#theres probably more than this but this is what we thought of

[piesafterdark]

Predictions for Arcane as a franchise + my thoughts! Season 2, Act 3 spoilers ahead.

jayce, viktor, and jinx can't be dead. Let me tell you why.

no. 1, Arcane's been pretty explicit with deaths. Silco, Vi and Cait's moms, Benzo, the sergeant from season 1 act 1 etc etc we've all seen dead bodies, time pass without them coming back, or character arcs shifting to accommodate deaths (lsha's and Silco's death shaping Jinx). In season 2, Maddie's, Ambessa's, and random extra's deaths were all shown on screen. Therefore, if we don't see a body, the body's still moving.

no. 2, while this is Arcane's last season, there's going to be more Runeterra shows. Of course we don't know what's going to happen over there, but I don't think Riot and Fortische are just going to throw Arcane's characters away unless they do. "the arcane is waking up" and all that jazz. Seems to me like the arcane isn't back to sleep, and who has experience with the arcane. Oh, right, all these cool guys. Leading to points 3 and 4.

no. 3, Jayce's crystal, given to him by the mage (Viktor) in season 1, was used for teleportation, if I remember correctly. Rather than dying/getting sucked into the crystal, they've been teleported somewhere else and will be used to shift the focus onto that location. This fits. Moving to a completely different location would disrupt the glorious evolution. Plus we didn't see their bodies so.

EDIT: apparently it was the rune of insight or smth. my bad. Still, theres a chance? Please Riot, pleaaseee

from arcanegifs

no. 4, Jinx my beloved. There was a line of shimmer leaving the explosion at the bottom of the pit, and the epilogue of Cait looking at the pit and seeing air ducts hints that Jinx/Powder escaped. I'm pretty sure the Zepplin shown at the end was to imply she left Piltover and Zaun, finally becoming her own person. Throughout the show, her identity was determined by her relationships (hair mirroring Silco's, smoke tattoos for Vi, mental illness from causing her brothers' deaths), and with hallucination Silco suggesting the best way to change the Cycle of Killing is leaving, that's what she chose to do. Additionally, her handwriting for the "the end" at the finale suggests that she was there to write it. She's alive guys trust me. Her change of scenery can be used to shift the focus to a different location.

My personal Thoughts:

on no. 4, I would hate it if they decided to kill Jinx after she found herself. It's overused. Seeing Jinx/Powder finally become herself without Silco's, Zaun's, and her sister's baggage in a new place would be super interesting. As someone who doesn't play League, I've heard there's some blond character she's shipped with from a different country/city? Foreshadowing perhaps? Plus it'd be so in character for her to start a new series with a chaotic "I bet you're wondering what I did after I faked my death."

Cait and Vi will probably remain in Piltover/Zaun doing reform (the show's whole point). The reason why Vi didn't look super duper sad is probably because she's going through shock or because Cait reassured her that Jinx/Powder isn't dead (air ducts). Ekko's probably going to do reform w/ the power couple because that's his motivation.

The sex scene's context is a bit odd, but Jinx literally gave Vi permission to be with Cait so... ? When life gives you lemons, give your gf head i guess. Wish Cait did apology head though, she really hurt Vi... But then again, Vi probably wanted to get lost in the sauce and forget about everything around her, hence the "I don't fucking care" comment.

Jayce was right, Viktor was blinded. Love that they're in love.

It's so interesting to see Sevika going from backing revolutionaries (Silco and Vander) to becoming a revolutionary herself and actually getting a seat on the council!! She went from kingmaker to king.

Thought season 2 was kinda rushed? Idk wished we had hour long episodes just to flesh things out.... still a great season.

It's not over. With the success this show's been giving Netflix, there's at least twenty more on the horizon. God bless Riot and Fortische.

going to go cry now.

[bawmbo]

hi, thank you. youve opened a can of worms that cannot be closed

killer is such an interesting character to me. i realized that im not actually too sure where to start but ill start with his timeline;

the idea of a character whose home was slowly destroyed for reasons outside of their control and beyond what they couldve ever thought was real is an incredibly interesting concept to me. i also love psychological horror and reality breaking type of things in relation to it.

to be transformed into something outside of the bounds of definition, and live with the consequences of that, of your loss of autonomy is terrifying. to be named under that total loss is horrifying. to know that everybody will only know your name and never what you went through to get there, that no one would even really care. not that you could get yourself to. theres so much potential with the idea of someone who wants to drain your world of everything for entertainment, and they can forcefully recode it, and they do not care about you because you are just a game character to them. and you are the only one aware of this. and when youre taken out of the timeline by a strange man who can also forcefully shift your control of your situation, everyone will only know you as just as bad as him. as a murderer with no reason. and every time you look at this man (nightmare) all you can feel is the same hatred you feel for yourself. you cant help but feel like youre the same. but this isnt about nightmare as much as i really do love him and writing his character (also super passionate about him)

i have a lot of problems in general with his fandom portrayal and the fact that we either see him as portrayed as either incredibly childish, dumb, very sexualized, etc. and its okay to want to write him how you want to write him, have fun, just not our cup of tea

to us, hes incredibly agile, quiet. hes eerie and incredibly smart and much more aware of whats going on than he lets on. he has lost all respect for anyone who claims theyre more powerful than him, and the way he taunts is by bringing them back to his level (or just doing things he knows pisses them off but not enough to get him killed for it. massive staring problem and wont elaborate on it). and while he can be flirty, where i understand the sexualization comes from.

i think i just crave more in depth characterization from him. how terrifying he is during battles, how he knows the knives he fights with better than the air he breathes and the placement of his feet just as much. how he could be using his magic but its difficult to fight him even without it. the absence of what he could be doing and the presence of how difficult what he is doing showing through. his disconnection from the world around him and how hard it is to realize that everything around you is just codes. that everything is malleable in the wrong hands and everyone lives their lives blissfully unaware of how quickly things can change. and how he could be deeply angry by this but never actually feel it well in his chest like he sees with others. he isnt indifferent, and at some point, somewhere he might express that care. but he cant. and this is it. and he doesnt know how to move on from that.

maybe when he gets close to people his relationships end up showing slow signs of trust. when he does trust people is he surprised if they leave? how scared is he to depend on anyone when no one was ever there to? maybe one day he finally learns to sleep with his chest or back exposed and around people. and his version of hanging out is going "hey i know a spot" and its a 50 minute walk through a closed off forest but its beautiful. and youll probably get some diseases, just gotta hope you dont. the next place is probably a feral cat colony hiding in the sewers hes been feeding and slowly gaining the trust of. hes weird.

in general i really do love complex characters and think about them a lot. and i love seeing how complex characters can be written. i love exploring the possibilities with him and i find that when we either write him or collab stories where we write characters interacting with him, we have a lot of fun and end up thinking about him a lot.

my friend @nullandvalid is a big killer enthusiast too and if you send him an ask you could probably get a big rant too. (also @thaltro. both him and null write killer super well imo. been incredibly fun to listen to them talk about how they write him and engage in writing stories with them) thank you for giving me time to yap about it, ill probably be thinking of more in the meantime but this is all i have atm fhahaha

another one for fun, pretty experimental. this one was one of those "draw regardless of whether or not you think it looks good" things. swore to myself the next utmv character i drew and posted was gonna be fell but here we are. gonna try to get used to posting things that i dont consider my best work. hi killer love you dude

[sluckythewizard]

[PUT INTO PLACE, TIED DOWN AND ARRANGED, AND IS NEVER THE SAME, AGAIN.]<-listen to my favorite songs. VAMPIRES ARE WONDERFUL ARENT THEY. THE FLESH IS SO MUCH MORE DURABLE. SO MUCH STRETCHIER THAN HUMANS. THE STRESS DOESNT KILL A VAMPIRE THE SAME WAY IT DOES A HUMAN. YOU CAN TAKE THEM APART THREAD BY THREAD AND LEAVE THEM WIDE AWAKE WITHOUT WORRY OF THE BRAINMATTER SPOILING UNDER VINEGARY AGONY.

[emosyzoth]

tumblr user magowolor posts magolor art (CHEERING AND CLAPPIN) yup yuup mhm thats right

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[telesodalite]

Sort of a ramble, sort of me just writing my thoughts out while I'm stuck with writer's block, but I keep thinking about how Fulcrum was in stasis for roughly 3 million years??

Like, that's a long time, even for Cybertronians. Not a really long time, not an entire lifespan. But still, it's a large chunk of a normal lifespan just gone. Poof.

One second you're crawling across the pockmarked terrain of an alien planet, surrounded by the sound of gunfire, and the shouting and screaming before and after each earth shuddering impact of another k-con hitting the ground. And then it's quiet. You're not there anymore. You're drifting somewhere between not alive and just asleep. Preserved somewhere in the background of a doomed body, ignored by time and space, still here, but also not.

And then there's sound. Not gunfire. Not shouting or screaming. Not the sounds that'll haunt you till your dying days, your own death sentence pounding in your head. No. Just voices, talking, standing out against a silent, dead world. Wondering. Joking. Bickering. Familiar. Just, not familiar to you. And you're awake. Pulled back from the nothingness you've been frozen in, consciousness tugged forwards with the yank of a fuel pump and the nearness of life.

These two moments are roughly 3 million years apart, but only minutes, maybe even seconds, to him. From a hectic harrowing battlefield, to an old silent graveyard in one blink.

How long did it take to really sink in? I mean, he seems to just roll with it. He doesn't seem particularly bothered. But like, what happened outside of what we see? How did he really feel?

Also, his body aged without him. While his mind preserved itself, freezing him as he was right then, his body was left to weather Clemency for all those years. No wonder it crumbled to dust when he jumped off the world sweeper. It's probably a miracle of some kind that it didn't just fall apart each time someone leaned on him.

And even after they rebuild him, give him a better, newer body. His spark, it's casing, all the irreplaceable core bits that make up their inner bodies, it aged in the time without him. Does he feel it? Does it make his body even more foreign to him?

Then he's also a technician with information that's 3 million years out of date. Lucky him that the scavengers probably weren't working with top of the line material. But still it's gotta be weird when faced with anything brand new, because a lot can change and progress in 3 million years, and now some of the knowledge he once prided himself in is obsolete.

Besides those things, his view of the galaxy, of the war, of their kind, of other kinds, is one of the few things actually pointed out when it comes to him being stuck in the past. So, how often were his old views challenged? Facts of life he held close proved to no longer true? There's 3 million years worth of new science, new beliefs, new words, new terms, new views.

And sure, some of it can be familiar, because they're an ever evolving kind, and they have patterns, core beliefs, repeating behaviors, but a lot of it's gonna be unfamiliar at the same time, because it's 3 million years worth of catch up, it's not like missing last week's trend.

In a way, it makes him a living relic of a bygone era for Decepticons. It would've been really interesting to have had that explored a little more.

[elftwink]

have to work on a project today and an unrelated thing happened that just made me so so so so so mad (just some irl personal stuff), which normally derails my entire day because i find it so hard to come out of the angry/upset state and tend to just circle back and obsess over whatever triggered it but! today after 20 minutes of that i had a council meeting about it (<- what i call my decision making process) the outcome of which was putting it aside (!!!) for later when i could actually talk about it and resolve it (!!!) & in the meantime we could just do other stuff.

local man exuberant and jubilated to achieve feats of basic emotional self-regulation and was seen excitedly telling reporters he "never thought this day would come" and began giving a thank you speech to nobody in particular. more on this story as it develops

[frankiebirds]

JJ: It's something we call the buddy system. That means, you always go everywhere with a friend. MORGAN: That's right, because bad men and women are more likely to talk to us only when we're by ourselves

this is likely unintentional, but i like to read into things, so.

for context, they're speaking to a room full of children in a town with a serial child murderer, and are giving them some precautions to follow to stay safe (on a lighter note: the scene is intercut with a scene of gideon doing the same to a room of adults, which i really like)

jj addresses the children as "you" while morgan addresses them as "we". i dont like the term "freudian slip" because i hate freud, but thats the shortest way to describe what i think/headcanon is happening here. im sure they had a script, and i think morgan's part was "bad men and women are more likely to talk to you only when you're by yourself" and the "us/we" came out accidentally. or i could believe that morgan wrote his part of the script and wrote "we" because he sees himself in the victims.

obviously the way morgan was victimized during his childhood was very different to what's happening here (there is no sexual assault and we later learn that the violence was done by a peer, not an adult) but it's made clear several times that morgan takes any case where children are harmed very personally. they all do, because that's just how people are, but again, morgan specifically sees himself in the child victims they encounter. he was victimized differently, yes, but he knows what its like to face violence as a child, he knows the fear they felt, and, considering in this case they profile that the children know their attacker, he knows the feeling of betrayal

[mantisgodsdomain]

Fun fact about us: we really, really like doing crossovers, whether between different Things or just between different AUs of the same Thing. We deeply enjoy throwing things into each other and seeing the relative "normal" interact, tinkering with different potential outcomes of the same general thing, fucking around with culture clash and alternate realities, and all of that fun stuff.

Unfortunately, we also get into flavors of media that isn't quite finished a lot, and we often really want to throw together AUs that we have to write ourself together with things, which means that we're nearly constantly running into the same handful of roadblocks: it's really hard to write about stuff when people have no idea what you're talking about, and it's also really hard to write about stuff when you don't know half of what's going on.

This means that a decent chunk of our writing that is finished tends to stay in drafts - fics based on information that needs to be revealed in stuff we haven't yet written, fics based on media where half of the things we need to know aren't yet revealed in canon, and similar situations easily make up our second most common category of "finished but unpublished" and "finished except for That One Thing" fic (our first most common category is "we need to come up with a decent opening and writing a good hook is hard")

This is, of course, a hell of our own creation. A problem of our own authorship, that we still consistently fail to escape because of our sense of pride and unwillingness to turn out anything that isn't at least half-decent. Similar to the way that we force ourself to reread any media that we write fic of for the sake of accuracy before we can publish it. It makes things take longer, but allows us to ensure quality - though it may hold us back from a certain degree of self-indulgence, mischaracterization is the thing that bothers us most, and if we release a misreading or mischaracterization, that'll haunt us more than any level of soul-baring ever count.

Anyways, all of this is to say that peak self-indulgence for us looks like an isekai Dungeon Meshi/Runaway to the Stars crossover where we stick a handful of characters into the dungeon and let them just kind of cope with that for the forseeable future and the only thing stopping us from doing this is a sense of pride and the fact that Runaway to the Stars doesn't actually have finished & published books right now.

[themyscirah]

Philippus? Wym philippus this is a wholeass other woman?????? She's white?????? Guys come on now

ALSO cursed white Euboea in this same sequence.... homeboy she's Asian please stop

Joe Phillips I'm sorry but this is some shitty ass guest pencilling how can you not know anything abt what these people look like thats literally your job... you also just needed to read the issue before this to know?

Editors should have caught this one these are major Amazon characters

[dapperrokyuu]

Read ~60 chapters of Chainsaw Man today, WHEWWWWW-

[arolesbianism]

So I may or may not have spent a good chunk of my day trying to learn how to look into onis code and while I may not have yet succeeded I will likely keep fucking around with shit tomorrow and if I manage to succeed it'll spell great doom for my sanity as oni becomes the interest I've officially poured the most effort into analyzing

[nomaishuttle]

i have to get a new phone case and screenprotector Guys its literally scaryyyy

[tsukiida]

i just scrolled through my blog and i realised i have only two modes: weird pseudo-philosophical rambling. and absolutely unhinged yelling. AND I TELL YOUUUU IT'S SO FUNNYYYYYYY because i spent so long trying to curate my voice and sound like a normal, fun, easy to approach person back when i first made this blog!

then again it's been 3.5 years so i guess my voice changed naturally 🤨 i'm not smart enough for this 😮‍💨

[mantisgodsdomain]

The greatest curse of Us, without a doubt, is the... us-centrism of the fact that we are Us and no one else. Our view on the world is limited and we are frequently subject to the logical fallacy of The Curse Of Knowledge and we're even more frequently beset upon by the fact that some people, like, are Genuinely Averse to depictions of things they've Dealt With themselves.

Like, what do you mean you're talking about this thing as a reason that this media sucks? What do you mean you actively avoid media that depicts things you went through? Do you not gain that feeling of connection from watching people go through something similar to what you did? Do you lack the feelings that are so easy to conjure up in a strong way from seeing a character dealing with the Same Damn Shit? Do you not look at art to feel things?

[lizparkcr]

I cannot talk abt the xl bully ban without getting a raised heart rate but i really desperately need ppl going "it's not the breed it's the owners!!!" to face off with one of those motherfuckers and then get back to me