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bunglegaydogs · 1 year ago

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Oda and Dazai's relationship

Forewarning now that I've finished it; This is fucking long. Like, I;m not joking, this is almost 10,000 words. Anyways, if you want to read some of it, enjoy! <3

The things in this anime that get me are Odasaku and Dazai, Dazai and Chuuya, Yosano and Ranpo and Ranpo and Fukuzawa. Those dynamics FUCK ME UP.

And so because I like to torture myself with tears and emotions, I'm going to go on a rant about Dazai and Odasaku, because holy shit I finished The Dark Era LN yesterday and I was crying so hard that I was dizzy, shaking and could not breathe. It fucked me up fr. Anyways, I love their father/son / brother dynamic, so :)

I don't even know where to start with this? It's going to be an incoherent and incomprehensible rant, but I need to get my shit out there.

Their relationship is one of the most intrinsic and gut wrenching. Not just on a familial level, but on a personal level. Despite them never being personal with each other, they knew each other the best. Literal best friends. And that's what's so heartbreaking about Oda's death. Dazai never opens up to anyone, he never shows his true face, and always hides his intentions. When he shows his "true face" it's for a split second, blink and you miss it. As I said in a previous post, remember the Wan! jumpscare? Where Atsushi got very upset about Dazai talking about how when he goes, he wants to go out just as beautifully? That shit hurted. But it was a brief slip of the mask. After that, he remains silent. Not a word. He just stares at the fireworks, dull lifeless eyes looking up at the sky. And, when Dazai shows these sides to Odasaku, Odasaku is clearly upset by them, showing how deeply he cares for Dazai. The Dark Era LN is literally the best thing ever for going into the itty bitty of their relationship, I actually love it so much, and I will be referencing it a thousand times in this.

First episode, 15 minutes in and we already see that Dazai cares a lot for Oda. Just after Oda gets sniped in Ango's room and he phones Dazai, Dazai at first jokes about how he never usually calls him. When he realises that Oda is in a serious situation, his demeanour changes. And when Oda says that he has the Silver Oracle on hand if need be, "There's no need. Don't push yourself too hard. Wait for me to get there." Just that one sentence and we see how much he cares for him. He's being protective, making sure that Oda doesn't get himself hurt. Then, of course, comes the actual alley scene where we see a much darker side to Dazai and the anime as a whole, however it's where we also see how Dazai's mindset and habits affect Odasaku negatively, and how upset he gets when Dazai pulls this shit. There are some vital differences in the anime and with the LN which really fucking get me. The LN goes more in depth of course, but we hear the emotion in the anime. But, the book is written so well that we know the emotions anyway.

“I can see you’re not happy… I’m sorry for compromising your principles.”

His smile weakened as he spoke. Dazai usually never apologized to anyone, which was why what he said really rang true.

This always fucking gets me. He genuinely cares about what Odasaku thinks and how he feels. Dazai, who generally does not care for the emotions of others and such, apolgises when he sees that Oda is upset by something that he's done and is affected by Oda being upset, which is something that, when it comes to Dazai, is shocking, as we hardly ever see that side of him. The majority of the times that we do (honestly, if we ever do) is with Odasaku. A genuine deep-rooted affection and fondness for someone else. Yes, he deeply cares about those in the ADA, but not to the extent that he cared about Oda. He is concerned for those in the Agency's wellbeing, of course. But he's never been cared for by anyone but Odasaku before. The Agency all have deep trust between them, but Dazai will never ever show his true self to any of them. He is a guarded person, never letting anybody see his true intentions or if he's truly hurting. Odasaku has been the only one to ever see that. One of Odasaku's regrets whilst he was dying was that he never tried to get Dazai to speak up about his issues; in the LN it has such a good way of explaining how he feels about it and it tears my heart apart.

“Your organization’s called Mimic, right?” Dazai asked the man, but he didn’t reply. He didn’t even blink. “I’m not expecting an answer. To tell the truth, I admire you guys. No other organization has tried to take the Mafia head-on like this before. And nobody has ever successfully managed to point their gun at me like this with the intent to kill, either.”

Dazai faced the attacker, then began to walk toward him as if he were taking a stroll through his garden.

“Dazai, stop,” I begged in a hushed tone.

“I hope you can see the excitement in my eyes, too.” Dazai continued to address the enemy who was holding him at gunpoint. “If you just squeeze your finger ever so slightly, you can give me precisely what I crave most. The only thing I’m afraid of is that you’ll miss.”

His lips curled as he approached the man. The muzzle was now fewer than ten feet away.

“You need to aim for the heart or the head. I recommend the head. You only get one chance, though. My colleagues here won’t be kind enough to give you another.” Dazai tapped the middle of his forehead right over his eyebrows a few times. “But I know you can do it. You’re a sniper, aren’t you? I can still see the imprint from the sniper rifle on your cheek. You’re not the spotter.”

“Now shoot. Right here. You can’t miss from this close up.” Dazai grinned from ear to ear. “You’ll be killed whether or not you shoot, so just bury the enemy executive before you go.”

“Dazai!” I screamed. I felt as though we were thousands of miles apart.

“Please take me with you. Awaken me from this oxidizing world of a dream. Come, now. Shoot.”

Still pointing at his forehead, Dazai closed in on the enemy with a smile that could’ve even been described as peaceful.

The attacker bit his lip and tightened his finger around the trigger.

—He’s at his breaking point!

The sniper and I fired almost simultaneously.

Two flashes of light flooded the alley.

Shot in the arm, the man spun around.

Dazai violently bent backward after being shot point-blank.

A split second like a blue flash of lightning.

A never-ending instant.

Then time began to move again.

Immediately, Dazai’s men showered the enemy with bullets as he spun from the impact of my shot. Like a rag being pummeled by a waterfall, the man was thrown backward, scattering flesh and blood until he perished.

Leaning away, Dazai took two, three steps back before stopping.

“…………How unfortunate,” he lamented, still bent over. “Looks like I didn’t manage to die this time, either.”

Dazai lifted his head up. The skin on the side of his head, slightly above his right ear, was slit open and bleeding.

The bullet had just missed.

I looked at Dazai. There was something there invisible to the human eye. You could’ve called it demons of the mind—something that could never be seen—just something compelled to destroy all.

“Sorry to shock you like that.” Noticing my gaze, Dazai scratched the side of his head and grinned. “Pretty realistic acting, right? I knew from the start that he would miss. The imprint from the sniper rifle was on his left cheek, meaning that was the side he used to shoot. In other words, he’s left-handed, but he was holding the pistol in his right hand. So he was going to shoot with his nondominant hand, he could barely even stand on those wobbly legs, and to make matters worse, he was using that old-fashioned gun. The only way he would have hit me was if he pressed the muzzle against my body.”

I didn’t say anything. I just stared at Dazai as he explained with a smile.

“All I had to do was talk to him to buy some time until his arm got tired. If I slowly walked toward him, he wouldn’t be able to shoot straight away. The rest was in your hands, Odasaku. I knew you would do something. Pretty logical, right?”

“Yeah.”

That was all I said. I didn’t have anything else to add. Had our ranks or relations been any different, I probably would’ve punched him right then. However, I am me, and there was nothing I could do to him.

After returning my gun to its holster, I turned my back to Dazai and began walking away. With every step I took, I felt as if the ground were going to collapse, creating a bottomless hole that I would fall through for an eternity.

Dazai’s expression as he placed a finger on his forehead and approached the enemy—that of a child about to burst into tears—remained burned into my eyes.

Sorry for the long extract. Just thought the whole scene was the most effective way of showing it.

Anyways, this is one of the scenes that fucks me up the most.

Because through Odasaku's eyes, all that he sees here is a lost child, pleading and crying out for help. Despite Dazai being 18, to Oda he's still young (which, he is. 18 is fucking young.) to him. When he sees Dazai like this, he grows protective. He is rattled and very clearly shaken. The difference between the LN and the anime here is that Odasaku in the anime tells him to be quiet, because he's "heard enough". He knows that Dazai is just chatting a bit of wham.

"Dazai, stop," I begged in a hushed tone.

He's upset. Odasaku is a fucking expert at hiding his emotions, as we see when Mori tells him that Ango is missing. He expresses absolutely nothing, the twitch of his finger being the only giveaway. Here, we see how emotionally distressed he is by Dazai's actions, showing how much he truly cares for Dazai.

“Now shoot. Right here. You can’t miss from this close up.” Dazai grinned from ear to ear. “You’ll be killed whether or not you shoot, so just bury the enemy executive before you go.”

“Dazai!” I screamed. I felt as though we were thousands of miles apart.

This, once again, shows just how distressed he is. This scene fucking breaks me. He feels so far away from Dazai, because nobody can fucking reach him. Dazai's so far gone into this darkness that he's shrouded himself and found himself in that nobody can ever reach him. They can't pull him back from that ledge.

Dazai violently bent backward after being shot point-blank.

A split second like a blue flash of lightning.

A never-ending instant.

Then time began to move again.

He is fucking distressed here. Odasaku isn't doing okay, because he's scared that Dazai is dead. However, despite him knwoing he's not thanks to Flawless, he's still fucking terrified and shaken.

I looked at Dazai. There was something there invisible to the human eye. You could’ve called it demons of the mind—something that could never be seen—just something compelled to destroy all.

Oda sees more than what everyone else sees; everyone else sees a sociopathic suicidal maniac who's strange and quirky and has a weird fucking goofy side to him. However, Oda sees more to Dazai than this. Another thing to mention is that whilst everyone looks at Dazai and thinks "Wow, he seems so young for the amount of achievements in the mafia that he has. Scary kid." Odasaku sees Dazai as a child who is in need of help, a crying child who seeks someone to love and care for him. A lonely child.

Dazai’s expression as he placed a finger on his forehead and approached the enemy—that of a child about to burst into tears—remained burned into my eyes.

This. This scene is everything to me. I will never not talk about this scene when talking about Dazai and Oda. It genuinely gets me in tears, I can't deal. When I first read this I had to stop for a second, because holy shit it just got me. Oda is the only one who has ever seen Dazai like this; everyone else sees him as someone to be used, or someone to be hated, or someone to be feared. But Oda sees him as someone to be loved. When Oda says 'Dazai’s expression as he placed a finger on his forehead and approached the enemy—that of a child about to burst into tears—remained burned into my eyes.', I don't know which explanation of mine I think is the most suitable. Because, he either says this because he sees that expression, and to him it seems like Dazai is so fucking happy and ecstatic to finally having what he craves the most, and that alone unsettles Oda. Or, Oda sees that expression and is so unsettled, because to him Dazai is just a child. A crying child that is shouting for help. I genuinely think it's both, but hey, who am I to be able to discern? I'm fucking dumb lol.

Here, we see Oda's reaction after the initial shock. Here, I think it's pretty father/brother like of him when he says 'I probably would've punched him right then.' It's a protective and familial instinct; Odasaku is distressed, and wants Dazai to know that what he did was not okay. Oda is not happy with him, and Dazai kind of knows this, but doesn't know how to respond to it. As aforementioned, nobody has cared for Dazai like Odasaku does.

Now, time for a little insight on how Oda sees Dazai, and more explanation for how Oda wants to shelter him and protect him like a fucking son. One of the most heartbreaking fucking parts of the entire series; Dazai opening up for the first time ever. At least, I'm sure it is (that we see, I mean). After Dazai and Odasaku go to Bar Lupin and find Ango there, and Dazai then explains why he's not upset (bullshit he's devastated) and reveals a deep part of him, something which none of them have done with each other before, really. However, different translations, so I'll just put all three.

"It's alright, I'm not sad. I knew this would happen from the beginning. It wouldn't have mattered what side you were on. Because anything I never want to lose, is always lost. This is how it's always been for me. Everything worth wanting is lost the moment I obtain it. And nothing I pursue is worth the cost of prolonging this life of suffering." - Anime dub. "I'm not sad. I knew this from the beginning. Whether you were with the gifted special operations division or not, anything I would never want to lose is always lost. It is a given that everything that is worth wanting will be lost the moment I obtain it. There's nothing worth pursuing at the cost of prolonging a life of suffering." - Anime sub. “I’m not sad. I knew from the very beginning,” Dazai said. His face was a blank mask now. “It didn’t matter whether you were with the Special Division for Unusual Powers. I always lose the things I don’t want to lose the most. That’s why I don’t feel anything anymore. The moment you get your hands on something worth going after, you lose it. That’s just how things are. There is nothing worth pursuing at the cost of prolonging a life of suffering.” - Dark Era LN

This is actually one of the most gut wrenching scenes ever, I can't deal. Because honestly, I relate to this on a fucking spiritual level.

One of the parts that really sticks out to me is the "That's why I don't feel anything anymore." because that is how he manages these things. How he keeps his emotions in check. He just doesn't feel, he's desensitised to these things, and he tries to make sure that he doesn't care for anything, whether that be himself, subordinates, partners, friends, figures in his life, etc. He numbs himself to it all because he expects only hurt to come out of it. However, he let his guard down. He thought he could have a nice thing, and it was snatched away from him the moment he came to peace with the fact that he was comfortable with them, Oda and Ango. Then, the one thing he doesn't want to happen at all, the one fucking thing he has left to hold onto in this world is fucking ripped from him; Oda. Having already expected bad outcomes to anything that he truly desires, he still couldn't of expected it to happen and obviously wasn't prepared for Oda to just go and die like that. And he doesn't know what to do anymore. Because Oda was the last thing, his last tether to this world. He was the one thing worth living for, really, and now he's gone. Yet, Oda's final wish gives him something to keep pursuing in life. He sees no value in the act of living, and he himself sees no value within him. So, the one thing that keeps him going is Oda's final words to him. Oda's death hit him hard (obvs) because he was the last stable thing in his life when everything else fell apart. And now, he has nothing else to lean on. Oda was there for him, Oda cared for him and wasn't just using him. Dazai realises this, and that's what makes it so devastating, because Oda was the only person who Dazai could actually trust and love without getting hurt in some way or other. And we all know how important trust is to Dazai (the people that Dazai trusts are minimal. It's fucking Chuuya and Oda. Yes, he trusts the ADA. Not to the extent of these two. He places his everything in them, just in opposite ways.).

I stared at Dazai. We had known each other for a while, but this was the first time he’d ever opened up about himself. I could see a thorn the size of a harpoon wedged deeply into his life.

This got me fucked up fr fr. Oda's response to Dazai's spiel about losing the things he yearns the most. For the two years that they've known each other, Dazai has not once opened up to them. Not a single time. Yet, they all have such a deep friendship and bond that that doesn't even matter; they're as close as they are regardless. 'I could see a thorn the size of a harpoon wedged deeply into his life.' Again, this impacts Oda, because he sees how much Dazai is hurting and, once again, craves to soothe him, because he sees a child in distress.

“Dazai.”

He paused when I called his name. I didn’t have anything else to say, though; I simply said his name.

Nobody knew what Dazai was really thinking.

It’s an unwritten rule in the Mafia to not stick your nose where it doesn’t belong. One must never open the door to another’s heart and try to judge them for the darkness tucked within. That was one nice thing about the Mafia.

But maybe, just maybe, that was the wrong approach—or at the very least, when it came to the man sitting next to me. Somebody probably should’ve tied him up, pried his chest open, and stuffed a vacuum cleaner inside. Then, as he screamed and cried until they needed to punch him to shut him up, they’d suck every last bit out of his chest and stamp it into the ground.

But in reality, such a vacuum didn’t exist. Chests don’t open up like that, and no one is capable of such feats. What we see is everything, and everything we see, we ignore. All we can do is stand before the deep ditch between us and others and keep silent.

“Well, I should get going,” Dazai said before standing.

“Dazai.” He turned around when I called out to him. Rubbing my hands together, I looked down at the empty plate and coffee cup, then back up. “Are you thinking that way because—?”

Out of nowhere, Dazai’s cell phone began to ring. He lightly bowed to me before placing the phone against his ear and answering. A few moments went by as he listened to whoever was on the other side, but soon enough, his lips suddenly twisted into a grin.

Bro, bro. This gets me fucked up.

Nobody knew what Dazai was really thinking.

'...for the darkness tucked within.' With it being the mafia, Odasaku clearly knows that everyone's going through some fucked up shit. And he knows not to stick his nose in other people's business, because he wouldn't want people doing that to him. Except, something is compelling him to get Dazai to open up, to show Odasaku the darkness and seek the help he needs. Once again, crying child analogy.

'Then, as he screamed and cried until they needed to punch him to shut him up, they'd suck every last bit out of his chest and stamp it into the ground.' Christ, Odasaku. Pretty fucking deep analogy there. But this here just shows us how deeply affected and wounded Oda is by how hurt Dazai is. It also gives us more child-like statements from Oda. The way he describes it here just reminds me of a child. A child, kicking and screaming because whatever is happening to them they do not like. And this is exactly what's happening; he's saying that he knows that Dazai would not appreciate people looking further into his life and soul, and that he would very clearly make a fuss and a protest about it. It also likens it to 'The Time I Picked Up Dazai' (it's such a good read. If you haven't read it, I highly suggest that you do. Also, spoilers ahead for it <3) ~~~ The way it reflects the book is in it, there is a scene in which Oda has to physically restrain Dazai from trying to stab himself with a knife whilst he's grinning like a madman.

~~~

However, my expectation is betrayed once again. I have forgotten about the foreign matter that exists in this house. Dazai, of course. He is more unpredictable than any human I have ever met. For example, if two people are on a three-legged race to the goal, Dazai might just turn around and start running in the opposite direction at a random moment. Or, he can desperately climb a cliff to survive, then all of a sudden, say that he wants to fall off it and die. He is a guy that has strayed too far from the reasons of this world. Our dear Trickster.

Dazai suddenly comes up with the idea that if he jumps out of the door with a gun in his hand, there are chances he can be shot dead by the cops. Oda tells him there is no gun in the house, so he decides to get a knife instead. He rushes into the kitchen, even faster than Oda. The cops outside notice the sound and ask them to open the door.

Oda knows that he has to stop Dazai, if he doesn’t want things to get worse.

I have to stop that. I so want to cry and ask someone to help, but there is no one who can do it but me now.

He jumps up and sweeps Dazai’s legs, making him roll on the floor. He grabs Dazai’s neck, turns behind and gets into a chokehold, trying to choke him unconscious. Dazai, as a result, struggles happily while kicking his legs around. He hits the kitchen cabinet once, twice until Oda hears a sound of something coming off. Oda realizes that those desperate kicks are actually on purpose, and it makes the knife Dazai was trying to grab earlier fall off right to where Oda is. Oda can’t move because he is busy holding Dazai down, so he has to use his ability to predict the track of the knife and barely dodges it. The knife stabs vertically into the floor next to him. He tries to calm Dazai down.

“Be still.” I say, “Don’t struggle. It is not scary. It doesn’t hurt.”

I don’t even know what I’m saying myself.

“You liar! Mori-san said the same thing when he gave me shots.”

Dazai says so and keeps going wild. It means there are other people besides me who are having a hard time with Dazai. Who is this Mori-san again?

Dazai keeps kicking the kitchen stand and this time, it’s the kettle above Oda’s head that’s going to fall.

It is a situation that I have never experienced before. A kettle above my head, a knife next to my face, false money somewhere in my room, cops at my door. And I’m strangling a guy I just barely met.

Oda finally manages to choke Dazai unconscious. He goes “fufu ahaha” before he faints. Oda pulls out the knife next to him and throws it toward the falling kettle, successfully catching it by its handle and having it jammed into the wooden part of the kitchen cabinet. By that time, the cops also manage to kick the door open and step into the room.

~~~

(translation and descriptions by @popopretty ! <333)

This entire scene is so fucking goofy to me and genuinely one of my favourites, but it's also really scary because Dazai just really wants to fucking die. However, after only a few days of knowing him, Oda is growing to care for him and doesn't want him to die. Twice in this extract thing does he try and stop him, and then once more before this when Dazai tries crawling out of the house to go and die outside, to which Odasaku grabs him by his legs, wraps him in a blanket, drags him back to the bed and ties him up. Referring back to Odasaku's analogy to "get the darkness out" of Dazai, this scene is pretty similar to what he said. Dazai is fucking booting the kitchen cabinet to try and stab himself with the knife or get crushed by the kettle, and Oda is doing his damndest to stop him, resorting to strangling him unconscious so that he doesn't keep going fucking insane. Dazai, of course, finds this all highly amusing. To be honest, I might have only just realised that I'm reading it wrong. He was trying to kill himself with the knife first, but then because Oda gets him in a chokehold, he tries to get him off him instead? Man, I don't know. Either way, goofiest scene ever. I love it. But, he's 16 here (I think. I tried working it out, and I think he is. Because in Side B, when he's torturing that guy, he says that he's a PM Executive. And Oda talks about how young he looks, and in the anime/LN talks about the fact that he's known him a fairly long time. I wouldn't say that one year is a long time, but two years yeah. So Dazai's either 17 or 16 when he first meets Oda, and I won't lie, I think 16. ANYWAYS-) and so of course, Oda sees him as a child (which he is). However, despite him watching Dazai age for those two years, he still sees him as a child that he needs to protect, a child that he worries for.

He tries to calm Dazai down.

“Be still.” I say, “Don’t struggle. It is not scary. It doesn’t hurt.”

I don’t even know what I’m saying myself.

“You liar! Mori-san said the same thing when he gave me shots.”

Dazai says so and keeps going wild. It means there are other people besides me who are having a hard time with Dazai. Who is this Mori-san again?

This entire interaction to me seems like a child at the dentist or something. Despite the fact that he's got a kid in a chokehold tryna knock him out, he's reassuring him that it's fine, painless, and that he needs to calm down. Crying. This fucking guy. This whole bit is literally just Oda trying to subdue a kid going off the rails, and even the references to Mori (I will be fucking getting into what Dazai said when I do another analysis thing, don't you fucking worry) and Oda thinking 'It means there are other people besides me who are having a hard time with Dazai.' Problem child fr. Makes me giggle, also makes me sad. Anyways. Odasaku and Dazai's interactions are usually Odasaku letting Dazai be quite child-like, allowing for these things, because he knows that he hasn't been able to have a childhod or be a child. He lets Dazai be who he wants to be in front of him, no judgement. Dazai has many faces for other people, but with Oda, he can just let his guard down that small bit, be more comfortable with him. And Ango. They were like his makeshift parents in the time that he knew them. And then he loses that found family, and so where's that left him now?

“I have this friend who’s supporting several orphans all on his own, you see,” he continued, his weapon still drawn and aimed at the boy. “Akutagawa, I’m sure Odasaku would’ve been patient enough to give you the guidance you needed had he been the one who’d found you on the brink of starvation in the slums. That would have been the ‘right’ thing to do. But ‘righteousness’ doesn’t take very kindly to me. And there’s only one thing people like me do to useless subordinates.”

Okay, this is going to deep Dazai a bit more rather than both Dazai and Oda's relationship. The part about righteousness reminds me of when Chuuya scolded him for shooting the dead body more times than was morally necessary. And he says 'Yeah. That would be the right/normal/ordinary way to think. Of course. Haha.' Dazai has no sense of right or wrong, as Odasaku says. He says to him that he knows he doesn't care about good or bad, and he can never fill that emptiness that he so desperately longs to fill. Dazai isn't like how he is here around Odasaku, because he trusts Odasaku and doesn't need to be intimidating or cold around him. He's allowed to be playful and innocent, and truly try and connect to that child he'd long ago lost and forgotten. And with Ango and Oda both looking out for him, with them two he truly felt like he belonged somewhere, and had people to care for him, despite him not knowing how to handle that or how to cope with it. He doesn't understand why, but he can let himself indulge in it for just a bit. He needs Ango and Oda there for him, and when he loses that, he loses himself. Slowly, he's becoming more and more empty and at a loss with himself for what to do, which is something we don't see from Dazai. Dazai knows everything that is going to happen. He knows everything, and doesn't need to question what he does or what to do next, as he always has his next step planned. However, when Oda dies, we see that facade come crumbling down as for one of the first times, he can't keep his emotions in check and he doesn't know what to do or where to go from here, as the last things he was holding onto in this world have left him, and he's left with nothing but himself and a cavenous hole in his heart where Ango and Oda once sat. That's been ripped from him, and so with his emotions laid bare in front of him as he's forced to confront a distressing situation, he looks to Oda for help. He doesn't know what to do with himself once Oda leaves him, and so he desperately asks Oda to help him. Fuck me, I'm tearing up sorry lmao.

I was in a hospital room. It was clean, ordinary, and as silent as a morgue. Standing firm with his feet apart by the door was a man in a black suit and sunglasses. The moment our eyes met, he silently left, apparently to go get someone.

“Hey, Odasaku. You’re awake now, right? How are you feeling?”

Dazai walked into the room with a cheerful smirk.

Sorry, this is just here because I'd like to point out that Dazai was waiting for him that whole time since he found him, and he had someone guard the door to make sure that nobody would come back for him, I'm guessing. And also he must have told the guy "Ay tell me when he wakes up." And that just really warms my heart and devastates me at the same time <3

Dazai placed a thumb against his lips, then shifted into a thinking position. He didn’t even move an inch for a full minute after that. Only his eyes wavered, following something only he could see. I waited in silence.

Oda's patience with Dazai. Wholesome shit. He fr sat there for a while minute in silence to let Dazai think.

I got out of the bed as I listened. My fingers were still slightly numb, but not enough to bother me during battle.

“Odasaku, don’t tell me you plan on going,” he said as if reprimanding me.

This is one of the moments where we see a more brotherly relationship from the two of them. Dazai is scolding Oda because he's injured and has just been through quite the ordeal, yet he's still standing up and leaaving to go fight and help Dazai's men.

I didn’t answer him; I just opened the door and left. Dazai saw me off without pushing any further. Despite not even exchanging a word, we were thinking the same thing.

Vice versa; Dazai's patience with Oda, and the fact that he doesn't push Odasaku for anything more than he's given him. If Odasaku doesn't want to say anything, Dazai won't pressure him into talking. He won't force him to say anything he doesn't want to. They respect each other, and they understand one another. 'Despite not even exchanging a word, we were thinking the same thing.' They understand each other to such a degree that countless times throughout this arc, they wordlessly communicate with one another, basically read the other's mind or just know what they're thinking, about to say, their plans, etc. It's a very important dynamic that shows their level of trust and their bond.

Now, this is going to be the bit that fucks me up the most, and I will cry whilst writing these bits. Because now we're getting into Oda's death and Dazai's reaction to realising Mori's plans, etc.

“Odasaku!”

I was stopped by a familiar voice the moment I left the restaurant.

“Dazai? What’s wrong?”

Clearly, for Odasaku to ask what was wrong, Dazai must have sounded pretty fucking emotional. Also, Oda, babes, the fuck you mean "what's wrong" as if he's not gonna know?

“Odasaku, I know what you’re thinking, but don’t. Doing that isn’t going to—”

“Isn’t going to bring the kids back?” I asked.

Lost for words, Dazai fell silent.

Dazai being "lost for words" and "silent" is quite the shock. Dazai always knows what words to say, how to say them, when to say them, etc. He always has some retort or sarcastic reply, and always has to get the last word in. Dazai being at a loss for words shows just how unprecedented this is for him, and how he doesn't know how to cope with it. Once again, he is a lost child, seeking guidance.

“Odasaku…,” Dazai said softly. “Forgive me for the absurd wording, but—don’t go. Find something to rely on. Expect good things to happen from here on out. There’s gotta be something… Hey, Odasaku, do you know why I joined the Mafia?”

I stared at him. We had known each other for a long time, but he’d never even attempted to talk about that.

“I joined the Mafia because of an expectation I had. I thought if I was close to death and violence—close to people giving in to their urges and desires, then I would be able to see the inner nature of humankind up close. I thought if I did that…” Dazai paused before continuing, “…I would be able to find something—a reason to live.”

I looked at him; he looked back at me.

“I wanted to be a novelist,” I said. “I thought I wouldn’t deserve such a life if I killed someone during a mission. That’s why I never killed anyone. But that’s all in the past. There’s only one thing I want now.”

“Odasaku!”

I began to walk away. Dazai yelled out, but I didn’t turn around.

First of all;

The fact that he asks for forgiveness for his "absurd wording" of don't go. It shows just how much he lacks in understanding others and himself. He thinks that these are the "wrong things" to say, because he's not used to expressing his emotions properly, and he can't articulate how he feels, because he usually feels nothing. He's usually numb and does not give a shit, but here he's completely puzzled and lost because he's feeling too much.

I stared at him. We had known each other for a long time, but he’d never even attempted to talk about that.

Not once. He'd never even brought it up in conversation, or even "attempted" it. He hides himself from the world and those around him in order to guard himself so that he doesn't get hurt or lose the things he cares about, which is why he detaches himself and numbs down everything so that he doesn't care about anyone or anything.

“Odasaku!”

I began to walk away. Dazai yelled out, but I didn’t turn around.

This will fucking kill him. One of my favourite (technically two) scenes in the anime is the parallel's between Dazai reaching out for Oda when he walks away from him, and Oda reaching out for Dazai when he walks away from him, both times one of them is heading towards death and the other is trying to stop them. But they're not close enough, and they're not fast enough. Genuinely, the scenes kill me, because the parallel's are stunning, I won't lie. It's fucking heartbreakingly beautiful.

Dazai strode confidently through the Mafia’s high-rise headquarters downtown at a quick clip, his heels practically scraping off the carpet underfoot. He got on the glass-paneled elevator alone, pressed the button to the top floor, then closed his eyes. When the elevator reached his destination, he opened his eyes again. His gaze was focused on only one thing—the office at the very end of the hallway.

Now, I have a few mini theories about why he closed his eyes, but what I want to focus on is not that. It's his determination and desperation to save Odasaku.

“Boss.” Dazai cut him off. “You know why I’m here, don’t you?”

The fucking Boss of the Port Mafia. Yet, Dazai has no time for games. He has no time for Mori's bullshit antics, he needs to save Odasaku. That is his number one priority right now.

Taken by surprise, Dazai fell silent. Even he felt as if he were walking on fine blades whenever he talked with Ougai. If he made just one little mistake, he could fall off the path. After pondering to himself for a moment, Dazai said, “I need permission to form a small team of executive-level skill users to attack Mimic headquarters and rescue Odasaku.”

He cannot afford to mess this up, because Oda needs him. Once again, Dazai is taken by surprise and sent into silence, which is extremely odd and rare for him to do so. He is clearly nervous about talking to Mori already, on top of the added pressure of Odasaku's life in his hands right now.

Dazai stared back at the boss without breaking eye contact for even a moment. Ougai’s narrowed eyes harbored a tinge of cleverness, as if they could see into his heart. It was the same kind of light that was once in Dazai’s eyes when he looked upon his enemies or allies.

Enemy or ally regardless, Dazai saw everyone the same. He had no time to be concerned with other people, especially as he isn't even concerned for himself. So, again like I said, he numbs himself to these things. He makes it so that he doesn't feel, and so that should an unfortunate situation come to pass, he's not affected by it by harbouring fondness for other people. Which is why it says "was the same kind", not "is the same kind", because Odasaku has changed him. Oda is neither friend nor foe; he's family. He's the most important thing in Dazai's life. He's a sole figure, there for him. A true father figure, someone to raise him properly, unlike Mori. Dazai realises this; as we see here, Dazai is no longer interested in anything anymore. He has grown tired even of the Port Mafia, and he certainly doesn't hold Mori in high regard as he once kind of did.

“Odasaku is currently scouting the enemy headquarters alone,” Dazai said, keeping his emotions in check. “I sent an emergency response team of Mafia members to the area, but it isn’t nearly enough. At this rate, we are going to lose a valuable skill user.”

"Keeping his emotions in check." He's not lowering his guard down in front of Mori. He won't show him his true face. But right now, he's desperate. He wants Odasaku saved, and he will do whatever it takes.

“Of course, he’s a dear ally of ours, but is he worth sending executive-level men to the front line to save?”

“Yes,” Dazai confidently declared. “Of course he is.”

Ougai fell silent. He looked at Dazai, who looked straight back at him. It was an eloquent silence. The two men understood the other’s state of mind and how they would counter.

Dazai is prepared to risk his life for Oda, and Mori sees this, using it to his advantage. He sees just how much Dazai cares about Odasaku and manipulates the whole thing behind the scenes. And the zero hesitation from Dazai when he says it. "The two understood the other's state of mind and how they would counter." Once again, Mori has raised Dazai to be so much like him that they understand each other and a far more complex level than ordinary people. Also, this line just shows that Mori sees how fragile Dazai's state of mind is at the present time, his desperation to save his friend.

“…Dazai.” It was Ougai who put an end to the wordless debate. “Let me ask you this. I understand your plan, but in all likelihood, Oda doesn’t want help. What do you think about that?”

Dazai tried to answer, but he could not find the words to say.

Dazai knows Oda best. He knows that it's true, but nothing is going to stop him from trying. Still, he's trying to articulate his words, which he isn't doing too well at.

Dazai’s eyes were inadvertently locked on the envelope. Suddenly, he caught his breath.

“This envelope—”

Something began to thrash and flicker in the back of Dazai’s mind. It gradually turned into physical shaking, causing his head to go numb.

“I see.” Dazai managed to squeeze out just those two words, his face deathly pale. “So that’s what this is.”

Then he turned on his heel and put his back to Ougai.

“If you’ll excuse me.”

“Where are you going?” Ougai asked.

“To Odasaku.”

Now this is the part that really gets me.

With just one measly glance, Dazai has seen Mori's plan, beginning to end. Which is why he's so eager to leave, because he knows that Mori is planning to let this end with/in Oda's death. And the part that really gets me emotional is 'Something began to thrash and flicker in the back of Dazai’s mind. It gradually turned into physical shaking, causing his head to go numb.' We've never seen such a visceral reaction from Dazai before (with the exception of Oda's death.), with him physically shaking and his mind racing. Man's is fucking trembling, because he knows everything in that moment. And he can't bear it. Dazai, who usually has a tight hold of his emotions, cannot keep his grip on them no more, when it comes to Odasaku. Oda is so important to him, and Dazai realises that soon there is a high chance of him losing that.

Dazai calmly stared at the guns pointed in his direction.

“You still haven’t had any tea, Dazai,” Ougai said. “Come—have a seat.”

Dazai didn’t even budge. A guard in a black suit slipped to his side, then pointed the automatic rifle’s muzzle right at his head.

“Odasaku’s waiting for me.”

“Sit.”

All that is going through his head right now is Odasaku. He can't think of anything else, he doesn't have time for that. He can't afford to think about anything but the plan of action to save him.

“Dazai.” Ougai, who had been listening in silence, cut Dazai off for the first time. “What remarkable inference. There is nothing that needs correcting. I have just one thing I’d like to ask: What’s wrong with that?”

“……”

This is one of our first hints towards Dazai showing a hint of compassion for other people, because he now knows what it's like when you have someone that you love.

"So why are you so angry?”

Dazai didn’t say a word. That was just about the first time he’d ever been unable to articulate his feelings.

“I…”

—“There is nothing worth pursuing at the cost of prolonging a life of suffering.”

—“Awaken me from this oxidizing world of a dream.”

“I just…” His voice came out strained. “I just don’t get it. You were the one who tipped Mimic off about the orphans’ safe house. No one else could’ve found out about the location I chose. You killed those kids to get Odasaku to fight Mimic’s leader because he is the only one who can defeat him.”

“My answer is the same, Dazai. I will do anything for the benefit of the organization. Besides, we are the Port Mafia. We have always brought darkness, violence, and cruelty to this city. Why is that a problem now?”

This scene is also another scene that really gets me fucking devastated. We have never seen Dazai like this. Strained voice, unable to speak, and seeming timid and meek. Here is the child that Oda sees when he looks at Dazai; lost, wandering and alone. He can't say what he feels, he doesn't know how to. He knows nothing but to numb himself from these things to not get hurt. "I just don't get it." Dazai doesn't understand, which is scary for him. He's not used to it, and he doesn't like it. He wants to save Odasaku, and the one time he needs to be clever and think about it, he's unable to, because he doesn't know what's going on.

Dazai knew. He knew Ougai’s calculations, his mentality, and the rationale behind the plan. That was just the kind of organization the Port Mafia was. Logically speaking, Ougai was right, and Dazai was wrong.

“But…”

He turned on his heel, then began walking toward the door. Immediately, Ougai’s guards pointed their guns at him.

“You cannot go, Dazai,” Ougai called out to stop him. “Stay. Or do you have a logical reason for going to him?”

He wants to get to Odasaku. He doesn't care if he betrays Mori's orders; Odasaku comes first. He knows the logic behind it, yet he doesn't care. Morally, Dazai is right, and that's probably a first.

Ougai grinned. “True. However, you wouldn’t gain anything by disobeying me and going to him, either. Am I wrong?”

“That’s the second thing I wanted to say, Boss. There’s nothing in it for me. There’s only one reason why I’m going. Because he is my friend. Now, if you’ll excuse me.”

The guards placed their fingers on the triggers. However, Dazai paid them no mind and simply strolled to the door as if he were going for a walk.

Again, he is not assed. This is the first time Dazai has openly admitted to having a friend, or any kind of relation. Which is what makes it hurt more; because the second he acknowledges it, he loses it. 'There's nothing in it for me.' He's not doing this out of personal gain, like Mori does, he's doing it because he doesn't want to lose somebody important to him.

“Odasaku!”

Dazai rushed into the building and over to the ballroom, passing the myriad of corpses through the corridors along the way. When he burst through the oak doors, he saw his friend lying on the ground.

“Odasaku!”

Despite the chance of there being soldiers lurking, waiting to kill him, or the chance that Gide was still alive and would kill him, he continues to search for Odasaku. And when he finds him, fuck, it's not very pleasant. God, I'm going to cry.

“Dazai…”

Dazai rushed over to Odasaku, then checked his wounds. The bullet had pierced Odasaku’s chest, and a vast pool of blood had collected on the floor. It was clear that the wound was fatal.

“You’re such an idiot, Odasaku. The biggest idiot I know.”

“Yeah.”

“You didn’t have to do this. You didn’t have to die.”

“I know.”

Odasaku smirked with that particular satisfaction of accomplishing something worth the cost.

“Dazai… There’s something I want to say.”

This shit hurted.

“Don’t. Stop. We might still be able to save you. No, we will save you. So don’t say such—”

“Listen.” Odasaku wrapped his blood-soaked hand around Dazai’s. “You told me if you put yourself in a world of violence and bloodshed, you might be able to find a reason to live…”

“Yeah, I said that. I did. But what difference does that—?”

“You won’t find it,” Odasaku said in almost a whisper. Dazai stared at him.

Dazai is trying to convince himself that everything will be fine, that they will save Odasaku. He's determined; he won't let him die on him like this. And Dazai doesn't care about anything else but him right now.

“You should know that. Whether you’re on the side that takes lives or the side that saves them, nothing beyond your own expectations will happen. Nothing in this world can fill the hole that is your loneliness. You will wander the darkness for eternity.”

—“Awaken me from this oxidizing world of a dream.”

That was when Dazai first realized: Sakunosuke Oda understood him much more than he’d ever imagined—right up to his very heart, almost to the center of his mind. Dazai didn’t realize until then that someone had known him so well.

For the first time in his life, Dazai wanted from the bottom of his heart to know something. He asked the man before him:

“Odasaku… What should I do?”

OKAY NOW THIS.

This is one of the most important parts; because Dazai finally found someone who understood him. Nobody has gotten further in understanding him than Odasaku has, and the fact that he realises this just before he dies is what makes his death hit even harder. And the fact that, at this last moment, Dazai seeks guidance from the man in his arms. Because once he's gone, he has nobody left. Nothing. And just at this last moment, Dazai "wanted from from the bottom of his heart to know something". We see Dazai continuously dehumanise himself, not seeing himself as an actual person half the time. He believes that he is heartless, cold, and cruel. Yet, here, we see that Oda has had a strong impact on him; he's made him realise that maybe he does have something there. Also, where it says "almost to the center of his mind". Dazai's mind is just impenetreable, yet Oda has gotten the farthest. That alone is a feat in itself, and Dazai realises just how close they are, and how much Oda really, truly understands him on a personal level.

“Be on the side that saves people,” Odasaku replied. “If both sides are the same, then choose to become a good person. Save the weak, protect the orphaned. You might not see a great difference between right and wrong, but…saving others is something just a bit more wonderful.”

“How do you know?”

“I know. I know better than anyone else.”

Dazai gazed into Odasaku’s eyes and saw a glow of conviction.

It was clear that those words were supported by some sort of strong basis. Whether it was past experience or someone’s advice—Odasaku was trying to show Dazai the path he himself had once tried to walk. Dazai knew that.

That was why he could bring himself to believe it.

“…Okay. I will.”

“��People live to save themselves. It’s something they realize right before they die,’ huh…? He was…right…” The color in Odasaku’s face gradually disappeared until he was almost completely pale. He smiled. “I could really go for some of that curry…”

With trembling fingers, Odasaku reached for the cigarettes in his pocket before sluggishly placing one in his mouth. By the time he pulled out a match, his fingers were too weak to hold it anymore. Dazai took the match and lit the cigarette for him. Then Odasaku closed his eyes, smoking the cigarette as he smiled, filled to the brim with satisfaction.

The cigarette fell to the ground.

Dropping onto his knees by Odasaku’s side, Dazai looked up to the ceiling and closed his eyes. His tightly shut lips faintly trembled. The smoke from the cigarette rose straight up to the top.

Nobody said a word.

Now, here;

"...but…saving others is something just a bit more wonderful.”

“How do you know?”

“I know. I know better than anyone else.”

Dazai gazed into Odasaku’s eyes and saw a glow of conviction.

I personally think that this is Oda saying that he tried to save Dazai. And that how far Dazai has come is something that he should be proud of, and something that is "beautiful" about Dazai, something which he really wouldn't ever fucking use to describe himself. And the fact that he trusts Oda's words, he believes them truly, because he loves him and he knows. He fucking knows that those words hold weight, and that Dazai is going to uphold his promise to him. He's going to do whatever it takes to keep Oda alive in whatever way possible after death, and honour his memory, and give him a life that he wanted to have but never got to.

In the middle of a verdant mountain trail atop a hill overlooking Yokohama was a cemetery with a view of the ocean. There were many new graves lined up—among them a small white burial marker without a name.

Dazai stood before the burial marker, dressed in black mourning clothes and holding a bouquet of white flowers.

“……”

He squinted as the strong sea breeze suddenly gusted past. The white flowers fluttered in the wind.

“I’ll leave this photo here.”

He took out a picture and placed it before the burial marker. Frozen in time were the smiles of those three men.

“I really wish you could’ve tried that hard tofu I made…”

Dazai closed his eyes, then stood absolutely still, rooted to the spot.

Now, my guess here is that this is where Dazai went when he abandoned the mission for the PM so suddenly, especially as Akutagawa is off fighting some people.

“I really wish you could’ve tried that hard tofu I made…”

Remembering the little things, the small conversations that they had and treasuring them, despite the tofu being Dazai trying to kill himself again. Some sort of twisted, dark humour maybe. And the fact that he's stood deadly still, unmoving. I honestly think he's afraid. He's afraid that if he moves too much, or shows even a hint of emotion, it will all come fucking storming out in a whirlwind of painful fucking memories, feelings, etc. And he doesn't want that.

Right, I am so fucking sorry about the length of this one. It is currently 3:22 AM and I'm on the verge of tears watching The Dark Era episodes whilst writing this. I started this shit at 20 past 12. I am so fucking sorry.

In conclusion, one of the most important relationships (I think) is that of Odasaku and Dazai, as it gives us much more insight into the both of their characters, and how each of them affect one another and the fact that they're each the only one caring for the other person. Ango, yes, but Oda and Dazai are just kind of on another level of friendship, despite how close they are with Ango.

There are (surprisingly) a lot more things I wanted to say, but I decided against it so that it wouldn't be too long. Well, longer than it already is. If you couldn't tell, I'm quite passionate on this subject.

Anyways, if you've read this far somehow, I hope you have a lovely day/night! <333

#bungou stray dogs #bsd #port mafia #ada #osamu dazai #oda sakunosuke #ango sakaguchi #manga #anime #light novel #the dark era #analysis #their dynamic sends me spiralling #i love them both so much #why is everything so fucking tragic

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nonerrata-myarchives · 23 days ago

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TWIN!!!!!

It's been exactly two months marking our friendship!!!! 🎉🎉🎉

I can't believe it's been only two months, it feels like I've known you forever! For the time that we've spent talking to each other, you've made me laugh like no other and offered support that nobody else has. You always manage to lift up my mood when my day is going shit.

You're the best friend anyone can ever have! You showed me what friendships are actually supposed to be like. When I'm talking to you, for once I don't feel replaceable. You bring me that comfort of knowing that I'm wanted. That there's a place for both you and me. You hype me up about whatever I decide to do. With you, even the bad days are bearable.

Now that I know you, I realise what I was missing all this time. I can't imagine going on with my day without talking to you. You make everything better, no matter how bad it is. You are that one person, who when I think of the future, I see you there.

You are the most amazing, talented, beautiful, funny, real person I've ever met! I know for a fact that you'll get far!!! And I'll be right next to you the entire journey!!

Despite our friendship being only two months old, I would do anything for you. And I mean anything. Whatever happens, you have me by your side. And I know I have you by mine too.

My affection and trust in you is so big that I can't even put it into words, so that's as close as we're gonna get to expressing how much you mean to me. You're everything. And I love you so, so much!

This is to you for being the most amazing person on this Earth and for our, right now young, friendship, but for many, many years to come!

Thank you for being my friend!!! 💕

I love you, twin! 💞💞💞

My dearest twin. You have no idea how much this means to me, how much you mean to me. Knowing that I’ve brought some light and comfort into your life is one of the most beautiful things I could ever hear. It feels like we've built something unshakable together—a friendship that goes beyond anything fleeting or temporary.

You're such a rare gem, the kind of person who sees me for exactly who I am, and somehow, in all of that, you've chosen to stay, to believe in me. With you, it's always felt natural—no pressure, no need to be anyone other than ourselves. Just the purest kind of bond that lifts me up on the darkest days and makes the good days unforgettable.

You talk about how I hype you up, but honestly, you do the same for me. You're my constant reminder that I'm never alone, and no matter where life takes us, I know you’ll be there, just like I’ll be there for you. I don’t know what the future holds, but if you’re in it, I already know it’s going to be amazing.

Your love and trust are something I’ll always treasure. Our friendship may be young, but it already feels like it's grown deep roots, and I can’t wait for all the years ahead. We’ve got a long road to walk, and I’m so thankful to have you by my side through it all.

Thank you for being the most incredible friend anyone could ask for. I love you so much, twin, and I promise this is only the beginning of our journey together! 💖

Also change Alexander's career path before I have a mental break about it.

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wispscribbles · 1 year ago

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"No Rest for the Wicked" readers, I am sorry for taking forever. Writing's just taken a backseat, but it's not abandoned. I don't know when chapter 13 will be out, but I've got a good chunk written so far. It's Price's POV and he's going through things. Here's a lil preview under the 'keep reading'

cw for grief and major character death (that's NOT ACTUALLY mcd, but Price doesn't know that.)

---

He had never felt a hollowness like the one that was currently threatening to swallow him whole.

He had lost count so very long ago of how many soldiers had died in his time in the military. Friends, acquaintances. Fresh faces alongside long-time allies. He still remembered the first times it happened clearly, of course he did. No one forgot the first deaths in the field, be it those caused by your own hand, or the ones by the enemy’s.

With time, a grim acceptance settled in his very bones. With every loss, every death, it all blurred into one. Terrible each time, but… expected.

But his team was different. This was different.

“Playing the self blame game, sir?” Soap had mumbled back in that cell, quick and cheeky as ever, despite fever-glazed eyes.

So maybe Price was a hypocrite. He had told Soap not to waste his energy on where he’d gone wrong, yet at this moment, all Price could think of was all the ways he had failed his men. Like father, like-

Grief twisted its blistering blade even deeper in his chest, the pain near physical. His mouth tasted like static.

Having favourites was frowned upon, but it was no secret that there was a special bond between the members of the 141. They were more than colleagues, brought together by facing impossible odds together and coming out on top.

Gaz, Soap, Ghost… They were Price’s family.

He had seen the fort go up. He had felt the earth shake beneath his feet with the force of the explosion.

They weren’t supposed to be here. Yet, they were. For him. To save him, Soap had said.

Fiery and sweet John, always ready with a reassuring smile in even the most horrible times. Even when death clung to him and his eyes were red-rimmed and sporting dark bags, he had always been ready to keep up spirits. Loyal to a fault. Stubborn to it, too. So selflessly brave that it toed the line of reckless stupidity, despite being a smart lad in every other sense.

And strong, steady Simon. The man who was plagued by so many demons, that Price had marvelled at how he even kept standing. Yet, he did. Level-headed, despite all the things that should’ve broken him. Surprisingly soft in the rare glimpses he showed those he trusted. Protective of his team, of the few people he had allowed into his heart.

Something had just clicked with them. Simon steadied Soap just enough that his head left the clouds so that he could view the world below more clearly. John never stopped digging until he could drag Ghost from the earth, wiping the dirt gently from his eyes so that he could see the blue skies above once more.

What a dangerous profession for love like theirs. It went beyond all that fraternisation bullshit, even more so once the war truly ripped normalcy and structure from their grasp. Price’s fear of losing them had grown alongside their increasingly obvious affections. He’d realised that losing one meant losing both.

Then he’d heard Simon Riley laugh, really laugh again. He’d noticed a calm in the otherwise perpetually restless John MacTavish. Price would never have traded that for anything.

When they’d left the task force and the military behind, abandoning the edge on which their lives had so precariously balanced, their captain had felt none of the disappointment he’d expected at losing two of his best soldiers; instead he’d felt the deep rooted worry for them leave his body, knowing they were safe.

Those two deserved gentle things, despite the way the world had moulded them for violence. Maybe even because of it.

They were gone.

He knew he played right into Solovyov’s plan, only stoking the doctor’s satisfaction, when he yelled and screamed and thrashed. This was all for Price, after all. His hell.

But he couldn’t stop. Didn’t stop fighting until he ached, didn’t stop shouting until his throat was raw, his voice used up. The anger that had distorted the doctor’s face since he’d found out Ghost had ruined his carefully laid plan smoothed out slowly, replaced by sick glee at Price’s reaction. Straight, white teeth in a face still covered in drying blood, glinted back at the grieving captain. Taunting his predictable emotions.

Price couldn’t bring it in himself to care, as he watched flames lick the rubble of his friends’ grave.

When Solovyov and his men started moving him, Price hadn’t even noticed. Only when the smoke from the wreck disappeared from view, did reality wash over him like an icy shower.

Ghost and Soap were gone.

The rest of the team were still searching for him.

Gaz was leading a search party, a rescue for their captain. None seeing the string dangling him like mere bait. Yuri was being tracked, and they were unaware of the danger they were in. The parts they had yet to play in Solovyov’s twisted play for an audience of one.

He had to do anything in his power to prevent that from happening.

#NRFTW tag #fic snippet #ghostsoap #parental John Price

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aloneinthehellfire · 2 years ago

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About Me

hi!

i realised that i've been on here for a while now and i didn't actually introduce myself lol. i literally just appeared out of thin air and was like: EdDiE

PERSONAL INFO

name: angel

i really haven't decided if i want to share my name publicly, not bc i don't trust people but i have a deep-rooted fear of irl friends finding my account. that's literally the only reason. and I'm not being fancy, angel is taken from my middle name lol

pronouns: she/her

i will automatically call everyone a 'they' unless i'm aware of pronouns but if i ever do offend you or get it wrong, please tell me! i'd hate to make anyone feel upset

age: 20

[this blog isn't necessarily 18+ but i do feel uncomfortable with minors reading these fics that are x reader with older characters. in light of that, please be sure to read the warnings at each post]

time-zone: GMT (UK)

i wanted to let everyone know this just in case i miss messages or asks, i'm not ignoring you i promise i'm just sleeping lmao. or, yay me, i'm at uni

BLOG INFO

fanfics - masterlist

i mostly write for stranger things, a show i will forever be obsessed with, but i am willing to create fanfics for other shows. i have a few ideas but i guess it depends on motivation atm

community

honestly i want everything to feel safe here! if you guys want to request a fic or even just talk, i am here for it!

as said before, this blog isn't yet 18+ restricted, but i do expect everyone to read warnings with caution

if you want to request a fic, please pop them in my asks and i'll try and get around to them (i'm working on a few rn so if you've requested and haven't heard anything, it's because i've been really busy with home stuff)

and if you just wanna talk, my dms are always open :)

#fanfic #fanfiction writer #stranger things fanfiction #about myself #eddie munson x reader #steve harrington x reader #fics #stranger things x reader

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letterstodiana · 1 year ago

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27/09/23 Therapy

Had my first therapy session today. Like my actual first-ever proper therapy, not the ones I've lied about going or faked as therapy to appease you. What was my reason for going? To be honest, as it came to 11AM, I found myself trying to back out of it, feelings of why am I doing this? Is this really gonna make you want me? Is this really going to help me achieve my goals? Can't I just fake it again, that I've gone to therapy and said I've changed? I really don't even know what you want from me, why you're trying to change something you don't want anymore. And then my phone rang. I admittably tried to back out at first, I told them that I'd call back in 5 minutes when I really didn't have a reason not to just start it then. But I called back. I do not know if she could sense that maybe I was trying to avoid the session because she did give me another out, telling me I could reschedule if I wanted to. But I didn't, I chose to stuck to it. No particular explanation as to why. So here's what I've learnt. Therapy isn't just about talking, it's kinda about listening as well. Listening to the questions that are asked back to me and answering them truthfully. Questions that kinda guide you to understand why you’re having these feelings. I always knew that the therapist will listen to you about your issues and validate you but I think what nobody really tells you about is how they help you unpack your shit and distill it outside of your echo chamber of thoughts. She asked me things like; is medicine what you truly want? are you willing to push yourself harder than you have before? how was your mood throughout the past year? do you know why you weren't scoring well? And I think I started getting a more vested interest in continuing when she asked me; what would you like to talk about more, your failed relationship or your life direction? I chose the latter just cause I wasn't ready to talk about it.

And before I knew it, my session was coming to a close. I didn't really expect much from the session when it began but I think what makes me want to do it again is based on two reasons:

She analysed everything and told me straight up what she thinks

She made me a checklist to do by the end of the week, even though our next appointment is on October 5th.

She said that she feels that I tend to repress my feelings a lot and that, ironically, I have trust issues § I don't disagree but I do feel that these trust issues stem from a bigger place, a more rooted fear of abandonment. Something that I really have never talked about much. She advised me to talk to my parents about how I'm feeling that I need to stop feeling like a disappointment and more like a son § I think with everything that happened, my life got thrown off course. When I told my dad about my dismissal, my feelings of anxiety were still bubbling in me and I felt I was making progress towards a better recovery. That I knew what the issue at hand was and what I needed to do, or felt I needed to do. And then you broke up with me and I kinda just really gave up on everything. So now I need to restart. I need to tell them how I'm actually feeling about everything, stop burying my shit deep down inside of me and also figure out my next step properly. We had a brief conversation about our relationship and she said that we had very destructive behaviours on each other and that our issues seemed to never be resolved because we both we're focussing on the wrong/opposite things § To be honest, I've always kinda had this in the back of my mind, that we are actually toxic for each other. We both are emotionally abusive, intentionally and unintentionally, consciously and subconsciously. I never really brought it up in fear that you might come to that realisation and not want to be in such a relationship but I guess you found that out on your own, before I could fix it and make us better. Maybe I should have been more vocal and we should have worked on it together. Shoulda, woulda, coulda bought a house.

She left me with a final parting gift, that I should see a psychiatrist because she feels that I've been depressed for a very long time and I've never really dealt with it. I guess it's time to get medicated.

#therapy #self love #missing you #relationship #understanding

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dollypopup · 1 year ago

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#sorry these tags are about to get choppy and jumpy i'm just dumping as i'm reading#dude this is the most refreshing thing i've read in a long time#and also really difficult to Look At because i have always tried to see the good of pen's actions even when I consciously know they're not#but you have put them all on FULL display here#**even ones i didn't realise**#i love pen for all her flaws and complications. it's what makes her a great character#i feel like these things were all just niggling at the nape of my neck waiting for realisation and this deep dive has given me that opp#“Penelope was the antagonist in Marina's. But she is also the hero in her own.”#holy shit#despite pen being so very clearly selfish in both seasons i was still rooting for her#and like that in itself is so interesting#pen's trust issues and emotinoal trauma are so blatantly obvious and directly effect some potentially really incredible things for her#her friendship with marina in this case - the two of them could have had each other's back in the harsh featherington household#not telling colin the truth about her feelings or marina#also the inability to trust eloise with LW#AND THEN you whip out the colin analysis#fuck me the fuck up#the poor guy just wants to be heard. my empathetic treasure. he's trapped in a soundproof glass box.#For Colin love is being honest. Love is being earnest. Love is being upfront.” DOLLY#how am i to carry on#“If you had simply come to me and told me of your situation I would have married you without a second thought”#kills me every fucking time#he's just so good#just let him win pls#s3 better soothe my (and his) hurtie heart#i love that you brought up the fact that pen doesn't voice the things she wants/her opinions/etc.#and that's a huge reason why things don't work out for her#season 3 about to be about being loud. taking accountability. being honest. and communication. and if it's not i'll fight.#give these kids some happy times and emotional resolutions (personal and romantic thank you)#ohmygod another layer:#pen being invisible but having her voice heard through Whistledown#and Colin is very much visible (he’s a bridgerton) and despite this visibility no one can hear him

these are some INCREDIBLE tags @flamedork !!! omg especially the 'season 3 is about being loud. taking accountability. being honest. and communication.' IT DAMN WELL BETTER BE!!!!

tbh the contrast (dare i say mirror reflection?) between Penelope and Colin, in which Colin is hypervisible in public but ultimately ignored overall and Penelope is invisible in public but her voice is the one that permeates the entire ton is so fascinating to explore. For all Colin's privileges, he is all but *screaming* to be noticed (for who he actually is) and is ultimately denied, and for all of Penelope's hardships, she is *purposefully* hiding herself away whilst being the narrator of the show. when you write about him being in a soundproof glass box, i FELT that. Colin's out here banging on the walls and wailing for someone, anyone to notice he isn't okay, and no one does. (except for Benedict, very briefly, when Colin's handing off the 'magic' tea to him in S2 (he said it was good to quiet 'the doubts, the questions that seem to linger no matter how far you go to escape them' '. . .are you quite well, brother?' but as quickly as it's there, it's gone) the only time he's at the front of anyone's mind (him, not as part of a collective, but Colin himself) is when he's being the hero. serving other people's needs. bruh has been in his own glass case of emotion for the last two seasons and it's finally gonna shatter in S3 and i cannoT WAIT

Marina, Polin, and the False Narrative of Good Intentions

or: Fanon has Failed You

we're taking a real deep dive, babes.

bring a snorkel

Episode 1:

We are introduced to Bridgerton, Lady Whistledown first. She has the very first lines, talking about the new debutantes coming before the queen. Penelope expresses immense nervousness about this, even after Prudence faints and she writes of the blunder in her sheet, likely grateful she doesn't have to spend too much time on herself when she can highlight Prudence's fainting. In the very first mention of Marina, it's a conversation between Portia and Lady Cowper, about how Portia is taking Marina, a 'distant cousin of my husband's' in as an act of 'charity'. LC replies that she has always been quite charitable, which Portia exclaims is what Lady Whistledown should have written about, instead of 'erroneously writing that she shall only have three ladies under her care.'

That's when Penelope comes to Portia with a plea, using Marina's upcoming arrival as an excuse for her to defer.

"Unless you should like to have only 3 young ladies under your care, I should gladly sit this season out." "Penelope is nervous" "I am not nervous, Mama-" "What she is is two stone heavier than she aught to be." Phillipa: "Mmm, those blemishes on her face are quite difficult to conceal. Perhaps some lead and arsenic would help" "Should you allow me to defer but a year, just as Lady Bridgerton has done for Eloise, I may remain dedicated to my studies"

she is denied. Portia dismisses Marina to Lady Cowper, talking about how she couldn't be competition with her daughters. Marina walks in and Penelope, as though in relief, says "Oh, she's beautiful."

Because Penelope, as of this moment, only sees Marina as a tool with which to get what she wants: invisibility. We know that's what she wants based on her and Eloise's conversation in the daffodils, in which she tells her

Penelope: "No one truly notices me. I suppose that is what I like. When you are invisible, you can have all the amusement you want without any of the expectations popularity brings. It. . .frees you.” Eloise: “Do you think that is why Whistledown remains anonymous?” Penelope: “Perhaps.”

Lady Whistledown and Marina, in this moment in time, have the exact same purpose: they serve as shields. Shields that keep Penelope from being seen, from being noticed, and hopefully to give her more time. Penelope is grateful for this, LW starts taking shots at the Queen by taking shots at Daphne, saying she was falling from the grace of being named the diamond. Instead, she thrusts Marina to the forefront of the ton, declares her the true diamond, and sits relatively gratefully through Marina's flurry of attention.

Until it comes to Colin. The scene in the Featherington drawing room in which Colin comes to Penelope after calling on Marina and says it's a 'most dreadful sonnet indeed', to which she quips her famous 'Lord Byron he is not', thus making Colin laugh before he bids her good day, and she looks at him on his way out. This has often been discussed as a scene in which Penelope is starstruck that she made him laugh, but I propose something else.

This?

This is a look of concern and sadness.

What Lady Cowper had said had been foreshadowing, now Marina is literal competition for the center of Penelope's affections.

Which, let's give him some POV here

Let's talk Colin

Even in episode one, Penelope at the ball was watching Colin, a look which is mirrored later on by how Colin looks at Marina for the first time, asking who she is. He quickly joins the dance floor right next to her, clearly curious. Curiosity is a huge part of Colin's character that often gets overlooked, in fact. His wanting to travel is rooted in it. His room is FULL of Greek mythology, the first place he visits is Greece. Colin is drawn to Marina's newness, and also how pretty she is. He likes her pretty naturally. And she also clearly likes him. Even after the other suitors slough off, Colin stays.

Marina isn't pretending, here. Look at her. She finds him funny, he's turned toward her. We find out later that she's been there for about a month, at this point. As far as Marina knows, she was sent there against her will, because she doesn't WANT to be with Portia and her snooty high society attitude. Even still, Colin acts as reprieve. He comes to visit her and cheers her, she likes a lot about him, in fact, as we learn later, but let's go back to episode 1, the now.

And then we see Marina accept (and mourn) the fact that she's pregnant.

This is why she didn't come to the Vauxhall Ball, claiming illness, and Varley brings Portia the clean sheets. Portia goes to confront Marina, she'd been there for over a month and hadn't bled, accuses her of 'revolting recklessness', says she'll keep it under wraps only so her own daughters won't suffer, and when Marina informs that she doesn't want any of this, in particular her hoity superiority, Portia slaps her.

Slaps her.

As horrible as Portia and the Featheringtons are to Penelope, they have never once laid a hand on her.

Marina is made Other from the first moment she walks on screen. She is unwelcome in the Featherinton house. Even Penelope really only cares about her insofaras she's useful. In fact, episode 1 is Penelope's first taste of what her debut would be like without Marina, and in it, Colin comes to her rescue when Cressida is being mean. Penelope didn't dance at the first ball Marina was at, but she *does* when Marina's gone.

For Marina, this is a horrible night. For Penelope, it's fantastic. Simon and Daphne even became a thing, and Penelope is seen observing them. Not only did she get to dance with Colin, but she also got her gossip. This proves she doesn't necessarily need or can utilize Marina as a shield.

From Episode 1, we see the start of the divide, even before anything else, the show pits them against one another.

Which takes us to Episode 2

We open with Penelope remarking that it is 'disturbing' and Phillipa and Prudence telling on her to Portia by informing that she has questions about Marina's condition. And then

"How did it happen, Mama? Is there to be a baby?"

"Why is Miss Thompson to be kept away?" "Because her condition is catching!" [to which Penelope responds with silent astonishment]

We then have her with Eloise, walking arm in arm as Eloise complains about Daphne and Simon, talking about how being pretty and having nice hair isn't an accomplishment, and that going to university is, essentially: a lament of societal misogyny. Penelope is not only clearly disengaged with her, but even exasperated. Eloise remarks that Penelope did not listen to a word she says, which is true, and Penelope ignores that, too, except to grab her by the elbow, and tell her that she knows someone with child, and that they're not married.

This conversation is comedic, yes, but it's also interesting considering we know Colin and Marina are involved, and that Penelope's curiosity for how Marina came to be with child doesn't stem from friendship with Marina, but rather desire and curiosity for how it affects Colin.

"She is not married" "How did she become with child if she's not married?" "I do not know. But I will find out." "You must! Otherwise, how can we make sure it never happens to us? We have accomplishments to acquire."

Penelope, even here, knows that they don't want the same accomplishments. There's a rift forming here, too. Penelope is a year ahead of Eloise, already out in society, and she's writing Lady Whistledown. As far as she's concerned, her accomplishments are to get married. Her opinion of being out in society has changed: she still wants to be invisible, but not to stay with Eloise, but instead to continue Lady Whistledown, and perhaps get married. She says so later in the series, in which she tells Eloise that people have mature problems, problems more important than some silly writer, problems like getting married.

But to who?

Three guesses.

Colin's next scene is when Eloise asks how babies are made, to which he gives his classic 'Have you ever visited a farm?' response, and cheekily teases that he and Benedict are off to take their sticks out, 'for a round of fencing!' and once again, though comedic, it's also meant to serve a second function: he becomes a suspect. That's a very dramatic way to put it, I know, but as of now, it's not revealed who the other half of Marina's bun in the oven is, and it very well *could* be Colin.

A fact Penelope likely suspects. So, she MUST know how babies are made, because she agrees with Eloise on this: she does have accomplishments to acquire. I propose to us that instead of the 'Penelope was so selfless! She would have let Colin marry Marina so long as Marina wasn't lying to him and trying to trap him' narrative, something a bit more complicated is afoot

Penelope wants Colin. She knows she can't get involved in his current romance with Marina, but she wants him all the same. The dance they shared solidifies that for her. They're friends, she's been in love with him since she met him, and now she's *able* to get married. And she wants it to be to him.

And all her actions from there are stained with that information, including the final reveal.

It's in the middle of Episode 2, well over a month that Marina's been in Mayfair, that we have our first scene of Penelope and Marina together. We open with Marina reading letters, tearstained in her hands.

She hides them immediately under the blankets and Penelope comes in saying she found some sweets and that Marina might be able to eat them when everyone else was off at the Ball. Marina, gratefully, invites her into the room so that they may share, to which Penelope is clearly pleased.

"I hear they have decided not to send you home to your papa." "I dare say he is relieved. I can only imagine how he will react to- "Your condition? Marina, may I ask- how did it happen?"

Penelope didn't come to Marina out of the goodness of her heart at all. She came to get information. Because curiosity is also an inherit part of Penelope's character, just as it is for Colin. Penelope's reasons for wanting to know are three fold: for the sake of knowing (it's good information to have, knowing how babies are made), for Whistledown if it's a good story, and for Colin.

Marina goes on a beautiful story about George, and we, at the same time as Penelope, realize Marina is still in love with her soldier boy, who she believes is in Spain, and in a moment of immense trust, passes the letters to Penelope for her to read.

But Penelope is only relieved. It settles two of the three, clears Colin from being the father and provides her good information for Whistledown, which she doesn't get publish, likely realizing that all the secrecy means it's a big deal, but she still doesn't know how one comes to be with child.

She laments this with Eloise immediately after. Snarks that Marina said it was 'Love' and Elosie informing that made no sense, to which Penelope agrees, saying her mama had 3 children and love had nothing to do with it. Eloise then asks, in a moment of empathy no one else has granted Marina,

"Well, what else did she say? Was she not frightened?" "More. . .sad, than frightened. But there may be a chance for her to have a happy ending yet, I suppose. She wants to escape to the country where she and her love may marry."

At this, Penelope is happy. She's glad that Marina will be out of the way and also that Marina will get to be with someone else. She isn't cruel, she wishes Marina well.

She just doesn't wish Marina well with Colin.

Episode 3 has Penelope running mail errands for Marina since Marina's in confinement. With no letter in hand, she delivers her the bad news, to which Marina clearly is despondent, wondering when a letter from Spain would arrive. Penelope soothes her by informing that he's on the front lines and it's difficult for letters. "If your love is as great as your previous letters state, surely he will write back to you soon. Or perhaps even better, he is already on his way back to you here, to come and take you home."

Penelope takes on her mother after she's caught with Marina and scolded, saying that Marina's been there for ages, and it isn't fair. She leaves, and Portia insists that Marina find a husband. There is no choice for denial, here, Portia makes that clear, and Penelope takes the news unhappily from the door.

Looks like she isn't out of the woods, yet.

Because even underlying Penelope's compassion, there's a second motive. Penelope is just like Portia: she wants Marina gone, too. She just has a different, very contrasting way of accomplishing that goal, but she's making strides toward it.

She writes of Marina rejoining society, that she will be at the new exhibit. When Portia tries introducing Marina to an older man, she silently pleads for Penelope to help her and she tries to come to her rescue. In the end, Marina tells him off herself, and Penelope and Marina are united against Portia. As of now, there is nothing that really contests them. Even still, Marina acts as something of a shield for Penelope, something she is sure to notice. With Marina in the house, Penelope receives less of Portia's cruelty, and even when she's scolded, Marina gets worse of it.

As of now, Marina and Colin were a brief flirtation that took place at the beginning of her coming to Mayfair. She enjoyed his company, but she's also not suffering without it, clearly uninterested in rejoining society or getting a husband who isn't George. Being pregnant has given Marina a new dream: one in which a man she loves will return from war to help her raise their family. Even if she was open to a new love at the start of the season, she clearly doesn't care or wants to find a husband who isn't George. She tells Portia as much, that she will not bow down to Portia's schemes. She has a man who loves her, and she intends to marry him.

Portia is the instigator here, even though fandom has made Marina the villain. PORTIA insists Marina go out in society. PORTIA writes the fake letter. PORTIA is who twists Marina's arm, verbally and physically abuses her, and locks her up until she can foist her onto some decrepit man and be done with her. PORTIA is who speaks aloud Marina's doubts of George not loving her back because he hasn't sent a letter to her.

Even though Penelope and Portia's goals are the same, their methods are MILES apart. Penelope *does* have compassion for Marina, wants her to have her love story with George, and she tries to help her because she recognizes it as the path of least resistance. Portia meddles far too much, which is her downfall every time.

When a 'letter from Spain' arrives, Penelope brings it to Marina and nervously asks what it says. She's excited for the confirmation that George loves Marina back and that he'll come to take her away or marry her. When Marina falls heavily to the bed, crying, Penelope asks if he'd been wounded. Marina tells her that he pretends there was nothing between them, that he desires nothing to do with "our- my situation."

Look at the expression on Penelope's face, here.

As Marina sobs, wails, Penelope picks up the letters to read them for herself and Portia congratulates her and Varley for their efforts, justifying that Marina had to learn the truth of men, eventually.

And then we're halfway through the season

Marina starts this halfway point as a new woman. When she mourned the idea of George, she mourned a failed love story, and she also mourned herself. When she said 'My situation' she accepted that the only person who would truly help her out of this is herself. She's inspected by Lord Rutledge terribly, he asks to see her teeth as Portia gives an elevator pitch, essentially making it seem that Marina was defective but, look, she has some good parts, too! Marina informs that she's had suitors calling all week (so we return to the romance situation at the beginning with a wide net) and Portia informs they'll take too long, considering so much time has passed. That she needs someone who won't ask questions when a baby comes out 3 months early, even if they married her the next day.

Obviously, Marina's in a horrible situation. This is nightmare levels of awful. She's been abused in so many ways, treated terribly. I don't think anyone could blame her for being upset. Penelope asks her if she'd like her to stay in, but Marina refuses, and Penelope doesn't push it. [Sidenote, this is also when Albion Finch comes to call on Phillipa, and we see Portia 'rewarded' (in her mind) for her efforts in keeping Marina out. She tells Mr. Finch that Marina isn't taking visitors, but he informs he's here to see Phillipa, to which Portia expresses wonder. To her, where her entire motivation is getting her daughters married, having seen Marina as an obstacle in such, she is vindicated through this]

Penelope and Eloise have another conversation, in which Penelope listens to Eloise talking about the house being abuzz w/ Daphne's prospects, to which Penelope says 'well, she *has* to marry eventually' after Eloise says she wishes Daphne would stay on the shelf forever so that Eloise doesn't have to be next in line [Eloise seeing Daphne very similarly to how Penelope saw Marina, in that way]. Eloise laments that she wants to fly, then praises Lady Whistledown as a brilliant woman of business, praise Penelope soaks up.

Penelope guides Eloise away from her attempts to rope her into schemes unmasking LW (who we now know is Penelope herself) and Eloise says she can tell her Mama she's sick and that she's caught what Marina has. Penelope informs that Marina is recovering, and that "It would be cruel of me not to be by her side when she comes back out. I shall cheer you on your endeavors, however."

The question is: has Penelope truly formed a friendship with Marina, or does she have a second reason, once again, for being beside Marina and keeping an eye on her when she re-enters once more?

Well, it surely means nothing that the next scene is Penelope and Colin having yet another moment. Surely.

Marina, being dangled about and clearly unhappy on the floor. Penelope, looking out to the ballroom. Colin comes behind her, to her delight, and talks about the host being fussy. "Do you think if he goes to bed, we all have to leave?" he asks, making Penelope laugh and clearly glad that he did so. To Colin, he likely imagines this to be the end of the correspondence, but Penelope surprises him. Like the first time, she opens up to him, shows him her wit, and they have a moment of snark, looking at each other for a beat too long after he compliments her with 'What a barb!'

Who breaks the moment? Penelope does. She doesn't continue. She doesn't take the compliment and run with it, she doesn't prolong the conversation. She looks down, and Colin changes the subject, sensing she's perhaps uncomfortable, or at least done with the moment, and says he's been trying to get in front of Marina all night, and Penelope says all Marina's interested in is a swift rescue, which inspires Colin to go after her.

This is their first moment together since her confinement, we know since he asks how she is, and from jump he gives her an out from a man who treats her like a piece of meat, and he makes a joke right away to ease her. Colin here is exactly to Marina as Colin was to Penelope when Cressida threw her drink on her: he's the knight in shining armor, and he likes it that way. Charm dialed up to ten, he and Marina re-hit it off immediately, and she's grateful to him. Tells him to spin her off and maybe she'll recover.

And Colin does. He spins her over and over again, in circles around the entire dancefloor, and Marina smiles, and Marina grins, and Marina laughs, something we haven't seen her do since she's thrown in confinement.

Can we blame her for wanting Colin? For falling for him? Very often we talk about how he was her only option, but the truth is that Marina liked Colin from the start, and she likes him here, too. She just found out that a man she'd been in love with is forsaking her, wants nothing to do with her. She's been inspected and slapped and degraded. And Colin is kind. Colin is genuine and earnest and fun. Colin brings her to life, again. She gushes about him to Penelope as soon as they're home.

And Penelope hates it.

Her problems are not that Marina is trapping Colin. She doesn't care about the logistics of the ruse. She tells Marina anyone but Colin. It isn't that Marina's pregnant, and it isn't that Marina lies.

It's that it's Colin. Penelope wants Colin and Marina wants him, too.

And that brings them back to where they started. It didn't matter what empathy and compassion they'd cultivated: Penelope is not Marina's friend. Penelope had *never* been Marina's friend. She was her ally insofar as Marina was going to live a story that left Penelope free for her own happily ever after with Colin, and as cruel as it is, it gives Penelope DEPTH. She is not just an altruistic darling willing to watch a man she loves marry her cousin. She does literally EVERYTHING she can to keep it from happening. That's her motive. He's her motive. It's Penelope's love for Colin and her hopes that they can be together that leads her to expose Marina.

In this conversation, she tries anew. Her hopes on George now dashed, and the confinement period over, Penelope tries to sway Marina by making Colin seem like a bad match. She can't think of negative qualities to counter Marina's compliment-fest (kind, funny, excellent with children), but informs that Colin is too young to marry. That she needs someone to propose soon. And Marina says he's not like other young men, that he's eager, that he saved her, that she thinks he will propose soon.

What Penelope never says is that everything Marina thinks of Colin, Penelope already knows. She knows Colin is funny, and kind, and an accomplished dancer, and excellent with children, and that he saved her, too, at Vauxhall, and that Marina opened up to her so she'll open up the same but she doesn't: she never once tells Marina that she loves him.

Because Penelope is not Marina's friend. But Marina *is* Penelope's. She says she'll be able to stay in town, gleeful that since Penelope is close to Eloise, so they will remain friends, as sisters. Marina doesn't see the secondary motives in Penelope's actions, trying to steer her away from Colin, nor does she assume anything of Penelope. How could she? Penelope has been nothing but nice to her in a house of cruelty. Penelope doesn't deride her, Penelope doesn't hit her, and Penelope helped her with George.

But Penelope doesn't want her there, same as everyone else in Featherington House. And she doesn't necessarily want Marina to be happy. She wants Marina to be out of the picture. She'd prefer if that was with her happy, but she doesn't need Marina's wellbeing. Just her absence. Or, at the very least, she's going move bitch, get out the way.

She begins thinking of how that will happen immediately after Marina leaves. She paces her room until Eloise throws rocks at her window, and this is when we get their fight.

Eloise comes with a theory about Lady Whistledown , going on and on about what she believes, and Pen cuts her off.

"Eloise I do not care! People have real problems, mature problems, problems that have nothing to do with the secret identity of some silly writer." "And you are so mature now?" "Well I am of age, I am out in society, therefore I have more important, mature things to worry about." "Like what?" "Like marriage," "You should not care about marriage.: "What if I do? I cannot expect you to understand, not everyone can be a pretty Bridgerton!"

Eloise runs off and Penelope immediately regrets it, because her fury isn't at Eloise, but rather projecting her frustrations at Marina and Colin's blossoming relationship at Eloise. When Penelope says she cares about marriage, that is only a half truth. She cares about marriage to Colin. Very specifically to Colin.

Episode 5 sees more of the same. When Colin comes to visit Marina, Penelope is displeased. She looks on as Colin brings Marina flowers, and Marina finds them beautiful. This is not a woman who would humbly have allowed Colin to marry whoever would make him happy, a selfless woman who had nothing but the best intentions toward Colin and Marina's love story.

She doesn't care if Colin would be happy with Marina. She wants him to be happy with her.

And listen to me very clearly: I like her more for it. Yeah, I said it. Oh, it would be easy if Penelope was a sweet darling, an innocent doll who tragically falls on the sword, wanting nothing more than for her dear friend to live a beautiful love story with someone who would appreciate him. No. She believes, knows Colin would be happier with her (and, ultimately, she ends up being right in that regard) and she wants him to be with her, not with Marina. This is not an excuse for Penelope. She doesn't do good things. Her intentions are not noble. What she wants is self-serving and how she goes about it is underhanded and secretive and manipulative. And I. Like. Her. For. It. Enough of the narrative that Marina was a villain, an antagonist in Penelope's love story.

Penelope was the antagonist in Marina's.

But she is also the hero in her own. From the very beginning, the narrative made it a one or the other situation. Even when they were friends, they weren't really friends. But through it all, Marina had no idea.

Because Penelope never told her.

She spoke in circles, said Colin loved to travel, encouraged him to do so in front of Marina, said Marina didn't like tomatoes when Colin joked that he'd bring her some as a surprise to break up the monotony of bouquets. Both Colin and Marina are surprised that she's saying anything in this scene, Marina moreso than him, because she thinks Penelope is her friend and would encourage this. Penelope knows how much Marina likes Colin, and how important time is with her situation. Marina gives her the 'girl, what are you doing????' face when Penelope clearly encourages Colin to travel. Colin informs that some things in London he'd want to see more than the world, and looks at Marina. They share a moment and Penelope rushes off after her mother for Plan. . .is it D, at this point? Plan D.

Penelope recognizes Marina and Colin like each other, so she goes to her mum. asks if it's a smart decision. She feigns caring for Marina. That she is ONLY worried because Colin is young and he's years off from marriage (which she doesn't really believe, or she wouldn't be saying anything) and that Marina simply doesn't have that kind of time.

It does what she wants. Portia comes to Marina, doubling down on Lord Rutledge, saying she has until Saturday to accept his proposal. Marina refuses, clearly disliking him, and Portia admonishes her.

"Is this about Mr. Bridgerton?" "He likes me! He will propose to me, I'm sure of it." "That boy is barely out of leading strings, he has two older brothers and they're still running from the yoke. You are to cut Colin Bridgerton immediately, or I will lock you in this very room until Lord Rutledge makes you his wife."

Marina's smart, she makes a deal. She recognizes how a marriage to Colin could do a world of good for Portia's daughters, and she pleads for just a few days. Before Saturday. That he would propose. And it's only now, in this moment, that Marina makes a plan that has anything to do with Colin. Only after already liking him and envisioning a second chance romance with him, and having a good life with him.

It isn't that Colin's her only other choice. Marina had several unhappy choices. But Colin is the choice she *wants* to make. She has a time limit now, hence the deception, but it's rooted in her attraction to him. "You will seduce him." is what Portia says, but for Marina, it's not as dramatic as all that. She already likes Colin. and Colin already likes her. So maybe they speed it all along, but it's not made through falsification.

But for Penelope, who listens at the door, this is now the proof that it's becoming serious, and that this plan, too, won't work.

Plan E, it is. Chuck her off to anyone new. See what sticks. She points out multiple men at the next ball they're at as prospects. This is Marina's face when Penelope described him as pleasant.

and then that another has kind eyes. To which Marina replies, honestly, rather relatably. That she doesn't know them or care about any of them, and that she's looking for Colin.

Only now. In the middle of Episode 6, just about at the 11th hour, does Penelope ask Marina not to pick him. This is the first time. That she can do this to anyone else. She attempts Plan H: a plea for morality. That she doesn't want him to be tricked and deceived. That she's known him forever. That Marina shouldn't do this to a good man, but Marina asks if Penelope would rather she marry a bad man, then.

And the truth is, Penelope would. Penelope would rather that Marina marry a bad man than marry Colin, Penelope would rather Marina do anything rather than marry Colin. Because this entire situation is all born because Penelope loves him.

This is her way of fighting for him. It's not her way of being altruistic, it's not her way of wanting to help him, it's her way of ensuring her own happily ever after. And no, that's not a 'Penelope is such a darling angel baby' take, but it IS a human one.

And the worst of it is that Marina would have backed off of Colin if Penelope just said something earlier. Think about how their friendship was. Penelope could have informed Marina that she liked Colin when Marina was gushing about George. She could have opened up. Or when Marina was getting suitors again after her re-debut in society. Marina was rife with suitors. She liked Penelope. But Penelope never spoke up. There was an entire month and a half Penelope could have talked to Marina, and then another in her confinement.

But Marina only realizes Penelope doesn't actually support her after Penelope says not to do this to a good man. That Penelope isn't happy for her in the least. She assures Penelope that she'll be a good wife to him, that he'll be good to her in return, and that, really, it isn't Penelope's business. Which it isn't except for the fact that she makes it her business. Lord Rutledge gets engaged, and Colin becomes Marina's last way out. But, let's be real: he was was also the only one she wanted to entertain.

Oh, my sweet, darling baby boy. Earnest describes him to a T. He doesn't know he's the rope in Marina and Penelope's tug of war (hell, Marina doesn't even know someone else is pulling for him), and he gets denied a narrative in so much of this. When Marina says she's feeling faint and to find someplace more private, Colin doesn't even THINK she has alternative motives. He's concerned, takes her to a different room.

Watching this scene, you see how utterly endearing he is. He leaves the door open until she encourages him to close it, which he does post haste. He smiles at her and keeps a respectable distance. He's truly been raised to be a gentleman, and he clearly respects her. When she says they shouldn't be alone together, he finally realizes what she wants from him. When she takes a step toward him, it's subtle, but he leans back. Gets nervous. Steels his face, drops his expression. When she goes in for the kiss, he makes a few minute jerks forward, for a grand total of 2 and a half seconds, and then cuts it all off.

"You are a Lady. I must maintain your honor. And mine. No matter how. . .tempting, otherwise."

Marina, after hearing this, is stupefied. Tells him he's right. That she's a lady. She's unmarried. And he is. . .a gentleman.

And she knows Penelope is right. That he's good. She just didn't know how good Colin actually is. And in this moment, she accepts her lot. She walks away. Her last chance, her last option, and upon realizing that Colin is kind and earnest and a good, honorable person, she agrees with Penelope. She doesn't want to lie to him, to trick him, she's about to let him go. But Colin offers her to marry him, and she accepts.

Because wouldn't you? Wouldn't anybody?

Hell, her exact words are "I would be delighted to marry you." and she means it. Not as a last resort, but genuinely. We don't do Colin enough justice in this romance.

He goes on about how their long engagement is romantic, that she deserves a grand celebration, and you can tell she enjoys that, but also that she knows she'll never have it. This is where she realizes how different they are, that he's a dreamer and she's a pragmatist. And that she'll have to change his mind but can't ask for it outright.

Marina has affection for Colin. Even in season 2 we can see that, when she rightfully tells him they're in the past and that he should focus on those in his life who already make him happy. How could she not have affection for him when he's genuinely so fucking good?

And speaking of, the way he defends her to Anthony still remains one of the hottest scenes Colin takes part in. When he says he's marrying Marina for love, and not because he compromised her, he means that. When he calls Anthony an ass for insisting he go to brothels and that his interest in Marina is just lust, he's genuinely offended. Anthony says that Violet is distraught and that he won't give Colin his blessing,

"Sorry to disappoint you." "You have. In so many ways."

Colin goes to see his mum immediately after. He takes her hand and, without saying it, he all but screams 'why don't you see me?' Reminds he was courting Marina all season after Violet says she was glad she knew before Whistledown. That she was too wrapped up in Daphne to notice.

Colin wants to be seen, to be taken seriously, and it really is, as of that moment, that the only people who do so outwardly are Marina and Pen. The difference between them isn't down to looks or attitude or anything like that at all: Marina pursues Colin, she makes it clear she's interested, and Penelope doesn't. It's her greatest character flaw and the crux of her story, that she never says what she wants, that she doesn't speak up for herself. Eloise even points it out about her (and you know in friend fights they cut deep). only when she learns to speak aloud what she wants does she get her love story and happiness in society.

Penelope is near in tears when Colin announces his engagement to Marina. But the thing about Penelope is that she's persistent.

As she walks in to Marina, Prudence, and Phillipa talking about how all their fortunes are about to change with the new engagement, Penelope snarks 'Especially Colin's' to which Marina replies by complimenting her, saying she looks lovely. Penelope replies not to mock her, and Marina says

"Do not mock me." "It pains me you should think every compliment a mockery." "Do not pity me either." "I do not pity you, Penelope. I respect you. You have been a true friend since I arrived here, and I rely on your continued friendship and sympathy." "My continued silence, you mean? You think so little of me I cannot bear it. I never would have made my way through this awful tangle without your kindness. Please, do not tell me you regret it." "I would never bring scandal to you or our family if that is what you ask. But I cannot condone your actions." "I want you as my friend, Pen. Can you not try to understand and be a little pleased for me?"

Marina leaves for her modiste appointment and Phillipa talks about how they'd make beautiful babies together, to which Prudence laughs and reminds that he's not the father. Penelope snaps at them, saying Marina makes a fool of Colin already, but

but

does she not do the same to him when she outs the information later on? I like Penelope, and I ship Polin. In fact, I ship Polin exclusively, in the sense that I don't actually ship Colin or Penelope with anyone else, but this entire season is proof of Penelope's fuck ups with Marina and with Colin, both, and her justification for her actions, a thing Portia also does. She goes deeper and deeper into her disregard for Marina. Marina wants Penelope as a friend but Penelope doesn't care about Marina to that extent, even from the beginning. As Portia and Marina become more entwined in their joined ruse, Penelope sets her hopes on Violet noticing that Marina is pregnant, but Violet does her best to welcome Marina to the family, wanting to do right by Colin.

So, there goes plan G. Dire straits, then. Penelope finally has a moment alone with Colin. I've talked about the scene in which she tries to 'tell him' in a different meta, and this is already so impossibly long, but long story is that Penelope still doesn't say what she really means here. There's a narrative that Colin doesn't listen to her, but all season he listens to her. And all season, she never says what she actually wants to. When she tells him that Marina loves someone else, Colin assures he would be a hypocrite if it mattered to him that she had a romance before him. (good for you, bb boi) She doesn't tell him Marina's pregnant, which she writes in LW later on, but skirts around the subject until those precious few moments are gone.

And she lies. She says Marina loves George, still, but Marina has accepted that George wants nothing to do with her. Whether she loves him or not is outside of Penelope's knowledge. She just wants to throw whatever she can at the wall and see if it sticks, see if it breaks the engagement, and still have Colin look at her with fond eyes after the fact.

When Marina discovers them in the hallway, it's hard not to sympathize with her. She's soft when she tells Penelope Portia is looking for her, and she looks so tired. Colin apologizes for Anthony being so rude at dinner, and Marina confides in him. That her own father doesn't want her. That the Featheringtons cannot wait to be rid of her. That she thought she'd find acceptance with his family, but that was a foolish thought.

And she's right. Marina is, for all intents and purposes, fully alone. She has no one in her corner save herself. And save for Colin.

"Even your mother is just being polite." "I shall be your family, now. We shall make our own family, you and me."

And Marina wants that. So deeply, she wants that. With Colin, there's acceptance. She isn't trying to manipulate him, here, she's just hurt. Penelope has her own reasons, she loves Colin, he's a dear friend, and she doesn't want to see him hurt, and she wants him to be with her, but Marina's reasons are also poignant. Colin is the only person who made her welcome in the ton and continues to do so. Once Penelope turns her back on Marina, she just has him. And in his desire to do right by her, offers to elope.

When she says "I love you" to Colin, she's not lying. She's not trying to trick him, as is so often discussed. Is it an everlasting love? No. Is it a nonproblematic love? No. But she certainly loves what he's done for her, how he makes her feel, and she has admiration for who he is as a person. That's love, too.

This is the face of a relieved woman. Not a woman who just lied and schemed reveling in her success. This is a woman looking up to heaven, thanking God for this second chance. Just LOOK at her

We come back to Penelope, then, the day after, who feigns being sick and then runs to ransack Marina's room, looking for George's letters. (so to all the people mad at Eloise for rummaging through Penelope's room, well. . .I hope that same 'it's an invasion of privacy!' applies here, as well) Instead, she finds her duffel packed and knows they're going to elope. She searches more for George's letters and finds them, realizing one is forged.

So, Penelope waits for Marina, in her room, with the falsified letters (Plan I?), to inform her that the letter that broke Marina's heart was a forgery. She has proof that her mama faked the signature. Marina informs that it doesn't matter. George never replied to her letters.

"He has abandoned me. While Colin has embraced me." "I thought you loved him. George." "I was a fool. This changes nothing."

To which Penelope is aghast, watching Marina burn the letters, and when she asks what she'll do when Colin discovers, Marina is truthful. That she will live safe in the knowledge that Colin is a good and kind man, as he has proven to be, and that he'll take care of her and her baby. Which brings us to:

"What of him? What of Colin?"

And do I think some part of this truly is Penelope caring about Colin and his ultimate happiness? Yes. She does want what's best for him, and she does care deeply for him, but the truth of the matter is that in this, she's not doing it for him. Penelope is doing it for her. And that makes it more interesting. At every turn, every single one, Colin shows that he's infatuated w/ Marina. That he loves her, even. Nothing about his actions signify any different. And maybe it's not true love, and maybe it's a bid for him to feel useful, to feel listened to, to be taken seriously, but it's still how he feels.

The only person suffering, here, is Penelope. And Marina recognizes it for what it is. When she tells Penelope that her love is an unrequited fantasy, she has no reason to think otherwise. Penelope never opened up to her, all her criticisms are now revealed as her wanting Colin from jump, and Penelope all but said aloud she and Marina aren't friends. Marina told her to get out of her relationship, and none of us can pretend that we wouldn't do the same. Penelope is acting as though Marina is a scourge on Colin, but all Colin has done is make Marina feel cared for and wanted. We don't give him enough credit, I swear, because the reality is that how Colin is with Marina is a glimpse into how he loves. If he can forgive Marina lying to him for a good reason, he can forgive Penelope lying to him for a good reason. Marina was never Colin's endgame. Not once. It was always going to be Penelope.

And it's to show that Colin is a good man who fights for his partner, who listens, who has empathy, who wants to bring cheer, who jokes, who is wide-hearted and romantic, who puts his feelings in his hands and reaches out palms first. Give him his flowers. He was a real one with Marina. Through and through and he's gonna be a real one with Penelope. A real one to the max. This is Colin's baseline and it'll only dial up with Pen when we reunite in Season 3 but for now-

Marina says she'll be the executioner of Penelope's childish fantasy of loving Colin, but it's Penelope who's the executioner. Because even though she comes running to Eloise, even though she sobs and cries and did so much to ensure what she didn't want to happen wouldn't happen, in the end, ultimately, Penelope chooses herself. She doesn't choose Colin, she doesn't choose Marina.

Penelope chooses Penelope.

And she exposes Marina's secret. And she breaks up the engagement. By force. "Perhaps she thought she had no other option. Or perhaps she knows no shame." which is what Penelope wrote of Marina, also applies to herself in this case. When she sobs with Eloise, she's hurt by what Marina says to her, yes, but she's not weeping to mourn Colin and her one day maybe love story with him. Because she doesn't believe Marina, she doesn't think it's an unrequited fantasy. Why else expose Marina?

No, she's mourning herself. Mourning the person she one thought herself to be, and how that isn't the person that she is, that she would and can use Whistledown to get what she wants, that she has power, and how she would throw her own family and even herself under the bus for just the HOPE of her love story, and that all her intentions of fairness fly out the window because Penelope is human, and she was jealous, and she was mad.

And she continues to be. Further salt in the wound in Episode 7

"Miss Marina Thompson's recent fall from grace continues to echo through every drawing room in town days after it was revealed her engagement to Colin Bridgerton was nothing more than a sham. Of course, a Lady's disgrace does not merely tarnish her own name, like the tars on the Thames, it also leaves a smear on everyone nearby. While there is no parasol in the world strong enough to shelter a ruined woman, the fallen Miss Thompson can only hope she shall find a refuge somewhere."

Y'all

This is mean. This is twisting the knife. Portia knows it's game over. Marina is even refused from a charity room without a considerable donation. She's out of options. And it narrows and narrows around her.

And for Colin, denial isn't just a river in Egypt. He claims Lady Whistledown to publish lies and says Marina must be in agony, that he doesn't understand why he can't just visit her. Anthony informs that BECAUSE of Lady Whistledown, Colin is absolved from being the father, but if he comes near her, they will presume and he'll ruin the rest of the family for it. Even still, Colin goes to refuse, but Daphne interrupts. No one listens to him in this scene, and he's left to listen to how his family will fix what they perceive as his fuck up. He says he's sooo happy it's been settled, and storms off.

Once again, no one takes Colin seriously. He's right to point it out. Not even Penelope, as she took his decision from him just as everyone else did. In a way, Colin is also alone. I think that's what really tugged his heartstrings when Marina lamented no one wanting her around.

Colin's a hopeless romantic. In a way, he fabricated his own love story around what he wanted to hear and know. He says Leander swam each night in total darkness to see his love, and Daphne, now jaded, tells him Leander also drowned. She'll arrange a rendezvous, but she doesn't believe it'll be a love story, not really, not anymore. And Colin even though Colin seemed to be hopeful that it was a lie, when Daphne says that Marina's a stranger and that Whistledown knew Marina better than Colin did, Colin clarifies that Whistledown knew Marina's secrets.

Maybe he already knows it's true, believes it to be, but he doesn't want to see it.

"You must tell me that this Whistledown woman is mistaken, what she wrote, it cannot be true." "But it is." "You are. . .with child? I do not understand. We were to be wed. You- you said you loved me." "Colin, I hold you in the greatest esteem." "Esteem? You are a cruel woman indeed to stand here and talk of friendly affection as if you have not just committed a grave sin against me." "Speak not of sin, Mr. Bridgerton. I did not come here to be shamed by you, nor anyone else. I did not know better. You may think me a villain but I did what I thought I must. No one ever truly helped me or guided me in a different direction. I had no choice. I needed to wed. And you- you were the only man who offered me even a glimpse of happiness." "So I should feel flattered, then? Consider myself lucky that you chose me, lied to me, tried to trick me into a fraud of a marriage? I shall take my leave of you for the last time, Miss Thompson. . .You wish to know the cruelest part of your deception? If you had simply come to me and told me of your situation, I would have married you without a second thought. That is how in love I believed myself to be. But I see now that was all a lie."

This is such a fascinating conversation. It reveals more of Colin than a lot of other scenes he has does. For Colin, it's not Marina being pregnant or having come to the Ton already with child that bothers him, it's that she lied to him. He calls it a fraud of a marriage, says that she told him she loved him, and that he doesn't believe it now. One lie toppled the entire house of cards for him.

Which makes it all the more paramount that Penelope tells Colin that she's Whistledown. He shouldn't have to find out on his own, and in fact, finding out on his own would cause an IMMENSE rift between them. It would shatter his trust in her worse than learning about Marina lying to him. If Penelope instead, however, comes clean, comes to him with honesty, Colin would see that in of itself as an act of love and trust. For Colin, love is being honest. Love is being earnest. Love is being upfront. And even though Marina had every reason not to do so, to hide, to reveal to him after the fact, having lied to him is what really breaks his heart.

This is an opportunity for Bton to get some payoff in a reflection of a scene like this with Colin and Penelope. Because what so many of us Polin fans don't want to face is the fact that Penelope is ALSO keeping a life ruining secret from him. And what Marina says? Can we not also hear that in Penelope's voice? If the question is how they overcome it, the first part of that answer is by Penelope taking accountability. Coming clean.

And even though Marina has more that happens to her, this is the end of her and Colin's love story. From here, they don't really intersect. Marina does say to Daphne that Colin is a sweet boy, and for what it is worth, she is sorry, but they have very little beyond this. Until Season 2 when he visits her [we'll unpack that can of worms at a different time] Eloise comes to Penelope and asks how she's faring, Penelope says their mum swears they're ruined. But Penelope then asks about Colin, if he's in pieces, and Eloise assures that Colin will be fine as most men are, but that Whistledown has gone too far with the slander the sheet did to her family. The Featheringtons are asked to leave the luncheon, and Penelope walks off with them, realizing the true impact of Whistledown and what she's done for the first time.

One of which is Marina's brush with death. Disgraced, abandoned, and rejected, Marina drinks what she hopes is an abortive tea, and Penelope finds her on the floor after she comes to talk to her, perhaps to come clean, perhaps to make amends. Now that Colin is no longer a point of contention between them, Penelope can open her heart once more, and likely feels immensely guilty. In our final episode, Penelope is clearly feeling the weight of her actions, even when Marina apologizes to her after drinking the tea and recovering, is glad she can finally go home, and says Penelope was right. That Colin is a good man with a good heart. That Penelope was good to him, and one day, Colin will see it. It's the end of the season, now. Marina is more than ready to move on.

Enter Phillip Crane. The entire Phillip situation is tragic, how he has to tell Marina that George is dead, and how Marina has his letter as proof that George loved her, and that she thought him a villain. (Marina has a moment that I think will be reflected by Penelope in Season 3: 'I was wrong.' )

The next scene Penelope and Colin share is when he's singing for his family, his voice catching when he looks at her. Likely in gratitude or appreciation, but also this is another moment in which he looks at Penelope differently, their relationship subtly shifting. He realizes she was trying to tell him. He admires how good she is. He's touched by how she cares about him, how she tried to keep him from heartache. And she did. She really, really did.

She just also tried to keep herself from it, too.

But she couldn't. Because at the end of all of this, all these twists, these turns, and all the choices she makes 'for Colin'- he has to choose himself, too. And he chooses to leave, to escape, to heal, and to embrace his passions in travel. and this hurts Penelope, too, because it wasn't that she was trying to keep him from heartache, but rather to keep him for herself. Because she was trying to tell him she loved him.

Immediately following the end of his engagement that she orchestrated, she wanted to confess. In a way, Penelope underestimated Colin, didn't see him all season, the depth of his feelings or his gentle heart. Though she tried to keep him from heartache, heartache found him regardless. She denies his request for a dance, swallows her confession, and leaves. It hurts her that he doesn't want her, but she doesn't think of his perspective in it. To Penelope, Colin is not yet a person, but an idea. This is the first fragment in that image. Which is good. It has to shatter eventually, and it does so at the end of Season 2.

Daphne, the same woman Penelope tried to pit against Marina in the diamond wars at the start of the season becomes the only real ally Marina has. Her only true friend. And the reason Phillip comes and offers Marina marriage, thus keeping her from destitution. Penelope wasn't going to, even though she was sorry at the end. She cries after Marina walks past her without so much as a glance when she walks her way, stone faced, into a carriage with a complete stranger, her dead love's brother, to live the rest of her days in a completely new place.

And Penelope? Penelope engrosses herself into Lady Whistledown, and she continues correspondence with Colin from afar, as she is more comfortable doing, and she dreams of a someday, and she feels invincible, because at the end of the day, even though what she did was objectively not good, she got away with it. She leaves us with a smirk at the end of Season 1.

Which makes her even more bold in Season 2. Which will lead us up to her having to face actual consequences for her actions in S3, because in this entire season, not once does Penelope apologize, and in fact, the two people whom she causes the most harm to, both end up apologizing to her, completely unaware that the entire time, she'd been plotting to break them up from the very beginning

I don't think Penelope is evil, but Marina certainly isn't, either. To assume that Penelope felt betrayed by Marina, to pin the blame onto her, is to twist the narrative, and it has festered so long and so deeply into Polin, that we've seemingly completely forgotten.

Like it or not, the story with Marina serves important roles: it reveals the extent and sacrifices Penelope will go to and make for Colin, for herself, for her own happy ending, and for romance, it shows what a hopeless romantic Colin is, and how dearly he cares for others, how deeply he feels, and how desperately he wants to be heard. And, more than anything, it's the story of a woman who was thrust into circumstances that were bigger than her, that left her scrambling for answers, that revealed everyone else's cruelty in their interactions with her.

And that revealed ours, as well.

sometimes fanon festers for so long that it becomes what we swear is real, even if it isn't. it becomes a rot, in fact, manifesting in so many bad takes, particularly about Marina, in the Polin tag. we've all seen them. Penelope exposed Marina because she did it for Colin. Marina didn't care for Colin and only wanted to trap him. Colin was blind to what was in front of him all along. some of them are more cruel, people stating that Colin was an absolute idiot or that Marina was a heartless bitch.

It's enough of Marina being the Big Bad in Polin's love story. She isn't. Marina got dealt a horrible hand, and she navigated it with so much more grace than I ever could have. She endured physical abuse, verbal degradation, gaslighting, manipulation, derision, fake friends, and the death of her own love story to come out the other end a pragmatic woman with a kind heart, moving forward. Her experiences in Season 1 made her believe she had no Love Story to live. She loved, she lost, she tried again and it blew up in her face.

And she deserves our fucking sympathy

Her story is over in Bridgerton, but as Polin's love story continues, it's important to get a clean look at Penelope's intentions and how morally gray she truly is, which makes her all the more interesting and complex. It makes Polin's love story and their dynamics rich and nuanced and layered. Both Colin Bridgerton and Penelope Featherington said "I'll do anything for love"

we get to see just far that stretches

#flame i read these tags like 6 times #i love them so much

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atlasshrugd · 3 years ago

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Hi seeing as you seem to be the only sorta active britin blog I can find lol I wanted to ask you about some of your favourite moments for them, as I'm kinda new to the fandom whatevers around lol, and would like to hear peoples thoughts on them if you don't mind answering 😊

Hey there! Sorry I am answering so late, but WOW this is a big ask because there are SO many favorite moments.

So I have narrowed it down to my Top 5:

1. Prom (obviously)

Okay this is a no-brainer. This is literally the most romantic sequence in all of television history. I still have not found something more beautiful, moving, triumphant, loving, and groundbreaking than when Brian and Justin danced to 'Save the Last Dance for Me' at prom. Obviously barring the horrific events of what followed, this scene transcended all stereotypes and barriers and allowed us as the viewers to feel pure happiness and pride as queer people. I remember seeing it for the first time at 14 and feeling so unadulteratedly happy and validated. This was a scene of two gay people unapologetically showing the world that they did not give a shit what anyone thought of them. The only thing that mattered was this thing between them; this unspoken understanding, solace, love, and pride. I still moves me to this day whenever I watch it, no matter how many times I do.

And of course we must talk about the implications of Brian's character in this scene. Throughout season 1, he has been an emotionally stunted and cold individual who does not believe in love, relationships, or trying to make other people happy. Here, in the finale, we see Brian finally putting away all his ego bullshit ("I wouldn't be caught dead in a room full of 18 year olds"), and going out of his way to make someone he cares about happy. The fact that he even showed up at Justin's prom is a direct U-turn from the moral principles he has been reinforcing all season. And by dancing to a "ridiculously romantic" corny song, waltzing, and kissing Justin in front of everyone without giving a shit — that is pride. That is one of Brian's long-accustomed walls tumbling down.

"And don't forget whose taking you home and in whose arms you're gonna be..."

2. When they make love for the first time after the bashing

Now these scenes...how do I describe the sheer profundity? After Justin's bashing at prom, Brian is left in shambles. He blames himself for everything, and it is just further proof that Brian's love always causes further destruction. Justin has lost all memory of that night at prom, and this is one of the big tragedies. Justin had promised that he'd never forget it, and that it was the best night of his life. That proof of Brian's love that he had for so long been longing to experience — has disappeared as if it never happened. Now, Justin's confidence and surety of the world has been distorted. He is no longer sure of anything, including himself and Brian. He needs reassurance and things spelled out for him.

When Brian and Justin sleep together for the first time after the bashing, it is not like all the other times they had sex. This, in fact, is the first time they make love. Justin is telling Brian that he trusts him wholeheartedly, enough to allow him in his body again after his own agency had been ripped away from him. This is where Justin absolves Brian of his guilt. He takes the blood-stained scarf off his shoulders, lets it fall to the ground. He gives Brian the forgiveness that Brian cannot offer himself.

"Like the first time?" Brian asks, because it is the anniversary of their first meeting, but at the same time—it is nothing like the first time. Now, they are not strangers. They are more acquainted with each other than they have ever sought to be; know each other in such profound depths. They are forever linked by this thing they have both experienced, but it is not just that shared trauma. It is based off deep understanding and love. They have, somehow along the way, become more each other than themselves. They know that they have become irreplaceable and inseparable parts of each other. And Brian has been holding onto that guilt for so long that it has become rooted deeply within him. SO when Justin absolves him of it, Brian allows himself to truly feel for the first time since the bashing. He gives himself to Justin, in that moment, as Justin gives himself to Brian. It is a brilliant and tender scene of trust, devotion, acceptance, and absolution. Something they both needed to soothe their troubled souls, and a new basis for their relationship.

3. When Brian helps Justin walk down the street after the bashing

Again, this is Brian showing nurturing, care, patience, compassion, and selflessness to another person. Justin trusts him enough to rely on him, and Brian doesn't take this trust lightly. These are some of the sweetest scenes of the whole show, because this is when Brian is completely focused and devoted to Justin. He wants to help him, more than anything, to get better. And he accepts and takes up this role of carer, not because he has to, or because he is obligated or forced to. But because he will do anything to ensure that Justin will be okay, and that he gets the life he deserves.

Specifically, my favorite scene is when the song 'Grand pianos crash together, when my boy walks down the street...' is playing. Justin is walking through a crowd and Brian has his arms outstretched. When they come together, they hug deeply and easily. This scene is so simple and pure, so chaste, but it shows the true essence of their relationship, beyond all the facades and bells and whistles. At the heart of it, Brian and Justin care about each other more than they care about themselves. They have established a stable foundation of trust that they can rely on. And it also perfectly encapsulates just how far Brian has come once again. He is showing such selfless care and devotion to a boy in public daylight, kissing and hugging him and not wanting to let go of his hand. Season 1 Brian would have never even considered that. This just shows how much the events of the prom changed him, and shows how his desire for responsibility of another person has matured him. He had been forced to face his inner feelings, fears, and truths. Now, they are out in the open for the first time and Brian accepts this. This alone is a huge development.

Brian is also afraid to let go of Justin. When Justin says he can walk back himself and says 'Later,' Brian repeats it apprehensively as he holds Justin's hand until he can't anymore. Then, he watches Justin go, walking through the crowds. The look on his face is wistful, a little troubled. He hasn't wanted to face just how much he enjoys Justin's presence and how much happier and content he is when Justin is with him. He hasn't wanted to face just how afraid he is to lose Justin again. Their words of 'Later' are a direct mirror of their last words on prom night, just before Justin got bashed. Brian had watched Justin walk away, too. And a second later, he was gone.

4. Pride

This is probably one of my all-time favorite scenes in television ever. I have cried each time I've seen it. There is something so pure, essential, liberating, triumphant and tender about this scene, and the song that plays (Chiquitita by ABBA) certainly shows it. Firstly, Justin accepts Brian in his entirety and doesn't expect him to change. He knows how much Brian has been devoting to Justin in his recovery, and how strange that role is for Brian. Here, he tells Brian to 'go find a stud, ask him to dance,' — because he knows how much Brian has been sacrificing for him. This alone shows Justin's maturity and inner strength. He loves Brian, so he will not try to change him or shackle him. He wants Brian to be free to choose and live the way he wants, and that is what he fell in love with.

But when Justin shows this sacrifical and detached love for him, Brian realises that there is nothing he wants to do; no one he wants to be with more — than Justin. He is aware of the myriads of choices he has. But he chooses Justin. (Technically, for the first time, perhaps aside from prom. But even at prom, he had been running from something [turning 30]. Here, he chooses Justin without pressure for the first time.)

So, he follows him outside. He ask him "Hey, stud. Wanna dance?" Justin doesn't believe him at first, because he is not used to Brian choosing him by his own volition. He cannot imaging Brian passing up getting laid, especially after being celibate for the whole day. He also feels like a burden; like Justin's recovery has been inflicted on Brian, stopping him from living his life normally. Justin loves Brian enough to let him be free, but the biggest part? Brian loves Justin enough to choose him in that freedom.

So this marks another checkpoint in their relationship. Not only is there trust, understanding, and love — there is also desire. Sure, they have always desired each other. But this desire is not the physical kind or one born out of loneliness. This is desire for the other person as a whole. This is desiring another person's company because theirs is the only company you want. This is desiring to be with someone when there are so many other options. This is real desire — the kind that originates from the heart and not the flesh.

"I promise you won't forget this one." Brian is promising Justin that this dance will be theirs, just theirs. Not to stick it to anyone, to show anyone anything, to make some kind of point, or to make somebody happy. This dance is theirs, for the reason that Brian wants Justin to have this: this moment where Brian only wants Justin, where he dances with him simply because he wants to. And he wants Justin to have this memory, to overcome all the vague blurriness of their past. He wants this dance to be the one he remembers when he questions himself. And so they dance, and they sway, and they kiss, and they press their heads together, and the lights are bright and colored on Liberty Avenue, and everywhere people are free and joyful, and there is nothing to prove, no one to run from, nothing to hide. Their arms are wrapped around each other and the sound of 'You'll be dancing once again...and the pain will end...you will have no time for grieving...' tumbles through the air and all around them. 'But the sun is still in the sky and shining above you.' Now: there is nothing to be afraid of, and everyday life is full of reasons to be alive. To be proud.

5. Their reunification

This is one of their main checkpoints. This scene is the moment they finally become equals. Justin had left Brian for the reason that Brian could not give him what he needed to be happy, which was: reassurance. After the bashing, Justin lost all sense of who he was. There was a huge gap in his memory, therefore a huge part of himself he could not claim. He had lost partial use of his dominant hand which took away the only thing that gave him solace; his drawing ability. He was no longer sure of anything and needed things spelled out for him. He needed to talk about it.

But Brian was not willing to do that, because he himself was struggling with trauma from the incident that he did not want to face. Where his love language is in acts of service (letting Justin live with him, paying for his tuition, helping him recover) — Justin needed to hear the words. He needed verbal affirmation to prove that he wasn't crazy and just projecting his feelings onto Brian. He could no longer trust his own perception and interpretation of things whereas in the past he could read Brian's mixed signals easily without needing confirmation. This is the part Brian failed to understand. He was not willing to concede his identified notions of 'relationships' and 'love' — no matter how far he came. He had not accepted that his feelings for Justin were love, and that scared him. So he refused to compromise with Justin, believing that his actions were enough when they weren't. But all Justin needed was to be heard, and for someone to love him enough to give hime what he needed sometimes (which was, verbal and emotional affirmation).

So their relationship ended, and Justin thought he could get what he needed from Ethan, which proved to be another big lie. So at the end, Justin still cannot trust his own perception, but — he finally knows what he wants.

He comes to the realization that while Brian could not give him the words, he gave him honesty. He learned from Ethan that words without action had no meaning. So he prioritized what mattered more to him: hearing that Brian loved him? Or, knowing that Brian loved him. So he chose honesty.

And this is when they could get back together without that imbalance and insecurity.

"And you are never to play violin music in my presence again." This single line is the only thing Brian needed to say to indicate to Justin that he was hurt by Justin leaving. Brian has been putting up a front of indifference for their entire break up, only indulging in pain management in private. Justin leaving him irrefutably hurt him more than he could have ever anticipated. But he did not show it.

So, Justin smiles — a little nod of awareness — because that is all Brian needed to say. And he says, "I promise."

"And it's time...that we...grow old and so some shit..." plays in the background (Lover's Spit) as they start to undress each other, because they are now on the same playing field. They have no illusions, misunderstandings, and misinterpretations anymore. They are starting anew; a little older and a little wiser than before. Brian knows how painful it is to lose Justin. Justin knows how skewed his perception had been, because he had been so caught up in his isolation that he could not see the truth of Brian's actions.

But they both know at least one thing: that life is better together than apart.

Tbh I could go ON and write a dissertation about each of these individual scenes, but I hope this made sense and gave a little more insight on these scenes and characters. Thank you for the great question!

#queer as folk #ask #britin #qaf #brian kinney #justin taylor #brian x justin #mine

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flowers-of-io · 3 years ago

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you don't need to add on tags that utterly kill me like that to my post, thanks! (I utterly vibe with that reading, I also think xivu is mostly going with the flow re: sword logic, but it also being the last vestige of oryx combined with pressure from well above the worm gods makes things So Much More Painful ;;)

Hhhhhh I've been having Thoughts on Xivu and what her views and reasoning is considering the current situation... It's rooted in the books of sorrow really, the way I see each sibling approach the sword logic, with Sav being wary and Oryx going all in (both in enacting it and, like, philosophically?) and Xivu yeah mostly going with the flow; I think she has always been the most chill about it all and while Oryx and Sav racked their brains on whether it is Good or Not Good she just swung her sword and laughed. And it wasn't because of some jock ignorance, but rather because while trusting Sav was a death sentence, she had always trusted Oryx, and I think some part of her didn't even want to challenge his kingship. She accepted him as the leader and followed the path he charted, and if that path led through the Deep, so be it.

And another layer of Complicated is now her other sibling taking a sharp turn and going just the other way around, trampling over Oryx's legacy and everything they had built together, and I wonder (and really, really do hope) if even the tiniest part of Savathun wants to steer Xivu away from the Deep because she's realised it's the road to ruin. And so there would be this push-and-pull of I still love and honour Oryx, do I abandon everything he stood for? do I trust or lost an untrustworthy sister? if the Logic is bad then was Oryx wrong? what's left of him if not that? do I want a way out if there is one?

#it's all pain and everybody cries #keeping up with the osmium dynasty #little war sister #reply #xivuuarath

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okamirayne · 4 years ago

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Hi Rayne!! Just finished (yet another) re-read of BtB, and I don't think I've cried this hard in a long, long time - it was very cathartic. But, feels aside, I was wondering if you could tell us a bit more about Karibi? She's fascinating and I'm just dying to know more! (Sorry if this has been asked before!!)

Hi there, my lovely Anon!

Apologies for the delayed response. Aw, luv. Always so, so chuffed to learn someone has revisited the series and even more touched to know it hits you in the feels <3.

But, feels aside, I was wondering if you could tell us a bit more about Karibi? She's fascinating and I'm just dying to know more! (Sorry if this has been asked before!!)

Karibi! <3 Firstly, no, this hasn’t been asked before, so imagine my excitement regarding an OC ASK -- can you picture it? TREBLE IT. XD

Another dear Anon asked about Naoki in a previous ASK and I thank you for your expressed interest in Karibi! It’s a funny one because I have two Karibi OCs -- the edited version I inserted into BtB and the original, original version. Given that we’re talking about BtB Karibi...let me rewire my character brain a moment and firmly draw a line or two...or twelve....

Right! A Third War orphan, Karibi grew up in the orphanage outside of Konoha and proved to be quite a handful over the years given her feisty nature, constant escape-attempts, insistence on dressing and behaving like a boy (for which she earned consistent bullying and beatings), and her rough-housing free-for-all scraps with other kids -- as well as her routine habit of stealing food from the kitchens to give to a stray dog who constantly hung around the outskirts of the orphanage. It was easier for her to attach herself this dog than other kids who came and went, just like the voluntary care-givers. Her mischief-making, stealthy tactics, “never stay down” stubbornness and streetwise attitude soon caught the attention of a retired Konoha ANBU veteran (a patron of the orphanage) who interrupted a violent fight between Karibi and a group of local boys who’d stoned the dog to death. Observing how fiercely she fought (always getting up when knocked down) despite being outnumbered and beaten, the ANBU veteran recognized her potential, promptly adopted her, and trained her in ninjutsu, genjutsu and chakra control.

Their relationship was close, until it wasn’t.

Advancing quickly through the academy and ranks – winning zero friends along the way – she was soon put forward for ANBU by her adopted father, who immediately cut his ties to her, damaging an already tentative trust. Intended as a solo agent, she was immediately assigned to a 3-team ANBU unit named Team Yokai consisting of herself, Genma, and Naoki (Captain).

Enter in, bonding.

It was here, after a lot of boundary testing and testosterone busting, that she finally formed some hard-won emotional attachments after beating Genma and Naoki bloody in taijutsu combat – taunting them constantly to get up (“seven times down, eight times up”). While she was promptly one-upped by both in ninjutsu, her genjutsu prowess brought her right back onto an even keel with them both. Perfectly balanced, respect began to form between them – then friendship – which later led to a lover’s trine between the three of them. This was intense but short-lived; Karibi soon recognised that though she loved them both, she preferred women and also realised Genma and Naoki’s feelings for each other went a hell of a lot deeper than ‘close friends with benefits’. She knew they’d fallen for each other before either admitted it to themselves, let alone each other.

The three of them were inseparably close.

They were more than her friends or comrades – they were her family.

They kept each other going.

Karibi allowed Naoki to establish a permanent telepathic link with her whereas Genma only allowed it during missions and in the bedroom. Karibi kept her mind open to Naoki always, though he never intruded until years later after being listed as Killed In Action.

His death blew a hole in their world.

Their team was dismantled.

They would not accept another Captain.

To make matters worse, due to the unbroken telepathic link and the resulting ghost of Naoki’s presence in her head, Karibi never truly believed Naoki had died and her adamant ‘denial’ of this ‘fact’ created a heart-breaking rift between her and Genma.

This rift between them grew darker and wider as Genma turned to solo deep-cover missions and Karibi turned to drink when she wasn’t neck-deep in assassinations and a failed “could’ve been” relationship. And then one day the edge of all the smashed glass bottles in her life looked very, very tempting.

Genma found her, just in time – the first time at least.

Treated and cleared of suicide risk, Karibi was soon diagnosed as schizophrenic given the “voice” of her dead Captain in her head and this threatened her position in the ANBU – but her brokenness caught Danzō’s interest.

After a failed attempt to recover her relationship with her civilian lover and unable to mend the rift between herself and Genma, she signed on for a ROOT initiation mission – which sadly finished what she’d started with the bottle – though it was an impulsive and sudden decision rather than a deeply pre-meditated one. She disobeyed orders when sent into a child-trafficking operation being run out of an orphanage. This was a trigger for her. Rather than complete the ROOT mission of kidnapping a couple of kids for ROOT grooming, she murdered her ROOT partner and slaughtered the “nuns” who were supposed to be taking care of the children rather than indenturing them into the sex-trade to raise funds. When the ninja traffickers showed up, she lit the building on fire, and while the children escaped she made damned sure not one “piece of trash” running the trafficking ring got out alive.

She went down fighting in flames.

Her death was the final crippling blow to Genma. He went to Mizugumo immediately after that. Then he went to his own personal hell before Kakashi met him there in ANBU’s gutter and helped drag him out of it years later, saving him from the same fate as Karibi when he almost identically mirrored the blaze of glory tragedy with his suicide attempt in Tanzaku years later.

Random Trivia:

Karibi loved dogs and often kept an eye out for Inuzuka women looking for a bit of rough and tumble.

She dealt with a lot of possessive shit from Naoki. He was very possessive of his family/lovers and was only just about able to accept Karibi being intimate with others, even after he’d stopped sleeping with her. Genma always joked that Naoki only accepted her activities because her preference was for women, not men.

Karibi, like Naoki, felt strongly about the abuse of children, given certain illicit incidents she’d witnessed at the orphanage -- she and Genma understood Naoki’s childhood trauma and were the only ones who could handle him when he flew into a rare rage

Her favourite catchphrase was “seven times down, eight times up” (“Nana korobi, ya oki” which means “Fall down seven times, stand up eight.” It means choosing to never give up hope, and to always strive for more.)

While her ANBU step-parent/mentor abandoned her in the end, she retained the green knit scarf he gifted her (the only gift she’d ever received from him other than her training and removal from the orphanage)

She began to fall for a civilian woman -- the scariest thing for her, other than losing her teammates.

Karibi’s top value was “resilience” and never giving up – which made her suicide attempt so painful for Genma to accept

She turned to Naoki for help retrieving memories about her parents – this enabled him to perfect his own kinjutsu to reverse memory erasure

She had a plethora of ear piercings and a tattoo Naoki inked on her hip

She loved various green teas

She had a crush on Kurenai – round about the same time Genma did, which made for an interesting competition between them….and a somewhat unfair irritation towards Asuma.

She was a bit of magpie in the ANBU and stole items on missions, donating them privately to the orphanage

She loved berry-picking and was very well-versed with poisons

Genma gave her chickenpox and she gave him hell for it

She almost managed to shove a spinning top up Genma’s ass – almost.

Genma accidentally broke her baby finger playing “thumb wars” and it never set properly on the joint, causing her to have a crooked little finger

Most of her illusion/genjutsu techniques focus around folklore creatures and light, which came in handy on missions dealing with highly suspicious village folk

Her dream goal was to one day be Goei Shotai to a female Hokage – a dream Genma later lived out for her when Tsunade came into power

Naoki was with her telepahtically when she died, as Genma was with Naoki when he died -- in that way, Karibi was not as alone in death as Genma always feared.

Wow, that was LONG. Sorry, Anon! I absolutely love character-writing and development....I get carried away even if most of their story never makes it into the actual written piece. Thank you for asking about Karibi, I hope this insight gives you some answers! <3

#OC asks #Karibi #BtB OCs #BtB series #BtB Asks #BtB Ask #Genma #Naoki #Team Yokai #break to breathe by okami rayne #btb series #break to breathe #okami rayne #okamirayne #okami-rayne

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imaginejamesandsirius · 5 years ago

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james getting horny after hearing sirius is the only one remaining virgin among marauders and "honestly what the fuck bc padfoot is my brother I don't want to fuck padfoot I can't---"

"How old were you your first time?" Peter asked no one in particular as they drank pilfered firewhiskey.

"Sixteen," James said, feeling the stone under his fingers. The texture wasn't any different than normal, but for some reason it felt different.

"Seventeen, over the summer. I told you when it happened," Remus said, rolling his eyes.

"Well yeah, but I was asking everyone not just you, you pillock. What about you Padfoot?"

"What about me?"

"Don't be thick," Remus said, rolling his eyes again. Him getting tipsy just meant being more annoyed with them instead of amused. "The first time you had sex, how old were you?"

"I dunno."

"What do you mean you don't know?" Peter said. "You're not shagging around that much."

"I meant that I haven't had sex yet, idiot."

"What?"

James looked over sharply in disbelief. "How's that possible?"

"It's quite simple; I keep my dick in my trousers instead of fucking anyone that looks at me," he said drily.

"Do you not want to?" Remus asked.

"It's not like that, I just haven't yet. What's it fucking matter? I'll get around to it eventually."

"Yeah I suppose," Peter said. "That's still weird though. Hey do you think unicorns ever see centaurs and freak out? Cause-"

"I really doubt that," Remus said, cutting him off, and the conversation moved on. Stupid questions and more drinking, that's where the other three were at.

James was stuck on Sirius not having had sex. Sirius was the most gorgeous person ever, and that wasn't James's opinion, that was just fact like that the ceiling of the Great Hall was enchanted. If Sirius was open to it, then why did he turn people down? And James knew that people were offering, he wasn't deaf to what happened around him, hello.

Come to think of it though... had Sirius done more than kiss someone chastely? James had never seen him snogging anyone, and he didn't share any stories like the rest of them did. For some reason, that made heat spark in James's abdomen. What the fuck? He shoved the feeling down and laid off the firewhiskey. Clearly it was doing something to him.

Except the next morning when he was definitely sober, he slung an arm around Sirius's shoulders as they were walking-- an action he almost always took as they went from place to place-- and got the urge to kiss him. He frowned but didn't move his arm. Really, what the hell was happening? And it kept happening. They'd be going about their day like normal and he'd get hit with a wave of wanting, feeling the strong urge to snog Sirius senseless or push him in a broom closet and suck him off. This was not normal best mate behaviour, of that much he was sure.

This wasn't right, this wasn't normal, and he spent most of the day frowning at himself and pushing down the feelings. Maybe he just needed to wank this out.

Yeah okay, that didn't work. Time to come up with a Plan B.

The next idea he got was to hook up with someone, but that was kind of a terrible idea. Anyone he could hook up with right now, he'd have to see every day for the rest of the year, and that was not a consequence he was willing to deal with. The idea after that was just to give in. If he and Sirius had sex, surely his emotions would return to working order. And besides, who else would be a better first time for Sirius? James personally didn't care about the whole 'sex is only with someone you really care for' thing, and he certainly hadn't followed it for his first time. Sirius hadn't given an exact reason for why he hadn't shagged anyone yet, but what other reason could there be? Sirius wanted to trust whoever he was with, and who did he trust more than James? No one.

He could have done the officially mature thing and sat Sirius down and asked him about it, but that sounded embarrassing, and besides, since when did he and Sirius need to have official conversations about this sort of shit? If James kissed him and Sirius said 'mate what the hell', then he could explain. If he kissed him back, great, they could get on with business.

Remus and Peter were holed up in the library and would be for the next several hours working on their term papers for Transfiguration-- which Sirius and James had finished a month ago-- so he knew they would have privacy when he went up to the dormitory and saw Sirius sitting by himself on his bed. His legs were spread, a book open on his lap. Perfect.

James locked the door behind him with a wordless spell, then walked in between Sirius's legs, put his hands on either side of his face, leaned down, and kissed him. It was a touch awkward because Sirius hadn't been expecting it, and he pulled back automatically out of surprise. "James, what-?" His eyes darted from one of James's eyes to the other before reaching a conclusion. He tossed his book to the side and surged up, kissing James with a surprising amount of enthusiasm.

He sure as hell wasn't going to complain though, because mmm Sirius could kiss. His fingers curled into the roots of Sirius's hair, and he tugged a little, experimentally. It made Sirius's breath hitched, and James grinned. "Aw does Padfoot like having his hair played with?"

"Don't be an arsehole James, we're having a moment."

"We can always have more moments, the time to tease you is now."

"Okay but would you rather keep snogging me, or would you like to stand there and make fun of me?"

"Actually," James said, his voice dropping to a low murmur between them, "I'd prefer to spend my time doing a bit more than snogging you."

Sirius's eyes went a little wide and he swallowed thickly. "James..."

"What, you don't want to?"

"Course I want to," he answered immediately. "Just. Don't you think it's a bit fast?"

"What's fast? We've been best mates for seven years."

"Six," Sirius corrected.

"Whatever, six years then," he agreed easily. "I don't think anything about this could be considered 'fast'." He kissed Sirius again, taking his time learning the way Sirius's lips moved against his own.

Sirius's hands moved to James's hips, pulling him closer and making him tilt his head higher to keep the kiss going. His hands twitched, and then a minute later he was sliding them lower and around, palming James's arse and squeezing.

James jerked a little because okay, he hadn't expected Sirius to be this into it, but he wasn't complaining. Having an active partner meant they were both going to have more fun.

"Er, the door," Sirius said worriedly, but James shook his head.

"Already locked it, mate." His eyes trailed over Sirius's body. "You wanna lay down?"

Sirius flushed, the red in his cheeks glaringly obvious because of how little he blushed. It went to James's head, making him proud for how much he'd effected Sirius without even touching his prick. Sirius tugged on the bottom of his jumper to hide his erection a little better, but that was stupid so James leaned down and gently pulled his hands away.

"You really think I'm afraid that you're hard? I am too," he pointed out, and Sirius's blush deepened.

"Well," Sirius swallowed, "yeah, but it's a bit weird, innit? We've been friends for so long and now... it's kind of a big deal, don't you think?"

"Not really," James said honestly. "It's just us. It's always been us." His fingers automatically tucked Sirius's hair behind his ear, the waves going neatly behind like they always did.

"Right," Sirius said with a laugh. "Course you're right." He looked up at James warmly, his smile deep and heartfelt, not like the grins he got at a prank gone right, but more like that time they'd made the Map or become Animagi. "Just a bit nervous."

James knelt in front of him, realising that looming above him probably wasn't helping with his nerves. It was his first time after all, and James had been nervous about his own even when it didn't mean as much to him as this did to Sirius. "Nothing to be nervous about Pads. It's just me."

"'Just' you," Sirius snorted.

"Yep," James said, not really getting the emphasis Sirius had used. "So when I do this," he said, hand moving forward to cup Sirius through his trousers, making him gasp, "you know that I'm going to make you feel good."

"James," he whimpered, and James leaned forward to kiss him, swallowing up the little moans Sirius made as he moved his hand, massaging his friend's cock.

"Lay down," he murmured between kisses, forgetting for a moment that he would have to move forward if he wanted to stay within snogging distance.

Sirius was less ashamed this time as James looked at him, still flushed but not from embarrassment this time. "Can you take off your glasses? They keep poking me."

"Right, sorry." James took them off and set them on Sirius's nightstand, ruffling his hair absently. He wanted to get Sirius naked, Merlin knows how fucking gorgeous he was, but it would be a bit weird to ask that of him, right? James climbed on top of him and they started snogging again.

He shifted so that his thigh was against Sirius's cock, pressing up so that Sirius had something to rock against. Sirius gasped, panting into James's mouth for a minute as he got used to the sensation. His hands went back to James's arse, urging him to rub himself off on Sirius's leg like he was doing to James, and James gave in with a mental shrug. If Sirius wanted to get him off, he wasn't going to say no. Fuck that felt good. He curled his fingers into Sirius's hair again and pulled him close, kissing him in a way that was all lust and tongue and nothing nice like what they'd been doing earlier.

Sirius started humping his leg frantically, clearly close to coming. "James," he whined, high in his throat, and a few thrusts later he came. It was a little intimate to be saying his name before coming, but maybe that was what helped Sirius get off-- to each his own. James came a minute later, while Sirius was still trying to catch his breath.

James grabbed his wand and spelled them both clean, then set his wand on the bed. It rolled down, tucking itself between Sirius and the duvet. James grabbed it and set it a little further away, but the bed was too squishy and it rolled down again. He picked it up and tossed it across the room with a clatter. He hummed in satisfaction, snuggling closer and wrapping an arm around Sirius like he was a stuffie. "Good first time?"

Sirius laughed. "Yeah it was alright."

"Only alright? Padfoot, you fucking liar."

He laughed some more, but Sirius laughed a lot on any given day.

"Ugh I forgot to unlock the door."

Sirius grabbed his wand, which he'd wisely put on his bedside table, and waved it at the door, making the lock snick as it came undone. He set his wand down then pet his hand through James's hair, which felt very nice. "You're such a prat," he said fondly.

"Not sure what I did in the last five minutes to deserve this kind of name calling."

"You threw your wand across the room, you tosser."

James lifted his head enough to glare at Sirius. Once he saw it, James dropped his head back to the bed. "Well I don't need it, do I. I've got you."

"Yeah," Sirius said smugly, "you've got me."

They slept in the same bed, but they did that often enough that no one thought anything about it. James had to get up early, which was a pain, but he'd known it was coming and he wasn't near as miserable getting out of bed early as Sirius was, so thank Merlin for small favours.

He did wake Sirius up a bit when he was getting of bed though. "Wha's?" Sirius slurred, leaning up a little.

"Go back to sleep Si," James whispered, quiet so that he wouldn't wake up Remus or Peter. "Me and Lily have to meet with the Heads of the Houses, remember?"

Sirius nodded absently, yawning wide enough that it looked like his jaw was going to fall off. "M'kay."

The meeting was boring and he had to act all respectable even though every single person in the room knew that he wasn't. The meeting was also pointless, which sucked. He'd gotten out of a nice, warm bed to trudge around the cold corridors as arse o'clock in the morning, then sit all by himself in the Great Hall for twenty minutes during breakfast as the rest of the Marauders roused themselves.

Sirius plopped by his side-- not unusual-- grinning widely-- which was unusual; Sirius was never this happy so early in the morning.

James turned to face him, ready to ask why he was so happy, and got a kiss right on the mouth.

"Morning," Sirius said to him, all warm and cheerful and not at all like he'd just done something weird.

James was taken aback, and it showed clearly on his face, making Sirius's happy expression turn to a concerned frown.

"You okay?"

"You just kissed me."

"Yeah?"

"Why?"

Sirius blinked, looking even more concerned. "Last night, don't you remember?"

"Yeah I remember, but what does that have to do with you kissing me?"

"We got together. Are you sure you're feeling alright? Maybe we should go to the Hospital Wing."

"We didn't get together," James said, confused.

"Okay we definitely need to go to the Hospital Wing if you're missing memories."

Sirius started to stand, and James put a hand on his arm to stop him.

"I'm not missing any memories Padfoot, sit down."

Sirius did sit down, but it was clear he didn't believe James about the state of his memory. "Okay then what do you think happened last night?"

"Er we had sex? Talked a bit then fell asleep?"

Sirius blinked again, frowning. "If you remember, then why...?" All the breath left him at once, and he looked at James like he didn't know him. "It was just sex for you."

"It was just sex for both of us, Pads. I figured you would want your first time to be with someone you trusted, and who better than me?"

"It wasn't-!" Sirius started to say, then stopped. The way he'd been talking meant that he would have yelled the entire thing, and he didn't want to shout at James about something so personal in front of everyone in the school. He glanced around to see if anyone was paying attention to them, but the Great Hall was loud enough now that nobody noticed. He swallowed hard, his grey eyes filling with tears as his adam's apple bobbed. "The next time you want a quick shag," he said thickly, "try looking further than your best friend." He grabbed his bag and stormed off without eating a bite.

James frowned, watching him go. What was Sirius thinking? If he went to lessons without eating, he was going to be grumpy all day. Maybe he'd woken up on the wrong side of the bed anyways, weird as he'd been acting. He grabbed some oatmeal and put a stasis charm on it, then gave it to Sirius when he walked into Potions.

It took him until ten minutes before the end of the class to realise why Sirius was upset. Sirius fancied him. His brain tried to deny it automatically, because honestly, how could that be true? But all the evidence was there. The way he'd been so emotional about everything, not to mention the kiss at breakfast, and now that James thought about it, there was a lot of evidence to suggest that Sirius not only fancied him, but had been pining for years. Glances and flirting that James had written off as banter, and that one time Sirius had had a wet dream when they were sharing a bed and he'd said James's name. At the time, James had thought that was because dream-Sirius was having to kick James out, but it made a lot more sense that James had been the object of affection there, not a hindrance.

He thought about it a little more, then realised that not only did Sirius fancy him, but he fancied Sirius in return! Apparently all of his appreciation for how gorgeous and wonderful Sirius was, was less than platonic. This was ridiculous, how could he fancy his best mate? More times than he could count, he'd called them brothers. Sirius had made a face each and every time, causing James to taper off. He'd always thought it was because Sirius had such a poor relationship with his actual brother, but if Sirius fancied him, it made a bit more sense. Merlin and Morgana could he be any more blind? The answer was of course yes, so he ignored that and grabbed Sirius's arm as the class ended, dragging him out of the way of the rest of the students so they could talk privately. "You fancy me," James said.

Sirius wrenched his arm out of James's grip, shifting his weight uncomfortably. "Thanks James, embarrass me more. Was breakfast not enough for you? Fuck that, was last night not enough? You were horny and I bloody threw myself at you like an idiot. It was stupid, just leave me alone."

"No, I'm not embarrassing you- I, this is- I fancy you too."

Instead of Sirius's face lighting up like James had hoped, his shoulders slumped. "Don't do this," he begged.

Begged. Sirius doesn't beg, and James was, once again, completely confused as to why this was happening. "Don't do what?"

"Lie to me. You know I fancy you-- because apparently you didn't before-- and now you're trying to save our friendship by pretending you feel the same way. Well don't. I don't want your buggering pity, and I'm not so pathetic that I'll take advantage." He blinked quickly, keeping tears away. "Just leave it."

"I'm not pretending anything, Si."

Sirius snorted. "Right. You just so happened to have this revelation right as you realised I was upset enough to need some space from you."

"Well it sounds bad when you say it like that."

"Say it in a way that doesn't sound bad James. You can't."

"I- well it does sound bad, but would you believe that I'm an idiot?"

"Easily, but you're not in love with me. You've never thought of me as anything other than your best mate."

"Not until recently, no."

"Recently like me kissing you and getting upset when you told me we weren't together?" Sirius asked, looking into James's eyes. "That recently?"

"I hadn't thought about it before," he said, and Sirius could see the honesty in the statement. "But Si, I really do care about you. I think... dating you could be fun. We'd be so happy together!"

Sirius just looked at him. "I can't believe you convinced yourself that you fancy me," he said faintly. "This is the most fucked up day I've had in a while." He shook his head, walking away.

James frowned after him. That was definitely not the getting together that he'd imagined for them. He'd thought that he'd explain, and then Sirius would be happy and smiling again. This was, in a phrase, fucked up. If he wanted Sirius to know that he was being sincere, he was going to have to up his game. He nodded to himself then set off, not considering for a moment that, as Head Boy, he really shouldn't be skiving off his classes anymore.

Sirius saw his bed, froze, then frowned. He looked over at James. "What the fuck mate?"

"You thought I wasn't serious about you," he said, hands on his hips.

"And covering my bed with flower bouquets is supposed to convince me?"

"Yes, but I'm gathering from your tone that it's not having the desired effect." James blew out a breath, running a hand through his hair. "Bugger. I asked the flower shop lady what she thought romantic shit was, but everything she said we already do together, so this just," he shrugged helplessly. "I'll figure something out, just give me a minute."

Sirius blinked, watching as James went to his trunk and pulled out a Witch Weekly magazine and scanned an article.

"Tell him how special he is," he mumbled to himself. "No that won't work. Surprise him at work, well we don't work, we're still in school. And besides, how would I ever surprise you? Ridiculous. Picnic, no we do that already. That's a sex thing, no... Hmm." He looked up at Sirius, frowning. "This is not near as helpful as I was hoping it would be." He flipped to the next page, brow creased as he searched.

"You're not joking," Sirius said.

"Of course not, this is the most obvious bull, even Remus could come up with it."

Sirius ignored that James didn't know what he was talking about. It didn't seem like James was doing the sacrificing best friend thing. This was far too much trouble to go to when all he would have had to do was wait two days for Sirius to pretend everything was okay. "James?"

"Hm?" he said, looking up innocently.

"Ask me on a date."

James smiled slowly, setting the magazine down. "Sirius, would you go on a date with me? I know we can't leave the castle without getting in trouble, but fuck that we almost never get caught and there's a Muggle pub I think you'll like. They have lots of those motorbikes, you know," he said, nodding along like he was imparting wisdom. "And if they kick us out we can get dinner and maybe split a milkshake and kiss afterwards and be very cute."

Sirius was grinning by the time James stopped talking. "Sounds great. But James? If you ever jerk me around like this again, I'm gonna fucking kill you."

"Trust me, I won't be this much of an idiot with you again, it was bad for my digestion."

“Your digestion? That’s what you’re going with?”

“Unless you have a better suggestion?”

“Nope.”

“Then yes, that’s what I’m going with.”

#prongsfoot #fanfic #marauders #james potter #sirius black #filled #getting together #no voldemort au #hogwarts time #siriuslystarbucks #Anonymous

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