#they go on adventures. elrond gets to see his kids again. shit happens

[feanorianethicsdepartment]

heeey! so back when @eirianerisdar posted chapter 12 of their fic the ransom of the house of fëanor - that’s the one where they finally let the brothers hellspawn and their idiot dad out of the void, but they have to throw elrond in, all very sad - i thought up my own somewhat fluffier vastly dumber au for the end of that chapter. in honour of the fic being finished, i’ve decided to write up the various scattershot ideas i’ve had for it, with the caveat that i’ll be working off my own slightly different background headcanons

the divergence point is roughly when elrond announces that he’s totally going into the void now, for realsies, the local ainur are nodding solemnly, and the fëanorians are running preliminary can-we-take-them calculations. except for maedhros, who’s very sad to hear that they must sacrifice his nephew to the eternal dark for their freedom, ‘tis truly a shame, they will honour his memory and GET THE BOAT, BOYS

or, the original elf mad scientist, his murderous blood-hungry spawn, a guy who’s extremely grouchy about not getting to do his dramatic self-sacrifice, and their somewhat-less-reluctant-than-he-should-be getaway driver go on the lam

how they got away from the valar:

námo: already knew this was going to happen, but it’s not like anyone ever listens to him, is it? in the moment, was a little more concerned with how morgoth had started belly-crawling towards the doors of night

manwë: never wanted to throw elrond into the void in the first place, and has been silently hoping elrond would call his bluff for the past week. the children are all safe and inside like they should be, and isn’t that what really matters?

eönwë: no it isn’t boss the fëanorians are a completely unpredictable wildcard we cannot afford to let them run around unsupervised!!! would probably have at least delayed the family hellspawn until backup could arrive, except

olórin: realised what maedhros was planning almost immediately and had to consciously force down a shit-eating grin. as soon as the brothers started moving, divetackled eönwë

-

[from a note attached to a harpoon lodged outside the highest window on the white tower of the isle of seabirds]

elwing - it went better than i expected, honestly. the sons of fëanor took about as much offense to elrond’s plan as everyone else has, except when words didn’t work they resorted to action. they dragged him onto vingilot and i followed them, and then we cast off together. we’ve set sail for as far away from the doors of night as we can get. i’m coming with them, of course, i’m not letting these lunatics crash my baby

i’m not entirely certain when we’ll be back? the fëanorians seem worried the valar might come after us, which wouldn’t surprise me, really. i’m taking us out towards middle-earth, we’ll see where we go after that. they’re all screaming at each other and running across the deck, i’m not convinced they have much of a plan. elrond is yelling too, he’s arguing with either caranthir or curufin, can’t tell which. the one i suspect is maglor has wrapped himself around his neck and refuses to let go. our son is alive and healthy and not in the eternal darkness, and for that, at least, i am grateful

the redhead who’s co-opted the harpoons says we’re coming up on your tower. no one’s done anything to threaten me or elrond, or even looked at the silmaril. there’s something nice about sailing with a crew again, no matter who it is. i love you, and i’ll be back as soon as i can - eärendil

[from a note attached to a harpoon found among the ruins of a house in the tirion stonecarvers’ district]

you were right, nerdanel. you were right about everything, and i was wrong. i’m sorry. the boys and i are going on another adventure right now, but we’ll come back to you someday, i promise

[from the same note, in much neater handwriting]

tell tyelpë i love him, and also that the coordinates are [rest torn off]

-

the first sign of this mess that reaches arda is the morning and evening star disappearing from the sky. gondorian astronomers, haradren scholars, avarin priests all stare flummoxed as the star of high hope simply fails to appear before the sun. no matter how unsuperstitous they are everyone agrees this is a really bad omen, and all across the globe the high halls of power tremble in fear over the new horror this must portend

the first sign of this mess that reaches the shire (except for that one took who’s really into astrology) is when eight-year-old elanor gardner rushes into bag end the next day, all ‘dad! dad! there are elves in the woods!’

sam is pretty chuffed to hear this. the fair folk don’t pass through the shire half as often as they used to, and it’s been some years since he heard their song. if they’re in the neighbourhood, why, it’d only be polite to say hello, wish them luck on their journey, hand them a letter. he packs up a nice tuck-box full of goodies to share, and then sam and elanor (and frodo, who’s going through a following-his-big-sister-around-and-copying-everything-she-does phase) set out to meet the elves

first they hear the shouting. then they see the smoke

at the end of the path his daughter leads him down, sam finds the wreckage of what looks like a crashed boat strewn across the forest, still faintly smouldering. at least a dozen elves are rushing between and up the trees, yelling at each other in the angriest quenya he’s ever heard. in the middle of the impact crater stands a blonde elf carrying a stone that shines like the phial of galadriel, wailing something sam knows just enough sindarin to recognise as ‘MY SHIIIIIIIIIP’

as sam’s gaze pans over the unfolding catastrophe, his eyes land on one of the last elves he’d expected to see, master elrond. elrond is rubbing his temple, groaning like someone who knows he’s the most responsible person around and really wishes he wasn’t. a vaguely familiar sketchy-as-fuck elf is clinging onto his shoulders, in a not-dissimilar way to how frodo-lad is currently riding on sam. elrond catches sam’s gaze

‘greetings, master samwise,’ says the wisest elf-lord of the west, ignoring the scuffle that’s breaking out behind him. ‘i must apologise for my relations’

(fëanor and elanor become fast friends, teaching each other their languages and exploring the shire together. absolutely no one else is okay with this)

-

fëanor, dragging an incredibly-put-upon elrond around the citadel of minas tirith: grandbabies!

fëanor, marvelling over the embroidery arwen is showing him: great-grandbabies!

fëanor, carrying a tiny giggling eldarion all the way up the tower of gondor: great-great-grandbabies!

fëanor, staring fixedly at an increasingly apprehensive aragorn: great-great-great...

celegorm, on dad-watching duty: actually if you lay the maths out it’s very likely every human in middle-earth is descended... from... elros... fuck

fëanor: has gone completely still

fëanor: massive grin spreading across his face, eyes sparkling like the two trees brought back to life

fëanor: eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

[365days365movies]

March 1, 2021: The Hobbit (1977) (Part 1)

In a hole in the ground, there lived a Hobbit.

When I was 9, my school let us read a very special book, originally meant for kids, but beloved by everyone. My folks and I went to Borders Books (FUCK ME, I miss Borders), and we got an illustrated copy of J.R.R. Tolkien’s The Hobbit. I can’t find that book, but if I ever find it again, Imma buy it IMMEDIATELY, I tell you what. And...oh shit, it’s on Amazon for $12? 

Well. I just made that purchase, I guess. But yeah, I loved that book when I was a kid, and this was during the same year that Peter Jackson’s Lord of the Rings trilogy began, with Fellowship, of course. And I wouldn’t end up watching those until a few years later, but I loved those too when I saw them. And I’ve NEVER seen the abridged version, by the way, I’ve only ever seen the extended editions.

Although, I can’t call myself a hardcore fan. I’ve never read the Silmarillion, for example. Although, weirdly, I wanted it as a kid at some point, so I was almost there. But no, I ended up getting into comic books hardcore instead, so I can’t tell you the history of Tom Bombadil, but I can tell you about at least one of the fuckin’ 87 tieles that the Legion of Super-Heroes has been involved in. I’m not gonna like it though.

...Yes, I will, who am I kidding, I love the Legion. Anyway, I’ve still always been a fan of the franchise, and I was extremely excited when Jackson announced that he’d be doing an adaptation of The Hobbit! Seriously, I WAS FUCKING PUMPED, you have no idea. I re-read the book, I was super-excited...and then Harry Potter changed EVERYTHING. Kind of.

See, Harry Potter’s development as a two films made from one book seemed to kick off a trend. Breaking Dawn and Mockingjay are the two that immediately come to mind, as does this film. However, to be fair...that’s probably a coincidence. Yeah, this film was originally developed as two parts, WAY before Deathly Hallows got that treatment. And even then, Jackson and Del Toro had difficulty breaking it up into two parts, and three ended up being easier. Still...the change from two-to-three does feel a little connected to that trend.

Anyway, in celebration of that decision, I’m gonna break this review into three parts! Yes. Really. I want to see if it works. And so, let’s talk about the other most famous adaptation of this book by talking about its creators.

Yup. Rankin-Bass did 2D-animated cartoons, too! And this was one of their most famous ones, dating back to 1977. But wait! There’s more! This was followed by Ralph Bakshi’s version of Lord of the Rings by a different studio. You know, this one?

Yeah, that one. It was only based on the first two books, Fellowship and Towers. But it was technically unconnected to the Rankin-Bass version. Which is why it was REALLY weird when Rankin-Bass came out with an adaptation of the third book, Return of the King, right afterwards!

BUT WAIT THERE’S MORE. Because both of Rankin-Bass’ specials were animated by a Japanese studio called Topcraft, who’d actually worked with Rankin-Bass for years. But then, they went bankrupt a few years later, and was bought by Isao Takahata, Toshio Suzuki, and...Hayao Miyazaki. And it was renamed as...

So, this is a Hobbit adaptation produced by the Rudolph people and animated by the people who would eventually become Studio Ghibli. Well, uh...holy fucking shit. Let’s DO THIS BABY. SPOILERS AHEAD!!!

Recap (1/3)

As we’re wont to do in this story, we head to Hobbiton in the Shire, where we meet Bilbo Baggins (Orson Bean). A simple Hobbit in a simple home, with a happy and simple life. But one day, he’s approached by Gandalf (John Huston), who seeks a burglar to help with the mission of a group of dwarves, led by Thorin Oakenshield (Hans Conried).

We also immediately start off with two songs from the original book, and I have to say that I like them a but better in the Jackson movies, but they’re still well performed here. Anyway, after dinner, the true goal of their quest is given. Beneath Lonely Mountain, the ancestral home of the Dwarves, there was a kingdom ruled by the King Under the Mountain, Thorin’s grandfather.

Through reading the lyrics of the song “Far over the Misty Mountains,” Thorin tells the tale of the takeover of the Dwarves’ great golden hoard by the dragon Smaug. Bilbo is tasked to help the Dwarves steal back the treasure stolen from them. And, while he’s extremely reluctant to be a part of all this, Gandalf basically forces him to, the pushy bastard. And Bilbo’s Greatest Adventure now lies ahead!

Speaking of, here’s the song “The Greatest Adventure”, sung by Glenn Yarborough, who is the living personification of vibrato. Fuckin’ seriously, this guy’s voice is ridiculous, but I love it so much. As the night passes underneath Glenn Yarborough’s hypnotically shaky voice, and uncertain, Bilbo stares out at the moon. Once it’s over, we’re on our way to the Misty Mountains.

Bilbo’s having a tough time with the long journey and rough weather, and it doesn’t get much better when they encounter a trio of trolls. They send out Bilbo to try and steal some mutton from them, but he’s IMMEDIATELY a failure, and also manages to tell the trolls that the dwarves are present. Nice one, Bilbo. The trolls catch all of the dwarves, although Bilbo manages to escape. 

The trolls argue about how to cook the dwarves, but before they get to do anything, Gandalf shows up and summons the dawn, turning the trolls into stone and saving the dwarves. While they’re initially quite frustrated by Bilbo’s failure, he makes it up by discovering a horde of goods and weapons stolen by the trolls. This is also where Bilbo gets his classic weapon, Sting.

Gandalf, cheeky bastard that he is, suddenly reveals a map that he’s kept secret from Thorin, its rightful owner. Bilbo, a classic cartomaniac, is able to interpret the map. But there are also runes that they can’t quite read. And so, Gandalf brings them to his friend, Elrond (), who’s wearing a sick-ass glittery tiara that’s hovering off his head. How come Hugo Weaving didn’t have that?

Anyway, Elrond identifies the swords that Thorin and Gandalf grabbed as Orcrist, the Goblin-Cleaver and Glamdring, the Foe-Hammer, because FUCK YEAH, BABY, those are some fuckin’ NAMES! WHOOOOOO!

Anyway, he also points them in the direction of the mountain, and shows them hidden features to the map. They head through the mountains after this, and rest in a cave. Unfortunately, this cave is on Goblin territory, and the group (sans Gandalf, who’s disappeared to make out with Cate Blanchett or whatever) is quickly ambushed by a group of now-horned Goblins, who chant their song as they go “Down, Down, to Goblin-Town”. Which is a song that I love, unironically. It compels me to sing along.

The Goblins nearly kill them when they discover Orcrist in Thorin’s possession, but they’re saved by the sudden appearance of Gandalf with the glowing sword Glamdring. He kills the Great Goblin, and the group run out with the Goblins in hot pursuit. Well, except for Bilbo.

Yeah, Bilbo falls into a cavern below the mountain, and the dwarves think him gone for good. However, he’s miraculously safe on the ground, having landed in an underground aquifer, in which lives THE GREATEST CHARACTER IN THE MIDDLE-EARTH FRANCHISE FUCKIN’ AT ME I DARE YOU

And just so we’re clear, I’m not talking about the film version only, I’m talking about Gollum/Smeagol in general. Granted, I don’t want a film starring him or anything (coughCruellacoughcoughMaleficentcoughcoughClaricecoughcough), but I love this dissociative little dude so much. He’s one of my favorite fantasy characters in general, and is also maybe the best example of a sympathetic villain, in film at least.

OK, to be fair, I love Andy Serkis’ version of the character a LOT, like a LOT a lot, and it’s a great version of the character. OK, so what do I think of this version? He’s...interesting, actually. If I’m honest, I kinda like him. This is similar to how I always pictured Gollum when I was a kid.

I mean, listen to this description from the book, yeah?

Deep down here by the dark water lived old Gollum, a small slimy creature. I don't know where he came from, nor who or what he was. He was Gollum - as dark as darkness, except for two big round pale eyes in his thin face...He was looking out of his pale lamp-like eyes for blind fish, which he grabbed with his long fingers as quick as thinking.

I dunno, that does sound more like this version of Gollum to me, just saying. Anyway, while Gollum is off fishing in the water, Bilbo gets up on the shore, where he finds a little golden ring Not important, just a ring, definitely means nothing at all, NOTHING AT ALL, NOTHING TO SEE HERE.

The hungry Gollum (Brother Theodore) happens upon Bilbo, precious, wonders if Bilbo would taste good, and is basically about to kill him for his sweet hobbit meat, before Bilbo takes out Sting. Now afraid, Gollum offers a game of riddles. The two make a deal: if Bilbo wins at a game of riddles, Gollum will show him the  way out. But if Gollum wins, precious will eat him raaaaaaaw and wrrrrrrrrrriggling!

The riddles commence, in a super-fuckin’-classic moment, and also ends with maybe the most bullshit moment in all of fantasy lore. After clever riddles with answers involving eggs, wind, and time, Bilbo’s last riddle is “What’s in my pocket?” The fuck, Bilbo, that’s absolute BULLSHIT!

Not that it matters. Bilbo wins, but Gollum goes to find his ring to show it to Bilbo before he takes him away. Thing is, though, that’s what was in Bilbo’s pocket, which Gollum quickly figures out, my precious. He’s about to kill Bilbo to get back his birthday present, precious, but Bilbo discovers the secret trick of the ring: it turns the wearer invisible, AND THAT WILL NEVER BE A BAD THING EVER.

Gollum thinks that Bilbo’s escaped and runs after him toward the exit. This, of course, leads Bilbo towards the exit inadvertently, and he follows Gollum, then jumps over him to get back. To which Gollum screams the following:

Thief! Thief! Baggins! We hates it! Hates it! Forever!

I hear you, buddy. I hear you. Well, once Bilbo escapes, he reconvenes with the rest, and shares his adventure in the cave, but leaves out the ring. And Gandalf seems to know, based on his dialogue. And I checked, and he figured it out in the book and Jackson movie, too. And I gotta say...WHAT THE FUCK GANDALF

I mean...DUDE. CHECK UP on that shit. Do you wizard job, man! If you’d been like, “Dude...you didn’t find a magic ring that turns you invisible, ight, because we’re FUCKED if you did”, NONE OF THE LORD OF THE RINGS WOULD’VE HAPPENED, AND BOROMIR WOULD STILL BE ALIVE

Everybody talks about the fuckin’ eagles, but WHY DO I NEVER HEAR ANYONE MENTION THIS SHIT? Gandalf the Grey: Middle-Earth’s most irresponsible asshole, I swear...

This seems like a good place to pause, actually. See you in the next part!

[shrikeseams]

#feanor is basically that one hishe darth vader 'i have a SON' skit brought to life change my mind i love the demographic-math everyone-in-me-is-descended-from-elros thing and i'll bring it up at every possible opportunity i'm sorry eirian i needed to exorcise the brain worms anyway my terrible fic fic house of feanor elrond earendil feanor samwise elanor pretty much all my fic content for this fandom is stupid feanorian aus i'm sorry the sons of feanor do indeed get a bag end breakfast. it is deeply weird for everybody they're also way way way too eager to potentially fight the eagles feanor is having the time of his goddamn life and doesn't care what he breaks along the way earendil may be exploiting the opportunity to talk to humans again and elrond is the designated driver more or less by default. poor guy they go on adventures. elrond gets to see his kids again. shit happens i figure elwing eventually catches up with them but there's pretty much no way i can make a scene with her and the feanorians funny the cool calm lady of the white tower front is going up FULL FORCE also idk what's up with those coordinates curvo told tyelpe about but there's no way they don't lead to chaos - 

heeey! so back when @eirianerisdar posted chapter 12 of their fic the ransom of the house of fëanor - that’s the one where they finally let the brothers hellspawn and their idiot dad out of the void, but they have to throw elrond in, all very sad - i thought up my own somewhat fluffier vastly dumber au for the end of that chapter. in honour of the fic being finished, i’ve decided to write up the various scattershot ideas i’ve had for it, with the caveat that i’ll be working off my own slightly different background headcanons

the divergence point is roughly when elrond announces that he’s totally going into the void now, for realsies, the local ainur are nodding solemnly, and the fëanorians are running preliminary can-we-take-them calculations. except for maedhros, who’s very sad to hear that they must sacrifice his nephew to the eternal dark for their freedom, ‘tis truly a shame, they will honour his memory and GET THE BOAT, BOYS

or, the original elf mad scientist, his murderous blood-hungry spawn, a guy who’s extremely grouchy about not getting to do his dramatic self-sacrifice, and their somewhat-less-reluctant-than-he-should-be getaway driver go on the lam

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