#they had a bit of an argument before this and it's a parallel to the i forgive you

[laswells-ashtray]

I'm so sorry if I'm clogging your inbox but I'm nothing but a hyperactive gal with chronic brain rot

Domestic Kate Laswell?

Domestic Kate Laswell who gets into not-so-quiet arguments with household appliances.

Domestic Kate Laswell who sits at the kitchen table and doomscrolls while her wife makes a recipe she saw on Instagram reels.

Domestic Kate Laswell in ratty lounge clothes with her hair pulled in a tangled ponytail, somehow holding a cat, book, and a bag of Lays.

I saw Kate Laswell and immediately knew what I had to do. Not apologising for this, I like Laswell posting so it's gonna be long. Also, when it comes to Station Chief Kate "I love my wife" Laswell, there is no clogging my inbox.

Kate Laswell, the esteemed woman she is routinely argues with their toaster because it's broken but she refuses to get a new one because it was the first ever appliance she bought herself. She and her wife have the money to purchase hundreds of new toasters but she refuses because this one is her toaster. Sarah Laswell has walked into their kitchen on multiple occasions to find Kate talking to this fucking toaster. "You under-toast the bread and then you over-toast the bread. Just toast my fucking bread correctly." "Let's get a new-" "No."

Kate, who has a Pinterest board full of recipes that she thinks Sarah might like to try and she'll send them to her wife only to find that it's the same recipe from the Instagram reel that Sarah had bookmarked last night. So, now she sits and watches videos about behind-the-scenes facts from movies while Sarah argues with herself about how much garlic is too much garlic.

Kate, who spends her day off on the couch with Minnie, their Maine Coon, on her lap with a book resting on Minnie's back and a bag of chips held between her chest and the cat. She's wearing sweatpants that are so old she can't identify what logo used to be on the leg. Her shirt is definitely Sarah's because there's green paint around the collar and it matches the green in the painting above their mantel.

Kate Laswell, who can routinely be heard threatening to put one of her cats in the soup. What soup, you ask? The soup.

Kate, who very `begrudgingly` agrees to let Sarah buy the cat Halloween costumes. And then days later sends John a series of photos. Minnie, their big, glorious, sophisticated girl, is dressed like a hotdog. Borris, her favourite grumpy old man, has a stupid Dracula cape. Dolly, has on a costume that makes her look like Yoda. And John's favourite of their cats, Dot, the little mold spore has tiny ladybug wings because they were the only thing small enough to fit her. Kate makes a photo of the four cats and Sarah her laptop wallpaper. John makes a photo of Dot in her tiny wings his phone wallpaper.

Kate Laswell, the professional woman who after having spent 26 hours awake sits and scrolls through Facebook one night on Sarah's phone. Except she doesn't actually look at any of the posts, she just sits scrolling with her thumb for ten minutes before she realises what she's been doing. Sarah waits until after she's tucked her wife in to lose it laughing in the other room.

Kate and her wife who parallel play on their phone. They'll sit on the couch with a movie they've seen countless times in the background while Kate plays solitaire and Sarah does her daily word search on her favourite app.

Kate, who does that thing I've noticed literally every woman do when they're on the phone at home and they start doodling in the corner of the nearest bit of paper. It starts as squiggles, then they draw black circles and eventually there are various little flowers scattered across the page.

Kate, who absolutely adores the movie 9 to 5 and will throw it on whenever everything in her job starts to become a bit too suffocating. Sarah recognises the action and immediately orders dinner from their local Thai place. The man who owns it knows the two by name, she doesn't have to order, she just has to call up and she hears "it'll be about half an hour" over the phone. More often than not on those days they'll fall asleep on the couch together like they did at the start of their relationship.

Kate and her wife, who like to make gingerbread cookies at Christmas and decorate them. Sarah is amazing at it when she's not giving the gingerbread ladies gumdrop titties. And then there's Kate, she tries, she genuinely does but every year a photo of her gingerbread folks gets sent to a group chat with her, Sarah, John and Nikolai where they are subsequently body-shamed beyond belief. She saves some for Nik anyway and he accepts them gratefully.

Kate and her beloved blue shirt that she wears to work and owns three of because the first one mysteriously disappeared. Coincidentally, Sarah started baking in the kitchen in nothing but a pale blue shirt and Batman underwear around the same time. Her second has a blood stain on the cuff from where John had grabbed her, not knowing his palm was sliced open and he'd stained the light material with blood. He had felt horrible, Kate brought up the time she'd drunkenly thrown up on a pair of his nice shoes years ago when they were younger and more reckless. They moved on. That shirt is now her "Sarah has roped me into helping paint" shirt. If anyone fucks up her last shirt then she's asking Nikolai, John and Sarah separately all to get her a new one for her birthday so she'll have a decent stock of them.

Sarah, who has to keep a stock of Dr Pepper and Mountain Dew in the fridge because Dr Pepper is her favourite and Mountain Dew is Kate's but the other woman would never admit it or buy it for herself because she's weirdly embarrassed by it. But amongst a very small group of people, it is common knowledge, Station Chief Kate Laswell's favourite drink is Mountain Dew.

And lastly:

Kate Laswell, the woman who once snapped a man's neck with his own gun, is also the woman who loves her wife's family. When they get asked to babysit baby Katie [named after Laswell], the two women agree before the question is even half out of the relative's mouth. In fact, you're right, they should keep baby Katie for the night just to give her parents a night off because they're kind like that. No other reason. And this little girl adores her aunts, if Kate is near then the toddler is by her side clinging to her pant leg.

So, they go shopping and get snacks. They also get baby Katie a new stuffed elephant because she really needed one and who were they to deprive her. Then they go home and change into their respective comfy clothes. Katie's is a little shark onesie and the two women take no less than 19 photos. They spend the day drawing pictures with little Katie, and eventually, it results in the toddler colouring in Sarah's tattoos and drawing Kate some of her own. Eventually, they order some takeout from their local Chinese place and watch Zootopia with their favourite niece. Hours later Sarah takes a photo of big Kate fast asleep on the couch with little Kate asleep on her chest. Kate has an arm around the little girl and the toddler has a fistful of her t-shirt. The next day they very reluctantly take their niece home but not without managing to persuade her parents to let them take her in two weeks time again.

[everythingisawayoflife]

OKAY LIKE TWO PEOPLE SAID I SHOULD SO LET ME TALK ABOUT THIS, its gonna sound like nonsense. Trigger Warning for discussions of Suicide, Self-Harm, Mental Health. Please read at caution cause I discuss a lot of sensitive stuff here.

So my scene analysis paper was exactly as it sounds, we watch a movie of our choice, and analyze it from our textbook, America on Film: 3rd edition. I chose Dead Poets bc it had been a minute since I’ve seen it and I also have seen it enough times to be able to analyze it. So I chose Neil’s suicide. a very chilling scene that when broken down, says a lot, for saying very little. so first lets get into the biblical allegory.

When we first see Neil, he opens his window and slowly puts his Puck crown on his head, like so:

This combines two major elements of the main biblical parallels at play: The Agony in the Garden and one of the major Instruments of the Passion, The Crown of Thorns. For those who have not grown up around Christianity/don't pay attention to it, here are some brief yet thorough definitions of the terms I just threw around:

Agony in the Garden: The night Jesus and his disciples spend in the Garden of Gethsemane where Jesus spends the entire night praying and wrestling with his inevitable crucifixion. Some scriptures add that he was sweating blood during this but it depends on which translation you read. The Agony really shows Jesus' human side and can best be seen in the musical Jesus Christ Superstar's most pivotal number, Gethsemane, which I've linked here.

The Passion: A collective name for the events leading up to Jesus' crucifixion. Essentially all of what Easter is. Passion's archaic definition is suffering.

The Instruments of the Passion: Notable relics and icons from the Passion. These include the Crown of Thorns, the cross itself, Holy Lance, Veil of Veronica, and more.

Anyway, the entire first part of the scene shows Neil, who moves slowly and deliberately. No one else in the entire house is awake and he has become one with nature, by opening his window and feeling the winter breeze. Neil bows his head, presumably IN PRAYER, before we cut to the next part. While Christianity has become decentralized in households across America, it was still very crucial in 1950s America, especially in WASP-y domains. So, it would be correct to assume Neil's family is Christian, especially of how Welton is structured (i.e. the main meeting hall is basically a chapel, they sing hymns, etc.).

Jesus Christ was crowned with thorns as a way of mocking him. He was put on trial because according to the Romans, he claimed to be a God, which because the Romans adhered to their set pantheon, it was considered sacrilege and blasphemy. Jesus only ever responded (again, depending on the translation), "You say that I am." So they wanted to mock his authority and placed that crown on his head. Neil is essentially mocking his own authority because the entire movie he has tried and failed to have authority over his own life. His father continuously shoots him down and refuses to listen until the final break when he tells Neil he is sending him to military school. For Neil, he believes it was foolish to think he could even persuade his father just a tiny bit. He expresses this from the moment we first meet Mr. Perry to the final argument.

Where Jesus wears a crown of thorns, Neil's crown is woven with what appears to be fruits and maybe flowers. Flowers and fruit have had sensitive and romantic connotations throughout all of history and are often represented in classic art and literature. Neil is making this sacrifice in the name of art. If you notice throughout the entire movie, anytime death is mentioned, the camera is focused on Neil. It is brilliant subtle foreshadowing and it eats me alive every time it happens. Neil knows what he is about to do. Robert Sean Leonard played this scene beautifully and I so badly want to discuss all of this with him.

Continuing on, we watch Neil make a silent descent down the stairs and he is entirely shadowed. This gives the audience the implication that we already see a ghost:

Neil needed theater like he needed breathing and when theater was taken away from him, his life force was gone. The whole of Neil already died. We see this resignation with his final line:

"I was good. I was really good."

Neil already views himself as dead. He speaks of himself in the past tense. So Neil walking silently through his house as if he were already a ghost is so haunting. I mentioned earlier that Neil knows what he is doing. In Christianity, suicide is considered a sin. We see this in The Divine Comedy, an Italian narrative written by author Dante Alighieri in the 1300s CE. In the first and most famous section, Inferno, when Dante and Virgil arrive in the Seventh Circle and come across those who have committed suicide where they have been turned into trees. The only exception to this is Judas Iscariot, who is being feasted on by a three-headed Satan. Now again, Judas dies two different ways depending on which biblical translation you read but typically the narrative is this:

Judas turns Jesus into the Sanhedrin for 30 pieces of silver and when he discovers Jesus is to be crucified, Judas hangs himself.

In Biblical times, despite suicide being marked as a sin, in Judas' case, because he wanted redemption from his bad act, it was viewed as an acceptable death. So for Neil, this suicide is a redemption for betraying his father. A small parallel, maybe even a bit of stretch, but it is there for me nonetheless.

Back to Jesus, Neil's descent down the stairs also parallels to the walk along the Via Dolorosa or the Way of Suffering. It is the path Jesus walked to his crucifixion, a long and arduous journey. The walk is about 2,000 ft (600 Meters in Metric) yet this is a man who has been beaten, starved, tortured, who was also tasked with carrying his own large wooden cross, but that's besides the point. It was a slow and painful walk and Neil's deliberate footsteps are exactly that. Skipping ahead, Neil finally arrives to his destination. The choice to do it in his father's office was absolutely on purpose. Neil comes back to the spot he emotionally died, the moment he lost everything. We get just a brief bit of hesitation for Neil. He fiddles with the key to his father's desk. He holds it gingerly and turns it over in his fingers a few times before reaching down to unlock the drawer with the gun. This goes back to the Agony in the Garden, which again, is best expressed in Jesus Christ Superstar's Gethsemane:

Why I should die?

Eventually, Jesus resigns himself to die:

Alright, I'll die! Just watch me die! See how I die!

Neil does not go silently. I don't know if I'm hallucinating or have really keen hearing, but I swear you can hear the tail end of the gunshot simultaneously as the dirge-like music cuts and Mr. Perry gasps awake. I might just be making that up but I don't know tbh. But anyway, while Jesus resigns himself, the following lyrics express frustration with God and the life that was already planned for him when he has a selfish sense to live. This song and musical really delve into the debate of how much human and God was Jesus Christ and it really opens the door for his human side. He expresses selfishness and a want to abandon his mission. He is hesitant to die. He is hesitant to die painfully. Like I said earlier, Neil hesitates ever so slightly.

Then I was inspired Now, I'm sad and tired After all I've tried for three years

Cause not only is God, well, y'know, GOD, he is also Jesus' father. A father who had planned out a whole life for his son and while his son goes along with it, he has a desire to live outside of that. Sound familiar? And I really am trying not to be sacrilegious or anything! I grew up in a Christian household but outside of that, theology has always interested me and I've learned to view it from an academic standpoint. As for my beliefs now, I'm still unsure, and I don't think I ever will be sure and I think that's okay. We're getting off topic, so let me get back on track.

The final time we see Neil alive is him sitting at his Dad's desk, gun wrapped in cloth with Neil gripping it:

He looks sure, with maybe just a flicker of sadness. The entire scene Neil has looked serene. And not like the calm kind of serene, the morose kind. Solemn, I think is a better word for it. Neil's soul has died. Neil is about to crucify himself and become a Dead Poet. He has fulfilled the purpose of the poets they read about in the Society. He lived life as full as he could only for it to be cut down so short. That's the tragedy of it: Neil had so much life to live and so much more to contribute to the arts. But Neil's father killed that passion, killed that love. Earlier in the film, Keating recites the Whitman poem, O Me! O Life! In summary, the poem essentially states that life itself is what makes life worth living. It's a question and answer poem. The speaker wonders what about life is worth living when it is full of constant suffering. They get an answer: life itself is. You being here on Earth and having an identity is what makes it worth it. Neil doesn't see that worth anymore. Life without the arts, his friends, Keating, is not worth living for him anymore. I really recommend reading that full poem, linked here, it is so gorgeous despite it being so short. That sweaty-toothed madman had a gift.

I think that's pretty much everything. There have been a MILLION think pieces on Todd and Neil's whole relationship (TLDR: those boys are GAY) so I didn't get into it here, mainly cause I wanted to focus on Neil and the real meat of my rambling, which was the Biblical allegory. I feel like I said a whole bunch of nothing and it might not make sense to me in the morning but it feels good to get it all out. I love this movie and I love Neil and I love Biblical allegory.

I also hope that this post communicates that suicide is not the answer! Please reach out if you have feelings that make you feel unsafe or need someone to lean on. My DMs are always open and I will leave the major crisis hotlines if needed.

988 - Suicide & Crisis Lifeline, call for support

741741 - Crisis Text Line, text TALK to speak to someone for support.

writing a final paper on dead poets society for my film class and my page limit is THREE?? WHAT DO YOU MEAN I CANNOT DELVE INTO THE QUEER SUBTEXT OF NEIL AND TODD’S RELATIONSHIP AND THE PARALLELS OF NEIL’S DEATH TO THE PASSION OF CHRIST BUT ALSO MAYBE JUDAS ISCARIOT’S DEATH??? WHAT DO YOU MEAN I DON’T HAVE ROOM TO DISCUSS THE CHRISTIAN IMAGERY??? WHAT DO YOU MEAN I CANNOT FURTHER DELVE INTO THE TRAGEDY OF NEIL’S DEATH AND THE IMPACT IT HAS ON EVERYONE AROUND HIM???

i need a Cigarette.

somebody let me write this essay. pleak.

[actual-changeling]

"I love you."

Crowley stops dead in his tracks, his hand wrapped around the door knob with white, trembling knuckles, and closes his eyes.

There were nights, many nights, way more than there ever should have been, during which he traced the constellations in the night sky and imagined what it would be like to hear those words from his mouth. Whether he would say them softly, wrapping each one in gentleness, reverence, or hurried, afraid of who else might hear, terrified that this will be the last words ever spoken between them. If he was particularly drunk and particularly lonely, chasing after the feeling of Aziraphale's brushing over his wrist as they walked by each other in the comfortable mess of the bookshop, he imagined them as a slow drag of breath right next to his hear, a whisper not even God would be able to hear; a promise of worship.

In all of the fantasies, and that is what they were, nothing more than shameful imaginations Aziraphale could never know about, he said it back. Whispered it, screamed it, forced it out between sobs or kisses or panting breaths.

When Crowley opens his eyes again, uncried tears are clinging to his lashes.

Outside, the first splatters of rain are painting the sidewalk black and people hurry by, trying to escape the storm as the sky breaks in two. Within seconds, the steady drum of water against the window is louder than the noise of the traffic, louder than his heart's attempts to beat out of his ribcage and bare itself to him.

He cannot look at him.

It is his first thought and the only one that matters now, he cannot look at him or he will shatter like hot glass dropped in the snow, flying apart into thousands of tiny shards. Crowley tries to rip the image of violet eyes and his perfect fucking cupids bow out of his mind without success (he knows what it tastes like now, remembers tracing it with the tip of his tongue and opening his mouth with a hunger he has never felt before).

Swallowing his own, he listens to the familiar rhythm of Aziraphale's breath, undisturbed and distinctly human in a way that makes them too human to be real, his mouth opening and closing around unshaped replies.

The sidewalk is empty save for a handful of people diving for cover in the pub across the street, and for one precious, fragile moment, the world narrows down to an angel and a demon who watched the first storm rain down on Eden, a white wing held steadily above his head to keep him dry.

Crowley never asked why, and over the centuries, the question got lost in all the others piling up every time they met. He knows why, though, without needing to hear it from him, and it is not because Aziraphale already loved him back then or saw a pitiful creature in need of protection. The answer is so much simpler - he was being thoughtlessly kind because that is who he is.

He is being thoughtlessly kind now, too.

The tension drains from his knuckles and he presses his palm to the cold metal, settling back into a body that now recalls the taste of those three words in the air and yearns for nothing more than to taste them straight from his mouth.

Crowley pushes the door open and steps onto the sidewalk, his clothes clinging to his sharp angles as the rain drenches him completely within seconds, and then he walks home without a single look or word back.

[b2cute]

What’s your problem?

rough dom!matt x fem!reader

notes: this is my first smut so please lmk your thoughts!! send any requests ☁️

warnings: obv smut, degrading, pet names, fem receiving, p in v, cover it before you smother it,chocking, slapping, arguing, angst to smut to fluff, i think that’s all

enjoy 😊

word count: 2,460

*y/n’s pov*

*beep beep beep*

the loud sound coming from beside me causes me to jolt up and widen my eyes. i check the time.

3:46 a.m.

i stormed back into matt’s room after an argument we had. nick and i went out for dinner at boa and i came home to a cranky boyfriend that decided to his take anger out on me. instead of fixing the issue, we both agreed to ignore eachother for the rest of the night.

i go on my phone for about 20 minutes before my stomach growled at me. i decided to head over to the kitchen and fix up some cereal.

“look who decided to show their face to world! everyone welcome y/n to earth” matt snarks sitting at the dining table, paralleling the kitchen. i roll my eyes at the comment he made considering chris and nick went to sleepover at madi’s house leaving the house to just us.

“don’t be a brat just because you exhausted yourself in my bedroom.”

again. what is up with these rude comments?

“seriously matthew, can you act normal for 5 fucking seconds? you turned twenty months ago, act like it and quit being immature” i snap. my stomach gurgling louder as i pour cinnamon toast crunch in a bowl. i reach for the milk in the refrigerator and pour it into the bowl as i join matt across the dining room chair he’s sitting in.

silence

i bring my knees up to my chest as i eat the cereal looking up at the light flashing from my hand as i scroll endlessly on my phone. matt continues journaling and i can’t help but notice his veins appearing through his arm as he wrote quickly. his black tank top and gray sweats don’t help my imaginations, but i quickly snap out of them considering he’s being an asshole.

“hmm, so you have an attitude and staring a problem y/n?”

that’s was my final straw. i quickly slam the now empty cereal bowl into the sink and practically sprint upstairs to nicks bedroom and slam the door. i wasn’t going to spend another second with him until he sorted himself out.

i crawled into nicks silk sheets and bring the blanket up to my chest. i stayed in the bedroom with my back turned from the door. i wasn’t crying. i was frustrated. but that’s the thing with matt. he never admits he’s wrong.

*matts pov*

*slam*

she was being such a brat and i don’t even know why. it was like y/n wanted to get me worked up. i had already gotten into a shitty argument with laura and the managing team about the “lack of effort” i put into videos and her attitude made the situation way worse. i gave her a bit of time before i start to head upstairs. i knock on the door, no answer.

i slowly open the door to see y/n on her phone with her airpods in. she glances at me with an expression i cannot read.

did i seriously mess up that bad? i couldn’t have.

“cmon y/n let’s go to my room and sort this out.”

she takes her airpods out and returns them to the case. “okay.” i walk over to the side of the bed and take her forearm as i guide her downstairs, her following my steps. as i open the door to the room she enters, closing the door behind her and locking it.

*y/n’s pov*

we sit on matt’s bed, facing eachother. i could see his angry expression through his face, but he was trying to hide it.

“look y/n i don’t know what’s up with you, but you need to sort it out, okay? i’ve had a bad day already and your nitpicking isn’t making it any better.”

he’s got to be serious.

“my nitpicking?!” i say raising my voice. “from the second i walked into the door you have shown me nothing but disrespect. you’re being ignorant and selfish matt” my eyes burning from the emotions.

“im not the one who locked themselves in my room to avoid the situation now did i, y/n. now you’re going to get rid of that fucking attitude and quit raising your voice or el-“

“or else what?” i snap, raising my voice even higher.

matt lets out a sigh, almost like an “i told you so” breath. “you asked for it.”

before i could process what he meant, his tattooed covered arm reached to my throat and neck, giving it a squeeze. “you want to act like a fucking slut, then you’re going to take me like a fucking slut.” he growls pinning me to the headboard. his eyes were coated black with a small ring of blue. the hunger on his face growing by the second.

*slap*

“answer me slut, how are you going to take it?”

i was so shocked i didn’t know what to say, but i had to admit, i kinda liked it.

another slap.

“like a slut” i whimpered from the stinging on my left cheek.

“good, you’re going to listen to everything i say and don’t even think about cumming with asking me.”

i nod vigorously.

before i can speak, matt’s lip attach to mine quickly. his tounge explores my mouth as he quickly dominates me. he bites on my bottom lip as he slowly moves to my cheek. then my jaw.

soft moans are leaving my mouth as i tug on his brown locks. “fuck matt just like that” i say squeezing my eyes shut. “yea? you like it when i mark you whore?”

i nod quickly. “use your words or i’ll stop” matt growls between kissing my neck. “yes matt i love it”

i was a moaning mess. matt continued to suck, bite, and lick my neck. he left marks that were going to stay for weeks, maybe even longer.

matt quickly disregards his top and not long after comes to rip mine off. “hm, no bra tonight?” matt smirks before taking my right tit to his mouth. he swirls his tounge around and lightly nibbles it while taking the left and pinching my nipple with his long fingers.

“nnngh it feels so good but i need more matt” i whine underneath him. he pauses his movements and look back at me. “such a needy slut y/n” he replies.

before i could say anything else, he pulls me towards him using while hooking his arms underneath my thighs. matt rips my wide legged sweats off leaving me in just my panties. his face was so close to my throbbing pussy that is could feel his warm breaths on my puffy clit.

“you’re soaked y/n” matt growls.

*slap*

his hand slapped my folds. i let out a pornographic moan from the impact. “who does this pussy belong to?” “you matt, all you”

he chuckled through the whimpers i let out and finally takes my panties off. wasting no time, matt comes in contact with my clit and sucks on it so harshly. his hands came up to my tits, pinching and kneading them.

“mm-matt oh MY GOD” i screech. if he kept this up i would orgasm in no time.

matt stops sucking and lets go of my tits only to use one hand to spread my folds out more and the other hand vigorously rubs my clit.

i started to scream. it felt so good. “MATT UMPH SO GOOD” the knot in my stomach begging to release. “please let me cum” i plead getting hungrier by the second.

“go ahead let it out angel” matt says. with that i quickly release all over the sheets, but this doesn’t stop matt from continuing. “too much matt, i can’t tak-“

“whether you like it or not, you’re going to take it slut. you want to keep arguing with me, this is what you get. shouldn’t have got me so worked up y/n” matt argues. i couldn’t say anything as my swollen clit was getting thrown everywhere.

he finally lets go and i quickly close my legs together. my legs were shaking and i had tears rolling down my cheek. suddenly, i feel matt’s arms separate my legs. “did i fucking say i was done?” i nod my head no, slowly but enough to answer his question. “answer my question y/n”

“n-no you did not” i plead, my eyes and face swollen from the tears due to the overstimulation i was receiving. “yea that’s what i thought”

matt sticks his middle and ring finger into my cunt and wastes no time pumping in and out of me. he lowers his head more as he returns to my clit, nibbling and kissing it. “mmph matt” my hands tug at his messy curls. his eye brows were brushed in every direction and his cheeks were painted with a light pink. he continues pumping into me as my back arches. i was on the verge of passing out due to his movements. i felt his fingers curl up and find my sweet spot.

matt continued to hit my g-spot and i felt the familiar knot return. “C-CLOSE” i whisper being worn out. “hold it.” matt snaps. the blue in his eyes completely disappeared. i couldn’t take it anymore, but i didn’t want it to stop.

matt continues to thrust his fingers into my pussy and rub harshly on my clit as i scream. not taking it anymore, i release all over his fingers.

“didn’t i tell you that you couldn’t cum yet?” matt mumbled. “ c-can’t hold any l-longer” i say as my body is worn out. i feel my body go limp as matt removes his fingers out of my pussy. he gets up and shifts so he’s sitting on the bed. i couldn’t open my eyes but i felt his move up again, this time lifting me up. he places me on his desk chair and throws my legs over each arm chair.

“since you can’t follow simple rules like a good girl, you’re going to take it one more time, and if you don’t hold it, well… i can go all fucking night.” matt snarks. i quickly shoot my eyes open in fear. the thought of going all night sounded intriguing, but i couldn’t even handle two orgasms.

i nod slowly at matt’s remarks and feel his swollen lips come in contact with my neck. his kisses were soft, but passionate. i moan softly at the sudden sensation and my hands reach for his hair one more time. matt begins to slide is gray sweatpants off along with his dark blue boxers. his dick is swollen and his tip was a harsh pink shade, leaking with precum.

with one quick touch, matt slips right into me, considering how wet i was. without letting me adjust matt begins to pound into me. one of his hands crept to my throat giving it a light squeeze while the other hand went to my clit once again rubbing and pinching harshly. “AH i’m t-too sensitive!” i scream my hand quickly trailing to matt’s wrist in attempt to move it away from my lower half. i quickly regret the action when matt’s hand squeezes my throat tighter.

“don’t even think about doing that again” matt says as he continues to push in and out of me. “s-sorry i just can’t take a-anymore” i cry. my face was red and the tears were everywhere. “yes you can. you will.” matt says. after a couple minutes of matt’s actions he lets out a groan. “fuck y/n, i’m close” matt says. both his hands come on either side of the desk chair as he pounds into me. the brown haired boys eyes were screwed shut and his eyebrows furrowed. “m-me too” i manage to say using every last bit of energy in me. “can i please cum matt?” i beg. i’ve been holding it since he began thrusting into me. “do you think you deserve it” matt mumbles. i nod my head quickly before he says “go ahead, cum you whore.”

without waiting any further, i release for the third time that night. matt rails me through my high before he finally reaches his climax. he releases long white strings into my as he removes his cock from inside of me.

finally catching my breath, i feel matt’s present leave the room before he comes back in.

*matts pov*

i return to the room with a towel and water for y/n. she was collapsed on the chair, her legs still spread as both our cums we’re seeping out of her. i walk over and clean her up gently. she winces at the touch and grabs my biceps for support. i smirk at her struggle to open her eyes. i smirk at her struggle to open her eyes. she mumbles something but it was almost inaudible. “speak up baby” i say as i begin to change the sheets. “can’t move” is all y/n can get out of her soft lips.

i quickly finish putting the new sheets on and throw the old ones in the wash. i walk over to my drawer and take out a pair of my boxers and a ransom t-shirt for y/n. picking her up gently, i place her on the bed and lift her legs up to skips the boxers on. i lift her back up and her head quickly fad on my chest and i attempt to put the t-shirt over her head. after i dress her up i walk over and change into a new pair of boxer and blue plaid pajama pants. i grab my hair brush and walk over to y/n.

“you’re hairs a mess baby let me brush it” i chuckle. y/n lets out a soft hum as i brush her beautiful hair . once im finished, i put the hairbrush on the nightstand and lift the covers as i pick y/n up and slips her underneath them. i plant a kiss on her forehead before walking onto the other side of the bed and getting in.

after a moment of silence y/n mumbles “does this mean your not mad at me anymore?” i let out a laugh before replying to her. “of course i’m not mad at you baby i couldn’t even if i tried.” with that, i grab y/n and she throws her legs and arms over me. her head was snuggled in the crook of my neck and i leaned my face at the top of her head as i plant a kiss there.

“my sweet girl, get some rest my love”

taglist: (comment here to be on it)

@mattsleftnipple03 @ilovemenwithlonghairr @mangoposts @guccifrog @lovingmattysposts @sturnioloenthusiast @lolasturniolo @sophssturn @sstvrnioloo @n00dl3zzz

[leafostuff]

Private Appreciation [FT. TripleS Nien]

Tags: smut, established relationship, slow stripping, body worshipping, cunnilingus (at least an attempt lol)

Author's Note: quite short but it was fun writing, really into Nien lately so i had to write something about her, it does count as my September upload

I have been feeling a bit down lately so it took me longer than expected to finally finish the smut (started writing in 20/8/24), i hope yall enjoy it even though the end may feel a bit rushed.

=================================

“Baby…im horny”

“Nien, what the fuck?”

Honest question: was this the appropriate time for such a saying?

you and your girlfriend Nien are cuddling on your couch, watching some random romcom movie on a saturday afternoon, you would've gone outside and had a normal date but today your laziness was next level so you decided to stay at home, it's not like it was gonna get any less hot.

And here’s Nien, telling you the most random thing you heard this week (and for the time you know her, she said a lot of random things) during a movie where it's not like there is a sex or kissing since its was only the first 25 minutes of the movie, so there wasn't anything to trigger her.

“What do you mean ‘what the fuck’?” She whines while her eyes look as tired as ever. “I am feeling hot, wet and it's sure as hell not making it easier for me with all of the sexual tension going between them” she complains while pointing at the screen.

“They are just… flirting” you say, a bit confused

“And?! I can tell 30 minutes from now they are banging” she annoyingly added while her hand goes to grab some popcorn, cutely munching on it.

“Nien are…is it that-”

“NO ITS NOT THAT TIME OF YOUR MONTH” she responded, now angry at you. “I am just horny, and wet, and i need you RIGHT NOW,” she explains.

“In the middle of the movie though?? I already paid fo-” You wanted to ask when suddenly Nien leans forward to capture your lips and quickly releasing, leaving you surprised.

“Please jagi…?”

Its unfair how weak you are to her, the pleading puppy eyes that look at you with glimmer in her pupils, her innocent and sweet smile that will one day will be the cause of your death, and her nickname for you that sends tingles to your brain to switch into ‘yes’ mode almost automatically for her.

You sigh in defeat, its not like you couldve changed her mind anyways.

“Ok babe…lets do it” you say

“Yayyyy, thank you baby” she responds, pulling you into a tight embrace. “You are the best, you know that?”

“Brat” is the only word you can think to yourself when you see how happy she is as you cant help yourself but lean in and mesh your lips with hers engaging in a slow, lazy yet very sensual makeout session.

It's quite clear how much both of you enjoy this, making hums and quiet whimpers in between each kiss while your hands roams around each other’s back. Slowly you could feel Nien slowly fall into the couch with you joining her as now you are on top of herz still focusing on the kiss.

Release yourself from the kiss and look at her. Wearing a pink tube top that shows her smooth belly and tiny navel in their full glory paired with denim jeans that make her look more curvy than she is, her eyes look directly into yours with a mix of excitement and arousal, so you ask.

“Bed?”

“No, on the couch” she answers, “don't wanna move” she lazily said with a wide smile, with that logic you won't look for any arguments with her.

“Okay babe… what do you want me to do?” You ask, in the end, it's her wish to do this so who are you to not let her have it her way?

“My tummy…kiss it” she cutely pleads, you know how important foreplay is for Nien as in her eyes, foreplay is the key for having the best time. So nod with a smile before lowering your face to be parallel to her belly, take one last look at her before planting your first kiss barely above her navel, sending tingles directly to her brain.

“Ngh..yes…” she hums in excitement while closing her eyes, seeing her reception to your first kiss was good you continue peppering kisses all around her navel. Sometimes giving a teasing lick that makes her elicit a quiet moan.

“My pants…Ah-baby…” she breathes 

“What about them babe? I can't read your mind” You teasingly ask, knowing exactly what she wants you to do with them but hearing her say it is part of the fun for you.

“Nghh…take them off” she instructs as you oblige, your fingers working diligently as each button of her jeans that you pop, you place a soft kiss directly to her belly button, after the last button is undone you lower her denim clothing down her thighs, revealing her white panties with a visable stain in the middle.

“You weren't joking when you said you were wet”

“shut up” she moaned, giving you a light smack on the head. “take the panties… off too baby".

“Should I continue kissing?” A simple question in which Nien just nodded, your hands now went to her panties, sliding them off slowly, letting the friction drive her insane as your girlfriend takes her hands and plants them on the back of your head.

Eventually, you leave her completely naked waist down, letting you see her soft thighs and her glistening sex without any obstruction as you could feel yourself get harder by the view. “What now babe?” You ask, waiting for your next orders.

“One hand on my thigh… and-” she stops for a second to release a small moan. “Kiss higher” It's hard for her not to sound needy, especially when you pleasure her midriff with only your lips and tongue.

But, her wish is your command.

So let your palm rest on her right thigh, knead and massage it to your heart's content, all to amplify her pleasure from you tenfold. Meanwhile, your lips travel up from her midriff, eventually stopping near the in-between of her two mounds.

A glance at your girlfriend and you know exactly what she needs as your free hand holds the hem of her top, slowly taking it off revealing no bra and instead a pair of boobs neither too small or too big, just the perfect size for you to let your face dive into the gap between her tits, savoring their sweet taste.

“YES…more….” Nien whines a breathy moan while you alternate between each mound, kissing and licking all around her nipples while her hands get inside the back of your shirt, gliding across your back in an attempt for her to be as close to you as possible.

This goes on for a while, you kiss your girlfriend’s entire body while she instructs you, telling you exactly how she wants to feel good from you, each correct action you follow causes Nien to moan loudly but eventually she pushes you away from her tits.

“What happened?” you ask, confused by the sudden push as she looks at you with a horny smirk.

“I want you to eat me out oppa”

Pause, Nien letting you eat her pussy out is something quite rare for her to suggest since she always felt it was a bit uncomfortable for her. Disagreeing with her request would be foolish of you so look down at her glistening pussy, waiting for you to devour it like your next dinner and let your face close between her thighs.

One last look at her grinning smile and you start

“Yess…” she hisses, your first lick sends tingles to her brain, causing her to wrap her legs around your head, meanwhile her hands grab your hair, trying to not lose herself in the haze, after that you let yourself run wild on her inner thighs and wet pussy with long licks and kisses.

She is still not close however, it is just the beginning for the both of you. So increase your pace slightly to raise the volume of Nien’s breathy moans let her thighs squash your face signaling how horny she is 

“I'm close baby…” it's not hard to tell, how her moans are getting higher pitch, how her thighs are clamped around you and how her grip on your hair is harder, it may hurt but you don't mind, both of you are close to your high.

Eventually you let yourself enjoy the main course since Nien finally let herself go, her wetness flowing out of her as your mouth salivates her sweet taste, meanwhile her left hand gropes her left breast to amplify her own pleasure audible by her sensual moans

Eventually her climax comes to an end, her last wave of cum comes out of her pussy into your mouth. Raise your head and see Nien, a panting mess after the high she has been feeling all this time as now she also rises up from her lying position now seated near you, hands wrapped around you and leans in to kiss your right cheeks.

“Thank you, i feel much better now”

“Anything for you babe” you respond, returning the favor with a kiss of your own. You were helping your girlfriend find her clothes when suddenly you heard sounds of moans coming from the TV. 

You forgot the movie was playing the entire time, the main couple were now making out, half naked and ready to begin their own endeavours for their orgasm.

“I CALLED IT!!”

=================================

Hope you have a good day leafies

[kiennjio]

Talking about eternal bout/wtwg set again because it's my favourite in terms of symbolism (I've talked a bit about An's card here before but decided to do a more in-depth analysis.)

The cages in the background symbolise the feeling of being trapped; in An's case she felt like she couldn't move forward because of her insecurities of not being good enough compared to Kohane and being left behind. The cage bars in An's card seem to have been pried open by force in contrast to the cage doors being opened normally in Kohane’s card. This may be a reference to how An had been training since she was a child, yet felt that Kohane, although she had a lot less experience, was better than her because Kohane had a natural talent for singing, while An had to work hard to reach that level. An struggled a lot with her insecurities but was finally ready to face them head on — thus breaking out of the cage.

In the animal kingdom, lying limp and exposing their neck like Kohane is doing in An's card is used to show submission to those higher up in the hierarchy (eg wolves to their pack leaders), or show their predators that they've "given up". In other cases, it can also be used to show complete trust, especially to their lovers, since its very easy to fatally injure them with their neck exposed like that, and doing that is basically saying "I trust you not to hurt me while I'm defenceless".

In that sense, that's what Kohane is trying to show An—"I trust you with my life". An has an angry and longing expression, which could mean that An doesn't want Kohane to trust her so much. She wants her to get up and fight back with everything she has because An doesn't trust herself not to accidentally hurt Kohane. Yet Kohane is willing to accept that, because that's just how much she trusts An. This was shown in the wtwg story where both of them gave it their all during their singing battle.

Touya's card is split into blue (left) and red (right), which represent Kohane and An respectively. It could be that he's caught in the middle or is neutral about the situation. He is holding/covering the spot on his face where Akito punched him during their argument in the main story. This highlights the parallels between the situations and Touya’s and An's feelings of insecurity.

However, the event also shows how both duos resolve the situation differently. Akitoya talked it out to clear the misunderstanding as their relationship is primarily based on mutual trust. They push themselves to improve further because they want to stand next to each other, shoulder-to-shoulder. While Anhane had a literal singing battle to determine who's truly better as their relationship is primarily based on mutual respect. They want each other to be proud of them, and in order to achieve that they push themselves to reach greater heights so that they can be better than the other. (I've also said this before here)

[smusherina]

yard work - chapter 5 (regina george x reader)

fandom: Mean Girls (all media)

pairing: Regina George x OFC/Reader

summary: You'd been in the same class as Regina George since kindergarten. You'd lived on the same street even longer. Once upon a time, when life was sandbox disputes and who got the swing first arguments, you'd even been friends. Now, in junior year of high school, you doubted she even remembered you. The same couldn't be said about you. You definitely remembered her.

warnings(s): homophobia is still a theme. another dead relative mentioned. smoking cigarettes.

chapter 1 / chapter 2 / chapter 3 / chapter 4 / chapter 6

You'd decided to do nothing about Cady's infiltration for now. Or, well, Regina had told you she'd figure it out and given firm instruction to not do anything.

You didn't exactly like that. Then again, you didn't have any better ideas. Obviously, you wanted her to not be around Regina. It was wrong that she was friends with her under the pretence that she was looking for reasons to stab her in the back. Then again, she didn't need reasons. Regina had provided plenty already.

As September dragged along and eventually turned to October, it felt as if day by day your mind split into an exponentially growing number of pieces. Your desire to protect Regina battled with the fact that she had been wrong so many times, had really hurt people. Didn't they deserve some reparation? Didn't Regina deserve forgiveness? Was any of that for you to decide?

You would have to pick a side and make your stance known, eventually. You'd have to plant your feet firmly on the territory you really believed in. Only, you dreaded that you didn't have as much agency as you'd have liked.

Were you weak or strong for always sticking by someone? What would become of you if you didn't stand up for what you thought was right and wrong? Where was the line?

You didn't want to side with Janis and her lackeys. The more you looked at it, the parallel between them—Janis and Regina—started to become obvious. Janis and Regina weren't that different at all.

What did you even want? What could you want? You didn't have answers to those questions.

The weather was getting colder, so you'd shuffled your wardrobe quite a bit. Short-sleeved flannels and tee shirts were replaced by cotton undershirts and grandpa sweaters. Literal grandpa sweaters. You'd gotten the majority of them from your grandfather's closet, which he had left for you in his will. It was a joke you two had shared, that you looked better in his clothes than he did.

Regina certainly didn't think so.

"Those sweaters are fucking ugly." She put it bluntly, chewing on some gum as she surfed channels on your TV. She'd taken to spending a lot of time at yours recently. You guessed it had to do with her dad being home and her friends no longer being trustworthy.

"They were my gramps'." You pouted and slumped onto the couch next to her. Since your first sleepover, the distance between your bodies had gotten smaller each time. Your knees almost touched.

"The emotional baggage makes them even frumpier." She glanced at you before looking back at the TV. "You'd be better off framing them."

"I like them, Reg." You settled back and turned your attention to the screen as well. "I don't tell you what to wear."

"If you did we wouldn't be friends." She quipped, finally settling on just shutting the thing off. "Now, what's up with you?"

"Nothing." You didn't want to talk about it. You doubted you could talk about something like that and both remain calm. You hated shouting. It always made you cry, no matter the situation. You could've been the angriest you'd ever been, not sad at all, and still cry.

"Fine. Be stubborn." She huffed and tossed her hair over her shoulder. "I'm going to Aaron's Halloween Party."

"Are you?" You turned and blinked at her. "Cool, I guess."

"You know how everybody, like, dresses sexy? It's like the whole point of Halloween, yeah? Cady's from Kenya. She doesn't know that. She thinks Halloween's supposed to be scary."

"Isn't it, though?"

"Ugh, for kids it is. We're practically adults. Halloween is the one night a year when a girl can dress like a total slut and no other girls can say anything about it." Regina recited as if from a book. "Karen's words."

"She's very wise, isn't she?"

"Yes, she is." Regina mused.

"You ever told her that?"

"No, she'd get a big head."

"Karen Shetty would get a big head." You said, disbelieving.

"They want what I have so bad," Regina said. "I have to keep them on their toes."

"Are they even your friends? Or do you keep them close to control them?" You sat up straighter, some dots connecting. "Is that why you got Cady to join you? Because she was too pretty to go unchecked?"

"So you think she's pretty." Regina shifted closer, your knees really touching now. You tried to contain your excitement.

"I feel that's pretty obvious." You leaned in also, almost without noticing yourself. She was like a magnet.

"She had potential. If she were to realize it, who knows what she would've gotten up to."

"You made her realize that. That's a self-fulfilling prophecy if I've ever heard one."

"What do you know about prophecies?"

"I know that if I scoped a threat, I wouldn't make them stronger." You licked your lips nervously. "Keeping an eye on her is one thing, but you've made her an enemy."

"Fine, sure, whatever. Now, I'm gonna bring her down. She's gonna humiliate herself by showing up to the party all scary-looking, and then I'm gonna kiss Aaron Samuels." She grinned and blew a bubble. The thin pink of the bubblegum complimented her eyes.

"Why? To make her jealous? Because she wants something you had?"

"To establish dominance."

"I dunno, Reg." You sighed, rubbing a hand down your face. "You're making an enemy."

"It's what I do best, jorts. Just watch." She got up and headed for the kitchen. Hated to see her leave, loved to watch her go.

So, you watched. You watched her hatch her plans, how she deliberately kept Karen from talking to Cady about high school Halloween party etiquette, which seemed like a challenging task indeed, and how her leash on Gretchen tightened to an impossible degree.

You sat alone in the computer room the night of the party, trying to build a profitable amusement park and failing miserably. Your heart wasn't in it. Not even gaming could take your mind off of Regina.

She was probably kissing Aaron Samuels right now. Right now, their lips were sealed together in a nasty French kiss that surely repulsed anybody close enough to hear the slurping and suckling that came from the union. Aaron was probably on her, touching her everywhere he could get his grubby paws, shamelessly licking at the roof of her mouth like a dog.

While the thought of the jock being a bad kisser soothed you somewhat, it didn't cure the clenching in your chest. Fuck, it was stupid that this hurt you. It wasn't even real, she was using him to get to Cady, but the mere thought of them like that made you want to puke.

You watched the chaos unfold the next morning. At lunch, Janis herded you to their table near the back. You were barely listening, too busy glowering in the general direction of the jock table. Cady was officially on board now, you were told. Regina had officially gone too far for her and now their real plans could commence.

"Hey, dude, are you even listening?" Janis punched you on the shoulder. You glared and punched back.

"No. Yes, I- what did you say? Something about Homecoming."

"Yes!" Janis practically hissed, looking a little manic. You looked at Damien, who was eyeing you suspiciously. "We're spraying water on her when she's inevitably crowned Homecoming queen. Cady's also replacing her moisturizer with lard. Can you think of anything?"

What, you were supposed to contribute to bringing Regina down? She was kidding, right? She continued to stare holes in you.

"Uh..." You swallowed. "I'm not really an ideas guy. I can help in other ways?" You squeaked, desperately wanting out of this whole thing.

"Ugh, you're boring." Janis groaned, slumping against Damien.

"Good talk." You said hastily as you got up. "I'm going to smoke a cigarette now." So acutely uncomfortable, you talked like a robot.

"Can you gimme one?" Janis perked up.

"No, she can't." Damien cast a look at Janis. "We agreed, remember? Smoking only at the garage."

You took that opportunity to skedaddle. They bickered like an old married couple. Though there was no romantic chemistry between them, they were obviously a solid duo.

Janis didn't seem so bitter when she was with Damien. Sure, now that they were planning revenge their focus was on Regina, but they often strayed off track. Why couldn't she just let go? She was clearly doing better now.

As you rounded the building and made it across the lawn towards the bleachers, you spotted a couple making out. The boy had the girl pinned to the wall. You were quite far away and you could hear their lips smacking.

You didn't want to look too close, because gross, but the varsity jacket and pink ensemble were hard to ignore.

You gritted your teeth and pulled out the pack of Marlboros you had on hand. Regina and Aaron fucking Samuels. You lit up and inhaled before you were even properly concealed under the bleachers.

God, you were such a hypocrite. If you weren't over what Regina did to you in middle school, then why should she be? She'd had it worse, too. You couldn't even imagine the consequences of something like that.

If people knew you liked girls, it'd be over. Even if it was sort of like an open secret, because nobody ever asked you about boys or stuff like that, to have it confirmed would ruin you beyond repair.

If people knew you liked Regina, it'd be even worse.

"Hey, why're you sulking under there?"

"Regina, I'm not in the mood to talk."

"Uh, grumpy much?"

"Leave me alone."

You leaned your head back against the steel, looking up at Regina as she stood over you. She was in all pink. A pink, fuzzy sweater, white skinnies, and Uggs. You had a blue, old Carhartt jacket, denim jeans and scuffed Converse.

You matched with her way better than Aaron. You could probably kiss better too. Not that you'd had any practice. But you'd at least have the sense to not slobber all over the one you were kissing.

Unless Regina liked sloppy kisses. As if you'd get to find out.

"Not until you tell me what's wrong."

I like you. I like you too much and it's hard to think. I can't tell wrong from right.

"It's nothing." You took another drag. "Janis and Damien are plotting. It just makes me mad." Not entirely untrue. You were lying by omission, though.

"What kinda plots?"

You hesitated. How could you? "Nothing concrete yet." Now you were really lying. It sunk like a stone down your gullet, hitting your heart on the way down, and dropped heavily into your stomach. It nearly punched a hole clean through.

"Keep me updated." She lingered and you kept looking at her. What would she look like as Homecoming queen, soaked down to her bones up on a stage? What would she look like after smearing lard on her face?

Not ethereal in the sunlight like this, probably. Though you reckoned ruined mascara and pimples wouldn't do anything to shake off this stupid crush.

"For sure." You just nodded and looked down. You couldn't keep your eyes on her when guilt gnawed at your insides.

"Can I have one?" She hopped over your legs and sat down on the grass next to you.

"A cigarette?" You baulked. "A cigarette for Regina George?"

"Yes, you doof." She laughed and reached for your pockets. "Where's the pack?" She kept patting down your body. Your heart sped up, your palms sweated, and a stupid grin split your face.

"Only one." You turned your face as stern as you could make it. "I'm not ruining your beautiful singing voice."

"You think my voice is beautiful?" When she asked questions like that and looked so small waiting for your answer, you didn't quite know what to do with yourself.

"Yeah," You breathed, sounding a little too sincere, too reverent. "You sang at the talent show in middle school that one year. I think it was a Celine Dion song? Captivating."

"That was so embarrassing. I had such shit breath control." She rested her hand on your thigh, casually, and the other behind your back. Your faces were so close. "C'mon, jorts. Now."

"Nobody complained. Everybody loved it." You reached into your pocket and handed her a cig. She put it between her lips and looked at you expectantly.

If you'd been feeling bold, you would've touched the tip of your lit one to hers. Yours was more than halfway done, so you'd have gotten real close. Maybe in your dreams.

You flicked the lighter to life and held the fire for her. "Suck. Yup, you got it."

She inhaled and let the smoke out of her mouth. You took a drag to keep from laughing. "When you've got the smoke in your mouth, inhale it."

She did as you told and started coughing violently. This time, you couldn't keep the laughter in. She shoved you and you laughed harder.

Taglist: @autorasexy, @wedfan2, @unadulterated-moron, @modernsapphicism, @9unknown0, @sage-rose2000, @massive-honkas, @nattys-swiftie, @likefirenrain, @luz-enjoyer, @dandelions4us, @natashamaximoff-69

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[broadwayfangirl222]

Tbh when thinking about it all three of them - Giffany, Bill and Gideon show different reactions to a break up but their actions afterwards resemble different types of an toxic/abusive ex:

- Gideon puts the blame of the break up on Dipper, not thinking of Mabel's feelings and why she even ended things between them

- Giffany stalks Soos's date with Melody, putting them and the twins in danger, so that Soos could be hers

- rather after the "break up", it's during the "break up" when Bill harms Ford in mental and physical way.

(I get that the O'Sadleys part is probably writen in a comedic tone - Bill not acknowledging the harm he caused for, rather painting the "break up" to the reader as a silly arguement and how "Ford will come back to him", it could resemble abusive partners who would downplay what actually happening behind the closed door to friends and strangers)

Actually true! Oh before I go further into this but honestly stalking is basically another parallel between these three of them. And these different ways of handling the break up™ fits their personalities and just the nature of who they are and their circumstances:

Gideon's just a kid who's used to always getting his way and is dealing with possibly his first ever crush. He's never dealt with being told no and dealing with rejection. He'd never accept his fault in this. He's always right and can do no wrong. And of course he'd never blame his sweet, precious Mabel...So obviously her annoyingly overprotective brother is just trying get in the way of their relationship. He's the one who turned her against him. It absolutely had nothing to with him or his actions whatsoever.

Giffany's a dating sim character. It's not that much of a leap to think that a character that's basically designed to fawn & swoon over someone could turn into a jealous stalker. She has to adore someone and be adored by them in return. Cause of her very programming she likely doesn't even know how to just exist outside of that. She just can't be on her own.

Bill's a bit more interesting. Like you said he comes off as an abusive partner downplaying all the horrible stuff they've done. But also I think him being like trillions of years old affects stuff with how he treats all of this. Since, again like you said, to him this is just a petty argument they had last weekend. He genuinely can't comprehend just how long that hatred & resentment has festered for Ford. To him, Ford's just being a drama queen & doing all this to keep things "Spicy." (literally how Bill describes it in the book) They'll get back together soon enough. Everything with them in the Fearamid/ "love cage" might as well be Bill showing up to Ford's house with flowers and chocolates, playing their song™, trying to get back together...until Ford doesn't go for it and he gets angry at Ford for not doing what he wants.

[yarpharp]

The one thing I have a lot of personal, PERSONAL beef with about the entire Solas/Elvhen vs. City Elves/Dalish thing is simple: a lot of people in this fandom keep ignoring that this is one huge allegory for generational trauma and colonialism. Including Solas.

Maybe it hits home harder with me, especially because the real world inspirations the writers admit to using are Natives. And boy, I see the bones that make up the Dalish are absolutely Native-coded.

Constantly hunted? Constantly looked down upon for trying to keep to their traditions, even if the memories aren't as complete as they once were? Their very positive views on magic and the spiritual that run counter to common belief? Their religion is outlawed by the DA equivalent of the Christian church? The illegal verses of the Chant speaking about Chartan? The facial tattoos, the traveling camps, their attention to raising wild breeds of painted horses (the famed Dalish All-Bred in DA:I), the harts, following the migrations of the halla?

And then factor in the City Elf vs. Dalish experience. It reflects a lot of the same issues we have now. "City Indians" vs. "Rez Indians." The arguments about blood-quantum parallel a lot with the "elf-blooded" shit in DA. They don't have the ears, but they were raised like an elf! It reminds me of a very small dialogue in The Masked Empire between Fiona and Michel de Chevin, where Fiona immediately clocked him as half-elf because he never treated her poorly or called her slurs and subconsciously ducked his head slightly in doorways like he expected to bump his head in an alienage shack. Michel clings to his Chevalier code desperately, because if anyone found out he was half-elf, he'd be tossed back into the Alienages. It's peak "You're mixed but you can pass as white" coding in my eyes.

So then Solas rolls up, shitting on all the existing elves, calling them "children" and decrying them as idiots clinging to barely-remembered bits of history.... Good God, you ass. Like, I get it. I'm sure if one of my ancestors appeared before me and saw what has become of our people, they'd be horrified. But idk, there is also pride to be had in resisting and enduring and outlasting every government's attempt to erase what they see as a subpar culture.

When he asks "Did I judge the Dalish too harshly?" I always wanna just reach through the screen and go "YEAH ACTUALLY"

[wonderfull-star]

My own idea of ​​Peri as an antagonist(updated)

Some believe that he may become an antagonist because of his disagreements and arguments with Dev, some believe that it is because of the childhood trauma after leaving Timmy (which I also like), but I believe that it will be connected with his ambiguous attitude towards Irep. As I wrote in previous post, Peri and Irep have a special connection with each other than other fairies and anti fairies. Irep in the original cartoon series played the role of "cartoon villain". However, everything Irep/Foop did goes downhill. And not only because the main characters and some other ones thwarted his plans, but also because of himself. Irep has never been and will not be pure evil, and with each episode and season he will show it even more(in the new show too I think?). The same with Peri, but vice versa. Almost the main protagonist, ready to come to the aid of the main character. Always had a charming trait that many liked. However, there is a tougher and more chaotic side to him. It feels like he can always sense his interlocutor and when he needs to stop in time. Peri also has another side of his personality, just like Irep.

That's why I think Irep will appear in Season 2, but not as a threat as before and not as an antagonist as he was at the end of Season 1. That is, I think everything will be like in the original cartoon series. In that case, there would be another great parallel that has already been present a couple of times in the new show.And I think in that case Peri’s and Irep’s "break" will come to an end. That is, they will get along again like they did in season 9 (correct me if I'm wrong).

Okay, it's angst and drama time.

My idea is that over time Peri will start to break the rules a little bit. And the first "break" of the rules was that he wanted to go back to Dev. And that was the starting point when he wanted to leave the "rules" on the back burner for Dev. And it will even go so far that he will change his style of clothing to be similar to Irep's.

Do you feel some irony yet? Yes, my idea is "role reversal". Peri from the one who was constantly worried about following the rules to the one who later began to break them himself. And also Irep who loved all this chaos and destruction will become more worried about many things and more reserved. After further rule violations, causes Peri’s sphere on a wand to shatter, releasing the accumulated energy and causing severe damage to everything around it. This was the final straw for Jorgen to remove him as a godparent after being given a second chance, saying "even Irep could have done better than you". After that, Peri felt betrayed and angry at everyone, including himself first of all. At that moment Peri believed that everything was over for him: “all his efforts, earned authority and most importantly – the trust and love of his parents.” And this gave rise to another emotional breakdown and a wave of magic. He started attacking everything in a row and the first one who stood up for everyone was Irep. Another irony in the style of "you became what you once hated"(Yes, I decided to take a little idea from season 7 of the original cartoon series.). In the end, it will all end with Irep becoming Dev’s godparent again, but already officially from Jorgen seeing how he tried to protect Dev, showing himself from the better side. And you know what? I see it. At that moment at the end of season 1, Irep liked spending time with Dev. And I see how he, just like with Chloe in the past, like Peri, will become attached to Dev. Then he saved Chloe from Vicky and now I like to imagine how he will also treat Dev like this.

So seeing how Peri’s once former enemy who tried to destroy him became a godparent instead of him will hurt Peri. He knew that he failed as a parent for the second time, caused great damage with his magic, and most importantly for him- let his parents down. Therefore, the only thing Peri did after realizing all this was start crying causing rain.

Now it's all over. Now Peri and Irep are enemies again, but this time from Peri's side. And now hatred for Irep has awakened in him with the only thought- that only he can be a godparent…

[hotdaemondtargaryen]

TOM GLYNN-CARNEY INTERVIEWED BY HOLLYWOOD REPORTER MAGAZINE.

WHAT WAS YOUR REACTION TO READING THIS GRUESOME TURN OF EVENTS WHEN YOU FIRST LEARNED ABOUT IT?

"I knew it was coming."

"When it was coming, I wasn’t aware."

"But my immediate reaction was about how it came together by our amazing writers with this sort of amazing, theatrical, rousing, terrifying, unpredictable craftsmanship that I was very happy to be on the receiving end of."

FIRST LOOKING BACK ON EPISODE FOUR, WHILE IT SEEMED PRETTY OBVIOUS TO THE VIEWER, I'M WONDERING WHAT DO YOU THINK WAS GOING THROUGH AEGON'S MIND WHEN HE GOT ON SUNFYRE AND WENT CHARGING INTO THE BATTLE?

"He’d been a bit backed into a corner by all the things that have accumulated over time with being king, where his worst fears and insecurities were coming into plain sight and becoming true."

"He felt weak, and he was seen as weak, and kind of useless — with what Alicent (Olivia Cooke) had said to him (“Do nothing”) in his chamber, that was the straw that broke the camel’s back."

And he was just resigned: “I don’t have any option, I’ve got to prove myself in some way.”

"But you know, being the way he is, and not being an actual warrior with that sort of fearless courage that other people have, he had to numb himself and so he got blind drunk and jumped on a dragon."

HOW DO YOU THINK HE FELT ABOUT AEMOND'S BETRAYAL? IT SEEMED LIKE IT WAS CLEAR? I DID WONDER IF AEGON WAS TRULY SURPRISED...

"I think the moment of recognition was the fact that the fireball was coming at it."

"I don’t think he had time to think that he’s done this on purpose."

"If those thoughts are to come off, they will probably come later."

"As a viewer, I’m still unsure."

"I want people to make up their own minds."

THERE'S AN ARGUMENT TO BE MADE THAT SINCE THE BATTLE, AS DISASTROUS AS IT WAS, WAS EVENTUALLY WON, THAT HE SAVED THE DAY? AEGON THE HERO? OR NO.

"You’ve got to take them where you can get them."

"Yeah, he’s a hero."

WHAT'S THE PROSTHETIC PROCESS LIKE FOR YOU MOVING FORWARD?

"Long."

"Very detailed."

"I got to know my amazing hair and makeup team very well."

"I also got to know myself very well."

HOW DO YOU MEAN?

"The amount of time I was spending in that chair with those people in my own thoughts…. But yeah, [the prosthetics] really influences and informs my performance."

"It sort of instructs me how to move now."

"How you breathe, how you speak changes."

"I have a piece inside my mouth that I asked for to sort of distort my speech."

"So all this is great because it makes me feel like we’ve made a shift."

"Aegon has to have changed after this."

"We’re going to find a difference in him and and allow that to continue and [impact] his decisions and have a new approach to life."

YOU'VE MENTIONED CHANGING HOW HE MOVES. IN A PREVIOUS INTERVIEW YOU MENTIONED HOW AEGON USED TO MOVE DIFFERENTLY THAN YOU DO. WHAT WAS THAT DIFFERENCE?

"He’s a little bit more hunched."

"He is a bit narrower."

"I feel it’s a bit weak and more weaselly."

IS IT WEIRDLY MORE FUN TO PLAY HIM AS NOW? BECAUSE THIS IS GOING TO BE SO MUCH MORE THEATRICAL, IN A WAY.

"Yeah! It feels like we’ve transitioned from Richard II to Richard III, if that makes any sense to you."

"Almost like a level up — though on paper, obviously, it’s a level down."

"I think what he loses physically he gains emotionally and mentally."

"I’m trying to see it like that."

THERE'S OBVIOUSLY A PARALLEL THERE TO HOW VISERYS WAS AT THE END, INFIRM AND GHOULISH. DID THAT INFORM YOUR PROCESS AT ALL?

"I mean, it’s just fraught with danger, isn’t it?"

"Having a crown on your head."

"Something nasty is going to happen to you at some point."

"Isn’t it being not having my crown on yet?"

"There’s definitely a Viserys comparison, especially toward his final days and in bed."

"No quality of life whatsoever."

"It was only weeks, months before his dad was in that same position and in that same bed."

LET'S SAY HIS FATE WASN'T LITERALLY WRITTEN. WHAT, IDEALLY, WOULD YOU WANT FOR YOUR AEGON'S FATE?

"I want it to be, in an ideal world, for there to be an opportunity to prove himself and make decisions that he has made — not somebody else who thinks they know better."

"To carve out his own path as king."

"And then just see if he fucks it up as much as people think he might."

"I’d like to give him the space and the time to work it out."

"It’s a dangerous request because they could go horribly wrong."

"I think people underestimate him."

I FOUND IT INTERESTING THAT NOT ONE PERSON SAT BY HIS BEDSIDE OR HELD HIS HAND OR TRIED TO COMFORT HIM IN ANY WAY — AT LEAST NOT IN THIS EPISODE. SEEMS PRETTY HARSH.

"It’s desperately, desperately sad."

"Aegon is a boy in a man’s body and all he’s ever wanted is to be shown love and made to feel seen or not judged."

"All these things that he’s done in the past that have given him a reputation, I believe he’s felt that any attention is good attention."

"Unfortunately, he’s made a name for himself now — people kind of want to keep their distance and they see him as a poisoned chalice."

"At the end of the day, he’s a product of his history."

"He hasn’t had the emotional intelligence to be able to deal with that in a healthy way and move forward from it."

"Back then, therapy wasn’t really a thing, was it?"

"He’s been left to his own devices."

[vixensbrainrotts]

The one behind the mask

Content: Short imagine

Tropes: tattoo artist! reader, hairdresser! reader, vaguely gothic! reader, Draken is kind of obsessed with the reader here, but nothing really too deep

Warnings: some mention of scissors and tattoos (lmk if i missed anything)

Summary: Takemichi has to find out more about the past-you, so he decides to ask around the gang to see if anyone has any connections. To his luck, Draken deems him fit to meet you, and so Takemichi gets to experience your expertise first hand

Vixen’s two cents: This is such a random idea, idek where it came from but lmk if you like it or not. Also! Requests and asks are open, and if you’d like to be a moot (to perhaps proofread or triangulate ideas) pleaseeee feel free to message me!!!! Now enjoy

"She's the best at what she does, trust." Draken's voice left no room for argumentation, his gruff voice sealing the deal as he leans back into the couch behind him. He was on an endorphin high of sorts, his confidence boosted due to the fresh lineup he just got, the growing hair now cut shirt, his signature style refreshed.

Akkun frowned behind Takemichi a little, a bit disheartened by the 'threat' you posed to him and his future business. "So... She cuts hair and therefore she's under special gang-internal protection?"

Draken chuckles heartily and shakes his head. "No, no. More than that. She‘s the best tattoo artist i know too! Ask any guy who got a tattoo in the past three years who tatted it, and she's your answer. She does it well, too. I remember back when a guy wanted an impossible coverup for an ex's name- she made it work, right as rain! And there was an awful lot of ink to cover."

Takemichi didn't quite grasp why or how you achieved the status you unintentionally had in the gang, but it was vital information for his future, real-time version. When Naoto had asked him to research you a little closer in person, Takemichi had expected you to be another fierce gang leader- one who dons the same scary-looking plague mask as you in the future.

What he had not expected was to learn that you were apparently a hairdresser-tattoo artist fusion type thing. Why did you play such a big role in the future? Sure, he understood having a favorite barber, Akkun being the best example for that, but placing them in the closest circles of a highly criminal gang for exclusive trimming rights? That's a little far, no?

"You don't get it, do you?" Draken asked, his hands on his thighs, rubbing them as he rose to a stand in one movement. Takemichi flinched a little, a bit taken aback at how easily Draken would read him. "No, not really. I-" Before he could finish, he was interrupted.

"What's this about?" he was cut short by the other twin Dragon. "Mitsuya-kun!" Takemichi startled. "Y/n. He doesn't quite get why she's has the place she has here." Mistuya's eyes widened a sliver at Draken‘s words, and he threw an arm around Takemichi's shoulder. "You got any plans Hanagaki?" Takemichi shook his head no in response. "Good, 'cause we're givin' her a visit."

And with that, Takemichi's fate was sealed. Mitsuya and Draken pulled him along towards their bikes, Akkun tagging along behind him per Takemichi's request. The group settled onto their bikes and drove off, and Takemichi tried to keep track of the path from hither to thither, but lost track after the turns got too confusing.

After a while, both bikes came to a stop, pushing down the Kickstands in front of a grungy-looking little shop, the doors glazed in a matte cover, only leaving an outline that looked like a Plague-doctor's mask. Ah. There was a parallel he could draw. "Is this the place?" Akkun asked, his voice laced with a bitter touch of distaste, probably intimidated by your place in the hairdressing market.

"Yup! This is where dreams are made a reality!" Mituya spoke, his voice a lot livelier and genuine than usual. "She's gonna have a field day with you Mitchy." Draken snickers as they push open the doors to the shop, a little jingle playing in response.

"What's that supposed to mean-" Takemichi's voice died in his throat when his eyes fell on the interior. Dark, weird, gothic, wonderful. Those were the words that come to him t describe your shop. Kooky portraits, lacey details, and a million different shades of black were highlighted only by the mahogany of the front desk and the dimly glowing lamps and candles littered around the walls and surfaces.

There was a black bulletin wall with a few dozen sketches pinned to it, the title "Please let me put this on you" in the center of pictures of flowers, bugs, lace designs, birds, and many, many others that didn't fall into the eye too directly.

On your desk and on a shelf behind it laid a few skulls of animals Takemichi couldn't even begin to place, the only hint being the type of sharp, white teeth they did (or didn't) have.

There was a scent of something in the air, but Takemichi couldn't place that either. It was a pleasant mix of natural and synthetic, a unique mix that lingered in his nose and clouded his mind with a very welcomed sense of calm.

"Coming." An unexpectedly soft voice called. What however emerged from the corridor leading off to somewhere next to your desk, looked nothing like the voice Takemichi just heard. The guy was almost bigger than Draken and just about the same amount of bald, his face littered with piercings and clad in a style much too modern to fit the shop.

The guy didn't talk to them however, he only turned to the desk, pulled out a wallet, and started fidgeting with the bills. With his back turned his scalp was on display, an impressive image of a burning, hyperrealistic black and white skull faced the group. It was new, they could tell by the slightly red skin, and the shiny coat of a second skin placed carefully overtop. Takemichi held his breath. So that's what you do. Draken pointed a finger at the fresh tattoo and pulled his brows upwards for a moment, clearly impressed with how clean it looked.

Then a second pair of footsteps sounded from the same hallway, and this time Takemichi was sure it was you. Lo and behold your figure emerged, clad in something much more appropriate to the shop's aesthetic, black latex gloves still on. "Ah." you looked a little unimpressed when you caught sight of the group looming in your reception.

"Didn't I just get rid of you?" it was purely rhetorical, because the moment you passed them, you were tending to the guy standing at the desk, showing him a clipboard and then mumbling a price at which the guy nodded and passed the money, saying his thanks before bidding you a pleasant afternoon before leaving the shop, the door falling shut and the little jingle playing again.

"And to what do I owe the pleasure?" You ask, sorting the money into the register, separating the tips and putting them into a little box beside it. "Hi y/n." Draken started, grinning from ear to ear. "Hello, Ken. Speak. What do you want?" You didn't spare them a glance as you finished up and pulled the gloves, chucking them into a bin under the desk.

"Right, so, I've brought you someone in desperate need of your assessment." Draken finished finally, stepping to the side to reveal Takemichi in your line of sight, and it was as if you felt the shift, you looked up.

When your and his gaze locked, a shiver ran down his spine and he could feel sweat trickle down his nape. He gulped and shakily brought up a hand to send you a little wave. “Oh fuck.” You mumbled to yourself, eyes darting form his face to his hair and down to his face again. “Yeah alright thanks for the charity case.” Takemichi didn’t know whether to feel offended or not.

“It’s bad, isnt it?” Draken leaned over your desk and jerked a thumb over his shoulder at Takemichi. “Worse.” You replied curtly and then waved your hands at the group, ushering them to back up a little. You bustled your way to the hallway, waving a hand to them again. “Come then.”

You left the group a bit aloof, but after a few seconds of standing in silence Draken and Mitsuya started following you into the side rooms. Take Michu and Akkun shared a look before following cautiously, a little unsure of what to expect.

Once they entered a room you had already set up a chair in front of the biggest mirror Takemichi had ever seen, and were sorting out different tools and products on a tray in front of the mirror. Draken and Mitsuya had taken a set on a couch adjacent to the seat and were idly chatting about this and that to you in terms of the shop as well as a few questions regarding your previous client.

Idle chit-chat halted when you laid eyes on Takemichi and gestured for him to sit. “Well then, please sit.” Takemichi shares a brief look with Akkun again, who by now has taken seat in the grandfather armchair beside the couch the others were on. “Mkay..” he mumbles and sits stiffly.

“Relax!” You say as you come up behind him “You look like you’re about to shit yourself. I promise i wont stab you or anything.” Your face morphs into something that might resemble a smile before you grab his hair cautiously, carding your fingers through it, judgemental eyes scanning his hair. “Hmm Ken, when i said you should bring me your worst i didn’t really mean it.“ Ken laughs in response “You should know me by now, i dont make promises i cant keep!”

You roll your eyes a little “I would have appreciated a heads up if i knew that this is what you’re bringing me…” you pull the hair out of his face and tilt his head to different angles. “He has a good face with strong features, its just unfortunate how he’s decided to work with it.”. You speak as if he’s not in the room with you.

After a few moments of silence you release his head again and grab the scissors hanging from your belt pointing them at Takemichi through the mirror. “I know what i have to do with him.”

Mitsuya and Dranken whooped in response. You tell him about what kind of hair he has, how to treat his scalp, what colors and shades would (and wouldnt) suit him and how to style it properly.

By the time you’re done, you and him had agreed on a cooler, slightly darker shade of blonde as well as a more maintainable cut thats easier to style. Then you began unleashing tool after tool, product after product, and Takemichi thinks that this is the longest and simultaneously shortest hour he’s ever experienced.

When you finally deem your work as finished, you have him turned away from the big mirror in anticipation. “You ready?” You ask him with a slight smile on your face and grab the back of his chair, ready to spin him around. Before he answers, Takemichi looks over to the guys sitting on the couch.

Draken nods approvingly, “You’ve dont it again y/n, i cant believe it!”. Mitsuya wolf-whistles jokingly, “Damn Mitchy! Your girlfriends about to be real happy.” and Akkun’s mouth hangs open in pure admiration “How...? what…?” And thats all the approval he needs to turn nod at you, allowing you to turn him around.

For a second Takemichi wasn’t sure who was looking back at him through the mirror before he realized that it was his reflection, eyes just as wide as his felt, but the hair about a million times better than the last time he looked at it. All of a sudden he understood why the guys cared so much to keep you to themselves- you were a one in a million find.

“So.. What do you think” you ask, knowing well what the answer was. Takemichi wishes he could have answered but the words caught up in his throat, so he stayed open-mouthed like a fish out of water. “I think he likes it.” Draken answered for him and rose to a stand, the others following suit behind him. “We’re done here then.” You conclude and pull the cover off of Takemichi’s still frozen body.

“How much do i owe you?” Takemichi finally chokes out once Akkun had pulled him out of the seat and towards the shop’s front. You glance up at Takemichi and shake your head. “Nothing. I had enough fun fixing you, so perhaps just consider coming back when time’s due?” You walk behind the counter, checking something that looked like a schedule. “Now it was a pleasure doing business, but i have a client coming in for a sleeve in half an hour and i think i want a lunch break beforehand.”

“Thank you so much!” Takemichi says again before turning to the door, running a hand through his hair confidently. Akkun follows closely behind him, keen on inspecting the new cut from every angle, whilst Mitsuya throws a “We’ll leave you to it then!” Over his shoulder to you and leaves the little shop as well.

Takemichi is still too caught up in the bliss before he realizes that one of them is missing. “Wait!” He stops abruptly, “What about Draken?!” Akkun gasps in realization too and goes to turn around but is quickly stopped by Mitsuya who pulls the both of them along.

“Leave him to it, I think he’s getting lunch before his appointment so dont you worry about them.”

[coraniaid]

Jenny and Giles were only a couple for a total of sixteen episodes and still managed to have two awkward and emotionally devastating break-ups (even if the writers couldn’t quite explain why one of them was happening).  And there were still one hundred and fifteen episodes left of the series to go when Jenny died!  So simple arithmetic tells us that if Jenny had survived up to Chosen, we could have watched that happen at least fourteen more times.

Here are my candidates:

Season 3

Teenage Ripper and Janna do not get on at all, but this does not stop them awkwardly having sex on top of a police car.  They’re both so embarrassed about it afterwards that they don’t talk to each other for a month.

Jenny breaks up with Giles for the second time this season when she finds out about his role in the Cruciamentum.  Buffy’s attempt to persuade her that it was all fine really and she doesn’t have any hard feelings about it and that Giles is still the best father figure she’s ever had is, funnily enough, not quite as helpful as she thinks.  (They get back together in The Zeppo but we don’t get to see how it happens, only that Xander walks in at a very awkward moment and leaves in a hurry.)

Jenny has not exchanged more than two sentences with Faith all season (because she’s somehow worked out that Faith thinks she’s cool and doesn’t want to shatter her illusions), which is why it’s only after Faith defects to the Mayor that she realizes Giles had let one of the Slayers he’d agreed to look after live out of a motel for half a year.  They break up again.

Buffy and Angel break up for the last time in The Prom and the writers decide it would be a good thematic parallel to have Jenny and Giles break up again too.  They can’t think of a good in-universe reason for this to happen, given that they’ve only just gotten back together again, but figure that: hey, that never stopped them before.

Season 4

Jenny breaks up with Giles five minutes into their Thanksgiving meal and walks right out of the house.  It takes him a few months to work out why.

Giles breaks up with Jenny when she helps Ethan escape being captured by the US military.  She’s outraged by this because it’s both obviously the right thing to do and something that she thought Giles himself was trying to signal her to do all episode.

Giles breaks up with Jenny again during The Yoko Factor.  This does not have anything to do with Spike, who has been moderately terrified of Jenny all season ever since she threatened to give him a soul, but just something Giles does out of habit whenever he’s unduly stressed.

Season 5

While discussing how the monks changed everyone’s memories to fit Dawn in, Jenny and Giles remember an argument about books and computers they’d had back in Season 1.  They both remember it very slightly differently and end up relitigating it all episode, eventually culminating in a fully-fledged row in which they both say things they can’t take back.  (This memory wasn’t changed by the monks at all and doesn’t have anything to do with Dawn anyway.)

Technically Jenny and Giles co-own the magic shop, but somehow Anya still ends up doing all the work.  Sometimes Anya offers them helpful relationship advice: this usually ends up with her being temporarily fired.

Jenny is a little bit too enthusiastic about agreeing to teach Dawn magic.  When Giles warns her that Dawn might try to use her newfound magical knowledge to bring her recently dead mother back Jenny rolls her eyes and says yes, obviously, that’s the whole point.  This doesn’t go well.

If Jenny finds out about Giles killing Ben she would not even think about breaking up with him over it, but rather view it as an entirely reasonable and pragmatic thing to do and something that Ben definitely had coming.  That doesn’t stop Giles somehow talking himself into breaking up with Jenny so that she can never find out his terrible dark secret.

Season 6

Yeah, there’s no way Jenny’s voluntarily going to England (or that she’s on board with what Giles is proposing to do to Buffy).  Guess what she does instead.

Not technically a break-up, but at some point after Xander and Anya’s wedding, Jenny lets slip that she’s been married to Giles since sometime in Season 3 and they never got around to divorcing at any point since.  The idea simply didn’t occur to them.  They just didn’t tell anyone about the marriage because they didn’t want to make a big scene.  (They’re still not speaking at this point.)

Season 7

For some reason Jenny decides to prove that Giles is the First by punching him in the jaw as hard as she can.  It’s the first time she’s seen him in over a year.  When he regains consciousness she preemptively breaks up with him out of embarrassment even though technically they weren’t dating at this point.

Jenny fully agrees with and supports Robin Wood’s plan to take revenge on the vampire that killed a beloved family member, even if said vampire now has a soul, but breaks up with Giles about it anyway because he refuses to accept how hypocritical he’s being about the whole thing. 

Everyone else is hooking up and tentatively rebuilding emotional connections ahead of the big apocalyptic final battle, but Giles and Jenny are mature adults, not silly fickle young people.  They have another big argument and spend the rest of the episode refusing to speak to each other.  Like grown-ups.  

(Also Jenny saves Anya’s life in the final fight against the First Evil.  This doesn’t have anything to do with her relationship with Giles, it’s just important to mention that Anya survives the episode.  Also Tara and Cordelia are there too and they’re both doing fine.  Why wouldn’t they be?)

[dr-spectre]

Helloooo, just saw the big ol Callie rant and thought I’d share my (albeit not as detailed) thoughts cause the first Splatoon game I played was Splatoon 2 and I took my sweet time on the story mode.

Despite her being your main companion throughout the story mode, I found Marie’s spiteful and clearly discriminatory language towards the Octarians to be consistent overkill, while she was obviously mad about Callie “going missing”, these fellas were only doing their jobs and it was painfully clear that Marie had an inherent dislike for their entire species. Since I hadn’t seen Craig Cuttlefish before I didn’t know that this discrimination came from him, with a distinct parallel between their jabs (aggression being directed and focussed at the Octarian species at a whole rather than the reason you’re here in the first place) and with the fact that I was the one barging in and committing wanton destruction and violence in their territory the universal hate felt incredibly undeserved.

As for Callie, no Squid Sisters songs feel so authentic and genuine as the ones made in Octo Canyon. Even Bomb Rush Blush isn’t trying to sound perfect for any pop lover’s fragile little ears, it’s erratic and fills every silence like a one sided argument. With each song sounding like a vent album and the art showing Callie to be miserable and having to desperately hide it on the surface, she’s seemingly using her distance from Inklings as an opportunity to be completely outwardly honest and express the deeper emotions that wouldn’t be accepted in the media she’s surrounded by. Rather than “I REMEMBER!!!” being some ooga booga the cool glasses magic has been dispelled, I saw it more as Callie accepting these emotions she’d kept from expressing and realising her lifestyle and family meant enough to her that it would be more worth it to try and work through those feelings with them rather than use an outlet that worries them. Additionally, she has quite the opposite view on Octarians to Marie, finding them consistently cute and clearly still being friends with Octavio as they collaborated during the Low Water Party after the events of Octo Expansion (discreet lore but it shows she truly had an enjoyable time there!)

Now I could ramble about DJ Octavio for hours so I will cut this short, while - as you mentioned - Octavio was helping Callie escape the stress of her lifestyle in the interest of his own species, (uh oh the can of worms is threatening to open) insert the fact that Octavio winning means species equality through political negotiations put off for hundreds of years. I know! Oh goodness gracious how terrifying! The spicy beats man has used drastic measures due to neglect and forced poverty of a substantially sized society through giving stressed squid sanctuary! Next he might use his technological advancements in energy efficiency to revolutionise our industrial infrastructure- SHIELD YOUR EYES, CHILDREN!!

oh hey! cheers for reading the full thing!

Oh... oh damn... you just plopped your own rant in here, jesus.

I respect it honestly, i respect the hustle.

You know what's kinda crazy? From my knowledge and what people say online, Marie's hatred for Octarians as a species is a NoA localisation thing and not something in the original Japanese version of Splatoon 2. I could be wrong on that but that's just something I've heard in the grapevine.

Yet another example of poor localisation due to deadlines and rushed development cycles!!! ISNT IT SO FUN HOW IT KEEPS OCCURRING AND HOW PEOPLE BELIEVE IT INCLUDING LOUD VOICES IN THE COMMUNITY AND WIKIS TAKING THE NOA VERSIONS AS THE HOLY GRAIL?!?!?! SO FUN!!!!

(Massive fucking sarcasm.)

I dont have much else to say in response to your ask but, I wanna touch on DJ Octavio for a bit because I think the way that Nintendo treats him as well as the fanbase treats him kinda fucking sucks and flips flops between different personalities and actions he's done.

I swear to god people have such different takes on his personality and what he's done over the three games and it's a real headache to deal with. And the way that a lot of people talk about what he did in Splatoon 2 and the suggestions people say.... ugh... they make him so unredeemable and disgusting.

In Splatoon 1, depending on if you play the NoA version or European/Japanese version, he's either very silly and in your face, making musical puns and being a loud mouth. Or he's trying to be intimating and he gets to the point in his dialogue instead of making musical puns.

The worst things he did in that game was kidnap Cuttlefish and tie him up as bait to fight Agent 3, and stealing the power source for the Inklings. Cuttlefish is a frail old man and Octavio has anger towards him, so it makes sense he would go after him and snatch him up.

And then in Splatoon 2, people wanna fucking say that Octavio kidnapped Callie and brainwashed her, removing all of her memories and making her into a slave for the Octarian army... LIKE... WHAT?!?!?! OCTAVIO IN SPLATOON 1 WASNT THAT EVIL!!! WHY DO PEOPLE SUDDENLY SAY HE DID SOMETHING INCREDIBLY UNREDEEMABLE LIKE THAT?!?! WHY DOES NINTENDO PUSH THAT SHIT TOO?!?! ITS SO ANNOYING!!!!

AND PEOPLE BRING UP THIS PIECE OF CONCEPT ART TOO AND GUYS!!! ITS JUST FUCKING CONCEPT ART!!! ITS NOT CANON!! THERES NO EVIDENCE TO PROVE THAT THIS HAPPENED IN THE REMATCH FIGHTS!!! YOU BRAIN DEAD SONS OF-

You can't just go from "im gonna use Cuttlefish as bait because I hate that guy!" To "neheheh, when Callie isn't looking... I'm gonna grab her and brainwash her!" And then to "IM GONNA GET THAT OLD BASTARD AGAIN! HE TOOK MY ARMY!!!" You can't flip flop between silly old guy wanting vengeance against his lover to enemy Cuttlefish, to a malicious beast that kidnaps young women dude. You can't just do that.

You see the issue here? People give Octavio this ultra dark stain on his legacy and I think it ultimately ruins his redemption in Splatoon 3. He did something unredeemable and you cannot go back from that.

It makes more logical sense for Octavio to use his abilities of propaganda and manipulation out of desperation to convince Callie to join him. Octavio is a general and does things out of rage and vengeance from the past. He is not malicious in his actions and a lot of them can be justifiable. It makes more sense for Octavio to go "I need Callie because my peeps are dying, I'll convince her to join me and then I'll hypnotise her so she's more comfortable in the Octo Canyon to help my troops!"

Octavio is still obviously in the wrong for hypnotising Callie, duh. But, like I've said a trillion times, hypnosis isn't mind control, you cannot force someone to do something against their knowledge and morals. So it's more justifiable for Octavio to hypnotise Callie than to literally kidnap her and brainwash her while she was kicking and screaming, trying to stop him. Okay? WE GOOD SPLATOON COMMUNITY?!?!?!

Ugh.

[iridescentmirrorsgenshin]

The direct parallel between alhaitham and kaveh working together within cyno’s story quest 2 and them working together on their thesis in their school days is a bit um??

Their thesis was based around the ancient runes and ancient architecture of King Deshret’s era, which benefitted many people in modern Sumeru in terms of understanding of languages and architecture usages even before it was abandoned. Kaveh left the topic for alhaitham to pick, and he picked a topic which balanced their ‘mirror’ interests.

it's interesting that alhaitham and kaveh had once planned on aligning their seemingly opposing views through this thesis, but were ultimately prevented from doing so due to differing points of contention based around their philosophies and concern for the other (an analysis of their argument can be found here). however, in cyno's story quest, there is an inversion of this mirror, in that kaveh remembers the symbol of the temple of silence due to its beauty and alhaitham is able to identify the emblem as the temple of silence's due to architectural signatures. in this, the two appropriate the other's signature, being that kaveh uses alhaitham's language, and alhaitham uses kaveh's architecture, and this results in a cohesion of these previously considered 'mirroring' viewpoints

In cyno’s story quest, Alhaitham and Kaveh identify and research into The temple of silence, which is directly connected with king deshret, being founded by Hermanubis, a familiar of king deshret

When the two join together within this quest, it is also related to king deshret, and their research is imperative to the traveller’s progression throughout the quest, with their working together being commented on three times on separate occasions by tighnari and cyno – one of which, the two give seemingly disconnected advice at different times; alhaitham gives advice to tighnari on cultural practices in the desert, and kaveh has told tighnari of his experiences with desert folk. Alhaitham gives this advice based on personal research, whereas kaveh has ascertained his information based on personal experience – which aligns with their respective ideologies, alhaitham = individualism, researching on his own through the perspectives of others to find objectivity , kaveh = collectivism/altruism, directly interacting with others, but these both align to create a full picture, which allows tighnari and cyno compose a strategy which gives them the upper hand

This ultimately points to the harmonisation of their respective views which can manifest in good. Having Alhaitham and Kaveh rejoin in research an organisation directly connected to King Deshret, the subject of their joint thesis, is a direct parallel, and only serves to show the importance of the two attempting to align their visions, both for themselves, but also for the good it can do for others. again, this highlights the importance of their reconciliation presented within cyno's story quest

[luminecent-sky]

I wanna hear your sahsr infodumping, lay it on me

I decided to use text to speech just so i didn't have to keep speaking to myself to remember the points i wanted to make tbh, olease don't mind the grammar screw ups, I'm very tired...

OK? How do I speak about him?Just this is about sunday ok, him in a self aware au He believes in anna like the order right if and he believes their grand plan right, well if he was you know faced with the concept of fate itself. I feel he would like have a little crisis. Like this is a man who's entire ideology parallels christian like beliefs. We see this in How he acts, how he was raised

If he was made aware of the player it would send him down onto a spiral. I think because if this is in my Aeon of fate AU. He would also believe in fate as like an ally of the order or he would think that if Ena, didn't get subsumed by the harmony that the order would have been subsumed by fate instead.

He would also think is that his plan is going all accordingly to the Weaver's strings, Is his plan had succeeded?It puts him in his mind. Then this is the will of order and fate.

And that's before he gets taken by Elio and the rest of the Stellaron Hunters, if we're talking after he fails then after all that... He'd be a little bit hesitant to follow with plans at first but that's only at first, becausehe would see that whole fight as him going against the will of fate, trying to break from the cosmic strings of the Paracae's tapestry. And he wpuld belive that becoming a stellaron hunter and not being able to interact with his sister ever again, losing it all is his punishment, Because if there's one thing Christians can do, it's to believe in a nebulous concept, like y'know, fate and it's punishment. It's just that Aeons are real now, so it does help,

That's just if he doesn't know this is a game if he does, he's a little bit more bitter, Because from the start he was supposed to fail. That no matter what he tried, he was never going to succeed with it. Especially if the player is the type to start light talking in the middle of the fight which I did. And the I got into- I got into a one sided (for me) argument with him, during the scene where he talks about the past, present and future, I was refusing his points in like actively getting frustrated at him, retailing genesis towards me like I didn't go to christians school, I was, I was literally being like. ‘Don't even explain Genesis to me. I had to read it for Bible study’, but aside from that I feel like if the player were to match his eye ideology and provide a counter-argument. He'd be all for it. Because he's basically a homeschooled Christian kid and like challenging the ingrained beliefs in homeschooled christian kids is like a different kind of fight, turst me i would know.

Yeah, but anyways, I fight his fight.I fight his boss fight at least thrice a week, after my weekly fights are done, just to like vent out my frustration, amd to listen to his battle lines.

I don't know how he would feel about the players saving for him.And you know trying to get his E6 S5,

But like the first time I saw him afraid I was like pretty angel character.I'm going to have him, I would sacrifice life, limb, organ and soul for him.

Sorry this just turned into me simping for sunday…

Ok

Going on to Aventurine, he's a different can of worms.

This is a man who has already been blessed by God and is or was holding a piece of godly power before he destroyed it in the fight with Acheron He already thinks life is a gamble, and if his next gamble in believing in us, the player? Well he's gonna come out on top, especially if the player decides to build him right and use him often… and why wouldn't you?

But of course under all that he's just a scared vulnerable guy who is scared of losing it all and failing his family and the people who helped him, he's lost so much and if the player could help him through it… show him his worth and a reason to keep holding on it'd heal a long wounded part of his soul that still calls itself Kakavasha.

Sorry this was so short, my brain focused on sunday and him only.