#they are clearly making a lot of changes too so the backstories could be even more brutal if they want 🙃

[toadtusks]

From all the little hints we’ve gotten so far about the Mighty Nein cartoon and the animatic clip, I think there’s a good possibility the show might be having all the backstories/session 0s be shown up front as the first few episodes. If that’s the case, I can see why they describe it as grittier and darker, because yeah, a lot of those backstories are ROUGH TvT especially as an intro

[feefivefoe]

I guess I'm unintentionally working my way up the age ladder, so Jason next-

This is the first part that contains backstory stuff I gave my reader, so unfortunately this is where a lot of the "they can be anyone" immersion dies, sorry y'all.

Genuinely, he thought he might hate you at first. Even at the preteen age of 12, where children were usually trying to start striving to independence, you had been so...bland.

It's not that you didn't stand out. Quite the contrary. Anywhere Alfred could be found, you were just a step or two behind him. A leech. Only ever speaking in a hushed voice, making the old man strain himself to hear you, surely.

He doesn't think you've ever even looked him in the eye.

It isn't until that summer he starts connecting the dots. You still cling to long sleeved shirts, pants over shorts, even when it's clear you're struggling to not overheat.

Then he catches you in the kitchen in the middle of the night, t-shirt and pajama shorts.

Burn marks, healed yet gruesome, decorate your arms and legs. Based on how they're positioned, he'd argue they probably exist on the rest of your body, too.

And yet, despite his invasion of what you clearly(?) wanted kept hidden, you merely bow your head in shame and offer a meek apology.

That's when he stops seeing you as a problem, but as a victim of consequence.

Not a bratty child who doesn't care enough about the lower class to speak to your new 'sibling,' but a lonely child who had never even once considered he might want to speak to you.

"Mister Wayne and Mister Grayson are very busy." You had said once, matter of factly rather than bitter or sad. "I'm sure they'd spend time with me if they weren't. But they have two lives, so they have less time than anybody."

He doesn't have the heart to tell you that they make time for him. And the rest of Gotham.

As you do with Alfred, you begin to shadow him. Meandering behind him without a care as to what his plans are, happy to receive the barest of acknowledgments.

You hesitate when speaking about yourself, as though taking up his time with mentions of you is an issue. He's starting to understand why.

Jason isn't sure if it's pity or growing affection that keeps him around, at first. For a while, he sees you as more of a sad, wet dog than as his family.

But you begin to connect with peers at school, finding validation outside of those that feel forced to give it to you. You mature, grow up more than you should, and realize the reality of your home life.

And Jason is thrilled! ...and...a little sad? He's happy for you, sure. Having friends is probably what you needed. People who want you around, genuinely. Who choose to make time for you.

But he'd be lying if he said that the way you used to stare at him didn't make him feel like a hero. Like he was doing so much, changing your world, simply by existing.

You still speak, of course. You're friendly siblings that get along well. You give him various foods you've tried making, courtesy of Alfred inspiring a desire to learn to cook and bake on your own. You talk about books you've read together, and listen intently while he rambles about his favorites.

You even peek in after particularly rough patrol nights, just to make sure he's gotten through it okay.

But it isn't...quite the same. No, but it's...it's for the best.

And he is still a hero! As Robin, he's protecting the whole city alongside Batman!

So he's still a hero.

He's still your hero.

"Jay? I was wondering if I could ask you for some help. The show my club is doing is one of those old books you like-"

"They aren't that old."

"-and my character doesn't show up much in the movie-"

"You watched the MOVIE before reading the book!?"

"-so I wanted to ask if you'd help me with characterization!"

He remembers groaning at you and rolling his eyes. "I'm busy tonight. Go watch the dumb, BAD, movie again." He pauses. "Uh, but I can tomorrow. I'll make sure I don't have anything planned, promise."

He saw you pause, and sees the constant same promises pass through you.

"I...have other arrangements. I'll make it up to you next time."

"Ah...sorry, kiddo! Big kid stuff. But next time! You trust your big bro, yeah?"

But this is Jason. Jason doesn't lie to you.

Jason keeps his promises.

You smiled. "Yeah. Tomorrow."

...

Then he died.

[felassan]

Dragon Age: The Veilguard info compilation Post 3

[Part 1] [Part 2] Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

Character Creation

All armor and clothing options will scale and mesh to any body type [source]

The character creator has lots of sliders for body parts and overall shape, none of which are tied to the voice or pronouns (she/her, he/him, or they/them) that you choose [source]

"Epler took special care to show off the extensive curly and textured hair options in the game, including several versions of braids and locs, noting that increasing these options in particular was very important to the team" [source]

You can change your character’s physical appearance at any time during the game, but not their class or backstory [source]

"Each individual class has some variability, too; even the mage class has some up-close-and-personal attacks, since a mage player character could still conceivably have an assassin backstory and would therefore need to have some attacks to accommodate that sort of career path" [source]

" "We’ve spent a lot of time thinking about skin tone,” Corinne said. The character we made, a Black elf, seemed to glow in the bluish light of a nighttime scene, and under bright sunlight, I could see the richness of his color. Corinne: "We want to make sure that skin tone is reflected authentically" " [source]

" “We have dozens and dozens of hair types,” she said. “And they’re fully affected by physics.” The quality and variety of choices I saw delighted me. The rows of bouncy, luxurious-looking hair of all curl types and textures (and yes, the annoyingly ubiquitous “Killmonger cut” was among the options, what can you do?) brought the biggest smile to my face in the hour I spent with Busche and The Veilguard." [source]

Story and lore

NPCs will remember when you chuck a shopkeeper through a plate-glass window [source]

" The game’s story sees Solas intact a plot that will result in the deaths of thousands. When his justification that “people die, it’s what they do,” falls on deaf ears, you and your merry band of misfits have to stop him " [source]

" “Early in the demo and in the trailer, you’re in a part of the world you’ve never been in – Tevinter,” Epler tells me. “Tevinter is known for being a place of high magic; visually, it’s different. Obviously in Origins you’re in Ferelden, which was grubby, muddy, and very visually different and distinct. That said, it’s the first hour of the game, so we’re only seeing the prologue. As you go deeper, you’ll find that the game can be just as bloody and just as grim as Dragon Age Origins, 2, and Inquisition. For us, it’s that feeling of contrast. You get moments of higher fantasy magic coming back to the world through Solas’ ritual, but also things get pretty grim, and things get pretty dark in some spaces for sure.” " [source]

"Snappy dialogue" [source]

The game is really about each of the companions [source]

Narrative narrative narrative! [source]

The Shadow Dragons are an underground resistance that engages in guerrilla warfare against the corrupt mage rulers of the Tevinter Imperium [source]

"Varric has created the group called the Veilguards, recruiting a veritable group of weirdos to pursue Solas, who’s carved a path through the magical empire of Tevinter" [source]

"There’s intrigue to the game’s tale already, with Varric hoping he can convince Solas to stop his plan of tearing open the Veil: a wish by the dwarf to save a dear friend. There’s a fascinating relationship that's already being set up, Varric and Solas as opposing narrative forces, with your character, Rook, pulled between them" [source]

"There’s extra context to flesh out dialogue, with short descriptions that help give a vague idea of how things play out. The example we were shown was Rook trying to take down a gang leader inside a bar. We could choose to defuse the situation with either words or weapons, but the catch is you don’t know how effective those approaches will be" [source]

" Busche explained that the team wanted to give players a game where locations were imbued with just as much personality as the characters. “That meant making contrast from the areas that are dark and decaying to the areas that are illuminated with magic,” Busche said " [source]

" “This is a part of the world where magic has been embraced,” Busche said. “It is a society of mages and magic in this world is inherently colorful. So whether we’re seeing them use magic for everyday purposes like signage or using them as spells, that color really comes through.” " [source]

We will visit the Necropolis of Nevarra [source]

Gameplay, presentation, performance etc

There are dozens of abilities and spells [source]

The game has an easy mode [source]

There is a setting where your character can't die in battle [source]

"The Rogue class in our demo had a bow with recharging arrows for ranged attacks, and dual blades that could unleash a furious flurry of instantaneous blows" [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[miraculouslbcnreactions]

If you were to write Lila would you keep her being a con artist criminal with multiple identities but hinted at/revealed it earlier than S5 or would you cut that part down of her character entirely ?

It would really depend on how much space I had to fill. Gabriel is not the kind of villain that you can draw out forever. His story needs to have a clearly planned ending right from the start. In fact, I think they drew him out at least a season too long. So, if I also had to fill eight seasons, I could see myself going the Lila route. I'd just make a few changes. Off the top off my head, here's how I'd handle serious villain Lila as opposed to what canon wrote, which is petty school bully Lila who is entirely unbelievable as a serious villain.

First of all, Lila wouldn't be introduced at the end of season one. While her and Gabriel probably need to have some overlap, that's way too soon. In my version, she shows up at the start of season four and she'd be heavily toned down. We'd know that something was off about her, we may even keep the liar thing, but it would be a lot more subtle. Lies like, "Ladybug rescued me" and "I got to go backstage at a Jagged Stone concert" instead of "Ladybug is my bff" and "Jagged Stone wrote a song about me." Her goal would no longer be gaining peons, but instead gaining true close friends who like and trust her. The reason for this is that Lila is replacing Optigami as Mayura's last sentimonster.

See, season three ended with all those identity reveals and most of the revealed identities are in the same class. That's curious, so it makes perfect sense for Nathalie and Gabriel to want someone undercover in Adrien's class, but they can't do it. So Nathalie makes a sentikid of her own, gives her the power of manipulation, and sends her off to try to find Ladybug and/or Chat Noir by whatever means necessary.

This would give a clear reason for Gabriel to trust Lila, a clear reason for Lila to know all about the miraculous, and a clear reason for Lila to hate Ladybug. In this version, I wouldn't do Nathalie's lackluster redemption. Instead, Nathalie stays bad right up to her death. Perhaps her last act is getting the butterfly to her daughter and ordering her to get revenge on Ladybug and Chat Noir should Gabriel fail. After all, Gabriel can't wield more than six miraculous at once, so it makes sense for him to send Nathalie off with at least one of them while he enacts his master plan just in case it fails.

That's just one potential path to take. I also like the idea of having Lila be someone who came to Paris in order to find the miraculous, but who has no ties to the Agrestes. That would require some pretty big changes to her character, though, as I can't see that type of character caring about things like dating Adrien or being a model or all the other crap that has nothing to do with gaining a miraculous and everything to do with popularity and social clout. Lila canonically doesn't know that Gabriel even has a miraculous until the final of season four, so she basically just lucked into finding one instead of doing anything logical to find it because this show has no clue how to actually write smart, clever characters.

In summary, I'm totally fine with complex, master-manipulator Lila, it's just hard to figure out the best way to make her work when we don't know anything about her backstory or motivation. The version proposed above is just the best I can do to fit her into the role canon placed her in. A role I could easily see later seasons flat out ignoring.

[descendant-of-truth]

That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie

[conanssummerchild]

lukewarm takes with conanssummerchild time ‼️

in solaricks when rick goes back to dimension C-137 he seems just about ready to start at least trying to move on from hunting prime, he admits that he can't find him and even goes on to tell "diane" about their grandkids

yet this is him less than a season later

so, what changed?

well, this, obviously:

not to mention how traumatic that episode must've been for rick in general, having to revisit his past like that, the diane ghost ai. well, rick makes it pretty clear he's not exactly thrilled to be alive

so think it's pretty safe to assume that this was the first step to the rick prime relapse, especially since we know he went back and managed to snag a killbot

one could also argue that rick wasn't ever really over it, so it took very little to push him back, and while i don't think he was over it either, he did seem to start to want to be, morty saying this:

was all it took for him to step away from the base, though it's likely he returned in another moment, but still, that could've been later on

okay, anyway, into the actual point of this post, i think rick took small steps into falling back into finding prime, because even when he seemed to want to be bettering himself things kept going wrong, so eventually he decided, what was the point?

this is how i see it:

obviously preceding solaricks we have rickternal friendshine of the spotless mort, which i'm not gonna go into too much detail on rn despite it being one of my fav lore episodes bcs i wanna look at post-solaricks (but for pre-solaricks rickmurai jack is also worth mentioning due to him having to revisit his backstory with the citadel which is very closely linked to his time looking for prime/killing ricks) but go ahead and check out this post by dirty-bear-rick-sanchez for the best explanation i've seen on it and its effect on rick

anyway, so just 2 episodes after solaricks we have bethic twinstinct, and i've gone into this in a past post how this might have taken him back to his past so i'm just gonna copy paste it from my other post (summarised) bcs im lazy:

a lot of ppl theorise rick and prime knew eachother before he offered him the portal gun so if thats true what if beth and space beth reminded him of them and how he was (hypothetically) cheating on diane and then lost her forever at the hands of the man he was having an affair with and also lost his beth

which is why rick said "remember, its not just your ice cream you're forgetting, it's your family's" or smth. because he forgot his familys ice cream too much, and all that happened

also look at all the similarities between prime and SB's outfits

then 5 episodes after that we have analyse piss, where we see that rick relates to pissmaster, sympathises with him

i will never not reccomend this fic by abed-with-a-knife about how rick was taken back to his own struggles with suicide and such, but it's not only that, so many features of pissmaster's experience are things rick can relate to, his rocky relationship with his daughter, everyone hating him, i think in general it's pretty clear that this episode was made to link rick and pissmaster

anyway, the next episode after analyse piss is immediately a rick in king mortur's mort, and this is quite clearly rick's breaking point, obviously we know this is when he replaces himself with rickbot, following this scene:

rick tells morty not to take the sword and morty doesn't listen

morty says rick's boring and calls him a "drunk cranky fuck" which does seem to bother rick

despite him shitting on a similar insult in the previous episode

in ricktional mortpoons rickmas mortcation, the following episode, he says the reason he replaced himself was because of this, because he feels like morty doesn't respect him any more, and that:

so first the show wears away at his friendships and his past trauma and self hatred with rfotsm, rickmurai jack goes even further into his past, his relation with the citadel, his "crybaby backstory", etc.

then solaricks forces him to confront his past, specifically his relationship with diane and accept his future and his new family, while giving him a small clue to prime.

then bethic twinstinct, provided he and prime really did know eachother previously (which im a little on the fence on if i'm honest), reminds him of his guilt for diane and little beth dying and how he feels responsible for it by mirroring the situation with older beth and the "edgier" version of herself. after that, analyse piss continues to dig into his current relationship with a beth that isn't his own, and takes a shot at his suicidal tendancies and how he feels like "god hates him" or the universe is against him or whatever.

and lastly akikmm takes all of that that rick is already carrying on his shoulders and adds morty not respecting him or caring about him to it, and it clearly cause rick to finally snap. if all of this was building and the only thing keeping rick afloat was his codependant relationship with morty (as seen in solaricks when morty gets him to not go after prime just by showing his care) then morty (by no fault of his own) seeming to dismiss rick must make him think "what's the point anymore?" if no one cares about him, then he might as well complete his life-long revenge plot, even if it destroys him again

because no one cares about him, right? (dramatic old fuck, get him psycological help)

anyway it's almost 2am so my thoughts aren't as coherent as i would like and i'm too lazy to read over this post and check if everything is right and good

most of what i've said in this post is probably pretty obvious, i just wanted to lay it out neatly with images and everything (im so classy ik /j) it accidentally came out a LOT longer than i intended. what can i say i just love yapping on about rnm

[doodlegirl1998]

hori constantly acts as if he isn’t the writer and has full control of the story and it pisses me off to no end. gonna drop some examples below. these are from the street wear profiles from the manga.

sen kaibara - “I love his Quirk, so I can’t wait to portray it more.” he’s acting like something/someone is actively holding him back from doing so.

tetsutetsu tetsutetsu - “I hope I get to show him in action more.” once again, acting like something is stopping him. side note, why tf did he give him that name. it’s just so lazy. and it’s not even funny. just annoying to say and annoying to write.

hanta sero - “He’s mostly just for one liners in the background, but he’s a good guy, and I’d like to feature him more. At some point. For sure.” and then proceeds to never do that.

this might just be me being bitter abt all the amazing characters he’s completely disregarded and disrespected. this might just be me not understanding what it’s like being a mangaka. but it still bothers me.

i just hate how he’s created this insanely interesting world and amazing characters and never expands on anything bc he’s too busy sucking bakugos dick.

speaking of bakugo, as someone who has narcissistic tendencies, he’s a textbook case.

he obviously has some sort of inferiority/superiority complex and a mild to severe case of a god complex. at best he’s dismissive of people who he sees as inferior to him, at worst he’s downright cruel.

his “nicknames” are all just fucking insults aimed at peoples insecurities.

raccoon eyes/horns: mina was probably bullied for her appearance and then her so called “friend” exclusively calls her names that poke fun at her appearance.

bird brain/bird face/other bird names: tokoyami has probably heard it all at this point but once again bakugo making fun of heteromorphs.

dunce face: denki has shown to be insecure about his intelligence and once again his so called “friend” mocks him for it.

tentacles/arms/octopus: again, mocking heteromorphs.

tail: i’m beginning to see a pattern here.

ears: ok how has no one pointed out how most of his nicknames are him basically just calling them slurs.

i don’t think bakugo has ever called someone their actual name. maybe a handful of times? but it’s like a massive event when he calls someone by their actual name.

exclusive calling people insults isn’t exactly heroic.

anyway rant over i just needed to get all this shit off my chest.

Hi @the-jello-bowl 👋,

There could be something to be said here about how the editors may have had a hand in Hori not exploring all the characters he may have wanted to.

But, even if that is the case, not all of the blame would rest on them.

Hori clearly did not plan ahead for a lot of MHA. He is very good at coming up with good character designs and concepts as well as bringing life to them but seems to be at a loss after that is done. The cast bloating is key evidence of this.

It is sad to see all these interesting characters be swept to the wayside in favour of Bakugou, who by contrast brings nothing of interest to the table.

Bakugou is a narcissistic abuser in my opinion. He uses cruel nicknames, not as lighthearted jibes, but to bring others down - especially his friends.

Other than the instances you mentioned, I want to bring attention to one that belongs to Bakugou's supposed best friend, Kirishima, who he calls only "shitty hair." We learn in his backstory that Kirishima changed his hair to be like his idols as a symbol of his growth prior to U.A. Therefore, being continually called "shitty hair" would hurt Kirishima deeply. He also tells Bakugou to stop, and yet Bakugou does not care.

The time I can think of when Bakugou called someone their actual name is that time he used "Izuku" instead of the usual "Deku" slur. And even that is bad because instead of asking for the right to call Izuku by his first name, usually reserved for close family, Bakugou just does it.

Typical narcissistic, entitled and stagnant Bakugou. We hate to see it.

I wish Hori didn't waste so many manga panels on this idiot.

[ladyazurith]

You mentioned in one post that you think one problem with the game is that it twists itself into pretzels to fit the various different narratives, even when it doesn't make sense for the characters. Can you talk more about that? (Because I totally agree.)

Very much so! It's really bothersome. The first thing is in the individual chapters they tend to act like the students don't know each other well outside their own dorms, almost like they're practical strangers who have never interacted before. When everything else points to the opposite. Take Chapter 5 for example. They try to act like Ace and Deuce have no idea who Epel is, yet in Ace's CR story, he clearly meets Epel during their sorting. Never mind how they behave during events. And in chapter 2 when Cater is with Yuu and the others scoping out possible targets, it's presented like he doesn't know most of them well, when he clearly knows *everyone*.

Then from there, it's how the characters act in their individual chapters. Chapter 1 is mostly okay in this regard. Events with Riddle happen quickly enough that him having a major change of heart and acting "normal" in material from then on isn't too jarring.

But moving on from there it's a trainwreck. The chapter's overblot victims/ antagonists can get a little bit of a pass, but even then it stretches things.

Like Ruggie for instance, he is very shrewd and isn't above taking advantage of a situation. But he's not evil, he very clearly cares a lot about his home, his grandmother, and the other kids who live in the area with him. The idea that the character we see in every other situation would cause serious harm to someone else over a game is kind of ludicrous. He could have very easily risked expulsion if things had gone too far, and then he wouldn't be in a position to help *anyone*. Leona is even kind of iffy to me. While Leona tends to go out of his way to appear uncaring/unmotivated/lazy, he's actually an incredibly good dorm leader who cares about his students. Most of his real issues are internal, and harming innocent people who aren't even part of his beef with Malleus just seems out of character to me. Never mind what he does to Ruggie. Some of it can be explained by the build up of blot but not all of it.

And then Chapter 3, Azul, Jade, and Floyd. For the most part, I can see the tweels going along with everything because they both thrive on chaos. But Azul's plan is just...stupid coming from someone who's a professional businessman. First off he has no shortage of workers for the lounge. Ruggie frequently takes shifts there, and Cater while not a waiter also does a lot of work with them. But the whole sea anemone thing was just gross. And apparently, there was nothing in the contract about not disparaging their employer. It might have caused a spike in business at first just because people want to see what's going on for themselves, but overall, he'd ultimately hurt his business and drive customers *away*. Never mind the whole bullying backstory comes out of NOWHERE. Like I do have sympathy for Azul and what he went through and he is one of my favorite characters, but Ch 3 suffered from poor writing in my opinion. Narratively the whole thing was a mess.

Chapter 4 is handled better in my opinion. For the most part, I have the least amount of complaints about what goes on here. My biggest one though is what I mentioned before, Characters tend to exist in a bubble during their chapter events. You can not tell me that Cater nor Lilia wouldn't have tried to figure out what the hell was going on with Kalim. Or Silver for that matter. Never mind how Kalim had the authority to keep his entire dorm at school over a holiday when it's shut down?!!? I get his family is rich and powerful but, that still seems like a stretch idk.

Jamil I think was a least handled well otherwise, his actions and motivations seemed consistent with his character. In the end, he didn't really want to harm anyone, he just wanted his freedom and was desperate. The only real question is what did he think was going to happen next? Even if Kalim got kicked out of NRC then he would have only had about a year and a half of 'freedom' it wouldn't have solved any of his problems. And if Kalim had turned up dead, there would have still been severe repercussions for him and his family. IDK for someone who is supposed to be good at planning and scheming there definitely were parts that weren't well thought-out.

Chapter 5 and Rook is where this conversation started I think but I'll touch on it again. His actions at the end of chapter 5 are COMPLETELY out of character for what we know about him otherwise. Hiding his obsession with Neige from Vil, and then revealing it IN FRONT OF him while he's still licking his wounds from his overblot is just...if this was the only context we had for Rook, no one would be calling them friends. He had no real reason to reveal he was the one that cost them the competition.

The reception to this was so bad that's why we have the start of chapter 6 where Vil gives his speech about professionalism and why he's okay with Rook and what he did. I don't believe the narrative that Vil wasn't hurt at all, not with how he's shown to be so insecure especially where Neige is concerned. Sure I might buy the part about Rook voting for NRC not hurting him, but not the rest of it.

Never mind otherwise Rook isn't cruel. Especially not to Vil, and his actions were just that.

This is also biased, but the fact that Cater was cut from the team, and the reasons why rub me the wrong way. I know that they just wanted Jamil and Kalim because they were the previous chapter's focal point and Ace and Deuce because they're tied to pretty much everything because of Yuu and the story. But Vil keeps talking about being a professional, admitted straight up that Cater's audition was *perfect* but brushed him off and passed him over anyway. (Also Ironic because Cater's VA actually is a musician/singer/ensemble group member and not a traditional VA) but that's off course of the question lol

Also, I will never not be salty that RSA won with their song/performance. All for the narrative. And THEN they gave us a shot at seeing some kind of revenge or at least a win over them after the VDC with Epel's hometown event and yet again WE STILL LOST. I don't understand that one either. It's just frustrating for the players to be put in that situation again needlessly. There was no real narrative/story reason we had to lose.

Chapter 6 we finally get away from the narrative that the characters can't know who each other are in the main story at least -_-;. overall I don't have too many issues with Chapter 6. (other than the mini games -_-) Idia's character is kept consistent. We get some fun moments from the cast, and for the most part its in line with what we know of them and their characters. Azul and Riddle are gold, Jamil needed to hear what Leona told them. (tho it was a little pot kettle but then again that meant that Leona knew what he was talking about). And over all things don't seem AS forced. Had hoped things were gonna get better.

Then Chapter 7 rolled around and they murdered Lilia's character. The character we knew would NEVER treat his family like that. He even gives Malleus a speech in Cater's Halloween SSR about how he'll always be there when he needs him. He's consistently been shown to value his family and connections. It was just such a drastic change I am still baffled. I understand why he would be leaving, but to not really talk to those around him or explain what's going on and make an effort to keep in touch and stay in their lives? It's absurd. Of course Silver and Malleus broke down, if in high school my dad basically told me he was dying and that he was going far away and I'd never see him again, I'd have lost it too, and I'm not nearly as close to my dad as they were to Lilia.

I know they needed something to trigger Malleus's overblot but again this just seems like poor writing to me. The idea of Lilia loosing his powers and possibly dying I think would have been enough if they'd framed it right to push Malleus over the edge. That's difficult /emotional enough and they wouldn't have had to completely destroy Lilia's characterization to make it work. They could have even had the scene with Silver and Malleus when SIlver breaks down crying in front of him after trying to stay strong in front of Lilia so as not to worry him.

I'm trying to reserve too much judgment until we see the entirety of chapter 7 but unless there is some unknown reason for Lilia to have chosen this method of leaving, I don't know how to really justify it.

I get sometimes characters have to make difficult choices it is what helps make a story interesting, but if those choices arise from conflict that's not framed well or meaningful, it loses its potency. It comes across like us as the players and the characters themselves being cheated.

[cl-0v3r]

Is Mel Medarda a Fox?

Short answer: no.

I've seen a lot of people calling Mel a Fox by the end of the season, saying "oh she painted over her painting with gold, she's choosing the fox way!"

I disagree with that statement.

The Fox & Wolf tactic is used by the Medarda family, as her mother had told her in episode 8 "You must learn to be both the fox and the wolf" Mel, however, never liked the idea of being a wolf as shown from both her backstory and overall throught the season where she's only ever going to bring the 'wolf' tactic onto the table is if its as a last resort, or an act of self defense/ a counter measure. The idea of taking a life when there was other less-bloody solutions horrifies her, to the point where a single memory of a bloodied necklace LIVES over her bed and haunts her, giving her a reminder of its horror.

so Mel is clearly no way a wolf, she was banished because she did not live to it's standards, and the whole point of her character is to be against that sort of thing.

So is she a Fox? Well, in the beggining, yes.

Mel, influenced by her brother, wanted to do what he was doing after she was sent to piltover, the Fox tactic. talking her way through things without the need of physical violence. And it has worked for the most part, she got a seat on the council and continued to talk and talk, became the richest person there from her sharp tongue, and even managed to make piltover have more importance in the map. And she believed that if she could keep it up, then she could prove to her mother and family that they were wrong, that unessecary bloodshed should not be the first option on the list, that she wasn't as weak as they thought she was and she did everything without the wolf way like how Kino was trying to do.

but when Ambessa came to Piltover to put her hands on hextech weaponry, she told Mel that Kino had unfortunately died because he made the wrong decision, And that changed EVERYTHING. The way of the Fox didn't work.

with the current problems piltover has with Zaun, the fox tactic won't work in this situation, and Kinos death was the proof of that. He never made it, so neither will she.

So if the wolf tactic doesn't work, neither does the fox, where does that leave mel? Should she just let things happen?? Abseloutely not.

To be a Wolf, you must be Violent, Harsh, And Straight forward.

To be a Fox, you must be Sly, Manipulative and sneaky with things.

The fox was never made for peace, no. The fox approach was STILL used by the Medardas and they NEVER pushed for peace and mercy, quoting back to Ambessa AGAIN with the same exact line: "if you want to last in this world, you must learn how to be both the fox and the wolf." They did not just stick to the wolf tactic, but the fox too. It's like they either only Wolf, or Wolf and fox. NEVER only the fox. Kino was the only one that had used the fox. Yet he was never banished, and thats because he was a fox and nothing else, was he against bloodshed? Probably, but not completely. he was most likely still harsh with his words, and was not as 'gentle' as mel was. He was not soft towards death. He wasn't Merciful And that was enough for their standards.

So why was Mel banished? Because she was Mel. Mel wasn't like kino, never was. she didn't have his traits despite the fact that she wanted to be a fox like him. She wanted mercy.

And this is an important point.

Later on, on episode 9, we see Mel painting her canvas with streaks of gold, representing the fact that she is no longer going to let the Medardas stop her from doing things differently, followed by her leaving her ring.

The color gold represents mel, it's an important part of her character, and colors in arcane play a big role in it's characters.

Keep in mind that Red is the color of the Medardas, INCLUDING KINO. Its the color of the wolf and the FOX.

So for her to cover the painting of those red ships with gold, means that she is choosing to no longer be a Medarda. No longer someone that takes and takes, not a fox, nor a wolf. she is doing things the mel way, pushing for peace and mercy and nothing else. She isn't mel medarda anymore, she is Mel.

And that means that if she dies, she doesn't die a medarda like kino, but rather dies as MEL. Her ring being taken off is a symbol that she's not a fox nor a wolf, Not Ambessa nor Kino.

The Wolf approach? Harsh and bloody

The Fox approach? Sly and manipulative

The Mel approach? Peaceful and merciful.

Now, Mel is Mel, and in that last episode of season one, she used the same tactic that got her Banished.

I really hope this made sense.

[bayleavesfromthevine]

some kn8 ramblings (with a side order of manga spoilers)

i love that (as far as we know) kafka and mina's tragic backstory is "dead cat." we know nothing of their parents, homes, or friends from after the kaiju attack, only that mina's cat died. (obviously, the series isn't over yet, so this could be totally disproven at any point, but bear with me lol.)

i actually find that really refreshing. yes, it's so heartbreaking to lose a pet, but it's not the typical trope of a character's power level correlating to how traumatized they are (ex: family massacres, everyone they've ever loved ending up dead, backstabbing, torture, etc etc). their traumas are grounded in very realistic and relatable circumstances, and i think that goes to show that a character doesn't need these extreme reasons to want to do good and fight the scary monster. mina's cat died in a kaiju attack and she wants to make sure that no one else has to lose their best friend/ball of floof to a kaiju ever again. that is enough of a reason and a noble one at that.

soshiro, as another example, has a complicated relationship with his family, but they aren't dead or rogue. he's not seeking revenge on them, but rather they did not support him when it mattered and made him feel inferior - that is a traumatizing environment to grow up in, and unsupportive parents & sibling favoritism are also SO grounded in reality.

it really makes these characters feel real, and i think it's a powerful thing for a reader who maybe doesn't have the best relationship with their parents/siblings like soshiro, or who has lost a beloved pet like mina, or who doesn't have natural-born talent in a specific field like kafka, to see these characters take those experiences, work through them, find a support system, and overcome them.

(side note: i LOVE to see that soshiro actually went no contact with his brother for past behaviors! that sets such a powerful example to readers that it's okay to cut out people who have made you feel like shit!!)

of course, there are other characters like narumi and reno who have heavier backstories, but i love that their experiences don't automatically turn them into the brooding emo characters who think only of killing kaiju and seeking revenge with zero intentions to form friendships with the people around them.

it's just really nice to see. i feel like in stories that have a large cast, it's easy for a character's backstory to completely shape their personality, rather than being shaped by a multitude of experiences - good and bad - gained throughout life. (in cases like reno and kikoru, we see them grow as people & change their outlooks due to their positive experiences with kafka and the rest of the defense force. that doesn't override their past experiences, but adds layers to who they are overall.)

i see kn8 getting criticized a lot for lacking in depth or themes - and i do think there is a conversation to be had about locating the series' central theme and whether or not it's been clearly communicated (and whether or not that even matters) - but i also think part of that criticism stems from having a fantastical premise (that maybe SHOULD have a little more death, but that's another conversation entirely lol) with deeply grounded characters, a contrast we don't see too much of - especially from series in the battle shonen & shonen-adjacent genres (thinking about shows like naruto, aot, jjk, demon slayer, hell's paradise, etc).

basically, i find it refreshing that kn8 isn't over-traumatizing its characters despite the fact that the premise would allow it lol

[zuko-always-lies]

What was, in your opinion, Avatar's biggest mistake in writing?

That's a tough question, in part because ATLA is an extremely successful show. If they had fixed some of the flaws that I perceive in their narrative, perhaps they would have been less successful. Certainly the show's Zuko woobification and Iroh hagiography contributed to the popularity of the show, yet I hate those.

That being said, I think we can narrow this down to a few options:

Zuko's lack of clear development or arc in Book 2. I think this really damaged his overall arc a lot and made it so that Book 3 had to be too jammed. But again, most fans really love Zuko's arc, so what can we say?

Iroh and the entire Order of White Lotus being written like they were. But again, fans love "War Santa," so what can we say?

Azula being demonized to the degree she was. She was ultimately clearly intended as a sympathetic character by the writers, yet most of the fandom went away with the impression that she "a demon in human form." The unfortunate thing is that you would need to change only a handful of scenes to make her look much more sympathetic, so the writers really screwed up there.

Adding on the #3, allowing Azula to clearly express her motives would have been great.

There's generally an extreme lack of female benders in the show, which is really unfortunate and easily fixable.

The entire series finale is a massive, massive mess which would require a lot surgery to make sense and not make just about every character look terrible. You could write an entire long post about it.

Writing Suki like they did. It's very clear they never figured out a backstory or wrote a character treatment for her, and she's extremely thin for amount of screentime they give her.

This is a personal indulgence and not really a writing issue per say, but I would have loved to see more interactions between Azula, Mai, and Ty Lee.

You asked for one single issue and I gave you eight. Hopefully that satisfies you, even though I didn't quite answer your question.

[fanonimus]

My brother is obsessed with TTG, and I am baffled. We binged it, and I looked around in the... Fandom? I know the show is lighthearted, but I'm a psychology nerd.

Tw: Abuse, neglect, shitty people in general, mind conzrol and trauma. Progress with caution.

Not many people talk about the abuse Robin faces. I don't understand why is there basicaly no angsty content.

I also want to scoop that boy up and hug him and take him away from those people that surround him.

This boy has no positive influence in his life. Get him a therapyst.

He's neglected. I was sick watching this.

WHAT THE HELL DUDE this was genuinely hard to watch, and even the colour coded idiots aknowledge how badly he was treated.

Oh but they don't get away scott free. The little idiots.

They constantly hurt him (which I noticed is a reocurring joke, but it happens to him so constantly that it's not even humour. It's just... painful.)

What the fuck was that prank?

Considering I know his backstory pretty well (look, I watch enough dc), this prank just makes me want to cry. He smiles. His smile broke my heart. I genuinely started crying, alonside Robin. It was not a nice experience.

So they clearly don't have a problem with triggering traumatic responses.

Robin is also almost always the butt of the joke, even tough he is the leader nobody respects him.

Which would be understandable if he didn't try his damn hardest. He's resourceful and can make the best of a situation.

Like the time he got dance powers (which is just amazing, holy shit I want dance powers).

He found great use of an othervise "useless" pover.

Speaking of useless, his "friends" look down on him because he has no powers. Even though he is capable of beating all of them without it.

Yknow, like in the movie.

Oh yeah, nice recall to the movie the one where they competed with the Super Hero Girls team (love that show).

Y'know, where it started like this

And ended like this in like, five seconds.

Abandonment issues go brrr:

He's my angsty boy.

Also, the fact that he answered mind control on the last question, and it wasn't even on the board, broke something in me.

Him being a "control freak" is also played up for jokes, which I personally hate, but you can also go with the route of the Titans just not listening, ever, and Robin, still raised by the batman even if differently than in canon, in a city where if you are not on top you are dead, it's obvious that he developed an instictive need for control. He had gotten used to being on top of every situation, so when he felt that control slip, he grasped it and held on. This behaviour is not good, but he can't help it, and without proper consuling, he won't be able to stop this behaviour. He could, if he just let go of the illusion of control he clings to, a safety net, and we all know one can not simply just do that.

(I was someone people called a "control freak". I worked on myself, and I changed, but it took years after I noticed. Letting go is the hardest thing people like me and him can do because letting go means losing control, and that can be the scariest thing in the world. So I have experience, yes.)

(Yes, I also have experience. No, I am not going to talk about it, but it wasn't physical, don't worry)

For the hitting... Wild hot take and shit: Since Batsy was not a stellar dad, he kept robin in line by means not so family-friendly. (He hit his kids in canon, it's really OOC for him, but we have proof that happened) And it was really effective. Children of abusive parents go a lot of ways, but repeating the parents' mistakes is one of them. So maybe Robin decided that violence might be the thing to keep his teammates in line. (We are circleing back yeah.) But it clearly didn't work.

Edit: Holy shit I just realized that this Robin is all of the worst qualities of the other Robins. Obsessive, Controlling, full of himself, violent, and then throw their insecurities into there too (Abandonment issues, parental issues, anxiety, paranoia). Holy lady.

Edit2: Thank you, Yurki-posts, for pointing out some things my little rant was missing. I shall update it now.

[tzilatza]

NATLA Review - spoilers

Woke up today still feeling annoyed after finished the Netflix ATLA remake last night, and I think I've figured out the core reason.

It's the fact that: If they had held truer to the original source material, we could have had a truly great show. I disagree with those calling it a complete disaster. The acting was good, great in some cases. The effects were very well done, the bending looked about as good as it can in a live action media. The scenery was lovely.

But what happened in the writer's room?! The way they just reveal all the back stories up front EVERY TIME is honestly insulting to the audience. It's like they're so terrified that smartphone culture has made the public so accustomed to instant gratification that they have no faith we will stick around and keep watching if they make us wait for anything.

They're also clearly terrified of complexity. One of my biggest gripes with this remake is Jet's story. They completely took out his plans to murder a whole town of innocents in order to get a few enemy soldiers. Now, Jet isn't my favorite character, but his story is so important. Because it is real. The world is full of people who have been so brought down by injustice that they lose their sense of right and wrong, and we need to see that on screen. If Jet is too complex for them, how will they handle Ba Sing Se in the second season.

This goes along the same lines as removing Sokka's sexist moments. They felt they had to do it to make him more 'likable.' Yet the writers themselves went full sexist on Katara's character. They've taken out so much of her spark, her righteous and justified anger, and they've done it because even in 2024, people expect women to be more passive to be palatable. Enough people have already commented on them removing Aang's choice to run away. Heaven forbid the main character not be an absolute paragon. Did y'all notice that they even made Hahn likable? Hahn?! What reason do you have for making Hahn likable Netflix?! His role in the narrative is to be an example of toxic masculinity that is clearly the bad choice compared to Sokka who has learned and grown out of his own.

Don't even get me started with what they're doing with the fire nation family, I'm not ready to tackle that. In general, I have no problem with Azula getting a little more backstory and humanizing, but why season 1? Throwing in all these extra scenes just sacrifices screen-time where they could've actually fleshed out the real season one plots instead of rushing through things at breakneck pace. (ex: Aang escaping Zuko's ship in about 2 minutes flat)

At the end of the day, the scenes I most enjoyed were those that held true to the original like the Blue Spirit sequences. They could've easily done more of this, held onto the important plot points and even more important character complexity, while maturing it for an adult audience. I'm not disagreeing with every change they made. Go ahead and take out the silly Nickelodeon gags, add cussing and more realistic violence to get your mainstream viewers. Go ahead. They could've easily made a darker more mature version of the show and still held onto all the old fans in my opinion. But claiming that you're making a 'more mature' version and then removing the complexity and subtlety because they didn't think viewers could handle it...

What makes me most sad is that there are a lot of people who will experience ATLA for the first time through this show. There are a lot of adults who are not willing to watch original ATLA because they refuse to acknowledge an animated series can be anything other than a kid's show. Those people will watch this and think it's the real deal, and that just makes me sad.

If you've read this far, a very sincere thank you for listening to my rant. If you're an OG fan who enjoyed it, I have no problem with you. It was a fun watch, I was just hoping for more. If you are a new viewer who has never seen ATLA before, I sincerely want to hear your opinions. Is it a great show to someone who isn't holding it against the context of the original? And do you plan to watch the original now?

[everlasting-rainfall]

I didn't see anywhere that requests are closed, so I was wondering if you could write something for your pages au with Boa Hancock? She's my favorite female character, so thank you!

Okay so I’m gonna have to come clean about something and it’s that I haven’t yet reached Amazon Lily like most of my knowledge about One Piece characters comes from a lot of outside sources and for why I haven’t reached it yet?

That’s a simple answer as I have a very bad attention span so if I’m not watching with a friend then my brain wanders and suddenly the episode is over but I promise that I’ll do my absolute best to write her for you!

As Boa is honestly a really cool character like she isn’t my favorite female character as that honor goes to Rouge a lot of the time but I do love that girl regardless!

So before I start rambling too much and making an absolute fool out of myself, let’s get into it. Yeah?

Also since I do know what Boa’s backstory is, I can’t see her trying to actively force someone into a relationship but she is probably willing to keep them if it means they’re safe

!-MINORS DO NOT INTERACT AT ALL-!

!-POTENTIAL TRIGGER WARNINGS-!

Manipulation, Copying of Work, Workplace Sexism, Implied Homophobia (?), Delusions, Kidnapping (?)

!-POTENTIAL TRIGGER WARNINGS-!

!-MINORS DO NOT INTERACT AT ALL-!

Okay so let’s imagine that you wrote a book, it was a romance novel of course and it was pretty good like it didn’t sell well but it was seen as pretty good by those who did read it

But about a year later while you’re working on the sequel story that you managed to convince the publisher to give you, something happens as a book is released into the market that looks so much like yours except… bad…

The main character on the cover is grossly sexualized when they’re supposed to be someone that the reader can project themselves onto and the two love interests have basically been turned into big muscle men with no personality compared to how you had them as powerful women with quite a lot of personality and complex backstories that helped to shape their characters

You took some time to read it and found yourself absolutely disgusted with it as it was exactly your book just if every trope from R/MenWritingWomen was stuck onto it, certain important plot points were changed and romantic scenes were either completely changed or removed

Attempting to talk to the publisher didn’t do anything as they simply told you that your book hadn’t been copied and clearly you were seeing things if you thought that… You should just get back to what you were writing and be quiet about it…

This was humiliating but there wasn’t much you could do except hope that your next book would absolutely blow this gross copy out of the water especially as when the reviews came in, you found that most people loved it with very people pointing out that it was a gross copy of you

Eventually when you did release your sequel book, it had some moderate success but not as much as the copy… It was truly discouraging…

When you tried to ask your publisher to at least push it a bit more with advertising, they were reluctant but decided to do it in the end to just get to be quiet so they started doing some advertising on other islands and quite a few people picked up the book

Your book achieved more success! It was great!

Soon enough, word of this book had reached Amazon Lily and it was raising quite a few eyebrows in interest as although it did have a few male characters in it but the story and what they heard about it was truly what interested them

A female marine captain saving the MC from certain doom at the hands of pirates by holding them close with one arm and defending them with the other even despite their injuries? A pirate captain who promised to give the MC the world and much more if she would simply take that first step and set out to sea with them on their ship?

All these things that they were hearing were quite interesting and after hearing about one scene in particular where both of the love interests put aside their differences to save the MC from a dragon? Interests peaked!

So a request from so many was given to Boa as they asked her to please make it so that a shipment of the specific book would be sent to Amazon Lily, it took her a bit but she soon made a request and sent it out

The publisher picked it up and within the week, a small shipment of the book had been delivered to Amazon Lily. So many were excited to read the book that they had heard about but there was one problem with it…

This wasn’t the book that they expected, everyone was so confused as the book was awful to the point where most dropped it within the first few minutes of reading it as what had been delivered wasn’t your book but instead the copy

When Boa found out about this, it was safe enough to say that she was quite irritated as in all honesty based on the way that the story had been described to her

She was getting excited to read it as well only for this to be what was delivered so she had the shipment be taken back away from their island alongside a message detailing how disgusted she was and how she demanded every last beli that she spent on this shipment to be refunded or there would be hell to pay

Of course, the publishers listened as who wants an angry pirate empress after them? But they fucked up yet again and instead of realizing that they sent the wrong book, they gave you the message thinking your book had disgusted the women of Amazon Lily that badly

Upon reading the entirety of the message, your heart sank and you got ready to reply as you started writing an apology along with an explanation of what had happened

You took your own personal copy of the book at home and attached the apology to it alongside a gift before sending it to Boa Hancock herself who almost threw it away the second that she saw it until she noticed the cover and stopped

A close look at the cover revealed that this was the true version of the story as there was the MC laying down in the bed of flowers with her hands clasped with the pirate captain laying facing towards her on her left with a red rose in hand while the marine was laying on the opposite side with a blue rose in hand

This was not the same story… The title was even different so she sighed and decided to at least give it’s first page a read to see if it was truly different…

It was and she found herself hooked, she read through the entire thing and couldn’t stop a smile at the scenes that you had written alongside the part where the pirate captain and marine saving you from a greedy dragon despite the fact that they may fail? It was lovely

When finishing the book, she took another look at the note accompanied with the book and reread the explanation. She was honestly unsurprised about learning the truth and set it aside before opening the gift

It was the only piece of merch to ever exist for the book and it was because you had made it yourself only to give it to her as a truly sincere apology, it was a pair of fake roses with their stems tied together. A red rose and a blue rose tied together with a lovely white ribbon, a physical version of the books very last illustration

Part of her was touched by this and in all honesty, she found herself thinking about it for a good while as you had taken the fall for the shoddy knock off created by the gross imitator and the publishers hadn’t even been willing to help you sort things out

It was downright deplorable in her personal opinion and she knew that you weren’t the MC from the story but part of her started to feel like she wanted to rescue you

Rescue you from your life dealing with the publisher on that island where no one would ever appreciate your work just like how the MC had been rescued from the dragon, she would keep you safe and keep you in a place with people who actually appreciate your work and wouldn’t just disregard it in favor of someone’s fantasy

She would keep you safe from the prying eyes of anyone who wanted to harm you, she wouldn’t even let anyone brand you as theirs and do horrible unspeakable acts to you

If you wanted then the two of you could even become friends and maybe potentially something more which she grew to like the thought of more and more until she started to imagine the two of you going on nice walks together, laughing together and having fun

Ah yes, that was the life that would be perfect for you in the end…

All that she needed to do was get you here and she knew exactly the way to go about it…

It was a few weeks after sending your own letter when you received one from Boa Hancock, it was a request to come to Amazon Lily with copies of your book as she no longer trusted the publisher to send them the right ones

She also requested for you to bring your things as well as she would like you to stay on the island for an undisclosed amount of time, you didn’t want to potentially make the pirate empress any angrier than she already was so you packed some things and took a large box full of book copies of the first book and the sequel and headed off

A few days were spent at sea before you finally reached your destination, you were greeted and the books were quickly taken off of your hands in order to be enjoyed by everyone who had been so excited to read it

Meanwhile you were taken off to meet with Boa herself, she was a scary lady and more than intimidating but she was kind to you despite everything and had a smile on her face when you offered her the sequel story

Your time on Amazon Lily started on that very day, a lot of it would be spent with Boa simply spending time together as she took her time getting through the sequel story as she always stopped to ask you questions about it

As time progressed however and Boa continued to read the story, she found that it was wrapped up in the end with a neat little bow and the person the MC chose got married in the end. The MC had wound up marrying the pirate in the end and symbolically tied a ribbon around the stem of a red rose as a sign that they would always be together

Boa found herself enjoying the scene of the wedding and she smiled to herself as she reread the chapter only to notice certain things this time around like how the pirate had her hair done in a similar fashion to Boa’s and not only that but the way that the outfit was described? It sounded like her…

Part of her tried to write the entire thing of as a simple coincidence until she reread the line “The beauty of the two was so strong that it could turn anyone who laid eyes upon them to stone”

…Oh my god…

That was all that Boa needed to see and she quickly closed the book and set it aside, she honestly wasn’t sure what to think as this couldn’t be a coincidence anymore as the one who had won over the MC in the end was a Pirate Captain who would do anything for her…

It couldn’t have been just a coincidence now and she had to be sure that you didn’t write about some sort of deep hidden feeling for her… So she picked up the other book and spent quite a bit of time searching it for answers…

And as they say, if you’re looking for something hard enough then you’re gonna find it regardless of whether or not it’s there

Slowly Boa becomes convinced that you wrote about some sort of feeling that you had for her despite the fact that you could have never known her before this point…

And she would confront you about this, she would tell you off for doing this and make you leave but something in her refuses to do so

You don’t see Boa for days as she deals with these emotions, you aren’t sure why this has happened but you don’t bother her simply thinking that she’s busy while she attempts to figure out what’s going on

Until it hits her… She returns your feelings…

And when this happens, this is when things start as she starts to attempt to show you that she feels the exact same way about you that you do her

It starts with her trying to spend more time with you, it progresses into her getting jealous when other people speak with you, it progresses even further to her actually touching you with hand holding and the occasional caress

When it reaches its peak? That’s when Boa starts to greet you with a red flower of some kind whenever the two of you meet, she hopes that you’ll get the hint and finally realize

But hey, it’s not so bad that you aren’t getting it as your smile is heavenly to her to the point where she could look at it all day and has even caught herself staring at your smile for long periods of time when the two of you are together only breaking out of it when you point it out to her

Eventually you’ll start wanting to return home and back to your old life but Boa will insist that you stay, the world off of Amazon Lily is dangerous for someone like you after all and she wants to keep you right where she can absolutely make sure that you’re safe

You might try to insist on returning to your old life and that’s when Boa will start to manipulate you, I can’t see her turning violent but she probably would tell you things like “If something were to happen to you out there then I simply wouldn’t be able to live with myself”

She’ll trap you into staying on Amazon Lily this way until you’re ready to stay of your own accord…

It’s for the best after all and once you finally realize that she returns the feelings that you oh so clearly have for her, everything will be perfect…

A pair whose beauty is strong enough to turn people to stone…

[crossdressingdeath]

It's so weird to me seeing people insist that all Rooks are going to be the exact same with no real variation between them besides the names based on the fact that they all get involved with the Veilguard after prioritizing saving lives over their faction (if you look at the blurbs even the "they go against orders to save people" angle only applies to Thorne, the others didn't know or didn't have actual orders to go against, and even "prioritizing lives over their faction" doesn't apply to Mercar (going against slavers is kind of their job and the Shadow Dragons want them out of sight to protect them) or de Riva (they didn't actually know about the wider mission at stake and could easily have assumed that their superiors urging caution didn't mean letting civilians die)). For a few reasons, actually. First and most obviously... people are making a lot of assumptions based on the very brief and vague backstory overview you get at the start of the game. The character introductions we get at the start of the game have always been a brief overview with no emotional details; the details come in the game proper (which is also when Rook will I'm sure get the chance to discuss how they feel about their faction and the events that led to them leaving it; it's very strange to me that so many people seem convinced we won't get to make decisions about that based from what I've seen solely on the single paragraph of background information we get before the game even starts). Bioware didn't stop in the CC of DAO, DA2 or DAI to ask us exactly how our character felt about their background, they let us decide that for ourselves during the game, and I really don't understand why people are assuming it'll be different here.

Secondly it's based on a massively oversimplified view of what exactly happens in each backstory blurb. I mean there is of course the general setup of each character's background before the incident that led them to the Veilguard (do not come here and try to tell me that a baby found by the undead and raised by necromancers in Nevarra is the exact same as a kid raised by a military family in Tevinter, using the two whose childhoods we have any information on as an example; they are not the same and would have very different viewpoints on the world), but there's more to it. The actual incidents are quite different if you look at them beyond that basic "prioritized lives over the faction's best interests" angle! Aldwir choosing to give up a valuable artefact to save their teammates isn't the same as Thorne refusing to wait for reinforcements when a nearby village would be destroyed before they arrived, which isn't the same as Laidir pissing off the nobles and risking drawing the authorities' ire down on the Lords by killing a corrupt noble, which isn't the same as de Riva unknowingly compromising a larger mission by rescuing Antivan citizens taken captive by the Antaam. These are different events! Saying they're all the same is a very, very simplified read of them!

But I'm sure people will still argue that they're too similar because of that very simplified read. To that I say: every Warden is the exact same because they all get involved in a dangerous event and then get recruited by Duncan. Every Inquisitor is the exact same because they all go to the Conclave and pick up the Anchor. The details of their backgrounds and their thoughts on those backgrounds and their dialogue that's impacted by their backgrounds don't matter, the inciting incident is the same so clearly they're all the exact same character and the only things that change are names, classes and aesthetics.

...Stupid, right? Obviously if you boil down the protagonist of an RPG to the most basic description possible they're going to appear the same as every other possible protagonist of that RPG. The protagonist needs a plot hook to get them involved in the main story and that plot hook is always going to be similar to every other potential protagonist's plot hook. The Warden needs to be in a situation where they would get recruited by Duncan, and it makes for easier writing if that happens in a situation where there's a good chance they'd be grateful for it. The Inquisitor needs to get the Anchor. And in this game Rook needs to be in a position where their faction wants or needs them out of the way for whatever reason and Varric would want to take them for the Veilguard. With those two factors in mind, them putting innocent lives over their faction (for lack of a better way of putting it, see my comment on Mercar and de Riva in the first paragraph) is a good choice. It's something that ensures their faction will encourage or order them to join up and something that would encourage Varric to pick them! If you agree that it's stupid to claim all Wardens or Inquisitors are the exact same regardless of backstory because of the inciting incident that gets them into the plot (which I assume everyone does), then don't automatically assume that all Rooks are going to be the same because of their inciting incidents having some similarities.

[hot-in-a-dress]

Peter Bishop, aka God's Multiversal Apology

Preface note: I've currently been watching/rewatching Fringe, and I have Thoughts, so expect this to be the first of many posts.

First of all, I just need to talk about how much I love Peter Bishop. Not necessarily as a character crush (although it's not not that), but just generally. For all of his background and all of his emotional issues going on, I would have expected him to be a lot more..toxic? I mean, when we first see him he's a bit of a bad boy type, and generally mean to both Walter and Olivia, but I'm glad that the writers knew where the line was. His actions at the beginning of the show are demonstrations of how he's been closed off and running from his past, currently living in a state of hyper independence where he feels like he can't really trust anyone. I think that if it continued for too long, those traits could easily have made him really dark really quickly, and they could have overpowered any grounded moments that he had. Instead, the writers cut/heavily dilluted that aspect of the character pretty early on. At the very least, by the midpoint of season one, he's already started to soften up a bit, and his mean streak becomes the more sardonic charm of Peter that audiences love. By the end of season one, he's downright affectionate.

Speaking of affectionate, I absolutely live for the way he treats Olivia after that mid-season change. I think it would have been pretty easy for the writers to make him a tough-love, "get a fucking grip", push-her-to-the-breaking-point type, similar to earlier Broyles, and instead Peter treats her with such....gentleness.

When she has a panic attack in "Bad Dreams", he goes to comfort her. He clearly makes moves to touch her, but the motions that he makes are really carefully placed in front of her where she can see him, and he backs up/moves his hands away so as not to seem restricting. He doesn't even make contact with her until he knows that she's in a grounded enough place to handle it. That level of respect for her space and emotions is something not often seen in media, and not necessarily expected to come from their (at this time) still vaguely antagonistic relationship. Not only does it show his respect for her, though, just his willingness alone is something that feels so personal. It was one of the first examples of Peter's really deep compassionate streak that he has (especially in terms of Olivia), and it stuck out to me that...at that time, he had no reason really to comfort her. He was still in a more professional setting, and they hadn't quite developed the same level of emotional understanding they have in later seasons. And yet he was so ready to go after her, and so ready to offer not only words, but actual, physical comfort. He held her so tightly, once he knew he could. As all of Olivia's backstory becomes more and more apparent to both audiences and herself, I appreciate these moments even more. She isn't used to gentle men in her life, so the fact that Peter comes along, and he respects her, and trusts her, and most importantly, is gentle with her when she needs him to be, showing her time and again what true love and affection can be, it's just..fucking precious to me. It's everything she deserves and more (though that's a different post entirely).

Anyways, it's also really charming to me that physical contact is a repeated pattern with Peter. From a character perspective, that's so fascinating. He has faced such traumas throughout his lifetime that he seems like a character that would be really hesitant to form connections, and rightfully so. Yet, not only is Peter empathetic, he is so overtly physical about it. Whenever someone else is in pain, Peter becomes a comforter and a protector. And every time he does, it feels like that "he healed something he didn't break" moment. It seems like Peter, who comes from such brokenness and secrecy, just wants to keep the people around him safe, because he's seen the absolute worst things that can happen. He had every right to be angry and cruel, but instead he chooses to be an anchoring point for the people around him, and absolutely loves them fiercely.

It's not that Peter is flawless. He's known to be a bit aggressive, and often dismissive of Walter, among many other instances of recklessness, plus a couple counts of fraud. Yet at the same time, to me, those flaws don't make his love and compassion any less merit worthy. It just makes him a complex character. It's the reason why he feels so stand-out from other characters of that genre of show, and other tropes of The Leading Bad Boy. Peter Bishop at his heart is just...written beautifully, and he's exactly the type of healthy masculinity that sci-fi tends to lack. He's God's Apology, across all the multiverse, and I am absolutely here for it.