet.”

Bakugou growled in frustration, his glare now directed at his friends. “Shut up, all of you!”

Kaminari, trying to diffuse the situation, waved his hands. “Alright, alright, let’s calm down. It’s just a shirt. Let’s get back to the movie.”

Y/N smiled at Bakugou, who was still fuming but trying to hide his flustered state. “Seriously, Bakugou, I’ll wash it and give it back. No big deal.”

He huffed, crossing his arms. “Fine. Just… don’t make it a habit.”

As the night went on, everyone settled into their usual banter and activities. Bakugou, despite his earlier outburst, couldn’t help but steal glances at Y/N. She looked so comfortable in his shirt, and a part of him couldn’t help but feel a strange sense of pride seeing her in it.

The following week, Bakugou had been looking for his favorite pair of sweatpants. After checking his room and the laundry room with no luck, he decided to ask Y/N if she had seen them. He stomped over to her room, knocking firmly before entering.

“Hey, Y/N, have you seen my—” Bakugou started, but his words trailed off when he saw her. Y/N was lounging on her bean bag, comfortably reading a book, wearing his sweatpants.

Bakugou’s eyes widened in disbelief. “Are you serious?!” he yelled, making Y/N jump a little.

She looked up at him, blinking innocently. “Oh, hey, Bakugou. What’s up?”

“What’s up?! What’s up is that you’re wearing my sweatpants!” he barked, pointing at the offending article of clothing.

Y/N glanced down at the sweatpants, then back at Bakugou with a sheepish smile. “Oh, these? I found them in my laundry again. They’re super comfy. I thought they were just mixed in with my stuff.”

Bakugou was fuming, his face turning red. “How do you keep mixing up our laundry? Are you doing this on purpose?”

Y/N giggled, closing her book and sitting up. “Maybe I just like your taste in clothes. They’re really comfy.”

He crossed his arms, trying to maintain his stern expression despite the fluttering feeling in his chest. “You can’t just keep taking my clothes! What’s next, my hoodies?”

Y/N shrugged playfully. “If they’re as comfy as these, maybe.”

Bakugou groaned, rubbing his temples. “You’re impossible. Just give them back when you’re done, alright?”

She smiled up at him. “Sure thing, Bakugou. Thanks for letting me borrow them.”

He grumbled under his breath, turning to leave her room. “Yeah, yeah. Just… don’t do it again.”

As he walked away, he couldn’t help but feel a mix of frustration and something else—something he wasn’t ready to admit to himself just yet.

The next week, Y/N headed to the common room, a perplexed expression on her face. “Hey, guys, has anyone seen my white shirt with a strawberry on it?” she asked, looking around at her friends.

Everyone looked at each other and shrugged, except for Kirishima, who was stifling a laugh. “Uh, Y/N, you might want to look over there,” he said, pointing to the corner of the room.

Y/N turned to see Bakugou standing there, wearing her white shirt with a strawberry on it. The shirt was clearly too small for him, stretching tightly across his broad shoulders and chest.

Bakugou crossed his arms, attempting to look nonchalant despite the obvious discomfort. “Oh, this shirt?” he said, his tone dripping with sarcasm. “Found it in my laundry. Thought I’d give it a try since you seem to like wearing my stuff so much.”

Y/N stared at him in disbelief for a moment before bursting into laughter. “Bakugou, you look ridiculous! That shirt is way too small for you!”

He huffed, a smirk tugging at the corner of his mouth despite his best efforts to remain serious. “Yeah, well, maybe now you’ll think twice before taking my clothes.”

She shook her head, still giggling. “Alright, you win. You can have your sweatpants back. Just give me my shirt, please.”

Bakugou uncrossed his arms and started to pull the shirt off, struggling a bit as it got stuck. “Fine, but this is the last time you take my stuff without asking.”

Y/N stepped forward to help him, tugging the shirt free. “Deal. But you have to admit, it’s pretty funny seeing you in my shirt.”

He rolled his eyes, but there was a hint of amusement in them. “Yeah, yeah. Just keep your clothes out of my laundry.”

As Y/N finally managed to pull the shirt off Bakugou, she looked up at him with a grin. “Thanks for the laugh, Bakugou.”

He grunted, a faint blush coloring his cheeks. “Whatever.”

A few days later, Bakugou found himself wandering into the laundry room. As he sorted through his laundry, he noticed a pile of Y/N’s clothes on the counter, waiting to be washed. An idea formed in his head, and he smirked mischievously.

He quickly rummaged through his laundry basket and pulled out his favorite hoodie. It was a little worn but incredibly comfortable. With a final glance around to make sure no one was watching, he casually tossed his hoodie into Y/N’s pile of clothes.

A couple of days later, Bakugou was lounging on the couch in the common room when he heard someone approaching. He looked up and tried to hide his excitement as he saw Y/N walking in, wearing his hoodie.

“Hey, guys!” Y/N called out, plopping down on the couch next to him. “Is anyone missing a hoodie? I found this in my laundry, and it’s super comfy.”

Kirishima raised an eyebrow and smirked. “Nice hoodie, Y/N. Looks familiar.”

Bakugou tried to keep his cool, giving a nonchalant shrug. “Yeah, that’s mine. But you can keep it if you want. Looks better on you anyway.”

Y/N raised an eyebrow, giving him a suspicious look. “Oh, really? You’re just giving it to me, huh?”

Bakugou avoided eye contact, pretending to be interested in the TV. “Yeah, whatever. It’s just a hoodie.”

Mina, who had been listening in, burst into laughter. “Wow, Bakugou! Didn’t know you were into sharing clothes now.”

Y/N giggled, pulling the hoodie tighter around herself. “Well, thanks, Bakugou. It is really comfy.”

He finally glanced at her, a small, satisfied smirk on his face. “Yeah, whatever.”

Y/N playfully nudged him.

As the rest of the squad joined in the laughter, Bakugou couldn’t help but feel a little triumphant. Maybe sharing wasn’t so bad after all.

[minus-plus-zer0]

Stuck Inside From the Rain

♡ Genre: Fluff ♡ Pairing: Bakugou x Reader ♡ Tags: Aged up (This was supposed to be short u-u)

You couldn't go home, not in this weather.

You had only planned to drop off a video game you borrowed from Bakugou, but the rain had hit so suddenly that there was no way you were going anywhere now.

What's worse, it was getting pretty dark out. At least Bakugou had a nice couch to sleep on...

"Oi!" Bakugou called out from the kitchen. "Dinner's ready!"

Bakugou had fetched some extra ingredients so he could make food for the both of you. You both sat down at his dinner table, with your grilled chicken and peppers in front of you.

"Thank you so, so much for doing this, bestie!" you said. "I think this is the first time we've eaten together in your new home."

"That's not my fault. I invited you over last week. But you were busy with Kirishima..."

You scoffed at how he chewed his food angrily. "He's just a friend, Bakugou. I actually totally forgot about that until now. Are you jealous?"

"Why would I be jealous of some guy with shitty hair?! He's got nothing on me!"

"Then don't bring him up?"

"Don't go blowing me off for Kirishima and then I won't bring him up! How about that?"

"I'll be sure to give you all the attention you want this time, okay?"

Bakugou looked frustrated, but a bit pleased. "You better."

True to your words, you ranted and raved to Bakugou about the food, as always. Bakugou knew that if there was one way to get you to focus on him, it was through his cooking. He looked cocky as you basically monologued to him about your 5-star Yelp review of his food. He offered you the rest to take home as leftovers, because unlike that traitorous rat Kirishima, he found himself to be a considerate and compassionate soul who would never let you starve.

You wanted to help with the dishes, but Bakugou wouldn't let you lift a finger to do chores. The guy was treating you like a guest he personally invited, but you felt a little bit like a burden who invaded his evening out of nowhere (even though you knew he wanted you here).

The night grew colder as it went on, and you could tell even Bakugou was starting to get affected. You attached yourself to his side to warm him up, holding onto him because you knew he hated the cold. He let himself get a little lost in that moment, which was easy to do since nobody was here except for you.

"You're such a koala," he said. "How long are you gonna steal my arm for?"

"Bakugou, if you keep complaining I'm gonna let go."

"Fine, fine! Just walk a little faster with me, I need to get something from the living room."

Bakugou wanted to watch a movie with you, but first he fetched an extra blanket, hoping to drape it over the two of you while you sat on the couch.

"You didn't get your own blanket?" you asked.

"This was all I had! Don't hog the stuff, alright?"

"I'm sorry, I didn't mean to be a burden. I'm just cold..."

"You're not a burden. Just get over here so we can share it. Properly."

He drags the blanket around both of your shoulders, bringing you two hip-to-hip.

"It's like we're kids again, huh?" you laughed. "If you had extra pillows, I would've made us a pillow fort."

"I'm too big for that and you know it. It'd just fall over."

"You're no fun. Did anyone ever tell you that you act like such a grandpa?"

"You've probably told me that at least 5 times now, yeah."

You two watched a movie together, some old action flick from long ago. You rested your head on Bakugou's shoulder, and over time he ended up curling one of his arms around you. You're engrossed in the movie, you thought it wouldn't be your style but the movements are mesmerizing! However, Bakugou's glancing over at you repeatedly, gauging your reaction.

As the movie continued, the night grows even colder, and you're retreating into Bakugou's chest for any semblance of warmth. It's easy to do since his Quirk keeps his body working like an oven. Bakugou's tensing up now, stiff and janky in his movements.

You yawned for the 15th time this hour. "Bakugou... I'm sleeeeepy..."

Your heart rate slowed and your eyes felt heavy, and you almost dozed off to sleep with the sound of the rain rushing down outside. Bakugou looked distressed, knowing that you two might fall asleep together for the first time. But you didn't want him distressed, you wanted him happy, because he was your Bakugou, even if it wasn't official yet...

In your sleepy state, you gave him a tiny kiss him on the cheek and then curled up to sleep against him. You heard him swearing up a storm under his breath, and he really went through the entire curse word dictionary as if you couldn't hear him at all.

Then, he kissed you on the forehead right back.

"Night, dummy," he said, his voice very quiet.

[apricot-blossomss]

If you're still accepting requests would you be willing to do Hermes with fem!reader who has body image issues? Like not feeling like she's worthy of him or will hold his attention? I LOVED the way you wrote the last one of him stealing all of reader's stuff; no pressure tho if you don't want to do this subject. Thanks for your time! 💜🐝

☛ hermes x mortal! fem! reader with body image issues

☛ sfw; cw: body image issues, self deprecating thoughts, anxiety

It felt utterly unreal. The temples and palaces, shining in a golden hue, the impossibly delicious food and, most of all, the guests of the party. Was it a wise decision to have your first time on Olympus be visiting a divine festival? No. Were you utterly overwhelmed by everything here? Yes. Definitely.

A hand found yours and you turned around, startled, only to find Hermes smiling at you. His hair was uncharacteristically orderly, bronze curls framing his face carefully, not as disheveled as usual, after a day of work and flying around. "Hey sweetheart, enjoying yourself?" You nodded and hoped your smile didn't seem too forced. And it was beautiful here, just too much for your poor mortal eyes to comprehend.

It wasn't only gods attending the festival. When you looked over the crowd, you spotted centaurs, nymphs and satyrs as well, and even a few mortals like you, if you were seeing correctly. But the majority of the guests were major and minor gods and goddesses, though in their human form, still almost too beautiful to look at. Like Hermes in the beginning. But during the last months, you had seen him almost every day, and could at least look at him without having an an aneurysm- or a body image crisis.

Hermes squeezed your hand and you looked up at him. The excited grin he gave you had you a little worried. It was the grin of cream smeared in your face when eating cake and several items disappearing in strange correlation to his frequent visits. The god leaned down to your height - even in his human form, he was still a lot taller than you. "Wanna meet my family?"

No, gods, please, no.

"Uhm," you said, unconsciously fiddling with his fingers which always calmed you down. But he knew that, too. Hermes caught your restless fingers and brought them to his lips to press a light kiss onto them. "You don't have to. We can just stay here, if you want. All your call, baby."

Having lost the ability to fiddle with his fingers, you chewed on your bottom lip. When you looked back at him, your voice was thin and full of doubt. "I don't get- I mean, why would you want to introduce me to your family?"

The god's smile widened even further and he pecked the tip of your nose affectionately. "I want to show my amazing girlfriend off, obviously." You wanted to glare at him for messing with you, but he looked so earnest that you couldn't help but believe him. Instead, you let out a small and only slightly bitter laugh. "Show me off? Have you ever even looked at me, Hermes?"

"Plenty," he hummed, covering your cheeks and temple with kisses. "Why would I not look at my stunning girlfriend?" Embarrassingly, you realized that quite a few bystanders were giving you stares and whispers. Not him, he was a god. You. Probably wondering if the god's newest fling really was the ugliest girl at the party.

"'M not," you whispered, because you suspected some of these people had an excellent hearing beyond the limits of your mortal one. You put your hand over Hermes lips, but he only peppered your palm with kisses, moving up your arm to the ticklish spot and you giggled involuntarily. The triumphant smile he gave you was so utterly endearing you would have jumped him. If you weren't here.

"Please?" How were you supposed to say no to those eyes?

"Fine," you sighed, already regretting your decision. But Hermes was ecstatic, throwing an arm around you and guiding you through the crowd that made way for him wherever he walked. You tried to keep your head down and seem as invisible as possible, which, fortunately, wasn't that hard if you were standing next to a glowing diety.

"Brother!" someone called, someone the crowd made way for just as quickly, if not hastier, than Hermes. Your lover held you a bit more tightly but gave you a reassuring smile when a young man, decked out in gold that couldn't compare to the color of his shoulder-length locks, approached you. He ruffled Hermes' hair and then, his gaze wandered down to you. At first, he seemed surprised, no doubt because he was underwhelmed by your appearance, but the next second, he gave you a blinding smile. "And who do we have here?"

Hermes introduced you and then him as Apollo. The god huffed. "Do I really need an introduction? If so, I can give it for myself." You were a little unnerved by his smile, if was too bright, almost hurting your eyes. "I'm Apollo, god of all things beautiful and helpful to you mortals and thus, your favored diety."

"Spot's taken," Hermes said but he was grinning. With one look at your stressed glances, he leaned down to whisper: "he's harmless" You highly doubted that.

"So," the god drawled while looking you up and down. You were extremely uncomfortable. "You are the reason I've barely gotten a glance of my brother these last months." You were? Glancing at Hermes, you tried to think of the right answer. "Um... sorry"

"Where have you been hiding, Hermes?" a female voice called from behind and when you looked at the approaching you, your stomach dropped. It had to be Aphrodite, it had to be. Out of all the indescribably beautiful guests, she was the most striking and perfect. And the one you had dreaded seeing the most. You weren't stupid. You knew you were on the brink of spiraling into an abyss of body-hatred, and you were scared she would push you into it.

When she greeted Hermes, not even registering your presence, you suddenly remembered that they had had a kid together at some point, which only made your anxiety worse. You felt so utterly unworthy of Hermes in between all these gods that you wanted to carefully slip your hand out of his. Who were you to be holding a gods hand after all? But, realizing your intentions, Hermes only gripped it tighter. "Aphrodite, this is my girlfriend."

The way his voice was overflowing with boasting pride did warm your heart a little- until you saw the way Aphrodite looked at you. Surprised, at first, then undeniably sceptical. Her rose eyes looked you up and down and you started sweating under the weight of her gaze. Should you have worn something different? Was it ridiculous of you to be showing up in a dress this beautiful, attempting and failing miserably to be pretty? You were nothing but ugly and desperate and pathetic.

The goddess greeted you and you greeted back quietly, your flight instincts kicking in. "Hermes?" He turned to you, smiling brightly, but it faded a little when he saw the distress in your eyes. "I'm- I'm a little hungry, can I bring you something from the buffet?" Hungry. Great. Couldn't you think of a better way to get out of this situation? Not daring to look at the goddess, you kept your eyes fixated on Hermes who was searching your face for hints of what was wrong.

"Sure," he then said and leaned down to peck your cheek. "That cake looked fantastic." You were thinking more like drowning in misery.

Giving everyone a small smile and goodbye without looking at either of them, you slipped away as fast as possible. Getting to the buffet was way harder without Hermes, because the crowd got more and more dense, so you gave up and opted to break from it, finding a bench somewhere with less people. The buffet had never been your objective in the first place.

You couldn't cry. Not here. Not surrounded by the most beautiful women you had ever seen. Your gaze wandered over stunning nymphs and glowing goddesses with their perfect bodies and perfect smiles, looking so graceful in their flowing dresses. Why were you here? If you had been able to shed your skin right now, you would have. You would still be hideous, but not comparable to these women who you shrank next to.

Why were you here? How could Hermes endure your presence, knowing he could have so much more beautiful women instead, women who didn't get anxiety from parties and rudely ran away from him and his family. Women who laughed, and danced, and made other people laugh. Who were so much fun and so much more worthy than you. You were a nothing. A miserable, ugly nothing.

"Sweetheart?"

You didn't want to look at him. Instead, you opted to fix your gaze on a particularly stunning lady wearing blue. You felt longing well up inside of you. If you could only have her body, her face, her smile, her flowing hair. Maybe you could love yourself. Maybe Hermes could love you.

"The crowd by the buffet was to dense, I couldn't get through," you said quietly, not sure if he was still there. He was. Hermes sat down on the bench next to you and there you sat in silence for a few minutes. When you finally glanced over, you were surprised to find him fiddling with his fingers in his lap. Was he nervous? Did he want to break up with you?

"I'm sorry," you said. "Back with your family... that was so rude of me."

"What's wrong?" he asked and you were surprised at how worried he sounded. Finally, you looked at his face and his pleading eyes and your heart roared. Now you had made him worried. A great girlfriend you were. "Please," he said, getting a hold of your hands and leaning down to eye level. "Tell me. I want to help, but I'm not Apollo, I don't just look at someone and instantly know what they're feeling."

"It's nothing," you said quietly. "Just a bit nervous, I guess." He didn't say anything, and you realized he was waiting for you to elaborate. When you looked at him and saw the helpless look in his eyes, you felt yourself breaking and hid your face in your hands. "How can you even look at me?"

"What?" He sounded completely perplexed.

"I'm hideous!" you sobbed, stubbornly hiding your face away because you felt your hands dampened by tears. "I'm ugly and unattractive and unworthy and even attempting to be anything but that is an insult to all the beautiful women here. And I don't get why you are here with me, why you are with me after all, I mean- why would you do this to yourself? I'm not worthy of you, I-" Your rambling was interrupted by a desperate and tearful gasp for air but you hid your face away stubbornly.

"What?" His voice sounded thin and utterly confused. Then, you felt his hands on your wrists, softly prying them away from your tear-dampened face. You didn't have it in you to fight them.

"Listen... You are... better at this than me," the god said with a nervous chuckle. "Remember the time I was so exhausted I fell out of the window? And you ran me a bath and you made me get in and you... listened to my endless tired ramblings and laughed at my stupid jokes so hard the soap slipped out of your hands and hit me in the face? And then, you... made me go to bed and tell you what was really stressing me out and you just knew what to say. Like, the exact words to make me feel better. And I still don't get how."

Hermes breathed in through his mouth, fidgety but hopeful at the fact that you hadn't interrupted him yet. "Do you remember that hiking trip? I was wearing you out, it was probably too much for you, but you were so determined to get to the top in time for the sunset. And we did and you were so full of wonder. And sure, the view was amazing, but I couldn't look away from you because- I just couldn't. And I had planned to throw you off the edge and catch you a few meters down but I couldn't bring myself to do anything because you were so in awe and so beautiful-"

"I'm not," you said. "Have you even looked at-"

"Sweetheart, my eyes are in perfect shape," Hermes interrupted you firmly. "Yours aren't, because, apparently, you can't see just how beautiful you are. And how good you feel. How fun it is with you. Do you know why I am always so out of breath when I knock at your window? Because every second of the day I want to spend with you, all the time I possibly can, because it feels so right to be with you. So I rush and I show up gasping and sweating at your door and it always feels like coming home."

You were stunned. Could you believe him? How could you not? Hermes seemed to sense your conflict and you felt him slump against you. "Do you have any idea how many times my father has scolded me in the past months for being late to my duties? I don't care if you think you aren't enough. You've always been enough for me. You're more than that. You are in all of my dreams, always on my mind when I'm away."

He caught his breath. This was hard, but he had to convince you of the honesty of his feelings towards you, and he had to get all that crap out of your head. "I'm a god, why would I be with you if I didn't want to be, if I thought I could do better?"

"You can!"

"No, I can't!" he pressed, almost shouting. "No one makes me feel the way you do. Don't you see? You hold me in the palm of your hand, I'm yours!"

With widened and tearful eyes, you stared at him and his gaze softened. "May I?" You nodded, unsure what he was asking exactly. Hermes pulled you into his arms and you couldn't help but feel so loved when he held you tight.

"Can we leave?" you asked quietly and felt him laugh shakily against your shoulder. "Yes, let's get out of here."

Reluctantly, he pulled away and made you look at him. "Would you please believe me that I love you? Because I don't know what else to do. Do you want my shoes? My gardens? My palace? All my temples? I'd give them all to you, if you would just believe me."

"I think I might need a little while to get it," you sniffled quietly and in full earnestness. "I'm a little stuck here." You managed a small laugh.

The god looked at you with such tenderness you felt yourself blushing under his gaze. "Then I'll remind you every day until you believe me how beautiful you are."

﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

[galaxysupreme17]

Agatha's Trial

Y/n = Your Name

AgathaRio x daughter!reader

Alice Wu Gulliverx fem!harkness!reader

Y/n stirred, blinking sleepily as she lifted her head. Around her, everyone was still asleep. Alice's arms were snugly wrapped around her, making Y/n smile softly. She carefully extricated herself, trying not to wake her girlfriend, then stretched quietly as she scanned the campsite. The first thing she noticed was the absence of her mothers—a detail that, in her experience, was never a good sign. A familiar presence appeared behind her, and she turned to see Rio standing there.

"What do you want, Mother?" Y/n asked, meeting Rio's eyes with a guarded expression.

Rio chuckled as she stepped closer. "Now, now, Mija, no need to be so defensive."

"With you? Defense is always the best option," Y/n replied coolly, crossing her arms.

Rio's expression softened, though she tried to keep her tone light. "Oh really? Just a few hours ago, you said you missed me. Admit it—I was always your favorite mom."

Y/n's eyes flashed. "You were also the mother who abandoned me. At least Mama stayed, even when losing Nicky destroyed her."

Rio's face fell, but she recovered quickly, pointing a finger at Y/n. "You don't know the whole story, Y/n. I had to leave. Your mother never forgave me, and you know that."

Y/n scoffed, shaking her head. "You don't get it. Mama forgave you the moment it happened. She still loves you, even after everything. What she hasn't forgiven is you leaving without fighting for her. For us. She was shattered, but you actually listened when, in a fit of grief, she told you to leave and never come back. The one time you should have fought her, you didn't. Not only did I lose my brother, but I lost my mother too. Mama tried hard to be there for me but couldn't help feeling she'd failed."

A tear slipped down Y/n's cheek, which she quickly brushed away before turning on her heel and heading back to the group. Rio opened her mouth as if to say something, but no words came. Y/n had understood far more than Rio realized, even at ten years old.

Back with the others, Y/n noticed Lilia stirring awake with a gasp. "They're coming! We have to go!"

Y/n frowned as she gently shook Alice awake. "What? Who's coming?" she asked, helping Alice to her feet.

Hurriedly putting on her jacket, Lilia replied, "The summoning spell—we left the door open!"

Alice tightened her grip on Y/n's hand. "What did you see?"

Before Lilia could answer, Rio appeared, smirking. "Go on, Lilia. Tell them."

Lilia glanced at the others, her expression tense. "The Salem Seven."

A shiver ran down Y/n's spine as Lilia continued, "When Agatha killed her original coven—"

Jen interrupted. "By stealing their powers."

"Because her own mother tried to have her executed," Rio added defensively.

Jen glared. "Are you seriously defending a known serial killer?"

Y/n, irritated by the insult toward her mother, took a step forward. "Back off, Jen."

Alice pulled her back, looking around anxiously. "Come on, someone finish the story!"

Lilia continued, a little shakily. "Agatha spared the young children of the coven she killed..."

Rio gave a dark smile. "And now they're a feral, hive-minded coven, hell-bent on revenge."

Just then, Agatha burst around the corner, shrugging into her jacket. "Lesson learned: always finish what you start. And mercy? Overrated. Alright, everyone, grab your stuff! Let's go!"

The group bolted, running until they reached a dip in the road with a thick brush surrounding it. They heard a wolf's howl ahead and strange noises behind them.

Teen, thinking quickly, suggested, "What about a hexenbesen?"

Everyone except Rio and Y/n immediately shot the idea down, but Y/n's face lit up. She'd always loved flying on brooms.

Soon, her mothers were setting up, and Jen and Lilia also paired up. Seeing the odd number, Y/n turned to Alice. "Trade partners?"

Alice gave her a reluctant look. "What about you?"

"I'll be fine. I'll ride with you," Y/n replied with a reassuring smile.

Teen's face lit up as he realized Alice would trade with him. Meanwhile, Agatha and Rio looked puzzled when they saw Y/n standing alone. Y/n caught their expressions and shrugged. "I'm riding with Alice. I'll be okay."

As Teen finished his broom, one of the Salem Seven lunged at him. Quick-thinking, Alice struck it with her broom, allowing Teen to complete his spell. Agatha and Rio led the group into the air, and Alice soon followed, pulling Y/n up onto the broom, wrapping an arm around her waist while Y/n clung to her shoulders.

"We need to get off the road!" Y/n shouted over the wind. Everyone gained altitude, Alice laughing with exhilaration. Y/n leaned in, pressing a quick kiss to her cheek, which made Alice smile. She turned her head and caught Y/n's lips softly, letting their foreheads rest together afterward.

They soared onward until the air around them shifted strangely. The group began to panic as they felt an unseen force dragging them downward. Alice tightened her hold on Y/n, determined to keep her safe.

"The next trial!" Teen shouted as a small house appeared in the distance. Just then, one of the Salem Seven appeared, insects spilling from its mouth as it prepared to attack. The group sped toward the cabin, dismounting as they reached it. Alice held Y/n close, shielding her from the chaos around them. They barely made it inside before Agatha slammed the door shut.

"Alright, we're safe," Agatha panted, trying to catch her breath.

Jen pointed to the dark figures gathering outside. "Safe? The entire Halloween aisle is outside waiting for us!"

Agatha rolled her eyes as she adjusted her hair, picking a few bugs out. "They can't get in, can they? We must complete the trial and get out before they break through."

Alice looked down at herself, then at everyone else. "So... what? Kiss, marry, kill?"

Y/n wrinkled her nose. "Ugh, I really hope not."

Teen suddenly realized he was missing his spell book and started to panic. While searching for spells, Y/n glanced down, noticing that her outfit matched Rio's almost exactly—except for a purple trim on her clothes. It was ironic, she thought, as if fate was screaming who her parents were.

Y/n's thoughts were interrupted by Teen's voice cutting through the silence. "Whose trial is this?"

Rio leaned against the window, gazing out at the blood moon's eerie glow. She chuckled softly, though there was little humor in it. "Agatha's."

Y/n's head whipped around to face her mother, worry flooding her expression. Sensing her daughter's gaze, Agatha turned, catching Y/n's anxious eyes. She tried to reassure her with a gentle smile, but an unmistakable hint of fear lingered beneath her calm facade.

"The blood moon," Lilia whispered, glancing at the crimson glow in the sky. "When the veil between the living and the dead is at its thinnest."

Teen looked to Lilia, confused. "Wait. I thought talking to the dead was your department?"

She gave him a small, knowing smile and shook her head. "A common misconception. I read people; I read time. But spirits? Talking to them was just a con."

Rio stepped forward, smirking as she raised her dagger disguised as an ordinary hairbrush. "And who better to commune with the dead than someone who's put so many in the grave?"

Y/n rolled her eyes, muttering under her breath, "That's rich, coming from you."

A board game flew off the shelf as if on cue, skidding across the floor and landing with an ominous thud by Teen's feet. He bent down, picking it up and examining the dusty box. "Looks like the road wants us to Ouija," he remarked, holding it up to the others.

Then, a sharp beeping echoed in unison from everyone's watches, signaling instructions for the next part of the trial. After a brief scuffle over who got to read the message first, the group reluctantly agreed to gather around the board. Each placed their hands on the planchette, and Y/n chose a spot close to Agatha, her protective instincts kicking in.

They began the session, and Agatha's hands soon lifted from the board, her fingers twitching as if guided by an unseen force. Her body started to jerk, her eyes rolling back as her voice became unnatural. But Rio, unfazed, just rolled her eyes.

"She's just scared," Rio muttered dismissively.

At her words, Agatha dropped the act, blinking and returning to herself, though Y/n shot Rio a glare of pure frost. They resumed, and this time, the planchette began to spell out words slowly but surely: "P-U-N-I-S-H A-G-A-T-H-A." The message repeated, each time faster and more aggressively, until Agatha yanked her hands away from the board.

The room seemed to pulse with dark energy, a chorus of low, guttural voices rising around them, chanting, "Punish her."

Agatha slumped to the floor, covering her ears and squeezing her eyes shut as the chanting grew louder. Y/n stepped toward her mother, but before she could reach her, Rio grabbed her arm, holding her back.

"Stay with me, Y/n," Rio warned.

Y/n pulled free, her protective instincts overriding caution, and rushed over to her mom, checking to ensure she wasn't injured. Agatha, noticing this, removes her hands and covers her daughter's ears, attempting to protect her.

"What do we do?" Alice asked, looking between her friends, panic etched across her face.

"They already told us. Punish Agatha!" Jen shouted, and the voices went dead silent as if by command.

Y/n rose to her feet, planting herself firmly between Jen and her mother, her expression fierce. "Like hell, you will."

Jen crossed her arms, unfazed. "I'm sorry, Y/n, but that's the only way to pass the trial. Your mom's done... terrible things. We all know it."

"Oh, and you're a saint?" Y/n snapped back.

Teen tried to ease the tension, but his voice was gentle. "Come on, there's got to be another way."

"We could tie her up," Lilia suggested, though there was a hint of doubt in her voice.

"You can't be serious," Alice said, inching closer to Y/n as a show of support.

"Or," Rio interjected, lifting her dagger and tilting it thoughtfully, "we could just slit her throat." Her tone was casual, but Y/n knew her mother well enough to sense the underlying bitterness in the remark.

"Let's not be so hasty," Agatha cut in, her tone calm but firm as she pushed herself up, standing protectively in front of Y/n. Y/n took a step back, her heart pounding.

Suddenly, the lights flickered, casting the room in darkness, then snapped back on. Alice looked around frantically, a pang of dread in her voice. "Where's Y/n?" Her question hung in the air, and the group's expressions shifted from confusion to fear.

Agatha turned sharply, scanning the room. "Y/n? Sweetheart, where are you?"

Rio's face hardened as she called out, a note of worry slipping into her voice despite her best effort to hide it. "Y/n, Nena, come back. We won't hurt your mother."

The lights flickered again, plunging the room into darkness once more. Teen fumbled around, finally finding an old lamp. When he switched it on, he pointed it toward the ceiling, gasping at the sight above him.

"Oh my god, what happened to her?" Jen's voice cracked as she staggered back, pressing herself against the wall.

"Someone, get her down!" Alice cried, her voice laced with panic as she stared up at Y/n, who was somehow contorted and suspended against the ceiling, her limbs twisted in unnatural angles.

Rio stepped forward, her voice steely. "No one is touching her."

"But she's going to get hurt!" Lilia protested, her hand covering her mouth in horror.

Before they could make a move, Y/n's body dropped from the ceiling, hitting the ground with a hard thud. Alice stepped toward her, but Teen grabbed her arm, holding her back.

"That's not Y/n," he whispered, eyes wide with fear.

Y/n's body began to move in unnatural jerks, her limbs twisting as if controlled by an unseen force. Her head snapped up, her gaze vacant and hollow.

"She's possessed for real," Teen gasped, backing away.

Rio took a protective step forward, her voice firm. "No! She could get hurt. No one is to touch her."

"Then how can we help her?" Agatha cried, moving to Rio's side, both torn between the need to act and the fear of making things worse.

Before they could decide, Y/n's body went limp, collapsing to the floor. But before anyone could reach her, she disappeared again as the lights flickered and dimmed.

"Where is she?" Rio's voice cracked with desperation as she searched the room frantically, her face pale.

Just then, a white fog began to form by the stairs, curling upward, thick and heavy like smoke. Rio's face darkened with recognition. "That's a ghost. I hate ghosts," she muttered under her breath.

Agatha's gaze sharpened, her breath catching in her throat. "Mother?"

At the top of the stairs, Y/n reappeared, looking dazed as she cradled her injured knee, struggling to heal it.

Agatha's face contorted with rage as she glared at the foggy figure. "What did you do to my daughter?"

Evanora Harkness's ghostly figure smirked, her voice dripping with malice. "You must continue the witches' road without her."

A horrified gasp escaped from Alice. "No! No way!"

"Leave her with me, and you may go free," Evanora taunted, her smirk twisting cruelly.

"You will not take my daughter!" Agatha shouted, her voice breaking, tears pooling in her eyes.

Rio placed a steadying hand on Agatha's shoulder, her voice soft but fierce. "She's coming with us, Agatha. She's not staying here."

Evanora's gaze turned venomous. "You do not deserve to have any children. You were evil the minute you came into this world. What makes you think I would let you continue this rotted bloodline? I certainly succeeded with the other one."

Her words hit Agatha like a physical blow. Her mouth opened, but no sound came out. Y/n, finally healed, locked eyes with her mother, her expression fierce and unwavering.

"Mama, don't listen to her. You are amazing. You made me who I am," Y/n said softly, her words cutting through the room's darkness like a beacon.

Before Evanora could respond, her figure flickered and vanished, but not before her malevolent presence seemed to seep into Y/n, whose body twisted again, contorted and crawling down the stairs. Alice, anger flooding her features, pushed past Agatha.

"Leave my girlfriend alone, you Bitch!" she yelled, unleashing a blast of magic.

"Alice! Be careful!" Agatha shouted, reaching for her.

After a tense struggle, Evanora's spirit finally left Y/n's body. Y/n crumpled to the floor, gasping for breath. Alice was the first to reach her, pulling her into her arms. Agatha and Rio knelt beside them, their hands trembling as they checked her over.

Agatha hugged Y/n tightly, her voice breaking. "I'm so, so sorry, my sweet girl."

Y/n managed a weary smile. "It's okay, Mama. I'm okay, I promise."

Rio brushed Y/n's hair back, her fingers lingering. She embraced her, Y/n melting into her warmth, and then turned to Alice, who held her close, her face buried in her shoulder. They watched as the door creaked open, signaling that they had passed the trial.

Later, the group began working to make a fire, while Rio and Agatha stood off to the side. 

Rio turned to Agatha, her expression soft but uncertain. "Agatha, I... I'm sorry."

Agatha looked at her, surprised. "For what?"

Rio chuckled bitterly. "I always thought you hated me for what I did... for leaving."

Agatha's eyes softened as she reached for Rio's hand. "I was hurt, Rio. I wanted you to stay, to fight for us."

Rio's gaze dropped. "I see that now. Agatha, I have always loved you. I just... I hope you can let me back into your life."

With a gentle smile, Agatha squeezed her hand. "You've always been a part of me, Rio. I'd love for you to stay."

Rio pulled her close, their lips meeting in a soft kiss that was filled with years of longing and forgiveness, a promise of a new beginning.

As they pulled apart, Y/n nudged Alice and whispered, "Looks like they finally figured it out."

Alice grinned. "Three centuries is a long time to wait."

Hand in hand, Agatha and Rio joined the others by the fire, the warmth of new hope settling over them all.

[squinch-depraved]

Could we get more of the little blurb you wrote about Schlatt stealing panties?

ya. so this is how i've scripted some stuff about it in my youtuber DR (anti-shifters dni!!)

he steals them literally any chance he gets, has been since you first met

the first ones he ever took are his favorite

a simple lavender pair with lace trim

the two of you were sharing a bathroom on a lunch club trip and you accidentally left them in there

and when he walked in and saw them laying there, he felt so fucking disgusting for praying they had already been worn

snatched them up so fast and just walked out, forgetting he had to use the bathroom

you popped back in a few minutes later, mortified that you had forgotten them in the first place

but they were just fucking gone

whatever, you convinced yourself you already put them away and just shoved it to the back of your mind

when you finally hook up for the first time, he made sure to undress you so it wasn't too weird or suspicious when he kinda tossed your underwear somewhere apart from the rest of your clothes

you awkwardly searched for them afterwards, trying not to clue him in to the fact that you may have to go commando for the rest of the night

but little did you know that he had manufactured the situation himself and was damn near ready to fuck you again from the thought of you wearing nothing under the shortest fucking shorts he'd ever seen

and you realized hours after you left his place that he was the common thread between both times you lost your panties

that fucker, smh

but the thought of him pleasuring himself with them was satisfying enough for you to keep sleeping with him

you carefully picked out each pair that you wanted him to have before you met up and made sure they were dirty enough for this fuckin pervert to enjoy

it became a regular thing, you two fucking each other

every time, without fail, he stole the damn panties

if you wore fishnets or any kind of stockings for him, he would get them soaked with cum and your juices before stealing those as well

it's fine, he eventually realized he needed to start buying you lingerie if he was going to continue to expand his collection

which he's quite proud of, by the way!

at this point he's been stealing them for years, has several drawers full and organized

he's actually such a fucking creep about it

wraps a pair around his length while he strokes it

you get videos all the time of him bucking his hips up into his hand

and of him moaning your name as he spills his cum all over your favorite hello kitty ones that you had to actually search online for a replacement for

he'll drape a pair over his face so he can pretend you're sitting on it while he jerks his cock

biggg fan of sniffing them/sucking on the fabric like this dude is nastyyy

whenever you can't see each other often you mail him pairs and polaroids of you wearing them

he is obsessed, to say the least

[rachelsfav-queer]

Pumpkins

Enid: So basically, you can carve whatever design you want into the front of the pumpkin! Then you put it out just like any other Halloween decoration!

Wednesday: Hm, intriguing… Does it have to be put directly outside as decoration? Or are there other options?

Enid: Umm, well I guess there’s technically not any specific rules against doing whatever you want with it? Why, babycakes?

Wednesday: No reason, mi amor. Just curious… I think I would enjoy participating in this tradition. Give me a knife, I’m not dirtying any of my own with pumpkin juices.

Enid: YAY! Oh, I’m so excited!!

*Two Days Later*

Yoko: *anxiously looking around*

Divina: Baby? Is everything okay? You seem… not okay?

Yoko: *startles* WHAT?! Oh, um yeah, I’m fine. It’s just… someone keeps sneaking into my room and putting pumpkins in my room every night or when I get back from classes. It’s kinda freaking me out.

Divina: Pumpkins? That’s weird. Are they carved or anything?

Yoko: Y- yeah… they’re carved with these freaky ass messages. Stuff like, “Sleep with one eye open” or “Watch your back or count your days”. It’s gotta be some prank, right? It’s just… how are they doing it?

Meanwhile, on the other end of the quad, a Raven and a Wolf watch the interaction, one smirking sadistically and the other sighing exasperatedly. Enid whispers to Wednesday that she has to stop terrorizing her friends. Wednesday simply offers to let Enid write/carve one of the next messages, which Enid agrees to a little too easily after remembering a recent incident of the vampire stealing her favorite limited edition snacks, deciding to get a little bit of healthy revenge on her best friend.

(Day 20, Prompt 20 of Wenclair-Tober. Back at it with the silly, and slightly terrifying, antics of Wednesday and Enid! Poor Yoko, maybe next time she’ll think twice before “permanently borrowing” Enid’s stuff 🤷‍♀️ “Payback is gonna be a bitch”)