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corvidshipping · 3 years

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modern au red/milo dump while i try to get myself together to answer asks nd work on ATJ:

(tw for alcohol mentions near the end, also this is an EXTREMELY long post, its so long that even after i split it into categorized sections each section could be its own post)

CLOTHING

milo absolutely has no sense of fashion. i feel like this is basically canon - for the styles at the time, he dresses fairly basic, mostly focused on looking put together for his job (definitely dresses aimed more towards how he would like to be treated by his peers, despite his actual position - then again our best example outside of the expedition is when he's about to deliver what he considers the most important presentation of his life, so who knows, maybe he usually dresses like a slob). aside from that his main concern seems like practicality and comfort. his wardrobe is dominated by earth tones - beiges and greens set with white and greys. all of that taken into account, i can see him dressing like this in a more modern era:

basically- a lot of cardigans, usually collared shirts or comfortable turtlenecks (since he does still occupy a research position at the smithsonian, even if only in title), big ol' coats, khakis and chinos and slightly stiff dress pants complete with ironed creases. i can see him wearing similar clothes outside work, just more comfortable - jeans and knitted shirts, henleys, more turtlenecks, and comfy cardigans over short sleeved shirts. i dont really see him wearing a lot of prints, i think he'd veer more towards solid clothes in lighter colors, but maybe he has a few. hes definitely the kind of guy to think of wearing the single graphic tee he owns as "bold and wild".

im very married to the idea of him wearing converse though. i cant explain it. milo in converse keeps me going in this world

hes kind of broke so i think maybe he got the converse secondhand maybe? or a gift of some kind. aside from the converse i can see him wearing a lot of oxfords and maybe wingtips

i want to see him in a hawaiian shirt so bad. i am losing it at this thought. he buttons it all the way up to his neck like someones awkward dad. milo wears a hawaiian shirt to "let loose". he wears it with like, khakis. or knee length jorts AHHHHDJHDSGJHDSJGh

a tie??? does he wear his hawaiian shirt with a tie???? does he think it makes it look cooler?????????? i am sobbing

red is the COMPLETE opposite. in the canon 1914 setting, red is already very rebellious for an AFAB person of their era- theyre openly a suffragette, they frequently refuse to wear skirts even in public and dress in mens clothes even before they were openly nonbinary, despite not being accepted into the male-dominated research fields and colleges they continue to educate themself with or without help, they purposely aim for an "unfeminine" silhouette when they dress, refuse to wear corsets, etc. (spoiler alert- there's a clear reason they get on so well with audrey in ATJ)

theyre also easily mistaken by people that didnt know them prior to their transition for being just a very small/young cis man- even though they canonically have a very soft "traditionally feminine" face

so basically, in any era theyre set into, red is always gonna aim to be ahead of the curve- both in their personal beliefs and practices and in their fashion. theyre also very androgynous in their clothes, although they tend to aim a bit more masculine (thats partially due to the era though, and having been forced into skirts exclusively for their entire life- i think in a modern setting where its more acceptable for AFABs to dress and act in a less hyperfeminine way, theyd be more okay with a fluidity in their gender presentation).

all that taken into account, i can see them dressing like this:

lots of baggy clothes, especially baggy jackets and shirts. they like loose fitting high waisted pants like JNCO jeans, cargo pants, etc but they arent averse to pencil legs. they rarely ever wear skinny jeans or drainpipes though. messy hair is a lifestyle for them- their haircut is definitely home-done

you know how in BICSTLY they used to have really long hair before they cut it? in a modern au i can see them impulsively doing the cut at like 3am and waking milo up at his door cause they screwed it up and he ends up having to help fix it (even though hes literally no better at cutting hair than them. worse even)

definitely have an undercut bob- bob on top, shaven on the bottom layer. they might end up growing their hair into a mullet at some point if they get bored. probably dyes their hair all the time out of boredom and then regrets it later and has to use dye remover.

lots of ripped tights and fishnets, leggings with big loose crop tops, big hoodies, safety pin jewelry and homemade jewelry. maybe some sticknpokes.

all that said, they still know how to dress in a professional situation. since its a modern au theres really nothing holding them back from the education and career they canonically want but cant get in the 1910s, so i imagine they would work at the smithsonian as well, maybe their father helped them get the job? potentially in that case they might be his assistant- after all, he trusts their opinion on artifacts more than anyone else's.

at work you can still very much see the punk/skater/grunge/goth style but its more understated- turtlenecks, high waisted and looser dress pants, lots of black, slightly unbuttoned collared shirts with a loose overcoat and no tie

since i elaborated on milos shoe taste i may as well elaborate on red's: they definitely wear converse as well, probably newer than milo's since their father is fairly wealthy and they can afford it. they also have a doc martens collection. they have a pair of demonias but they never wear them and milo is really the only person to even know they own them, let alone see them in them. they really dont like to wear heels much, but they own a few just to play around with. they have a bad habit of wearing any laced shoes untied, but they never trip over the laces. they also use lace code- their most-worn Docs have purple laces on the right foot and yellow on the left. some of their Docs have (reclaimed) pink laces.

has an extensive pin collection including feminism pins, anti-racism pins, punk-related pins, skater-related pins, and pop culture pins (80s music, modern music, old movies, etc)

MUSIC TASTE

milo's into a lot of older music- stuff from the 50s is his favorite. really into jazz and ballroom style stuff. his favorite band is queen, i think- he likes the old-fashioned sound, the jazz-chamber-ballroom influences, the diversity of their lyrics, and the complexity between the guitar riffs, the basslines, and freddie's vocal runs as well as the vocal harmonies.

sometimes he hums good old fashioned lover boy to red and they two-step in the living room in their pajamas :pleading:

also very into rush. yes, he is a rush guy :pensive:.

also listens to a surprising amount of lo-fi? he really likes stuff that remixes older music with hip hop and lofi elements, like earl grey. nearly exclusively into instrumental stuff but also very into louie zong. he listens to it while he works a lot.

knows a lotttt of foreign artists, especially niche ones. fuckin LOVES casiopea

red's spotify is a goddamn mess. everything from 2000s emo, to classic 70s punk, to post-punk and new wave, to 90s pop, to rap. they cant be easily classified at all

their favorite bands are oingo boingo, prince, queen (they listen to a lot of their harder-rock music, but milo knows theyre into the ballads too. theyll never tell anyone else though), doja cat, lil nas, fall out boy, and billie eilish.

red recites the intro monologue to lets go crazy very seriously to make milo laugh, sometimes. they get very into it with their facial expressions. sometimes it devolves into a full air guitar/keyboard/drum and wild dancing session. milo does not know how to participate in this but he loves watching them have fun with it. sometimes they pull him off the couch to make him dance with them, though

they are a huge sucker for dark pop, vaporwave, retrowave, EDM, hip hop, emo, punk... etc etc. anything that combines any two or more of those genres in an original or interesting way gets their attention right away

there's a lot of sharing between the two of them- even though their music tastes are so different, they like a lot of the others taste, and theyre always up to listen to whatever their partner is playing.

red is a huge softie, and milo has found them more than once listening to or humming something he was playing for them the other day because it reminded them of him

speaking of which- in the 1914 canon, red can play piano. i think that carries over to a modern au, where they could play piano and by extension keyboard. i like to think they experiment with a lot of instruments but i doubt they ever really mastered any others. maybe theyre okay at drums or bass?

they learned to play and sing teo torriatte for milo, as a surprise. when they first performed it for them, they had everything set up for when he got home from work- the lights were dimmed, they had candles lit around the keyboard, they draped stuff in cloth to make it look pretty, they scattered flower petals around. when milo walked in and saw it all, he almost proposed then and there- the only thing that stopped him was that he would kick himself for the rest of his life if he did that without a ring.

HOBBIES/ACTIVITIES

milo is still an avid chess player in this, but i like to think hes in some kind of groupchat or text or discord server for it. he doesnt necessarily consider any of the others in the chat close friends, but he does know them all by name

he tries to get red into chess but they never really get it

he tells them all about the stuff that goes down in the games and they just. do not understand. but they love listening to him get excited about it anyway

"red you're not gonna BELIEVE this, eddie played an italian game on star today! i thought for sure she would see through it since everyone knows it but she slipped and he beat her in like, 13 moves! i wouldnt have believed it if i hadnt been there!"

"yes sweetie please tell me more" (barely disguised pained expression)

red is a skater and a regular at the skate park by the smithsonian

most regulars there know them by name, they can spot a newbie a mile away

they have a sticker of a broken tv with a skull inside of it on the underside of their board, its become recognized as a symbol of them unofficially

since theyre so regular and have been going there a lot longer than most of the other skaters that frequent the place, a lot of what they say is kind of just accepted as the rules

they have a bad habit of lecturing new kids who show up without knee/elbow pads or helmets at the very least. all the other skaters enforce it too. kids dont end up showing up without protective gear very often after their first visit

they brought a first aid kid and left it there and everyone has kept it stocked pretty well without them having to have much input. its kind of just a communal first aid kit

they once drew the broken tv symbol on the inside of a half-pipe and everyone started calling it red's ramp after that

they also started calling the bowl at the center of the park the Soup Bowl and now thats just accepted as the name. some of the newer kids genuinely thought that it was called that by the park and were shocked when they found out it was just a random nickname red gave it one day

theyve brought milo a few times but hes extremely awkward on his feet and could never really get his balance on a skateboard, and quite frankly red is afraid of what might happen if he tried even a low ramp, so he usually just sits at the rim of the bowl while red skates around

everyone knew he was their boyfriend before they even met him. a few of the regulars called him by name right away. one of them was certain red had brought him before.

but no

they just talk so fuckin much about him that its like they already know him

aside from skateboarding, red is pretty good on rollerskates/blades

they tried to take milo to a roller rink once but it was a disaster and they ended up going home, changing into pajamas, ordering chinese food, and marathoning movies till they fell asleep on the couch together. so not a total loss

theyre both very into movies. red is deep into horror and milo likes indie/art movies and just Cannot handle horror at all, but they both agree on old movies, from the 80s and 90s to like the 30s.

red has shown milo some of the classic horror movies and the niche old ones (from like the 40s) since theyre not difficult to stomach

every so often when red brings up wanting to see a horror movie milo is like "aw babe we can watch that tonight i promise it wont be bad" and he genuinely thinks he can handle it this time

he cant

he never can

it is always a lie

red ends up holding him every time and talking him to sleep, but it thankfully never causes like a major panic attack or anything like that

they love going to museums together, of all kinds. they love art museums. they also go to aquariums and aviaries

sometimes they like to go to other history museums and criticise the veracity or accuracy of exhibits/translations, all in good fun of course. theyre never actually being mean about it

SIDENOTES/UNCATEGORIZED

they both used to work at starbucks, when they were younger and before they worked at the smithsonian. they worked at separate stores 2 blocks from each other.

milo cant stand soda or carbonated drinks, red can and will chug a java monster in order to survive a long workday if they must. milo is constantly concerned for their health and wellbeing

they r both lightweights when it comes to drinking. they can split a six pack and both be falling-over drunk by the end of the night.

given the changes in beauty standards people DEFINITELY think milo is more attractive than they would in 1914. cmon. hes a lil twinky nerd. you think people wont eat that up?

he never really catches onto the flirting much though

did u think i would forget ki/da and the others? youd be wrong.

i simultaneously like the idea of something similar to the movie happening, but also just like... ki/da just being a regular person living on the surface. in either case they r all friends still

in the case of ki/da just being a regular person on the surface- i like the idea of atl/antis just being A Place in this au, maybe its a bit of a closed off country though? like, not many foreigners live there and to get there you basically need to be there as a diplomat or a scholar

maybe ki/da visits DC as a diplomat? she is a princess, after all

red meets audrey online cause they both yell at the same misogynistic asshole on twitter

they exchange discord names in the replies of the tweet and tell the guy not to interrupt them while theyre talking in his replies

i like to think red and milo are selected to go on an academic visit to atl/antis (to learn about the culture, with permission of the king), and audrey ends up as the mechanic on the ship during the visit and theyre like (spiderman pointing meme) at each other

red and audrey have so many inside jokes that they basically speak a different language. milo gets some of the terms from context and pop culture (they use "so very" in real life- as in "wow, that shirt is so very.") but he is hopeless to learn all of it

one of their inside jokes is any variation of "milo hot girl summer" and they REFUSE to explain it to him no matter how much he begs

milo wears that iconique tank top on the ship and they say it literally any time he bends over, picks anything up, reaches for anything, moves, BREATHES. he is bewildered and at this point concerned

(in truth, the joke came from red taking a really blurry picture of him in a short sleeve shirt where he looked pretty cute and captioned it "milo's having a hot girl summer rn" and they just could not stop repeating it once audrey met him IRL)

they have a minecraft world. i do like to believe that every so often vinny finds a way in- theyre never sure how- and griefs the shit out of them by blowing up EVERY. monument.

this post is getting long bc im enraptured by the idea of an atl/antis modern au so im cutting it off here but expect WAY MORE later

#paper_heart.txt #s: i didn't say it's the smart thing. but it is the right thing #alcohol ment tw

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shizu-draws · 5 years

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Twin Steven AU!/

Separated AU!

AU in which Pink Steven and Regular Steven are separated, cant be/dont want to be fused again and live their lives more like brothers than as one person. (Though Pink Steven would probably want to wear different clothes rather than just the same bright pink clothes over and over).

I've never seen anyone do this AU before but I thought it'd be a cute AU to see. Some headcannons Id imagine this AU having are:

Pink Steven automatically knows that regular Steven needs to be healed continously to stay as lively as possibly so just randomly kisses his cheek or something.

They're both called different names like one would still be Steven and the other either Stephen or Stevie.

Regular Steven would still more or less be the same happy, kind, active boy we love while Pink Steven rarely expresses any emotions but acts in manners similar to regular Steven unless he faces an extreme emotion like frustration or misery and then he just bursts.

Pink Steven has the ability to use his powers freely because he has Rose's gem while regular Steven can't use them at all or can just barely form a bubble or a very weak shield after a lot of practise.

The two have fused several times and enjoy it but don't feel the need to be fused together forever. They prefer being apart.

The two have a lot of shared favourites but one also develoes hobbies and interests the other doesn't like. Like Regular Steven likes guitars while Pink Steven prefers bass guitars and other bass instruments.

Pink Steven is a man if few words as opposed to Regular Steven who has no problem talking on and on.

So that's all from me for now. If I were to ever make a Steven AU comic or ask blog, it'd be this one.

#steven universe #su #steven universe au #twin au #separated au #pink steven #steven universe future #just another random AU

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subarashiet · 4 years

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lifes been weird and sad , got so much stuff i wanna say dont even know if thats the right subred to but here goes.i m 18 , from Greece , first year in Uni and life is not the way i want it to bei live on my own , rent is being paid by mom and her husband , month pocket money given by dad and by my part time jobat some point in high school i understood that our school years were our most carefree years , tho only now do i really understand itman this post is gonna cramp my fingers shouldve used the pcused to hang out a lot till 2nd year of high school then in 3rd year cause of me studying more i was hanging out less , used to have around 4groups of ppl to hang around then only one , cliche but i wasnt anyone special in school , gotta mention i went to a music middle-high school , only highlights i remember are in 2th-3rd grade trading blows with a girl (think she was 5th grade) ,3rd grade kissing a girl in her cheek then running away from the boy-horde coming after me , 4th grade trading blows with a 6th grader ,6th grade punching a guy for calling names my little sis (we good now see him out we talk he a nice dud) , 9th grade a girl i had a chance with but fucked it up big time , 9th grade breaking a cello almost getting expelled ,12th grade playing bass at a concert in Thessaloniki with a music group of my schooldidnt really have many close friends but there were some from school and other places you can call closer friends , but now even with them i ve started to fade away which i cannot bear but i m the type of giving up and not trying until i m lategot laboratory this morning and this is gonna take a while hope i can get some sleepfeels weird using reddit to express my thoughts i even find it a bit cringy talking to myself but oh welli wanted to visit a physiatrist because i ve been so mentally tired that i think i might have crippling sadness xD but i tried to arrange that back in July-August pre my 18th bday so she said a parent was required to be present so i just kept all the stuff to myselfi was learning classic guitar from 1st grade to 8th still play to this day , in music school i kinda learned h2p electric but didnt practice enough to be able to play good , also know some pianobeen listening to post rock and mostly fate music these past 10 monthssucker for good anime tho i ve been out of it lately havent even finished my summer ones , oregairu has a nice ending from what i got spoiled fromanyway thing is i am sad most of the time , i try not to show it cause i like the stereotype of being the strong guy that everyone can depend on and almost never see being emotional and also like the cool tempered guy type , tho lately i ve been craving a lot of attention that i drop the act of the calm n cool sometimesthings with my parents didnt go to well these past years , only now i can say that we ve finally kinda calmed down , mom and dad started falling out of it around 8th grade cause lots of fighting , big sis kindof took the role of mother while on her teen years , feels like she had it much worse than me10th grade sis leaves home to go elsewhere to start studies for uni , i m left with ma and lil sis back homethen i understand that i have to be there for my little sis which also got in my school that year (3kids-3years difference each) so i tried to assume the role of the big brother but she was closer to her older sister than me , i was closer to my older sister as well , feels like i was doing my lil sis wrong but i cpould relate more to big sis and could chat with her more about stufflil sis didnt open up to me a lot even to this day , she has been a lot more comfortable with me through the years i think cause she told me something important recently , kinda feelsbadman tho cause i wanted to be closer to her and i kinda tried but i think not hard enough cause she didnt seem to get any closer , cried once about it in front of my mother which was the absoluteliest worst cause i didnt want her to see me being fragile jesustho even now that i m not home i talk to her play some among us tried making her start xenoverse 2 that didnt go farhave some friends from school , we would only go all together at internet cafes , but mostly 4 of em would go out togetherin my school i had some friends from scouts tooi have an insta , used to post "cool" pics kinda stopped cause i like looking cool in front of others but i havent been in the mood to try in around a year nowused to be in some conservatory guitar groups with some other kids there , with one girl from there i used to be quite in touch until recently that i stopped seeing her for some reasons maybe i ll explain l8rwe had fun and i really mean it , we used to go on trips to play songs on different cities and stages , our group became kinda known the 2-3 good active years we were active , it still is but these years were the originals , now there are other peoplefucking christ its 2:27started playing in that group with the originals in 2017 till 2019 , we were kids from different ages going from 6th to 10th graders but i didnt understand the different in our ages until recently that i found one of the guys from the group in my cityanother closer friend is a guy from my school , met him in grade 7 still talk to him , used to sit together most of the years pretty neat guy , peculiar character but really interesting kind smart and hard workingman why couldnt my teen years be like shirou from fsn that would be awesomehad entrance exams 4-5 months ago , didnt really go as planned , shooted for Corfu didnt get in cause rather than 15 i got 10 in my last exam so i m still in my city , tho i live alone and go to my local uni insteadJuly 2019 i moved out of my old house moved in with ma and her husband with my sis , stayed there till september then till june-july 2020 i was living with my fathertbh i decided to write this post after watching a vid of Korone talking about Okayu thinking that i ve never been in an actual relationship and that i eould want to experience that but dont know where to start from , losing weight ? becoming outgoing again ? learn how to talk to girls ?i started watching anime back in 2015 on my 3ds i remember watching dubbed Inazuma Elevensince like 2 weeks ago i reached 201 anime completedok i ll stop here for tonight cause i got online uni classes tmrw i keep stimestamps for whenever i finally post this -Tuesday 3/11/2020 02:41used to be around 85-90kg in 12th grade , put on around 20-28 kilos since March 2020 , managed to lose 8-10 kilos in the summer but i m still around 30kilos up from the normal amount based on my height , got a subscription to a gym jan2019 but only managed to get into it for a short period on spring 2019 then autumn 2019 then lost motivation and let go , since March2020 i ve been doing some weights at home , tho when i look at myself in the mirror it doesnt really change how bad i feel about my body , i think my old motivation used to be a girl i used to have a crush on but not surethings with my parents werent all that great and i was mentally better when i would talk with them , they are openminded af and supportive too but puberty makes you see stuff differently like everyone is against you like the world is against you (last one might be true dunno yet) , living on my own now seems to be a bit better but as our Greek ancestors used to say theres no good without bad and the bad in this scenario is that its lonely as fuck , having lived for 18 years with my family it really hits a weird spot , everything feels lonelier now with the virus spreading around not being able to see others as much as we used to , uni doesnt feel nice , many people dont pay attention and its like the second half of 12th grade all over againgot my monthly money 4days ago , went from 200 to 9.28 quickly , when i have money i spend when i dont i m stingy , mostly like to build computers , watch lots of Linus , Paul , Kyle , Jay etc. most of my money goes to buying stuff about computers food , used to give lots of money to internet cafes when i used to hang out with the guys from school , not anymorewith the start of uni we all met new friends even i but i still feel like i am drifting apart day by day , stopped talking to my old girl friend cause i was kinda done with her attitude , called me some names i didnt appreciate because i put up with her attitude , most of the time in her own world , only would really pay attention and try to change herself when it was something she cared about , one of them wasnt her character , but to give the goods of her she was a good friend dont know if i can say she still is a friend or just someone i know , she helped me even with the girl i had a crush on , was really fun on trips with the guitar group , all in all a fun person , thing is i stopped texting her and telling her to go out cause it was 80% me trying and the other 20% her and i think that proved right when i stopped talking to her cause i thought she will see that i m not talking to her she ll think somethings wrong she ll message me to go out and have fun , send me a happy bday message posted some pics of me , didnt send me anything else after , stopped talking to her around the start of October , if i hadnt asked her something about her uni and if it wasnt my bday i dont think we wouldve talked in all of october . last saturday i was working in the area she lives in my city decided to call her sometimes didnt answer tried to suprise her and see how she is by going to her house , noone answered maybe they were on a trip idk , but it feels weird man , in the first half of the year me and a common friend of her and me went out one night , ended up being the bad guy to make her understand that she did something wrong that night , after she left i was left with our common friend talked about stuff and mostly her and i expressed myself , i knew that coming summer me and her would end up at different places so i wanted to tell her all the wrongs with her so that she could finally understand what i ve been putting up against and make her understand that she HAS to pay attention to people around her and that she will meet new people and that she ll have to be careful about her character , used to have a bit of crush on her back in 7th grade , can kinda understand why that went . On the other hand i didnt want to part ways with her with our last words being me ranting , one thing brought the other and she wont be going to her uni's city until early 2021 so i managed to go out with her some more in the summer and september . kinda feels bad to see that almost noone remembered my bday cause i remember in cram school when someone had their bday they would get a fucking cake , dont mistake me i got one , from my ma my two sisters and my moms husband , thing is i wanted to have something happen with friends , nothing happend , around 4 people remembered my bday and the others just send me some happy bday messages after seeing posts from the girl i m talking about .also heres a good song to listen to while reading stuff on reddit Sorrow from FSN by MN64 cant post links from what i understandgonna stop here for now might edit later -Tuesday 3/11/2020 15:15thing is reddit is not the right place to get help and i need a friend but it seems i cant get any from my friends , even my other friend the guy i used to sit with in all middle-high school he has drifted apart , talking more with other of his friends doing other stuff etc , that one time i needed to talk to him he said i ll call you in a while , waitied 1 and a half hour then asked him why he didnt call he said he forgot (i think) , feelsbadmananyway i dont think i m gonna keep editing this i ranted enough , gonna leave the post up for a day or so in case anyone wants to add anything then taking it down -Tuesday 3/11/2020 23:58

#personal rant #confession

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grimelords · 5 years

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My March playlist is finished! This one is slightly more diverse than usual, swinging all the way from vibraphone jazz to Bhad Bhabie to black metal so I’ve taken the liberty of actually sequencing it properly for you. So if you’ve got 3 hours you can listen to this straight through and be taken for a hell of a ride. No matter what you like I’m sure you’ll find something in here that you love.

Tahiti - Milt Jackson: For an unknown reason I had a big jazz vibraphone phase this month and when you're talking jazz vibraphone you're talking the Wizard Of The Vibes himself, Milt Jackson. I feel insane even having an opinion on this but it's a shame that some of the best vibraphone performances were made at a time when the actual recording technology wasn't really there, they all have this very thin quality that I think misses a lot of the great character of the instrument.

Detour - Bill Le Sage: Like compare this from 1971 to Wizard Of The Vibes from 1952, the sounds is miles warmer and gives so much more of the full range and detail of the instrument. I also listened to this song five times in a row when I first heard it, the central refrain is just so fuckin good. Like I said, big vibes vibe and who knows why.

Blowin' The Blues Away - Buddy Rich And His Sextet: Superhuman playing aside, it's unbelievable how good these drums sound. The whole first minute just feels like a tour of each specific drum and I absolutely revel in it. I feel like flute and vibes is a relatively rare combo so it's extremely nice to hear Sam Most and Mike Manieri go ham in tandem.

Yama Yama - Yamasuki Singers: A friend sent me this song that he's had stuck in his head for ten years ever since it was in a beer ad from the days when beer ads were incredible strange for complicated legal reasons about not showing people enjoying the product or something https://www.youtube.com/watch?v=ORfkh0OojxY and this incredible song is apparently from a 1971 French concept album where a couple of guys wrote a bunch of psychedelic songs in Japanese for an unknown reason that later became a massive drum and bass breaks album, and one of the guys was Thomas Bangalter from Daft Punk's dad! Music is crazy.

Alfonso Muskedunder - Todd Terje: I'm starting a petition to get Todd Terje to write the soundtrack for the next Mario Kart. I absolutely love this song and this whole album because it's so joyful and strange and it just sounds like nothing else I've ever heard. He seem to truly operate in a world entirely of his own.

Pala - Roland Tings: I love this song. It's like he wrote it with normal sounds and then went back and replaced every instrument with the party version. This song hands you a coconut and says welcome to the island where bad vibes are punishable by firing squad.

Keygen 13 - Haze Edit - Dubmood: There's a fucking album of keygen music on spotify and it's absolutely great and so good that someone's doing the work to recognize the value of the music this extremely weird scene produced and preserve it. If you don't know, back in the day when you pirated photoshop or whatever, you would download a license key generator which was a program made by extreme nerds who had cracked the license key algorithm to give you a fake one, and for unknown reasons they would make the keygen program play original chiptune music that someone in their nerd crew would compose. Who knows why but god bless them.

My Moon My Man (Boys Noize Remix) - Feist: The very concept of a Boys Noize remix of My Moon My Man is hilarious and it turns out it sounds absolutely amazing as well. Two great tastes that taste great together.

Low Blows - Meg Mac: I had a big Meg Mac phase this month too, listened to her album a lot and it's extremely solid. Great timing too cause her new one comes out in a month or so too. I really am excited to hear her next album because she's so good but I've always got this feeling that she hasn't reached her full potential yet, she's only going to get a million times better in an album or two.

Patience - Tame Impala: I love that the cover of this single is a pic of congas because it feels like that's the central thesis here. Kevin Parker bought some congas and is making disco Tame Impala now and I really couldn't be happier about it.

Unconditional (feat. Kitten) - Touch Sensitive: I love a 90s throwback done with love. There's nothing cynical or ironic about this it's just fun as hell!

Last Hurrah - Bebe Rexha: Get a fucking load of this Bebe Rexha song that interpolates Buy U A Drank by T-Pain for the chorus! It's a testament to how good that song is that she's using the verse melody as the chorus. T-Pain will quite literally never get the respect he deserves. Also this song goes for 2.5 minutes. There's something happening where pop songwriting is getting more and more compact, completely trimming the fat and ornamentation and it's very interesting.

Hi Bich - Bad Bhabie: Also I'm fully six months late on Hi Bich but I'm of the opinion that it's extremely fucking good. A perfect little reaction gif of a song and it only goes for 1m45!

Friends - Flume: I'm doubling down on my thesis about emo rap from last month but this song literally sounds like a Flume remix of a Hawthorne Heights song. The whole melody of it, the overlapping yelled/clean vocals. The lyrics obviously. I don't know it's just very odd how close it is. A sort of emo trojan horse to trick people into thinking The Used are cool again.

How To Build A Relationship (feat. JPEGMAFIA) - Flume: I've been meaning to check out JPEGMAFIA (AKA Buttermilk Jesus AKA DJ Half-Court Violation AKA Lil' World Cup) for a while but this is the song that convinced me. There's just so much to digest in this. Every line is gold and delivered with massive conviction even when he realises it's total nonsense like 'dont call me unless I gave you my number'.

Bells & Circles (feat. Iggy Pop) - Underworld: Underworld alive 2019?? I love this song becuase Iggy Pop has been riding a fine line between punk provocateur and old man yells at cloud for a while now and this song is the perfect mix of both. You can't hijack airplanes and redirect them to cuba anymore and as a result it's over for liberal democracies. Just yelling about air travel for six minutes and it's good.

Guns Blazing (Drums Of Death Pt. 1) - UNKLE: This beat is some of my favourite DJ Shadow work I think. The menacing organ bass throughout, and especially the distorted drum freakout near the end. It's just great all the way through.

Homo Deus IV - Deantoni Parks: Another Deantoni Parks track like I was raving about last month. This whole album is great and flows together as a single piece of work amazingly. I love the purposefully limited sample palette of each track forcing an evolving groove throughout. He absolutely wrings every bit of variation he can get out of every single sound he uses and once you get into the groove of it it's absolutely mind blowing.

Boredom - The Drones: I love that The Drones can write a song about joining ISIS that's also a lot of fun. Spelling out radicalization in a way anyone can understand and sympathise with and then switching it in the second verse to spell out how we got into this situation anyway.

Loinclothing - Hunters And Collectors: I love how much this song sounds like a voodoo celebration in christian hell.

The Fun Machine Took A Shit And Died - Queens Of The Stone Age: There's a good bit on the live dvd they put out after Lullabies To Paralyze where they play this song and they say it was supposed to be on the album but somebody stole the master recordings from the studio, which is an incredible and brazen crime. Then when they put it out on Era Vulgaris as a bonus track Josh Homme said in an interview "The tapes got lost. Actually, they were just at another studio, but we falsely accused everyone in the world of theft" which is extremely funny. This is really one of their best songs and I sort of really with it had been on Lullabies because it fits perfectly between The Blood Is Love and Someone's In The Wolf type of vibes, I love how it just kind of keeps shifting ideas and riffs throughout. An absolute jam overflowing with ideas.

10AM Automatic - The Black Keys: This song is an all time great in my opinion. It's so straightforward and so effective. I wonder if we'll get a blues rock revival ever or if Jack White still being alive and bad is souring everyone on that idea. This song also has one of my favourite guitar sounds in history I think - the outrageously huge sounding solo that comes out of nowhere and swallows up the rest of the mix like a swirling black hole near the end.

Gamma Knife - King Gizzard & The Lizard Wizard: I've never gotten much into King Gizzard and because of their one million albums already it's hard to know where to start but I've been listening to Nonagon Infinity a bit and it's great, it's just good old fashioned 70s prog jams front to back.

Gina Works At Hearts - DZ Deathrays: I absolutely love this song and I absolutely love the second guitar sound in the chorus of this song that sounds like it's made out of thin steel.

Black Brick - Deafheaven: When I saw Deafheaven the other month I was right up the front and it was a life changingly great experience AND they played this new song live for the first time before it went up everywhere like three hours later which was very exciting to be given a sclusie like that. After they finished a guy behind me whispered to his friend "Slayer..." which was very funny to me.

Gemini - Elder: I found this band because one of my Spotify Daily Mixes was all stoner metal for a while, which is a good genre to see all lined up because it'll have Weedeater, Bongripper AND Uncle Acid & The Deadbeats right there in a row for you. Anyway this album is extremely good, the very best kind of stoner metal where it's groovy and fun and has big meaty riffs and ripping big solos and it's extremely easy to listen to three times in a row.

The Paradise Gallows - Inter Arma: My big obsession the past little while has been Inter Arma ever since Stereogum posted The Atavist's Meridian from their new album. It is just so fucking good and I can't believe I've never heard of them before. You know when you find out about an amazing band and then you find out they've been around for nearly ten years and you can't believe everyone in your life has been selfishly hiding them from you?

The Atavist's Meridian - Inter Arma: I think a big part of my enjoyment of this band has also been that I discovered them at the same time as I'm listening to an audiobook of the complete Conan The Barbarian omnibus so I'm very much in the brain space for music that sounds like it would be nice to swing an axe to.

Untoward Evocation - Impetuous Ritual: I love how halfway through this kind of just turns into a big swirling mist of dark sounds. It feels so formless and dark that it could just shake apart and dissipate at any moment and you'd look down to realise your skin is gone.

Eagle On A Pole - Conor Oberst: from Genius: 'In an interview with MTV news, Oberst stated “We were on the bus one day and a friend of ours that travels with us and works for the band kind of came out from the back of the bus and said that first line: ‘Saw an eagle on a pole… I think it was an eagle.’ And then this guy Simon Joyner, who is a great songwriter from Omaha and one of my great friends, he was on tour with us and sitting there and he was like, ‘You know, that’s a great name for a song.’ We kind of had a contest where he wrote a song with that first line, and [then] I did, and a couple of our other friends. We kind of all played them for each other. Simon’s is better than mine, but it is a good line to start a song.” Another version–Mystic Valley Band drummer Jason Boesel’s interpretation–is on the next album, Outer South.' The idea that such a good song has such a braindead origin only makes me love it more.

Lake Marie - John Prine: When I saw John Prine the other month he played this song that I had never heard before and I had to look it up after and now I'm completely obsessed with it. It feels like falling asleep during a movie and missing a critical plot point so the rest doesn't make sense when you wake up but is thrilling nonetheless. Also he absolutely screamed "SHADOWS!!!" when he played it which was a fucking cool thing to see a 72 year old man do.

Little White Dove - Jenny Lewis: The drums on this whole album are absolutely huge for some reason and I love it. My favourite recent sound is in the first chorus where there's a funny little pitch correction noise as she sings 'dove'. It's very strange and very very good.

Locked Up - The Ocean Party: I only found out The Ocean Party existed as they announced their farewell show this month which is a real shame but I'm glad I got to hear of them at all because they're very good. A very good song about that feeling we all know and love: driving for a long long time.

Plain & Sane & Simple Melody - Ted Lucas: I found out about this song from Emma Ruth Rundle's Amoeba Records video and she makes a good point about this whole album sounding like something's gone wrong and it got accidentally pitched down slightly in the recording process. It's unclear if that's what happened or that's just how he sounds but it adds a very softly spooky undercurrent to a very nice song.

listen here

#playlists

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heartsick-teen-ink · 6 years

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in response to @virtualfindingsdocumented‘s ask, i have plenty of useless headcanons that don’t change anything in the story, mostly based on my friends or people i’ve met, so some of them might be oddly specific.

first of all i headcanon that beatrice, bertrand, esmé, jacques, josephine, kit, lemony, monty, olaf and r were in one training class in vfd despite being different ages (the classes were created depending on when the child was taken and how advanced they were) and all of them were friends, so i’m going to focus on them. also i’m not including the children since we know a huge part of their story and i usually don’t think of headcanons for them. (THIS WILL BE A HUGE RANT)

Beatrice:

is very good at sports: especially figure skating

as a teenager worked in some fast food chain to support herself because she lived alone

said work made her go vegetarian for some time

is allergic to horses

likes to buy clothes at vintage shops

Lemony:

his celebrity crush is audrey hepburn

he’s a supporter of social democracy

is an anonymous ambassador of a pediatric therapy center. he saw enough of children getting hurt both physically and mentally in his life and although he’s on the run he wants to do something to help them

worked in many theaters

Josephine:

has ptsd due to physical assault during one mission

has thousands of hobbies like drawing, dancing, photography, singing

very sporty: is a hula hoop dancer and likes to rollerblade in her free time

loves michael jackson and beyonce, don’t @ me

knows the basics of spanish

wanted to be a grammar teacher and loves kids

she’s one of those people who drink tomato juice because they genuinely like it

Bertrand:

has some family in France

when he was a teenager he never drank alcohol, smoked anything (unlike many other volunteers)

plays the guitar

because of the various pranks he knew, he was quite the troublemaker at the academy

sometimes when he has a project to do or a role to prepare himself for, he smokes a few cigarettes and drinks a beer before getting started

he’s pretty shy and self-reserved except when with his friends, so acting is quite a challenge for him and he’s often embarrassed by his performances though he’s a very decent actor.

Monty:

he is asexual

always loved children and couldn’t wait to meet any of his friends’ and sent them gifts

he’s a genius ahead of his times with a very high iq and that’s what caused him to be so self-involved

i have the least headcanons on him, so if anyone has some to share i’d be very grateful to know them!!

Kit:

has had depression since she was a teenager

worked as a babysitter to support herself and her brothers after their parents died

also swept floors and courts in various places

she was an intern for the daily punctilio but couldn’t deal with eleanora for the life of her

smoked cigarettes but quit when she became close with dewey, also took drugs a few times

sews and makes her own clothes

Olaf:

has dyslexia

besides piano, he can play bass and the guitar

his parents took him to the theatre a lot, even when he was a baby, which sparked his dream of being an actor and playwright

likes retro stuff

is afraid of clowns

helped josephine through her flashbacks when they were together and went to therapist with kit

Duchess of Winnipeg:

her name is ramona ofc

has a musical talent and plays a lot of instruments (the guitar, drums, violin etc.)

a feminist icon

knits in her free time

was one of those child models for different commercials

performed on stage alongside beatrice a few times

Jacques:

he got interested in theatre by detention at prufrock’s prep theatre, but never acted professionally

was a waiter and bartender for some time

collects lots of stuff

was always the most beautiful person at the academy

sings when no one is watching

he’s secretly afraid of monty’s snakes and also fears poverty (that his family won’t have enough to support themselves)

is lazy

hates when people are pretentious

knows EVERYTHING

spends every evening reading a book and drinking in a bath

i tried my hardest to include everything i’ve ever imagined about those characters, i didn’t write anything about esme here because i’ve already written a general web of headcanons for her. i hope you like it and i’m curious about your opinion and them and some of yours (especially for monty, since as you can see i’m miserable here and i love him) :)

#asoue #ask #answer #beatrice baudelaire #lemony snicket #josephine anwhistle #bertrand baudelaire #montgomery montgomery #kit snicket #count olaf #duchess of winnipeg #jacques snicket

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notedchampagne · 6 years

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Thalia?

in ALL HONESTY, i love thalia shes a sweetheart. shes also a fake edgy brooding red coded character vdhcjasdjk shes soft but passionate. she loves her friends, is kind, listens to others issues, she really does care but has trouble showing it

she holds people at arms length with an extra three facades because she doesnt want to be hurt again, and also because she doesn’t know how tf to be emotionally bare to someone shes just met. at first sight she seems aggressive and withdrawn, but once you get past that wall of defense shes incredibly determined and cares a lot about her family and friends

one of the most cautious and skeptical of the group, mildly rivaled by calo and saber in how they both dont trust someone at first sight and almost always doubt the efficiency of the original plan. the difference between them would be that calo and saber develop backup plans in case the main one fails, while thalia makes one plan as efficient and rock steady as it can and will make it succeed, by any means possible

speaking of “by any means possible” she also has trouble knowing when to stop and rest/give up. she has the tendency to forsake sleep and instead study/ work out/ write/ more or less anything that’s Not sleeping, because to her anything must be more productive than sleeping (which is false but whos gonna listen). when she’s told to rest she watches movies until she passes out rip in pieces

if (big if) you manage to get her to trust you she would willingly be your partner in crime for nearly anything. kind of like a “You proved yourself trustworthy to Thalia. Thalia will now die for you” way which is concerning yes but ¯\_(ツ)_/ somehow, if you manage to get close to her (rare) that is when she starts to relax and open up, be vulnerable, indulge in her interests and would then at that point be hella open with you.

she also has a sense of humor thats lighthearted and amusing at times but is just mostly "eh, we're going to die anyways, so lets fight while we have the chance amiright lmao" or "bold words coming from someone who isn't going to live that long". she also lmaos at anti-jokes, the ones like “what did the farmer say to the other farmer” “hey we’re both farmers”.

big daredevil. ^she likes (loves) the thrill of action, feeling free/loose, the challenge, yknow the ropes. loves to take on action-oriented roles in plans. she likes the thrill.

has a passion for greek mythology (mostly sappho) and writes poetry (ngl she stumbled across sappho's poems and then loved it to bits and took up poetry as a creative class and just wikipediad up on greek mythology as well lmao), but doesn't show it to anyone

her interest in greek mythology led to her choosing the name thalia for herself and the last name parcae for her and amara after they split from their parents and wanted to take on a new last name

her other hobbies include music (plays guitar, both bass and acoustic) parkour and riding her motorcycle

#ocs #talking back

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noiseartists · 5 years

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Loomer: Bliss from Brazil

Loomer, from Brazil, are another great Shoegaze band (or Nu-gaze band if you are timely conscious) that have emerged on the worldwide scene in the last decade.

The band is currently composed of 4 members:

Stefano (Male vocals/guitar),

Michelle (Female vocals/bass),

Richard (guitar)

Guilherme (Drums).

They are currently on the Midsummer Madness label. Looker have released two EP’s and two albums as of the time of writing this, May 2019.

Loomer certainly wear their influences on their shoes (See what I did there!) but Stefano (Lead male vocals/guitarist) insist that they do not force the music that they make and that they are different people and each member brings their own influences and ideas to the studio.

They really live up to the title of indie as they are independent in their creating and recording of their own songs. Since their 2nd EP ‘Coward Soul’ the band have mixed all of their work and mastered all of it, bar the debut album ‘You Would Not Anyway’ which was also recorded in various places ranging from the comfort of home to an unorthodox location such as a beach!

Loomer prefer to start playing tinny, trebly sounding arpeggios that are more concentrated on authentic guitar tone blended with a bit of bliss that is reminiscent of Swervedriver, in particularly, the outro of their 1993 hit from Sophomore album Mezcal Head; Duel. In fact, their inclination of rock style lead guitar playing and the tone that they select would fit well into any Swervedriver song. However, Loomer are far from being a rip off band. Their ability to stay clear from obvious guitar effects like Reverse Reverb (which has been subject to over kill in the Shoegaze genre for the last 30 years) and floaty guitar tone sucking ambience is refreshing.

MUSIC WORK

Their first EP’s were ‘Mind Drops’ (2009), followed by ‘Coward Soul’ (2010) and the two albums are ‘You Would Not Anyway’ (2013) and ‘Deserter’ (2017). The first EP’s are both raw in sound quality, like they were made in 1988 and immediately, I can hear comparisons to The Jesus and Mary Chain (Check out the tracks ‘Search On Your Own’ and ‘Damned’ with Jim Reid style deep vocals and more ear-piercing feedback than your English teacher gave you at school), damn, these guys are loud!

The other EP ‘Coward Soul’ (2010) reminds me initially of Sonic Youth because of the raw octave, harmonic, rapidly strummed spring reverbed guitar playing, and the sudden outbursts of punky shouting during the refrains. This is also the first EP that features female vocals blended with Stefano’s vocals in the form of Michelle, like Thurston Moore and Kim Gordon. The debut album ‘You Wouldn’t Anyway’ aesthetically catches my eye with very 60’s psychedelic cover art that is lit up in a striking purple colour and the music is better produced than their EP’s.

The track ‘Enough (From the debut Mind Drops EP) starts with an interesting tinny slightly delayed single note riff before launching into a raucous, unstoppable and solid wall of sound that features a joyous, bouncy vocal melody encapsulated. Ethereal, fragile but endearing female vocals enter the fray in the first refrain section gliding along with the deeper, reassuring male vocal creating a balance or maybe an imbalance to the music that the band themselves admit to liking the sense of mystery in their songwriting and sound. Classic My Bloody Valentine right there, hence the name of this band. The ending mellows out but instead of the abrasive guitars transforming into ethereal, angelically ambient tools of sorcery,

On their Album ‘Deserter’, a track that grabbed me is the penultimate song, ‘Another Round’ which begins with one very fuzzed up guitar and a few abrupt un-musical jack input noises to create suspense. The guitar tones on this track are pure gorgeous and they also vary. Each section of this song has something different going on with the guitars, whether in terms of tone or chord changes or playing technicalities, it’s all evolving all of the time, sometimes subtle, sometimes blatant. The fuzz that growls and a purrs like a V8 engine in an American muscle or British lightweight sports car appears in the pre-chorus section acting as a soothing haze coinciding with the floaty vocal lines. This track is by far one of the catchiest and interesting tunes from the album without being too simple or boring.

The album finale, appropriately named ‘Opinions’ features a mind bending dentist drill guitar effect that emerges at the Thirty One, Fifty mark of the album and emerges again near the end ad sees out the remainder of the song. Again, this is a track full of surprises that gives the listener one final treat before the album ends and all of a sudden, the world seems like such a quiet and dull place.

Therefore, this album, this artist do their job as a huge aspect of the essence of Shoegaze music is to transport the listener and when the music stops, the holy experience is over and the world is bland again, and that’s when you really appreciate the benefit of this incredible genre that we call Shoegaze. Loomer certainly capture this essence.

Link to ‘Enough’ from debut EP, Mind Drops (2009) below:

Stunning track from debut EP, Mind Drops (2009)

INTERVIEW

THE BAND

Where are you from in the Brazil? Where are you living now?

I, jaquelina and guilherme were born in Rio Grande Do Sul, south of Brazil. Fernanda was born in Santa Catarina, also in southern Brazil. Richard was born in Germany. And Michelle was born in the United States. At the moment, Fernanda who played bass with us is living in Florida United States, and Michelle is living in Porto Alegre, she is our current bass player now.

What did you study?

I studied Electronic Engineering. Richard and Guilherme studied design. Fernanda studied psychology. Jaquelina is a self-taught artist. Michelle is studying civil engineering.

What is your day job at present if any?

I like my job, but I dont really want to talk about it. Sorry...

Do you dream to live from your music or is it a passion you do not want to spend your full time on?

I don’t really know. I’m following what life offers me. I really love music and cannot stop doing that.

Do you have families?

I live with my wife Jaquelina. We don’t have any children yet. Michelle lives with Andressa, her girlfriend. Fernanda lives with Kim, her wife. Richard lives with Maria, his wife. Guilherme is divorced and is the only one of us who has a son, Gabriel.

Could you tell me how the band meet and decided to do music together?

I was playing another band called Transmission. In the year 2005 Richard came to live in Porto Alegre, and formed another band called Lautmusik, as he liked my band we decided to do a tour together in 2007. But things ended up not working, Transmission stopped playing in 2007 because the singer has moved to another country. Because of that, we probably ended up making a band.

Guilherme, was already my acquaintance, we played in another band called Materia Plastica, and he came to join us as our drummer. Liege was the last one to join the band, but that gave the finishing touch in the formation, took the bass and made the backing vocals in some songs and sang others. Later in 2013 the Liege left and entered the Fernanda that already played with me in the band Parkplatz. This is the formation that resists to this day.

Can you tell me the inspiration behind your band? You can detect the influences of shoegaze and indie rock. There is also a very interesting duality with some violence in the music that is always balanced by some tranquility with the feminine voice or other means. It is a great example of ying and yang or masculine / feminine influences. Is it on purpose?

We did not try to force the music we made. I mean, at least we think so. We are different people, and each one brings their influences to the music. Sometimes the core of the song is composed at home grossly and finalized in the studio over many essays, other times it is completely developed in the studio. We like male / female duality, we think it brings a balance, or maybe an imbalance. I'm not sure, I just know we like it that way.

Was there a vision of sorts or did you know what you wanted to do when you started up? I.e. when you started the band was it always a project to create a shoegaze band? Or was it different from now?

At first, Richard, our guitarist, had the idea of making a band in the style of My Bloody Valentine. We watched TV shows, we listened to music, watched horror movies. So he had this preconception. But when we got people together and started playing, we had more influences than just MBV, and we wanted to use all of them. It was a lot more fun, and we kept it that way. After all, we do not like to sound too alike to anyone, we prefer to sound like ourselves.

Do you have any other musical side projects apart from this band?

Actually, at the moment we are not playing in any side project, but we already had many.

Could you tell me more on the band composition? Do you have plans to add new members, or is there possible departure scheduled from existing band members?

The band is me (Stefano) on male voice and guitar, Michelle on female voice and bass, Richard guitar and Guilherme drums. Fernanda moved to USA in 2015/2016. Jaquelina played with us from 2016 to 2017. Now we are playing with Michelle Franzen.

We've already had 4 bass players playing with us since initial training. Liege in 2008, Fernanda in 2013, Jackelina in 2017 and Michelle in 2018. We have no plans to add or remove band members. We are just doing music and shows, things that we love, but sometimes the circumstances of life change people's destiny.

Can you tell us more how you came to have the band’s name?

Well, in the beginning we were playing for 6 months and have a scheduled show, but we hadn`t a name yet. So we made a list of 50 names to choose one. Loomer was a suggestion made by Richard, and it was the winner. Of course Loomer is because of MBV song, but what we use to say is that we wasn't looking for anything related to MBV on purpose, it was just a coincidence that this was the best name to think of when we had to choose one.

The Creative process

Who writes the song and the music and how do you get to the final song? Is it a community process, do you have leaders in composing or arranging music?

We have a lot of ways to compose songs. Some of the songs I write at home and bring to the band. Some songs are born entirely in the studio. Some songs starts with a guitar riff, some with the drums or bass giving the idea to the band to complete the rest.

Do you listen to the advice of your band mates? What would you do if they said a song was shit but you liked it?

Well, this has not happened yet. But what usually happens is that sometimes the members do not have ideas to play certain music, and it is put on the shelf to be finished later. Sometimes when a song takes too long to complete, it may happen that we lose the spirit it initially had.

There’s a degree of unconventional songwriting with you guys. Was it kind of intimidating going to record knowing people might not be engaging with the songs in terms of hooks and such and trying to deliver an engaging sound on record?

We just try to make songs that we think are good. We do not know how many people will like it but if we like it it was already worth the effort. Everyone in the band is free to contribute to the composition, and this already provides a greater degree of creativity.

Personally I like songs that confuse the head but that are simple after you understand it. But I will not impose anything if it is not working. I can not say for sure. I think what we do has to be worth it to us, somehow.

You have a great way about your guitars, with tones and melodies answering each other, almost like discussing. Could you tell us more on how you work together on this?

Well, we've played so loud that many times we can not hear what others are doing. It is often a pleasant surprise when we will listen to the recording. Maybe our guitar dialogue is just two guitars talking to the walls. Another important detail is that we try not to interfere with what each one creates. Anyway we think it works.

Talking about the lyrics: who write them? Is there a common thread in them, a theme?

Usually I write the lyrics. But usually I write only what I sing, and when Liege sang, she wrote the part of it. Fernanda has not yet felt comfortable writing her songs, although we encourage her to do so. But she helped me in the lyrics on the last album. I do not think of a main theme when I write, at least on purpose. I think this ends up appearing naturally according to what I am experiencing at the moment.

Do you labor over your lyrics? Is that something that comes easy?

I do not consider myself good at writing. I think I'm better maybe in the melodies. I admit that several songs I leave to decide on the lyrics only during the recording, although I already have an idea of what I would like to talk about. Anyway we like the voice as being just another instrument of music, not being something in the foreground.

Do you have a message that you want to get across in your music? If so, what are some of the messages you want to spread?

I do not have a message. When I start to write I do not know what I'm talking about. And if I have enough time to this initial process the whole letter appears and I am quite happy with the result. But if by chance I leave the lyrics to finish later, then I will need to understand the subject to be able to conclude. These are the hardest to finish.

Did your listening habits changed over the years and does it affect what you write?

Yes, my habits change a little over time. And I think it's natural that what I write also changes. But I do not try to do anything on purpose. What I want to say is that I do not try to listen to something new in order to incorporate this into my music because it's a new trend. What I do is dig old and new bands for something I really enjoy. And when I write, it's always the old thing I've always done.

How is your recognition going in Indonesia and Abroad? Is it growing? Are you happy with it?

Did you mean in Brazil? Yes, in Brazil we have some recognition that has been growing slowly. We are happy with this, because it is a musical style that has no space in the mainstream media. Time helps reward that.

The path to music

Is it easy to find producers and studios in Brazil for indie-rock?

It is not very easy to find, so we produce ourselves. We like to do this because we can keep the result close to what we would like it to be. But we lost in the aspect of an external opinion that could enrich the music.

Your recorded sound is very good, which is not easy. Did you engineer the sound yourself, or did you have a sound engineer with you? If yes could you tell us more about him/her?

The first EP "Mind Drops" was recorded by Lucas Pocamacha, guitarist of Superguidis, a very cool indie-rock band here in Brazil that is not playing anymore. He did this in exchange for a sound card we bought for him. The second EP "Coward Soul" was recorded in the DUB studio that we usually do our rehearsals and we did the mixing and the mastering.

The first LP "You Would not Anyway" we recorded ourselves at home, on the beach, in the studio, in different places. We mixed and the mastering was done by Paulo Casaes (Fujimo).

The last album "Deserter" we recorded in the studio Dissenso and in the studio DUB. I mixed it myself and mastered it. We've been looking for a sound engineer but we still can not find it. We thought it would be very good for us. In the meantime, we're doing things ourselves.

Was it a community work to try to have the best sounding music possible or mainly driven by the sound engineer or by the band?

It is a work mainly directed by the band. We spent a lot of time mixing the result. Recording usually does not take long. But it is not so because we want it this way. It's because the recording (mainly the drums) is usually in the studio and paid per hour. I still believe it's best to spend more time recording and less time mixing. The result would be even better.

Can you tell us how the recording process was?

We are still learning. But what we usually do is record the drums first. Our drummer likes to record with us playing together, without a metronome or guide track. In this sense I think it can be said that each band has an ideal way to do the recording.

Anyway the drums is the one that takes more time to be recorded in our case. And it's worth it because if it gets well done it makes it easier for the rest of the process. It needs to do in the studio. After that we recorded the bass, and it can be recorded at home if we want to save money. It's something quick to record, so it would also be okay to record in the studio.

After the bass comes the guitars. What takes in the recording of the guitars is not so much the execution, but the choice of the tones, the pedals, the regulation of the effects. Many hours of tuning and testing for 4 minutes of noise. But it's worth.

Since it takes a lot of time to adjust the tone of the guitar, it is best to record several songs at a time when you find the right tone. It is possible to record the guitar at home, but it gets better in the studio since we play loud. At last we record the voices, and these we can do at home as well. It's good to have a condenser microphone for this.

The rest we solve in the mix, where we do all the magic. But that is not a rule. We like badly recorded things too. Whistles, voices and guitars out of tune. What does not work can fit in very well. You need to hear what's coming out. I think it's the ear that's in charge after all

How did the recording work differ over time?

We recorded all of our albums. With this we learn over time new things, new tricks. I think you should not give too much importance to mistakes, or avoid doing something because you do not know enough.

More important than that is to let work flow, to enjoy the flow of inspiration because it matters more than the quality of work. But the recording is also part of the work, the two things complete themselves, the recording and the composition.

Is the recording material yours when you are out of a studio or do you borrow/rent it?

We have our own recording material. That is to say, we acquire over time equipment that we understand that would add to the sound of the band. But we also try to stay free to enjoy what we find at the recording location. It may be the noise of the wind, the trees, the water, in a studio we take advantage of some old equipment, a tape recorder, a tube or tape microphone, things that may sound a bit strange, or that inspire us.

Any interesting anecdotes on some recording session you would like to share?

I'm not very good at trying to be funny. But in our first EP Mind Drops we did the recording on a farm improvised. We took the sound table, the microphones, the amplifiers, the drums and everything else. We made the loudest noise, played really loudly and recorded separately, on separate tracks. Could not understand the result at the time.

Back in town, when we went to mix the result, we could hear horse whinnies, the noise of chickens and other strange things on certain channels. When I put everything together I could not see it. It was like this. I think this is funny in a way...

Did getting the live experience across on record create any pressure for yourselves in the recording process?

I think it creates a pressure yes. But we are not very organized to create the songs, or sometimes we take a lot of time to finish them. So some pressure helps us. They push us forward.

Instruments: you seem to be mainly a Fender band. Could you tell me what inspire you to use fenders rather than other brands?

We really like the Fender sound. I think what motivated us to use so many Fender outfits are our influences like Sonic Youth, Dinosaur Jr, My Bloody Valentine among others. We thank them, because we like the result.

A question for a future paper I have in mind: if you use often a Fender Jaguar, could you tell me more about what makes it good to play (sound, neck, …). I find there are lot of noise artists that are using this guitar and I am interested to know why.

In my case, what I like most about this guitar is the sound of it. I think the combination of her sound with distortion and fuzz pedals gives a very engaging effect. Besides I consider a very beautiful guitar. I personally like old, vintage things, working fine.

Do you have one favorite instrument or do you change often?

We do not usually switch instruments. We have a fixed formation, with bass, two guitars and drums. In the recording sometimes we risk playing other things, like acoustic guitar, synthesizer, tambourine. But anyone can say or suggest ideas.

The funny thing to note is that we are a band in which we are all guitar players. Guilherme our drummer is actually a guitarist, and our bass player Fernanda is also a guitarist. I always use the same guitar, the Fender Jaguar. Although you have already modified some things in it like the keys, the pickups and the bridge, it's always the same.

But what I change with some frequency are the pedals. As I have more pedals than fit on the pedalboard, I do some kind of rotation to test everyone. In the end of course there are some favorite pedals.

Tell us what you are looking when trying to achieve your sounds? Do you experiment a lot or have a clear idea of what you want?

We experiment a lot, and we've tried to take advantage of everyone's idea. Maybe this will end up making the song a bit unconventional. But I like strange and uncomfortable songs. I can not say what we are looking for, because each one actually puts it in its own way. We eventually discovered what we ended up creating. I do not know if it's the best way to compose, probably not, but that's how we do it.

Who is the more knowledgeable with pedals? You use them a lot, to great effect.

Thank you. We ended up getting a lot of pedals. We do some research and we end up getting some. In the end we want to use everyone, which is not possible of course. But I think they help increase the possibilities of the songs. Me and Richard are the most interested in pedals, we've been researching what some bands we like have used on albums we like and we're going after them. It's a form of judgment because there is a very wide variety of pedals.

How many concert a year would you do on average and what would be the size of the venue?

We do not do many shows. We do 5 to 10 shows per year. But that depends a little on the season, since we've been focused on finishing the album in recent times. The size of the venues depends a bit on the event, we have already played in venues for 10,000 people, and we have already played in venues for 50 people. The smaller ones are more suitable for us, because our public is not so big, besides, small places are cooler.

Would you mind sharing some good anecdotes from your concerts/touring?

In respect to the reader, it may not be a good idea. =)

What are some places around the world that you hope to take your band? Do you have any plans at present to tour in other countries than the Brazil.

We think of going to countries here near Brazil, like Uruguay and Argentina. We also have plans to go to the United States, after all our bass player Fernanda lives there. We also thought about going to the UK, we even staged a show last year but we couldn’t go. Japan too. It's good to have plans, don’t you think?

Is there any reason in particular that you want to go to these places? Is there something about dream pop/shoegaze in those places that makes you want to go there?

We really like to write songs. Besides composing, recording them, it's very cool. In addition to recording, being able to play them around, and checking people's connection to our songs, this is very motivating. Sometimes we go places far away from where we came here in our huge country and have some people who know our names, follow our trajectory.

They thank us for doing that. I think there is a natural process of an artist wanting to expose their creation. These countries we mentioned before, we are very curious. We have a strong connection with them as well, as these are places that really enjoy shoegaze music, or that have created the style. You know, we're just living.

The Scene

Brazil have a thriving indie scene that is not very well known internationally. Could you tell us more about it?

Brazil is a huge and beautiful country. It's hard to know everything. There are many bands that come and go, and some are really good, but that for some reason are not very well known. In fact the indie scene is something that is self help based on the friendship, and in the musical taste of course, since there is no support of the larger media. We have some blogs and independent radio programs on the internet that have helped. It's really a fun aside.

Is it easy for a Brazilian indie bands to be known internationally? Do you have any example?

I think it's not easy, not because the bands do not deserve it, but because the outside public would probably think 'look, a Brazilian band singing indie rock. it must be bad.'. I do not know. Maybe not. It's all a matter of taste. I do not think much about being known or succeeding outside (or inside) Brazil. I think only of making songs that I consider important, maybe cool, or worthwhile for us to record or play at shows.

With respect to bands, there was an indie band that was relatively well known abroad 'Cansei de Ser Sexy'. With respect to Brazilian shoegaze, I know of two bands that lived in London for a while, Wry that is in Brazil now again, and The Tambourines who still lives there. Our seal, the Midsummer Madness, is now in London as well.

Has the scene changed since you began, and if so how?

The scene changed a lot, many times. In the 80's and 90's, many people went to the shows without even knowing who was playing, local bands had space on some local radios, record companies invested in new bands. In the 2000s there was a lot of variation, difficulty in publicizing the concerts, closing bars and independent rock show venues.

But you can go play in other cities, or on the other side of this immense country. With the internet and social networks, you can promote the shows in distant places. Even though there are few, there are always one or two pubs to play.

Nowadays still appear spaces for bands, because the bands help themselves based on the friendship. It's a way of life.

Is there any Brazilian band(s) you want to recommend in the indie/shoegaze/post-rock genres?

There's a lot of cool bands here. I can cite a few such as Herod, Twinpine (s), Wry, Labyrinth, Sileste, Justine Never Knew The Rules, Firefriend, Lava Divers, Juna, Carne de Monstro, Churrus, Space Rave, The Sorry Shop, Lupe Lupe, Low Dream, Fellini, Second Come, Pin Ups, Patife Band, This Lonely Crowd, Bruxas, Duelectrum, The Soundscapes, Blear, The Cigarettes, ruido\ mm, Proud Beggars, Walverdes

Economics

Do you have a label? Could you tell us a bit more if so.

We have two labels currently, Midsummer Madness and Sinewave. Both help us in spreading the record. Midsummer Madness also helps us in the pressing of physical disks. They both also help us to schedule shows here in Brazil.

How did the funding worked for the LP? Did you invest a lot yourself? Was your label supportive in that respect?

Yes, the label helps with a portion of the money to make the LP, and it returns in LPs to be sold. The other part is paid by us and we have the equivalent in LPs to be sold as well.

Where does the majority of the money go when you’re paying your own way?

Most of the money goes in the beers.

Do you make a decent revenue from your music or is it still very much a hobby?

We do not have enough revenue for considering it a professional work. In the best of situations we can pay the expenses. But that does not mean that we will change or give up, because we do what we love.

How do you sell your recordings (shops, online, …)?

Our label, Midsummer Madness, sells a part of the discs online. We sell online also through bandcamp and at shows.

The Future

What is the next album due?

We're thinking of making a single or an EP now. But we do not have a definitive date yet. It would be good to be this year, but...

Any other project (ie movies soundtrack, …) or plans

Richard plans to make a horror B movie. He really likes 80s-b-horror-movies. Maybe I'll do the soundtrack. Something with synthesizer or noisy bending guitars. It can be funny.

Do you plan to continue music for a long time or are you tired of it?

We do not intend to stop playing music ever. While it is possible to step on the pedals, they will be busy. I do not think it's possible to get tired of something that you love. Circumstances change, sometimes they get difficult, but that's what makes things worth it. I could get tired of not loving anything.

MORE ON LOOMER

Some good music videos

Where to find them on internet

Bandcamp

Myspace

Facebook

Is there any people that you want to thank here?

I thank Sam and David (the Editor), you’re great!

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loadcali890 · 3 years

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Ventura Guitar Serial Number Lookup

Beautiful old vintage Ventura Bruno V14 guitar. Looking at other similar models on e-bay, I GEUSS it to be 60's-70's but I do not know. Serial number is 74725, could be made in Japan but I do not know! This guitar includes chipboard case, has warm aged tone, the vibe of old guitar. Ventura was a brand of stringed instruments imported from Japan by C. Bruno and Company during the 1960s and 1970s. Bruno was bought by Kaman in the early 1980s, after which the brand disappeared. Some of the Ventura guitars were knock-offs of the Martin line, such as the Ventura V-35 appearing similar to the Martin D-35, and the Ventura V. Good luck and happy Ventura hunting! Re: Ventura Guitar 14:51 on Saturday, June 5, 2004. (David Woodson) Posted by Archived posts. I have a 'Bruno' Ventura Classic gut string that I bought from C&S Music in Fort Worth,Texas in 1965-66. It has a nice classic tone but that is all I know about it.

GENERAL VINTAGE GUITAR RESOURCES:

Vintage Guitar Magazine - this is Vintage Guitar 101 and all neophytes are advised to start here. Of course, my favorite part is Michael Wright's 'Different Strummer' column, which covers the history of all those wild, wacky off-brand instruments in elaborate detail. VG has also published several of my own articles over the years, some of which can be found on this site.

The Blue Book - if you're serious about buying and selling used guitars, the Blue Book provides the most detailed pricing, dating and identification info. Much of it is available online for free.

GuitarHQ - a nice all-around mainstream vintage guitar site. All the standard Gibson and Fender type stuff, plus some other interesting odds and ends.

ProjectGuitar.com- where the Internet goes to work on guitars! All about guitar maintenance and repair.

MIMF - the Musical Instrument Makers Forum is a goldmine of information about materials, construction and repair techniques, including a gallery of unique custom built guitars that range from inept to incredible. If you need professional advice about repairing your old guitar, this is the place to ask.

Stewart-McDonald - a good source for replacement guitar parts and repair tools to keep your junker running. Also check out WD and Allparts. I'm not sponsored by or affiliated with these or any other manufacturer or retailer, but I'm often asked to recommend good parts sources.Well, here you go.

Ampage - a nice info source for amp schematics and other guitar electronics.

GuitarElectronics.com - lots of wiring diagrams.

Dr. Duck's Dating Service - an excellent resource, lots of serial numbers for many brands of guitars.

OTHER 'JUNK GUITAR' SITES:

Cheesy Guitars - a true kindred spirit, Meatex Z has created a wonderful site dedicated to all those unplayable Russian and Eastern European guitars. He was also nice enough to give me credit for naming his site and helping him out with information initially. We were originally going to do this project together, but decided that two sites are better than one. Go visit Meatex and tell him Big Beat says 'hi'.

SovietGuitars.com - this cool Russian language page for fans of Soviet era instruments is rapidly becoming an important resource.

Vintaxe.com - an excellent site about some of the lesser known vintage guitars produced in the 60's, 70's, and 80's. Lots of pictures and vintage catalog scans, including some of mine that I have shared with them.

My Rare Guitars - a nice collection of cheesy offbeat axes by a very hip collector and dealer. Vintage Normas, Ekos and Dominos galore, plus some great modern reissues.

Fetish Guitars - a fabulous site about Eko, Wandre, Galanti and other Italian guitars of the 60's. Both visually stunning and very informative, it is an absolute marvel.

Lordbizarre's Electric Guitar & Amp Museum - The name says it all. This collector from Belgium has put some seriously weird axes on display for your viewing pleasure.

Cheap Trashy Weird Old Guitars - cool name, and certainly the right spirit! A small but impressive collection of Egmonds, Wilsons, Musimas and even something called a Horugel.

21 Frets - I just love it when somebody takes totally trashed Hagstroms and Melody Makers and restores them from trash to flash. This site chronicles some really cool restoration projects.

Gudok - a Russian site that showcases 'the weapons of the proletariat', old Soviet guitars such as the Tonika, the Formanta and the Solo-II.

Hendrix Room - a Japanese site with a neat collection of totally off-the-wall 60's guitars with names like Youngtone and Melodier.

Animal Charme - dedicated to all those pointy headstock axes of the 80's, this is the home of the shred and heavy metal guitar!

Pointy Guitars - more 80's pointy guitar madness!

Guitare Collection - A wacky French site that showcases some totally bizarre Euro junk guitars, even including a couple from Russia.

Rockin' Hollowbody Guitars - a great forum for people of the thinline and archtop persuasion. If it's got F-holes, you'll find all about it right here.

Vintage Guitars - this Swedish dealer has a photo gallery with lots of Goyas, Hagstroms, Levins and other oddball Scandinavian beauties.

Vermona - here's a German page about those amps and synths, so familiar to professional Russian musicians of the 70's and 80's. Never mind Fender, Vox and Marshall, everyone behind the Iron curtain knew that the best amps were made by Vermona. This factory also produced the famous Weltmeister accordions and the Ionika electric organ. To many older Russians, 'Ionika' is still synonymous with 'keyboard'. See the old Vermona amps HERE and the original Ionika HERE.

VINTAGE GUITAR INFO BY BRAND:

Ampeg - Vintage Ampeg Scroll Basses Aria - Guitar Gallery Burns - Burns Guitar Museum Carvin - Carvin Museum Danelectro - Danoguitars Egmond - Egmond Guitars Eko - Fetish Guitars, My Rare Guitars Framus - Vintage Framus Futurama - Futurama Story Grazioso - Palka.com Galanti - Fetish Guitars Goya - Goya Guitars Hagstrom - Hagstrom USA, Hagstrom Canada, Hagstrom UK Official Hagstrom Site Harmony - Broadway Music Co., Unofficial Harmony Page, Harmony Thumbs, Hillman Guitars Heartfield - Heartfield Central Hofner - Guitar HQ, Hofner Club Guitars, Vintage Hofner, Hofner Hounds Hopf - Hopf Guitars Hoyer - Hoyer Guitars Ibanez - Ibanez Vintage Page, Vintage Ibanez Museum, Ibanez Vintage, Ibanez Collector's World Jolana - Jolana Info, My Jolana Kramer - Kramer Krazy, Kramermaniaxe, Vintage Kramer Music Man - Unofficial Music Man Guitar Page Ovation - Ovation Fan Club, Ovation Tribute Page Shergold - Shergold Guitars Silvertone - Vintage Silvertone Starfield - Unofficial Starfield Guitar Site Teisco - Teisco Twangers Tel-Ray - Unofficial Tel-Ray Page Tokai - Tokai Registry Univox - Univox Page Vantage - Guitar Gallery Ventura - Unofficial Ventura Guitar Page Vermona - Vermona Vox - Vox Showroom Watkins - Watkins Guitars Westbury - Westbury Guitars Westone - Westone Guitars

Ventura Guitar Serial Number Lookup Serial

MISCELLANEOUS OTHER LINKS:

Guitars.RU - Russia's top guitar community. The place to go for information about Tonikas, Aelitas and other Eastern Bloc guitars. If you speak Russian, you can also hang out on their popular forum and socialize with other Russian guitarists. Even if you don't, many of the regulars do speak English.

Russian Rock Club of America - not really vintage guitar oriented, but these folks are my friends and associates. We keep the flame of the classic Russian rock tradition alive in our new homeland, promote independent Russian rock bands in America, stage concerts, music festivals and other cultural events. If you're a Russian rock musician or fan living in America, you're not alone!

: I bought this Ventura in 1980 at H & H music in Houston and I was just wondering what it is worth. It has a classical body style, not the dreadnought. The action is low and has an adjustable truss rod. The serial number is 60505 and the model # is V-200B. Does anyone out there have an accurate answer? Thank you for your time and effort in responding to this e-mail inquiry.

Have a great day.I ALSO HAVE A MATCHING PAIR OF V-11 BRUNO & V-15 12 STRING FROM MEMORIAL MUSIC JUST PRIOR TO H & H. THEY TOURED WITH BUFFETT IN 74-78 THROUGH CARIB/PROVO SOUTH & NORTH FLORIDA. NO ONE WILL VALUE THEM @ MORE THAN PURCHASE PRICE. : I bought this Ventura in 1980 at H & H music in Houston and I was just wondering what it is worth.

It has a classical body style, not the dreadnought. The action is low and has an adjustable truss rod. The serial number is 60505 and the model # is V-200B. Does anyone out there have an accurate answer? Thank you for your time and effort in responding to this e-mail inquiry.

Have a great day.I have a Ventura Bruno V-12 I paid $110 for in 1972 at Hauschild's music in Victoria, TX. Don't know if they are still around as the owner was up in years then. I have heard they were made in Japan but I dont know this for sure.

Guitar ID and AppraisalThere are many reasons for determining the precise age of your used guitar. The most important one is probably pricing the instrument appropriately when you’re looking to sell it. Prices for certain vintage models vary by thousands of dollars depending on whether it’s a 1963, for example, or a 1964.

You’ll also need to know exactly what your guitar is worth for insurance purposes.One of the most valuable and often overlooked resources to help you identify and appraise guitars is your local used instrument dealer. It’s so important to establish a working relationship with these folks. While it may be tempting to call every store in the area in order to save a few dollars when you’re shopping for something, developing a loyalty to one or two shops pays off when you need service that goes beyond a simple purchase.

While most shops charge a fee for an official appraisal, it may take an experienced retailer only a second to realize that your old Epiphone is actually a Nova 390, produced from 1976 to 1980 in the company’s short-lived Japanese factory. The shop employee may be glad to look up the approximate value of your ax in a book and give you an opinion about what it’s worth. But if you randomly drop by a store that you’ve never been to before and ask for this kind of help, they might not take the time to look carefully at what you’ve got.LEARNING THE HISTORYIf you want to educate yourself to identify guitars, the first step is to become familiar with the histories of some of the larger companies.

In recent years, more and more books providing information on the major guitar manufacturers have become available, and they’re a great place to start. There are some basic questions to ask.

When did the company start building guitars? Where were the guitars manufactured? Did the company move in the course of its existence, and did it move its production overseas? Did the model in question change drastically during the years of production?

For example, Gibson’s J-200 started out with rosewood back and sides and fairly standard X-bracing in the late 1930s. It was changed to maple back and sides (except for a few rosewood examples) and a double-X bracing pattern in the ’50s. Yet another double-X bracing pattern was used during the ’70s, and then a more Martin-like scalloped X-bracing was adopted when the model was reintroduced in the late ’80s. These are all differences that would be difficult for the uneducated eye to notice, yet they drastically affect the guitar’s sound and value.At the very least, these books will identify the time period during which the guitar in question was produced, basic information that will, for example, keep you from paying a premium for a '1960s Martin HD-28' (you’ll know that this model wasn’t introduced until 1976). Sometimes you can narrow down even further the time period in which your guitar was built because of a certain distinguishing feature. For example, a volute or scroll at the back of a Gibson headstock usually indicates that the instrument was built between 1974 and 1981 (although some appeared as early as 1969).Another thing that the trained eye will immediately be able to pick up on is whether an instrument was built in the U.S.

Or imported from one of the many low-end Asian manufacturers. When I worked in retail, a customer once walked in with a Ventura archtop for sale.

Convinced that he had a guitar that was built in the U.S. In the ’50s, he stormed out after I told him what I’d be able to offer him for it. Even if I hadn’t known that Venturas were made in Japan during the ’70s (which was confirmed by a quick look in the Vintage Guitar Price Guide), I knew as soon as he opened the case. It was mostly the guitar’s thick finish that gave it away, complete with lacquered neck-to-body joints and drips through the f-holes. The wimpy hardware was another dead giveaway that this guitar was neither domestically made, as he thought, nor a high-quality import. The best place to gain this kind of familiarity is at your local music store’s used-and-cheap section; the more guitars you inspect, the more experienced you’ll be.One of the biggest roadblocks in identifying a guitar can often be the serial number.

These numbers are frequently inconsistent or missing from reference books. In many cases, a serial number by itself is about as useful as a phone number with a missing digit. Few companies have consistently used the same system of numbering during their entire existence (Martin is among those that have). For example, Gibson began using an eight-digit number in 1977.

The first and fifth digits indicated the year of production (8XXX2XXX meant it was built in 1982). If you tried to apply this formula to a serial number on an older Gibson, or even a newer vintage reissue (which sometimes use 'vintage' serial numbers) you’d be making a big mistake.REFERENCE BOOKSSo, how does one go about accurately identifying a used instrument? Probably the publication most often referred to is Gruhn’s Guide to Vintage Guitars. Written by George Gruhn (of Gruhn Guitars in Nashville) and Walter Carter, the guide is a must-have for identifying older American-made guitars. Organized into brands, general information, serial numbers, specific features, and model designations, the book identifies most major-brand guitars of the past and offers meticulous descriptions and a wealth of helpful photos. It offers little or no information on smaller makers, budget instrument makers, and recent entries into the guitar market.Although designed to give approximate values for vintage instruments, the Vintage Guitar Price Guide is also quite useful in identifying instruments. While it doesn’t describe each model’s features in detail, it does provide a company history for most of the makers included.

The book’s many photos can be very helpful, and the general listings, which include many off-brands, are among the most complete available. As with all price guides, the dollar amounts shown are to be taken with a grain of salt, but having even a vague idea of an instrument’s value will make you a more savvy buyer or seller.Another excellent resource is the Blue Book of Guitars. This hefty book probably represents the most complete compilation of information on guitars that have not yet reached vintage status.

Ventura Guitar Serial Number Lookup

Ventura Guitars Models

It’s one of the few books that lists instruments made by companies such as Kay and J.B. Player and by individual luthiers such as Dave Maize and Steve Klein. Besides retail price information, the book includes brief descriptions of most companies and models listed, as well as a unique section on grading the condition of an instrument. In a color section, a variety of guitars are pictured front and back, showing a range of possible conditions-from 20 percent (poor) to 100 percent (new).You can also join guitar-related newsgroups on the Internet, but beware of advice from uneducated participants posing as guitar experts. Of particular interest to acoustic guitarists are rec.music.makers.guitar.acoustic, rec.music.makers.guitar.jazz, and rec.music.classical.guitar.

Find Guitar By Serial Number

You might also check out rec.music.makers.guitar and alt.guitar.These resources and the others in the Acoustic Guitar Owner's Manual should help you on your way to becoming a guitar expert. All you need is hours and hours of paging through every available book on the subject, countless weekends spent at guitar shops and vintage instrument shows, a careful examination of all of your picking buddies’ axes, and (let’s face it) the purchase of a lemon or two.Excerpted from Acoustic Guitar magazine, October 1998, No. 70.Toll Free 877-712-4747.

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eshtarwind · 7 years

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Tokyo 7th Sisters: Episode Queen of Purple Novel Summary Part 1

It’s a bit late but I decided to write the summary of QoP Novel because I REALLY NEED SOMEONE TO TALK TO and I cannot wait for the full translations to be out so that you guys can read it (but really, you should really read the full translations once it is out—pssst it is on the way–because Furuse Fuu is a really good writer and also because some details are just precious). Anyway, without further ado, the Novel Summary will be under the cut!

Warning!!!!! Even if I said “summary”…. I did not intend to make it as short as possible as opposed to writing everything I remember.

Prologue: Summer Day Crossroads

This chapter isn’t about QoP, but 4U. So 4U management, which usually let them do what they want, came up with the idea of them doing their major debut to get inside professional musician chart. Because they will be going to the Pro music field, Ume went like sure lets do it with a new song. With the image of the majority of music theme in Pro musician tier being love song, which also seems to reverberate with much of the population, Ume decided to make their major debut song as a love song.

There was only one problem: Ume has never fallen in love. Or any of 4U members, in that case. When Ume presented her song to both Emoko and Hina, none of them approved it–not even Hina. Both agreed that the music itself is great and that with Hina’s drums and Emoko’s bass it will be well polished but the lyrics are so cringeworthy that Emoko even dared if Ume even have the balls to sing such embarrassing lines. In the end, the flustered Ume then dragged the two of them to special brainstorming session to perfect the song. They even prepared to sleep in the studio for that purpose (Emoko should make it clear that she cooperate just so that Ume didnt drag all of them down with her incompetence or something). Anyway after hours of brainstorming, they perfected the song, but not the lyrics. With none having real experience in love, eventually Ume had the idea to just watch a romance movie for scientific purposes as inspiration. Even if tired, Emoko and Hina volunteered to also watch the movie with her. Sandwiched by them both, Ume said that she won’t allow them both to sleep or quit midway. By the end of the movie, however, only Ume woke up and the two had fallen asleep by both of her side.

The content of the movie aside, in the notes they had before they slept, there was one word that came up: Akogare = the feeling of admiration with longing/yearning. Falling in love seemed to be extremely close with that word. Ume could only remember that one time when she felt that feeling, along with heat in her heart, the feeling like something light up within her, it was when that woman “Hey you rascaaal!!!–” Snapping back to reality, Ume then began go write according to those feelings

Anyway, one day Seto Ferb walked to her rendezvous place with her light music club. She passed the station and found out that there are a bunch of people gathering for something.Turned out, a newly debuted band named “4U” is having their Guerilla live by the station and apparently they were pretty famous already. The band then played their debut song: Watashi Ai 4U.

Her light music club friend called her and told her that there was a Guerilla live, which Ferb replied she knew it already as she was exactly at that place at the moment. Ferb actually took off her earphone, which plays Hanyuuda Mito’s songs, and she remarked how catchy and upbeat the song is.

“4U, eh? I will remember it.”

She said before going away.

~The end of Prologue~

Chapter 1. Are You Gonna Be My Rose?

Being scouted by the producer, by the reception space of 777 sisters studio, Ferb was listening to super rare unreleased version of Hanyuuda Mito song when someone asked her what she was listening. The first thing Ferb noticed from someone upon hearing them talk are their voices. Noting the voice and its owner, she answered that it was Hanyuuda Mito. Or rather, the song that supposed to be a 7th Sisters song, but did not--A super rare copy which only circulate once on the net before taken down. The one talking to her immediately understood which one and they both realized they liked Hanyuuda Mito, both with the same impression of Mito’s voice: like a wind overlooking somewhere form a high place…. or some kind. Anyway, It was how Ferb and Murasaki met the first time, the receptions of 777 stars when they have just been scouted by our Shihainin.

Fast forward to the present, Ferb was sitting at the park near Nanasis office. She was called by Shihainin but took a bit more time to go. Her song, which she poured her heart into making, was rejected by her light music club friends to play in the school festival. They did not say it was particularly bad, however it was true that they were just not interested in it, and wanted to do cover band instead of an original song. Ferb then dropped from the school festival, saying that they dont particularly need her, as there are other bassist to fill up the space and Ferb did not feel the drive to join them. The novel did not write if she was angry, or disappointed, and Ferb seemed to say it a matter of factly, where she did not blame anyone and that was just how it went: their taste just did not match. Finally she continued her walk but she met someone else on the way: Yumeno.

Apparently, Yumeno was also called by Shihainin just like her. They conversed as they go, and the novel reflected just how well Ferb brushed away Yumeno’s super excitement when it comes to cute girls (including her ofc). It seemed Ferb has some respect in Yumeno, because of Yumeno’s proficiency in her guitar and how she put her personality in her guitar (regardless of her reasoning to start playing–Which in Yumeno’s case was because of a manga character). Ferb remarked that to be proficient in the level that Yumeno was atm needed hardwork and Ferb commend her for that.

In Nanasuta, Shihainin explain that there would be 7th Christmas Rock Festival a few months from then aimed for rookie band, and he asked if both of them are interested. Shihainin said several times that it does not have to be that year, as it must be an original piece, a full band, and there would be an elimination round soon. Both girls were interested (More like, Yumeno would, if Ferb would), but considering it needed a full band and preparation and the fact that they did not have any additional band member and there was a need to make an original song fast, Shihainin said several times that there was no pressure. However, Ferb said that there was a song that they can use.

She gave them a listen to the song she had made for her light music club and both were extremely excited upon hearing it, saying how it sound like a pro. Ferb said she had an idea on who the vocalist should be but she had to ask her, however the problem was they had no idea who is proficient enough for drums. Shihainin said that recording backsound is allowed, but Ferb firmly said that it won’t be able to fully bring out the soul of her song. Finally, saying, again, that there is no pressure about joining the fest, they closed the meeting. After they did, Ferb apologized to Yumeno about singlehandedly deciding their decision to continue with the project, which Yumeno said that she agreed to it anyway, to there was nothing Ferb should worry about. They both then went to the place of their prospective vocalist.

Turned out, Ferb also had never been to Murasaki’s place before. It was not something she thought would have been necessary and naturally Murasaki also never invited her. Yumeno expressed her surprised, because she thought Murasaki and Ferb are close with each other. Ferb said they were, but for as long as Hanyuuda Mito and music was concerned. It seemed their topic of conversation rarely broaden to anything personal and never once has they ever thought of, say, having sleepover. Yumeno said that kind of relationship is okay too, that she still see it as moe (Ferb dismissed this as something she doesnt understand about Yumeno Number #whatever). With that, they finally arrived at EZ Bar, which displayed “close”. It was nearing dusk but the bar has not opened already, which speaks much of its costumers demography.

When they came into the bar, Ferb’s impression of the bar was that it seemed to have a different air than the atmosphere they used to be (you should pay attention to this in the novel, really, at how Ferb describes situations and atmosphere, it's soooo poignant. From the lights, the reflection on the floor, etc.). They found Murasaki cleaning the place and was surprised to find them there. Ferb explained about the circumstances and Murasaki said that Ferb should have been the first person to know what kind of music genre she usually sang and Ferb answered yes she did, it was Jazz and not Rock but I want you to sing my song and just you. Murasaki contemplated, and then she answered, that if it was for something in the near future, she cannot give a yes answer to the proposition.

~~ End of Chapter 1 ~~

Since this is getting long, I will stop by here. Thank you for reading, get ready for Part 2 later!

Continue to Part 2

#tokyo 7th sisters #tokyo 7th シスターズ #qop #qop novel

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youcantfiremebecauseiquit · 4 years

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theguitardiary said: I love finding new music! Especially when you’re not expecting it. We seem to have similar tastes in music! Who do you listen to now in this modern age? There’s only a handful of bands I like but I’m convinced there’s more out there. They’re just not as well known.

Yes, it seems so! :)

Hmm, i don’t like that much of modern bands, if saying modern we mean completely new bands with young people being around for a couple of years. I’m aware that i probably don’t search enough, but these days i don’t even know where to look for bands, 2000-2009 days were much easier in this case. Maybe it’s just me, but sometimes i look at new trendy bands and just can’t treat them seriously, for example i take one look at this Youngblud guy and i don’t have to listen to him to know he’s just another variation of 5 seconds of summer or 21 pilots or Imagine Dragons shit. “New British rock poet” lol, i just can’t. Or Pale Waves, they dress like tumblr goths so you expect goth music, but they play watery pop and the girl says she wants to be like Taylor Swift and Avril Lavigne. I listened to Avril Lavigne in elementary school, but ever since i found lots of actual punk/rock artists and it’s not like it’s the best thing under the earth (anyone remembers times when Avril Lavigne was the biggest faux pas in rock circles?). It’s just some weird trend with people my age/younger becoming some “punk rock/indie queens” with edgy mall goth looks, and of course press falls all over itself in praises and calling them new punk rock princesses and whatnot, and it turns out they don’t listen to classic stuff, they all actually listened to Taylor Swift and want to be Avril Lavigne, each and everyone. This or hair metal bands. I’m not saying it’s neccesarily a crime, but it’s such a common thing, you can see how they compile clothes or videos or even straight up stylize their own songs after “Let Go” or “Under My Skin”. I’m all for nostalgia, but “imitation is the highest form of flattery” saying isn’t an explanation, all that flattery mostly ends up as clowning and copying rather than a wink to your influences. What’s with all that recent acceptance for copying and ripping off older artists? We reached the point where the world is obsessing over old cringe tumblr aesthetics sold as “new wave”, with skinwalking this rock star or another. Everybody claps and grins as if they haven’t seen it all somewhere else before. And then we have horrors like Starcrawler ripping off Katie Jane Garside look and everyone being fine with it. Develop some sort of personality, make up a new one if you dont’ have it, stop ripping off your teenagehood idols, ffs.

*End of a massive modern bands rant*

For the record, I’m sure there are some good independent bands, but i honestly don’t know where to find them and i admit i’m very picky.

Forever Still - at first they may look like a “throwaway Arch Enemy opera metal lady + a bunch of black-wearing random guys” type of band, but thankfully it’s not the case. Maja Shining has an actual personality and a pretty voice. They’re from Denmark, they play alt rock with melodic vocals, mainly a cross between calmer ballads and more metal songs, people compared them to Evanescence because of a trained vocals singer and emotional lyrics, but to me they’ve developed a thing of their own. They use elements of metal, but they actually have memorable riffs and melodies. There’s also a lot of piano in their music and on “Breathe In Colors” (and live shows) they use theremin, which is rarely used instrument in rock.

This band is very impressive, i followed them since their independent days, they eventually were signed by Nuclear Blast but they literally did everything themselves, from cover art to music videos to producing their music. The bass player was apparently an apprentice of Metallica producer/engineer, don’t remember which one though, and you can hear it, i believe they were recording stuff at home but their early songs were top notch in production. It’s funny how their first EPs and first album were self released and sold through internet and yet they sounded like a major label band! And they could literally go on without signing anyone cause they got fans and were selling CDs and merch themselves, but Nuclear Blast got interested in them and they got signed. For a modern day band, they’re doing pretty well which is impressive especially considering everything they achieved, they did it themselves. I think 15 years ago they would be bigger, blame rock’s role in mainstream, or lack thereof. If it was 2003, they would be MTV’s favourites probably. They take care about even small things and i’d say a part of the success is how they’re all in contact with fans instead of playing big rock stars. They toured with Lacuna Coil, Children of Bodom, etc.

Also CONCEPT ALBUMS! They do concept albums. First album “Tied Down” was more emotion driven with ups and downs of a sort, calm and aggressive points, the newest one is much heavier and electronic. “Tied Down” is about depressed person going through some shit and then idk letting go of toxic stuff, “Breathe In Colors” album is much cooler to me, cause it’s darker and heavier and has that electronic cathastrophic decay feeling, i’d say it’s their “Blade Runner” record (i’d say the cover and “Breathe In Colors” video are direct references), especially since they said they were inspired by “Blade Runner” and “Akira”. It’s been released in 2019 and it’s cool, cause i really missed that sort of element in music, the “social fear of the future”/”digital era emptiness” kind of cyberpunk stuff that was in before turn of the century.

I’d say to listen/watch Miss Madness , Scars , Break The Glass Rewind Breathe In Colors

Bandcamp: https://foreverstill.bandcamp.com/

Destructive Daisy - that’s an all-girl grunge band from my country, Poland. Unfortunaly they no longer exist i think, they stopped posting/playing apparently... They were a big hype awhile back, cause they were the only grunge girl band in Poland (at least that we knew of), they’ve got some attention after they released EP and they even supported Mudhoney at their Poland show in 2013 or so. Then they recorded Ophelia’s Dreams album in 2016 and vanished. That’s a shame, cause althought i wasn’t so crazy about them at the time, they’ve got some nice songs and they had those L7 / 7 Year Bitch kinda grunge girl vibes and people looked up to them expecting some next move, but i guess everyone expected too much from them and they played for fun without big plans, idk.

I’d recommend Destructive Daisy EP. Haven’t listen to their stuff in a few years tbh.

Bandcamp: https://destructivedaisy.bandcamp.com/

Hmm, i only listened to select songs from Le Butcherettes and never cared enough to follow their new records, I like this video:

youtube

But I like that weird crossover the chick (Teri Gender Bender? I think that was her name) did with... Melvins. I’m a simple man, I see Melvins, i click. The band’s Crystal Fairy and it’s been a bit of surprise to me. I don’t know if they tour/plan anything more, i suppose it’s a one-off project from 2017. But the album is dope. It’s very Melvins though, don’t know how much of guitar work is done by Teri, to me it’s 100% Melvins and she probably wrote lyrics and melodies, but i don’t know. “Crystal Fairy”, “Sweet Self” however sounds to me like Teri composition. Hard to tell, cause to me both bands have some “twisted blues” quality, it’s just Melvins are heavier. It’s basically Melvins led by a female. If anyone ever wondered how it’s like to have female-fronted Melvins, this is it.

https://crystalfairy.bandcamp.com/

I like Evanescence and Linkin Park, but that’s not exactly “modern” anymore, haha. When you know for example “In The End” song is 20 years old... crazy. Most surprising band i listen to is maybe Sum 41. All the older bands and punks hated them a lot before and call it pop punk, and yes, they had a few irritating happy boys songs, but they’ve got some darker “punk-metal” albums. They had the best guitar skills of those pop punk bands from 00′s, added a good deal of metal (”Chuck”) and piano (”Screaming Bloody Murder”) at some point, but they’re totally fine if someone likes that fast melodic punk like Green Day or NOFX.

Maybe also White Lung, i don’t know all of their albums and listen to it more casually, but it’s female fronted and they’ve got that various layered guitars sound.

Ok that’s it, if i were to tell you in person, i’d probably say 3 words, but in writing i always end up writing long essays :p

If anyone else following this blog has any recommendations of new bands, of course you can send me in ask!

#t #asks

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straydays7-blog · 7 years

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My Day6inNYC Experience!

EDIT: I typed this up in word and pasted it into Tumblr. Tumblr kinda make some things look a little weird so excuse that please.

This is super late coming but as soon as I left NYC I had to cram for a ton of exams and now that most of those are over I can take the time to talk about my experience seeing Day6 perform live and even hi-touching them;;;; This post might be a little bit all over the place, but I cant help but to feel SO MANY FEELINGS when I think about this okay. Its still so surreal I cant believe it actually happened it felt like a really good dream okay. Also, I wish my English were better to express myself here I have so many emotions I wish to express but honestly, I dont know how Id even describe these feelings in any other languages I know SO ILL TRY MY BEST WITH ENGLISH. Also, fair warning, thisll probably be really long so prepare yourself.

Okay, first things first. I arrived like 30 mins early to pick up my P2 wristband and apparently had I been a little earlier I could have seen day6 enter the Town Hall! Somehow, even though I was not the first that arrived at the venue to pick up my wristband, I did end up being first in the P2 line. And lord behold. Someone opened the backstage door. Then and there, I caught a glimpse of Sungjin, playing his guitar singing his part in the You Were Beautiful chorus. EVERYONE AROUND ME STARTED SCREAMING LOL. I was in such shock. Sungjin is so beautiful (in present tense) and has one of the best voices Ive ever heard okay. I dont think I really realized until then I was going to see Day6, like the band that inspires me to work hard every day and makes me so happy. Even though I had bought the ticket and everything that brought me to NYC, it felt surreal and then I knew it was R E A L. Theyre real and I was about to watch them perform live and even meet them afterwards like what the heck? After getting my wristband, I picked up a fanproject banner that would later be used to move day6 to tears:) These boys are so wholesome.

I went back to my hotel for a while after that because it was rainy and windy so walking around didnt sound so nice. Around 5:30 I left to get a bite to eat and then head back to the venue. Ended up getting a burger at Five Guys (and okay totally off topic from seeing Day6, but the Five Guys burger I had in NYC was so much better than any Ive had here in VA? Or maybe excitement makes stuff taste better.) I arrived at the venue at like 6:00 and the line was already pretty long! There were some My Days handing out photocards and I bought a Sungjin badge from one girl. (This experience is gonna make me sound so Sungjin biased but omg my bias is definitely Young K)

Once I was in the Town Hall I decided to buy a lightstick to cheer for the band! Id already ordered some of the other merch from the Subkulture Shop, because I was literally only traveling with one backpack and didnt want to buy more than I could fit in to take back home.

I had no idea on which side my seat would be, I only knew I would be 12 rows away from the stage. So, when I found my seat I was beyond happy to see I was on Young K and Wonpils side of the stage omg. With a really clear view of the both of them also! All the MyDays there were so sweet man, I had a great time talking with some while waiting for the concert to begin. Though I do honestly really wish that @mikulinneamew or @reading-river would have been there with me. Day6s instruments were already set on the stage and oh my goodness I fell in love with Sungjins Gibson Les Paul. Its white body with the black pickguard and golden hardware is SO BEAUTIFUL. Makes me want to go out and buy a Les Paul just like it, but going to this concert I used money I was originally saving for a new Fender P-Bass (That aint happening for a while now lol) but I am so not complaining. Sungjins Martin acoustic is also really beautiful, but I still prefer Taylors. Young Ks bass is also super pretty. Really, I was drooling over these instruments while waiting for the concert to begin.

Its two minutes before the concert was set to begin and everyone is already chanting â€œDAY6! DAY6! DAY6! DAY6!â€. Shortly after the lights went dark and the screen behind the stage started to play a video introducing the members (And can I say I love how so many of their songs were mashed up perfectly in that video like wow Id love the audio of just that)! One by one then the members came on stage. First Dowoon, then Wonpil, followed by Young K, Jae and last but not least, leader Sungjin! While the video was finishing playing I could see Young K getting his bass tuned and ready to perform. I started tearing up here already because they were right in front of me? Unreal, but yet so real.

And then, the first song was: I WAIT! One of my favorite songs already ;; (what am I saying, all of their songs are my favorites) Such a high energy song for the first one. It was perfect to get the crowd hyped and pumped for what was to come! Then there was me crying of happiness and singing along though omg. DAY6 IS SO COOL PERFORMING. Sungjin and Jae rocking out on their guitars, Young K thumping on the Bass, Wonpil playing the Synth and Dowoon rocking the drums! I loved how connected the audience was with the band too like out of all the live performances from bands Ive seen, this one was definitely the one with the most chemistry with the audience and music! All of the â€œI WAIT!â€ chants were so nice to hear with the music aaaa. THE SONG ENDED SO FAST. All songs went by so quick really, but hey that just means youre having a great time.

The second song was: HUNT! I was NOT prepared for this song so early on in the show already. If I had to summarize this performance in two words: Younghyuns rap (I love it so much). I really love the guitar riffs in this song so I payed a lot of attention to Jae and Sungjin at first but man, as soon as it was rapping time my eyes were focused on Young K. His rapping timbre is soooOOO darn good. And hes such a good performer too when he does it. HE FEELS EVERY WORD HE SAYS. Hunt is such a good song. I loved it. So much.

After the first two songs, lights went back on for a moment and Jae hyped up the audience! Young K shook his head the first time everyone made noise at Jaes request, but the second time Jae asked us to make some noise BOY THAT WAS GOOD VOLUME MYDAYS HAVE GREAT LUNGS.

That was followed by: IM SERIOUS! This song is so fluffy and catchy Im pretty sure everyone was singing along in the â€œI cant stop loving youâ€ part. I mean, how could anyone stop loving day6 theyre so wholesome and talented and KIND AND SWEET. Wow. Its SO FUN to watch Sungjin play his acoustic guitar he was smiling the whole time. Everyone was smiling during that performance EVEN DOWOON HE WAS SO CUTE. Its such a sweet song how can you not smile playing it or listening to it. During the acapella part Young K was shooting finger hearts and did an AMAZING adlib. I was m e l t i n g. Turning me into a puddle.

The next song was: MAN IN A MOVIE! I REALLY LOVE THIS SONG A LOT. Another really soft and fluffy song, but soOOO musically interesting. Day6 is one of the few groups that not only produces earcandy, but earcandy that is also thinking candy for people who enjoy music theory (a n d I d o) This is the only day6 song Ive actually written out a fingerstyle ukulele arrangement for (totally weird instrument choice, but Im working on rewriting it for guitar LOL). Im EXTREMELY fond of everyones vocals on this song. Especially Sungjins and Young Ks :)

After this song it was game and Q&A time! I cant remember if the preference game or Q&A was first so Im just going to talk about the preference game first.

Firstly though, all the members introduced themselves. They all looked so happy that it made me even happier LOL. For the preference game, all of the audience had to stand up and participate in a game with day6! It was so fun! First up the audience had to guess which one Jae like more, by either raising their left or right arm: The statue of liberty or Brooklyn bridge. The right answer was Brooklyn bridge and the majority of the audience (including me) had guessed it right! The MyDays who guessed wrong, had to take their seat again. Second was Bob (Sungjin). I guessed his wrong already! >3< The question was if he preferred playing Overwatch or Fifa. The correct answer was Fifa. Sadly, most people had guessed this one wrong. Next was Dowoon. We had to guess if he prefers skirts or jeans on girls LOL. His answer was jeans but it got too loud that I couldnt quite hear his reasoning. Then was Young K. Does he prefer sneakers or high heels? His answer was sneakers, because high heels are very uncomfortable (he said hes even tried them on before what a cutie). Wonpil had the most far fetched question in my opinion it was kinda funny! The audience had to guess if he likes Ariel or Snow White more. His answer was Snow White because he feels more sorry for her. Lastly was a question that would decide the faith of a lot of Jae stans hair LOL. Does he like long hair or short hair better on girls? His answer was short hair, because it makes them seem more confident. After all of those guesses only four lucky MyDays out of about 1500 were left standing! They got invited onto the stage and got a bag full of (signed!) tour merch gifted to them by Day6! It was so sweet and kind that the winners even received such a gift from Day6 themselves!

MOVING ON TO THE Q&A! Before they picked their questions to answer, Sungjin said â€œThis! Is! Paradise!â€ and Dowoon sang the â€œOh you are My Daaayâ€ part of their song MY DAY to the NYC MyDays. Wonpil went first to pick his question. While each member would choose their question, the audience would sing the jeopardy theme song. It was hilarious. He chose the question: â€œWhere did your interest in music come from?â€ Right when he was about to answer the question someone in the audience screamed â€œI LOVE YOU YOUNG Kâ€ but Young K shut her down so fast saying â€œIts Wonpil time!â€ Wonpil was flustered for a sec but then resumed to answer his question and said that he listened to a lot of hip hop when he was young and that got him interested. Next up was Young K! He chose the question: â€œWhat was the funniest moment in your life?â€. He began to say that since Chuseok hes been eating more. And his most funny moment was before he came onto the stage. Apparently his pants didnt fit him anymore and he had to expand them a bit! The way he told this story was utterly hilarious and cute I can highly recommend finding a fancam of this moment omg. After him was Dowoon. His question was: â€œIf you could have a superpower what would it be?â€ He said he wishes he could talk to animals. When he was in college he had a pet cat which he neglected and now he feels bad for that. He said if he could only communicate with one kind of animal though it would be bear LOL. Sungjin started imitating a bear after that and it was so hilarious omg he puffed himself up and was clawing at him. Next was Sungjin! He was lowkey dancing along to the jeopardy theme omg. His question was: â€œWhat is the hardest thing you have ever done?â€. He said working towards Day6s debut was the hardest time in his life ;; He shouted out collapsedone who helped them a lot towards their debut and he was actually at the concert right there ;; Jae was the last one to get a question. He chose: â€œWhat inspired you to pursue music?â€. He said he was getting into a bunch of Youtube musicians and thought he should try it out too. He met Wong Fu Productions Phil who also further inspired him to pursue music. And so Yellowpostitman was born. That concluded the Q&A! Day6 left the stage for a quick moment while the NYC Vlog-like video they made for the tour started playing. This time it was Wonpils cut! It showed the boys having fun at times square (someone in the audience screamed I SEE MYSELF and everyone laughed it was so funny) and Wonpil loosing his phone while dancing on the street LOL. I really love this vlog concept they had to play during intermission its so sweet of them.

Once the vlog was over they came back on stage and started to perform You Were Beautiful. THIS SONG IS SO BEAUTIFUL. Its one of the first songs of theirs I heard that got me into them ;; I was tearing up during this whole performance its such a heartfelt song and you could truly feel the emotions of the song being conveyed in their performance. They all sing it so softly yet powerfully. I really love Young Ks vocal parts in this song and his voice was so stable too (everyones was really) aaa ;;

The next song they performed was their debut song CONGRATULATIONS! Everyone in the audience had received a red sticker to cover their phone flashlight with during this song to create a red ocean. I wasnt in a good seat so see if it was a success or not but the lighting definitely seemed more red :) Everyone was singing along to EVERY BIT of this song it was fantastic. I love this song so much aaa. Young Ks rap makes me feel so many FEELINGS. This song was over way too quick I wish itd last forever.

After Congratulations Jae was saying that the last two songs are coming now and everyone was getting a LIL SAD that the night was coming to an end soon. (Jae didnt count the encore though ;D) Jae also took a moment to tell everyone that they should follow their dreams and not let anyone tell them that they cant make it. Even when it seems impossible to make it to your dreams he believes that we can make the jump and achieve them ;; Hearing those words from him made me a sobbing mess. For a few reasons I think. Even just seeing them perform live was a dream come true. Being in NYC (if even just for two days) was a dream come true. Its a city Id been dreaming of seeing someday since I was a little kid. Probably because music as a career has almost always been my dream. And NYC is one of the worlds music capitals. I used to want to become a concert pianist. Then I wanted to become a music teacher. Right now Im leaning more towards songwriting, production and playing guitar LOL. But as someone whos in the position where I need to decide what I want to do with my future relatively soon, Jaes words helped me so much.

Their next song was LETTING GO! And oh my goodness. I was not prepared for those buttery sweet harmonies in the beginning. I was thinking so much about what Jae had said before during this performance so Im a little blank on what special happened during this performance but I totally remember it being mesmerizing;;

Their last song before encore was I SMILE! The fanchants on this one were so strong! Everyone held their banner up which read â€œMy Day6 which I thought I only met in my dreams is right in front of meâ€. I could see Young K tear up when he read it. It was so sweet :) I do wish that Wonpils synth had been a tiny bit louder because he has that cool solo part in it, but I could hardly hear it. But the whole performance was so overwhelmingly beautiful that I was crying.

After performing I SMILE they left the stage and everyone started chanting â€œDAY6! DAY6!â€ again. Shortly after they came back on stage and THEY PERFORMED DANCE DANCE. This song is so upbeat and happy and makes you forget all the stress so much I love it to bits. I absolutely love Jaes guitar part in this song too so I tried to focus on him until Brians rap distracted me AGAIN (rapper K is my weakness okay). The entire performance was so high energy it was perfect buildup to the next song they performed which was also their last performance for the night. FREEí•˜ê²Œ! This is my go-to song for escaping from the stress of life and simply basking in how powerful music truly is. So, hearing it live, as the encore really touched me (and I cried more). I felt so many emotions go through me during this performance. It felt like a reminder of why I love music so much, which sometimes is well needed. Its so energetic and uplifting. My highlight of this performance: â€¦Young Ks rap (wow surprise surprise). Also Sungjins high note! And Jae jumping into the crowd and hyping us up even more! (If Jae tells you to jump, you have to jump.) This performance was a perfect end for the concert. I really didnt want it to end though.

After this performance Day6 bowed and thanked the audience. I dont know where to begin describing how I felt after that. I still had the high touch left but the main event was over. I felt (still feel and always will) so extremely blessed to have been able to experience that. Theyre such a wholesome, hardworking and admirable band. I felt such extreme happiness.

The night was nearly over, but the hi-touch was still left for those who had purchased a P2 ticket! Id never done a hi-touch before, so I didnt know what to expect. I only knew itd go by super quick. What I did NOT expect however, is to walk around a corner and BAM there standing is Young K, Mr. Brian Kang, THE KANG YOUNGHYUN, BASSIST RAPPER GODLY VOCALS FULL TIME COLLEGE STUDENT BUT ALSO FULL TIME BANDMEMBER HE WORKS SO HARD OK. It is a lot to take in when you see your ultimate bias being the first in line for the hi-touch. My first thought was how pretty his NOSE is. Like dang, boys got the finest nose Ive ever seen. My second thought was how intimidating he seemed though omg. But as soon as it was my turn for a brief second with him it seemed like he was glowing and flowers were blooming around him? Hes got the sweetest smile and eyes. Instead of high fiving him I held onto his hand for a second and all I could say was â€œI love you so muchâ€ I WAS IN SUCH AWE. He gave my hand a bit of a squeeze and said he loves me back. SUCH A NICE MAN IM CRYING.Â Then it was already time to move on though and next was Dowoon! My mind was completely blank from Young K being first (I was hoping hed be last for this reason LOL) I also grabbed onto Dowoons hand for a moment and I mustve not said anything at first, because he was like â€œThank you!â€ first (his Korean accent is adorable) so I said thank you back to him and he then gave a teeny bow like how polite omg. Thats all I had with Dowoon though (Wish I could have said more I wanted to tell him how cool he is!) But next was Jae. First impression: Hes so TALL. Second impression: Hes so NICE. I think Jae made it a thing to keep eye contact with his fans for as much as he could. I told him â€œThank you so much Jaeâ€ because man especially his speech about following dreams hit me hard as I had mentioned before. Hes honestly the member I was most thankful for that night (Im thankful for them all though please dont misunderstand!) I would have hugged him if I could. His face is so pretty up close too, how can someone manage to look handsome but like a personification of Chicken Little at the same time? Jae can. Next was Wonpil! And I must say I was taken a back a little like â€œWho is this man?â€ HE LOOKS SO DIFFERENT IN REAL LIFE. In a good way of course! I held onto his hand for a moment and said â€œThanks Wonpilâ€ he nodded and had such a smug look on his face like omg. SUNGJIN WAS NEXT AND BOY THIS WAS MY FAVORITE ENCOUNTER. He was already like pulling his arm back to give a really hard high five so I was BRACING myself, because it looked like it might be painful omg. Hes the only member I actually high fived whoops. BUT his high five was so happy and so energetic! Yet it was aggressively soft? It was definitely a hard high five but it didnt hurt at all LOL. He was like â€œAh yeah!â€ after that and I thanked him for the great show. Then the hi-touch was over for me. Even though I wish I could have had a little more time with them, I was so thankful to have had the experience in the first place.

IN CONCLUSION: This was the best night of my life so far. This definitely is not going to be the last time I see them live. If they come back to NA while Im still here you can count on me doing my best to get that P1 or P2 ticket. They better come to Europe someday too! For their next tour if it works out I might even try to go to more than one of their concerts. I was trying to go to the Toronto concert for this tour too, but my exam schedule wouldnt allow that. But I am so blessed that NYC happened. I will also definitely plan any trip to Asia around their concert schedule!

Tl;dr: I love day6 so much. See them live someday plz. Tell Brian I love him plz.

#day6innyc #day6 #day6inna2017 #zan rambles

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