#they get my attention on purpose so I'll put more out

[teaandinanity]

The poor crow that came by to check if I'd put out more sunflower seeds mid-thunderstorm had the most SPECTACULAR wet cat vibes. Also just. Darling, what are you doing, go get under shelter, I KNOW you are smart enough for that, you are a CROW.

[sturns-4-life]

Cut it: M.S

Summary: Matt's on live while you're laying on his bed, bored. You decide you want to tease him. And boy is that fun.

Warnings: unprotected sex, bratty!reader, rough dom!Matt, use of y/n, pet names(I think), rough sex, degrading, slight praise, doggy style, missionary, spanking, slapping. Lmk if I missed anything!

Requested? || Yes by @solarsturniolo

Word count: 1,042

I don't know how this happened but it did. And I'm currently getting eaten out by Matt as if he were a starving man.

𝙁𝙡𝙖𝙨𝙝𝙗𝙖𝙘𝙠…

"Fuck!" I hear Matt yell from dying in his game. I roll my eyes and continue scrolling away on TikTok.

Matt has been playing games with Nate and Chris (Nick's with Madi at the mall) for who knows how long.

"Matt, you know you have a girl in your bed? Most people would love that fact and at least give her five minutes of attention.”

All he says back is. 'in a sec, one more game' for the tenth time. "You said that an hour ago!" I say in a whiny tone.

"It hasn't been an hour, you're being dramatic." I roll my eyes as he says that. His eyes never leave the screen for a second.

Suddenly I get an idea. I walk up to him from behind and hug him; his camera on Discord isn't on, so no one can see what's going on.

I purposely drop my phone under the desk. "Oops, sorry." I say to him as I go under the desk to 'grab my phone'.

As I'm 'picking up my phone', I start to slowly slide my hand up his thigh. "Y/n, stop." I look up at him with the most innocent look ever. "Stop what?”

He looks down at me, I can tell he's pissed. Then looks back at the game. I move my hand to his crotch and start rubbing it. "Y/n." I ignore him.

I slip my hand into his sweatpants and start to slowly pull them down. "Y/n, don't start." I once again ignored him. As I start palming him through his boxers.

"Y/n, 𝙘𝙪𝙩 𝙞𝙩." Still ignoring him, I start to slowly pull his boxers down, as I hear him let out a soft moan.

"We moanin' now?" I hear Nate say with a laugh, as Chris laughs with him. "Shut the fuck up." I wrap my hand around his length.

"Y/n, I'm serious. you don't want me to have to teach you a lesson, do you?" I roll my eyes. "You won't do shit." That was it.

He pulls me up onto his lap and mutes his mic. "You wanna be a little whore and pull that shit when I'm talking to my friends, you gonna get fucked like one.”

He sits me on his desk and starts to pull my shorts down. "Mat-" "-Shut up, slut.”

𝙀𝙣𝙙 𝙤𝙛 𝙛𝙡𝙖𝙨𝙝𝙗𝙖𝙘𝙠…

"Matt! Fuck." I move my hand to the back of his head pushing him deeper. “Hands by your sides or I swear I'll tie them up.”

“But I don't wanna!” I say in a whiny tone, again. I watch as he gets up and grabs handcuffs and a rope.

Why does he have that? I don't know. But I do know I'm in deep shit. “Matt, no. I'll stop.”

“Too late.” He grabs my wrists and cuffs them together. ”Matt!” “Stop fucking whining.” Where did it come from? I don't know, but he then puts a blindfold on me.

He picks me up and throws me onto his bed. Everything's quiet for a second, besides the sound of the front door opening and closing.

The sound of Madi and Nick's laughter fills the house. Matt then puts his hand over my mouth. “Don't make a fucking sound.”

Without warning I feel him pound into me, causing me to scream into his hand. “Fucking slut, told you to stay quiet, didn't I?”

Unable to form words at the time, I nod. “And did you stay quiet?” I shake my head ‘no’. The second I do I feel a hard slap to my cheek.

“Use your fucking words” “No! I didn't!” I feel him start to pick up his pace, his hand going down to rub my clit as I let out another moan.

“Fuck! I'm gonna cum.” No response. His pace quickened even more until he finally said. “Hold it.” I wanted to, I really did. But knowing how much it'll piss him off.

I still did it, letting out a loud moan as his movements came to a stop. Another slap landed on my cheek. “Did I say you can cum?”

I shake my head ‘no’, again. *𝗦𝗟𝗔𝗣* “Use your fucking words.” “No! No, you didn't.” *𝗦𝗟𝗔𝗣* “So why did you?” “I don't know–” *𝗦𝗟𝗔𝗣*

“Not an answer.” “I couldn't hold it!” *𝗦𝗟𝗔𝗣* “Fucking whore, turn around, baby.” Not wanting to piss him off more, I turn around. Face down, ass up.

*𝗦𝗟𝗔𝗣* I felt another hard smack again, but this time it wasn't on my face. But on my ass instead, feeling him pound back into me at the same time.

“Matt! Slow down!” With that, he quickened his pace. Causing me to let out a louder moan. “You want me to?” Another slap to my ass. “Yes! Fuck!” “You should have thought about that before you decided to be a whore and touch up on my dick while I'm talking to my friends.”

Another slap. I felt him grab onto my hands from behind as he quickened his pace even more. “Matt! I'm gonna cum!” “Hold it. I'm serious.” I let out a loud whine as he starts to rub my clit again. “I can't! Please.”

“Go ahead. Cum for me, baby.“ I let out a loud moan as I cum on his cock, feeling his pace quicken as he reaches his climax. Hot spurts of his load fills me up as he slowly pulls out.

“You did so good for me, baby” Unable to form words at that point I simply nod. My phone buzzed once, then twice. As I check my phone, I see two text messages.

One from Madi, one from Nick.

Fuck.

At least Matt's mic was muted. Well, that's what we thought.

Author's note! I lowkey hate this but it's for my baes 🤭 Chris and Matt anon

Tags: @immattsslut @tashasmywife @cindylcuwho @nicksgirlfriend

Dividers: @plutism

[necstasy]

what are your thoughts feelings emotions about paul atreides having a breeding kink...... wanting so badly to knock his girl up......

creampie; soft paul; husband!paul & PAUL ATREIDES MDNI 18+

it comes to him naturally.

he’s always had the desire to reproduce settled in the back of his mind. he’s always wanted a family; a wife he truly loved, kids who he could see himself in. it was simple to him at first—base instincts of a man, especially the heir to the throne.

and then you two married, and it became something more primal. something more debauched, and therefore deeper into the base instincts. he couldn’t sleep as his mind was plagued with images of you, to the point where he needed to thrust these visions into reality. they were all within reach, all he needed to do was spread your legs and settle between them with the same determination he tended to push down in fear of scaring you off.

but he doesn’t think he could ever scare you off. not with how receptive and eager you are.

your legs opened to accommodate paul’s lithe hips in between them. your hands in his curls and pressed into the muscles of his back. really, your hands are everywhere. sliding down his torso, pinching his hips, pressing into the dimples in his lower back. you’re insatiable, trying to get more of him even as you drink in all of his air as you kiss him.

he’s just as bad if not worse.

his hands roaming your body. from your hair, to cupping your jugular, to pinching your nipples, all the way to teasing your cunt. he wants you, but he doesn’t want to make it quick. he wants it to last.

so he takes his time. each thrust into you is purposeful and artistically crafted. it’s not just a means to an end, it’s a rehearsed dance that he gets better at each time. sure, he has a goal—to shoot his cum as far into you as possible—but he wants it to be as enjoyable as it always is. he sucks hickies into your neck, he peppers loving kisses all along your body while he tells you how appreciative he is of you. it pains him, but he dismisses your cries to go faster and give you more. he wants it to be slow and romantic, his still blossoming mind only associating the two with each other and never with any other fashion of fucking you. love making, as he would call it.

until you hook a leg around his waist and beg. “will you cum in me, paul? so i can make you a father?”

god, you want to make him a father, the same way he wants to make you a mother. it’s so simple, nothing profound, but just that admission and your begging has paul’s hips snapping into yours. you have inadvertently gotten exactly what you wanted, and you’re vocal about how thankful you are. this is a different form of love making. it's addictive.

paul’s green eyes stare down at you the entire time, switching between taking in the way your face morphs into pure pleasure and how his cock easily slides in and out of you. he doesn’t know which view he enjoys more: the way your lips part and your eyebrows pinch together, or the way you’re literally creaming around his cock before you’ve even reached an orgasm. he tries to pay equal attention to both views, but he ends up focusing solely on the work he's doing below, his eyes attentive even through the weight of them.

he watches his cock drive in and out of you, so focused that he doesn't notice the speed that his mouth moves.

"yeah? you want me to?" he asks in relation to your begging. you nod, but he doesn't notice. he continues either way. "i'll put a baby in here, my star. i think you'd look so pretty. you always look so pretty 'f me."

he has a distant thought to focus on your pleasure, but it doesn't make it to the forefront. instead, he focuses on one thing: knocking you up. and he makes sure he gets his wish when he cums into you forcefully, his head buried in your neck while he keeps his hips flush against yours, his cock twitching inside of you as warm spurt after warm spurt flies out of him and settles into you. and even when he's done, he sits there for a while, refusing to leave in fear that the tiniest amount trickling out of you could damage the possibilities.

just to be extra sure, he fucks the cum back into you once he's pulled out, bringing you to an orgasm just by his fingers covered in his cum alone.

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

[derinwrites]

How can I make money writing fiction?

I'm gonna be straight with you. There is no guarantee that you'll make enough as an independent writer to make it worth your time. You very well might -- I make a liveable wage as an independent writer -- but many don't. Most writers I know also have a job. And luck plays a big part in it.

If you're interested in going forward in spite of this, you have two main options for monetisation open to you, and you are going to have to pick one. I call them the sales model and the sponsorship model, and you are going to have to pick one.

The sales model involves writing stories and selling them to readers. You can put books up on Amazon or Smashwords, sell them direct from your own website, enlist the help of a traditional publisher to handle that for you and let them decide where to sell, whatever -- the point is that your money is made from the sale of books to readers. If you go with a traditional publisher, you're using this model (though they will give you some of the money ahead of time in the form of an advance). Most indie authors also use this model, publishing through draft2digital, Ingram Spark, direct through Amazon, whatever. I've never relied on the sales model and can't give you any advice on how to do this, but Tumblr is full of indie authors who probably can.

The sponsorship model involves soliciting small amounts of money from various readers over time. This is ideal for web serials, and it's what I use. I use Patreon, which is designed specifically for this purpose, but you can use other sites such as ko-fi. This model involves providing regular content for free, with bonuses for those who support you.

"Can't I do both? Sell books and have a Patreon?" You absolutely can! I know several indie authors with a Patreon. I sell my completed books as ebooks and will eventually sell them as paperbacks. But your time and attention is limited, and so is your audience's, and you're going to have to half-arse one of these in order to have enough arse to whole-arse the other. You're going to make a lo of decisions that benefit either the sponsorship model or the sales model, not both. So pick your primary income source early and commit.

I can only advise on writing web serials and using the sponsorship model, so I'll go ahead with that assumption. If you want to make a liveable wage doing this, not only will you need luck, you'll also need patience. This is not a fast way to build a career. at the end of my first year of doing this, I had one single patron, and they were a real-life friend of mine. When I reached an income of $100/month, I threw a little party for myself, I was so happy. It had taken such a long time and was so much work. I reached enough to cover rent/mortgage after I'd been doing this for more than four years. It's a long term sort of career.

Here are some general tips for succeeding in this industry, given by me, someone with no formal training in any of this who only vaguely knows what they're talking about:

Have a consistent update schedule and STICK TO IT

The #1 indicator for stable success in this industry (aside from luck, which we're discounting because you can't do much about that) is having a consistent update schedule. Your readers need to know when the next chapter is coming out, and it should be coming out regularly. Ideally, you should have no breaks or hiatuses -- if you're in a bus crash or something, that might be unavoidable, and your readers will understand if you tell them, but if you're stopping and starting a lot for trivial reasons, they WILL abandon you. You can't get away with that shit if you're not Andrew Hussie, and I'm pretty sure Andrew Hussie doesn't message me for career advice on Tumblr. If you find you need a lot of hiatuses to write fast enough then you're updating too often; change your schedule. A regular schedule is more important than a fast one (ideally it should be both, but if you have to pick between the two, pick regular).

2. Pay attention to your readership, listen to what they want from you

Your income is based on a pretty complicated support structure when you're using the sponsorship model. this model relies on people finding your story, liking your story, and continuing to find it valuable enough to keep paying you month after month. This means that your rewards for your sponsors should be things that they value and will continue to pay for ('knowing I'm supporting an artist whose work I enjoy' counts as a thing that they value, to my great surprise; there's a lot of people giving me money just for the sake of giving me money, so I can pay my mortgage and keep writing for them without needing a second job), but it also means supporting the entire network that attracts readers and keeps them having the best time they can with your story -- being part of a rewarding community. Because this is advice on making money, I'm going to roughly divide your readership into groups based on how they affect your bottom line:

sponsors. People giving you money directly. The importance of keeping this group happy should be obvious.

administration and community helpers -- discord moderators, IT people, guys who set up fan wikis, whoever's handling your mailing list if you have a mailing list. You can do this stuff yourself, or you can hire someone to do it, but if you're incredibly lucky and people enjoy being a part of your reader community, people will sometimes volunteer to do the work for free. If you are lucky enough to get such people, respect them. They are doing you a massive favour, and they're not doing it for you, but to maintain a place that they value, and you have to respect both of those things. My discord has just shy of 1,300 members and is moderated by volunteers. I'd peel my own face off if I had to moderate a community that large. If you've got people stepping up to do work for you, you need to respect them and you need to make sure that they continue to find that rewarding by doing what you can to make sure that the community they're maintaining is rewarding. Sometimes this means taking actions and sometimes this means staying the fuck out of the way. Depending on the circumstances.

fan artists. Once you have people drawing your characters, writing fanfic of your stories, whatever, treat these like fucking gold. Give them a space to do this, and more importantly, give them a space to do this without you in it. Fanworks are a symptom of engagement with your work, which is massively important. They are also a component of a healthy community, an avenue for readers to talk to each other and express themselves creatively to each other. Third, fanworks act as a bridge for new readers. When readers share their art on, say, Tumblr, it can intrigue new people and get them into the story. Your job in all of this is to give them the space to work, encourage them as required or invited (I reblog most TTOU fanart that I'm tagged in on Tumblr, for instance), and other than that, stay the fuck out of their way. These people are vital to the liveblood of your community, the continued engagement of your audience, and the interest of your sponsors. Some of the fan artists will be sponsors themselves; some won't be. Those who aren't sponsors are still massively valuable for their art.

speculators, conversers, theorists, livebloggers, and That Guy Who's Just Really Jazzed For The Next Chapter. Some people don't make art but just like to chat about your story. These people are a bedrock of the community that's supporting your sponsors and increasing your readership, and therefore are critical to your income stream. Give them a place to talk. Be nice to them when they talk to you. Sometimes, they'll ask you questions about the story, which you can choose to answer or not, however you feel is appropriate. They'll also want to chat about non-story-related stuff with each other, so make sure they have a place to do that, too.

that guy who never talks to you or comments on anything but linked your story to ten guys in his office who all read it now. Some of your supporters are completely invisible to you. You can't do anything for these people except continue to release the story and have a forum they can silently lurk on if they want to. But, y'know, they exist.

If you want to focus on income then these are, roughly, the groups of people that you will need to listen to and accommodate for. You can generally just make sure they have space to do their thing, and if they want anything else, they'll tell you (yes, guys, paperbacks will be coming eventually). Many people will fit into multiple groups -- I have some sponsors that are in every single one of these groups except the last. Some will only be in one group. A healthy income rests on a healthy community which rests on accommodating these needs.

3. If you can manage it, try to make your story good.

It's also helpful for your story to be good. Economically, this is far less important than you'd think -- there are some people out there writing utter garbage and making a living doing it. Garbage by what standards? By whatever your standards are. Just think of the absolute laziest, emptiest, hackiest waste-of-bandwidth story you can imagine -- some guy is half-arsing that exact story and making three times what you'll ever make on Patreon doing it. And honestly? Good for him. If he's making that much then his readers are enjoying it, and that's what matters. Still, one critical component of making money as a writer is writing something that people actually want to read. And you can't trick them with web serials, because they don't pay in advance -- if they're bored, they'll just stop. So you have to make it worth their time, money and attention, and the simplest way to do that is to write a good story.

This hardly seems mentioning, since you were presumably planning to do that anyway. It's basic respect for your audience to give them something worth their time. Besides, if we're not interested in improving our craft and striving for our best, what are we even writing for? I'm sure I don't need to tell you to try to write a good story. The reason I list this is in fact the opposite -- don't let "I'm not a good enough writer" paralyse you. The world is full of someday-writers who endlessly fuss over and revise a single story because it's not good enough, it's not perfect, they're not Terry Pratchett yet. Neither was Terry Pratchett when his first books were published. If you're waiting to be good enough, you won't start. I didn't think Curse Words was good enough when I started releasing it -- I still don't. I started putting it out because I knew it was the only way I'd get myself to actually finish something. I don't think it's all that great, but you know what? An awful lot of people read it and really enjoyed it. And if I hadn't released it, I'd have been doing those people a disservice.

Also, it taught me a lot, and based on what I learned, Time to Orbit: Unknown is much better. If I'd never released Curse Words, if I hadn't seen how people read it and reacted to it and seen what worked and what didn't, then Time to Orbit: Unknown wouldn't be very good. And it certainly wouldn't be making me a living wage, because it was the years writing Curse Words that started building the momentum I have today.

And Time to Orbit: Unknown as it is today has some serious problems. Problems that I'm learning from. And the next book will be a lot better.

So that's basically my advice for making money in this industry. Be patient, be lucky, be consistent. Value your community; it's your lifeline, even the parts of it that don't directly pay you. And try to make your story as good as you can, but make that an activity you do, not a barrier to prevent you from starting.

Good luck.

[milksockets]

why scan?

scanning is something i've done for probably about 12 years now (i'm ancient, for this site), with varying degrees of regularity, intensity, etc. it has ratcheted up since the dawn of 2023, though, which begs the question: why? why put so much time into what could not-wrongly be considered a passive activity, hunched over a piece of clunky machinery with the express purpose of preserving others' creations? the answers are several, and fascinating (not really).

i am a [sober] drug addict. anything i pursue, consume, create--more often than not--ends up taking on addictive qualities. i'll eat the same specific food item for a month, then never want to see, let alone taste it, again. i'll listen to one song on repeat for days until i'd rather hear nails on a chalkboard than have it shuffle on and assault my ears. one of the reasons that my scanning has increased in volume recently is that i acquired library cards to the 3 nyc library systems: nypl, brooklyn, and queens. as soon as i was able to, i pillaged + plundered those fine centers of learning, leaving any given library with as many hefty scan-worthy books as i could [barely] carry. here, finally, was a *free* way of obtaining more + more + more visual media to consume.

2023 saw me get my first legal, full-time job. as such, my adjusting to that hellish reality resulted in a steep decline in my own personal creative output. collaging, writing, and rapping all fell to the wayside as i slowly acclimated to a life of work that almost everyone else my age has known for over a decade is generally unbearable + detrimental to the maintenance of outside pursuits. in times of famine within my own artistic harvest, scanning, archiving, and sharing others' work is a means of feeling as though i am still contributing to the global oeuvre.

there’s an element of losing my mental self in a series of physical motions that becomes almost automatic after some time. “zoning out” is not something endemic to my daily life; if anything, i’m almost always too zoned in. relief is necessary.  especially considering the shitshow this past year has been in terms of my personal life.

i am a product of capitalism’s cultivating a craving for constant consumption. 

it seems that visual content is only going to continue to get more + more uninspired. has everything been done? did social media ruin it all? in any case, i feel a need to document the past. to a degree, it’s my version of doomsday prepping. (god forbid books go extinct altogether.) 

i have always gravitated towards solitary activities. this topic could be a thesis in its own right.

i thrive on external validation. this reliance is something i’ve improved upon over the past several years, but it hasn’t been altogether extinguished. even though the materials i scan are not of my own creation, i nevertheless feel a vague pride in showcasing them. occasional appreciation thereof satisfies this fixation on others’ attention, albeit in a diluted form. 

i am fortunate to live in a city bursting to the gills with cultural institutions. i am also lucky enough to have some disposable income that can be directed toward fulfilling my ravenous desire for visual media. 

((i keep getting messages about the specifics of my scanner + "process":

i have a cheap ass hp envy 6055e and i just use the software it comes with.

there's nothing special or fancy happening here, and i could definitely invest in a better and/or a large format scanner, etc. but i really just don't care enough and it's not like i'm getting paid for this lmao))

[mistiell]

Let me put my Lips to Something

Pairing: Spencer x Fem! Reader

Summary: After learning about his aversion to touch, you tone down the physical affection. Spencer finds himself missing your touch, and after weeks of yearning, he’s had enough. He decides it’s time to fix this.

Word Count: 2.4k

Warnings: Fluff, it gets pretty steamy towards the end but nothing graphic so I don't think this needs age restricting lmao

A/N: Part 2 to “I’m Starvin’, Darlin’”. The feedback on the last part motivated me to finish this in like, a single sitting lmao. Hope y’all enjoy! :)

P.S. My requests are open so if you wanna send something in for Spence, I'll do my best to get to it quickly!

Part 1 - Current - Part 3

Spencer hadn’t realised how much he wanted — how much he needed — your touch until you stopped. Where there was once that warm, tingly anticipation whenever he made you laugh, there‘s now a strange absence left in its wake. Where there used to have been a bump or a squeeze, there are awkward smiles and nervous glances. Like a line of dialogue without end quotations, left to hang in the balance while the author considers what should be said next.

It’s killing him.

He’s come to realise that this want extends beyond the bounds of anything that could ever be considered platonic. He wants more than your touch. He wants you.

He craves you, finds himself remembering the way your arms felt around him the last time you hugged him. Finds himself fantasising about how it would feel to be the one to take you in his arms. How it would feel to be the one to hold you; to cradle your face between his palms and lose himself in your kiss; to let go of his inhibitions and drown himself in the depths of your affections.

He wants your time and energy. He wants your attention and praise. He wants to be the one to make you smile and laugh so hard your stomach hurts. He wants to be yours, and he wants everyone to know it.

It’s only been three weeks since that night at the bar, but even so, he feels like if he doesn’t figure out how to tell you how he feels, he might very well lose his mind. You’re right across from him all day, five days a week. It’s torture. Perhaps he’s being dramatic, but at this point, he’s well beyond caring.

The problem is, how on earth is he supposed to go about confessing to you? He’s never been suave or charismatic. He’s awkward and dorky and breaks a sweat every time anyone even remotely attractive looks his way. He’s never felt this intensely about anyone before, never desired anyone this way before. Sometimes, late at night when he’s finally tucked himself into bed, he attempts to calculate the probability of you ever wanting him in the way he wants you.

In his pessimistic mind, that number is despairingly low.

“Spence?” He startles at the sound of your voice, snapping his head up to look at you.

You’ve worn a different lipstick today. It’s a little darker than your usual colour, a rather glossy, rosier shade of mauve. He thinks he’s seen it somewhere before, and the name pops up from somewhere in his memory.

“Rum raisin.” He mumbles, staring intently at your lips and wondering briefly if it would transfer if he kissed you.

“What?” You cock your head at him with an amused sort of confusion.

He blinks once before clearly his throat, “Oh, um, your lipstick.”

You raise your hand so your fingertips hover over your bottom lip as you smile at him, “How’d you know?”

“I saw it in a drugstore once.”

You chuckle and shake your head, “Your memory never ceases to amaze me, Spence.”

His heart swells as he smiles sheepishly, “Thanks.”

You hum before gesturing to two big boxes of files that are sitting on your desk, “Could you help me run these down to records?”

“Oh, yeah.” He’s quick to cross the short distance to your desk and purposely picks the heavier of the two boxes.

The trip down to records is a rather tedious one as of today. The elevator is out of order so you have to take the stairs from the sixth floor to the third.

“Do you like rain?” You ask, and it takes him a moment to realise you’re looking out water speckled windows at the stormy street below.

“Yeah.” He leaves out the part that the possibility of power outages and the darkness that accompanies them unnerves him greatly.

You turn your head to smile at him as you reach the records room, “Me too.”

He opens the door for you before you have the chance and lets you go in first, letting the door shut behind him. He follows you into the room, weaving between shelves and stepping over boxes that have yet to find their places. He watches you skim over the yellowed labels, your lips twitching as you read them off in your head.

You find the spot you’re looking for and make a sound of satisfaction before bending at the waist to slide the box into place, your skirt sliding a little further up to press against the plush flesh of the backs of your thighs. His gaze wanders up the length of your body and stops at your chest. From this angle, he’s able to see the curve of your breast and he swallows hard. Squeezing his eyes shut, he shakes his head, feeling ashamed for ogling you like that.

Behind the darkness of his eyelids, he sees the lights flicker and when he opens them, he finds he’s not able to see much more than when he had them closed.

Shit.

“Damnit, the power’s out.” You curse, taking the box from him and slotting it in next to the other.

He takes a deep breath. The dark isn’t as frightening with you there in front of him, but that familiar anxiety pricks his chest and settles heavy in his gut.

“Spence?”

He wonders when the emergency lights will come on. Maybe they’re already on in the hall. He feels along the wall and shuffles back over to the door. When he tries the knob, he finds it locked. Now he’s panicking a little.

Well, maybe a lot.

There’s a clap of thunder outside that’s so powerful that he feels it in his chest and he jumps, breath catching in his chest as he screws his eyes shut as if it’ll make a difference.

“Spence?” You call again softly, “Are you okay?

“Y-Yeah.” He stutters.

“You don’t like storms?”

He shakes his head before realising you can’t see him, “No, not really.”

“Me neither.” You whisper, and he hears the shuffling of your clothes as you shift your weight between your feet and huff a breathy puff of nervous laughter, “I don’t like the dark either.”

“Me neither.” He echoes, wetting his lips briefly as he considers how to comfort you despite how anxious he is himself.

Carefully, tentatively, he reaches for you in the dark and takes your hand, just barely brushing his thumb over your knuckles. Your skin is soft and warm, and he attempts to find your face in the dark as he murmurs ever so softly, “Is this okay?”

“Yeah.” You reply just as softly, squeezing his hand.

It’s a little unsettling not being able to see you. He can hear you breathing, and having your hand in his feels so nice, but he wants you closer.

“Can I…” He trails off, but tugs at your hand so you’ll step a little closer. He swallows his nerves, “Can I distract you?”

It’s a lame excuse, but it’s all he can come up with on the spot.

“Distract me how?” He can hear the smile in your voice and it encourages his steadily growing confidence.

He pulls you closer, and you step further into his space. He places a hand on your waist, and you don’t recoil. In fact, you come a little closer and set a hand on his chest. You slide it along the length of his shoulder and up the back of his neck to thread your fingers in the hairs at the base of his skull and he shudders, lips parting to sigh softly. Your thumb settles just behind his ear and strokes the skin there tenderly and he can’t stop himself from leaning down to gently bump your nose with his, giving you plenty of time to pull away, to tell him you don’t want this.

“Can I kiss you?” You ask so innocently, breath fanning over his lips in a steady rhythm as his eyelids flutter shut.

“Please.” He breathes, leaning in to meet you halfway.

Your lips meet his timidly and his heart stutters in his chest. There’s a second where you pull back to let him breathe, let him get used to the feeling. His eyes open a sliver, just enough to make out the edges of you in the dark as his brain catches up with his body. And then the shock passes.

And he devours you.

The hand that was on your waist comes up to cradle your cheek as he brushes his tongue against your bottom lip in a silent request. You grant it, opening up to him to let him roll his tongue against yours. You stand on your tiptoes and lean further into him, returning the kiss with a fervour he wasn’t expecting but welcomes happily. He can taste your lipstick and is pleasantly surprised to find it tastes a little like vanilla.

There’s a push and pull of tongues and teeth and soft little sighs as he dares to slip his hands down and pull you flush against him by your hips, revelling in the breathy moan that slips from your throat and meets his mouth. He pulls away only to kiss sloppily at the corner of your mouth and down your jaw. He nips at the juncture between your neck and shoulder, smiling against your skin when you gasp and tug at his hair. Mouthing at your skin, he searches until you whine and shudder after he drags his teeth over a particular spot and focuses his attention there.

He sucks a nice bruise into the spot, some primal part of him driving him to mark you up and claim you as his while he has you here. He bites a little too hard and you hiss, making him pull back and search for your face in the dark.

“Sorry, did I hurt you?”

“Mm-mm.” You hum before immediately capturing his lips again, slipping your tongue into his mouth and swallowing the moan that escapes him.

He guides you by your hips until he has you pressed against the door, sliding a hand down the length of your thigh before slipping it up past the hem of your skirt to grab greedily at your flesh. He hikes your leg up by his hip and you hook your knee around it to pull him impossibly close.

His touch is tender even as he practically swallows you whole, thumb stroking the side of your thigh where your skirt has ridden up. He rolls his hips up against your experimentally and you whine, urging him to do it again. This is what he’s wanted — craved — for so long. You’re warm and soft in ways that his imagination could have never replicated. He’s dizzy, drunk on your kiss, on your touch, on you.

He’s attached himself to your neck again — the other side this time — when the lights flicker on, startling you both into looking up at the ceiling.

The room is filled with nothing but the sound of your combined laboured breathing, and when he looks back at you, he finds your face flushed and your lipstick smudged. You look back at him and he notices your pupils are blown wide as you suddenly smile and start giggling.

“What?” He chuckles, letting go of your thigh so that you can stand on your own two feet again.

“Rum raisin looks good on you, doctor.” You laugh, thumbing the remnants of your kisses off of his bottom lip.

He kisses you once again, smiling against your lips.

You tug him back and laugh again, “You’re making it worse!”

He does it again, and again, and then peppers kisses over the side of your neck until you’re giggling something awful and have to scrunch your shoulder to your ear to keep him from tickling you.

“Spencer!” You squeak as quietly as you can and he pulls away laughing.

Your giggles die down, and then you’re both left in a silence that isn’t awkward, but isn’t quite comfortable either. He has to say something, but what?

“Hey, would you, um,” You start, glancing down at his lips and biting at yours nervously, “Would you like to go out with me sometime? Just us?”

He blinks, wanting to pinch himself to make sure this is actually happening, “Like, a date?”

You nod. He blinks again before practically beaming at you.

“Yeah.” He nods, attempting to correct the smudged edge of your lipstick with his thumb, “Yeah, I’d really like that.”

“Saturday? Five o’ clock? We can do whatever you want.”

He nods again, “Sounds good.”

“Good.” You smile, leaning up to kiss him, your touch so saccharine and gentle that his legs feel like jello beneath him.

The doorknob jiggles suddenly and he instinctively reaches to help you button up your blouse a little more while you fiddle with the collar until it covers the rather obvious hickey on your neck.

“Hey, are you two still in there?” Derek calls from the other side as you attempt to help Spencer fix his hair to no avail.

“Uh, yeah!” He calls, clearing his throat after his voice cracks up an octave, “We accidentally locked ourselves in.”

“Here.” You bend to slide the key under the door, and this time, he stares unabashedly, “That’s the key.”

The knob jiggles a little more before the door opens, and when it does, Derek eyes the two of you suspiciously, “You guys okay?” He locks eyes with Spencer and smirks, “You seem a little winded.”

“Yeah, we’re okay.” You smile, hastily walking out, “The boxes were just heavy. Plus, we had to walk all the way down here.”

“Yeah, okay.” Derek says, though it’s clear he isn't convinced. When you get a little further ahead of them, he claps Spencer on the back with a bright grin, “About time, loverboy!”

“Shut up.” Spencer shoots back, though he can’t help the smile that creeps up on his face.

This is not how he expected his confession to go, but — as he watches you walk down the hall a little ways ahead of him with a renewed pep in your step and your hair a little dishevelled — he is so glad it went the way it did.

———————————————————————

Edit: I had a couple people request a part 3 (Possibly smutty, but we shall see), and I'm curious about whether or not y'all would want that? Just let me know in the replies/reblogs. :)

Update: Part 3 is posted and linked at the top of this post :)

Taglist:

@louderfortheback @theblaxkbird @marimorena06 @special-forces7 @lolilkkk

[kumkaniudaku]

Stay A While (2)

Summary: Terry and Treece are feeling the sparks again.

Pairing: Terry Richmond x Black!OC

Word Count: 3,659

Part: 2 of ??

Warnings: None. This one's a safe for work slow burn. Enjoy.

Previous

Grocery shopping was Patrice's private pastime. She was the queen of her universe when she walked through aisles every Saturday morning. Every flash bargain and value-sized item bent to her will for a chance at making it to her humble abode and fulfilling its one purpose in life. Employees greeted her like royalty. Customers started conversations like old friends, always giving her the scoop on any sale they'd overheard in their neighborhood Facebook groups. She was happy. She was zen. She was in her element.

"Do you need this?" 

She was a woman dragging around a large man intent on breaking any modicum of concentration she had left.

Patrice stopped and looked over her shoulder at Terry, who held a bag of cotton candy grapes up in the air for her inspection. "No, TJ. Put it down." 

"Why? You like grapes." 

"Because we're getting grapes from the farmer's market. Now, put it back."

Her rebuke was sweet but stern. Having him as a way too familiar roommate was becoming easier as the days passed. But she'd be lying if she said she didn't miss the freedom to go for a walk, watch a movie on the couch, or even enjoy an intimate moment alone in her own house without a man looming somewhere in the very near background. 

He didn't allow her to travel alone, and she never had the energy to protest. 

"You don't have to talk to me like I'm a kid," he grumbled as he put the grapes back in their place.

"Then stop acting like one. I have a list. I know what I need." 

"I know what I need." He exaggerated his mimicry for maximum effect. 

"You see how that was childish?" 

"Whatever." 

Patrice ignored him in favor of browsing packages of beef for the best deal. If she didn't respond, maybe he would get the hint. And, for a few moments, he did. Terry took a break in conversation to scan the immediate area quietly. He noted each patron and their most important details before checking the exit and entry points at the front of the store. They weren't secure enough, but he could manage if the situation required evacuation.

A lack of action soon turned his attention back to Patrice, who still hadn't decided. He gave her a slow once over and smiled at how much focus she put into such a simple choice. Her brow remained furrowed in intense thought, transforming her into the ninth-grade Patrice he met during a chance encounter in the library. Truthfully, he didn't have much of an opinion either way. He just wanted to talk to her every second of the day, even if it meant being annoying. 

"Get that one." 

His sudden interruption startled Patrice out of her zone, adding a final straw to an already exhausted camel's back. Terry grinned in triumph as she closed her eyes for a calming breath. 

"Terry," she spoke, slow and measured to keep the peace. "Take the other half of this list and get out of my face. Don't come back until you find everything. I'll meet you at the register." 

She didn't give him much time to protest before she shoved a carefully torn half of paper into his chest and sent him on his way. He gave her a sarcastic salute, which she waved off without a second look. She needed a moment alone and didn't care if he came back with Fruity O's instead of Fruit Loops if that meant he would be out of her hair for more than 10 minutes. 

Terry found himself slowly meandering around the grocery store with a tiny basket in tow, exhausted by all the options on each aisle. If Patrice hadn't been so meticulous with her lists, he would've given up on the mission and gone back to home base with his tail tucked between his legs. 

After sourcing the perfect pint of Oreo ice cream as an apology for his behavior, Terry found himself drawn to the sound of laughter on the next aisle. Sure enough, Patrice was parked by the frozen vegetables and engaged with a man dressed in the store's colors with his eyes directed far too low to be looking at Patrice's face. 

Terry quickly reached her location, stopping behind Patrice to show her guest the full extent of his scowl. 

Patrice noticed how his once loose body language had gone stiff and sighed. She didn't need to investigate the problem. Only her human pitbull could make a man cower in fear like that. 

"Derrick, this is Terry. Terry, this is Derrick. He usually helps me get stuff to my car." 

"Ah, man. It's a good thing I'm here, right? We don't need you taking too many breaks from stocking. Mornin' rush can get crazy." 

"Terry," Patrice admonished with a harsh whisper and an elbow to his stomach. 

Terry remained steadfast, keeping his eyes on Derrick while taking one step closer. A taunting smile tugged on the right side of his mouth. He waited on any sign of fight from his unspoken adversary. 

Derrick stood in palpable discomfort, sizing up the outcomes if he decided to test his luck. Each mental scenario led him back to some instance of physical harm on his last shift of the week. He had plans for the weekend, none involving a trip to the emergency room.

Patrice stood between a rock and a hardheaded man, praying that the Lord would end her suffering.

"That's what I was about to say," Derrick answered before shifting his attention back to Patrice. "I think I oughta get going. See you around, Ms. Ellis?" 

"Same time next week." 

He nodded in half-hearted agreement and hurried out of dodge, with Terry keeping a watchful eye until he was safely around the corner. 

Patrice groaned with one hand, rubbing tight circles at her temple. "What in the hell was that about?" 

"He wouldn't even look you in the eye. If he can't look you in the eye when he's speaking, he can't protect you, and he doesn't respect you." 

"I'm not looking for his protection. I need this water loaded into my trunk every week when you aren't here!" 

"I'll never not be here. Problem solved."

His declaration was so sure, so matter of fact, that it left Patrice no room for retort. So she resorted to schoolyard antics. 

It was her turn to mock him with an exaggerated, deep voice. "Problem solved. Push the damn cart since you got so much energy." 

He obliged without protest and a proud, self-satisfied grin that Patrice couldn't see while she led the way to the register. An unexpected system error had halted all transactions, leaving them log jammed in a long line of restless customers. 

Together, they stood sharing light banter and running through weekend tasks, resembling any other couple making a store run to strangers observing them from the outside looking in. Former acquaintances, however, had no problem drawing attention to the pair from three spots back in line. 

"I know that ain't who I think it is." Both Patrice's and Terry's eyes darted up to find the source of the loud outburst, only to whisper 'fuck’ in tandem when they spotted Katrina Spivey waving her arms to grab their attention. "Hey, Terry Richmond!" 

Terry pretended to ignore being singled out by turning his back, earning a stifled laugh from Patrice. Katrina, not one to be deterred, used the moment to push past patrons in line until she reached her destination with a host of angry faces in her wake. 

"Well, if it ain't Mr. and Miss Homecoming in the flesh. You two finally stopped kidding around and got married?" 

"No," Terry answered without much explanation, his back still turned. Patrice reluctantly made up his slack. 

"What Terry meant to say was that we're not married. We're not together at all, actually. But he's here to visit me for a while." 

"What a blessing it is to have friends you can lean on when you need a helping hand."

"Amen."

An awkward tension settled into the conversation's lull, compounded by Terry's outright refusal to engage. Patrice was in deep water without a paddle and a co-captain who had already jumped ship.

Katrina wouldn't let the conversation end and take her newfound place in line. She continued to pry.

"Both of y'all look good! How long has it been since we last saw each other, huh? Gotta be since Terry's graduation send-off." 

Patrice feigned interest with a hollow smile. "Yeah, I think that was it. A looong time ago. All grown up now."

"And thank God for it! I remember how sad you looked all night because ol' Terry was moving away. Like a little crying puppy!" 

Katrina's laughter didn't quite reach Terry or Patrice, who bristled at mentioning one of the more contentious nights in their friendship. 

"Everybody's been a little young and dumb, right? Like when you and BJ got caught underneath the bleachers during state championships." 

Checkmate. A little reminder of her indiscretions had turned Katrina's condescending smile into a mean mug that could burn through anyone not equally as stubborn. 

Terry showed his approval with a light nudge against Patrice's arm. That was his girl. Sweet as pie but a tongue coated in venom when backed against the wall. He'd been on the receiving end on one too many occasions. It felt good to be on the winning side this time. 

Three seconds of a Western standoff had culminated in a gift sent via store intercom. 

"Apologies for the stoppage, folks. Our registers are back up and running. Thanks for your patience." 

Terry moved the cart to place items on the conveyor belt while Patrice waited for the conversation to resume.

Recovering from the sharp end of a verbal lashing, Katrina cleared her throat and grabbed hold of her cart in preparation to skip lines. 

"Well, I don't wanna hold y'all too much longer. If y'all don't think you're too good to mingle with us Francis High Hornets anymore, Corey's throwing a little Juneteenth gathering at his daddy's pool hall. This is my personal invite for the both of you."

"We were already invited. Maybe we'll make an appearance." 

"That'd be grand." 

"I bet it would."

Nice nasty smiles passed between the two foes until Katrina was off to harass some other unsuspecting patron. 

Patrice tried to let go of her frustration with an angry huff before turning to catch up with Terry, who was casually moving groceries from the bagging station to the shopping basket. He waited a moment before acknowledging the obvious. 

"You over it now, or do I need to iron a shirt for tonight?" 

"I'm over it," Patrice answered plainly. She calmly handed over payment for the day's groceries and smiled ever so sweetly to bid the cashier farewell. To an outsider, she'd returned to her zen state without much effort. Terry was no outsider and kept a cautious eye on her as they loaded bags into the trunk and got settled in the front seat of her SUV. 

"You sure you're good," he asked as he backed out of their parking space. 

"I'm sure, TJ," she answered with almost too much enthusiasm. Terry started a mental countdown for the other shoe to drop. "I'll iron the shirt. You need to shave." 

--------

The final verdict? A plain white T-shirt. 

An hour of searching, choosing, rejecting, and choosing again led them to a plain, crisp white tee. Patrice said it went better with her yellow wrap dress, which she chose because her girlfriends were all in dresses, and she wanted to match the occasion. It all sounded like made-up bullshit to Terry. Still, he accepted being treated like a Ken Doll because it meant that his Barbie would agree to a two-hour hard stop at the festivities. 

He'd already started his stopwatch when they pulled up on a busy street in front of an even busier hole in the wall.

The smell of fresh grease greeted them upon crossing the threshold from outside into Mister C's Bar and Lounge. Fried fish, French fries, and wings in any flavor you could ask for sat in the service window, waiting for their delivery to any one of the patrons packed from wall to cinderblock wall. Terry inhaled deeply and let his scowl drop for one second to fantasize about a bite of Corey Sr.'s signature catfish and fries basket. 

Next came the familiar mix of sweat and weed near the dancefloor as bodies intertwined to some GloRilla song neither of them recognized. Thick traffic in the center of the room paused Patrice on her path to the pool tables, locking her between Terry and a crowd that wouldn't budge. 

"Excuse me!" she shouted over a swell of crowd reaction to a new song. "I need to get by!" 

No response. Not even a look back as she used a hand to create space between her and a group of men debating nonsense. Before she could try again, Terry used one hand to push her forward and his voice to clear the way. 

"Yo, step out of the way. We need to get through." Direct and to the point. He left no room for misinterpretation, and his baritone's boom left no confusion about who was calling the shots. Patrice watched with her lips slightly parted in awe. 

The first reaction to his demand was the embers of confrontation. Each member of the group sized Terry up, noticing his heavy scowl and size in comparison to their own. Then, they realized that this wasn't a winning game. 

The flashiest of the group nodded, though disdain at the mere suggestion that he was in the way kept his mouth in a tight frown. "Yeah, you good, OG. My fault." 

Another light push propelled Patrice forward as Terry maintained with each man until they had passed. 

Once they were out of the mix and nearing their destination, he advised, "Stay close." Patrice nodded her compliance, shocking Terry into a slight smile in appreciation for her obedience. 

Sparks of electricity shot between them but had no time to turn into a total current before Corey called out to them. 

"Treece! Terry! We over here!" 

Surrounded by familiar faces from Francis Edward's Class of 2010, Corey welcomed them with open arms and his ever-present 100-watt smile. At a slight 5'6", 150 on his best day, he'd always been larger than his frame would suggest. Loud and flamboyant had always been the name of his game, earning him anything he set his sights on.

It didn't take long for the trio and Corey's wife, June, to fall into familiar habits and friendly jabs at one another as they took their seats in a makeshift VIP section by the pool tables. The Three-Headed Monster was their moniker in high school, and they moved like a military force. Terry was the enforcer, while Corey and Patrice served as judge and prosecutor. If you had an issue with one, you had an issue with all three. 

"Your security is lax. Who trained them?" Terry pointed out during a dead spot in conversation. 

Corey followed his eyeline to the two young men standing at the door and back. "My boy at the sheriff's office. What you see?" 

"They look soft. It wouldn't take much to overpower them and get in for some drama. You only have one exit. Somebody breeches this place, and you're on the hook for a tragedy. Plus, the one on the left is scared. He'll be the first to leave if things get hot. Watch him."

"Impressive," June remarked, smiling at Patrice, who subtly playfully waved her off.

"Hm." Corey took a long pull from his cigar, taking in the information before responding." You here for a minute, T? I got some connections over at Liberty if you looking to get back in the swing of things." 

"Contract?" 

"Whatever you need, man. You know I'm good for it."

Terry looked over at Patrice for some indication that she believed in Corey, and she returned with a subtle nod and encouraging smile. June looked between them and then at her husband before clearing her throat. 

"It looks like Kel and his boy are back on the pool table. You know he still owes you a game from when he cheated last week." 

"Hell yeah," Corey agreed as he turned in his seat to get a look at his enemy. "Aye, T, you trynna make $100 real quick?" 

"It's either that or you gotta come dance with me," Patrice challenged. "This rum and pineapple got me feeling a little loose." 

She wasn't lying. A taste of alcohol in her system was starting to make her want to explore parts of the Patrice she thought she left at North Carolina A&T. Every heart-rattling thump of Megan Thee Stallion's latest and greatest had her thinking about reminding everyone in the room that she could move with the best of them. 

Her little grind in her seat made Terry show teeth in a small grin before he stood to his full height and looked down at her. His eyes were hooded and dreamy from some combination of exhaustion and a contact high, reintroducing that spark from before.

"Don't go too far. I'll be back with your money in a little bit." 

Patrice's tongue felt too heavy to respond coherently past a punch-drunk nod. June watched her watch him make his way down the platform and into the crowd until both men were out of earshot. 

She whistled and shook her head. "That's a good-looking man, ain't he?" 

"Who? Corey? He alright. He's like a slightly more attractive Taye Diggs." 

"First off, ouch," June laughed. "Second, I was talking about Terry. He was cute in high school, but I'll be damned if that second puberty didn't take him to a whole 'nother level." 

"Don't tell him that. His head is big enough."

"You know you wrong for that." If the music weren't so loud, everyone in the building would've heard the pair guffawing over Patrice's petty insult. 

Once they contained themselves, June took a sip from her margarita and shifted in her seat to get closer to Patrice.

"He likes you still." Five plain words shook Patrice internally as she struggled to maintain a poker face. June continued. "I see the way he looks for your approval and damn near trips on himself to fulfill your every whim. You're all he talks about when he and Corey get on the phone." 

"They talk?" 

"From time to time. I think he needs a man's opinion sometimes, you know?" 

Patrice wrestled with the influx of information as June continued. 

"That man is mean as a snake. Always has been and always will be. But, you bring something out of him. Even if you can't always see it." 

"If that were the case, things would've been different for us back then." 

June shrugged. "Maybe. Or maybe you're right where you're supposed to be. I know I can't make you do what you don't wanna do, but if what I say means anything, focus on today. Thirty-two-year-old Terry is so much more prepared to love you than eighteen-year-old Terry was." 

Punctuating her advice, June tapped Patrice's leg twice before taking a step away to refill their tray of food. 

Focus on today.

The words replayed in her mind repeatedly; even after their two hours were up, Terry had returned $100 richer, and they were back on the road to their quiet slice of the world. 

They rode together in content quiet, letting the Quiet Storm host talk while Terry tapped his fingers on the steering wheel in time with the music. 

Randomly, he would glance in her direction, assuming she had lost the sleep battle to her old friend Bacardi. When he reached over to adjust the air vent on her side of the car, he was surprised when she mumbled a low "thank you." 

"My bad. I thought you were sleeping." 

"No. My head is swimming, though. Don't let me drink that much anymore." she laughed. 

He chuckled along with her but didn't agree to keep her from letting her hair down occasionally. In his eyes, seeing her relaxed and carefree was a gift to the world. 

The opening notes of Tevin Campbell's "I'm Ready" swirled around them, sounding like a secret message to Patrice as she focused on streetlights to keep the contents of her dinner inside her stomach. 

"Hey," she whispered before she could catch herself. Terry acknowledged her with a glance. "Do you think you're still scared?" 

"Of what?" 

"Of whatever kept you away for so long?"

He thought for a moment, wanting to make sure he was clear with his word. "No. I was never afraid of you. I was afraid of bringing you along for a ride I might not survive. That's not a threat anymore. So, no, I'm not scared anymore."

You know I'm ready

To love you

Forever 

Patrice reached across the center console until she reached Terry's hand to interlock her fingers with his. He gave her an appreciative squeeze without taking his eyes off the road. 

"I-I don't think I'm scared anymore either."

Her heart raced wildly behind her ribs, and Patrice was that if Terry pressed his wrist close enough to hers, he could feel her pulse accelerate. He didn't mind either way. Sweaty palms and trembling fingers would never be enough for him to let her go. Not again. 

As if she'd break if he moved too fast, Terry brought her hand to his lips slowly. One kiss. Another. Two more. And a final one for good measure. 

When he'd had his fill of her skin, he pressed the spot up against his cheek. He needed to feel and absorb her until they were one body. 

But, for tonight at least, this was enough.

TAGS: @planetblaque @wvsspoppin @thatone-girly @oniccah @avoidthings @slutsareteacherstoo @eilujion @amyhennessyhouse

[minminbunny]

Mafia AU - Sadist Older! Lee Felix/Bratty Fem! Reader

💕Drabble Masterlist

❤️Ultimate Masterlist

You gasped, looking around frantically. The last you could remember was being kicked out of the house with barely any clothing in your suitcase. You tried sitting up but your wrists were bound to the bed. You tried bending your knees and they were in the same situation. Dread dawned on you, "Fuck, fuck, fuck," you murmured, looking for any means of exit when the door swung open. You flinched when it hit the wall, "They really sold me their daughter, huh?" Felix said, eyeing your helpless body. Shivers ran down your spine at his cold, calculating gaze, "When will parents learn that selling their kids wouldn't dismiss their loan. Fiction really needs to stop seeing the Mafia as a cheap foe," he scoffed, holding your face.

You scowled at him but your eyes showed fear. Felix chuckled, "Am I spooky, little one?" he asked, studying your face. You bit down on your tongue, not wanting to answer. A smug laugh escaped his lips, "You're lucky I'm in a good mood today, sweetie. Wouldn't want a bruising slap mark on your pretty face," he cooed, stroking your cheek. You turned to look away, but he held your face firm, "I think I'll keep this one. You'll give in to me soon enough, little girl," he chuckled, pinching your cheek.

NSFW BELOW CUT

"What did you say to me?" Felix asked, gripping the steering wheel. You tried not to double down, "You heard right, old man. Or do you need hearing aids too?" you said, crossing your arms. Felix chuckled, "You're very funny, little one. You're going to be funnier than I put you over my lap and spank your ass red," he warned, pulling aside to scare you but what shocked him was you continued to provoke him. "I bet your spanks wouldn't hurt at all, old man," you scoffed, purposely riling him up for one reason and one reason only. When he went out to pay for gas, you dug through the dashboard and found and unused bunny dildo. The word inflation on the box spurred you to rile him.

Felix clenched his jaw, his eyes piercing, "Is that so, little one?" he asked, his expression livid and deadpan. You gulped as he opened the dashboard and pulled out exactly what you wanted. Felix pulled then lever by your chair, forcing you to lie down. You yelped at the sudden motion. He flipped your skirt up and tore the sides of your panties, "Since you want to be a fucking brat. You're going to take this dildo until we reach home," he growled, slicking it between your folds. You whimpered at the stimulation, your clit puffy and achy for attention.

Felix chuckled, aligning the dildo with your fluttering cunt, "You're such a horny brat aren't you, little girl?" he teased, thrusting the dildo to the hilt. You cried out at the rough intrusion, your cunt barely stretching around the girth of the toy. Felix clenched his jaw and pumped the toy in and out at a relentless pace, "You riled me up on purpose didn't you? You wanted me to get pissed and pound your needy cunt roughly," he growled, seeing your body quiver and shake as he forced out your first orgasm of the night.

Felix huffed and taped the dildo to your inner thighs, the bunny tendrils got taped on your throbbing clit, "I'll give you rough, little one," he chuckled, his gaze dark and sadistic. "Hah, hah!" you sobbed when he turned the vibrator on. The dildo jerked within your inner walls, its tip pounded your spongy g-stop directly. Felix started to drive, your cries and whimpers serving as perfect background noise. "I'm sorry! Sorry, sir," you sobbed, clenching hard around the dildo but it just provided more pleasurable stimulations.

Felix gripped his steering wheel, "You're going to be sorry, when you're overstimulated," he grunted, switching the modes on the vibrator. You sobbed as your orgasm snapped within your abdomen. Your arousal squirted onto the dashboard ahead. Felix groaned at the slick noises of cum dripping down, "Messy cunt, messy girl. You're so dirty, sweetheart," he seethe, noticing your tummy inflate at the new mode. The dildo swelled up within you, stretching your hole wider. You hiccuped at the pleasure burning through your sensitive nerves. Felix rubbed your thighs, "Don't worry, little one. Sir will feed your needy cunt his fat girthy cock even if you pass out from cumming too much, yeah?" he chuckled, turning the setting higher as you proceeded to cry and moan over the stupid toy to craved for.

[loquarocoeur]

PLEASE make a list. For research purposes ofc🫶 (to further my obsession with yoursverse lestappen)

Sighs dreamily

Just off the top of my head this morning, I'll say some Max-isms that Charles finds cute are:

• Smacking/kicking/elbowing Charles every two minutes when Charles says something stupid, but it's so gentle it wouldn't hurt a fly

• Him saying 'Charles' at the end of every second sentence for no reason other than just to say it

• His lying voice

• His 'I'm so done with Charles' voice

• His embarrassed voice

• His voice in general

• The way he says his S's and T's and R's

• How much of a typical boy Max is

• Him being obsessed with video games

• Him checking out his own biceps in mirrors when he thinks Charles can't see him

• Him not knowing how to decorate/interior design to save his life

• Him not being able to put together a decent outfit that isn't red bull shirt and jeans to save his life

• Him not knowing what SPF is and not believing in skin care and hair routines even though he lets Charles do it for him and hasn't bought 2 in 1 again

• His wrinkly forehead when he's confused

• The crinkles at the corners of his eyes!!!

• His beauty spots, especially the top lip one

• His tendency to speak before he thinks, so even if his face wasn't expressive enough to be an open book Charles hardly ever has to wonder what he's feeling

• His tendency to hide his face in his hands when he's laughing

• Also his tendency to hide his face in whatever part of Charles he can reach when he's embarrassed

• Or how he sometimes just smacks his forehead into Charles' shoulder when he's done with Charles' antics, but he'll let them happen anyway

• Max's talent for finding things in life to be mad about

• How much Max laughs and smiles without even noticing

• How much Max is obsessed with kinder chocolates, tomato soup and carpaccio, like he will eat anything, but it's like his eyes are magnetically locked onto tomato soup and carpaccio on the menu at literally every restaurant, you can physically see when Max found it as an option and there's no hope of him eating anything else

• His love/need for forehead kisses

• The override button he has for being embarrassed to talk about his feelings whenever Charles is even the tiniest bit upset

• All the ways he tries to coax the cats into giving him attention when they just want to live their lives

• His insistence that Leo is Charles' dog and Charles' responsibility, but he keeps finding Max cuddling him where he thought Charles wouldn't catch him or teaching him new tricks which isn't working because Charles is feeding all the pets too many treats for them to still work as a reward system

• His panic response when Charles starts crying for literally any reason including sad movies, honestly even happy ending movies, any kind of tears just give him a panic oh god how do i fix it response

• Max always feeling the need to explain to Charles again that he does hate the crying, but he also doesn't want Charles not to cry because he's allowed to have all his feelings

• T-Rex typing

• His innocent look when he's trying to pretend he has no idea what Charles is talking about when he wants to start a conversation Max won't like

• The thin layer of fat Max never loses over his stomach. He likes it especially in the off season when Max gets to eat lots of chocolates and things

Idk, there are probably loads more, maybe I'll keep a list in my notes app

[genshingorlsrevengeance]

Politely affectionately agressively begging for more Furina fics you write her AMAZINGLYYYYY PLEASEEE and it's so rare to see my girl get any fics YOU A REAL ONE FR FR 😫😫😫😫😫😫😫😫😫😫😫😫😫😫😫

(Genshin Impact) Furina watching an emotional movie with her S/O

*Imperial Guardsmen Voice* IF SUCH IS THE EMPEROR'S WILL! Also, you can imagine this as an Isekai S/O or Fontaine somehow developed movies, idk you can work the imagination on how movies exist in Tevyat, I'm just here to give you the funny/cute.

Furina's lips trill in boredom as she sits down on the couch, an hand underneath her chin.

Dinner had already been finished, dessert promptly followed but the night was still young.

Her S/O was in front of the couch, rustling coming from a box they were searching through.

She got up from her seat and knelt next to them, curious as to what they were looking for.

(Furina) "S/O?"

(S/O) "Hang on, just looking for something we can watch...ah!"

S/O pulled out a box containing a small CD. Furina couldn't help but flinch instinctually.

(S/O) "Before you ask, no it's not a horror movie."

With a sigh of relief, she grabbed the box and raised an eyebrow.

(Furina) "Oh thank goodness!...A-Ahem, so, what is this?"

(S/O) "It's from Inazuma. It's a super cheesy story about a man and female meka falling in love."

They put a finger to their chin as Furina scoffed as she crossed her arms.

(Furina) "Oh please, I've seen far worse premises in my stage plays, S/O!"

(S/O) "True, but this one might make you cry."

Furina's smirk grows bigger hearing their lack of faith.

(Furina) "Psh! Me? Cry at a love story probably told a thousand times? Please! Put it on S/O! I'll prove you otherwise!"

ONE HOUR LATER...

S/O and Furina were sitting quietly, nearing the end of the film's duration.

The man's head was resting on the meka's lap as he was nearing the end of his life, though the mood was very bittersweet.

With a beautiful piano tune playing in the background, the Meka looked up to the sky, finally getting a revelation for the human it fell in love with.

[Mekaigis] "Not everything needs to be for some greater purpose. Just caring for someone can be enough. That's all we need to give our lives meaning. As for me, I've found my path. And that's to protect you with my life..."

S/O's heart strings tugged at the touching dialogue. Blinking away a few tears, S/O turned to Furina.

(S/O) Furina's been really quiet. I wonder if she's not as affected as-

S/O's thoughts were interrupted the moment they actually glanced at their girlfriend.

Furina reached for her box of tissues, which was already halfway gone, and blew violently into it.

She proceeded to wipe away her tears with her hands while her lips trembled, eyes locked onto the screen the entire time.

(S/O) ...Okay yeah, she's doing as good as I thought she would.

S/O moved in closer to hold her hand and at least give her some comfort for this admittedly tear-inducing scene.

Only for their hand to be almost hurt from her grip strength as she held on with all of her passion, Furina's attention daring not to even turn away.

S/O almost yelped out in pain, but kept strong for the sake of their girlfriend's immersion.

And with the man finally closing his eyes, the movie finally came to a close, with the music's lyrics riding the scene out.

[Movie] "kaze no koe hikari no tsubu madoromu kimi ni sosogu-"

Furina stood up from her chair, pointing to the screen with tears still fresh in her eyes.

(Furina) "T-THE MOVIE ENDS RIGHT THERE?! BUT THAT'S NOT FAIR! HE AND MEKAIGIS FOUGHT TO SAVE THE WORLD, THEY SHOULD BE HAPPY TOGETHER!"

S/O couldn't contain their soft laughter, getting up and attempting to calm her down by gently wiping her tears away.

(S/O) "I agree, but it's a rather beautiful ending to such a tragic story. But what did you think of it?"

Furina pouted at their laughter, crossing her arms and huffing.

(Furina) "I'd rather have watched a horror movie, something like that is way too sad!"

(S/O) "I thought you said you wouldn't cry-"

(Furina) "I-I was simply crying at their performances! They did an amazing job acting out a horrid script, as a performer I couldn't just ignore their handiwork!"

S/O playfully rolled their eyes as they sat Furina back down, quickly joining her on the couch.

(S/O) "Is that right? Anyways, there's a followup sequel where it follows Mekaigis after the events of this movie called the Answ-"

(Furina) "PUT IT ON RIGHT NOW! I HAVE TO FIND OUT RIGHT NOW!"

Her voice cracked as she pointed at the screen, making S/O laugh and comply.

(S/O) "Yes, ma'am."

Furina's leg bounced anxiously as she watched S/O painfully put the next film in slowly, getting immersed again immediately.

===

Author's note:

This isn't actually anything related to the post besides the obvious reference, I just have to get it out of my system because I was listening to the soundtrack of said reference. Ahem. AAALLLL THE JOURNEYS START SOMEWHERE WITH A FIRST STEEEEEEEP NO ONE'S SURE WHAT LIES AHEAD BE BOLD AND BRAAAAAAAAAAAAVE (STAND UP!) ROADS MAY BEEEEEE ROUGH AND TOOUUUUUUGH THOUGH IT WILL LEAD SOMEWHEEEERE (NOTHING EASY GET UP AND GO GET IT GO) SOMETIMES IT'S JOURNEY ITSELF THAT TEACHEEEES A LOT ABOUT THE DESTINATION NOT AWARE OOOOOF NO MATTER HOW FAAAAAR (NO MATTER HOW FAR) HOW YOU GOOOOOOOO (HOW YOU GO HOW YOU GO) HOW LONG IT MAY LAAAAAST (CARPE DIEM NO TIME TO WASTE) VENTURE LIFE, BURN YOUR DREEEAAAAD! (YOU GOTTA VENTURE LIFE GO GET IT BURN YOUR DREAD)

[sehodreams]

I had a thought!!

the MTL in riize to get hard like a teenager when they see you walking without a bra and that they can see your nipples?? Like it's embarrassing but even just the side of boobs or the under boob make them hard ???

Don't forget to stay hydrated <3

Aww thank you so much for the message, I'll make sure to drink lots of water!!!

TW and tags: hella suggestive, this is a boob account at this point hahaha (I love that)

Most

Anton

Sungchan

Seunghan

Sohee

Wonbin

Eunseok

Shotaro

Least

Anton is still kind of immature, he's learning how to control himself, and he LOVES boobs, so it's no surprise his eyes are always on your chest. Still, he does his best, but the minute he sees the outline of your nipples, his mind starts spinning, hurrying you up to finish whatever you were doing to take you home, sitting and covering his lap with your bag until the Uber arrives. (Also, I have a headcanon of him with a swimmer teammate going to a hotel pool and getting in even if the water is cold, and then when she goes out and her hard nipples are visible through the swimsuit, he would have his first boner to a girl he knows in real life. He loves to see the underside of your boob when you wear bikinis too.)

Sungchan loves it when you go to the gym with him and keep him company. Talking to you between sets and helping you put or remove weight from the machines you use feels like a dream come true for him, but if he sees you taking off your t-shirt and you only wearing a sports bra, he'd start getting anxious, and not being able to concentrate on what he's doing with the image of you in front of him exercising with your boobs shaking because of the force you're using, he'd drop everything to take you home and lift your bra to show him properly what you have there.

Seunghan would be the one telling you to go out without a bra, after all, we're just going to the store, so who cares? well, he cares, a lot, but he wouldn't get embarrassed or anything, he'd just get a little lost on your pretty nipples poking your shirt since he can perfectly imagine them naked, and to be honest, he'd sneak a little touch between aisles after making sure no one was around.

Sohee would watch your nipples with attention, but he'd be okay, however, seeing the soft side of your boob? That would drive him mad. He gave you one of his sleeveless shirts because your coffee ruined your white blouse and you had to put it immediately in his washing machine, it wasn't nothing out of the ordinary, you knew how to use it, but he never thought you'd toss in your bra too, and seeing that little flesh of yours whenever you moved made him dizzy, it wasn't even your nipples what made him nervous, but that little plump skin, and before you notice, he's sneaking a hand inside to feel it better.

Wonbin is just like Sohee, nipples make him want to steal a few glances, but the flesh of your skin is the only thing that would make him shift uncomfortable on his seat, "I like that dress" he'd say, convincing you to wear it more, but you shake your head "too much skin" you say, not knowing how insane you're making him showing him the side of your ribcage, and especially, the side of your boobs.

Eunseok knows how to control himself, he won't get hard just with the image of your sweet chest calling for him to get a taste, but he'd have a hard time not looking at your nipples show through your t-shirt, and if you were in the privacy of his/your room, he'd tease you a lot, ''If you wanted my attention you could've just asked for it with words'', pulling you closer and playing with them over the fabric of your clothes.

Shotaro is not a kid, he won't get hard just from seeing your boobs through your clothes, but he'd get hard when his hand brushes them (on purpose), smiling and pretending he didn't mean to touch them.

[jammed-out]

Pretty Dolls Are For Playing

"Pretty Dolls Are For Playing."

Your head dropped into your chest, your eyelids fluttering as everything started to get blurry. The trigger that was embedded deep into your mind began to take over. You felt your knees bend inward, slamming together as you slumped over. Your shoulders fell forward as your breathing slowed. Your mouth hung open, a drop of drool falling over your bottom lip and stretching down to the floor.

You could feel your thoughts slow to a halt. Gone was the professional employee giving a presentation to their boss. Instead your hung over limply, your neural pathways rewriting themselves, erasing every bit of the person you were, replacing it with a hollow plastic shell. Your eyes glossed over, your vision growing unfocused.

You snapped upright, your eyes wide, shoulders back, standing at attention. Your hands were turned outward, the papers in them tossed onto the floor as they sat at your side completely open, palms facing forward. You felt so light and perky, smiling with a big bright smile.

"Pretty Dolls Love Being Played With!"

Your boss smiled and began to undo their pants. You stared straight ahead, not even glancing over at their actions. You didn't exist anymore as an employee, you were a doll and you were waiting to be played with.

You could feel your bosses' hands run over your body, slowly stripping off your shirt. They groped and fondled your nipples, pinching and twisting them before sliding down to your pants. They undid them, pushing them off of you. The fabric pooled around your ankles. You felt them lift your legs out, keeping your shoes on as slowly they moved you over to the desk, bending you over it.

You could feel their fingers enter you, playing with you while you lay there, still, limp as you were played with. Your body trembled with pleasure internally, your empty head filled with bliss at being used for your purpose.

Time passed by unknown to you. Your legs were covered with sticky cum. You didn't know whether it belonged to you or your boss. Slowly they put your clothes back on you and sat you back at your desk. In your haze you could see your other coworkers peeking in at you. Maybe they'd play with you too before you woke up. A good doll like you could only hope that you would get more playtime.

------------------------------------------------------------------------------

Hello all. Sorry I missed the upload yesterday. I won't be doing a poll for next week. I'm going to be taking a slight hiatus from my posting on here just for a bit while I figure some stuff out. I've still got plenty of things in my queue to drop.

I'll be back though. Until then, there's plenty of old stuff to go back and read.

[justphilia]

Rating Dungeon Meshi Characters Based on How Well They Can Take Care of Me When I'm Sick

Scale of 1 to 10, 10 being the best. Precaution I have bias for women.

Laios - 7/10 He'll definitely try his best, but he's not very good at it. Achieves the bare minimum of keeping me fed and making sure I take my meds, but most of the time he wouldn't really know what to do to help more. As I drift in and out of consciousness, I see him staring at me with his autism eyes through the gap of my door.

Falin - 9/10 Practically my bedside nurse. Checks my temperature every so often, makes sure to keep my forehead cool. She makes it possible for me to be glad I'm sick, though I am not sure if she knows how to cook. Fortunately, too ill to gaf. Also it's Falin.

Marcille - 9/10 She will think I am dying and because of this she's desperate to help me recover. Heh. I love the attention. But I think. I THINK. she may not know what she is doing about a quarter of the time. She'll read the instructions on my meds like 5 times before giving it to me. She'll research what kind of foods is good for speedy recovery. She'll forget to wring the cold rag before putting it on my head, and every time I fall asleep she thinks I passed away.

Chilchuck - 6/10 Like my dad. "Don't forget to take your meds." Feeds me porridge for lunch and dinner. I don't see his face like the whole day, but I'll be unsure if it's because he's purposely checking in on me when I'm knocked out or he just doesn't want to bother me at all. I can't ask, because he wouldn't answer honestly (he's embarrassed).

Senshi - 8/10 I feel like he's gonna be like my mom and feed me herbal medicine and home remedies. My recovery will be slightly slower, but I'll recover. I will be eating soooo good, 'cause he'll definitely put a spin on every meal meant to help me recover. He sits by my bedside and does his own thang while I sleep, or talk about what he put in my food as like a bedtime story. When he goes to the toilet, I cry.

Toshiro (without his retainers [not including Izutsumi]) - 4/10 Porridge is simple enough to make, I think he is capable of that at the very least. I think he'd make sure I drink enough water, and will ask if I've taken my meds yet. But that's all his efforts and capabilities. I wouldn't blame him. He wears a mask when he enters my room.

Toshiro (with his retainers) - 9/10 Maizuru alone bumped the score by three points because she'll make sure to help Toshiro keep me well fed. But because she's only helping me for Toshiro, she wouldn't go all out with the care. It's okay, their company is enough. I will most likely think I died and went to heaven. They all are wearing masks under Maizuru's order—don't want them catching it and spreading it to Toshiro.

Izutsumi - 2/10 It may be over for me. But if she sleeps at the foot of my bed the entire time and gets me packaged food and water when I ask, I'll live.

Namari - 8/10 Idk. Like! Idk! I think she's gonna be like Laios about it, like she really tries her best, but she's unsure. She's like a combo of Laios and Chilchuck—she can make me food and make sure I take my meds, but I would hardly see her throughout the day. Sometimes she'll come in and ask if I need anything, and if I ask her to stay she'll linger at the doorway then step inside. When I wake up, she may be gone.

Kabru - 7/10 I kinda...don't want him here.....like....I like his face and everything, but I feel. scared. at the thought of being sick and him taking care of me. Might be the blue eyes. Nevertheless, he's able to make sure I don't get worse. He can cook and will help me take my meds, put a cool rag over my forehead, and keep me company until I fall asleep. "I guess you owe me one!" he'll laugh lightly as my fever-fried brain stares at him, and I won't know if he's serious until he tells me so.

Mithrun - 1/10 I am Gone but also he's very attractive so I think I'll die happy.

[alessiamalfoyzabini]

𝐇𝐚𝐩𝐩𝐲 𝐄𝐧𝐝𝐢𝐧𝐠 | 𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝐅𝐢𝐯𝐞

Pairing | Yandere Jungkook x Reader

Word Count | 1,529

Warnings | +18, detailed descriptions of punishment, spanking, Jungkook is obsessed and angry, smut dubcon(?), fingering, male masturbation, forced cum consumption

This does not reflect my way of thinking or living at all, it is just a work of fiction, it is like watching a horror movie, many of us love horror movies, but we would never dream of what we see in those movies happening in reality as well.

Simply put, this story was written for entertainment purposes, it should not be seen as a reflection of my values, opinions or morals. I absolutely do not condone such acts.

⤷ Summary | If she had paid attention earlier to the sin that dwelt behind those obsidian irises, she would never have trusted it.

If she had noticed earlier the devouring love that dwelled in his corrupt heart, she probably would have fled.

She had done none of that, and now she had to come to terms with her new reality.

➢ Author's Note | Fifth chapter ready! Let me know what you think of the story or if you would like to be added to the taglist, i would be really happy!

Taglist: @katherine-kookie, @douknowbts, @aiiselle90210, @fewercascade

Taglist is open!

Chapter List - I - II - III - IV - V - VI - VII - VIII / The End

It had been exactly four days, Y/N had been locked in that room crying, eating what she had to eat so as not to upset Jungkook, but the sadness and disgust were still there. She still couldn't tell if it was for him or for herself. He spent those nights as tense as a violin string, going to work during the day and hermetically locking the front door, and at night he heard her crying and that upset him. But he had factored that in as well, Jimin had explained to him how the first few days had gone. "It's going to be hard, but if you love her you'll have to put up with it," the blond man in the principal's office had told him, while Seokjin just listened, typing occasionally on his phone. "I hate to see her so dejected, I'm the cause and that hurts me," he had hissed with his head clenched in his hands, Jimin had denied it with his head, totally frosty. "You are just too sensitive, she has to get used to a new way of life and certain reactions are more than normal, my wife had tried to kill me if you remember well, so consider yourself lucky," he scolded him. "Besides," Seokjin exclaimed, "her parents reported her missing and everyone thinks something happened to her, even the neighborhood she lived in was a good cover, don't think of stopping just now." Jungkook nodded, before freezing.

"What about Kang Yoozu?" he asked, threateningly. Jimin let go of an icy smile, "You don't have to worry about him anymore, with the material you provided me, there will be fun to be had." A few days later, Jungkook understood his friend's words, it was all over the news that Kang Yoozu, age twenty-three, had kidnapped and most likely tortured the now missing Y/N. It had only taken a few rumors put out there and a lock of the girl's hair found in the student's backpack to set off alarm bells. Jungkook thought Jimin had done a masterful job; everyone knew about Yoozu's bullying of Y/N, and as Jungkook had said at the beginning, it was those like Yoozu who had no loyal friends.

At the dinner table that evening, Jungkook avoided turning on the television, not wanting the girl to see anything inherent in her disappearance; she seemed upset enough to the boy, so he asked her how she felt. "Like someone who hasn't seen the light of day for almost a week," she hissed, listlessly moving the contents of her plate. "When I'm sure I can trust you, I'll take you for walks," he tried to appease her, but at those words Y/N huffed blatantly, which the man did not like. "Y/N." "Jungkook?" she wryly made, openly challenging him after days of unexpressed discontent, "I'm not even allowed to complain, professor?" The ass-grabbing behind that title pissed him off, and he jerked out of his chair and marched toward her with an expression that was anything but sweet and patient, as it had always been until moments before. Y/N caught the danger signal and tried to evade him, but Jungkook was quicker and caught her lifting her off the ground as if she had been a feather, at which point the girl screamed and full-throated, kicking in his direction, intimidating him to put her down, terrified by the man's sudden change.

Jungkook was not frightened by her hysterical threats, after all, there were not even neighbors who could hear them, and he flung her onto the living room sofa, the girl ended up between the cushions on all fours, tried to get up so she could stare openly into his eyes, but Jungkook imposed that position on her by crushing her with his own weight, in fear she felt the young man's hands lift the fabric of the skirt he had given her that day, she tried to crawl away, but once again she was blocked by him, a strong hand of the man held her head still against the cushions. She shuddered in shock when her panties were also brutally lowered onto her thighs, she felt so much embarrassment that she squeezed her eyes shut, trying to extricate herself. "Rule number one, Y/N, don't ever use that tone with me," he hissed furiously, before his free hand came down on a soft buttock of the young woman, who squealed in shock and pain at the searing lash, the dry sound lost in the room along with her voice.

Jungkook settled down better behind her, taking sadistic pleasure in seeing his imprint getting darker and darker on her tender and delicate skin, "Rule number two, finish your meal without complaining like a naughty and rude child," he hit the same area of skin with an even more deafening spanking than the previous one, the girl wriggled in tears under his body, Jungkook felt the blood run miles through his veins, his cock now throbbing in his pants at that fantastic sight. Adrenaline raced through his body, painfully clutching Y/N's hair in its hard grip. "Rule number three, never question what I say to you in that insolent way!" he continued to hit her repeatedly on the other side as well, ignoring the tears now soaking the cushions of his couch or the girl's constant attempt to slip away from his blows, writhing. He stopped only when the girl began to give in, begging him to stop. "P-Please stop!" she screamed against the fabric of the cushions, "I'm sorry, I'm sorry! I'll be good, I won't misbehave anymore," she continued, Jungkook pulled away slightly, watching with hungry eyes the buttocks now red and irritated by his punishing blows, the girl's body trembling, shaken by sobs and whimpers.

"Ah..." he sighed, "My love," he murmured bending over her, tenderly kissing the skin now burned and alive with pain, the girl tried to block her sobs, feeling only more discomfort at the boy's attentions, who not content left a long trail of saliva from the abused area to the column of her back, stopping shortly after at a corner of her neck, Y/N shuddered, feeling him push the covered cock against her buttocks which, if possible, burned even more. Jungkook sucked and bit the skin of her neck expertly, Y/N did not have the strength to evade, not even when one of the man's hands descended on her pussy . "Since you get it... you deserve a reward, don't you?" he highlighted those sick words of his with another thrust of his pelvis, "I'm going to make you feel so good, love," he moaned, running two fingers along the folds of the girl, who widened her eyes at the same time Jungkook did, finding her soaking and quivering, "Fuck. .. you liked it," he laughed surprised, Y/N instead wanted to disappear, tried to stop her moans by sealing her lips, shocked by that new realization, but she tensed at the rhythmic and insistent movement of the fingers around her taut and shiny clitoris, no ... it couldn't be true.

She could not feel pleasure at such a time, with such a boy! But her body thought otherwise when the man's fingers tapped on her clitoris, which contracted and forced the girl's hips to push against the young man's hand involuntarily, seeking a more direct and steady touch. She opened her mouth wide for air, but was only able to gasp for breath, only causing Jungkook to increase the speed of his intimate caresses, reaching up to penetrate her lightly with the tip of his fingertips, Y/N stiffened writhing wordlessly, her brain now mush thinking only of finding more friction, which Jungkook granted her with a kiss in her hair, slipping his fingers from her tight slit to move up toward her clit, rubbing on the now overly sensitive pearl, he expertly pinched one last time before and Y/N let out a choked scream that confirmed her orgasm, which continued to shake her body for endless minutes. Now almost fainting in his arms, Jungkook turned her body over, lost himself in looking at her distraught face before glancing at her soaked red intimacy, biting his lip, god he couldn't take it anymore.

He began to unbuckle the belt from his pants, releasing the thick, throbbing cock without lowering anything else, reached up to the young girl's tear- and saliva-wet lips, running the already wet tip of white, shiny cum over them, cupped his hand several times over the velvety, warm skin of his cock, continued to pump himself, moaning loudly, he accompanied the gestures with sloppy, slick movements of his hips, Y/N barely registered the boy's actions, too shocked by what had happened, a choked scream escaped her throat as a warm, foreign-tasting substance poured onto her face and hair, a few drops managed to enter her mouth as well, only later did she realize what it was. Jungkook slipped two fingers into her mouth, filling her with his cum, forcing it to the back of her throat, which made the girl swallow for air. "My beautiful girl is also a perfect slut for my cock."

[directdogman]

Hey there's someone trying to say you said you were pro Israel on discord? They're anonymous and say you blocked them before they could get screenshots so I don't really believe them, but still :[

Mhm. Nice bit of news to wake up to, this.

Yeah, so this person's a troll and they're more than likely lying on purpose in order to try to me look bad because I blocked them on Twitter for being unpleasant, something I rarely even do and they're still seething about it. The block had nothing to do with Gaza, the person was just being annoying and I thought it'd be healthier to block and move on. I'd really prefer not to have to give this person energy, but if there's a rumor going around, I'd like to nip it in the bud, since it's very easy to disprove in this case.

To explain what this person's blathering about: Earlier this week, on a Phonegingi plush advert, this random user that doesn't follow me (and actually instructs fans of mine not to interact with them in their bio) made a dramatic QRT decrying me for posting a DT advert during a strike week, which I honestly had no clue it was, especially since my own timeline was (and still is) full of accounts posting normally.

Given that the person seemingly encountered one of my posts in the wild and ended up seething because of it + likely didn't want anything to do with me on their timeline (as their bio indicated), after thinking it over briefly, I did the healthy thing and just blocked the person + moved on. Makes sense, right? I'll admit: Even if the way the person approached me was regrettable, if I'd known it was a strike week, I'd have participated (as I'd participated in the last one), so I stopped posting teasers for the week anyway, only resuming again yesterday.

I'll also say: I checked my own timeline btw and looked at the accounts posting, and nobody else had anyone acting like this in their replies, even the much larger accounts. Nor did anyone else contact/reply to me in any way stating any disapproval.

Given that I've only blocked one account recently that isn't a replybot (and ofc, given the subject matter of that tweet), I'd have to assume that this is the anonymous person spreading stuff.

I'd understand where this person was coming from if maybe I'd stayed completely silent about Gaza, (which a lot of accounts I follow have) but I haven't. I had a Palestinian aid post pinned on my Twitter for weeks, I've talked about Gaza's child population and my support for South Africa's Hague suit in my discord server, I've engaged in the boycotts, wound down posting during strikes, donated a pretty substantial amount of Dialtown revenue towards sending money/esims... I have 4 bucks in my bank account right now and when my next DT check comes in, you'd better believe I'll be giving more. That's my right as a private citizen and one I'll continue to exercise.

I feel pretty uncomfortable having to put this stuff in front of me to 'prove' myself, even if some of it is public anyway. Charity should be something you do because you CARE and if it wasn't for this person, I'd have been far happier keeping a lower profile and not explicitly calling attention to my own aid, but given this ask, I feel it'd be stupid not to nip this in the bud. The majority of this information could be easily found with the tiniest amount of digging, btw, so it's not like the user couldn't have known any of this. This is the part of having a fandom that creators seldom talk about. You block one person for being a lil annoying, next thing you know, there's rumors that you support genocides! Fun.

So yeah, I'd like you to tell this person to just move on like a normal person (send them this post if you have to) and to stop spreading incorrect rumors about me out of spite. If they insist, I'm happy to pull up receipts to prove everything I've said. If they actually thought I was pro-Israel, they wouldn't be spreading it anonymously, they'd be writing another public post about the subject matter. Also if you see anyone repeating the rumor, please correct them. Thanks.