#there's much to dissect

[asteracaea]

i had some thoughts earlier about taylor's male perspective/persona and how that might be a device she's using in these songs that are so loudly queer but use he/him pronouns

and that's been done by closeted queer artists forever

the only way to get published was to hetwash your work

but it feels like there's been a shift back to heavily using he/him after seeming to be more open in her work and when she could just use you

i think there are deliberate times when it's a you vs him situation but not always

[hinamie]

subject, specimen, spectacle;

should i say that you're dead?

[idontmindifuforgetme]

Once I was listening to a podcast and one of the hosts was like “the key to confidence isn’t never making mistakes and knowing everything, but making mistakes and being totally okay w the fact because everyone makes mistakes and it’s not a statement about your worth�� and oh my god okay. My trauma bond w shame is dying a slow death.

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.

[zillychu]

i'll keep putting him in gacha games until I'm paid for my silence. this is a threat

[mustfindcreativeusername]

Sometimes I remember he died, he was dead for real, but SO MANY people loved him SO MUCH that he was brought back to life and got to have so many more adventures and get old and eventually retire and yes it's a fictional character but sometimes I think about that and I have to lie down and have a cry about it. We love you Sherlock Holmes

[tanadrin]

I have nothing to add to the Maintenance Phase episode on Rapid Onset Gender Dysphoria, which is very good, except that (so far, I’m only about halfway through) they have not stressed what I think is the most obvious objection to parents’ transphobic bullshit, which is that 1) parents are often (obviously, in the case of many ROGD anecdotes) deeply emotionally invested in their child’s gender and gender presentation, and 2) most parents don’t know shit about their adolescent children’s inner lives. Indeed, many parents rarely seem to imagine that they *have* inner lives, and will struggle even when their children are adults to treat them like fully autonomous human beings. It is easy to be surprised by someone’s behavior when you invest very little energy in understanding them as a person in the first place.

[deerspherestudios]

i just played day 3 and i hope you know the moment i saw mychael i started kicking, spinning around in my chair, and punching my pillow all at once!!!! i loved seeing this new side to mychael, and I'm so excited to how this will go!!!! mushroom oasis feels like a studio ghibli yandere visual novel (i hope that sounded like a compliment because it's supposed to be 😭) I'm not sure if this has been answered yet - but what would mychaels favourite studio ghibli movie be? I would absolutely love to watch those movies with him :)

Thank you so much!!! I think you're the first to send in an ask after the Day 3 release so congrats on playing it that early haha!!

That question definitely has been asked before, I've just never tried thinking of an answer just yet with my limited knowledge on Ghibli movies. But after considering I think he'd love The Secret World of Arietty the most!

[viminoo]

big soft tiddies and a smile to die for :)

[sherrymagic]

In my view, the fabric that represents Kueakiat's feeling for Lady Pin is like a fine and elegant silk with expensive value. Then, are you able to see the fabric which represents my feeling for Lady Pin?

Becky Armstrong as PRINCESS ANIN THE LOYAL PIN | EP. 12

[ministarfruit]

day 28: made you smile ♡

(femslashfeb prompt list)

[blackkatdraws2]

I have a lot of leftover drawings in my gallery. [Blank Scripts AU]

[Content Warning: Images below contain Gore, Death, and Disturbing/Uncomfortable Imagery]

I find it a bit cute knowing they start out as crazy and then slowly settle into something calmer and relatively healthier after learning to adapt to each other's lust-turned-love. [Stanley did it first but hey :3]

[tooies]

i think probably the reason i like the idea of like a girl secretly being a dragon but still trying to just have a life in society and be normal is because it's kinda a transfem narrative of the whole like everyone thinks you're a terrifying monster but you just want to be a girl. and the other reason is due to i'm otherkin

[winterdesu]

yeah

[processed-meat]

playing with arti designs to keep from going bonkers !!!!

[the-crooked-library]

opened tiktok (mistake number one, i know) and immediately saw someone saying that Thomas Hutter subverts the "disbelieving husband" trope which... listen i love a thoroughly pathetic mess of a man myself and i get that Ellen's other option is a 400yo evil corpse, but can we please not give him credit for things he didn't do?..

the literal inciting incident of the story is that Thomas DOESN'T listen to Ellen. he doesn't believe her. she tells him that she's got a bad feeling about this trip, begs him not to go, tells him about her nightmare - and what does he do? he calls it a childish fantasy, tells her to stop worrying, and implies that she would benefit from talking to a doctor. saying shit softly doesn't make it any less dismissive or insulting, like i'm sorry but this is peak Disbelieving Husband in a Horror Movie behaviour. he only changed his mind once Orlok put him through the horrors himself, which is also a perfectly standard thing for a Disbelieving Husband to do in the second act. furthermore, from the beginning of the film, he neglects Ellen's emotional needs, is uncomfortable with her abnormalities, and doesn't even really know what sort of gifts she likes - and again, these are all standard flaws for a Disbelieving Husband to exhibit. they're indicative of a disconnect between him and his wife that he continuously refuses to bridge.

caring for someone doesn't mean you can't neglect or harm them, and that applies to everyone - including Normal People like Thomas, like Harding, like Sievers, like the viewer; and that's the point of the film