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fangdokja · 2 months ago

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Could you do a headcanon of the russian mafia boss husband series where y/n isn't a spy and wasn't seeing anyone and it was just a case of mistaken identity but y/n is so broken beyond repair that she doesn't speak, sleep, eat, bath or do anything but stare at the wall muttering 'stop or no more or it wasn't me' until she passes out. And when he tries to touch her in the slightest, she just trashes around screaming and having episodes until she passes out. Y/n has utterly and completely lost her mind. Destructive and emotional breakdowns, anxiety attacks and high suicidal tendencies and behaviour. It could be an alternate ending where y/n is innocent. Maybe a "What if series." God bless you 🙏

🔞"I don't need your love, I need your submission."

❤︎ Synopsis. A woman trapped in the web of a sadistic mafia boss��s obsession must fight to keep her mind intact, but with every twisted act of cruelty, she finds herself unraveling further—until escape becomes impossible and submission the only way out.

♡ Book. Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows.

♡ Pairing. Yandere! Russian! Mafia Boss x Fem. Reader

♡ Headcanon. The Bride of Blood - Part 2

♡ Word Count. 3,335

♡ TW. dom + top + older yandere, general non-con + manipulation, unhealthy coping mechanisms, mental illnesses and self-harm, panic attacks, suicide, angst + tragedy, mature language, death, necrophilia, descriptions of gore, desecration of corpses, erotic horror elements, isolation, BDSM, degradation, humiliation, blood play

♡ Note. Due to Tumblr content guidelines involving mental illnesses, self-harm, and suicide, some plot details of the original story were changed to fit the platform. Specifically, it was purposefully made ambiguous. This is NOT canon, it's a "what-if" or canon-divergent to the main story.

♡ His Story. 🔞"I trusted you, wife, and now I'll teach you what betrayal feels like."

♡ Yandere! Russian! Mafia Boss who watches the cracks in your fragile composure widen with each passing day, his heart sinking deeper into the abyss with every muffled murmur that escapes your broken lips.

Your silence is a desecration to him—a profound betrayal that stabs at his chest. His eyes, always sharp and calculating, now scan you as if searching for any trace of the woman you once were. But all he sees is a hollow shell, your vacant gaze fixed on nothing—just the cold, unforgiving wall.

"Lyubov moya…" he breathes, his voice trembling with a blend of grief and anger, the words sour on his tongue. He steps closer, but you don't acknowledge him. You never do anymore. He can feel the bitterness rising in his throat as he reaches for you, his hand trembling as it brushes your shoulder. You flinch—just barely. But it’s enough.

Your skin feels like ice under his fingertips. “I didn’t mean for it to be like this,” he whispers hoarsely, more to himself than to you, though he knows you won’t respond. Your body is a brittle thing now, once strong, once so perfect. But now? Now, it is but a corpse wrapped in skin, breathing only to mock him.

♡ Yandere! Russian! Mafia Boss who spends every waking hour by your side, watching you disintegrate, your body no longer responding to the world around you, not even to the warmth of his presence.

You don’t eat. You don’t drink. You don’t bathe. You don’t move. You stare. You stare at the same spot on the wall, eyes wide and unblinking, lips cracked and dry. A low, rhythmic muttering slips from your throat like a mantra—words too broken to form into coherent sentences, but words he knows too well now.

"Stop… No more… It wasn’t me…"

His heart lurches, a twinge of nausea curling in his gut as he listens to you—the girl he once saw as his perfect wife—now reduced to a shell of broken words and crumbling sanity. His chest tightens painfully, but even through his sorrow, there’s a sick, twisted thrill that curls in his gut. He can’t help it. This is what he’s wanted, isn’t it? He wanted to break you, to see you collapse into him, to lose yourself completely.

“Don’t leave me like this,” he whispers, his voice thick with desperation. His fingers slide through your hair, brushing it back from your pale face. “I will make it right, I swear. I’ll fix you. I’ll fix us.”

♡ Yandere! Russian! Mafia Boss who watches you convulse violently when his fingers brush too close, a scream tearing from your throat as you fight against him like a trapped animal.

It’s almost a relief, the violence of your reaction—it lets him know you're still there, beneath the layers of disassociation. You twist and thrash, your body frantic with the need to escape him. Your hands claw at his, nails tearing at his skin as you scream into the suffocating silence.

“Stop!” you gasp, your voice jagged and broken. “I’m not like that. Please… I’m not like that…”

You don’t remember what you’re begging for. You don’t remember anything anymore. He, on the other hand, feels every inch of your struggle, the rush of adrenaline shooting through him as he pins you down, his eyes blazing with a mix of fury and longing.

He feels your pulse flutter beneath his fingertips like a bird trapped in a cage. It’s not enough. Not yet. He can't go further just yet.

♡ Yandere! Russian! Mafia Boss who, in the dead of night, watches you from the doorway, his eyes tracing the rise and fall of your chest, the broken rhythm of your breathing.

His heart is a thunderous roar in his ears as he watches you twitch in your sleep, jerking as though you’re trapped in a nightmare. But he knows—he knows this isn’t sleep. You’re not dreaming. You’re unraveling.

With slow, deliberate steps, he moves toward the cot, the sound of his boots striking the floor a distant echo in the silence. You’re trembling now, the sweat slicking your skin as your body shudders in the absence of warmth, in the absence of love.

“Why won’t you just rest, malyshka?” he murmurs, his voice heavy with sorrow. He bends down, hovering over you, but you don’t stir. It’s almost as if you’re already dead.

His fingers brush against your cheek, and for a moment, he’s caught off guard by how cold you’ve become, how still. His heart stutters in his chest. “Don’t leave me. Please… not like this,” he says, the words choking him, the rawness of his voice foreign and weak in the dim light of the room.

♡ Yandere! Russian! Mafia Boss who finds you clutching something sharp, the glint of metal in your hand reflecting a cruel, twisted sort of hope in his eyes.

Your eyes lock with his—there’s no fear in them, only a hollow emptiness. Your hands tremble, the jagged edge of the shard pressing too dangerously close to your skin. He watches in silence, his breath caught in his throat, until the moment drags on for what feels like eternity. And then, without warning, you collapse—exhausted, drained, lifeless, like a doll discarded and forgotten.

His heart hammers in his chest as he rushes forward, grabbing your wrist with brutal force, pulling the shard away from your grip. He lifts you from the ground, holding you close against him as he whispers words you don’t hear, words that make his voice tremble. “You can’t leave me. Not like this. Not now…”

♡ Yandere! Russian! Mafia Boss who holds you long into the night, feeling the weight of your hollow body in his arms, knowing you’ve drifted too far.

Your head lolls against his chest, but your eyes remain open, unblinking. A slight tremor passes through you, the only indication that you’re still here at all. He brushes a strand of hair from your face, his heart hammering in his chest.

But as he watches you, an awful realization settles in—the silence between you both is now louder than anything he’s ever known.

He is losing you.

He doesn’t know how to fix it. And he’s not sure he ever could.

But even then, he clings to you.

♡ Yandere! Russian! Mafia Boss who, in the quiet of the early hours, hears the faintest sound—a soft, strangled gasp from your lips, the first sound you’ve made in days.

His heart stops, a cold dread washing over him as he moves toward you with a sense of urgency he can’t explain. He finds you standing there, trembling, your gaze unfocused, your face pale and drawn. The dim light casts shadows over your features, making you look even more like a ghost.

His breath hitches as he stands before you, eyes wide, panic rising in his chest. “What are you doing?” he asks hoarsely, the words raw, desperate. But you don’t answer. You can’t. Instead, your gaze flickers to the sharp edge of something in your hand—something cold, reflecting the light of the room like a cruel promise.

He moves to stop you, but there’s a hesitation in his step. Something about the way you hold it, the way your body is almost fragile in its stillness, makes him falter. You don’t meet his eyes. You don’t even seem to notice him there at all.

♡ Yandere! Russian! Mafia Boss who, as you stand there with that cold, metallic gleam in your hand, hears the trembling of your breath, the fractured sobs that break through your silent composure.

His stomach churns as the silence stretches on, his own heartbeat ringing painfully in his ears. You look so small, so broken—your body a mere reflection of your shattered mind. There’s nothing left of the woman he once knew, only the faintest whisper of who you used to be.

“Please,” he whispers, his voice breaking. “Please don’t do this. I can fix this. I can make it better. I swear to you…”

But your fingers don’t twitch. Your expression doesn’t change. You stand there, distant, unreachable, a thousand miles away from him. And with each passing second, it feels like the world is slipping from his grasp.

———

♡ Yandere! Russian! Mafia Boss who finally reveals his true nature: the laughter spills from his mouth in a manic, almost feral sound, cruel and unrestrained.

His arms shoot out, grabbing you in an instant, pulling your cold, frail body against his with a force that knocks the breath out of you. His grip is like iron, tightening until you feel the sharp sting of pain, but you can’t even summon the energy to scream.

“You thought I was weak, huh?” His voice is a low growl, a venomous whisper in your ear. “You thought I cared about you. That I was some sentimental fool who would bend over backwards for you, huh?” His lips curl in a sickening smile as he squeezes your body tighter, feeling your fragile form quake beneath him.

He laughs again, a sound that rattles through the room, like a nightmare that refuses to end. It’s so genuine, so completely deranged. His hands run down your back, gripping, squeezing as if he’s savoring every second of your discomfort.

"Damn, you're so fucking stupid," he sneers, his voice oozing contempt. "Did you really think you were smart enough to outmaneuver me? Did you think for one second that you could escape? You were never gonna win."

♡ Yandere! Russian! Mafia Boss who revels in the terror he’s now fully unleashed on you, a sadistic delight lighting his eyes.

“You know what the worst part is?” he whispers, his breath hot against your ear, his tone thick with satisfaction. “You thought I was trying to save you. You thought I was here to comfort you when you broke. But no. No, my sweet, that was never the plan. You’ve been my puppet this entire time."

He pulls your face toward his, forcing you to meet his gaze, your eyes wide, panicked. The pathetic vulnerability you’re showing now is his fuel. His heart races, the cruel satisfaction of seeing you broken filling his every pore. This is where you’re beautiful. This is where you belong—on your knees, broken, and begging him not to destroy you, though you no longer have the energy to do even that.

“You think I’m going to cry for you? Think I’m going to beg you to stay?” He laughs darkly again, his fingers tightening around your throat, making it harder to breathe. “No, darling. I’m not the fool here. You’re the fucking idiot who fell for all of this. Damn imbecile.”

You gasp, but it’s weak, fragile, almost meaningless. Every time you try to speak, your throat constricts as he applies more pressure. The world around you feels like it’s slipping away.

♡ Yandere! Russian! Mafia Boss who takes perverse pleasure in watching you fall further into the abyss.

His hand comes down sharply, gripping your face in a brutal vice. “Look at you,” he mocks, his voice low and cruel. “I always knew you were weak. I already knew you were never a spy. You’re nothing but a little broken thing, begging for release, begging to be loved, but you’ll never have it. Not from me. Not from anyone.”

You don’t answer. You can’t. The weight of it all has crushed the last bit of your spirit. You don’t fight anymore. You don’t scream. You don’t cry. You just… exist. Barely.

He leans closer, his lips brushing against your ear. “Did you really think you were going to be my salvation?” His voice is dangerously quiet, thick with venom. “I’m not here to save you, lyubov moya. I’m here to destroy you. Slowly. Piece by piece. Until there’s nothing left but what I want. And now, you’re so fucking close.”

He pauses, waiting for you to react, but you remain still. His eyes darken with satisfaction. He lowers his lips to your neck, tracing the outline of your skin with the tip of his tongue, feeling your heartbeat accelerate, though it’s weak, frail.

♡ Yandere! Russian! Mafia Boss who grins, a predator finally taking his prey, the last shred of your will completely annihilated.

And then, just as you finally surrender to the overwhelming urge to let go, to end it all, he’s watching. He’s watching with eyes that gleam with satisfaction. His fingers caress the sharp edge of the knife he’s placed beside you—he knew you’d reach for it.

“You never were smart enough,” he murmurs, his voice a twisted lullaby. “You let your emotions control you. That’s where you lost. That’s where you’ve always lost.”

He laughs softly, the sound like gravel scraping against bone. His lips brush against your ear once more, a soft whisper of finality that seals your fate.

"You think this is it, don’t you? You think you’ve made your final choice? No, darling. You lost the moment you gave in to me. And now, even in death… you’ll still belong to me."

♡ Yandere! Russian! Mafia Boss who watches, the gleam in his eyes reflecting a dark satisfaction as he finally fulfills the twisted, broken end to the game he’s orchestrated.

And as you take that final step into the abyss, he watches with a dark smile, his body trembling with the thrill of victory. His laughter echoes in your ears as you fade, and he whispers his final, chilling words.

"You’re so fucking stupid. But at least now, I can call you mine forever."

♡ Yandere! Russian! Mafia Boss who isn't finished, not even a bit. He kisses you, a bruising pressure that feels more like a punishment than a caress, his tongue forcing its way into your unresponsive mouth. "You always did look good enough to eat," he says with a snicker, his breath reeking of whiskey and malice.

He crawls onto the bed, straddling your hips, his cock erect and demanding. "Look how much you're turning me on, even like this," he says, his voice a mix of amazement and disgust.

"You were always so eager to please, weren't you?" He doesn't wait for an answer—there isn't one to give. He aligns himself with your cold, unyielding opening, and with one brutal thrust, he's inside you, the sensation of your lifeless body being violated a twisted form of pleasure for him.

The bed groans under the weight of his movements, the sound a mournful echo in the silent room. His hips piston into you, his hands gripping your thighs tightly as he takes what he believes to be his right. "You're so fucking tight, even in death," he growls, his voice a guttural sound that fills the room.

He leans down, his teeth grazing your ear. "Do you feel that, my love? Do you feel how much I own you?" You don't, of course. You can't. But he's lost in his own madness; his mind so triumphant at finally conquering you, as he fucks you, the corpse of the woman, he once claimed to adore.

With a final, savage thrust, he spills his seed inside you, his body shuddering with the intensity of his release. His orgasm is a declaration of victory, a claiming of what he believes is rightfully his, even in your most vulnerable, unresponsive state. He pulls out, his cock glistening with the proof of his dominance, and for a moment, he simply stares at the mess he's made, the dark liquid pooling around your lifeless body.

A twisted sense of pride fills him, his chest puffing out as he takes in the sight. He wipes his mouth with the back of his hand, a smirk playing on his lips as he watches the last traces of your humanity seep away with his cum.

♡ Yandere! Russian! Mafia Boss who desecrates your body like it's art. With a sick, twisted smile, he positions you again, his eyes gleaming with a sadistic hunger that not even death can quench.

He slices through your flesh with the knife you once held, the cold steel parting your skin with ease. You're a macabre doll to him now, a silent plaything for his darkest desires. He watches, fascinated, as the crimson rivers of your life's essence mingle with his semen, painting the bed in a grotesque tapestry of depravity. The pain, the violation, it's all a part of his twisted love, his ultimate claim over your being.

"Look at you," he whispers, his voice a chilling purr. "So obedient, even in death. You always knew your place, didn't you?" He delves into your open wounds with his fingers, the sensation of your cold, lifeless flesh against his own sending a thrill through him. He licks the blood from his fingers, savoring the taste of his power. "You were always mine to do with as I please."

His eyes are wild with the thrill of his depravity as he plunges into you again, his movements now frenzied, like a beast in the throes of a bloodlust. Each thrust feels like a declaration of ownership, a reminder that you were never more than a possession to him. He leans down, whispering sweet nothings that are now nothing but the echoes of his madness. "You're such a good girl," he murmurs, his voice a sick parody of affection.

"Such a perfect little toy." His teeth sink into your neck, tearing through the already marred flesh, his eyes rolling back with the intensity of his twisted pleasure.

♡ Yandere! Russian! Mafia Boss whose eyes are wild with a sickening blend of rage and lust as he continues to desecrate your corpse. He grabs fistfuls of your hair, pulling your head back as he drives into you with a ferocity that would be terrifying if you could feel it.

Your lifeless eyes stare up at the ceiling, unseeing, as he whispers his twisted love into your ear. Each punch lands with a sickening thud, the sound of breaking bones and tearing flesh filling the air. He's lost in his own madness, his breaths coming in ragged gasps as he takes out his frustrations on the shell of the person he once claimed to love.

"You were always so emotionless, so stubborn, so defiant," he snarls, his fists raining down on your body, each impact leaving a bruise that will never fade.

"But now, now you're just… perfect." He says the word with a disgusting sense of satisfaction, as if your death has somehow made you more desirable to him.

He slices through your flesh, peeling back layers of your body like a grotesque fruit, his knife moving with the precision of a skilled butcher. The smell of blood and sex is thick in the air, a macabre scent that clings to every surface.

♡ Yandere! Russian! Mafia Boss withdraws from the destroyed mess of your body, his eyes glittering with a sick triumph. He stands over you, his chest heaving with exertion, his cock still erect and smeared with the blood and gore of his violent ravishment.

With a grunt of satisfaction, he lets his seed spurt out, painting the floor with a grim pattern that mirrors the chaos of your shattered life. He watches the thick ropes of cum land on the cold, hard floor, a dark stain that mingles with the pools of your lifeblood.

His gaze lingers on your corpse, his expression one of possessive hunger. He's not done with you, not yet.

"Look what you've become," he sneers, his voice a low rumble of disgust and arousal. "A mere pile of meat for me to fuck and discard."

He grabs your lifeless hand, raising it to his mouth, and kisses your cold knuckles with a twisted affection. "But even like this, you're still mine. Always and forever."

He releases your hand, letting it drop with a thud, the sound echoing through the silent room like a declaration of war on your soul.

♡ A/N #1. Also, this would explain the results of Reader being weak (and innocent) in general. A lot of people said they want Reader to just tell the Yandere! Russian! Mafia Boss everything. Even though, she's canonically loyal to her duties and job as a spy. It isn't pride, it's loyalty and will. So, basically, what if she didn't have a strong will?

♡ A/N #2. God bless too. Now, normally, I do not work on canon-divergent works. Genuinely the spy reader is canonically highly trained, extremely loyal to the job and duties, and does not love nor surrender to the Yandere! Russian! Mafia Boss. BUT. I allowed this canon-divergent request (a “what-if headcanon”) because the trauma writing style and overall themes fit my writing style. But. Usually, I will NOT be writing canon-divergent content. Because I HATE matters that aren’t true. This honestly feels like I’m writing actual fanfiction for my work. So weird. Hahahah. But, anyways. I write genuinely canon stories or accurate representations, as close as possible. I don’t like deluding myself in matters like this. In general, I only allowed this because the prompt fits my writing style. But, I would normally not be writing non-canon works.

♡ A/N #3. Also, let me in on you readers on a warning or notice about me. Content that skirts by when it normally wouldn’t? Hahahaha. There’s a pattern in what I do with content like this. It’s the kind that I would classify as “more ruthless”. As an author (not reader nor fellow stranger), if it doesn’t follow the traditional rules? Well. It can only end in two ways. No in-between. It may not be as gory even compared to my other works. But. One very important thing is always sacrificed in exchange for skirting the rules OR having consensual encounters of any kind. This isn’t to be mean or anything. I’ve written like this before, as it’s my rules to myself (I write a lot of grimdark and dystopian stories where no one is safe); but have not yet released anything like this in my blog. So, take this as an introduction on why my yandere type isn’t appealing to most. Or maybe just treat this as a quirky story about why the rules are really rigid in requests, haha. Actually, I can write anything (except stupid reader inserts). The only reason I put rules about not writing certain things is because readers may have expectations on certain themes. And I don’t want to give false hope or anything. Either way, hope you guys enjoy :))

If you want to be added or removed from the tag list, just comment on the MASTERLIST of Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows. Thank you.

General TAG LIST of “Whispers In The Dark”: @keisocool , @elvabeth

❤︎ Fang Dokja's Books.

♡ For Reader-Inserts. I only write Male Yandere x Female (Fem.) Reader (heterosexual couple). No LGBTQ+:

♡ Book 1. A Heart Devoured (AHD): A Dark Yandere Anthology

♡ Book 2. Forbidden Fruits (FF): Intimate Obsessions, Unhinged Desires.

♡ Book 3. World Ablaze (WA) : For You, I'd Burn the World.

♡ Book 4 [you are here]. Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows.

♡ Book 5. Ink & Insight (I&I): From Dead Dove to Daydreams.

♡ Library MASTERPOST 1. The Librarian’s Ledger: A Map to The Library of Forbidden Texts.

♡ Notice #1. Not all stories are included in the masterpost due to Tumblr’s link limitations. However, most long-form stories can be found here. If you're searching for a specific yandere or theme, this guide will help you navigate The Library of Forbidden Texts. Proceed with caution

♡ Book 6. The Red Ledger (TRL): Stained in Lust, Written in Blood.

♡ Notice #2. This masterlist is strictly for non-con smut and serves as an exercise in refining erotic horror writing. Comments that reduce my work to mere sexual gratification, thirst, or casual simping will not be tolerated. If your response is primarily thirst-driven, keep it to yourself—repeated violations may result in blocking. Read the RULES before engaging. The tag list is reserved for followers I trust to respect my boundaries; being included is a privilege, not a right. You may request to be added, but I will decide based on trust and adherence to my guidelines. I also reserve the right to remove anyone at any time if their engagement becomes inappropriate.

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drdemonprince · 5 months ago

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Do you have any favourite scary movies?

I love the ambiguity and grief of The Orphanage, and the main character's emotional journey is absolutely gutting.

The Strangers has some of the most subtle, dread-inducing scares of any horror film of its era; if you liked the hidden ghosts in Mike Flanagan's Haunting of Hill House, it owes some inspiration to this film, I think. It truly gave me nightmares.

The newer Suspiria has really stayed with me, and I loved Flawed Peacock's analysis of the film on Youtube as well. I watched both this and the original back-to-back a few months ago, and they're both great in different ways, but nothing tops the haunting, sickening beauty of the end of this one.

28 Days Later is the only zombie movie for me, and yes part of that is because Cillian Murphy was so fuckable in it. I'll never forget the quiet, contemplative air of this movie, which is rivaled only by The Last of Us games. The zombie genre is bloated with derivative crap, but this movie rang in a whole new generation, and did it so well you don't need most of the rest.

The original Saw is a hell of a stage-play-slash-bottle-episode, and it's far more sophisticated in its writing than any of the rest in the series. It really holds up in my opinion.

The Cell isn't really that scary, to me, but it's fucking cunty as hell with incredible costumes and set pieces, and I enjoyed every minute of it. Bonus points for having a minor corruption/hypnosis aspect really tickled my imagination. I just wish that element had lasted for longer.

Speaking of movies that are actually plays -- there's no better Stephen King adaptation than Misery. Kathy Bates absolutely crushes in a nauseating, confining performance here, and the hobbling scene is one you just never forget. To me it's a perfectly paced film, and it holds up shockingly well in the era of stans and superfandoms.

Ghost Ship is my favorite bad stupid horror movie. The opening scene is enough creative nonsense carnage to justify its existence, but stick around through the end for a very weird trip-hop montage.

Dead Silence is another goofy one that gets really inventive with its gore. I love horror movies that do just downright disrespectful, creepy shit with corpses, and that's what this one is all about.

The Boy is a fucking laugh riot to me. The entire premise is so transparent from the very beginning and the thrills are so awkward and tame that it's a great Halloween party movie. If you're anything like me, you and your friends will walk around the house talking about the Boy for days afterward. Brahms is an age regressor king

Some people find Aronofsky's movies to be too over-the-top to connect with, but I think he nailed the internal horror of perfectionism, codependency, sexual repression, and eating disorders with Black Swan. Barbara Hershey's character is so perfectly unsettling that it sets all my people-pleasing, abandonment-fearing issues alight every time. Everything about this movie is confining and distorting, which is exactly how it feels inside when you narrow your entire life to a singular pursuit and are governed by impossible rules.

The Others has exactly what I need for a horror movie to have good replay value: just like The Orphanage, it's final reveal is more depressing and unsettling than it is pure scary, which makes it cut deeper, and it recontexualizes the whole rest of the film. The interiors and aesthetics are great.

Possession is easily the most disturbing movie on this list. This one cuts deep in a confusing, unmooring way -- it makes you feel sick in your soul, hopeless, and put off from relationships. Filming it reportedly ruined Sam Neil & Isabelle Adjani's lives for a good while, and you can see why. This film is the psychological reality of divorce in its unabashed form. To really leave behind a life you once committed yourself to, you have to become almost unrecognizable to yourself, and do great violence to both your former self, and the ones you love. This film gets that, and it's painful. It makes you feel disgusting for wanting things or for staying in a place where you're unhappy.

Happy watching!

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quill-and-whetstone · 5 months ago

Text

“The Sniper Problem”

I have a favorite litmus test that I apply to just about everything I write: “Could this entire plotline be resolved by one sufficiently trained sniper?” The hypothetical sniper is there to evaluate the quality of the conflict I’ve set up. If they can resolve the whole thing by taking out their target then I… probably have some rethinking to do, because the test succinctly highlights a few key issues with any story that fails it.

First, the obvious: if the problem your protagonists are facing can be solved this way it’s probably just not as interesting as it could be. A conflict of “big bad evil dude does a big bad evil thing and our hero goes and mercs him about it” can make for a fun blockbuster action film, but the plot of those films are rarely–if ever–the point. Stories with a central villain stand to gain a lot of narrative depth from asking yourself what issues would linger if they were suddenly removed from the picture. What internal struggles might remain in your protagonists? How might the world around them still need to be changed or healed? Which elements or areas of the story just seem empty without the big bad to fill the narrative space, and how can we develop them?

The second facet of the sniper problem is an inverted Occam’s Razor, a call to ensure that there’s a good reason the protagonists aren’t just using a simple and direct route to solve their problems. It’s like how modern horror movies have to cripple the victims’ cell phones to justify everything else that happens, though ideally less contrived. When revising a story through this lens, it’s almost difficult not to improve it. It aids suspension of disbelief, lets your protagonists present as more competent, and gives them more to do outside of biffing people they don’t like which in turn showcases more of their personality.

A great example of all of this is Avatar: The Last Airbender. Throughout the show the bottom line is that our heroes are out to defeat the Firelord to stop the atrocities he’s committing against the rest of the world. So it stands to reason to ask, why not camp outside his house early on with an assassin good enough to score a quick or lucky kill? But the show answers this amply with just its concept, mostly without having to draw direct attention to it. If Firelord Ozai dropped dead in the pilot there would still be a whole Fire Nation pursuing his goals complete with other emotionally unstable royals and military officers. It wouldn’t actually… solve anything. “Defeat the Firelord” is just the mission that sets our heroes on the path they need to take to stop a war that’s destroying the world. The real solution is cultivating friendships across cultures, healing and maturing together, growing spiritually, protecting and empowering victims of generational violence, dismantling fascistic power structures, and ultimately even finding a relatively peaceful / humane solution to the problem of the Firelord. While they do call this out directly in one episode, they didn’t have to, because with the way they structured the narrative it was already evident. As a result of that good planning the characters got to do a lot of interesting, character driven, thematically resonant things and the show isn’t just one long and kind of dry martial arts training montage until they show up at the finale.

So keep the sniper problem in mind as you write! Or even as you read, watch, and analyze other media for what worked and what didn’t. I can’t promise it’ll be relevant to every story, but I can promise that it’s a quick and easy standard that’ll help you layer in a lot of nuance and flavor into your narrative.

#writing #writing advice #writeblr #creative process #infodump #re:Write #quill and whetstone

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inbarfink · 2 years ago

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There’s something very ironic about the opening shot of (almost) every DHMIS TV Episode being the front door opening. Considering that in general, this show is about the claustrophobia and helplessness of these characters being trapped in their house unless let out by the capricious whims of their teacher - and specifically because of that, from our protagonists’ POV, that front door probably doesn’t exist.

Okay, so, judging from the layout of the house in both the opening and the show itself, the front door should be right here -

behind the kitchen, right next to the mirror and the coat rack (which, you know, it makes sense to have the front door right next to the coat rack).

But the characters themselves never directly explicitly interact with this location (and they only implicitly interact with it once, which I will get to a bit later). Instead, every time the characters are actually shown going in and out of the house - they use the door on the side of the Dining Room.

And this door might lead outside of the house -

Or it might just lead to the living room.

DHMIS loves to use the conventions of television to create a surrealist and oppressive atmosphere and that is just another example of this. Nonsensical house/apartment layouts are not unheard of in TV Production. You know, filming inside a real house is often a lot less convenient than building disconnected sets and cutting between them when the characters walk through a door - and sometimes flubs or inconsistencies happen or the production just straight-up doesn’t care about it as much as nerds online and whoops now the characters live in a canonical non-Euclidean pocket dimension. But in DHMIS this is not a flub, but an intentional element of unease and horror (and sometimes comedy).

Cause, you know, it’s not just that the trio live in a space that does not make any sense (where is the bedroom anyways? Is it also behind that same dining room door?) - it’s also that their own house is a space they cannot actually fully control or navigate.

They can’t determine whenever this is the living room door or front door. They can’t leave of their own volition, but any random stranger can come inside or force them out.

Just another reminder that is not really their house, as much as they are of the house. And meanwhile the space that should logically be the front door goes totally ignored by the characters - basically on the same logic none of them can see either the staircase or the empty chalkboard space lingering just past the fourth wall of their dining room.

If it is off-screen, it basically doesn’t exist for the characters. Again, this idea of turning a convention of TV Fiction into another part of the Puppets’ Actual Nightmare is a recurring theme in DHMIS.

And on that same note, I want to point out the moment that comes closest to acknowledging the front door, or whatever else lies behind that little nook.

In Episode 2, ‘Death’, during the Memories musical montage, Yellow goes to the coat rack area -

And then he goes outside.

Basically the only time in DHMIS’ TV Series that one of the Puppets has left the house on their own. Not accompanied by a Teacher or following a ‘lesson plan’ (quite the opposite, really). Considering that he was by the coat rack a moment ago - that’s the closest we’ve got to one of the Main Three Guys Around using the front door where it’s supposed to be.

It’s still all very… ambiguous. You know, and Duck was basically buried in their backyard, it’s not like Yellow was pulling a Transport and actually trying to leave. But I still think there’s something there. Cutting from the little coat-rack-hallway to the outside is suggestive of a certain kind of movement the same way heading towards the kitchen door and then cutting to the outside is.

And the fact this is Yellow Guy, the Puppet who is at the same time most oblivious but also the closest to being aware of what’s going on -

Is certainly very intriguing...

#don't hug me i'm scared #don't hug me #i'm scared #dhmis #dhmis analysis #dhmis theory #dhmis tv series #dhmis tv show #yellow guy dhmis #dhmis yellow guy #yellow guy don't hug me i'm scared #yellow guy #dont hug me im scared

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wildgeese98 · 11 months ago

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I wish I could dig up the post from very early on, I think when only a few eps were out, where someone was taking about the concepts of body, mind, and spirit in alchemy and how the three season of Protocol might follow this, with season 1 being body.

The op of that post explains it way better and in more detail and I think they were spot on. I wish I could remember who posted it.

Almost every episode so far has had some element that ties back to the physical body, with several hitting on the theme of accepting physical harm in exchange for something.

Ep. 1: a grotesque reanimated corpse and implied eye related body horror

Ep. 2: body dysmorphia, full on body horror, introduction of ink5oul who seems to effect people by tattooing their bodies

Ep. 3: body horror transformation

Ep. 4: violin that requires the player to maim himself or others in exchange for success.

Ep. 6: Needles, a monster who uses his body to kill

Ep. 8: the mirror world people in the tower trying to eat the guy alive and him jumping resulting in severe bodily harm

Ep. 9: much of the bad luck from the dice seemed to manifest as physical injury, especially the particularly gruesome death of dice guy's friend.

Ep. 11: moving old corpses, return of Ink5oul and tattoos with strange powers

Ep. 12: just a straight up massive amount of gore, as well as whatever body horror type deal Bonzo himself has going on.

Ep. 13: fiance bro severely physically harming himself for money.

The physical body seems to be a general theme running through the season so far. Again is wish I could find that post because it talked about how this might relate back to alchemy. If anyone remembers and can find that post send it to me please!

#tmagp #tmagp spoilers #the magnus protocol

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velvet-vox · 1 year ago

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Why Doll perfectly exemplifies all of the strengths and flaws of Murder Drones as a series.

From the amount of posts present on my blog about the specific individual, it is rather obvious to assume that Doll Yurikova (I'm still convinced the fandom made up this surname) is my favourite character from Murder Drones and you wouldn't be wrong.

She just simply tickles my needy scratch for weird, cool complex villainess characters.

However, eventually I also realised that she more than any other character embodies everything that makes murder drones a great show and everything that detracts the show from being genuinely amazing.

Let's start off with the good, anything I say applies to the both of them:

Doll/Murder drones are generally cool, unconventionally attractive, have great potential (this point will be elaborated upon) and are very complex in both the themes that they bring to the table and the philosophical standpoints discussed.

Coolness factor is mostly subjective, but I am sure any Murder drones fan will tell you that the sci-fi/horror/mystery/romance/comedy show about sentient cannibalistic robots who fight against eldritch atrocities with Portal 2-esque music is an absolute blast conceptually and visually. In the same way the russian robo vampire who was previously a cheerleader before deciding to commit cannibalism to avenge her dead parents has swarms of fans simping for her.

Unconventionally attractive is determined by unconventional people, said people also have rewatched the show seventeen different times.

Now, regarding the great potential, although I've also elaborated the previous points, this is one that will carry over when discussing the negatives of both the character and the show, but as for positive, you can just feel that Murder Drones is so much different from anything else you have ever watched, it truly gives me haunted Ghibli vibes in the way the story plays out. It could really be amazing. As for Doll, every time I watch her in the show up to her death I just get really sad thinking about what could have been if she had a redemption arc or just a better life in general.

Murder drones has abuse as his main theme and how it circulates into destructive chains and Doll is definitely one of the more interesting examples of said theme, being part of the abused and mauled drone designation that became an abuser herself. I say one of the more interesting examples because her story is fleshed out better than someone else's, say Tessa or Alice.

And now for the negatives, we need to bring out the big elephant in the room:

The show is only 8 episodes long and they are writing the season one finale in the same way you would write a series finale since making Murder drones costs Glitch a crap ton of money when they could just lower the animation quality and allow the story more time to breathe (mind you this is also Liam Vickers fault). I just hate the 8 episodes 20 minute long formula, it has, in my opinion, destroyed modern show telling and I honestly can't bear it any longer.

Besides that, 8 episodes of 20 minutes means that Doll's arc has to be paced quickly in order to get all the other characters (particularly the main ones) and elements to shine and that unfortunately leads to the fact that both Doll and Murder drones lack the one thing that separates Doll from being a human being and Murder Drones from being an amazing show, and that thing is (drum rolls) the tissue.

To explain, they have the (exo)skeleton, the organs, the mandibles and all the things that would make a piece of fiction feel truly human, but without the connective tissue, the skin, they both end up just short of those standards and as a result I can't confidently say that they are truly evocative individuals. Tissue of course is a metaphor for quote on quote "filler" in regards to the show and "villain at rest" moments in regards to Doll and her arc. And let's talk about the ending of said arc because of its possibility of paralleling the conclusion of the show;

You can say a lot of things about Doll's death but one thing that's impossible to deny is the impact of her death in your mind, everything about its execution is just so brutal that it leaves you a lasting feeling in your body; in a similar manner, the show could end with an absolute gut punch that remains impressed in your mind for months to come.

Want more?

#murder drones doll #murder drones tessa #murder drones uzi #murder drones alice #murder drones spoilers #murder drones analysis #glitch productions #liam vickers animation #murder drones ep 7 #murder drones

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haley-harrison · 8 months ago

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Eric Kripke is the Alfred Hitchcock of our generation. In this essay I will outline the main types of horror they use, offer examples, and elaborate the genius of the said tropes.

It will come as no surprise to anyone familiar with the man's work, that Kripke loves his ✨gore✨. Now that he's no longer restrained by CW's PG rating, he gets to go full-throttle with it in The Boys. That isn't to say that Supernatural didn't get it's fair share though - I mean, just remember the "Skin" episode in season one - that scene where the skinwalker changes his skin is pure body horror. Masterful.

Okay, Haley, so what? Some of us aren't squeamish. What's the brilliant part?

Good point, my med/bio orientated reader. That gets me to the second type of horror (and my personal kryptonite): psychological horror.

Here we get to lovecraftian themes. And I don't exactly mean Cthulhu. See, lovecraftian monsters are incomprehensible to the human mind, which generates horror through the unease of being unable to understand. Similarly, certain characters that the majority of the audience cannot identify with, can be used to the same end. Lemme illustrate this with two examples: Homelander and The Deep.

I reckon it's safe to assume most people aren't sadistic psychopaths, nor zoophiles with a penchant for sea creatures. Therefore the extreme Otherness of these two makes people uneasy, disturbing on a fundamental level. Hitchcock refined that particular horror trope by sprinkling his movies with taboo-topics of his own time, such as implied homosexuality. (*gasp* 🏳️‍🌈😆)

And here we get to the now well-known horror rule: the unseen monster is the scariest monster. More broadly, what is only implied can be more impactful than having the exact scenario shown on screen. The unsaid leaves more to the imagination (which is the most powerful tool for horror), and creates and additional dread with the element of unknown. People are unsettled by what else there might be, when elipses replace a clear answer.

Now back to Kripke, and how CW's censorship actually worked in his favor in Supernatural.

Maybe you saw this coming, but the monsters aren't the lovecraftian element. (Really, with the exception of tulpas and wendigos, none of them were even remotely scary). As I said above, Homelander and The Deep are lovecraftian because they're freaks. Unsympathetic freaks, but imagine if we took that first part away...

I shan't say it.

Just. Something something, american gothic, shit's implied and that's the point.

Haley, is this an elaborate ploy to talk about shipping? Really?

No. This is about environmental storytelling, gritty noir filter, camera angles, and just how much is left unsaid. This is about trauma, and repression, and the emotional reaction of the audience when they're left to ruminate a bit on the kind of lives the Winchesters had. It's about the missing scenes, the psychology, the implications - just -

*deep breath*

Another brilliant thing is how Kripke plays around with bathos - causing contrasting feelings in quick succession to give the audience emotional whiplash. The quips sprinkled in between the violence. The unexpected gag right before a gut-punch. It accentuates the experience for the audience. Like the way Dean's relationship with food is often played for laughs, but when you mull it over it's not hard to figure out the underlying food scarcity while growing up.

And furthermore, where did the money come from when times were tough? A myriad of angst-fics went ahead to answer that, which just proves an implication is far superior to exposition.

Then there's Hell. We don't get more than a few seconds of flashes, but think about it. Wouldn't Hell use every torture method imaginable? And what's the most psychologically damaging thing you can do to a person, especially a man?

I think you know the answer.

And that realization is the dawning psychological horror.

Finally, I'll leave you with this:

Just... Kripke!!!

I'm biting stuff!

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phantasmiafxndom · 11 months ago

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Out of all the animes you’ve watch what ones are your favorites

...you know what, you get the serious answer. I used to track my anime watching, so out of the 450+ completed ones on my list, here are some of my top recommendations! (In terms of quality, more so than what I've spent the most time dwelling on.)

. . .

One Piece — I haven't technically watched all of this one, but after falling back into the fandom after an 8-ish year break, I really can't understate the quality. One Piece's story is amazing, and I'm consistently impressed by the author's characters/worldbuilding.

Dominion Tank Police (1988) — I have FEELINGS about the villain in this one... Overall, 80s sci-fi vibes mix with themes of ethical responsibility and societal peacekeeping, and the "don't you just want to go apeshit? :)" protagonist (who's also extremely aromantic-coded) is a hilarious, yet wonderfully earnest little menace!

Kyousougiga — I've been rewatching this one recently, and the sheer detail in every scene is STUNNING. I keep having to pause to mentally scream about the symbolism, and tbh, knowing the plot from my original watch is only improving the experience.

Tekkon Kinkreet — This one's a movie, not a series, but SKLJKHS IT HAUNTS ME. Absolutely chilling, by the time the big plot twists roll around... Beyond that, the overall aesthetic/vibe is impeccable, and the exaggerated, messy art style only adds to that.

Kemonozume — Monster/human forbidden romance with stunning art and a great soundtrack. The plot started out a bit confusing, but all of the scattered story elements came together nicely in the end!

The Tatami Galaxy — The "get your shit together and start enjoying your life" anime. It's plenty good as just a story, but I got some excellent life lessons out of it too. Solid mix of comedy, drama, and charismatic-yet-extremely-bizarre characters interacting.

Monster — Excellent slow-paced, psychological horror packed with ethical dilemmas, traumatic backstories, and so many Extremely Depressed Men. In other words, there's a very good reason why Johan Liebert used to end up on so many "best anime villains" lists.

Paranoia Agent — I have nothing but praise for Satoshi Kon's work, in general, and Paranoia Agent has been my favorite of the ones I've seen so far. Compared to his movies, it really benefits from the extra space for plot development, and the big emotional twist hits hard.

Revolutionary Girl Utena — A true classic. <3 There are enough tumblr essays about this tragic yuri masterpiece that I won't go into detail myself, but yes, it's every bit as good as you've heard.

Black Lagoon: Roberta's Blood Trail — The entire Black Lagoon series is excellent, but Roberta is my special girl. Unfortunately, the OAV adaption compresses the manga's version of her arc pretty heavily (and the altered ending is kind of dumb), but I still have to recommend it. Babygirl's breakdown is a REAL mess kjshghs

Claymore — Excellent pseudo-medieval fantasy with badass female characters, lots of body horror, and top-tier monster design. The manga is MUCH better than the anime after a certain point, however.

Kuuchuu Buranko — An episodic series about an eccentric psychiatrist interacting with his troubled patients. The mixed-media animation style and bizarre characters are what sold it for me, along with the exploration of mental health through storytelling tropes.

Cannon Fodder — An artistic short movie that's twenty minutes of aesthetic experience and fascinating worldbuilding implications. I love the vibe, and the "one, long horizontal frame" style is neat.

Flowers of Evil — The art style. The VIBES. The whole thing is incredibly eerie and off-putting, with a plot that's pretty much: "congrats! two shitty teenagers are tearing each other's lives apart!".

#Misc Answers

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wonderfulworldofmichaelford · 10 months ago

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Michael in the Mainstream: Late Night with the Devil

Horror has been clawing its way back into the limelight recently and frankly I couldn’t be happier. Between all the films where filmmakers have used the genre as a vehicle to deliver social commentary or explore deeper themes like the works of Jordan Peele and Ari Aster, the PG-13 horror films that give younger viewers an entry point like M3gan and the FNAF movie, and stylish horror dripping in symbolism like The Lighthouse and Mandy, horror fans are eating pretty good! We even got a good Lovecraft adaptation, starring Nicolas Cage no less! Sure, there’s still the cash grab legacy sequels and the hot garbage horror fans have come to expect, but it seems filmmakers are treating the genre as grounds to experiment again so that, even if the results aren’t perfect, we’re getting a constant stream of innovative creativity.

And Late Night with the Devil looked like it might be one of the best films in this new wave of innovative horror. The concept—the film being a found footage “lost episode” of a late night comedy show—is really unique, and it gives a lead role to David Dastmalchian, who has shown incredible acting chops playing weirdo supporting roles. Positive reactions to the initial announcement and the first looks really built this up to be the next big horror smash!

…And then came the controversy. It was revealed that AI generated images were used to create certain pictures in the movie (specifically the intermission cards), and as this came to light in the thick of arguments over the subject of AI, this killed a fair bit of hype and caused many to state they’d boycott the film. Using such lazy methods as opposed to, you know, hiring an actual fucking artist isn’t what you do to endear yourself to audiences. Still, the ethics of AI usage aside, I still wanted to give this film a chance, and thankfully the movie turned out to be every bit as fun, refreshing, and innovative as I’d hoped!

Until it isn’t.

For most of the film’s runtime, it delivers exactly what you could have hoped for. We get fantastic setup framing the film as sort of a documentary, with a Michael Ironside-narrated introduction giving us pertinent backstory before diving in to the actual episode. The presentation is fantastic; from the grainy VHS look of the actual show to the black and white backstage footage, they did a great job of capturing the look and feel of a show from that era, with everything making sense as something that would be filmed for the show. It keeps this up for most of the runtime.

But just as the film is about to bring home the gold, it does a mass hypnosis sequence where we see the illusion of worms bursting out of a guy… but this clip is played back almost immediately, without the illusion. While the worm effect is great practical gore, it is the first sign that they’re willing to betray the conceit of the film for spectacle. And it only gets worse from here, as this leads right into a big finale with all sorts of overtly supernatural elements as well as video footage of another person’s hallucination.

And while the supernatural horror stuff has some cool moments, including a couple of gnarly kills and some solid black comedy, it really sort of deflates the film. The setup they went with really only works if you keep the supernatural elements ambiguous. The initial demonic possession scene is where the cracks start to show, but there’s still at least a little wiggle room there, but when we have someone split their head open and levitate while blatantly using magic it is really impossible to ignore. It’s even worse because the effects in the finale are really not as good as the filmmakers think they are, meaning they essentially sacrificed the believability of the movie for pointless spectacle that it didn’t even need! Up until this point the movie was up there with the found footage heavy hitters in terms of realism and commitment, sitting alongside the likes of The Blair Witch Project and Cloverfield. But it decided it was better to try and have it both ways, to be some spectacular supernatural extravaganza on top of the found footage realism, and it falls on its face flatter than your create lost episode creepypasta as a result. If only there were hyperrealistic blood to be seen.

Maybe it’s just me, but I hate when a film that builds such great atmosphere with subtle, ambiguous horror decides to go whole hog on the spectacle. It’s my biggest problem with Hereditary—Ari Aster had created such a fantastic, unsettling, oppressive tone for the film steeped in the ambiguity of the events, and then the final act has spontaneous combustion and levitating corpses. But, crucially, Aster pulls everything back for the final scene, leaving on an ambiguous yet deeply disturbing note. It’s why I wouldn’t hesitate to call Hereditary a great film. But I can’t do the same here. Sure, it tries to pull things back at the very end, but by its very nature it fails to do so. You’ve already betrayed the basic premise of your film for your Hollywood ghost movie tricks, you can’t win us back now. You were at the head of the race, about to bring home the gold, and you tripped at the finish line.

I know I’ve been super harsh on the movie, but that’s because I do love it. It’s a really good movie for the most part! Dastmalchian in particular is absolutely fantastic, showcasing great range as his character Jack Delroy alternates between the corny comedic charisma needed of a late night host and the sleazy, desperate hunger for fame you’d expect from a 70s TV personality, all while never coming off as a truly bad guy. It really showcases Dastmalchian’s leading man potential, and whatever else I wouldn’t hesitate to call this a career highlight. I genuinely hope this opens more doors for him because he is genuinely and consistently great throughout, even when other aspects dip in quality.

And aside from the obnoxious and intrusive AI images (which are mercifully few and far between), it spends a good 80% of the film being stylishly immersive and engaging. This is a genuinely good movie, and I do recommend watching it! I just unfortunately have to throw in the caveat that it trips over itself at the end and doesn’t quite achieve the greatness we were all hoping it would.

#Michael in the mainstream #review #movie review #Late Night with the Devil #Horror #horror movie #david dastmalchian

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number-1-kuaidul-fanboy · 5 months ago

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What are you main thoughts on arc v and what you like and don’t like about it?

*Cries out in agony*

Okay fine I'll talk about Arc V.

So... I don't know/remember if this has necessarily been a trend on Tumblr the way it has been in my Discord circles but uh... I have a habit of referring to Arc V as my least favourite Yugioh series.

Now let me clarify. By "least favourite" I do not and never have meant "worst". I have stated before that I love every current Yugioh series and believe they all have entertainment value.

Arc V is not a bad series. It has a lot of genuine merit that I would be remiss not to talk about.

That being said, my overview is going to be critical so don't like? Don't read.

1 The duels, even if they were starting to get a little too complicated by this point, are very fun and breathe life into match ups I otherwise wouldn't care for. Looking at the Arc V duels purely based on the cards and plays, I'd say they're a step up from the overly boss monster reliant but otherwise decent Zexal duels and leagues above the slog-fest overly complicated combo ridden duels of VRAINS.

2 The first season of this show is legitimately fantastic. It has some occasional whatever filler episodes here and there but overall it sets up the characters and story really well and is just fun and engaging to watch in general.

3 The way this series depicts the horrors of war, and how it's not necessarily a black and white issue. Arc V takes a more nuanced approach to this and shows characters being groomed or brainwashed into the cause on both sides, not just the fusion dimension. Serena, Sora, Dennis, Reira, even Yuri to an extent that the show didn't show too well- they're all just children forced to fight in a horrible war and Serena, Sora, and Dennis in particular have really interesting arcs and such fun personalities that they are among my favourites in the show.

4 The foreshadowing and ultimate payoff of certain elements is really satisfying and on my first viewing, eclipsed a lot of the problems Arc V had. The show truly does feel grand and epic and the ultimate reveal of the backstory, Zarc and Ray's stories, how the dimensions split, all of that is really well done and interesting and definitely the most interesting parts of the show on rewatches. But... speaking of rewatches...

I'll admit, I really loved Arc V when I first saw it and declared it my second favorite Yugioh series at the time, beating out Zexal and DM but not GX. It was when I rewatched Arc V that the cracks showed and... my god were they big cracks.

Rewatching the Synchro dimension arc after finally watching and liking 5Ds made me notice how much of the unique riding/turbo dueling elements were taken out in favor of just regular dueling on motorcycles with the occasional action card. But that's a small issue compared to how terrible the social commentary aspects were in the Synchro arc, even without comparing it to 5Ds.

Oh Shinji how they dropped the ball with you.

I'll try to keep this brief but I think the fact that the Synchro arc demonized protesters is incredibly disgusting. And sure, you can claim that the protesters weren't demonized specifically for rioting but for wanting to oppress the rich but you know what? Making all of the protesters, who had very valid reasons to protest by the way, out to just be trying to oppress the rich is still disgusting and I hate it. The way the narrative presents it, it really feels to me like this arc ends with Yuya ultimately forcing his "never fight, only pacifism" beliefs onto LEGITIMATELY OPPRESSED PEOPLE WHO WERE FIGHTING FOR THEIR RIGHTS only to be told "no no no, just talk to your oppressors instead!" which historically, DOES NOT WORK and is a disgusting message to perpetuate, even if it wasn't what the show intended. And this Yuya problem of forcing his ideals onto others along with his character development going in circles are things that do not go away after this. It's a problem with the entire show after the first season and the reason I don't really like canon Yuya very much.

All of this, and also Yuzu's character being destroyed, kills that part of the Synchro arc for me, which is a HUGE part, and the fact that very little actually happens to progress the overall plot for this entire THIRD OF THE SHOW is really frustrating. There's some character development here and there, some arcs being less useless than others, but in terms of major events for the overall story, it really feels like the plot just comes to a screeching halt for most of this arc, with the only things that happen being Serena and Yuzu getting kidnapped, Dennis's betrayal, and Sora's honestly kinda rushed but still decent redemption. So nearly an entire third of the show is both a boring or enraging slog AND doesn't further the overall story I was actually interested in. GREAT.

Also I hate Roget. I don't have any deeper analysis there, I just hate his guts and not in a fun love to hate villain way like Amon from GX. I just hate him and wish he wasn't in this show.

So... the first third of Arc V is great and the second third throws a lot of what made that first third great into the garbage and is so frustrating that I've declared it my most hated Yugioh arc in all eight shows so far. So... where does that leave the final third that most people seem to hate?

...to be honest, I'm in a weird middle ground where I find this final section of Arc V to be both underrated and also not very good. It's... a mixed bag. I have a lot of the same problems with it that most do: the way the show dropped the ball with Reira's arc, Leo Akaba getting off scott-free for being a war-mongering genocidal maniac, the non Yuya and Yuzu yu-boys and bracelet girls becoming irrelevant the way they were by the end, Rin and Ruri getting pretty much nothing but macguffin status, the creepy mind control shit in general, the Battle Beast arc. Just. The stupid ass Battle Beast arc.

Fuck this arc.

And I have some problems that I feel might be unique to me but are major all the same: the legacy characters, especially Asuka and Edo, being poorly written with Asuka overshadowing Yuzu then being sidelined and treated horribly in her duel with Yuri (still one of my most hated duels in the entire franchise) and Edo being incredibly inaccurate to and disingenuous of his character in GX with his arc being incredibly rushed and also feeding into that Yuya problem of insisting "pacifism will resolve everything!" that I mentioned earlier which also logically should not have worked on this version Edo.

Basically, I DESPISE these duels:

And on top of all of that, I don't like the Z-Arc duel. It's got some funny moments in the dub and I like the concept of it but it just goes on for way too long. For how many characters butt into this thing and how obvious it is that none of them are gonna win until Reira steps up (shouldn't have been her, should've been the bracelet girls or actually Ray in some form) it goes on for so damn long and it's just not fun. I feel no desire to rewatch this thing.

Soooo why did I say this arc was a mixed bag when I've had so many negative things to say about it? Honestly, it's just a lot more fun to watch than Synchro arc was. There's more variety in locations, it's not a tournament so the match ups are more surprising and varied, and like I said earlier, the pay off to all the foreshadowing, mostly from the first arc, is really strong. The grander story is back in focus and there are more good character moments sprinkled throughout than there were in Synchro arc. I don't care for Kaito that much in Arc V, or even Zexal II for that matter, but his duels are still fun to watch, I particularly enjoy his duel with Dennis, if just for Dennis.

And while I don't like how overly long the Z-Arc duel is, I still enjoy parts of it and the build up to it is genuinely fantastic. Nearly everything that happens from the Z-Arc backstory up through Yuri vs Yuya and all the duels in between are quite possibly the peak of the entire show. Declan standing up to his shitty father and reinforcing his loyalty to and belief in Yuya is amazing and exactly what Revolver's arc in VRAINS should've been, I love Declan and Riley's duel, Yuri gets to be a fun villain for a while before getting discarded, it's all really great stuff. Maybe it's partially my Declan bias, I really love him, he's my favourite character in the show, but these duels are peak.

Also, apart from the stupid aspects of the ending that I already discussed, the last eight episodes are just. Genuinely good in my eyes? People say they bring the plot to a screeching halt but to me, those episodes are an epilogue, and a pretty good one for the characters the show kept around. I unequivocally like the way Dennis's arc wraps up. I like Shun's duel with Yuya. Shun having to accept his sister and best friend are gone but finding happiness in knowing they do still live on in a way is pretty much the only good thing to come out of forcefully fusing the Yu-boys and bracelet girls. Also Jack and Yuya having a goddamn interdimensional turbo duel is still one of the coolest concepts for a duel EVER. And Declan vs Yuya right after it is a really fun duel with a very good emotional core. Still absolutely LOVE that moment of Yuya understanding and sympathizing with Z-Arc. All these parts are a great way to wrap up the series, even if a lot of the stuff around it isn't.

It's definitely an arc, and show for that matter, of peaks and valleys and sadly, a lot of those valleys really aren't worth trudging through to get to the peaks for me. Arc V, to a more major extent than 5Ds, is the kind of show that I don't feel compelled rewatch in its entirety, just the parts I really like (or need to rewatch for writing reasons or something).

So overall I do like Arc V but it is the Yugioh series I have the most problems with.

#yugioh #ygo #yugioh arc v #ygo arc v #arc v #wrote this instead of watching the new Go Rush live #because the dang stream wasn't working again :(

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wwwow-official · 8 months ago

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Hello, world!!~

Welcome to the OFFICIAL Wacky William's World Of Weird blog!

Now, you may be asking, what IS Wacky William's World Of Weird? Well, my friend, I'm glad you asked!

Description!!~

Wacky William's World Of Weird, or WWWOW for short, is a work-in-progress indie game/art piece/passion project, with elements of mascot horror, analog horror, bait-and-switch games, puzzle games, and other such things!

You play as Y/N [that's right, YOU!], a 20-something year old horror enthusiast, with a love for lost media, and a knack for abandoned building exploration.

After re-discovering an old shirt they don't remember having, they do a bit of research, finding out about the [now abandoned] children's interactive museum of the same name, which resides in their childhood home town, which they and their parents had moved away from, when they were just a kid.

Throughout the game, you'll do puzzles and mini-games, complete tasks, explore, discover secrets, and most importantly, meet the [very much ALIVE!] colorful cast of mascots!

Luckily for YOU, a good few of these characters are friendly! Especially the name-sake character himself, Wacky William, who will grant you sanctuary, and give you hints about the lore, if you ask the right questions!~

Outside of the game, there's still much to do with this fun little story! It seems like SOMEONE'S been uploading old video archives to Youtube, showing off several different promotional videos, commercials, cartoon episodes, and even stuff from what appears to be an old website?

Discover bits and pieces of the story, pieces you wouldn't be able to find in the game, and connect the dots the best you can!!~

Now, that's about all I can give in terms of a description, for now! Though, if you're curious about any non-story related details, our ask box is, in fact, open!

This blog is mainly for sneak peeks, dev updates, musings, and other such random things. Though, there may be a few rebloggings, aswell!

To make things less confusing, I have devised a little tagging system!~

TAGS!!~

General:

#wacky williams world of weird! - For all posts related to WWWOW!

#wwwow! - Same as above, just abbreviated!

#important posts! - Posts like this one, with IMPORTANT INFORMATION!!

#asks! - A tag dedicated to answering questions!

#wwwow updates! - A general tag for WWWOW-related updates!

#sneak peeks! - For sneaky little peeks at WIPs!

#dev log! - Just development logs, nothing too special!

#character intro! - Posts that are all about showing off one of our wonderful Wacketeers!

#wacketeer art! - For art of the characters, Canon or not!

#sillies! - For memes/joke posts about the characters/story/etc.!

#fun fact! - Just to spice things up, I'll be posting fun facts about the characters at least once a week!

Character-Specific Tags:

#wacky william!

#zany zeno!

#nutty norman!

#aberrant albert!

#curious cornelius!

#bouncy betsy!

#sweet suzanne!

#peppy penny!

#other wacketeers!

Off-Topic/Other:

#off topic! - For posts/reblogs that aren't about WWWOW!

#aesthetics! - A tag [mostly] containing aesthetic/stim-worthy pics/gifs/videos that remind me of certain characters!

#polls! - For.. to put it simply, project-related community polls! Kinda speaks for itself, doesn't it?

#reblogs! - Posts that have been reblogged from other accounts!

#support! - To help spread awareness, or just to help out!

*This section will be updated every now and then, to include new tags, if needed! ^^

Now that we've gotten all that out of the way, it's time I introduce myself, and put some boundaries down!

You can call me Mod Cryptic, or just Crypt! I'm the owner of this blog, aswell as the creator of WWWOW as a project! You may know me from my main blog, @cryptic-loser , but that's neither here nor there-

As for my boundaries when it comes to this blog, they're pretty simple!

1. Please, do not make any strange, NSFW comments about the characters! Simping is mostly fine [I encourage this, actually!], just please nothing inappropriate.

2. Please do not pester. If your ask hasn't been answered, I probably just haven't gotten to it yet, or don't know how to respond!

3. Please be nice!! If you don't like something about the project, or have something to say about anything, please be civil about it! Remember, if you have nothing nice to say, it's better to say nothing at all.

4. If you are a bigot in any fashion [Homophobic, Transphobic, Xenophobic, Racist, Sexist, Ableist, etc.], please leave. This is not the place for you. If you try to interact, you will be blocked.

5. If you are a pro-shipper/p3d0/m@p/z00phile/etc., again, this is not the place for you. Like with the last point, if you interact, you will be blocked.

6. On a lighter note, if you draw anything, or make anything related to this project, please tag me in it! I love seeing it!! ^^

And with that, this post FINALLY comes to a close.

I hope you guys have a splendid time here, and have fun!!~

Goodbye for now!!~

Boarders/Dividers made by @strangergraphics !!

#important posts!#project #oc project #blog intro #blog info #mascot horror #analog horror #kidcore #clowncore #weirdcore #kids museum #oc blog #welcome home #poppy playtime #five nights at freddy's #horror game

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