#they keep each other human

[s0up1ta]

"so grunkle ford how do you know bill?"

"... that's not important."

[countess-of-edessa]

the world is so fucked up and i can't help but think the damage is irreparable when i see people talking about how unusual and prudish it is to wait six to ten dates before having sex with someone. ten dates??? roughly like twenty five hours of interaction????? ten old timer burgers and mango iced teas from chilis equals sex?????? the possibility of pregnancy, STDs, emotional devastation, lifelong consequences, not to mention just straight up the possibility of getting murdered, with a STRANGER you have hung out with for maybe like two months???? and that's a LONG TIME???? and if you feel weird about that and don't want to do that that makes you NOT HETEROSEXUAL????? THATS AN ORIENTATION???? BECAUSE ITS SO OUTSIDE OF THE NORM OF HUMAN BEHAVIOR ????? i hate all of you i hate you i hate you i hate you every day i hate and I hate and I hate you

[faceeeeee]

Twisted time🤸‍♀️

[dreamingpartone]

at that place we sat together today again, I'll go to where you're going

[ruporas]

hello there, angel

[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[cashmere-caveman]

forever obsessed w the fact that in bh lore vampires do actually die and stay dead for a short bit and then come back wrong. something that sadly never really gets elaborated on but that i find deeply fascinating bc it is implied that they remember the afterlife! which is such a cool and insane nugget of lore to give ur vampires like hello. also the implication that it scared the shit out of them, or at least out of mitchell..... can we talk about it!

mitchell eating his stupid fucking noodle box as hes waiting w the newly turned vamp to make sure he doesnt wake up alone and scared even though lauren mocks him for it!

mitchell making sure to remind george to NOT look at what's beyond the threshold when they are preparing to say goodbye to annie when her door shows up!

that little moment when annie decides to tell owen the secrets of the dead to drive him insane and george asks what that was all about and mitchell shakes his head so annie goes ahaha lol i was just improvising even though both her and mitchell know better!!!! thats their best friend who they will protect from the horrors of death as long as (in)humanly possible! they love you alive boy ♡

[puppetmaster13u]

Prompt 278

You know what I’ve gotten obsessed with and inspired by? Dredge. 

You know what is also fun? Merfolk. What’s even better? Lovecraftian corrupted merfolk. Especially if say, one goes with the Lazarus Waters being a form of ectoplasm. So, in this? Lazarus waters are like lakes, while Amity Park, thanks to the Portal, and the barriers? It is an entire sea. 

There are islands, small areas that were once the tips of buildings that have gathered more landmass around them. There are mangroves, trees not like anything on earth or anywhere else stretching up in canopies dark enough to block out the sun, yet lit by the green waters. 

It goes deep. Mariana Trench deep, despite it being impossible. The GIW have explored for caves or tunnels, they’ve tried to find some sort of explanation, but there isn’t one. 

Now all that ecto? That has an effect on people. They mutate, they change, they adapt. Anywhere else would have been a slow death- something the GIW might have even been counting on. But Amity Park? It was founded by witches, it was the hotspot for the supernatural, even before the Fentonwork Portal. They’ve been dealing with this sort of energy in microdoses from the moment they first began to live in the city in any generation. 

But they begin to adapt. Shift into something… other. Some stay contaminated, clinging to human forms as they form homes on the tiny islands, fishing and farming what they can. Others become Liminal, almost seeming to meld with fish, some similar to ones of the Living and others something just to the left. Similar yes, but not quite… right. And then there are those that have truly melded with the energy of the dead, forms torn asunder by it, ripped apart and made anew by it. 

The first sign back when the barrier was activated, when they could no longer leave and were trapped were the fish in the lake. And now they are the same, with gazes of something Else, with gnashing teeth and a hunger gnawing at where hearts once were. 

But they aren’t monsters. They’re still themselves. Just a little… Other now. 

[bruhstation]

Your art is awesome. Just wanted to share condolences. I write humanized cars 2006 fanfiction and semi-frequently it goes viral on here or on tiktok and I'm flooded with normies and crazies who don't understand or who think humanized vehicle slash is weird (cowards), so I can imagine what you're dealing with. From one humanized wheeled thing lover to another, you deserve the hype but none of the negativity, keep doing you!!!

we’re just over here having fun. chilling in our own corner. then outsiders come and say “omg whatttt” “THIS IS [MEDIA NAME]?” “great art but. what?” like they think our interests are ironic. and we’re committing to a bit. I’m not sad but it’s really annoying and making me roll my eyes like I get it. I’m a lab species instead of a human with hobbies. whatever they wanna say. let’s all hold hands and frolic in the fields

[premamelody]

i think they'd be somewhat friends

[mychemicalseal]

I'm on book 5 of the Temeraire series and wow I didn't realise this became a comedy:

Laurence: poor Temeraire, alone, friendless, surely fighting every other beast with no hope of order or discipline he's become accustomed to

Temeraire: *currently embroiled in a dragon court case that's turning their sense of justice on a head*

[blorboindulgence]

Love Letter - Worrying

Imagine your horribly injured friend only responds to the most untrustworthy guy in the school you're trapped in and freaks out when he's not around. I'd probably be worried too.

Based off the end of chapter 17 of Love Letter by @lunarleonardo

[misstrashchan]

So. What's the opposite of a sacrifice?

With the final episode looming it's a question we've been turning in our heads, so I wanted to give my best guess/analysis as to what it might be before Jon and Muna come to tear our hearts out in the final episode.

This is the question Hayward asks Paige, and later Carpenter, and it seems to be the underlying thematic statement of the series, in response to Carpenter's exposition in the first episode of the Silt Verses that introduces us to the fundamentals of the world and system they live in:

CARPENTER:

A god must feed.

A god must be fed.

This is a fact agreed upon across every territory in the Peninsula. And so, really, the only difference between the people born to the water and the people born to the land...

...is the precise nature of the sacrifice we need to make.

There is a God for anything in their world as long as there is someone believing in it. But all Gods need human sacrifices. A god must feed. A god must be fed.

These simple rules have been used as fascinating and horrifying metaphors of our modern society, and to explore themes of faith and sacrifice throughout the story.

And so the final question the last season proposes is if we can find a way to make something better, that can exist outside of this ultimately unsustainable exploitative system and the harm it inflicts upon ourselves and the world, when it has come to define so much of the way we live and how we think. And that means figuring out the opposite of a sacrifice, if they want to kill the idea, the lie, that is at the heart of their world.

At first I thought the opposite of a sacrifice, of offering up to the gods, was about killing your gods. Starving them out. Refusing to offer up anything. And that is part of it, I think. I mean it's literally been a repeating mantra of multiple characters this season once they've reached they're breaking points. Violence in revolution as a tool to overthrow oppresive systems is sometimes needed and necessary. But what about after? What kind of future or vision for a better world can there be? There needs to be something at the heart of that movement that isn't just about violence against their opressors, because you then define yourself in relation to them.

This is even illustrated in the Many Below god Paige created having predator and prey emeshed together, a movement defined by their resistance against the predators of the world, the beasts, cannot seperate themselves to meaningfully create a better future that exists outside of that dichotomy. I think Hayward realises that even earlier in S2:

HAYWARD:

There’s a hare in the grass, half-buried and bloodied.

A barn owl has latched onto its back, its talons driving deep into the flesh of the hare.

Both animals are dead.

Familiar black stone veins protrude from the carcass of the victim, twisting like branches, driving upwards into the predator’s skin.

Hare and owl are locked together, inseparably.

The god must have struck just as the prey died.

White crocus is flowering up from the two entwined bodies.

(Unhappily)

And suddenly I begin to feel deeply afraid.

It all makes me think of a dormouse, dead in the dirt, its ribs showing. Of rabbits, teeth chattering, hungering from their cages

I kick dust up over the corpses. Nudge them aside into the long grass so they can’t be seen from the path.

Paige doesn’t need to know about this, I tell myself.

There’s no sense in worrying her. Not yet.

Which then makes sense why he's the one proposing the question of what the opposite of a sacrifice is to Paige (and Carpenter), for this very reason.

I think the answer is pretty simple and yet, like most simple truths in this world, it's forgotten and overlooked or twisted as naïve.

Preservation. The opposite of a sacrifice is preservation. To better explain this let me use an example:

If someone who cared about you tells you you're working too hard at your thankless job, sacrificing your sleep, your time, your personal relationships, your physical and mental wellbeing, far past the point considered sane, they'd tell you to stop. To make sure you take care of yourself. Instead of endlessly feeding yourself into a machine to justify your existence.

Applied to the world of the Silt Verses, it's not just self preservation and caring for yourself. It's about caring for, protecting, and preserving the lives of those around you, that is the ultimate act of rebellion and political warfare, the first steps forward towards a better world. Caring for humanity.

Whenever our characters reach a breaking point of turning against their gods, there's a common thread of wanting to save their fellow man, and realising the inadequacy of a god's ability to do that. Whether that's somebody close to them (like Faulkner and Paige):

Or humanity as a whole (VAL and Shrue):

SHRUE:

Use them, pass them on, do not forget the suffering that keeps the engines of this world turning, forget the name of your god and cherish the name of your neighbour that was swallowed up by it-

Cherish your neighbour. Be kinder to one another.

This can even go back to Carpenter's rejection of the Trawler-Man back in S1, her fury at the fact those she loved had been eaten (her family) and would continue to be eaten (Faulkner).

CARPENTER:

(Yelling to the river)

It's over between us, you twin mouthed prick!

Do you hear me?

Does that stir you from your torpor? Pry the barnacles loose from your sodden ears?

My father and mother were Gregory and Sandra Glass. My grandmother was Adalina Glass. My brother was Em.

They died for you.

Every single one of them died for you and they thought it meant something.

My name is Carpenter. And I am still alive!

I have loved you for so long. I have tried to know you for so, so much longer.

And I'm done with you. Here and now. I'm not laying down my life for you.

I'm not dying, do you hear?

The same breaking point for Faulkner at turning against his parish and finally snapping is the idea of Carpenter being offered as a sacrifice, an offering returned, begging for her to live.

I must clarify this is my own interpretation of the question and themes the story proposes. I'm

I'm not sure we'll actually get a hard answer so much as different characters offering their own answers and us as the audience encouraged to think for ourselves what it might be. I think this is what Hayward's answer might be at least, anyway, because like me he's a corny motherfucker:

If a sacrifice is the idea that the most meaningful and transformative thing you can do is to give up your life, your sense of self, to die, then the opposite of that would be to try to keep on living, and finding meaning and transformation in that, surely?

[asweetersapphic]

y’all do realize that the statements “police brutality is abhorrent and never acceptable” and “i feel bad for caitlyn kiramman arcane in s2” are two statements/thoughts that can coexist, right?

[gunstellations]

double trouble

[plenaurum]

The funniest thing about THG is that most of the happenings could've been prevented if the Gamemakers didn't try to renege on the rule change. If they just allowed Katniss and Peeta to win at the same time without trying to milk as much melodrama as possible out of their star-crossed-lover story, Katniss wouldn't have done that shit with the berries. And the uprisings would've arguably been kept at a minimum.

So really, it's their fault for trying to push their luck.