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Masters Part Dissertation Writing Services | MBA Part Thesis Writing Help UK

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[kamaluhkhan]

I CAN STILL CHANGE THE END (spider-woman!vi x spider-woman!reader)

LET'S DO THINGS DIFFERENTLY THIS TIME....her name is violet lanes. she was bitten by a radioactive spider and for the past 10 years, she's been the one and only ghost-spider spider-woman ! she joined a band, saved the city, fell in love, saved the city again, graduated college, argued with her sister (teenagers are the worst), moved in with her girlfriend in hopes of saving their relationship, got into grad school, broke her leg (do not text and swing, regardless of how late you are for an anniversary dinner), saved the city some more, maybe too much, but couldn't save the love of her life.

no matter how many hits she takes, no matter how much guilt she carries, vi always, always, gets back up, even if it's hard to keep fighting when she's lost so much.

and.....she's not the only one.

(spoiler alert: you're the one and only spider-woman until an alternate version of your dead ex-girlfriend crashes a double date and introduces you to the chaos of the multiverse.... and maybe reintroduces the possibility of a happy ending, however doomed it may be.)

i. mercury in retrograde — violet lanes adjusts to a different reality; a new team of supervillains wreaks havoc around new york; and you just really need a nap, honestly, but you have a thesis to write, a city to protect, and a ghost-spider to deal with.

ii. agent of chaos, angel of death — you and vi start to appreciate not having to shoulder the responsibility of spider-woman alone. hoping to find her a way back home, the two of you visit oscorp and make some sinister discoveries; mj agrees to let vi fill in as the band’s drummer, but your show is cut short by unwanted guests; and you’re once again faced with the reality that you can’t save everyone.

iii. in the web that is our own, we begin again — in every other universe, violet lanes falls for spider-woman. it never ends well. but, there’s a first time for everything, right? you and vi indulge in fantasies of what your lives would have been if you met under different circumstances; the two of you save the multiverse before harry osborn can make his daddy issues everyone’s problem; and an inevitable goodbye isn’t as final as it may seem.

[hauntingofhouses]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

[laubhaufen97]

One Piece brainrot is real. Always has been but recently it's been at an all time high. I got so annoyed with (mostly) mild spoilers for 1138 that I checked out other pages for scans and I got lucky. I just need to get my thoughts out without spoilering my sister so here are my ramblings, somewhat sorted:

Luffy's adoration of Shanks/the ongoing mentioning of it still worries me. He said Shanks wouldn't do something so senseless in response to the attacked giants and I really hope that the senseless is the key aspect here and not a romaticised image Luffy has that Shanks wouldn't absolutely demolish someone. He did see the Red hairs do that as a child so I have a bit of hope. The giants that got attacked don't seem to known Shanks very well, Luffy calls him by his name but they keep referring to him as the Red Hair, same as Zorro. Nice touch of Luffy remembering Namis story considering though he took a walk when Nojiko told it...even if he got Belle Meres name wrong. She either told him or the others did. But this has happened a few times in recent chapters. Luffy remembering Robins story (I'm fairly certain Robin didn't shout her past over the abyss in Enis Lobby so she must have told them afterwards)

Also: Shanks went to the Holy Land? Doflamingo and Corazon weren't allowed back even though their parents took them to the surface but apparently going missing as a baby and growing up a pirate doesn't count as abandoning divine status? I really need more insight to his time there and how he got there and back and found out about his heritage in the first place. It was probably after Rogers execution right?

Shamrock defends his place in my head as the biggest snob ever seen. 'Not even getting his hands dirty' to finish of Loki is a cheap move in his part. As well as going after the children. But considering he used the Buddhist version of hell for the surface it shouldn't be too surprising. That's one way to keep his true power a mystery. Gunko seemed to try to talk him out of it too? Shamrock calling the surface an underworld reminded me a bit of Elbafs sections. The lowest part is an underworld as well, the upper part is seen as divine. Elbafs sections are reminiscent of Norse mythology so I didn't think much of it but it kind of resembles the world governments order. The Holy Land, the place of the gods is all the way up, even the sky islands fit into this with Skypias ruler being called god. Below is the common realm. Would that be the surface? It wouldn't fit Shamrocks definition but eh he seems hateful. The underworld would lay below it then. So the bottom of the sea? First place that came to mind was Impel Down with it's own levels, it was literally called hell but another place at the bottom of the ocean right below the Holy Land is Fishman Island with it's inhabitants being seen as less than human. Just a spontaneous thought, nothing polished here. Also Loki kind of went againts his own words when he got stabbed. He told his wolf friend that a warrior doesn't kick and scream in the face of death yet that' what he did. Granted, everyone was gone so maybe he didn't care but even in 1137 he made excuses for why he was getting beaten up (which again fair, he couldn't move mor than his head). Did he yell after the Holy Knights because he couldn't avenge his animal companions?

Robin reading the Harley text got my attention as well. Two chapters earlier it was said they were written in an archaic language which led to the numerous interpretations. Is Robin reading a translation or the original? If she can translate the original on the fly like that she might end the confusion about Nikas true nature(s). Franky thinkin of Robin the moment he learned about the scribbles was adorable. The Giants not having record of fighting alongside other races was a bit weird to me as the drawings clearly seem to imply that exact thing. Giants get old, such a thing shouldn't be forgotten as easily in three generations.

The mural. Oh my the mural. I'm not one for theories, more like hunches but this chapter got me good. In the first world the sun god appeared due to the slaves wishes so that would explain the role of the liberator. The god of the earth as and the serpent confused me, I'm open to suggestions. It kind of makes me think of Skypia again, or rather Jaya as it was before half of it was yeeted skywards. They called upon the gods mentioned in the Harley and wanted to sacrifice Mousse to the snake god (roughly translating from my german version, I hope the names match). It might have been inspired by this? Eloping the world in Darkness sounds mighty familiar too. I can't recall if it was explicitly said in he manga or outside of it but Blackbeard has been said to go for an age of darkness.

The mural itself though. I guess it can be divides in three parts? With the tree being the middle part? There's so much to spot I don't even know if some of the details are meant to be important.

The bottom right seems very factory-ish, there's even emissions, very technical and very dark shaded. The right creature could be the serpent of hell? Right above it should be the moon, it seems to have craters. And towards the moon flies a ship that looks like the Arche Maxim that Enel build, it even has lightning coming from it. I'm really curious what the figures are transporting though, next to the moon it looks like a star and it's the same shape throughout the mural so I'm just going for star shaped things. Left to it: the Noah from Fishman island. Complete with an angel and two of each kind in line like in the Bible and it seems to go upwards. 'Humanity succumbed to desire and touched the forbidden sun' does sound very forbidden fruit like. And right on top of the Noah is a crowned shape that is shaded darker than all the other figures. The contrast seems to be a bit too deliberate to be coincidence, it's the same shade as the monsters and the factory, nothing else on the right side has that shade.

I'm guessing the god of the forest is the dragon on top of the tree, it would fit the forest theme. It does breath fire towards the serpent, the serpent breathes back thouhg so does the serpent represent emptiness? The tree itself is probably the tree on Elbaf. Again: Norse mythology influences. The text makes a distinction bestween the half moon people and the moon people. Curious for that to clear up. And the demons? I can already hear the theories about the D meaning demon, it's not a new thought within the fandom. If the tree IS the tree on Elbaf it might have to do with the island directly though. I have seen theories about Kaido having a giant lineage due to his horns, a lot of people went the oni route before that though. 'The god of the sea became enraged' why is my first connotation the seas hatred for devil fruit users? Could also be the rising sea, it HAS swallowed entire countries in the past. 'Humanity killed the sun and ascended to divinity' sounds mad as hell. Celestial dragons? The see themselves as gods and have been trying to prevent Nikas awakening.

The third world seems to be either the present or the future. So either in the void century or the current present. If it is the void century the second world could only showcase the formation of the world nobles as a parallel society to the ancient kingdom. If it is the current times the children would have been able to see into the future which would be wild. It has happened and there seems to be a plan. 'They hear the voice of the fragmented moon' makes me think of the voice of all things. Nika guiding the world to it's end does fit the description of him a a destroyer, him doing it laughing and dancing fits the laughter role. I guess Robin can't clear this up that easily after all. It also fits Luffy. Laughing and dancing as the world slowly sinks into the ocean towards it's end, a stark contrast to the beginning of the first world in fire which fits the entire mural being framed by it. 'The sun will return and a new dawn will come' again could be Luffy as the new sun or maybe the next user of the fruit? It is one of only two parts that clearly references the future. The other being 'they will surely meet again' a direct opposition from the ending of the first two worlds where it's 'they could never meet again'. The mural is so stockful of references. Top to bottom from the tree to the demon we have a mink(?), Emmet, what looks like a sandship like in Alabaster that carries the same symbol on it's sails as Nikas shield, one lonely star shape from the left half right under it, a ship full of samurai, two more ships that I can't categorise, a giant whale with people on it (Laboon? The stripes make it look a bit like the Moby Dick) with rain from above, the only instance of rain in the entire mural, a big big giant that is shaded slightly darker than the rest, a Tontatta, a fish (what? it looks so lost it's quite big though so maybe a sea king. It was painted by children after all), a very dark ship it's the same shade as the gods/demon, a winged person (at first I thought sky island but those wings are big so maybe Lunarian...I'm dumb they're probably part of the moon people right? Took me until right now to make the connection. Maybe the distinction between the moon people is the Lunarians and the civilization that was on the moon?), a very big Nika with a sword shield and very long arm that is shaded the same colour as the gods/demon, a very big mermaid, a regular ship another mink and another giant. We have met quite a few characters that would fill those roles perfectly and they are friendly and allied with the straw hats.

The demon is weird as hell, he has horns as well as wings, he is bigger than the giants, he holds the literal sun and his outstreched arm is surroundes by the star shapes from the left half of the mural. The ship below the demon seems to beoing towards the rest of the group so is it fighting them? The people have been shaded gray until now, the ones one the ship wear white. Only their faces are the same grey. I don't see Zunesha though, I wonder why our elephant isn't in the mural.

There are a few repeating themes between the worlds. In the first world there is fire and a forbidden sun, in the second world the dragon berathes fire towards the serpent, the god of the sun spreads embers of war and the sun gets killed, the third world prophesises the return of the sun. Another common theme is the emptiness. The first world gets swallowed by darkness (not exactly empty but rather close if you consider the darkness fruit), the second breathed out of emptiness and the third starts void (peculiar choice of words here).

Thinking that maybe the sun in the demons hand might have to do with the motherflame. Maybe the starshapes are used to power/create it?

I feel like I had a million other thoughts but this thing is like three pages long already so I'll just add them if they come back.

[danothan]

Just reading some comics and saw a panel I thought you might like. :)

ah fuck, characters reminiscing always get to me ;__;

but i will never ever get over that fond way these two talk to and abt each other. especially when they’re poking fun, you can just hear the love in their voice it’s SICK.

the halbarry love language is annoying each other, but even more than that, it’s being each other’s exceptions

[foreststarflaime]

Something something Sephiroth is like Hector of Troy, a man whose identity is tied to being a hero, whose duty it is to go out and protect his city every day, who has the weight of the hopes and dreams of all secured inescapably to his shoulders, who is doomed to be dragged down by this burden until he does not have the strength to rise again, who will be destroyed by the necessity of this his own identity. Forced into the role of the villain, yet still so painfully human—Hector takes off his helmet to hold his child and greet his wife, Sephiroth gets a few moments’ peace in the training room with the only two people who call him friend. Both end in fire and the destruction of a city.

[qoldenskies]

Oh my fucking god the Raph and Don parallels are so much fucking worse. They sound like each other when they think and speak. Insisting “I love you” against a locked door. The last part of Raph’s chapter feels like the scene where Donnie reminisces on the time after Shredder. His monologue at the beginning literally sounds like Donnie begging for forgiveness from his brother in CL. “I wanna be worth it” you’re both SICK in the head.

HHHHHHhhhHHHHHHHHHHHHHHH

leo and donnie may be twinning hard right now but raph and donnie are doing some fuckinnnn!!! PARALLELS!!!!!! CL being so long and having so much to take from for things like this really helps pound in the way that the roles have been reversed after the curse breaks; how they cant do much but work, how they can only love from afar, how they can give and give and give but it wont get through to the person they want to love them the most, how desperate they are for normalcy and simplicity and the donnie they used to have .......

what a terrible way to finally be able to empathize with your emotionally unavailable brother.

that scene where they talk about the stuff they miss is also kind of intended to be a parallel to the family meeting,,,, but donnie's missing from it. they're not saying this to him. because he opened himself up and took their punishment but he wont so easily do the same with their love. haha painful! :D

[yohankang]

yesterday i suddenly got so sick at work i barely made it home 🥴

[on-wine-dark-seas]

So part of the issue I'm running into with The Godslayer Project is that it is a post-canon story, and therefore wholly original. It takes place a year after Daughter of Disgrace, but most of the characters this time are OCs.

Save for the canonical plot thread that inspired this entire story, I'm essentially expanding the world of JJK, including introducing a sinister new villain I'm excited to unveil. I think my two or three readers will love them, actually. I think this is the longest I've spent on an outline for any story I've written, including my first novel [I don't even think I outlined that really god...but I was 17 it's whatever].

I even have a section specifically highlighting the major conflicts in the story and how to puzzle it all out. I've been inspired by a lot of other talented writers in the JJK fandom [see my fic rec tag] with regards to building tension [both sexual and non-sexual]. So in a way this fic is me sort of testing some new writing abilities, trying some new things, etc.

I'm excited.

[faalthien]

Better late than never. (My regularly scheduled program (Jason) will be back tomorrow.)

[scribbled-anecdotes]

It's a day late (I'm sorry!), but day five: Hobby/Gentle

Anyway, I love girl dad!Song Lan. Have I mentioned that before?

[butteronabun]

it’s gonna be a loooooong week again y’all – i’ll be preparing for my finals, and hopefully i’ll get this all finished ( and hopefully, i’ll be able to survive this semester ) so i can finally gush abt diluc without a heavy heart ( because it’s loaded with so much academic guilt and bitterness!! i still have requirements to finish 🥲 AAAA )

have a great week everyone! if y’alls are busy like me, i’m holding your hands rn. we will get through this!!! THIS STORM WILL PASS ANYWAYYY AAAAA ✨✨✨✨✨

[isbergillustration]

Some character doodles from three of the different stories I'm writing as procrastination from actually writing much.

[communistkenobi]

another very silly writing rule I remember from high school english class was the idea that you should not repeat yourself in essays. books and essays that restate their main argument each time they present new evidence has always been very effective for my own learning, especially when the topic is complicated. the “no repeats” rule makes sense when it’s used to discourage students from trying to beef up word count and encourage students to properly synthesise their own arguments, but it was never explained to me in those terms, it was all just these writing axioms you had to follow to produce a “good” piece of writing

[inklessletter]

I read last night the first chapter of Prism by @thorniest-rose and @azrielgreen and I am in absolute need of a tumblr group chat because I need to talk to both of them about it so bad asdfasdf

[thingsseenandheard]

New Cazador meta that I've been cooking for a few days now: Cazador and poetry!

This is once again going to relate to my apparent thesis of Cazador's identity problems but I'm coming at it from a slightly different angle this time. My prior mad ravings have been about Cazador's concept of who he is as a person, this is going to be about anonymity.

I think it's fair to assume that someone with no concrete concept of who they are as a person might struggle to identify and come to terms with their more difficult emotions. And I've talked before about Cazador's response to this sort of thing being to separate it from himself as much as possible - separating his past self from his current self, for example, is a big one. So it follows that to handle difficult emotions (i.e. anything that makes him feel weak or inadequate in some way. Fear, frustration, despair, that sort of thing) he would try to separate them from himself. It's easier to get perspective, and to walk himself through them that way.

I think poetry is how he does that. It offers him anonymity - I mean to say, he is not required to identify himself with the emotions he's writing about. It allows him to express these things in a way that still keeps them at arm's length. It's also helpful because in order to write, Cazador doesn't need to identify himself either. I don't mean as an author by signing the poem, I mean he doesn't need to try to figure out who he is before he can go to the next step of handling difficult emotions.

And it's because of the anonymity of it - he doesn't have to be Lord Szarr in a little poem - I think this is one of the few, and perhaps the only way that he can identify himself to himself in any meaningful way. He can write all of it down, get it out of his system, and then look back at it and it's like looking in a mirror. Obviously, because he wrote it. But I think he's not used to that sensation. He's not used to recognizing himself in general, so when he does, it catches him off guard. I think it forces him to recognize that he doesn't really know who he is.

Basically I think it allows him to both express himself without the requirement of personal identity, and to sort of lay out his personal identity while still keeping it separate from his cultivated persona. The parts of himself he thought long dead and buried rise from their graves long enough for him to write about them, and I think poetry is maybe the one thing that really unites all of the different versions of Cazador that he's split himself in to.