#these beautiful boys in love

[the-words-we-sung]

Cause we're Holy, Holy

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[gayrotic2]

[shadesofgayness]

[mourn-and-watch]

ekko describing jinx from his timeline to powder as someone who's just different but whose ideas change the world. jayce saying to machine herald!viktor that his imperfections are a part of everything that made him so admirable. powder getting mesmerized when she sees different timeline!ekko before he leaves. jayce building his whole life around the idea he got from different timeline!viktor when he saved him. love does transcend reality after all

[autumn-may]

Mostly spoiler free summary of my viewing experience

[gayroticplus]

[lovelena-158]

How many Trans have you been with?

If you haven't, reblog and dm to fuck one tonight 🍆🥰

[gotham-snark]

[emiliaanderson15]

What will you do if i unveil my magic wand to you🥵

Reblog trans lovers

[joselito28-1]

@joselito28-1 sexy blog for boys who like boys.

[gayrotic]

Chase Roback

[adamtwinkx]

hows the view? 😈

[toboldlymuppet]

gripped by fear

my piece for dark waters, an op angst zine

[intricaatee]

Almighty Abby @bluetiingz 👸🏼 German Canadian Swedish 🩵 Size 9.5 (us) Soles 🦶🏻

[roydeezed]

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.