#they are a fun character to write about

[red-moon-at-night]

I love Es so much actually. I want them to be okay by the end of this because they have a LOT of weight on their shoulders and they are literally a 15 year old kid

[magic-owl]

I don’t believe in gatekeeping at all but if you flat out admit to me that you’ve consumed little to ZERO of the canon media and have gotten all of your information based off of reading fluffy fic with woobified characters, I will not be taking ANY of your fandom opinions or meta seriously

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[jvlianbashir]

"the creator said in a reddit thread -" "the official twitter account posted that -" "the actors confirmed in a livestream that -"

i don't care and that's not real to me. put it in the text.

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[elvyn]

doodles some of my favs from One Piece because after two years I'm finally almost up to date with this anime😭

[sea-webs]

"I don't know who I want to be, anymore."

Oc - Cirque | The Dragon Chosen by the Shadows |

| mary oliver / franz wright / chelsea dingman / mary oliver / sue zhao / can't find :( / can't find :( / i am a dog. i have blood all over my teeth. - sciencedfiction / little weirds - jenny slate / the unabridged journals of sylvia |

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[wizzard890]

So there’s a trend that I absolutely hate in online discussions of (non-satirical) genre, particularly genre that’s influenced by the gothic. This trend makes my eyes roll back in my head until I can see through my own skull. It makes me want to bite a car in half. It makes me want to step into the jellyfish tank at the New York Aquarium and beg for the sweet sweet annihilation of a thousand stings. 

I call this trend: Oh Just Be Sensible, and it goes like this:

“Why do vampires always end up covered in blood when they feed, I don’t spill soup all down the front of my shirt when I eat dinner. Real toddler energy.”

“Why do people always cut their hands to swear oaths, everyone knows it would hurt way less on the [insert body part with fewer nerve endings]”

“Vampires shouldn’t be feeding from people’s wrists, it damages the tendons, if doctors don’t take your blood from your wrist, vampires shouldn’t either! No one will be able to flex their fingers the next day.”

(This comes up a lot with vampires, I mention, as I stride purposefully into the glistening mass of jellyfish.)

There are direct answers for some of these when it comes to the practical visual language of a particular medium (for example, you cut your hand on stage / on set because you can hold a blood pack in there, and even if you don’t have an effect, the gesture and its purpose can be discerned from the nosebleeds) but what really gets me is how thematically boneheaded this sort of observation is. 

Like, let’s go down the list here. 

Why do vampires end up covered in their victims’ blood? Well Scoob, do you think it could maybe have something to do with their bestial, inhuman nature? Or with the erotic and sensual abandon with which they can approach violence, now that they’re untethered from human morals? 

Why do people cut their hands to swear oaths? Aside from what I mentioned above, do you think maybe it’s because it adds a layer of gravity to see two people swearing an oath to one another with blood dripping from their clasped hands? Do you think it’s maybe to evoke a unity of body, something greater and more primal than a unity of word? Or maybe to remind us of the dire consequences of breaking a blood oath?

Why are authors having vampires feed from people’s wrists if it damages their tendons? Damn, maybe that’s because it’s where the pulse is. You know, the pulse? The heartblood, the thing that races when you’re scared or turned on or both? The thing that stutters when you’re close to death and could, should the author choose, ring in the vampire’s ears like a chime or a great pounding thunderclap. Maybe in a story about undead beings who drink blood, we can sacrifice a bit of sensible reality in order to enforce the emotion and thematic heft of a scene? 

Images like these communicate what is happening between two characters, not just the events that are transpiring! No one making stories forgot to consider ~sensible~ little observations, because it would be absolutely inane to consider an observation with the creative value of a wet paper towel. This stuff is part of our visual language for a reason! Themes also need to be communicated! 

God, like, okay, I’m exhausted and the aquarium staff keeps yelling at me when they find me here, but let me just wrap up by saying that relationships, character and meaning are expressed in so many ways beyond dialogue or internal monologue, and those expressions are so rarely sensible. 

(Also all this shit looks cool as hell, do you really want your protagonists swearing to die for one another by dabbing their slightly bleeding elbows together, grow up.)

[criticalrolo]

I had a post a while ago about making sure your dnd character WANTS to be an adventurer a while ago, something else I’ve been thinking about is the importance of making a dnd character that WANTS to be in a group and have some sort of relationship with other PCs. the Group Nature of ttrpgs means lone wolves just aren’t feasible. if you really want to play a lone wolf or antisocial character at the beginning then I highly recommend telling your dm and the others players that you plan on forming bonds along the way and growing out of that mindset. otherwise why are you playing dnd, a group activity that involves cooperation and building relationships? Just Write A Book if you don’t wanna be in a group

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[zombie-bait]

Full Moon

Ok so I don’t normally post about Helluva Boss but the newest episode touched on an interesting concept I haven’t necessarily seen represented in media. Back when I was on Twitter (derogatory) a few years ago there was this now deleted viral thread where someone discussed how their struggles with mental health affected their relationship with their partner and I haven’t stopped thinking about it since. 

This is such a good, short example of how anxiety and depression can play tricks on you. It becomes so easy to envision yourself as a nuisance, a constant burden to those closest to you because they cannot possibly genuinely enjoy your company, right? But in doing so you create this arbitrarily cruel version of the people you love, people who would otherwise never behave like this outside of your own mind.

It's mean. Because your mind wants to be mean to you under these circumstances. It wants to put everyone else's emotions and desires above yours, both in worthiness and validity. And that starts bleeding into your understanding of other people, especially those you care about.

Now. Helluva Boss.

"Can I get a fucking MINUTE to think after everything you put me through you pompous rich ASSHOLE? Treat me like one of your little butler imps, you can’t just dismiss me like that! I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we’re smaller and not as important. Well I’m not letting you, BITCH! Let’s go!" - Blitz

I find it really interesting how Helluva Boss decided to approach this conflict between Stolas and Blitz. Obviously, the difference in power matters. It's the underlying tension of their entire relationship and their lives. Stolas is burdened by the mountain of expectations thrust upon him from a very young age while Blitz is constantly reminded that he can NEVER be part of that world, that he is "smaller and not as important" not just in Hell's hierarchy but in his own life and family. Stolas very literally has power over Blitz (through the grimoire, the arrangement, his position in society) and Blitz uses their relationship as an excuse to reverse those roles. But that power dynamic, in one form or another, never truly goes away. And for Blitz, it's a lot easier to paint Stolas as this manipulative symbol of power and himself as nothing more than Stolas' plaything. It's easier to be angry than to be vulnerable and accept that someone might care about him.

"Dismiss" is the keyword in that quote. All that Blitz has been able to process is that Stolas has decided to end the relationship that they have. He feels ls like a choice has been taken away from him so he lashes out because he's not ready to emotionally tackle what the rest of Stolas' offer might entail. If Stolas hates him, just wants to play with him, then he is justified in his anger, his self-destruction, his isolation. If the world is mean, you're "allowed" to be mean back.

But

In that moment he forgets that Stolas is someone he actually cares about. Someone he's known for way too long and clearly wants to keep in his life, no matter how reluctant he can be to admit it. Someone who is not innately cruel or manipulative but sad and desperate for connections in a lot of the same ways that Blitz is. And Blitz immediately sees that he's miscalculated something.

Somewhere along the way the fictional version of Stolas that he's allowed himself to be mad at and the real one that he's not ready to admit he cares about have merged into something real that he has actual power over. Stolas can get hurt and Blitz can be the one who does it. He has once again allowed his greatest fears (which Stolas so frequently symbolizes) to co-opt his loved ones, to give him an "out" even though he didn't actually want one in the first place.

I'm definitely not the first person to say this but I think this is an example of the miscommunication trope done right. Their individual struggles are what cause them to be unable to connect during this conversation or to even have a proper conversation in the first place. There is no convenient misunderstanding or third party fabricating this rift. Both of them have preconceived ideas of what the other one is thinking but those ideas are flawed and rooted in self-hatred. They also both shutdown in their unique ways when the conversation starts heading in the direction they'd feared it would.

Blitz and Stolas work because they're both fucked up in similar ways, because they want similar things. That's the same reason why they're uniquely designed to hurt one another. A fear of rejection and a yearning for happiness. To borrow a quote that has been used by literally everyone from Spiderman to Evangelical preachers, "hurt people hurt people."

anyway, I really liked this episode.

(twitter thread screenshots sourced from this reddit post)

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[800db-cloud]

i’ve been wanting to do this since day one

[theminecraftbee]

"Well hello there Secret Keeper!" Scar says, chipper. "It's a bea-ut-i-ful day today here on the Secret Life server, and I'm here for my daily hearts for winning! I have to say, it is gorgeous today. Really a lot easier to keep the rain away without other players, what with sleeping through the night not being a problem at all! Did you know, by the way, that sleeping and rain are connected? I didn't until recently, but by golly, they sure are! Can you imagine? The world is full of so many strange things."

The Secret Keeper, being a big dumb stone statue, doesn't reply. Scar's beginning to think it's just rude. It sure replies whenever he hits the button, which is the first step in his morning routine these days. He's gotten better at dodging damage, really, even with the nearly infinite hearts! He's just not so good at dodging skeletons and creepers and such that he shouldn't top off every day.

He hits the button. He feels his health return to him. He gets a new task: Win Secret Life.

He snorts, a little bitter, to himself as he reads it and folds it into his pocket. "You know, I don't know if I'm lucky or unlucky that you're such a moron that you don't know what winning means. Your machine is broken."

No response, again, because the Secret Keeper is, as established, a big old dumb rock. Well, whatever. Besides, if he lingers on resentment and upset for too long, it might catch up with him! He's certainly let it catch up with him before. Why, a few days after he'd won, when he really had it sink in that he was for-real alone on a server covered in lightning burn marks and blood, he had a bit of a breakdown! There was sobbing, screaming, yelling at the world, the whole works! And when no one responded then, well--

"Did I just call you a moron? I'm sorry, I didn't mean that!" Scar says. "You know how I get sometimes. The world is beautiful and warm, but sometimes it gets a little hard to breathe around here! Now, where were we... oh, right! The trading post terraforming project! Now, we hit a bit of a snag the other day, what with the wandering traders I'd caught all sort of--dying--and all that, but luckily, more of them might show up any moment, and they really are vital to making the place feel alive and breathing. So today we're taking a break from that to build up some trees!"

He waves his arms like someone is listening. He'd like to imagine someone is. Grian told him he won--just because all the ghosts are quiet now doesn't mean they aren't there! And if that was a moment of temporary insanity, well, he probably--he needs to think it's not, is the thing! He absolutely needs to think it's not.

He hums and gathers more logs. His makeshift tree farms are pretty nice, if he does say so himself. He pauses as he hears distant howling and sighs. "I guess we will also be spending today cleaning up the wolf population! I swear, I have no idea what those people were thinking making a wolf spawner. A man takes a nap for a day and then the entire server is overrun with stupid white animals! And you know, I do hate having to cull the things, but, well, you know me. I've learned how to kill pretty well, I think, and really, dogs are easier to kill than people."

He grabs a sword from his chest and sharpens it. He keeps it perfectly clean so that there isn't too much blood on it. Good thing, too; most of the blood would probably be his. He's a bit clumsy, after all. He cuts his fingers on it all the time. No matter how well he bandages up his hands, he just keeps making them bleed, drip, drip, dripping blood on every path he walks down. No matter how hard he works to clean up his massive building projects, the little splatters of blood follow him, so he's sticking to dark colors where he can.

The flowers will probably show the blood, he thinks. The flowers and trees he's building. Hopefully, the blood doesn't stand out too much. It feels wrong, in a world where there are no bodies.

He stands up. He heads in the direction of today's pack of unwanted pests. He sighs. "You know, I know your question is, well gosh, Scar! All the previous winners died. When are you going to finish it off and kill yourself? And wow, that's a pretty dark question. You should be ashamed of yourself for asking, really." He laughs. It's not funny. Who cares.

Instead, he shakes his head.

"And, well, you have to understand. I'm not done building yet! I can make my base so much nicer looking! And besides, you're still handing me hearts. If I get hurt, I can just come back and get more from you! If you want to die, you have to kill me yourself. You fucking cowards!"

No response.

He sighs. "Well, that's enough of that for today. Sorry, I'm feeling kind of morose. It's all this sunshine! Can't be good for a man. Did you know populated servers rain more often than unpopulated ones? It's true! It's because people don't sleep enough. But here I am, getting all the sleep I need. Now, time to go kill some dogs and build some trees! I can't think of a better way to spend an afternoon, can you?"

His hands hurt. He ignores it. He ignores a lot of hurt, these days. It's not like it's hard.