#these are also just two of the worse examples of some of the most meaningless fucking item description I've literally ever read

[tlgtw]

Bits and pieces of the still incredibly written backstory of Elden Ring continue to poke out from the dogwater, as it were.

St. Trina, as we learn, was a specific aspect of Miquella that was made separate: In Miquella's words, St Trina was the embodiment of his 'love.' And when he abandoned St Trina, he abandoned that aspect of himself that made her.

This newly introduced example reveals to us what the nature of Radagon's exactly was, in turn.

Radagon, the 'other half' of Marika in the exact same way that St Trina had been for Miquella, we learn here, had *himself* been a specific singular aspect of Marika's emotions or feelings.

With St Trina having been made out of Miquella's 'love.'

You wonder, too, what Radagon should have been made from.

What aspect of herself did Marika separate into her second person, as called by her the "Loyal Dog of the Golden Order"? We know Radagon was created prior to the creation of the Golden Order itself, since he was involved in the invasion of Liurnia.

So at the same time as Marika was married to Godfrey, begetting Godwyn and Mogh and Morgott. Radagon was married to Renalla, begetting Rykard and Radahn and raising the potential successor of Marika--the Empyrean Ranni. He was given a massive amount of responsibility, the seeming crux of the Liurnian-Leyndell alliance that ended the Liurnian Wars that Marika's empire was losing, and he by every account was completely dedicated and successful; even weakening the strength of the Carian royal family by reducing their practicing of astrology.

All yet, when push came to shove: After Godwyn was assassinated and Marika sought to destroy the Elden Ring. It was Radagon who dropped everything he had and stepped in to stop her.

"Proudly" as his Golden Order Greatsword says,

Radagon divorced his first wife, married his 'original self,' begettedthe Twin Prodigies Miquella and Malenia as two more potential successors to Queen Marika, set up the brutal inquisition and censorship of the Age of Radagon headed by his own son Rykard, and was even involved with the very the development of Golden Order fundamentalism!

Radagon did so much fucking stuff! He was so damn proactive! So what exactly must he have been!?

That Marika initially separated from herself? And who went on to try and stop her very own plans when they turned against the wishes of the Greater Will??

This conflicting 'half' of her original person! That nonetheless was all this strongly willed on his own!?

What part of Marika COULD Radagon have originally been!?!?!?

And it's awesome. It's really really well-designed writing.

Frankly, even, it's genius. It's not anything revolutionary in terms of narrative devices or anything like that, but it's really elegant. It's really meaningful and concise, and it's really cool!!!

A lot of Elden Ring's base game is, or now maybe--was. (It having been the basis of my entire show on YouTube.)

But the actual story, instead of solely the backstory, of the DLC, unfortunately, is not!

You ever seen a boss item whose entire description was literally entirely the game just fucking QUOTING ITSELF?

Hyetta at Frenzied Flame Proscription: "Become their lord. Take their torment, despair. Their affliction. Every sin, every curse. And melt it all away. As the Lord of Chaos."

Ghost outside Church of Inhibition in Liurnia: "Ahh, Lord Vyke, it seems that you were no lord, after all."

Midras's Flame of Frenzy, from killing Midras, Lord of Frenzied Flame:

Or! Better yet, ANOTHER boss spell, whose entire description is dedicated to literally just acknowledging its fucking colour!!

Land of Shadows, from killing the Scadutree Avatar:

I definitely sure wish I still hadn't!!

In fact, I don't think the level of vacuousness from Shadow of the Erdtree's descriptions has ever been seen before!

Not even in Dark Souls 3!!

AUGH

[mostlysignssomeportents]

Wellness surveillance makes workers unwell

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TORONTO on Mar 22, then with LAURA POITRAS in NYC on Mar 24, then Anaheim, and more!

"National conversation" sounds like one of those meaningless buzzphrases – until you live through one. The first one I really participated in actively was the national conversation – the global conversation – about privacy following the Snowden revelations.

This all went down when my daughter was five, and as my wife and I talked about the news, our kid naturally grew curious about it. I had to literally "explain like I'm five" global mass surveillance:

https://locusmag.com/2014/05/cory-doctorow-how-to-talk-to-your-children-about-mass-surveillance/

But parenting is a two-way street, so even as I was explaining surveillance to my kid, my own experiences raising a child changed how I thought about surveillance. Obviously I knew about many of the harms that surveillance brings, but parenting helped me viscerally appreciate one of the least-discussed, most important aspects of being watched: how it compromises being your authentic self:

https://www.theguardian.com/technology/blog/2014/may/09/cybersecurity-begins-with-integrity-not-surveillance

As I wrote then:

There are times when she is working right at the limits of her abilities – drawing or dancing or writing or singing or building – and she catches me watching her and gets this look of mingled embarrassment and exasperation, and then she changes back to some task where she has more mastery. No one – not even a small child – likes to look foolish in front of other people.

Learning, growth, and fulfillment all require a zone of privacy, a time and place where we are not observed. Far from making us accountable, continuous, fine-grained surveillance by authority figures just scares us into living a cramped, inauthentic version of ourselves, where growth is all but impossible. Others have observed the role this plays in right-wing culture war bullshit: "an armed society is a polite society" is code for "people who make me feel uncomfortable just by existing should be terrorized into hiding their authentic selves from me." The point of Don't Say Gay laws and anti-trans bills isn't to eliminate gender nonconformity – it's to drive it into hiding.

Given all this, it's no surprise that workers who face workplace surveillance in the name of "wellness" feel unwell as a result:

https://www.ifow.org/publications/what-impact-does-exposure-to-workplace-technologies-have-on-workers-quality-of-life-briefing-paper

As the Future of Work Institute found in its study, some technologies – systems that make it easier to collaborate and communicate with colleagues – increase workers' sense of wellbeing. But wearables and AI tools make workers feel significantly worse:

https://assets-global.website-files.com/64d5f73a7fc5e8a240310c4d/65eef23e188fb988d1f19e58_Tech%20Exposure%20and%20Worker%20Wellbeing%20-%20Full%20WP%20-%20Final.pdf

Workers who reported these negative feelings confirmed that these tools make them feel "monitored." I mean, of course they do. Even where these tools are nominally designed to help you do your job better, they're also explicitly designed to help your boss keep track of you from moment to moment. As Brandon Vigliarolo writes for The Register, these are the same bosses who have been boasting to their investors about their plans to fire their workers and replace them with AI:

https://www.theregister.com/2024/03/14/advanced_workplace_tech_study/

"Bossware" is a key example of the shitty rainbow of "disciplinary technology," tools that exist to take away human agency by making it easier to surveil and control its users:

https://pluralistic.net/2020/07/01/bossware/#bossware

Bossware is one of the stages of the Shitty Technology Adoption Curve: the process by which abusive and immiserating technologies progress up the privilege gradient as their proponents refine and normalize dystopian technologies in order to impose them on wider and wider audiences:

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

The kinds of metrics that bossware gathers might be useful to workers, but only if the workers get to decide when, whether and how to share that data with other people. Microsoft Office helps you catch typos by underlining words its dictionary doesn't recognize; the cloud-based, "AI-powered" Office365 tells your boss that you're the 11th-worst speller in your division and uses "sentiment analysis" to predict whether you are likely to cause trouble:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

Two hundred years ago, Luddites rose up against machines. Contrary to the ahistorical libel you've heard, the Luddites weren't angry or frightened of machines – they were angry at the machines' owners. They understood – correctly – that the purpose of a machine "so easy a child could use it" was to fire skilled adult workers and replace them with kidnapped, indentured Napoleonic War orphans who could be maimed and killed on the job without consequence:

https://pluralistic.net/2023/03/12/gig-work-is-the-opposite-of-steampunk/

A hundred years ago, the "Taylorites" picked up where those mill owners left off: choreographing workers' movements to the finest degree in a pseudoscientific effort to produce a kind of kabuki of boss-pleasing robotic efficiency. The new, AI-based Taylorism goes even further, allowing bosses to automatically blacklist gig workers who refuse to cross picket-lines, monitor "self-employed" call center operators in their own homes, and monitor the eyeballs of Amazon drivers:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

AI-based monitoring technologies dock workers' wages, suspend them, and even fire them, and when workers object, they're stuck arguing with a chatbot that is the apotheosis of Computer Says No:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

There's plenty of research about AI successfully "augmenting" workers, making them more productive and I'm the last person to say that automation can't help you get more done:

https://www.ibm.com/thought-leadership/institute-business-value/en-us/report/augmented-workforce

But without understanding how AI augments class warfare – disciplining workers with a scale, speed and granularity beyond the sadistic fantasies of even the most micromanaging asshole boss – this research is meaningless.

The irony of bosses imposing monitoring to improve "wellness" and stave off "burnout" is that nothing is more exhausting, more immiserating, more infuriating than being continuously watched and judged.

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[shakti-tiger]

The lies that sexual predators tell, and "the wish not to know " which society perpetuates.

This article is specifically about the lies that predators tell, but also, it's about the denial pattern that we can all experience when faced with uncomfortable truths.

The truth is that even predators can demonstrate positive behaviour sometimes. However, it doesn't mean that it excuses somebody's abusive behavior because they also have demonstrated good qualities at some point. In many cases, people can use their good qualities to manipulate. For example, we know that Neil Gaiman (alleged sexual predator), from his own admission on posts on here, can fake being nice or kind to get what he wants.

This article is really good, and I'm taking bits out of it to paste below. It's an interview with two psychologists who have written a book called "Rapes Many Voices" Dr Yvonne Shell and Stephen Morris have both worked with sexual offenders for many years. The article mentions sexual assault but is not explicit.

I'm also going to paste relevant examples from "the Master" Tortoise transcripts, for each lie predators tell. Tw for mention of sexual assault and manipulative behaviour.

1. The layers of denial – and how they work

“It goes in phases,” said Morris. But the first and most blunt form is “out-and-out denial. Even to the point of saying, ‘I was not in the room. I was not there.” It can also appear as a blanket denial related to their character, such as, “I don’t do things like that” or, “I’m a good person and would never harm anyone,” or, “I haven’t got a bad bone in my body”.Crucially, said Morris, “They believe their denial – or appear to believe it."

Paul Galizia :His (NG) position is that her allegations are fantastical and false. (Re- Scarlett)

Neil Gaiman has a clear position on this woman’s story (K): that it is false, and he denies any unlawful behaviour. Neil Gaiman’s position is that the only similarity between her account and Scarlett is that, in both cases, contemporaneous messages contradict their narratives.

Neil Gaiman: I mean I would never have made the first move on anybody. I would be terrified - NG on a recorded telephone call with Claire. ( But it's his memory that appears to be wrong. That he kissed her first is corroborated by contemporaneous chats she had with a friend and one of his own emails. And that he'd never have made the first move on anybody because he'd be terrified to is not supported by even his own account of Scarlett, which says that he invited her to take a bath with him the first time they met. Kay says he propositioned her and her friend for sex the first evening they spent with him. Julia Hobsbawm says he aggressively jumped on her unprompted at her London flat in 1986. Caroline Walner says he came on to her first at a sauna on his Woodstock property in 2017. )

2. Minimisation

The purpose of the minimisation defence is to downplay and reduce what they have done, brushing it off as meaningless, unserious, or unremarkable. Some straightforward examples, added Morris, can be: “It’s a laugh”, “a joke”, “it’s friendly fun,” or “much worse could happen”.

Paulette Bentham-Grieg- NZ lawyer who met Scarlett after she had left Gaiman's house. "She described things like him being naked in the house and, you know, suggesting to her that if she didn’t feel comfortable with it, that was just protection. ""We’re all grown-ups here and, you know, blah, blah, blah.""

His position is, it was no more than a young man misreading a situation, adding that its inclusion alongside criminal allegations raised in previous episodes in this podcast series would mischaracterise it. (Neil Gaiman’s response to Tortoise regarding Julia Hobsbawm's sexual assault allegation)

3. Victim blaming

Although this concept is well known, it can take many forms, said Morris, as the perpetrator shifts blame or responsibility onto their victim. The more obvious kind can include statements like, “They asked me to” or, “She was asking for it”, or “He gave me the come-on”. Or even, “She made me do it.”

"I would never have laid a finger on you if I had known that you were this vulnerable and inexperienced" Gaiman as quoted by Scarlett

Neil Gaiman’s account suggests we should treat Scarlett’s allegations with caution, as they first surfaced when she was hospitalized, he says, for the treatment of a condition that’s associated with false memories. But we know her allegations pre-date her admission to hospital. Scarlett’s medical records also show us that Neil Gaiman’s claim that Scarlett has a serious preexisting medical condition to be false

Claire: And he told me that he regretted us making things sexual, and all of this have been nothing more than, he called it, an apotheosis of miscommunication. He said that my indecision had caused everyone's stress that night.

4. Justifying and intellectualising

Experts like Morris and Shell refer to this as “permission-giving thoughts”, which are the deceptions in their own mind, and the stories they tell themselves to override any mental or moral barriers in order to assault someone.

Neil Gaiman’s use of NDAs appears to conflict with his totemic public position that he’s a free speech absolutist. His use of NDAs where women have made sexual abuse allegations appears to conflict with another one of his public positions as a supporter of women’s rights and campaigner against sexual abuse. When we asked about these apparent conflicts, we were told that Neil Gaiman rejects any allegation of hypocrisy and that there’s no public interest in this story, whose publication would expose Tortoise to significant legal risk.

5. Playing the victim

In this tactic, the perpetrator positions themselves as the true victim. First by trying to explain away their actions, such as, “I was having a bad time, I needed cheering up”. Or by conveying helplessness, such as, “I didn’t know what I was doing, I was very overwhelmed”. Then by claiming that being confronted by the police, probation officers, psychologists or the media is victimising them. “This whole thing is ruining my life,” for example.

Paul Galizia : Okay, look at this. So on the -- on that day, Neil messages Scarlett. And he says,

“Honestly, when Amanda told me that you are telling people I’d raped you and were planning to MeToo me, I wanted to kill myself. But I’m getting through it a day at a time. And it’s been two weeks now and I’m still here. Fragile, but not great.” So then he really, just a few minutes after that, sent her a message saying, “It was very unstablizing. I think I spent a week actively not killing myself, if you see what I mean.”

Neil Gaiman: A few years ago, I was informed I was high-functioning autistic, which is an interesting thing to learn about yourself when you're old. It did mean I sort of went oh OK. This is why I sort of sometimes find myself tiptoeing through human relations and sometimes getting them very wrong. (From recorded call with Claire)

Neil Gaiman: I mean I would never have made the first move on anybody. I would be terrified . (From recorded call with Claire)

6. Puzzlement, vagueness, and distortion

These techniques are an attempt to blur the picture, either by claiming ignorance of the situation or muddying the moral clarity. Puzzlement can surface in reactions like, “I just don’t understand this consent thing.”

Neil Gaiman, quoted by Claire "I don't know what I see in you. I'm an award-winning best-selling author and you are..."

Neil Gaiman: "I'm sorry. I think, even my memories of it are obviously wrong. " from a recorded phone call with Claire.

The "autistic excuse" can also go in here

The denial in all of us

With any of these techniques, sexual aggressors use them not only to defend themselves psychologically or legally, but because they are often successful in convincing others, according to Shell and Morris. And that’s because of the denial within society. The task for the general public, therefore, is to challenge something within ourselves.

“We all have within us the wish not to know,” said Morris. “Abuse takes us into very unpleasant territory and it’s a very human response not to want to go there. It creates a blind spot. This means people can do extraordinary things and it won’t be seen or heard for what it is. And of course, that is a green light for those who want to do all sorts of behaviours.”

This works in two main ways. The first, is to cling to an idea of who or what an offender might be. For Shell, because society understandably demonises sex offenders, the label obstructs the full view of that person, who might in other parts of their life be caring, talented, or simply ordinary.

The problem we have, she said, is seeing people as only good or evil, as only capable of being one thing or another, so we miss the harder reality: that people can be both. Even being good looking can help protect an offender because we often associate beauty with goodness.

All of which fuels an assumption that rapists and predators are people we don’t know. “It’s the idea that the only type of offender is your ‘stranger rapist’ or your ‘horrible, dirty old man’.

There is a long way to go, they agree. Despite the #MeToo movement, the conversation and understanding hasn’t shifted much. “In terms of the wider public accepting and recognising what goes on, I don’t think there’s been hardly any change at all. I think the thing that has changed is victims are more able to tell their stories. But what we do with those stories, I think perhaps hasn’t changed,” said Morris.

Shell cited some examples of what’s missing. “When are we going to acknowledge that bad things happen to good people, because we like to think bad things only happen to bad people? Or that sex offenders do not only come in one shape and size?”

To be armed with this knowledge is to be equipped to see through the denial strategies into the truth. So next time, a perpetrator perhaps won’t be able to talk their way out of it, when confronted. Instead, they could be stopped.

[worstqueerbaittournament]

Submission message for Allison and Patti: I also think Allison and Patti from Kevin Can F**k himself.

Submission message for Merlin and Arthur: merthur (merlin and Arthur from the BBC show merlin

Additional propaganda: Merthur is just gay I don’t have to explain merthur on the merthur site. They’re talking to each other at night and giving each other flowers and shit— things Arthur NEVER does with his canon romantic love interest and if I’m not mistaken I think Arthur like goes to sleep for a hundred years and Merlin is like. Still waiting for him? Let them kiss, damn!

I refuse to shut up about this. Merlin is not queerbait!! At no point during the show is there a genuine possibility of Arthur and Merlin to be in a romantic relationship. They are queer coded but they do not create a false impression of their relationship. See Sherlock for good example: they constantly bring it up in the show itself and dangle it in front of the viewers, only to not follow through. The show Merlin does not set them up. There are no offhanded remarks, comments, or jokes that they’re more than friends. There is simply no chance in the show that they will get together. They are queer coded, which is not the same. Coding says: this character displays some traits and characteristics that ___ people may relate to. Baiting says: oh you want these two together? hmm, you wanna see that? wouldn’t that be nifty? what if they talk about it and act like it? aren’t you gonna keep watching to find out if they really do? Then follows up with: SIKE! Wow we got you, of course they’re not together! All of that was meaningless! Let’s please stop confusing these two entirely separate concepts!

merthur totally should win for so many reasons but mostly. most because the show writer, when advertising the last episode, said it was “a love story between two men” and then arthur just died in merlin’s arms for 42 minutes. on the day before christmas.

[cienie-isengardu]

Liu Kang somehow thought putting Shang on poverty and Quan Chi in OutWorld's mines(likely enslaved) would make them a good people. How he thought that was the case, I have no clue.

Definitely one of the more questionable aspects of probably would've been easier if they just admitted Liu Kang had a bias and made their lives worse thinking they'd cause less trouble if they were miserable rather than painting it as a nonsensical attempt at reformation since it'd show Liu Kang is human and flawed.

Like where is the attempted rehabilitation? Shao Khan had a better chance of life than they did. I understand wanting to prevent them from getting power but his solution didn't even work. If anything, it just made them bitter and pissed when they found Liu Kang was deliberately making their lives terrible.

When I heard the Shang Tsung and Liu Kang character intro I too did immediately think about the miserable conditions in which Shang Tsung and Quan Chi were put on purpose. Understandably this is the most logical connection to make, however it is worth remembering that Liu Kang hasn’t said anything about wishing to redeem those two in story mode alone. Intro dialogues are tricky as they often refer to events that happened totally outside the main story (Bi-Han freeing General Shao from prison, Kuai Liang's marriage with Harumi to name few examples), so there is still, however small and unlikely chance the punishment mentioned by Shang Tsung and Liu Kang’s wish to reform him may refer to something else than Fire God constructing a miserable life for still innocent man solely because he has the misfortune to share the same name (soul?) with Liu Kang’s supposedly dead archenemy. It could, for example, be about punishing Shang Tsung for his involvement in the crisis as the final of the game did not resolve much about what happened to sorcerers or other villains and we know some bits here and there solely from intro dialogues. And by punishing I mean forcing him to make amends for wrongs brought against people of Outworld and Earthrealm, a people Shang Tsung has no love or loyalty for, which could explain why both characters have totally different views on the matter. 

Personally I do connect the intro in question to the main story but like I said, intros are tricky things by nature of talking about events but not showing us what truly happened, sometimes without a proper context, so I’m willing to give it a small benefit of doubt. However I too would like if the story examine more Liu Kang’s bias and favoritism, as he was after all a human first then Keeper of Time and I would like to hear more about his reasoning why he fucked up some people’s lives (Shang Tsung, Quan Chi, orphaned Tomas/Smoke) and some granted a great deal of power over other (Sindel and her whole Royal family) on purpose and why he tried so hard to get as similar result to old Timelines than like, rebuild it all anew.

I’m not even that mad Liu Kang for whatever reason decided to make Shang Tsung and Quan Chi suffer by giving them meaningless life but I’m furious that Shao Kahn get a chance at true redemption as Outworld’s respected champion that put him again in place of power if objectively speaking, Shao Kahn always personified the biggest Bad Thing to happen. Shang Tsung was no less of a threat to Earthrealm, sure, but he was also a subordinate doing his master’s bidding (e.g. creation of Mileena) and as other timelines showed, for failing a master he would pay with his life - and even when he did not fail, he was killed to give resurrected MK9!Sindel additional power like ages of dutiful service meant nothing. Shao’s BIO says he was born as a sickly child and it was his father that did not accept it and molded him into perfect soldier

Born into a proud military family, Shao was expected to become a soldier. But he was a sickly child who, though brilliant and eager, had an infirm body. Shao’s disability infuriated his father. He dismissed his son’s physicians and designed an extreme program to build his son’s strength and endurance. Years of toil molded Shao into a physical colossus and forged within him an iron will. And as his father had promised, Shao became the perfect soldier. His brilliant tactics and relentless effort won Outworld many victories and him much fame

and to be honest, I don’t have an idea, did making Shao the sick/disabled kid who - in theory - couldn’t carry on family military tradition was the punishment (backfired by a stubborn father) or was it a plan to make Shao work hard to earn respect/fame and by serving Royal Family, make up for past sins? The story mode says Liu Kang meant for Shao to be Sindel’s loyal follower which implies rather making him a soldier?

Shang Tsung’s BIO states he “grew up in Outworld’s backwaters. Too lazy for hard labor and too shifty for honest work, he eked out a living selling quack cures and fake magic. Though his wares were useless, Shang Tsung’s easy charm always closed the deal. Shang Tsung was resigned to this hardscrabble life [...]” which makes it sound like the miserable life was his own fault, for being too lazy and not interested in honest work but the game gives a different impression of him, at least for me. Especially compared to Shao thriving as top champion, while Shang Tsung calls his life “barely surviving”.

What is even more weird, if Liu Kang constructed every character's life, why not just, you know, erase Shang Tsung, Quan Chi and Shao Kahn from history and be done with the problem? As the Jacqui Briggs MK11!Ending proves Keeper of Time can erase a person's existence by simple inference in events (Jacqui saving her dad from death at Sindel’s hand in MK9 resulted in Jax never meeting Vera and thus she was not begotten) so why not just meddle before any one of those were born or alternatively, give them different parents or better families to raise them right?

And if Shao could end in a respected family, why not put Shang Tsung between Shaolin Monks and train him to be champion of Earthrealm and like, give him some worthy purpose? 

So, at the end we come back to the question, did Liu Kang on purpose make Shang Tsung and Quan Chi facing miserable hardship under (false) attempt at reformation or just outright to punish them? On one hand, he is not presented as intentionally cruel person (and he did admit being Keeper of Time demands making hard choices) but at the same time, he favors existence of Royal Family (aristocracy) over democracy / equality, he doesn’t seem to mind Umgadi system that forces first born-daughters to be raised as warrior priestesses, who are stripped from any ties to their biological family, are forbidden to marry/be in relationship and whose whole life revolve around serving and protecting Royal Family - and doesn’t Umgadi system resemble the old Lin Kuei before Kuai Liang’s reformation? Generally, there is an interesting contrast between characters serving and seeking power / freedom to not do so, but that is a matter for another time.

Personally, I do not think of Liu Kang as bad person as he stepped from the role of Titan on his own accord and chose to be mere Earthrealm Protector and all, but that does not mean he is above human flaws, and his (and Raiden’s for that matter) life experiences definitely affect to some degree his choices. And let's face it, both Liu and Raiden have never been fond of Shang Tsung.

[powerofmettatonneo]

Hi, i’ve been looking at your post, talking about it, and sharing it with some friends. Honestly i’d even say i’m a fan of you and your work despite how little of it there is right now. I have a couple question.

First, I was wondering if you had any other accounts that I could follow your work on, like twitter and such.

Second, I saw that you took classes in etholgy and talked about advocating for the personhood of animals. I mean, I know they’re smarter than we sometimes give them credit for. Take for example the recent study with scientist communicating with whales with their own language for the first time. But I was hoping to get your insight in what you mean by personhood of animals and thoughts on the topic. (And also table napkin thought on how anthropomorphizing can harm or help our understanding of animals)

Third but a little more obscure, is that you use humanity, personhood, and the being of « more human » a lot. I was hoping if you could expand on the differences of these terms and how they interact with one another.

Sorry for all the questions, just honest to god fascinated with your perspective of things and the topic in general.

Here’s the whale communication study I mentioned: https://globalnews.ca/news/10182116/humpback-whale-conversation-talking-to-aliens/amp/

Oh my gosh thank you so much for your kind words! This, AO3, and YouTube are actually my only accounts online that I post anything on, and I just use my YT account to reupload other people's deleted videos. I used to use Reddit but I'm trying to distance myself from that account since half a decade of hot take type comments starting when I was 15 isn't exactly the best look for anyone.

Your last two questions are linked so I'm going to address them at once. Human is simply the term used to refer to a member of the genus Homo. There's nothing all that special about it philosophically when separated from personhood, which is more or less the description of what beings do and don't fully matter morally. Speculative fiction and philosophy tend to equate it with sapience, which is more or less a meaningless term made up to separate humans (or worse, specific groups of humans) from other animals and make ourselves feel superior. There have been attempts to give it meaning, but nearly every definition uses traits that are found in at least one other species of animal and/or are not universal to every group of humans (with the notable exception of artistry but I frankly find it absurd to discount something's moral worth over that). As such, if we're going to approach the topic logically, then some animals at the very least have traits of personhood.

Language, for example, isn't exactly common in animals, but it isn't unheard of either. Bats, cetaceans (whales and dolphins), pinnipeds (seals and sea lions), elephants, songbirds (a group that contains crows btw), hummingbirds, and of course parrots all learn different "words" that they apply meaning to and then use. Cetaceans, parrots, and some songbirds even use something akin to grammar.

Ritual behavior has been shown in chimpanzees, dolphins, and elephants as they grieve for their dead.

Self-awareness, the trait most commonly held up as making humans special, is hard to measure due to the language barrier, but there is still some evidence for it in certain animals. The mirror test isn't perfect when it comes to discounting a given animal's self-awareness, but if an animal can identify itself in a mirror, it's hard to argue with the idea that it has a sense of self. Animals that passed include various dolphins, great apes, elephants, magpies, and even certain fish. Furthermore, an African grey parrot named Alex once asked a question about himself, being the first recorded instance of an animal asking anything, and bottlenose dolphins use names for themselves and others in their pod.

I could go on and on, but I think you get the point. I don't really have a definitive list of animals that I believe should be considered "people", especially given all the legal implications of that sentiment, but you've probably noticed that same groups of animals showed up again and again. Dolphins were there in all of the different categories, and elephants only failed the grammar category because they largely communicate using vibrations which work so differently from regular sound that they're hard to meaningfully compare to human languages. Parrots, corvids (crows and relatives), and great apes all have stand out members that showed up in two or three of the categories in the African grey, magpie, and chimpanzee respectively, and the other members of those families as well as whales are all intelligent and social enough that I am of the opinion that they all deserve certain philosophical rights and even legal protections. It's so easy for us to see personhood as a black and white thing that something either has or doesn't have, but like most things, it really is more of a spectrum.

To answer your "table napkin thought", while I won't deny that anthropomorphizing real animals can often lead to a lack of true understanding of them, the harm done by people trying to avoid doing so is both more common and so, so much more horrific that I hesitate to critique it too much. I mean, I have straight up seen very influential people say that acknowledging the extremely well supported fact that other animals are capable of feeling pain is "anthropomorphizing" them because one specific area of the brain that is partially responsible for processing pain in humans is only present in primates, and that of course can, and historically has, lead to horrific abuse.

I really don't mind all the questions! I love talking about things I'm passionate about, and this topic is certainly up there among the the things I care most about.

[bearpillowmonster]

Virtue's Last Reward

In some ways it's better than 999 but in some it's worse. 

The characters are pretty memorable, I was afraid it'd be staler than the eccentric personalities of the first game but it remains. A plus is that our new main character, Sigma, doesn't talk. (Well, he does, but he has no audible dialogue so he's not as annoying.) It carries over that problem from the last one too where they overexplain things like it's a children's game but it's rated M otherwise. Visually, it switches the 2D sprites with 3D models, which can be considered a downgrade in some ways but it's easier to navigate the rooms though with proper 3D environments versus simulated for the DS (it's the 3DS now) but it's put on this nice collection on the PC so it looks smoother and cleaner.

The one complaint I have about the port in general is that it could've cut some things out. I imagine the transition scenes were made to mask loading screens but we don't need them anymore and they're more tedious than Resident Evil's. While not as often, they take longer because they'll go somewhere and it shows them as a blinking dot on the map and the route they're taking (not that it matters most of the time, when it does matter, they reiterate the sequence anyway) but they'll show them going across an entire floor, go to the elevator, stop, show them pressing the button, the elevator comes, wait for the elevator to descend, beep, open doors again, back to map, show them moving to their destination again, it's just meaningless. And there's a skip but it's only for stuff you've seen before (in any route) so it usually doesn't include the transitions and when it does, it needs to be activated before it starts because it doesn't give you the option during.

And also (...) they have a tendency to (...) whenever (...) there isn't anybody (...) saying anything and (...) they'll show it (...) for each character. There were some parts where my experience was an error but I couldn't find proof of others being that way. Gaulem Bay for example, there are rows of (nonspoiling here) "lights" that some are on and some are off and you use that pattern to activate a puzzle, however, mine spelled out something different than what it was supposed to, I double and triple checked in game even after I looked up the result and the same answer got back to me every time.

All that remained was the ending. Would I find the outcome better than the last one? Because the other one reached a little too far in terms of what you could've predicted with the face thing. Well...this ending isn't much better. I actually had this game pegged as "great", I even accepted as far as the Phi ending and would've given it a 3.5/5 but it was afterwards that reversed everything.

Literally. It's like Meet the Robinsons but not as a good thing. It takes the time to explain every aspect of it and it's boring, because it's a large infodump and exposition for the next entry in the series...as an ending. So yeah, it seems like it's going to be a complete package but it's not a complete story, while 999 was at least contained enough to seem satisfying. And I mean it really threw the kitchen sink at you too. It has the regular endings and then two hidden ones before credits roll but then two more after credits roll so it never really knows when to stop either. People complain about Kingdom Hearts but that's nothing, this is the real menace, overcomplicating and recontextualizing everything. Kingdom Hearts explains its way over a whole series of games, that's people's only problem and it's an outdated problem now that all the games can be bought in one package for the same system but imagine taking the plot and obscurities of those games and doing it all at once at the end of just one game. "Imagine a cat. Imagine a truck. Imagine a line. This is my name. This is my actual name. This is what I am. This is what I actually am. Let's review our history. Just use E = mc2. Imagine the relationship between classical mechanics and modern physics"....You think I'm joking? You think I just pulled all those out of my ass?!

So I don't think I'm going to play Zero Time Dilemma anymore.

[eisforeidolon]

I dislike hellers' mindset for many reasons. I think one of the most irritating ''reasoning'' they have is that they think everything in some way or other is a ''parallel'' to destihell or related to destihell. For example, Big Sky (?) ? It is related to Destiel because Jensen's character has a romantic dynamic with a character and it is somehow a ''parallel'' to destihell despite there being no connection between the two shows or between the two ships in the slightest. Does Jensen appear in the Boys? It is supposed to be some sort of a nod to Dean's sexuality because Soldier Boy is (supposedly) LGBT. The Prequel? For sure JohnXMary romance feast is supposed to be related to and a parallel to destihell and John's sexuality is also 'implied' to be non-straight, so that is also a parallel to Dean's sexuality through John's implied sexuality. Jensen's song and album? Related to destihell, castiel, or even to Cockles and a nod to the Hellers.

Like, I normally would not care about such things, fans can be delusional and have fun however they want. However, this sort of reasoning is just not exactly 'fun', when it involves willfully being delusional and believing in things that do not exist. Now, I am not a fan of Jensen that much, but I think this sort of reasoning Hellers have kinda comes off as disrespectful to Jensen. It is also toxic in many ways because we've all seen how Hellers can act when Jensen does or says something they do not like. They called/call him a homophobe, they attack him verbally or insult him, target him in some ways. I also think that saying everything Jensen does is about destihell is just reducing Jensen's actions and talent and job to all destihell and ship lenses. And it kinda comes off as annoying. There has to be a difference between having fun in fandom circles and attacking people / being toxic to the actors. Hellers cannot differentiate both.

It's just ... not remotely how parallels work. Like, at all.

They start from the supposition literally everything is proof of bi!Dean and/or their ship, someway somehow, and then come up with these absurd supposed parallels to "prove" it. It's very obvious from the outside that it's just about a personal obsession when they will insist literally anything is a quote unquote parallel validating what they already decided to believe. Even before you get into all the ways that their "parallels" either aren't things actually happening in the story, don't genuinely match up to each other at all if you look at the context, or are so pathetically surface level as to be utterly meaningless.

And yeah, it is disrespectful and insulting to Jensen - they really do tend to treat him as a blow up doll who should just do what they want and otherwise STFU. It's also disparaging towards all of the other people putting years of work into SPN and the other media being co-opted to pretend the most important thing about them existing is to send super sneakret signals about D/C being totes real. Even worse to insist those people and productions must be part of an evil homophobe conspiracy if they dare indicate otherwise. It's bizarre and creepy and honestly genuinely concerning in terms of their mental state they're at a level of obsession they can't realize that not only is it not true anything everything Jensen does is about their ship, but the whole rest of the world doesn't revolve around it either. Seriously, they've let their personal prurient fantasies only vaguely related to characters from a silly CW tv show that ended a couple years ago completely take over their brains to the point of harassing and slandering real people, while telling themselves it's an important crusade for Great Justice because they've been wronged by not getting to see their fanfic play out on screen.

It's not. It's just fucking bonkers and they need to wake up and/or legitimately seek help. Genuinely, this is not healthy.

[ltleflrt]

Hey Carrie! You talked a little the other day about writers' tendency to start a fic too early in the story, and how you see a lot of first scenes that could have been scrapped to improve the story. My question is if you have some tips to recognize while writing that first scene that you are starting too early in the story?

Hello friend!

That's a really good question, and I'll see if I can give an answer that makes sense. I am not a professional, and I'm not educated or trained in this stuff, it's just something that I recognize from years and years and years of voracious reading. And as with all writing advice, I encourage you to take what I'm going to say with a grain of salt and remember that no writing rule is a hard rule, only a guideline.

Also, my advice is going to be pertaining fanfiction, and specifically to AUs. Obviously a published book has an editor with a razor blade going through a manuscript for you, and the problems that bother me in fanfiction crop up in AUs more than Canonverse.

Oh, and every instance of "you" is general, not specific 😜

So I think the main problem that I see is that people are starting with an Info Dump. An Info Dump is not always a bad thing, sometimes it's completely necessary, but it is NOT where you want to start your story. If it absolutely has to be done, it's better to be somewhere in the middle or near the end. When it's something that your characters need to know.

That's an important bit: Do your characters need to know this?

And related to that: Does your audience need to know this for the story to make sense?

And very important follow up: If the answers to the above questions are yes, does the character/audience need to know this RIGHT NOW?

There's a lot of information about your story that YOU need to know. Heck, my notes files are full of sooooooo much stuff that I know about the characters and plot that never reaches the final product.

So when you're reading your first chapter (I say reading, not writing, because sometimes info dumping for your own benefit is good, and then you fix it before you share the story lol), ask yourself those two questions.

So for example:

In an AU where Dean is a tattoo artist, and it's his POV. The story starts with Dean driving to work, and when he gets there he's going to find out that the empty shop next door has been purchased and is going to be a yoga studio. He meets Castiel out front, up on a ladder trying to hang a hand painted sign, and some teens go running buy and knock into the ladder and Dean has to catch Castiel from falling. (Anyone who wants to adopt this idea is welcome to it btw, I would love to read this lol)

The mistake I often see in a first chapter like this is that as Dean is walking to work, there's a whole Info Dump about why he's a tattoo artist instead of a hunter. He'll be ambling along, thinking about his nice little business, and there's info about how his mom died in a fire, and his dad was a jerk, and Dean didn't go to college because he saved his money for Sammy's college fund, and Dean's only passion was art, and Bobby Singer introduced him to a tattoo shop owner who took Dean under his wing, etc.

Question 1, does your character need to know this?: Why is Dean reflecting on his past? Does Castiel need to know this information in order to build a romance with Dean?

Question 2, does your audience need to know this?: Why does this information matter? If Dean's only reflecting on this because you want to make sure your audience knows where the timeline changed and this became an AU, then you're starting too early in your story. Dean doesn't need to know this, and honestly in a lot of cases the reader doesn't need to know this. This is information that should have been left in your notes file.

Question 3, does the character/audience need to know this NOW?: If this information is pertinent to the plot, like maybe there's some trauma there that Castiel might need to know about to develop their relationship, then you don't want to put it HERE, you want to put it in a conversation with Castiel LATER.

If I was writing this AU, I would just start with Dean sipping his coffee, he's kinda tired because reasons, he looks up to see an unusual commotion, and has to drop his coffee and sprint forward to catch Cas. If he's reflecting on anything in this scene, it's going to be whatever made him tired, or how good/bad the coffee is this morning. Since Cas is a new business owner, they can talk about the origins of Dean's business on their first date, because it'll be a relevant response to Castiel talking about the origins of his yoga studio.

And just in general, if Dean's origin story includes a lot of canon elements, like mom dying in a fire, dad being a deadbeat, Sammy being the adorable overachieving Stanford student.... try to hide that info for as long as you can so that the audience is actually curious about it by the time the info might pop up. It's the wild divergences that are more interesting earlier on.

Okay, and then I want to talk about my giant pet peeve for a starting chapter. It's a specific kind of info dump, that often includes the stuff from above, but then goes a step further.

My nemesis, The Daily Grind.

I haven't asked the authors, so I could be wrong about this, but I feel like most of the time when this type of chapter is included in a story it is because the author wants to show the reader that the character's life is boring and meaningless before the plot's inciting incident. I can absolutely see why that might be considered an important detail about the character, but keep in mind if it's boring and meaningless to the character, it's boring and meaningless to your audience.

You know how I said earlier that writing tips should never be hard and fast rules? Well this is in regards to that Show Don't Tell rule, and it's an example of TOO MUCH showing lol

It is possible to do a daily grind in an interesting way, but only if you include a Shake Up right away. And you have to look at the 3 questions a little bit differently.

So for example:

Castiel POV, and he works in an office. His daily routine is to always get up at the same time every day, he goes for his run, he grooms himself, he has his breakfast, he goes to work and talks to Kelly about how Jack's doing in kindergarten for a few minutes before going into his office. Adler comes in to be a prick, Castiel hates him for it, and then he does his reports, has lunch hiding in a corner of the lunch room so that his co-workers will leave him alone, he does more reporting, leaves an hour after his shift technically ends, goes home to a lonely apartment that maybe includes a pet who is the only being that shows him affection, has an unsatisfying dinner of leftover takeout while watching a mindless reality tv show, then he goes to bed.

Ugh.

BORING.

Which, yeah I get it, the point is that his life is boring. But now the story is too, and I've clicked the back button before I can see how exciting it's capable of getting.

Question 1, does your character need to know this?: No. He knows. Poor thing definitely already knows.

Question 2, does your audience need to know this?: Yes, but...

Question 3, does the character/audience need to know this NOW?: Yes, but new question for ya:

Optional Question 4, why does this need to be separate from your plot's inciting incident? The answer to this 4th question is usually that it doesn't.

Chapter 2 of this type of beginning usually shows the shake up of Castiel's day. My advice is to start with the shakeup, and sprinkle in the details of what you would have put into chapter 1 to show the contrast. It's far more interesting to learn how boring Castiel's day is by starting with the shake up.

So, same scenario:

Castiel's alarm doesn't go off for some reason, OH NO HIS ROUTINE IS SHAKEN UP! You're explaining his routine while also stressing him the fuck out because he has to rush, or skip something that he normally needs to do. Action! Interesting! He gets to work late, and has to miss his conversation with Kelly about Jack because she's telling him that Adler's already in his office being a prick because Castiel isn't there waiting for him like he always is. Oh shit, he's pissing off his asshole boss! Conflict! He's so flustered by the shakeups that he misses something on his report, and he gets a call from that new marketing guy Dean Winchester who asks if they can have a meeting about it when Castiel normally takes his lunch. BAM! MEET CUTE OPPORTUNITY! While Castiel is getting all flustered by how pretty Dean is while they talk about TPS reports, he can reflect on how this is both better and worse than hiding from his co-workers in the corner of the lunch room. The rest of the day after that meeting he's thinking about how weird this day is, he still goes home an hour late, he talks to his pet about his weird day when he gets home, and maybe he still eats leftover takeout, but he's not paying attention to the reality tv show because holy shit he wants to count Dean's freckles.

In this example, you're Telling the audience about Castiel's normal routine instead of Showing them. But since it's during a plot heavy chapter, it works!

Lemme see if I can TL:DR this...

As you're reading, ask yourself who needs to know this information, why do they need to know this information, and why is it important for this information to be included early instead of later?

If the answer to any of those questions boils down to "this is backstory" instead of "this kicks off the plot", then you've started too early.

I hope this helps? I'm always nervous about giving writing advice because so much of the time I have no idea what I'm doing, and I'm just feeling around in the dark. And I definitely do not ever want to hurt an author's feelings, because this hobby is so fucking hard, and we're all fragile. Even authors who welcome con-crit with open arms will have a weak point that they're unaware of that might get poked wrong and cause a crack, ya know?

I hope anyone who gets this far who might see their own works reflected in my examples understands that I have a lot of respect for their ability to put their work out into the world, and I want them to keep doing it. We're here to have fun, okay? Okay. I love y'all 💜

[virdemption]

Giant Ass List on Why Ruby is The Entirety of Damn Skippy by Lemon Demon (With Some Pictures and Links!)

Hey there! You! The (most likely) BFB fan reading this!

We all know the greatness that is “Ruby Sings” that of which is canon actually. But there’s more to her being a Lemon Demon fan than Two Trucks! Yes! In this essay-ish thing, I’ll explain why she’s the entirety of the 2005 album Damn Skippy for it’s 17th anniversary!

[This will exclude the bonus tracks because they suck, also I didn’t listen to all of them and likely never will.]

Dead Sea Monkeys: She’d fucking suck at caring for pets like there’s really no denying that.

Hell, she’s probably shared sea monkeys with Gelatin in the past which makes it much worse.

Sky is Not Blue: To start, Ruby says the following in IDFB:

And on Genius’ page for the song, it states “[Sky is Not Blue] is about things that are usually one color not being that one color, but I don’t know why they’re not that one color.”

So by going by this logic, If Ruby found the sky to be a different color from earlier for example, she’d likely ponder for at least a little bit.

Pumpkin Pie: She eats so much sugar (Mentioned in her character guidebook entry, albeit the Sugar Stash shown below isn’t canon) and if you gave her a shred of pumpkin pie she’d likely beg you for more.

When Robots Attack: Since Ruby is shown to be quite childish (Mostly in BFDIA), it’s highly likely she has a wide imagination, and this is probably her playing Ultimate Showdown in a sandbox with some of Gelatin’s action figures.

Geeks in Love: She is canonically a Lemon Demon fan need I say more-

New Way Out: First off, here’s a quote from the commentary track, the quote itself being taken from the Genius page of the song:

“The lyrics to this are utterly meaningless. They’re not supposed to convey any sort of feeling. I just needed something to fill it up. If you try to pick this one apart, you have problems.“

Oh boy. Even with the power of BFB Ruby, you struggle breaking New Way Out down.

My thoughts with this one would be the same as When Robots Attack, but it’s getting a bit more accurate to her as a character. 

I would imagine this is her playing around with Flower.

What Will Happen Will Happen: It’s likely Ruby’s optimism at play here. I don’t have much to say for this so here’s the Genius description:

Kitten is Angry: It’s sort of like the Dead Sea Monkeys situation. Here, Ruby would love all animals even if they hated her in return, it’s kinda like that scene in Nyan~ Neko Sugar Girls. You probably know the one. I’m not dwelling on this any further.

The Ceiling: I don’t think I have to explain this one.

Subtle Oddities: Funny story about this one, not even Neil himself knows what this song is about. 

And I thought New Way Out was hard. 

What the fuck Neil.

For this one, I’m going to try and go off of my personal take on this song. That of which being the narrator is experiencing delusions in his giant house for an unknown reason. They aren’t harmful, but they’re spooky.

Perhaps around certain people (I’m thinking Teardrop or maybe even Leafy or Balloony), Ruby’s imagination goes haywire and it freaks her out. 

Yes, she knows she’s safe, she’s whole, and she’s got it under control. 

But she is a bit spooked for a while.

Gonna Dig Up Alec Guinness: GDUAG continues to tie into the silliness of Ruby. In this sense, the actions of the narrator digging up Alec Guinness for a tourist attraction could be shown as Ruby making bad decisions she may not realize are bad until told off for them.

Flamingo Legs:

“[…] This is another song that doesn’t really mean anything. I just, you know… pulled random stuff out of my brain. But at least it’s happy and pretty.”

This song is the true peak of Ruby’s widespread imagination being a key factor in the dissection of the more meaningless songs. While the song is one of the many random oddballs out there, it captures Ruby’s bubbly childishness a lot better than any other meaningless Lemon Demon song.

Random piece of trivia from OP: If Two Trucks didn’t become Ruby’s little piece of canon, I would have made her this song in my BFLD AU

Ode to Crayola: The song takes a very childlike approach, with the narrator going on about their love for Crayola and their crayons, with well known lines in the Lemon Demon community such as “I love my crayons and I love the way they taste“ and “I'm gonna rise at dawn with no clothes on and color on my skin.”

Saying that these aren’t screaming Ruby vibes would be kind of weird.

[This song is also what inspired this post.]

Rainwater: Like in Sky is Not Blue, I brought up the quote from IDFB that the world is a pretty strange place for Ruby. Rainwater dives deep (haha) into one big question.

Is it safe to drink the rainwater?

Has Ruby ever tried to drink rainwater? Who knows? Only time will tell.

Smell Like a Cookie All Day: I’d personally view this song as Ruby’s sugar consumption in of itself. Before you eat anything energy raising, you’d feel mellow, like during the first half of the song. It picks up in excitement from there, only to crash back down, only to spike back up again.

Dizziful Bliss: Ruby is shown to be pretty hyperactive, of course, but she’ll calm down eventually. And when she does, she’ll likely be tired. Dizzy, maybe.

Word Disassociation: This song would really just be Ruby being the silly little gem she is. Saying things without real meaning.

Eventuality: This song is primarily instrumentally driven, so I can’t say much about it without me overstretching.

And that’s about it for everything! If you have any comments, please share! I’d love to read them!

Again, happy 17th anniversary to Damn Skippy! Have a good day, readers!

[abigail-pent]

TLT Theory Redux: Secret Doors and Heists

gather round the fire, children, for I have finished my third reread and I have theories to spin. they are interconnected. they will also take the form of "a listicle, kind of". This is not as tightly written/cited as I hoped it would be, many thanks to tumblr for eating the first version of this post.

THEORY #1: HARROW WAS RIGHT

About what? Probably lots of things, but specifically about the secret door. You remember Harrow's "secret door theory," right? On GTN p. 303, Harrow and Palamedes are having an argument about what is going on in Canaan House. Harrow makes fun of Palamedes' idea that there is such a thing as a Lyctoral megatheorem. Pal lightly mocks Harrow's "secret door" theory, about which she says:

"But all this is more than unsustainable, Sextus. The things they've shown us would be powerful -- would bespeak impossible depth of necromantic ability -- if they were replicable. These experiments all demand a continuous flow of thanergy. They've hidden that source somewhere in the facility, and that's the true prize."

The action picks up pretty quickly after this, and you just sort of forget about Harrow's theory since Pal's theory is so quickly proven correct. It's set up to make you think these theories are competing, but they're not. Harrow and Pal are both right.

Proposition 1: An entrance to the River -- or perhaps the part of the River on the other side of the stoma -- is hidden under Canaan House.

Evidence for Proposition 1:

1A) On GTN p. 191, Teacher says, about Silas siphoning Colum in the facility: "He cannot empty anybody here, lest they become a nest for something else!" This is highly reminiscent of HTN p. 98, when Mercy says: " A Lyctor's body, empty, with its battery intact but nobody in the driver's seat? Do you know what could take up residence? Anything could get inside you -- any horrible or evil or lonely thing, any miserable revenant, or worse." These two places are described very similarly; they may well be the same.

1B) I'm missing the citation, exactly, but I'm pretty sure it's textual that the first time the Lyctors + John ran from RBs, they ran by dropping into the River. Quite possibly from Canaan House itself.

1C) Teacher. We know he hates the water (GTN p. 325), we know he was created for the "sole purpose of safeguarding the place" (GTN p. 373). Of course, the whole place is surrounded by saltwater.

1D) When Ianthe and Cytherea are fighting and Canaan House is disintegrating, "brackish water from the fountain spattered across the floor and trickled into the cracks" (GTN p. 418). It's been well established already that 'brackish' is the word used to refer to River water. It's also the word used to describe the water that emits from Colum's mini stomae when he dies (GTN p. 393). Why is the fountain water brackish when other water in Canaan House -- for example, the pool -- is saltwater? Seems like a clue!

Proposition 2: Whatever is behind the secret door is the source of John's power.

Evidence for Proposition 2:

2A) During the big confrontation with John in HTN (p. 478-479), Augustine's suspicions echo Harrow's from GTN p. 303, when she's describing the secret door theory. He says:

"You've offered us explanations for everything over the years. But -- some of them didn't hold up on examination . . . It was the power I could never get my head around, you know? I follow power back to its source, John. It's the skill you asked me to perfect. And the longer I looked at yours, the less things added up."

Leaving aside for now the fascinating question of why John would ask Augustine to cultivate this skill, he goes on to ask:

"You're God, John. But -- as the Edenites are fond of pointing out -- you were once a man. So whither that transition? Where does your power come from? Even if the Resurrection had been the greatest thanergy bloom ever triggered, it would drain away over time. And then Mercy said to me -- in a moment of true Mercy vileness -- she said, What is God afraid of?"

Proposition 2.1: The source of John's power is not exactly Alecto, but is Alecto-adjacent. Alecto is from the space behind the secret door.

2.1A) Alecto is called a saltwater creature (HTN p. 328).

2.1B) The oldest parts of Canaan House are where the power emanates from (citation needed, but I’m sure it’s there). They are also the parts closest to the sea. As Teacher says (HTN p. 110): "The base of Canaan House dates back to before the Resurrection. We first built upward, to get away from the sea; then we built outward, to strive toward beauty."

2.1C) The Sleeper is identified with Alecto. Like Alecto, she carries a weapon, she sleeps in a coffin, she can’t be killed, and the River bubble crew is warned that the worst and most cataclysmic thing in the world would occur if she were ever to wake up (HTN p. 112, 185). Since the Sleeper is so clearly identified with Alecto, and is also identified as the presence that’s haunting the River bubble version of Canaan House, it suggests the connection between Alecto herself and the physical version of Canaan House.

Proposition 3: John has dammed the River underneath Canaan House by trapping the Earth Resurrection Beast there.

3A) Per HTN p. 43, we know there's one missing RB, since 9-5=4>3.

3B) Abigail thinks something is messed up in the River and it's dammed, and spirits cannot get across. On HTN p. 396-397, she says:

“A spirit can be trapped, trapped as every spirit in the River is trapped . . . I think there is a whole school of necromancy we cannot begin to touch until we acknowledge its existence – I think these centuries of pooh-poohing the idea that there is space beyond the River has stifled entire avenues of spirit magic, and I believe the Fifth House is waning entirely due to us reaching a stultified, complacent stage in our approach . . . Something has gone terribly wrong in the River, Harrow, and I wish you’d find out what.”

She’s describing a dam in the River that traps ghosts there. This is extremely consistent with what Teacher tells Harrow about what’s down in the facility (see 3E).

3C) On GTN p. 213, Cytherea suggests that "something has been lurking [in the Canaan House facility] forever", and when Harrow insists that "[A spirit] cannot sustain itself", Cytherea replies: "But what if one could?" We know that Resurrection Beasts are revenants, and a revenant is a type of spirit; and if any spirit was going to be self-sustaining, it would be an RB.

3D) HTN p. 172: "The card up the sleeve of the revenant, and the Resurrection Beast, is that it can inhabit anything it's got a connection to. Anything thanergetically connected with their death." So what killed Earth? Climate change, plus a massive nuclear fission chain reaction. Historically, early nuclear fission chain reaction tests took place underneath the ground (see, for example, the facility at the University of Chicago). So an underground or underwater facility could very well be thanergetically connected to the death of Earth.

An RB may very well be a continuous source of thanergy; and if this is the case, John may want to kill or neutralize the other RBs to keep other people from rivaling his power. Or better yet: harness the other RBs the same way Earth's RB was harnessed.

3E) On GTN p. 152, Teacher literally tells Harrow that the ten billion are haunting the facility. Harrow says she is “repeating exactly – to the word—what Teacher said to [her]”:

“Down there resides the sum of all necromantic transgression. The unperceivable howl of ten thousand million unfed ghosts who will hear each echoed footstep as defilement. They would not even be satisfied if they tore you apart. The space beyond that door is profoundly haunted in ways I cannot say, and by means you won’t understand; and you may die by violence, or you may simply lose your soul.”

For those of you following along at home: ten thousand million = 10,000 x 1,000,000 = 10,000,000,000 = 10 billion, or the exact number of people who died in the Resurrection. This is of course completely consistent with the Earth RB being down there, somewhere in or under the facility, because the revenant of a planet includes the spirits of every living thing on it when it was murdered.

Proposition 3.1: Alecto is one of the physical anchors for the Earth RB.

3.1A) HTN p. 454: “The only sure way to banish a revenant is to destroy the physical anchor it inhabits before it can escape the shell.” If John’s cavalier is the physical anchor for the Earth Resurrection Beast, which is the source of his power, then this would justify the characterization of Alecto as the “death of the Lord”: if she’s a physical anchor and she is destroyed, then so is the source of John’s power.

3.1B) She was the first Resurrection, and it’s plausible that she would be thanergetically connected to the death of Earth.

3.1C) HTN p. 495: Pyrrha notes that the stoma “must think [John] is a Resurrection Beast.” Which is a super interesting mistake for the stoma to make! But if John’s cavalier is a physical anchor for a RB, this mistake becomes more understandable.

Proposition 4: The other side of the stoma is not a trash space, and John actually can access it. He uses it as a battery for his necromancy. It’s a storage space for RBs, and now I guess for Lyctors too. (this is the most galaxy brain proposition, and evidence is slim)

4A) On HTN p. 340, John says: “It is a portal to the place I cannot touch -- somewhere I don't fully comprehend, where my power and my authority are utterly meaningless.” But this is the kind of shit John lies about on the reg, so take what he says and apply opposite day rules.

4B) if the other side of the stoma is related to the River Beyond, it would be to John’s advantage to keep the Fifth House scholarship from treating the River Beyond seriously (see 3B). If they don’t take it seriously as a branch of scholarship, they can’t learn anything about it, and they can’t let the RBs out from where John is keeping them.

4C) this could be why John condemns soul siphoning (GTN p. 340). If soul siphoning sends the cavalier’s soul to the other side of the stoma, and the power that floods into the empty body is from the other side of the stoma, then soul siphoning threatens John’s monopoly on use of power.

This brings me to Theory #2, born out of a delightful discussion with @mayasaura: the heist in ATN is not going to open the Tomb at all. Instead, it’s going to open the part of the River underneath Canaan House, and the goal is to free the Earth RB. After all, the Tomb has been open for seven years already.

Extant questions:

1) Mercy seemed so sure that the RBs were coming back and targeting Alecto in particular. But Alecto stayed in the Nine Houses, and didn’t get eaten by any RBs, and the Ninth House is still there. So why does Mercy think Alecto is a target, or makes the rest of them into targets? If she was lied to, what is the purpose of this lie? 

2) Why does John want Augustine to hone the skill of following power back to its source?

3) If RBs eat Lyctors and both RBs and Lyctors are in the hammer space on the other side of the stoma, then, like… hey Augustine and Ulysses… are you guys ok??

[geminivenusrights]

Quora Dazai Analysis

Trigger warning: I’ll be talking about depression and suicide in a pretty straightforward and serious way.

Also, this contains spoilers for the first three seasons of the anime Bungou Stray Dogs.

Osamu Dazai has three sides to him: the suicidal maniac, the caring friend, and the serious/scary side that makes him such a frightening opponent. I’ll mainly be focussing on the first part.

Joking about suicide There’s probably more to it, but I think the most obvious answer would be depression. He doesn’t feel much passion for anything, which seemed to be worse in the Dark Era. He’s constantly trying to commit suicide, and doesn’t seem to be afraid of death, only picky about how he dies. In the anime, Dazai is mostly a comedic character who obsesses about suicide but at the same time always fails. The ironic part is that some depressed people joke about suicide as a coping mechanism. While Dazai himself doesn’t joke about it, the anime itself sure as hell does.

Suicidal maniac Dazai One thing that is clearly obvious is Dazai’s suicidal tendencies. A few examples are:

There’s one scene in which Dazai took mushrooms (drugs) as a suicide attempt.

He drowned himself in the river.

In the first episode, he talks about hanging himself.

So, why isn’t he dead yet?

This has two key factors. First of all, it has to do with his real-life counterpart. Osamu Dazai, the writer who tried to commit suicide several times but failed. It took him (I think) five tries before he actually succeeded in killing himself. Three of which were double suicides. Just like his real-life counterpart, Dazai fails at killing himself. In the anime, those fails are seen as comic relief. In real life, however, Osamu Dazai was quite a broken man who struggled with (drug, morphine, and alcohol) addiction. With each suicide attempt, I can imagine he only fell further down the black abyss that is called depression.

On a lighter note, the second reason BSD Dazai isn’t dead yet is that some part in him still wants to live. Especially if you compare the Dark Era Dazai and the Armed Detective Agency Dazai, he seems less grumpy, cracks more jokes, and is more annoying. Overall, he shows more emotions and seems to have the attitude of ‘I do still want to die, but it can wait,’ instead of ‘I don’t care about what happens to me.’ While still meaningless, there’s some part about life that has become fun. At first glance, it doesn’t seem that way; he’s definitely still actively trying to die, especially in the beginning. However, someone who has no other desire except for dying wouldn’t put so much effort into staying alive. While he definitely might still be struggling, it seems like he’s definitely getting better throughout the anime. I think this might be because he seems to feel a sense of responsibility for Atsushi.

No Longer Human My main reason to say that he has depression is obviously because of the writer Osamu Dazai. Another factor that comes into play is the book No Longer Human, which real-life Dazai wrote, and what BSD Dazai’s ability is named after. This book is basically seen as an autobiography of Osamu Dazai, and covers most (if not all) of what I mentioned above about him. I’d definitely recommend reading this. I do have to warn you because while it’s a pretty short read, the subjects covered are heavy and can definitely negatively affect your mental health if you’re in a fragile state of mind.

The bandages As you probably already know, Dazai has bandages around both of his arms. Some people in the fandom speculate that the bandages are because of self-harm scars. While this could be a possibility, I’m not sure about this one. It seems to be more of an homage to the author in his character design than the fact that he truly self-harmed.

Then there’s the bandage on his head, which Odaszaku tore off when he died. The more I think about it, the more I feel like this is the part where Dazai’s eyes were (literally) opened and he was kind of slapped out of his emotionless daze. It’s also the first time (and only time, for now) where Dazai was shown crying. I think this is the moment where Dazai’s life did a 180 and he began on his road to recovery, starting with leaving the Port Mafia.

Valuing life While joking about suicide could be considered wrong and distasteful, Bungou Stray Dogs subtly shows us a broken character, someone that people can relate to, who is still fighting for his life despite clearly wanting to die. And slowly but surely, the Suicidal Maniac Dazai will discover that life isn’t just meaningless and dull, that it has so much more to offer than just the constant feeling of nothingness.

CREDIT: Sophia Belle on Quora

[cosmicjoke]

Levi and Zeke:  Their similarities and the Fundamental differences between Them:

I’ve recently been having a discussion with @ourmondobongo, and it’s spurred me to want to kind of analyze further the fundamental and philosophical differences between Levi and Zeke.  I know I’ve gone into this thoroughly already, but my discussion with ourmondobongo has really made me want to delve in even deeper.  First though, let me thank them for, as always, inspiring such insightful discussion among the fan base!

Some really interesting ideas were posted here, about Zeke’s experiences growing up in Liberio informing his world view and his views on the worth, or rather, lack thereof, in human life.   ourmondobongo suggested that, because of Zeke’s experiences with his parents, utilizing him as a tool for the Resistance, and his subsequent utilization by the Marlyean army as a tool of war, it ended up warping his perception, and influencing him to believe that all human life is inherently worthless unless it can be molded into a tool or a weapon to further some goal.  I agree with this interpretation of Zeke’s mindset and what shaped it.  This is undoubtedly how Zeke views the world, and humanity as a whole, and he’s deemed, because of his own suffering, brought about by his experiences affirming this world view, that life is not worth living.  Because he sees life as without value unless one can make themselves useful in some way, in his view, the suffering inherent in that makes life fundamentally pointless and meaningless and not worth the effort.

Now, where I diverge slightly from ourmondobongo’s view on this is in relation to Zeke’s influence upon Levi in the final arc, or rather, what they say about Zeke’s philosophy overriding or undercutting Levi’s own.  They said that Levi’s belief in an intrinsic value in human life is bombarded and undermined during the final arc of SnK, Zeke’s own belief in the worthlessness of human life being affirmed to him again and again by the chaos and destruction around them, the rightness of his philosophy and belief that this sort of destruction can only stop with the eradication of the Eldian people being confirmed.  But see, the thing is, I don’t think Zeke is at all showing Levi something new, or something which he hasn’t already known all his life.

Zeke claims that his experiences in life make him uniquely suited to understanding the conflict between Eldian’s and Marleyeans, and that his experiences make him uniquely capable of knowing how to solve that conflict.  But Zeke is nothing if not a unfailingly self-centered egotist, someone driven purely by selfish, egotistical viewpoints, unable and unwilling to perceive anything outside of his limited world view.  His life ISN’T unique, his experiences AREN’T unique.  They’re, first of all, shared by every single Eldian on both Marley and in other countries around the world.  Further, and more importantly to the point I’m about to make, they’re shared by Levi.  

Zeke grew up being treated and regarded as a second-class citizen, relegated to a limited area, an internment zone, which he wasn’t allowed to leave unless given direct permission by the powers that be, and regarded as something less than human by the people of Marley.  Well, these are all things Levi himself experienced growing up too, and, I would argue, to an even more extreme degree than Zeke.

Levi grew up in the Underground, a sprawling, subterranean city filled with the so called “dregs of society”.  A place where the poor, the persecuted, the sick, the dying, the deviant and the criminal were either forced to flee to, or more unfortunate still, were born into.  All this underneath the Capital of Paradis, Sina, the richest, most exclusive district inside the Walls.  A place where the elite of society lived and worked and raised their families in wealth and luxury.  The irony of the poorest, most poverty stricken area inside the Walls being directly beneath the richest, most affluent area inside the Walls can’t be overstated.  

Perhaps most relevant to note in this comparison between Zeke’s experience growing up in an internment zone and Levi’s growing up in the Underground, is that the people of the Underground were not only considered second-class citizens, but relegated to something even below that, considered not citizens at all.  They were literally denied citizenship within all areas above ground, within the Walls, and if they somehow managed to make it to the surface, and were found out, they would be promptly deported back to the Underground, where they would continue to be denied any and all rights given to the people up above.  And, it can be easily argued, that the people of the Underground were treated in many ways significantly worse than the Eldian’s inside the interment zone in Liberio.  The people of Liberio seemed relatively well provided for, able to find work, able to earn a living, able to have homes for their families and put food on the table, essentially allowed a sustainable and comfortable life, if one burdened by outside prejudice.  They weren’t made to live in squalor.  Largely, no doubt, because they were seen as an unwanted, but useful resource for the Marleyean government.  The people of the Underground were provided no such provisions.  They were viewed as simple refuse, society’s unwanted and unneeded surplus.  Poverty and depravation ran rampant in the Underground, a lack of resources and support from above resulting in high crime rates and desperation, to things like murder, prostitution, violence and other sorts of criminality.  Further, leading to things like rampant orphaning of children, likely due to starvation and disease claiming the lives of parents, etc...  It was a place literally cut off from the sun, a world of perpetual darkness, sickness, poverty and dire straits.  They received no aid or support from above, were not provided any of the benefits or privileges of the people on the surface, were not offered any sort of path to success, or betterment of their lives.  They were just plainly rejected and left to the whims of fate.  This alone makes it a more difficult and desperate place than the interment zones of Liberio, for even there the Eldian’s were given opportunities to improve their lives through the Warrior Unit programs.  

You might try to point out that Zeke’s experience differs from Levi’s in how he was taught that he, and on his assumption, every other Eldian, would only ever be seen and treated as a tool to be used for some greater gain, and that Levi, at least, had the love of his mother, and Kenny to show him the ropes of how to survive in a place as ruthless as the Underground, and so Levi couldn’t possibly understand what it means, the way Zeke does, to be seen as a tool, or to be deemed worthless outside of ones utility.  But I would counter this simply, by saying that Levi grew up, spent the first, several years of his life, in a brothel, where the very mother who loved him also worked as a whore.  Through this experience alone, it can be easily assumed that Levi was exposed to repeated instances of his mother being EXACTLY used as a tool, as an object who’s sole purpose was to give men pleasure.  From his birth, then, Levi was exposed and taught the brutal lesson that the sole most important person in his life, his mother, the one person we can assume was the only positive influence and relationship he had, for the first, several years of his life, was seen and treated by everyone else as nothing more than a tool for their basest and most perverse satisfaction.  I can scarcely imagine a more horrific or cruel example of a young child being taught the same lesson Zeke seems to think is unique to him alone, that people’s lives are worthless outside of what use they can provide for someone or something else.  Beyond that, Levi was again forced to face a situation in which he and his two, closest friends in Furlan and Isabel were used as tools by other people, recruited by Lobov to kill Erwin and retrieve from him an incriminating document, promised, if they succeeded, citizenship above and a handsome payday, only to find out later the entire scenario had been set up by Erwin himself to press Levi and his friends into military service, to be used as tools in the fight against the Titans.  Both of these are prime examples of Levi being faced with the lesson that he and those he cared about were seen by people above ground as nothing more than tools, to be used at their disposal.  So this was a concept Levi was already well acquainted with by the time Zeke showed up, a merciless lesson in the harshness, violence, brutality and suffering of life.  Zeke didn’t experience anything Levi didn’t in turn, and in many ways, with greater extremity.  

Anyone trying to claim, also, that Zeke had no positive influences in his life like Levi did would be wrong.  Zeke had Mr. Ksavar, for one, and his grandparents, for another.  Mr. Ksavar asked nothing of Zeke, merely showed care and concern for him, and a desire to spend time with him, playing catch.  It was Zeke who offered to inherit the Beast Titan from Mr. Ksavar, not something forced on him.  And while Zeke’s grandparents may have tried to enforce Marleyean history on him in regards to the Eldian’s, they did so out of love for him, in a misguided attempt to PROTECT him, because they cared, not because they were trying to use him in any way.  

My point in talking about all of this is to draw a parallel between Zeke’s life, and Levi’s, and then to demonstrate how, despite deeply similar life experiences, the two of them diverge in vital and fundamental ways which, more than anything, can only be attributed to their strengths of character and natural inclinations as people.

Essentially, the gist of my argument is this.  Zeke is a bad person.  Levi is a good person.  And there can be no excuses, or influencing factors found in either of their lives to credit for the way either of them turned out, other than themselves, other than their own natures.

Because Zeke let his life experiences twist him into a heartless, emotionless, unfeeling sociopath who murders other people without remorse, and regards other human lives as meaningless, worthless trash, expendable and disposable as a means to his own ends.  He let his experiences in life serve as an EXCUSE for his natural cruelty.  He chose to view the lives of others only through the prism of his own experiences, and cast a judgment upon the worth of those other lives.  The true reveal of Zeke’s megalomaniacal egotism is in how he finds himself unable to separate the lives of others from his own.  In how he’s unable to view the lives of others as anything other than an extension of his own existence.  Because he deems his own life worthless, then so too must be the lives of everyone else.

Levi, then, is perfectly his opposite.  It isn’t because of Levi’s life experiences that he’s turned out the way he is.  It is IN SPITE of his life experiences that he has.  Everything Levi’s ever experienced in his life, according to Zeke’s philosophy, should have turned him into a monster.  He should have come out of the Underground a sociopathic, unfeeling, brutally uncaring and violent man, ready to take from and use others for nothing more than his own, personal gain, because that was the lesson his life had taught him.  Because that was what he’d been shown over and over again.  That life is cruel, and ruthless, and uncompromising in its unfairness, and that to live is to suffer.  And yet, Levi came out of the Underground with a greater capacity for compassion, feeling, love and kindness than any other character in SnK.  He continually and routinely, throughout the series, demonstrates an incredible empathy, consideration, sympathy, generosity and understanding for other people.  He is immensely accepting and nonjudgmental, and always, always goes out of his way to express gratitude towards others for their own sacrifices and efforts.  He does his absolute best to protect the lives of others, constantly putting his own at risk to help others live, constantly putting his own at risk to save whoever he can.  Constantly and consistently, Levi places the lives of others above his own in terms of worth.

And here’s the thing that makes Levi most remarkable of all.  The thing which demonstrates beyond any shadow of a doubt the immense strength of his character.  Levi very well knows that life is cruel, that life is brutal, that life is unfair, and that often people die for no damned good reason at all, that they suffer for no reason at all.  He very well knows that people are breathtakingly cruel and terrible to one another, that people treat one another in unspeakably horrific and unforgivable ways.  He very well knows that the dream of a lasting and peaceful world, a lasting peace between humans, is nothing more than a pipe dream, an unrealistic, unattainable ideal.  A fancy only a child should genuinely be able to believe in.  And yet, once again, despite KNOWING this, despite every lesson and experience in his life impressing this awful reality upon him again and again and again, Levi still does everything within his limited power to ease the suffering of others, to improve their lives, to protect them and show them kindness, to help in any way he can, whichever way he’s able.  Despite knowing the futility of life, the pointlessness of suffering, the injustice of other people’s cruelty, despite knowing these things INTIMATELY, Levi still has in him an open, generous, kind and caring heart.  Levi still has in him a deep, unending well of compassion and an unwavering desire to protect and better the lives of all the people around him.  It isn’t even Levi’s own dream that he fights for, it is the dreams of OTHERS that he fights for.  He can’t ever fully embrace this notion of a peaceful existence, free of violence and deprivation and cruelty, because he knows too well the way of the world.  He’s been too mired in the indifferent reality of nature and the human condition to ever, really believe it.  But in spite of that, IN SPITE OF IT, he fights to protect that dream and belief that others carry, that others strive towards, that others commit themselves to.  He gives everything he has, every piece of himself, to protect a dream that he himself can’t even fully believe in, and for no reason more than that it is something which gives others hope, something which gives other’s a sense of purpose, something which one day, possibly, however slim the chance, might come to pass.  

It is all in spite of Levi’s experiences in life, all in spite of his weary and cynical understanding of the world and the people in it, that Levi commits himself to kindness, compassion and the chance to help others, in whatever ways he can, even as he knows deep down the ultimate futility in it, even as he knows his own, relative powerlessness in the face of nature’s unyielding and uncaring apathy. 

And that really is the fundamental difference between Levi and Zeke.  Two men who have experienced such similar lives, and who have learned early on their lives the cruelties of existing in this world, but one who reacts to those cruelties with defiance and courageous opposition, standing in the face of overwhelming odds, while the other yields to it and lets it excuse his cruelty in turn, bowing to its power and letting it consume him. 

[ariainstars]

Will Din Djarin and Grogu Have to Part?

Since this question has been discussed quite controversially in the fandom since the second season of The Mandalorian, here are my two cents about it. 

Luke and Anakin

A subject my husband and I can’t agree upon 😉 is the character of Luke Skywalker. I always liked him, while my husband finds him annoying. But consider: Luke’s hotheadedness, his naivety, his obstinacy, are perfectly normal for a young man of nineteen or twenty. Given A New Hope’s roots in classic Western, Luke is the typical greenhorn, who tries to man it up but doesn’t know how to do it yet. Luke is a normal adolescent with dreams and ambitions. Remember how we see him playing with a toy skyhopper at his uncle’s homestead? He obviously feels safe there. His aunt and uncle later even sacrifice their lives rather than revealing to the Imperial stormtroopers where R2D2 is, because they know that Luke went in search of the droid, and they don’t want them to find him. Luke is a good boy though raw and green. In the end, his story is a success because he chooses to use his powers to save the ones he cares about, even when it’s a father who, except for saving his life at the last moment, never did anything good for him.

Now compare him to Anakin Skywalker, his father, at the same age: many fans define young Anakin as a whiny, arrogant brat and they’re not so wrong with that. Anakin comes over as an irritating person, much more so than his son, because he is emotionally stunted, having spent the last ten years being told to stifle his emotions and not to allow any personal attachment. Which blatantly failed: we see right away that his bond with Padmé is still intact although they didn’t meet in the meantime, and we witness him getting mad with fury and hatred when his mother has to die in that cruel, meaningless way when he could have saved her had he arrived just a little sooner. Young Anakin is unbalanced and frustrated because by now he knows his enormous powers but is not allowed to use them in a way that actually makes sense to him. Anakin is a family man: his instinct is to protect. But at age nineteen, thanks to the uncompassionate mindset of the oh-so wise Jedi, he already is a ticking bomb.

Now to Our New Heroes…

While the first season was about Mando’s redemption and hero’s journey, the second one thematizes the development of the child. Until now he hardly wielded the Force and most of the time he’s just being cute and getting into trouble, but that’s not simply bothersome, nor is it unfitting for the narrative: it’s normal. Grogu is being a child at last, because he can, and he can because someone is looking after him and genuinely caring for him.

Look at him: the little cookie monster is having a blast. He’s meeting people and making friends. He’s enjoying life (including food). He can let go, because he knows that “daddy” has his back. Literally!

Which is why I don’t believe that Grogu will choose to join some Jedi or other: it would be pointless for his story. Grogu has the chance to be the child he could not be until now, and since he thankfully ages slowly, he’s taking that chance. Like with his predecessor Yoda, there is more to Grogu than meets the eye: he understands more than he lets on. He’s making experiences, and he’s learning from these experiences. Instinctively, he wants Mando because he wants belonging. My take is that he will learn how to have healthy attachments, and that if he is to be the future Yoda in some distant new tv show or new trilogy, he will be very different from this one in that he won’t discourage Force-sensitive children from learning how to love other people in a proper way. Also, Yoda lived mostly at the Jedi temple, which from the outside reminded of an ivory tower and indeed did shield the Jedi from seeing many of the ugly things happening outside. Grogu is travelling: he witnesses the injustices in the galaxy with his own eyes. 

One of the crucial messages of the Star Wars saga always was how wrong it is to separate families. Palpatine’s greatest villainy was making people who belonged together mistrust one another until they resorted to violence. What’s worse, he enjoyed it.

To remain in balance, children need to grow up serene and protected. Anakin, the Dark Father, was the most blatant example for this: his mere existence was a living proof for the Jedi’s failure. Terrified of his former padawan’s turn to the Dark Side, Obi-Wan set the seal on his fate right when Padmé was succeeding into making him go away with her. The Jedi was aware that Anakin was a husband and future father at this point, but the convictions of the Jedi had been so deeply ingrained into his mind since he was small that he believed them to be more important than Anakin’s role not as a Jedi, but as a human being. Still twenty years later, he tried to trick Anakin’s own son into killing him. Anakin’s soul was saved, though only by a hair’s breadth, due to his son’s stubborn compassion. Anakin had been willing to sacrifice everything to save his wife; Luke chose to rather give up his life than his integrity, which is why the moment when he throws his light sabre away before Palpatine is so significant, setting him apart from Anakin.

None of the surviving Jedi would have lifted a finger for Anakin: to them, he was a damned man. Which he was, but that was largely also due to the Jedi’s sins and not only his own. They never showed regret or assumed that they might have wronged him. The aim of both the prequel and sequel trilogy was not to excuse Darth Vader’s / Anakin Skywalker’s or Kylo Ren’s / Ben Solo’s terrible deeds, but to demonstrate that their fate could have been avoided; that they were not alone with their guilt but had been for a large part pushed into their role by their environment, instead of being, as the cliché runs, “mad guys who choose to be evil because they want power”, like e.g. in a James Bond movie. (Except of course for Palpatine, but even he got a second chance through Rey, equally powerful but much more well-meaning than him.)

Conclusions

The message of Star Wars is not about the all-powerful Jedi and the significance of their order: they are not some kind of superheroes who will return and save the galaxy. I daresay that who hopes to see Luke Skywalker, e.g. instructing Grogu, will be bitterly disappointed. If Luke would enter the narrative, the story would become about him, making the show’s set-up and title pointless. His story, the Hero’s Journey, was accomplished with Return of the Jedi, which is why George Lucas never wrote a continuation. Luke himself developed his capacities instinctively, both Obi-Wan and Yoda had little time to train him. (So much also for Rey being “a Mary Sue who knows how to wield her power without training”.) It obviously does not take years and years of learning at a Jedi temple to learn to wield one’s Force powers: it appears that what padawans are taught there, more than anything else, is how to control their feelings. Which is unrealistic on the long run, because every living being wishes for personal fulfilment and even the greatest Jedi can’t live solely for others.

Will the child’s Force abilities fade in time without training, the way Ahsoka said? They won’t. The show is set some 25 years after the fall of the Jedi Temple, and yet Grogu managed to make a mudhorn float in the air with his power. He was exhausted afterwards, but he managed. In another episode he healed Greef Karga from a mortal wound and he is the first Force-sensitive whom we ever saw with this capacity. In the next episode he rejected a fireball with his bare hands. The Force is strong with this one. He does not need a Jedi master to train him. What he needs is to develop a good judgement about what he should use his powers for, and when he should not. 

The saga as a whole always showed a clear structure where the puzzle pieces fit together, adding up to one final picture: life is not about power but about love and belonging. Power can win, but that victory is always short-lived. Who chooses power over compassion in the end will always lose and have to look back on a destroyed world where there are only losses and bitter memories.

Ever from the first episode, The Mandalorian lived from the dynamics between the gruff but kind bounty-hunter and the innocent yet powerful child. At its core, it is a father-son relationship: tear them apart and the whole story ceases to make sense. By the beginning of season 2 Din Djarin and Grogu have grown so close that you could hardly fit a sheet of paper between them. Their story is not about rebuilding the Jedi order, it is about healing together, overcoming loneliness and trauma, starting a new life together. 

Maybe they will be separated at the end of the second season, e.g. by Moff Gideon who wants the child for his despicable experiments: but if that happens, I can foretell what the next season will be about: 

Mando will move heaven and hell to get “his” child back under his protection. Because contrarily to both Luke and Anakin, he is a father, and a good and devoted one at that.

[silvia7272]

Miraculess Ladybug Salt AU: You Always Liked To Play With Fire ~ The Prologue

Hey everyone, this is a new story I wanted to introduce to you all.

I’ve been putting everything in a massive word doc because I had so many ideas and finally settled on putting it out today because it's my birthday. 29th, I may have updated it late.

Yay.

So as a special treat, here’s a new series with a few original characters, ones you know or have been changed ever so slightly to fit, in a Miraculess world. (haha, you see what I did there? No… I’ll leave)

Also for anyone new, I’m a multi-shipper so I ship my characters with a bunch of other people, as I like Lukanette (Fandom Version), Daminette (Fandom Version), Felinette (PV Fandom Version), Marichat (Fandom Version) and I guess Rosannette. What’s Rosannette? Well, I guess you’ll have to find out, won’t you? (also no that’s not a typo, it is Rosannette)

Also, I guess this will just have the usual salt, maybe more, I don’t know. I kinda want it to just be about these two.

Word Count: 3912

Note: I haven’t tagged anyone just in case, this is a different series from my other, I just got really excited and wanted to write it. If you still wish to be tagged for this story please say and specify.

Also: This is a salt story, it will have OOC moments from everyone so it will be classed as an AU. If you don’t want to read that’s fine, and have a nice day.

Well, I hope you’ll enjoy it.

This is for all the people that might prefer Rosinette (like from the songfic) instead, I don’t mind but it won’t be in my main series, so I hope this will satisfy you.

(Word of warning, I believe this will be an AU where the Miraculous don’t exist, and non-canon to my official story and I believe mentions of a panic attack might be lightly mentioned, don’t know if it is, but if someone could check and I’ll make the warning clearer that would be nice)

Summary: 

(Fire doesn't exactly have anything to do with this story I just really liked the title)

Note: This book contains OOC scenes of Miraculous Ladybug as well as a ton of salt, so if you don't like that stuff you may scroll past and have a nice day.

In a world with no Miraculous, no Hawkmoth and no Ladybug, how does our little heroine do?

Well, it usually would be hanging out with her friends, as any other teenager would do...

But, of course, this wasn't normal. 

This was reality. It was cold, hard and definitely not welcome.

So, when this girl wishes to have some kind of adventure in her boring, mundane life...

How long does it take for her to regret it?

***

Memories, it's such a simple word yet it holds so much meaning. One could either wish to forget everything from their life, and simply move forward so they could pursue their dreams. Or, simply relish in the past when they remembered how great it was, all the friends they had made, all the moments they had which were too good to let go.

.

But, I guess sometimes, you did have to let go. But let go of what exactly? Let go of all the happiness once you knew how it would end? No that would be too harsh and you’d turn bitter. Let go of all the sadness? But, wasn’t it an important life lesson to learn, sometimes, you just have to be sad because of the situation at hand. No amount of croissants or macarons would be able to lift your spirits back.

.

Or maybe that was too much of a specific example.

That was what Marinette had thought, staring at an empty glass so intently the man behind made himself disperse from the amount of time the unblinking woman just stared and never flinched.

She guessed it hadn’t all been bad, she at least had some form of happiness before it was violently ripped away, but part of her wondered, what would’ve happened if she never felt that type of happiness before? Would she have felt like she had for so long, was it the fact that she knew what being happy was like before worse? Because, as depressing as it sounded, if she hadn’t been as happy, would she have been as upset?

She would never know, she couldn’t go back in time since that was impossible, but the thought always came and went whenever she was alone with her thoughts.

So… Maybe it was for the best, that she was able to remember what real happiness felt like.

The tight feeling in your chest, butterflies in your stomach, face being so red anyone would worry if the bluenette had caught a cold instead-

Wait- this was an oddly specific kind of happiness she felt, surely she must’ve gotten mixed up with some other felling right?

Right!?

So, how come she was feeling this- incredibly bright heat from her cheeks when she felt a hand on her shoulder?

We may need to go back several years.

***

In a classroom in Collège Françoise Dupont, a young pigtailed girl sat at the back, tears silently falling onto her knees and bawled up fists. She didn’t see any use of wiping them away, since they would just come back anyway, and it would be useless to just repeat that endless cycle. She hadn’t looked around to see anyone else’s faces, they would either just ignore her, or taunt her for just crying, for just being human.

Now you may be wondering why she was so upset? What possibly could’ve happened to make our very cheerful and sunshiny girl become so hunched over she was practically crying her eyes out? Well, the answer lies on the one girl at the front. The one girl sitting in an all too familiar place. The one girl who just ruined all of her newfound friendships.

Lila Rossi.

And boy had she hated that name.

She couldn’t stand that smirk, that thief, that scandal!

And what exactly did she do?

.

She lied.

Now you may be thinking that may not have been all that bad, but it was.

Every time she opened her mouth, everyone would fawn around her, even Alix, the one who seriously couldn’t care about anything to do with glamourous celebrities, was hanging on the edge of her seat to hear one of Lila’s so-called stories. She just had to guess Lila held up a treat over her head to keep her being obedient enough.

She hated Lila so much because she was just using everyone to get an easy life at school, the fastest way towards popularity she guessed, but why she thought this was the fastest way was beyond her.

She hated Lila because she had spread so many lies, so many rumours, all about her. All so out of the realm it was such a surprise they all believed her without a shred of evidence.

It had happened so fast, one day, they were all friends, smiling and laughing like there was no tomorrow, the next, she was surrounded by those faces, those faces of disgust and hatred. As if she had committed even the worst of crimes, more so than Chloé, speaking of, who was absolutely enjoying this show.

But undoubtedly. What she hated about Lila the most.

.

Was that technically, she didn’t have to do that much.

After so many sessions of crying, and just not believing that they could possibly leave her, a friend, like that, she started to reason with herself, that maybe it wasn’t just Lila that pushed them all away.

She thought back to before.

Before they were friends, before Alya even came to Collège, she had been alone. Chloé had always gone out of her way to relentlessly bully her, and no one wanted to be friends with her with Chloé around. So she accepted it, just hoping one day, karma would seek justice and she’d be put in her place.

So she waited.

And waited.

And waited.

And waited.

And-

Gave up.

She accepted defeat after all the years. After the meaningless conversations with teachers that she should try and be the bigger person and rise above all of her hatred for her. Simply because they couldn’t do anything. They had no power over the mayor's Daughter. So they just let her continue her reign over the school.

She didn’t have any powers to stop her.

.

But then, a light of hope came.

The new girl, with ombre brown and red hair, glasses and hazel eyes. A striped t-shirt and an undeniable Aura that reeked of confidence.

As Marinette was being targeted by Chloé yet again, she came in, and for once, stood up to her. Chloé! No fear in her eyes as she, Alya, grabbed her, Marinette’s, hand and walked off to the desk at the front.

She couldn’t believe it, someone stood up to Chloé! She thought it had only been a myth, a legend, but that right there, it was real.

They became friends faster than the speed of sound.

And soon, she too was able to stand up for herself. Reclaiming her original seat back, and citing a quote her new friend had said… Then everyone had wanted to become friends… And, she felt ecstatic.

Finally. It finally came. The day she had prayed for had come. She felt nothing but pure joy.

And she didn’t want that feeling to go away.

She was terrified that the feeling would go away.

So, she thought of making sure that feeling wouldn’t go away.

That’s why she made so many ‘spare’ macaroons to give away, she didn’t spend her free nights staying up and making them, no way.

That’s why she provided so many free gifts to her friends. What? Her hand has a plaster, no she just tripped and hit herself, it had nothing to do with the gifts. Don’t worry, try your gloves on, do they fit?

That’s why she was late for class. Huh, no I’m fine, I’m not tired… But I might just rest my eyes for a bit, wake me up when something important happens.

That’s why she was so happy to realise Adrien wasn’t as bad as Chloé, the small gentle soul that he had, to graciously provide her with his own umbrella, how selfless.

And that’s why she held onto the idea of Adrien so much. The idea that he was perfect. The idea that she was in love with him.

So, she held onto it.

No, she clung to that idea because she didn’t want any chance to let go. So, she may have gone a bit overboard, with the whole, schedule thing, and the phone… And the schemes. But she believed it was harmless. No one else seemed to have any problems with it, so she believed she was in the clear.

Until she wasn’t.

And Lila used that to her advantage.

She remembered that day so vividly, just like all those other memories. The day she came. The day she would find herself in the same predicament from before, it hadn’t been that long since she had been friends with everyone in fact. She was still getting used to it, and her feelings grew as each day passed by.

She remembered when Lila introduced herself to the whole class, and at first glance, anyone would just think she was an innocent little girl. But behind that smile, behind those eyes, held a sinister intention.

She, in less than an hour, had everyone wrapped around her little finger.

Even her.

She’d been on a private jet?

Had a song written about her?

And saved Jagged Stone’s cat?

There was no way Adrien would fall for her now.

…So maybe she had been jealous of that girl before she had done anything. But she had every reason to. She, Lila, was pressed against Adrien who was happily talking to her. The love of her life! She had to do something, even if Alya had given her a disappointed look she just had to stop them from confessing their love to each other, it was inevitable now, so she followed after them to the park. If they even got too close, she was sure she could just conveniently interrupt, she just had to wait for the perfect moment, she only had a couple of hours before they would fall in love, get married, have three kids and a hamster named-

“Wow Adrien, you’re so nice to me. Y’know I really thought moving here would be just like all the other times. But you’ve really made me enjoy my first day Adrien.” She smiled so sickly sweet Marinette wanted to hurl, how dare she just hold onto his arm like that, so affectionately!

“Its no problem Lila, that’s what friends are for.” She smiled, hugging him so fast they almost lost their balance from sitting on the bench, before seemingly giving him a quick peck on his cheek, only for Adrien to turn his head towards her.

And they kissed.

However, it wasn’t a simple quick kiss, by all means, Adrien should’ve realised his mistake and pulled away.

But he didn’t, what felt like forever lasted a minute. One minute to realise that it should’ve been an accident. But they stayed like that.

It- it was over, wasn’t it? This wasn’t her being melodramatic, she just knew how it would turn out. They were going to fall in love so soon, she wouldn’t have a chance.

If only she had seen the look Lila gave, spotting her retreated form from behind a small trash can, the smirk would’ve given her shivers.

***

Getting back to Collège had taken longer than expected. Maybe it was the small amount of dread knowing she may have lost her love for good. Sure, there might have been Kagami as well, she had tried to sabotage her chances with Adrien too, but it always worked out in the end, Adrien always smiling as Kagami’s cheeks burned with redness. But to say they were friends afterwards.

Marinette would cringe at the fact she always felt so relieved afterwards reflecting years later at her choices. But she had always believed she would still have a chance.

Until today.

Lila came, and took him away, within hours.

And she couldn’t stop it.

Walking along the stairs to her class she had to keep her head held high, if she showed weakness, that would mean she was sad, she wasn’t sad, she couldn’t be sad. She still had all of her friends after all.

Maybe now, they could do more activities, after crying and eating a ton of ice cream of course with cheesy movies to brighten her mood up.

But, this would only be the beginning of that negative feeling.

Opening the door, she would be fully aware of something terribly wrong. At the front of the classroom, a crowd had formed, and a crowd that would soon become a routine in this classroom.

But a crowd formed around a girl, the new girl, Lila. She had seemed to be covering her eyes, water dripping down her eyes, no wait they were tears. What had happened?

She didn’t realise she had spoken those few words before heads turned around, looking- no glaring at her, why were they-? What had she done?

“Marinette I knew you could be a tad jealous but to actually do something like that” Huh? Oh no, Lila must’ve noticed she followed them, how embarrassing, and definitely not the best first impression she could’ve made.

Before she could apologise, before she could explain she really didn’t mean any harm. She didn’t have time to.

“To threaten her to never talk to Adrien again because she likes him. Well, I never thought you’d put your jealousy out like this.”

What!?-

No- she didn’t- she, just saw them kiss.

She didn’t even speak with her.

Why would she say this?

Why didn’t she say anything?

Why wasn’t she defending herself?

Why was she letting them believe that so easily?

Why

Why

Why.

.

Why was it so hard to breathe?

Running out of the classroom was easier than looking at all of those faces. Those accusatory faces. She hated it, she couldn’t do- defend- explain.

She- just-

She-

She-

She-

She was in a room?

The bathroom.

It didn’t matter why, as long as she was alone, she could cry to her heart's content.

The fear seeped over her just like that first time, knowing Chloé had won and would never stop, she had lost and lost everything.

Everything she had worked so hard to obtain.

Everything she had worked so hard to keep.

To make sure she didn’t have to let go.

And now it had gone.

Because it was then Marinette realised. That girl, those tears hadn’t been real, there she saw her eyes hadn’t been red or puffy, the tears’ dried up rather quickly, and the inconsistent wails made it very likely she was only doing them for effect and sympathy.

That girl. Was lying!

That must’ve been it.

No way could she be telling the truth. And no way could ‘I saw her around me and Adrien’ be translated to ‘she threatened me, I’m so scared of her’

Maybe, maybe with that, there was hope.

If she could just simply convince her friends that she was lying, then everything would be all sorted.

And maybe she and Adrien-

Wait, she was getting a little ahead of herself there.

Wiping her tears away she proudly opened the door, ready to face her fears.

Too bad her fears were much much stronger.

No matter how many times she would try to prove her innocence, it became worse.

When she tried going to the teachers, they bat an eye with her responses. Obviously not taking her seriously, and just believing it to be some teenage drama, she was pushed out of the classroom and told to try and just be nicer and make friends with her.

That was harsh but expected.

She tried talking with Alya, she turned away from her. Not wanting to hear anything come out of a crazy stalkers mouth.

That had hurt.

She tried talking with any of her other friends, y’know, the ones who ‘always’ had her back.

They too turned from her. Believing Lila without a doubt, I mean, they knew how jealous Marinette could get, it wasn’t that much of a stretch to think she would jump to that, considering the situation.

That felt like a punch to her gut.

She tried talking with Adrien, even if she did stutter and always lose her words around him. But this was more important, than a silly crush.

.

She wasn’t used to saying that.

But, the way he looked at her, it felt like- pity.

He told her he already knew.

He already knew? Wait- then why didn’t he say anything?

Because, as the naïve little boy stood so tall and ‘innocent’ he simply wanted to help her through his own way.

“She was only lying for attention,” He said.

“Once she finally makes some real friends, she’ll stop,” He said!

“In the meantime, you should really drop this, it would be just awful if you were to hurt Lila again. After all, she hasn’t hurt anyone, she doesn’t mean any harm”

.

.

She stood in shock.

This was the boy she had fell for?

This spineless- foolish- Son of a-

“So please Marinette, don’t cause too many problems for her, you shouldn’t be so harsh on her. If you really value our friendship, you’ll do it.” He smiled before walking off, leaving her to her thoughts.

That felt like someone had walked over to her, ripped out her heart and squashed it in the palm of her hands, all while grinning.

Why, why wasn’t she able to see before? Did her heart want to deceive her by falsifying all of his qualities? Was she just blind to bear witness to him not being as perfect as she made him out to be? Was it because she just couldn’t entertain the thought of letting go?

She didn’t know, she just hated this negative feeling. It felt so familiar. She wanted it to go away.

Unfortunately, that feeling would only grow for months.

And it was about to be worse.

“Huh? Marinette? Why are you crying? If this is about what happened this morning, don’t worry, I’ll forgive you” She was crying? Huh, when did that happen?

Whatever, more importantly.

“W-What, no you don’t have to forgive me because I did nothing wrong” Lila’s worried expression faltered for a bit before she grew ‘scared’

“H-Hey, I didn’t realise you felt like that. Oh, you poor thing” Her eyebrow snapped, she seriously didn’t like being called a thing.

“Save it, I can’t prove it but I know you’re just lying to everyone here. And you need to stop, you’re going to hurt everyone when they find out. You need to confess” Her face faltered again, but it never recovered, her once innocent eyes hardened as she smirked, a look that seemed almost natural, as if she had perfected it by looking into a mirror countless times.

“Oh, so you’ve finally figured it out? Figures, I was told you were the smartest one, and it seems like I wasn’t wrong”

“What?” Lila sighed, maybe she had put too much faith in her being the smartest.

“Ugh, you’re so young Marinette. I haven’t told the truth all my life, why the hell should I start now?” Marinette was stunned, why, why was she telling her this?

“Honestly, and I thought Adrien was naïve. Look, I’m not here to play games, I have this whole routine wrapped up. So just sit back, stay out of my way and I might consider making another lie that would benefit you.” It was an offer any reasonable person wouldn’t refuse.

Unfortunately for her, she didn’t want a reasonable offer.

Marinette stared, she was- she was fully aware of what she was doing?

“B-But you’re going to end up hurting everyone, you need to stop, please!” She begged.

Lila frowned.

She was just like all the rest.

“I don’t care”

Huh?

“I said I don’t care, seriously don’t you get it yet? I’m here to win by all means necessary. You were in the way so I took you out. They are just little trophies to remind you of my victory. You had your chance”

She stood still, this situation felt so familiar, but she had to stay strong, she couldn’t give up now. If reasoning with her won’t work, then maybe understanding might, and she could work with that.

“Why are you doing this, do you really not care about when you get caught? About how everyone will feel when they know you promised nothing in the end?” She hoped she would see some sense. They were good people, they shouldn’t be manipulated into this, she was sure they would’ve been friends regardless of what she had promised.

“It’s because I can”

.

“What do you mean?”

“What I mean, dear sweet Marinette, is that because I am able to, I can. I’ve had years of practice with this, and the result always has me at the top, all that oppose me either stay at the bottom or beg for mercy from moi. It's always a delight to see their hope diminish. To realise they would do anything but to be alone.”

Alone- that word, that word stuck with her so much.

She didn’t want that- but she didn’t want her friends to be tricked either.

“Besides, you made it so easy for me, in reality. You only have yourself to blame”

“What- I didn’t even-” A finger was wagged in front of her face.

“Ah ah ah. You really should know better than that. A calendar full of Adrien’s schedule? A box full of presents for Adrien? Sabotaging dates? You’d think I’d have made it all up, it only made the end result so much greater. Seriously Marinette, I don’t even know if I’m the bad guy here, what you’ve done really isn’t appropriate behaviour. But I do know of a great therapist, they helped me through such a hard time” Lila continued to talk as Marinette zoned out. She was the bad guy? No- no that couldn’t be, that was just a harmless crush, that was just what normal teenaged girls did.

But- if it was. Then why didn’t anyone tell her it was wrong, she didn’t mean for it to be wrong. She just didn’t want them to leave, she just didn’t want to be abandoned again.

Why didn’t they say? Why didn’t she realise?

Why did she know?

Lila must’ve seen the shock as she giggled, not at all innocent.

“It was so easy manipulating all of them into telling me about this ‘crush’, once they realised just how crazy it actually was, they had no problem seeing you for the crazy stalker you are.” Lila flicked her hair up away, only for it to come back, but it didn’t matter, she made her point.

Not having the energy to look up, she would’ve noticed Lila had left her behind, laughing too, because no one had been there to overhear their absolutely private conversation. Her overall plan would not be undiscovered today, tomorrow, or the next. It wouldn’t be discovered ever.

Because she was in control.

Marinette, wasn’t in control.

Just like before, that hollow feeling from before, it was back.

And so much worse.

.

She hated Lila, because she made her realise, she was right. All along. And she just had to accept it.

And gave up trying.

She reverted back to how she was at the beginning of the year.

The quiet girl that no one paid attention to, alone, in the back, with nothing but her sketchbook.

Gone were the childish pigtails, it was for the better, no one said anything about then anymore.

Because she realised.

She wasn’t a child anymore.

She couldn’t be, not after this.

***

Hey, so I guess this was more like another prologue, so I’ll have to apologise if it seems just like the other one, but the premise is still the same so yeah.

And I think I might like the idea of a non-Miraculous world; it seems interesting since I feel like Marinette wouldn’t have as much of a confidence boost since she wouldn’t be Ladybug, please tell me that would make sense.

I think it’s interesting for how much would change and stay the same, and my OC will be making an entrance next time, however, here they are all like 13-14. The next chapter will have a time skip of 3 years, oh and Lila came in late, like around Season 3 late ok? So they already know about Kagami and Luka.

Also if you’re confused about anything feel free to ask any questions.

Cya next time.

Note: Please tell me if I should add anything else to the card, there will be one of these cards for all 15 chapters, however, because I have uni work all updates will be slower because I really need to focus on the uni stuff, then I might be able to upload quicker.

[appleflavoredkitkats]

Thank you for being there and making amazing AU’s

Take some of this

Also does anyone in the main trio of Las Nevadas AU experience panic attacks yet? My main bet is Fundy

AAA UR SO SWEET <333 and you're asking the important, angsty questions here, aren't you >:D

tw: panic attacks, dissociation, derealization, existential dread

/dsmp /rp

fundy does experience panic attacks, but i'd like to argue he experiences it the least out of the three, but not by that much. i say that fundy shuts down more than anything when he gets told off. his main trigger is when someone tells him that he isn't the person they thought he was, or just an ignorant comment about fundy's identity and how he's “changed”. more than anything, fundy dissociates rather than have a full-blown panic attack.

fundy only dissociates when he experiences a nightmare or is faced with an identity crisis. panic attacks can happen for anything else (but it still happens for the first two things mentioned, but much more seldom). if he's overstressed at work, or a pet dies, or he watches any familial issue unfold— that's when the panic attacks settle. fundy's panic attacks are messy, especially since he cries the most amongst the trio. his breaths are erratic, and because he applies heavy makeup from time to time, it smudges against his cheeks.

easy breathing tricks work though, and quackity and schlatt easily can help fundy with them since they're good at working together as long as it helps fundy. these two literally cannot cooperate unless fundy is in the picture, which fundy does tease about after the panic seizes. to be fair, it's easy to comfort fundy because he swoons from the simplest terms of endearment and comfort.

i'd say quackity and schlatt on the other hand have worse experiences with panic attacks. to start of with quackity, quackity loves to put a façade up in las nevadas a lot. he is a good actor, and sometimes, even fundy and schlatt can't tell if he's genuinely upset or not. it's difficult because quackity likes to withhold his negative emotions, but doesn't realize how much he's suppressing 'til it spills over when the smallest, negative thing happens.

from losing to a slot machine, to tripping in the sidewalk, to thinking that the music was too loud for his ears— quackity gets panic attacks a lot, and he gets them in the weirdest places possible. the main downside to this is that his main sources of comfort, fundy and schlatt, don't often witnessing him having these attacks. sure, when they do, they'd obviously help, but when quackity gets these attacks in the worst places possible.

so sometimes, he handles them alone. he tries to seep into the darkest spots possible and try to handle the attacks independently. sometimes, he'd try sneaking into bathrooms when they happen, and in these times, schlatt and fundy typically know q is having a panic attack. quackity tries to go to bathrooms less because he really doesn't like bothering the other two, especially in terms of comfort and venting, but of course, schlatt and fundy don't relent.

when quackity handles them in bathrooms, and the door is locked, it's schlatt who usually talks to him through the door. schlatt is way better at words of comfort than fundy, so fundy usually stays aside (or handles the casinos while q's gone), and schlatt does most of the talking. it does help— schlatt's words easily ground quackity back into reality because quackity's way of being comforted is... not easy. there are specific words he wants to hear, stories, instructions; and schlatt is the main one who can deliver it correctly.

besides schlatt and fundy, quackity also has had his fair shares of... other sources of comfort from other people. he's had at least one or two experiences with sam, jack, and charlie whenever he has attacks in the more obscure places. of course, they're not much of an expert at it as much as schlatt, but they have attempted helping. sam once found him next to the garbage outside of his bar, and sam sat by q. he did the typical five senses trick and tried asking quackity to remember certain fond memories of his. jack had a more... messy approach, but his tone was soft, and he tried his best to get quackity to do some breathing exercises. charlie was definitely similar to schlatt but with a bit more comedy and stutters. he doesn't really like showing his gratitude outright after the attacks, but he does raise their salaries and leave gifts for them when they don't expect it.

schlatt's panic attacks are more spontaneous. no build up required, no outside force needed to trigger a panic attack, but schlatt is an immense thinker. he thinks a lot when he's doing his job, he thinks a lot in his bed while sipping wine, he thinks a lot as he smokes next to fundy or quackity during their breaks and dayoffs. problem is, sometimes, he spirals too much downwards in his thoughts.

this is his version of limbo. he often gets haunted by intrusive thoughts of how he is deteriorating, how he won't be able to leave a mark on anyone's lives (especially his own), that he won't be able to achieve his purpose in life (as well as just. not be able to find a new purpose in life). it's frustrating, and he gets lost in thought so much, and there is always that one dark thought that will trigger the panic. sometimes, something tells him that his skin will keep flaking and his body will be reduced into a pile of disjointed bones. sometimes, something tells him that he isn't that flame of ambition that he used to be, and everyone would think of him as mundane and grey and lifeless. sometimes, something tells him that he's going to live as purposeless as ever, and he will slowly be devoid of any emotion or passion.

it's just those simple thoughts that will make his breath hitch. it's obvious when schlatt gets to this point because he visibly shifts and shakes, his eyes staring at nothing as it twitches. he would muster a whine or a groan and if he's with fundy or quackity, they immediately know what's up. he didn't necessarily tell them how these entire ordeals work, but quackity and fundy are analytical enough to understand how he gets to this point, so they don't question it. instead, they've learned to help him.

because quackity and fundy's presence alone does remind him that yes, his life still has a purpose. yes, he still has someone to care for. his life isn't meaningless, and these people he's with is telling him that yes, they still see something worthy in him.

quackity and fundy don't need to say much, but they are allowed to hold his palm or ruffle his hair and tell him that they're here, and they need him to breathe for them. he finds comfort in knowing that his safety means a lot to the other two.

they've also tried to develop a system which helps them inform each other on whether or not they have gotten a panic attack and need help. this was mostly for schlatt at first since he really needs other people's presence to get over with his attacks, but they've also implemented this for fundy and quackity because schlatt berates them on keeping their attacks a secret.

they basically need to send a comma in chat whenever they are experiencing a panic attack and need help. for quicker typing, they represent different places in las nevadas with certain digits so they wouldn't have to type out something long. for example, the main casino (which i now headcanon is the four casinos combined into one big casino after quackity remodelled it) is represented with a “$”, the hotel lobby is “G”, sam's bar is “&”, fundy's room is “f”, schlatt's is “s”, quackity's is “q”, and you get the gist.

for fundy's dissociation, it's difficult for fundy to type out stuff, so quackity always remembers to ask fundy how he's doing if he isn't seen at work. if fundy doesn't reply, that their cue to check how he's doing in his room. fundy makes it a habit as much as possible to reply to quackity when he isn't dissociating to make their system work.